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cut me deep but I won't bleed, so go to hell and tell the devil I'm not far behind.
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ewan ko, pero fuck you todo. 😊
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I’m mad at Disney, Disney. They tricked me, tricked me.
Having Disney soundtracks as a lullaby, life is perfect. ❄️
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The more things seems to change, the more they stay the same.
Put Your Records On
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back from the dead, still dead.
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melancholy of ennahmarieaaa
being a promdi living in a city alone with a zero social life sure is melancholic, huh. never really realized it ‘til now, finding myself constantly drifting away these past few days and remissly dragging myself back into the disconsolate reality. what salvation do I need this time. 😪
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wanna make an instagram account for my writing pieces. should I? 🤔
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Having Disney soundtracks as a lullaby, life is perfect. ❄️
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weirdness can be mediocrity if viewed at a different angle c:
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Twitter, the new pornsite.
06.08.19 - 1:24pm / Quirino Hiway
the agony caused by the traffic is unbearable, the scorching heat inside the tin can automobile we’re riding is so eminent one can vividly see the luster of the sweat from the brilliance of the sun, the awkward and excruciating sensation of being squeezed together makes the situation a little more unfortunate. it felt like being on the verge of eternal damnation. being the short-tempered human being that I am, I managed the struggle to reach inside my bag to grab the only answer I have for this predicament, my beloved phone, wanting to scroll on some social media apps just to ease the burden. as I click on the application that has an icon that merely looks like a bird, you probably know by now what app did I open. as I clicked on the button, lo and behold! the horrendous sight of a retweeted tweet appeared right before my eyes and the eyes of the prying passengers beside me. the gush of regret poured down upon me like a rainstorm and I felt like drowning in shame. I feel the blood rapidly rising up to my cheeks, leaving a crimson smear on my face. I tried to hide the phone and redeem myself from the humiliating situation I just gotten myself into but no, the damage has been done. no redemption could save me. I slowly hid the phone in my bag and plugged in the earphones, hoping that the music could drown all the condemning stares I am getting. the agony caused by the traffic is unbearable, the scorching heat inside the tin can automobile we’re riding is so eminent one can vividly see the luster of the sweat from the brilliance of the sun, the awkward and excruciating sensation of being squeezed together makes the situation a little more unfortunate and of course now, judgemental stares are included.
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(via https://open.spotify.com/track/3GVkPk8mqxz0itaAriG1L7?si=1O1d3v78RLOxFuCm54WMJg)
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Don’t Let Them In
Addiction took our mother slowly, rocked her through it and sung her to sleep sunk deep into the mattress on her bed. When her back teeth fell out, she left them on the side of the bathtub. I was seven, and I kept them in a matchbox, the missing pieces of her kept safe so that she wouldn’t be lost forever. So maybe one day we could put her back together. Our house fell around us, and we tried our best to raise ourselves. The ceilings had water damage, the bottom stairs had dry rot, and in the winters the radiators bled rust. But it was still our house, and Annie made it a home.
My sister Annie mothered me, with lopsided Band-Aids on bruised knees and lukewarm microwave meals. She told me ghost stories and didn’t mind when I crawled into her bed later on, too scared to sleep alone. She taught me to dance, barefoot on the living room carpet, music channel on full volume on the TV shaking our pre-adolescent hips. She always let me shower first so that I could enjoy the hot water, and never complained when she had to make do with the cold. She brushed my hair every day before school, even when I screamed and hit her when she caught the tangles. Annie was dark-haired like her father, whoever he had been, but I was blonde. Annie was desperate to be blonde too, like Marilyn Monroe. Like Mom. I think she thought it would make them closer, remind Mom less of her dad. I’d give anything for her to have her hands in my hair one more time, even if it hurt. She moved to New York when I turned eighteen and never came back. I still dream about her sometimes.
Keeping up with our mother was impossible, and we learned from a young age that we would always be left behind. It didn’t make it any easier. When she was drinking light, she was radiant and would wake us up at 3 am with pancakes dripping in cherry syrup. Sometimes when the weather was right, and she’d had enough being drunk alone, she would call our school up and tell them we had both come down with summer sickness, and we’d drive to the beach instead. I remember being nine years old in the backseat of the car coming home after one of our ocean days, sucking the salt from my fingers. Annie had just dyed her hair blonde, her best friend Jane helping her bend over our kitchen sink. From behind, I couldn’t tell who was the mother and who was the daughter, radio up and windows down, blowing the sky inside.
When she was drinking heavily, she’d be out all night, hair piled up like a beauty queen, eyes glazed over and ringed with glitter and black. Sometimes she’d be gone a day or two. She would never give us advance notice; one day we’d just wake up to an empty house, with the fridge packed full and a post-it note on its door, complete with a smear of Mom’s lipstick in the outline of a kiss, telling us she’d be back soon. Sometimes she’d bring guys home, filling the table with beer cans and ashtrays, smoke up to the ceiling, Mom lost in the haze. We’d sleep with pillows over our heads, trying to drown out the music they would blast all night, and wake up to strangers at our kitchen table in the morning, asking us where we kept the coffee.
When Mom drank too little, she fell apart. She wouldn’t buy food, and the refrigerator went bare. She’d chain smoke, leaving cigarette burns on the wallpaper up by the stairs like the walls were sick and decaying. She barely slept, walking around with blue half-moons under her eyes, knuckles raw. She would scream at the slightest thing. I remember once when I spilled a glass of juice on the couch. She looked over at me with dead eyes and dragged me off onto the carpet and then took every single cushion off the couch and into the back yard and set them on fire. Annie went to watch a while from the window and then sat next to me on the floor, backs pressed against the skeleton of the seats, head resting in the crater of my collar bones.
It was the worst when Mom drank too much. She’d laugh too loudly and too long, at anything and everything, until her mouth started to shake and she began to cry into her cereal at the breakfast table. Annie shut down when Mom was like this, going somewhere deep inside herself where no one could hurt her. She’d stay up until the morning watching old black and white movies on TV, whispering the lines she knew by heart like prayers. When I was five years old, I’d cry when I’d find Mom passed out on her bed, sure she would never wake up. Annie would wipe my tears and tell me she was only sleeping, like the princesses in my storybook. We’d sit on Mom’s bed together and wait for her to wake up. When we were older, I was the one who would pick Mom up off the bathroom floor again and again, and Annie would put her to bed, smoothing her hair off her face, wiping the vomit from her mouth, and changing her clothes if she’d pissed herself. Watching them then, there was no doubt that Annie was the mother now.
It was October, and I was thirteen, Annie sixteen. It was a Wednesday night and Mom had been gone for two days. She’d called us that morning from a payphone, voice slurring, telling us she was having the best time with all her new friends, and that she hoped we were doing fine. When she asked me if I was having a good birthday, I hung up on her. My birthday had been the day before. Annie had given me a pile of presents, strawberry lip gloss and glittery nail polishes. I didn’t ask where she’d gotten the money for them. I didn’t care. We’d taken the bus to the beach with Jane and ate the birthday cake she had made for me, sand getting into the frosting. It tasted like sweetness and the sea, and I savored every bite and scrape of sugar against my teeth. We watched the sun go down, Annie snapping grainy photos on her Nokia as I blew out my candles, wishing over and over that Mom wouldn’t come home, that she’d stay gone this time.
But that Wednesday night, Annie and I weren’t speaking. Anger hung heavy between us, seeping through the floorboards. It began when she tripped at the bottom of the stairs. We’d both laughed, Annie throwing her head back, the gap between her front teeth catching the light. When I’d bent to pick her up, I felt her breath, warm against the freckles on my cheeks. I let go of her arms, and she fell again, hitting the floor and grinning, shaking her hair from her face. Her breath was heavy with whiskey. I couldn’t start picking her up too, couldn’t watch her fall again and again. Just like Mom, I knew she’d never get back up.
I’d stared down at her, blonde hair hanging over her eyes, and all I could see was our mother. Then I was running, feet slamming the hallway like heartbeats turned loose. I’d run for the kitchen and tipped every bottle we had down the sink, shoving Annie back as she fought to stop me, catching liquor on her fingers as it fell. She grabbed my shoulders and made me drop the very last bottle. It smashed between us on the floor, glass shards shining like we’d dragged the stars out of the sky and broken them, like pieces we could never put back. Outside through the open windows, the sky turned pale gold, the clouds a mess of pink and cream smeared across the horizon. I cried then, watching my sister on her knees picking up the pieces. That was Annie, always trying to fix things even when it was too late.
The smell of food dragged me from my room, my stomach turning traitor inside my rib cage. Annie was cooking pasta, real food not made in a microwave. She’d set the table, Tammy Wynette singing softly from the CD player, Annie gently swaying her hips as she stirred the tomato sauce, rich and warm. As we ate in silence, I forgave her more with every bite. Mom never cooked dinner, never remembered my favorite had been spaghetti since I was a kid, and never stayed sober long enough to sit up at a table. Annie wasn’t Mom.
We were washing the dishes when we first heard it. A moth was crawling down the inside of the pane, and I cracked the window to let it out into the dark. From the backyard came a faint sound. I tilted my head to listen as it was coming from far off. Crying. I figured it was Mika, the two-year-old next door, having a tantrum loud enough for us to catch, or maybe even Lucky Strike, the cat that belonged to the junkies down the street, begging for food like he sometimes did. I always wanted to feed him when he came around, winding over my ankles, but Annie always stopped me, saying once you started giving they never stopped taking. Looking back, I don’t think she was talking about the cat.
Annie flipped the Christmas lights strung up around the porch, and we sat on the plastic beach chairs watching the skies. When we were little, we’d sit outside, and Annie would tell me the names of all the constellations and the stories of how they came to be hung up in the night sky. I had to grow up before I realized she made them all up as she went along. It was a game we still liked to play now, making up ridiculous stories for the shapes we could pick out.
“Ah, yes, that one there is the Coors Light. It got there when God dropped it out of his convertible window and never picked it up,” she said, nodding sagely and hiding her smile.
“Of course,” I said, waving my hands and pointing up past the power lines. “Right next to The Ashtray, left there by angels on a smoke break.” “Yeah, they say if you wish on it, all your dreams will come true,” said Annie with a grin.
Then she stopped laughing, and her voice grew quiet, face tilted up to all those dead stars.
“Let’s wish, Emmy. Let’s wish.” So we did.
The sound of wailing interrupted us. It was closer this time, and definitely human. We turned to one another in confusion. Annie shrugged, and I squinted into the black. It sounded like a baby, lost, tired and alone.
“It must be Mika?” I said, slowly getting to my feet. “Maybe he walked around the back? Do you want to call Connie and tell her we’ll bring him over?” Annie didn’t reply. I sighed and rolled my eyes. “Okay, I guess I’ll do everything then.”
I stepped off the porch, grass soft against my heels. The air smelled like it might rain, fresh and clean and growing. A promise unfulfilled.
“Em.” Annie’s voice was strained. I turned to her with a smile. It died on my face when I saw the look on her own. “Em, get inside now.”
She was staring out into the dark, past me, and opening the door with one hand behind her, fingers fumbling on the latch. I froze, barefoot in the dirt. I’d glimpsed what she was looking at.
In the bushes by the back fence, someone was crouching with their knees tucked up neatly under his chin, and his arms wrapped around his legs. His mouth was agape, softly opening and closing as he cried. Like a child, lost in the dark. No – not like a child. More like someone pretending, mimicking the sound under cover of darkness. Suddenly they straightened their back, snapping upright, face still obscured by shadow. They were tall and slim, extraordinarily thin by human standards.
Panic made me move, carried forward by animal instincts leftover from a time when people still lived in nature. I was faster than Annie, dragging her inside and slamming the door behind us, hearing it bounce on its hinges as I locked it. We watched as the person slowly approached the house with long, deliberate strides.
Annie reached for my hand, holding me tight, and turned me to face her, holding my shoulders.
“Don’t turn around, Emmy. Don’t turn around.” Instinctively I started to look over my shoulder into the gloom. Annie grabbed my face hard and shook her head. I knew then she was serious.
“I’m…” her voice cracked, and she cleared her throat, gripping my hand tight enough to hurt, nails digging in, grounding herself. I looked down at our interlocked fingers, both of us born of the same bones.
“I’m going to call the cops, and everything is going to be…” Her voice faltered, stuttering. Tears spilled over her lashes. Annie never cried.
“Your phone’s on the porch,” she whispered, and bile crawled its way up my throat. Her phone was upstairs, charging.
A soft, tap-tap-tapping filled the silence. Annie turned wide-eyed to the window.
It was the sound of someone’s forehead slowly and repeatedly bumping against the glass. Then the blows accelerated, gaining in both speed and strength, skin meeting glass until they were slamming into the window hard enough to shake the panes.
A moment later the tapping stopped, and I was about to ask Annie if I could look now, when she screamed, followed by the sound of cracking glass and a tremendous crash. Whoever was in our yard had just smashed their face hard enough into the window to shatter it.
We ran up the stairs two steps at a time, skipping the rotted ones out of habit. I turned to look behind me once, and Annie yanked my face back before I could see. The sound of glass breaking echoed behind us as we made it to the bathroom and locked the door. A weak, mewling cry, like that of an infant calling for its mother, filled the hallway, trapped between the walls and entryways.
Annie threw her back against the door, feet jammed up against the bathtub, clutching a knife she had grabbed from the kitchen. I joined her, shoulder to shoulder, and did the same. Slow footsteps started on the stairs, calculated and casual. The crying took on a mocking quality, resembling laughter, arriving in short, shrill bursts of sound followed by high-pitched giggling, and then silence, only to start again a moment later. The first door on the upstairs floor was my bedroom, and we heard the distinct sound of it slamming open.
They were looking for us.
“What the fuck is going on?” I asked Annie, not even bothering to brush away the tears that I couldn’t keep from falling. I watched my sister pick herself up off the floor and brace her hands on the door as we heard the sound of a second door slamming open. Mom’s room. The next room on the hallway was the bathroom. Annie pulled me to my feet and handed me the knife. I shook my head and pushed it back to her, terrified of what would happen if I had to use it. Annie shoved me and pressed the knife into my hands, thumb pressing hard enough along the edge to draw blood. I watched a winding road of crimson rivulets cascading down her wrist. In spite of the pain, Annie continued pushing the blade into my hands. Finally, I took it from her.
Something slammed against the wall that Mom’s room shared with the bathroom. A high-pitched howl followed. I held my breath and felt my heart beating frantically in the base of my throat.
“I’m gonna get the phone from my room,” my sister said. I shook my head dramatically in protest. Before I could say a word, Annie clamped a hand over my mouth. I could taste the blood on her hand, salty and sweet. Like birthday cake by the ocean. “Yes. I’m gonna get the phone, and I’m going to call the cops. We’re going to be okay.”
I shook my head again.
“It’s the only way,” Annie insisted. “When I go, I need you to lock the door, and I don’t want you to open it for anything or anyone. Not for me, not for… anyone. Promise me.”
I shook my head, and Annie pressed her hand against my mouth, pushing my teeth against my lips so forcefully it made my eyes water. “Promise me, Em!”
Something smashed in the room next door. Annie brushed the hair from my face and gently tucked it behind my ear. “Promise,” she mouthed, and unlocked the door as slowly as possible, the bolt scraping gently. I watched the curve of her shoulder disappear into the darkened hall, like the moon in eclipse. And then she was gone. I couldn’t move or breathe for a second, and then I slammed the bolt shut just as something bounced off the outside of the door. A high-pitched scream ensued, followed by the handle rattling up and down hard enough to pop a screw loose. I watched it roll toward me on the tiles. And then everything went still.
I sat with my back to the door, holding the knife and wishing I was holding Annie’s hand instead. The silence continued. For a moment, the only sound was that of my breath slowly filling the room.
A voice broke the illusion of solitude.
“Em?” a familiar voice came through the door. Startled, I gripped the knife even more firmly than before. “Honey, what’s going on?”
“Mom?” my voice cracked. “Momma, is that you?” I wrapped my arms around myself to keep from shaking.
“Sweetie, it’s okay, just open the door. It’s okay, just let me in.” The handle rattled again, gentler this time. “Just let me in, it’s all okay.” She banged impatiently on the door, and I took my handle of the bolt.
“Honey, I’m sorry. I’m sorry that I missed your birthday. I’m sorry I’m such a terrible mother. Please!” her voice broke, and she started to cry. “Just let me in, baby. I’m so sorry.”
I screwed my eyes shut. She sounded so sad and so lost. I just wanted her to hold me as like she did when I was a kid, when I’d come in with a scraped knee after falling off the swings. Maybe this time she meant it. Perhaps it would all be okay. My hand found its way to the bolt again.
My sister’s voice came through the door, warm and gentle. “Yeah, Emilie, let us in. It’s all okay.”
My hand froze on the bolt, and I tightened my grip on my weapon. Annie never called me by my full name. A hand banged on the door, handle rattling. “Emilie, let us in!” Annie’s voice became low and guttural, followed by the same shrill giggles from before. Mom spoke now, pleading and crying, her voice growing louder and louder. “Let us in! Let us in! Let us in!” she shouted over and over again, punctuated by her fists on the door. I thought about bedtime stories, and all the demons and monsters we pray never crawl out from under our beds.
“That’s not my sister, and you’re not my mother!” I screamed through the door, hands over my head. I climbed into the bathtub, curled into the fetal position, and clutched the knife to my chest. I didn’t know what it was outside that door, but I knew it wasn’t Annie. It wasn’t the voice that scolded me whenever I changed the TV channel, the one that sang me happy birthday, the one that told me I was smart even when I got bad grades, the one that read me stories about princesses that never wake up. It wasn’t human.
Bangs and yells came from downstairs, followed by the footsteps of people running. A low, guttural howl ripped through the house, filling the room until I felt like I was drowning in the sound, and then the door was kicked in. I screamed, covered my eyes, and waited to die.
A moment later arms found me, lifted me from the tub, and carried me from the room. I looked at the outside of the door as I was taken downstairs. Its exterior was covered in long, scraping claw marks, stretching to the floor. I found the hallway covered in the soft, downy remains of torn-up pillows, making it appear as if it had snowed indoors. I watched the tiny feathers drift slowly as men in uniforms checked each of the rooms that looked like they had been ripped apart by something feral.
Outside, police cars and an ambulance waited in our driveway, and there, in the middle of it all, was Annie, bathed in blue and red light and glowing in the dark like a neon angel. I threw myself from the officer’s shoulders and ran to her. Then I held us both together, broken pieces and all, standing under all those constellations we’d concocted. Muffled screaming came from the ambulance, which rocked occasionally. Annie gently turned my head away, smiling so sadly it made my chest ache. I understood.
It turns out there was no demon. No wild animal or bad men were trying to break in. It was just Mom, out of her mind on booze, drugs, and everything in between, coming to the end of a week-long binge. Something had finally broken inside her head, and this time we couldn’t put her back together no matter how hard we tried. Sometimes you fall one last time, and then never get back up.
Annie had seen her rail-thin frame in the garden, blood dribbling from her mouth, track marks bulging on her forearms like unmapped roads, desperate for one more hit, one more fix. She’d searched the kitchen for all the alcohol I’d thrown away, and when she hadn’t found any, she went hunting for the stash hidden in the bathroom. She hadn’t wanted me, just the drugs on the other side of the door. She’d been so high she was able to mimic Annie’s voice nearly perfectly.
The real monsters are the ones that eat you alive slowly, the kind that comes in a bottle or a needle, or at the end of a long list of reasons why you can’t get out of bed in the morning. Sometimes the monsters are the ones that raise you or love you the most. But it’s up to you to let them in.
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He Who Wanders
I missed the scorching wind of Andalusia. How it pours sunlight onto your face, toying with eyelashes, flattening dry sand against cheeks and milling around hair. I missed the smell of the valley and that ripening softness of Muscat fluff glistening in the afternoon breeze.
From up here, I can see the house where I grew up. I see white chapels tucked into grape orchards like pawns scattered on a chess board. I can see patches of asphalt on El Jardinito Road hailing from the old town through dappled rocks, then waning behind the horizon with erratic headlights of beat-up trucks cruising along.
One of the pit stops along Ed Jardinito, where truck drivers stop to relieve themselves, marks the starting point to this wavy trail. All covered in blotches of spindly grass stalks and flaxen sand, the trail is barely noticeable at first. Truth is, no one even cares to notice it. Why would truckers taking a blitz-leak care to check on a mucky trail leading to God knows where? But I do. This is how I got up here, to the top of this hill, where I am standing now. I’ve climbed all the way up here, so I can finally end it all – all these years of vagrancy and fugue, exile and fear. This is where it’s all going to come to an end.
But for now, I am enjoying the view of the valley unfolding below. I am sipping the air of what could be my final memories.
He will show up soon. He always does. Like a shadow, he’s been following me right on my footsteps, always there, behind me. And there he is!
His limping figure appears behind the sharp bend off El Jardinito. He looks up and he sees me, then stops for a moment to catch his breath and leans on his cane, as if assessing the remaining trajectory for this final stretch, then resumes his walk. Or should I say, “resumes his agonizing trudging”. Years of endless chase took a toll on his body. No wonder. How long has he been chasing me? Ten, twenty, thirty years?
He is slow. Methodically slow. But for once, I will not run. I will wait. Right here, behind this rock. I will finally come face to face with him. This sharp Swiss knife blade I am holding in my hand will soon lance right through his neck bone. Yes, that’s what I am going to do.
This ends here, at the dead end of this sandy trail atop the hill overlooking the valley with its white chapels and Muscat orchards.
Funny. After all these years, I still don’t know the real name of my chaser. I always called him what master Borges called him
“He who wanders”.
He who wanders, listen. I will kill you.
* * * * * *
Borges. The Borges. I idolized him when I was in college. Many did, but I was different. It was 1961. I was an average lazy learner at the Universidad Laboral de Córdoba, floating around from one semester to another with barely passable grades. I had very few friends and almost no interests. One can say that I had an early form of an identity crisis.
Besides chugging Anisado, my only other passion was Literature. Latin American Literature. Borges and Neruda were at the forefront. One could only imagine my excitement when I saw a pamphlet hanging on the wall of the Literature faculty.
Spaces were limited. But who cared? It was the man himself, Jorge Luis Borges, coming to give us a lecture followed by an open panel of questions. Like a maniac, I rushed to the auditorium hours before the lecture. I was the first in line and when the doors opened, I got the front row seat. The auditorium was packed with drooling chins of young self-proclaimed prodigies, awaiting the arrival of the great one.
And there he was, the blind Lord of Literature, walking upright onto the stage with a cane and his loyal assistant right by his side. Standing ovation. He nodded and made a “thank you, please be seated” gesture.
Then he began. The lecture was dedicated to Spanish writers, I cannot distinctly recall if it was Cervantes or De Vega. It truly made no difference. Somehow, I managed to sit through his entire lecture, which lasted over three hours, and remember nothing. He talked slowly and methodically, pouring honey into our ears like Segovia’s guitar, with his absent eyesight affixed on the ceiling.
And then it happened. Something that caught me completely off guard.
Before closing the day, Borges was about to take questions from the audience. Of course, I raised my hand and so did about hundreds of other students. One of Borges’ assistants whispered something into his ear, which made him smile.
“It is an honor for me to be in front of an audience of young people, but our time is not infinite,” he said with blind eyes still pinned on the far corner of the hall. “For that reason, I will randomly pick questions from five of you.”
I have never won any prizes or lotteries in my life. When I played poker or blackjack, I lost far more than I won. I knew my limitations and that turned me into an average apathetic person, rarely trying to outdo oneself. And so, sitting still with little ambition – I got used to that.
Until that moment. When I saw Borges pointing his finger in my direction, that came as nothing short of a shock.
“Me?”
“Yes, young man. Senor Borges picked you. Step forward and introduce yourself,” said his assistant.
I did not know what to ask. So, I quietly mumbled my full name.
“Fernandez Augustin Navaro”
Borges shifted his gray-shaded pupils in my direction as if reacting to a sudden buzzing of a fruit fly.
“Fernandez Augustin Navaro. Navaro. Haven’t I met you once before, young man?” he asked.
“No, senor Borges. I never had the honor.”
“But you will. We will meet again, Senor Navaro. You and I will meet again. But for right now, what is your question?”
The rest of the day was foggy. I don’t even remember what question I asked, it must have been about him winning the Prix International, not sure. And maybe not important. No, not important at all.
The greatest writer in the history of mankind called me by name and then that bizarre unreal thing he said about us meeting again. When?
* * * * * *
Nine years later. In 1970.
And there I was – a somewhat-promising journalist in one of London’s somewhat-scandalous tabloid newspapers. Every week my name was featured on the second page alongside with celebrity chronicles and vile rumors. My paycheck was decent enough for a small studio flat by Manchester Square. After years of having been pent-up by directionless studies, you could say I became something more than an average. Or at least that is what I believed.
That day (it was early October, arguably the best season in London) began as usual. I ate my chic breakfast consisting of two scrambled eggs, ham, toast, and dark roast coffee at Barrymore’s Diner and was ready for a pleasant walk to the office. It was shortly after 8 am, and I was in no hurry.
Report Ad My route was the same as it was every day: pass the square, right turn on George Street, left turn on Thayer, another right on Marylebone. My thoughts that morning were all preoccupied with the piece I was working on, so I was slowly making my way through the square when something caught my eye. Or rather, someone. At first, I did not pay much attention to him, no more than I did to anybody else who idled at the square that morning. Hippy rascals with soiled hair playing guitar on every corner was a common theme in those days, and London town was certainly no exception. So here was another one of those misunderstood love proclaimers, sitting right behind the gated area of the square. Striped worn out jacket, heavy cap, sandals with clots of woolen socks sticking out. A common hippy bum as anyone may have thought. I thought so too except this one had something that made my intestines churn. I didn’t know what it was, but once I saw him, I felt the irresistible urge to instantly walk away and never see him again.
The way he looked at me, that gloomy frown that made me think of a line from Oscar Wilde, “that fellow’s got to swing.” There certainly was something outer worldly about that “fellow.”
His eyes, as if carved from a rock below his forehead were mercilessly drilling thousands of tiny holes through me. I added pace. As I turned back one last time, I noticed him slowly walking towards me. Past the gates of the square, onto the street, paying no attention to screeching tires of honking cars. Walking right towards me.
He’s just a bum. No, he is not.
Just another one of those unwashed hippies. No, no, run run run!
George Street was empty like in post-war bombed quarters. I could hear my brisk footsteps. Or was it the drubbing of my aorta against the chest? He was catching up.
Run? Don’t be silly. Yes, run. First slowly as if you’re trying to not show your chaser that you’re scared. No, not scared, more like in a hurry.
Why am I running? I can take him out with one punch.
But it really wasn’t about that. It was my first experience of that feeling, which I can only describe as some sort of primordial sense of fear. Panic. Dread. Unexplained sense of looming doom arching above you like a dark figure with a scythe.
I ran. I ran faster than my feet could move. As I turned the corner on Thayer, I paused and looked back, fearing to see him right behind. Scrambled eggs, toast, and dark roast coffee were about to make their way back up through my esophagus.
Wiping the sweat off my palms onto my pants, I bent forward in a protective position and looked around. Empty windows of George Street were checking me out like a toddler witnessing parent in a cowardly act.
Whoever that man was that incensed me into this uncontrollable panic, he was now gone. Shame on you, Fernandez Augustin, I repeated to myself while making futile attempts to enthrall palpitation to subside. Shame on you. I mumbled repeating that word. Mumbling turned into whistling that song by “Magic Lanterns”. Shame, shame. I whistled, acting calm and self-composed. I sang without knowing words only to convert my mind to something else. I sang so others wouldn’t notice me shaking.
I climbed the stairs of my office building. Three at a time. Third floor. The familiar smell of typography oils calmed me down. Safe heaven. Shame on you, Fernandez Augustin Navaro.
* * * * * *
Even now I question myself whether my journey to madness began on that day or was it underway for many years. Madness that creeps in and recedes in tidal waves. Is that how it usually happens?
All I know is that an hour later I was laughing at my little moment of weaknesses.
Preposterous and rubbish, my thick Andalusian twang spoke to me. The idea of being fully checked out by a specialist did cross my mind, and I immediately thought of Doctor Patel in Camden Town. He’d give me a comfortable medical diagnosis like a panic attack and prescribe some white pills, I thought.
Little did I know that the day had more surprises in store. The unnerving script development continued in a more eerie fashion when my boss marched to my desk with a pack of printed paper.
No, Navaro you are not going to see Doctor Patel in Camden Town who will make a judgment call on your insanity. Instead, you are going to do an article on Jorge Luis Borges’ new book. He is making his presentation today at London Public Library and blah, blah, blah.
I forgot about the panic attack. The thrill of seeing Master Borges again, nine years later, was surreal. Moments later I was sitting in a cab on my way to the London Public Library, scribbling all possible questions I should be asking him. El Informe de Brodie? Other books? Forget it! I knew very well what I would ask.
I paid the cab and galloped up the marble stairs leading to the hallway, where the Master was about to hold his new book presentation. I elbowed myself through the crowd of journalists to occupy the coveted front-row spot. Quick inventory check: wallet, j-sack along with the omnipresent Swiss knife. Seconds ticked leisurely on my wristwatch. Four more minutes.
Forget this morning’s sickness. Forget Dr. Patel. Collect yourself, Fernandez Augustin
* * * * * *
“Navaro! That’s your last name, isn’t it?”
“Yes. Yes, Senor Borges. But how do you..?”
“Nine years ago, in Cordoba. I told you we would meet again. Do you remember?”
I nodded rapidly completely forgetting he couldn’t see me. Stupid.
“Perhaps,” continued Borges, “it would be more prudent for us to speak privately after the conference. I invite you to have coffee with me. You like Colombian coffee, Mr. Navaro? I shall see you precisely at 6 o’clock at the address that my assistant will provide.”
His blind eyes were still affixed at the top far corner of the hallway, far above all the congested sharp-penciled critics and arduous followers of his divine writing. The attention was now all on me, as revealed by hundreds of photo flashes from behind. I thought of all the explaining that I would have to do tomorrow. How does Borges know you? Are you friends? You were raised in Cordova, are you his illegitimate son?
Back then I did not know.
Answers came later.
* * * * * *
Memory is a tricky animal. As I gaze over the valley and satiate my lungs with familiar smells, I cannot think of anything specific. Vague and elusive memories of my childhood home. And these orchards, these white chapels and the old town itself – nothing but an incomprehensible sensation somewhere down there, below the chest cage.
I close my eyes and let the sun twirl around with tinted specks of mosaic light. I am trying to focus without looking. Alas, nothing comes to mind. I’ve been robbed of my memory. You!
I cast my eyes at the trail again. He is closing in. It’s hard for him to walk upward, and yet I see that determination in his eyes, in his tight grip of that wobbly walking stick, in the way he periodically stops to catch his breath and eyeball the remaining distance. I am not going anywhere. Five? Ten more minutes? Come and take me, old man. If you can.
I almost see his facial expression under the heavily pronounced frontal lobe. It’s a grin. It’s an expression that says, “We shall see.”
* * * * * *
Once I read an interview in “The Morning Times”. In it, Borges was portrayed as extremely humble and minimalistic. His house was depicted as a perfectly organized space with easy access to everything. Books on the shelves (judging from the admiration of the columnist, there were lots of them) were organized by theme and by title. Dictionaries and encyclopedias were grouped together on the same rack, so he could find them easily.
In another article, dated 1966, I read that when Borges travels, and those travels were quite extensive, he carries a whole rack of books along, some of which may not even be read.
When I entered his hotel room, that very book-rack was the first thing that caught my eye. I stood perplexed at the multitude of titles, most unknown to me, when I heard the door swing wide open, and there he was entering through the doorway with a leisurely swinging cane.
“Ah, Senor Navaro, how kind of you to visit this old man!”
I took a step towards him and produced some gibberish like “pleasure is all but mine”. He half-smiled and pointed his hand to the chair.
“I know you will quite enjoy the taste of Colombian dark roast.”
Borges sat down and leaned slightly backwards, without releasing his cane.
“Do you know the biggest advantage of being blind?” he asked and answered immediately. “Blind don’t need light, so my utility bills are way lower.”
He laughed at his own joke only to be interrupted by his assistant carrying a tray of aromatic coffee poured in two small porcelain cups. Amazing how the very idea of drinking coffee instantly changes your mood before you even take your first sip.
As I was readying to go on a pre-scripted monologue of expressing my gratitude and honor, Borges jumped right into the action.
“I will get right to it, Senor Navaro. About you being here and about me remembering you. I know you have many questions. I will attempt to answer some. Some, but not all. When you leave this hotel, there will still be some questions that you will have to find answers to. On your own.”
He gently picked his cup of coffee and with hand somewhat shaking, took an artistic sip. Yes, I had questions. So many that my brain membranes were buzzing in bewilderment and disbelief. Here I was, sitting in the room with one of the greatest writers, who happened to mysteriously know my name and
“Have you by any chance read my ‘The Book of Imaginary Beings?’” asked Borges.
I have. Many times. I read it in Spanish, when it just came out. Very recently I bought the English translation in some shabby bookstore off Oxford Circus. I read that book far too many times, but never in its entirety, mostly starting on a random page. Just as Borges had intended it to be consumed by his readers.
“You see, Senor Navaro, that book was, and perhaps still is, a never-ending work in progress as human imagination has no boundaries. I have included what I had researched over ten years ago, then recently expanded and republished with more figments of collective human imagination. But the book is merely a small subset. In a way, the book writes itself. In some form, it’s a labyrinth, an endless one, a living one, where every corridor and every room is never the same. What I had always wanted is the book to reflect the labyrinth in our collective subconsciousness, the force that drives our minds to craft. For that reason, all the creatures in my book are strictly fictional. Mythical. Am I not boring you?”
“Not at all. I understand, Senor Borges.”
He nodded and wiped a coffee grind off his nose.
“That book, as its title implies, is all about imaginary beings. Tales, legends, folklore. But one thing that no one knows is that I had originally intended this book to include one more being. A being that goes by its Latin name Quietus Est. It appeared and disappeared across many cultures, sometimes centuries apart. Very little is known of it, but what I found was indeed astonishing. First, this being is physically no different than an ordinary human. You may say, it is human in many ways. As I studied this entity, I became more and more agitated. I could not stop. Like a madman, I was trying to learn more and more, but very soon the excitement turned into another feeling. Fear.”
“Fear of what, Senor Borges?”
Borges eyesight shifted from the corner of the room straight on me, as if he could perfectly see me.
“Fear of what I had uncovered. That Quietus Est is not a myth at all.”
He attempted to take another sip, but his hands started shaking, so he had to put the cup down, spilling some of it on the saucer and around the table.
“Pardon me, young man, I am trying to maintain composure. But you have not tried the coffee”, he said wiping his mouth and forehead with a knitted handkerchief.
I raised the small cup and took a sip, disregarding the aromatic fumes of Colombian beans drifting down my internal gorges.
“Pardon me sir, but you are saying that the imaginary being called Quietus Est was not imaginary. Is that why you decided not to include him in your book of imaginary beings?”
“Only in part. Fear came from the realization of what it would mean for mankind to know about its existence. You see
it’s no secret that we are all well aware of our eventual demise. We all die. But imagine what would happen if we all stared right into the face of death every single day of our lives and knew the time that was left for us in this world. Death not as a vague concept portrayed by middle-aged artists, not as a folklore tale of a grim reaper. But as a real living entity that stalks you and walks around showing you a ticking clock counting down minutes and seconds. Getting closer to you with every second, trying to grab your hand. Running from death is worse than death itself.”
He took a deep breath and closed his eyes.
“But I shall talk no more. Allow me to give you my scribbles from years ago. These are unedited in their raw format, so please pardon the poor language. It’s right there, in the drawer. You will find a folder with a yellow piece of paper. Read it aloud, while my ripe old body attempts to catch a breath.”
I opened the drawer, as he instructed, and found a yellow piece of cursive handwritings carved in Spanish with some Latin phrases. The scribbles were short, less than a page long with marks and scratches, but most of this was very much decipherable. He must have written this himself half-blind, I thought. What caused him to do that and not dictate to his assistant? I unfolded the paper and began reading.
Quietus Est
It is said that one shall not know about its own ways and times of demise. The imminent passing is only felt by those that are either terminally ill, and even so, they don’t possess the knowledge of when and where, or by death row inmates awaiting the exact day and time of their execution. Lack of such knowledge coerces us to exist. Sumerians believed in a certain deity (the word “deity” was scratched and replaced with “demon of death embodied in human flesh and bones”, which again was scratched and replaced with “entity”), whose sole role was to stalk its victims and inform them of how much time they have left to live. Per the ancient “Book of Dead”, which was discovered as a set of clay tablets, typically buried in corpses, only those that are “luminous” can see the deity (again crossed out twice, replaced with “demon”, then with “entity”). The “luminous” ones are thought to be either people with high spiritual powers or vice versa, the cursed ones, condemned by priests. The reference briefly reappears in some Egyptian manuscripts, but in later writings is replaced by Anubis or – in rare occurrences – by Horus. The writings again depict this unnamed being as an eternal human who never sleeps, but always wanders. What’s strange is that neither Sumerians nor Egyptians ever gave the entity a discrete name. However, the latter rare findings during Dark Ages refer to him as Quietus Est. The only depiction of Quietus Est was that of an ordinary human standing next to a sun clock, which was used to measure the time that the chosen one had left to live. From time to time Quietus Est stalks the chosen one and, when cornered, moves hands of the clock forward to shorten the lifetime. If the chosen one cannot escape, then his time eventually runs out.
The very last reference was found in
“Enough, Mr. Navaro. You understand the idea. Now on to the main question. Why are you here?”
He drew closer, and a dull shadow from a lamp cut right through his elongated forehead.
“Quietus Est is an eternal wanderer who is always with us, the timekeeper who sits at the edge of the stage with a ticking watch on his wrist. The greatest gift given to mankind is its inability to see him. When I lost sight, I thought blindness was a blessing in disguise. But one does not require eyes to see the wanderer. What eyes cannot see, ears can hear and skin can feel. I hear him. I feel him. You are here, Mr. Navaro because you and I are the luminous ones…”
Borges paused and asked me with a trembling voice: “Mr. Navaro, you saw him too, didn’t you?”
Cold shivers that have been accumulating in my lower back rushed up my spinal cord in millions of explosions. Nausea formed a massive ball of air in my throat, and for a moment I struggled to breathe. Desperately trying to cease the thumping inside, I pushed words out.
“I saw him today.”
* * * * * *
How do you get used to the notion of being a passerby on this Earth? Ordinary humans do not have to get used to that. We have that built-in protection layer, that safety cork in our brain membranes that separates the realization of being mortal from flooding down upon us. It allows us to breathe the air. It lets us exhibit this extraordinary, yet sacred carelessness. The mental block that denies the laws of life on a primitive emotional level even for the keenest scholars. The indecipherable Tetragrammaton is shown to us in every step we take, in every cup of Colombian coffee we sip, in every word of wisdom that we collect from books. Every second we bypass the sinister tick-tock and hear the name of the God being whispered into our ears. And yet we, humans, turn around and whistle “Shame Shame”, deceiving our own self-cognizance. And that, as Senor Borges called it, is the true blessing. Those who possess the name of the divine being are doomed. Knowledge is madness. Knowledge is nonexistent. Knowledge of death is worse than death.
We sat in his hotel room until early morning, the two luminous and doomed souls. Our casual exchange of words was amplified by the ticking of the clock. It was dawn when I noticed Borges nodding in his sleep. His left hand was still resting on the cane and his pupils were shuffling behind shut eyelids.
Borges was dreaming.
So must have I.
As I was exiting the foyer of the hotel, I hid behind the column and looked around the street. It was empty. Bleak light of street lamps drew strange crossbeams on pavements. Early October leaves were gyring in closed circles like witches around the fire.
I was looking around, hoping to not see him.
He wasn’t there. But he was. I felt his presence not very far from me.
* * * * * *
Muscat orchards – they resonate inside like echoes of a guitar string heard from a deep alcove, but nothing particular comes to mind. I am trying to shift focus from one object to another, but my nomad memory is lost in endless labyrinths. You took my memories away from me, didn’t you?
Wait, mortal. Wait five more minutes, and you will know the answer, I hear in my brain. He is talking to me now. I can see how the long uphill walk is wearing him out. But what are pain and tiredness when you’re crossing the finish line?
As Borges warned me, “Do not ever come close to him. Do not look him straight in the eyes. He will always be near. His watch will be ticking. If he attempts to catch on, run. But he will forever follow. In a way, he will be like a shadow of you.”
And I ran. And he wandered. I evaded. He followed.
He came too close to me in my hotel room on the second day after my long night in Borges’ quarters. The fool in me still thought that escaping from him would be as easy as moving into a new flat. Or checking into a hotel. So I did just that. It was some shabby hotel minutes from my work where I decided to spend a few nights just to think things through.
That evening, and I remember every minute of it, was my first face to face encounter with him. My room, B6, was on the basement level. As I stumbled through the dark hotel corridor, trying to find the key to my room, I felt his presence, but my ignorant foolishness dismissed all mental warnings and turned the keys. As the door hinge squeaked, I took my first step into the hotel room. A street-level window was casting two thick yellow streaks of light on the floor carpet. I smelled dust and spider webs.
He was in my room. Sitting on the edge of the bed with a rope in his hand. A thin white blanket was covering his head like a shroud around a statue. I stood in a stupor like a paralyzed insect. An avalanche of sweat gushed from every pore of my body. With hand twisted behind my back, I was feverishly trying to twist the doorknob. He got up from the bed with a groan. He took a step towards me.
Hand too sweaty to turn the knob. Open it. Open!
He grabbed my wrist.
Open! Run!
The stretched corridor of the hotel basement flashed like random shots of a silent movie. Run! B5. B2. B1. Run! Staircase. Up! Exit! Run!
“Your time is coming, Fernandez Augustin Navaro!” a whisper crawled into my ears. “Coming, coming!” hissed the wind.
I ran until my legs gave in. I fell down somewhere in the outskirts of the town, passing out in an alley amidst rubbish until sunup.
My madness has begun.
In the days following my first face-to-face encounter with Quietus Est, I’ve moved out of my London flat. I had some savings, enough to tramp town to town, continent to continent, doing temp jobs here and there, sometimes sleeping on streets. He was right behind me.
Even if I didn’t see him for a month, I knew he would soon catch on. It would be only a matter of time for him to pop up somewhere
on the opposite side of the street, in the next car over on the subway, or madly prying through shutters of windows in the house across.
My attempts to speak to Borges were futile. How does the blind master live with this curse, I wondered. How does he manage to evade his sinister follower?
I had questions. Far more than I had anticipated. But Senor Borges was already on the other side of the globe. I wrote him letters. He never replied. I tried calling hotels where he stayed. Unavailable.
The books that he wrote, I bought all of them in attempts to find hidden meanings. What if he had secret messages for me inside his writings? The Book of Sand, Dr. Brodie’s Report
I even searched his earlier writings, analyzed every word. Pointless. Futile.
Until 1983. “Shakespeare’s Memory.” His final book, as it turned out to be.
I was somewhere in Eastern Europe when I bought the book. Immediately I began my scrupulous study. Letter by letter, page by page, analyzing every space and every punctuation sign.
And that’s when I found it. The answer.
The answer was the story itself. The story that did not require much study or decryption. All I had to do was read it. I knew I had to come face to face with Quietus Est like Borges did, but not before having to go through the life of an exile. That’s what Borges had intended me to do. Such was his final and only message to me embodied within his last story. A story written for the public, but intended for my eyes only.
The story was that the protagonist receives memories of Shakespeare. Memories that overwhelm him, overpowering his own. He forgets modern day cars and engines, instead remembering faces and names from some distant past, memories he has never known. Memories that belonged to another man.
“In a way, he will be like a shadow of you,” Borges told me that night. Slowly but surely, my shadow was becoming me. That’s why I can only vaguely remember you, my childhood home. Him or me, no more running. It ends here.
* * * * * *
Few more minutes, I say to myself as I look at the watch. There he is. He is out of breath. Beaten, tired and bent by the weight of his own arid body. One last push, old man, and we will meet.
I am hiding behind the rock. His footsteps on gravel and sand, I can tell them from any other footsteps in the world. His breathing, wheezing and crackling. I am counting to five.
He knows where I am, but he is too tired to take that last step. Let me take that step for you.
I am staring at his face, wrinkled like leaves of an ancient scroll.
“Time’s up, Quietus Est,” I am telling him.
He is not fighting back, and my Swiss blade finds a comfy spot below his Adam’s apple. I am going to finish him now.
Popping sounds are coming out from his flabby throat. What are you trying to tell me, old man? Let me hear your last words. I am easing the pressure to let him talk. But the sounds that come out not words, but laughter.
“You, you are confused,” he says. “You’ve got it all wrong. Let me, let me help you understand.”
I am letting him sit up. He is coughing blood. One wrong move and he’s dead. He wipes the blood off his lips and nods in understanding.
“All my life I have followed you,” he begins slowly. “It’s a miracle I have come this far and lived this long. Ever since I left Cordoba, I was a ticking time bomb. I was diagnosed as suicidal. Doctor after doctor, therapies, specialists, prescription, yoga – I have tried them all. Some helped for a while, and the disease subsided, but then trolled back with a new stronger wave. It’s this disease that nests here” – and he points to his head – “forcing me to look for a way to end my own life. It all began in London, on that morning when I was sitting on the bench in the middle of that square, feeling the disease gnawing on my brain. My first attempt was in that hotel, room B6. I sat on the bed in that dark room for hours with a rope in my hand and a blanket over my head. Death opened the door and stood above me in the darkness of the room. Oh, how I wanted my pain to end! But it was not meant to be. Not then, not there. I had to live on. Ever since that day, it was a cat and a mouse game between us. I chased death, and death would always slip away. Until now.”
He pauses, rubbing his flabby neck, then points his finger down the valley and continues: “I was born in that house. I remember every moment of my childhood. My parents, my toys, my school. I remember playing hide and seek with my cousins in Muscat gardens and dosing off to Sunday clergy in that white chapel. I remember Eastern rugs being washed on the street and the smell of grapes. My name is Fernandez August Navaro. And you, you have no true name, but they call you Quietus Est. The one who wanders.”
Filaments of scorching infernos have been ignited all over me. The fire sets off inside my eyelids, spreading over to all facial pores and trickling down my body.
“Lies! Imbecile lies!” I roar.
“Look at me,” he says, “I am an old man. And you? Still young and strong as you will always be. You have not aged. Now think more. What do you remember of your childhood? Shakespearean memories of random sounds and smells are all you have gained from me. Master Borges knew who you were. He cracked you, and then he tricked you. He made you think you were me. That was his way of evading you – by not revealing you the truth until his final breath, final book, final story. You are the one who wanders. And those memories you have – those are my memories. And now that I have told you who you really are, you must finally finish me.”
I have heard enough of his fibs. I am throwing my knife away. I shall not require any blades to finish him. With hands clenched around his thin neck, I am strangling him. I hear him squeal as the grip tightens. I feel the crackling of neck bones between my thumbs. I see him gulping the air in warm convulsions. He looks peaceful.
I sit on his chest and watch his last breath picked up by the wind, carried down the valley to the gardens, passing by the white chapel and the house where he grew up.
The scorching wind of Andalusia is pouring sunlight onto his face, toying with eyelashes, pounding on cheeks and gyring through hair. He must have missed the smell of the valley and the ripening softness of Muscat fluff glistening in the air.
I am rewinding my wristwatch and walking downhill along the wavy trail, my thumbs still sore from killing.
I am taking small step sideways. Once I reach El Jardinito Road, I will hop on the first bus, and from there I will travel west. Or north. Destination will never matter.
Anywhere is where the roads take me.
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“HUMANS OF TUMBLR, I WANT YOU TO REBLOG THIS PICTURE I DON’T CARE WHICH FANDOM YOU ARE IN YOU WILL REBLOG IT OR YOU WILL FACE THE CONSEQUENCE, THE TUMBLR STAFF WANTED TO MAKE MY EYE THE CUSTOMIZE BUTTON WE’LL MAKE THIS ENTIRE SITE - TUMBLR - INTO A SITE OF PURE EVIL, WE CALL IT - CIPHLR!!”
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day 19, 10:51 P.M.
eyes rested on my palm,
tiny pieces of death and destruction and life and cure,
as vibrant as the kaleidoscope’s insides,
medicine for sick people,
escape for weak minds
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I'm stuck here with all the choices I've made and the chances I was too afraid to take.
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