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#911 7x01
phdinreidology · 1 month
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evan buckley became such a dad so suddenly now he has to bear the blame of making their 13yo son a player bc “he didn’t get that from me” eddie diaz said, gayly.
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EDDIE: Chris is turning into you.
BUCK: He is not turning into me.
CHRIS: I am pretending that I don't want long-term commitment when actually it's that I have abandonment issues.
BUCK: I was wrong, he is turning into me and you should be very worried.
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kenneth-black · 1 month
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I don’t want to jinx it but BUDDIE is soooo going canon this season 😭😭😭
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Like this was just blatant flirting 😭😭
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rosstrytobe · 1 month
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I get we all freaking out for Eddie face here
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But also...
THIS WAS BUCK REACTION TO EDDIE FACE
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LIKE HE'S ENJOYNG THIS
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buddieslovecore · 1 month
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You were saying...?👀
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inferno-ontherocks · 1 month
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9-1-1 | 7x01 Abandon Ships | 6x11 In Another Life
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sunglassesmish · 12 days
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they were insane for that placement
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clusterbuck · 1 month
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ain't gonna do you no good at all
7x01 coda
Marisol leaves, and Eddie breathes a sigh of relief at the quiet that descends over the house.
Then, slowly, he frowns. 
He’s not an expert on relationships—he’d just told Buck as much—but he gets the feeling that relief might not be at the top of the list of things you feel when the person you’re seeing leaves. Not in a healthy relationship, anyway. 
It’s not like I never want to see her again, he tells himself, trying to rationalise it. It’s not a bad thing to enjoy time alone. 
But he remembers the other thing he’d just told Buck, and it’s another piece that doesn’t fit quite right. Another straw laid across the camel’s back, not yet enough to break it but enough to feel the strain.
I’m a nester, he’d said. And he’d meant it. When Pepa was on him about not being alone, when he let himself imagine it, that was always the part he imagined—the partnership, the domesticity, the cafecito on a Saturday morning. The parts that people think make married couples old and boring, those are the parts Eddie dreams about when he lets himself.
But with Marisol—
It’s not that he can’t see himself settling down with her. He could probably build a home with her.
But the thought feels wrong, like a t-shirt that shrunk in the wash. There’s a tightness at his throat he can’t quite get rid of. 
It would level out, he’s pretty sure. If you tug at a tight neckline often enough it will give way, and breathing comes easier again. 
Or he could just—take the shirt off and set it aside, tuck it away in the back of the closet among the other things that don’t fit right. He cound find a new shirt to wear, one that doesn’t need to be pulled at and loosened until one day it might fit right again.
And for a moment, the thought is tempting.
Until he remembers Christopher, and the way his voice had gone so small Eddie could barely hear it in the hallway when he’d said they leave. When he’d said we loved her, and she left.
Is he giving his son a complex? 
Shannon wasn’t his fault. It’s taken time and a lot of arguing back and forth with Frank, but Eddie’s starting to believe that much—Shannon leaving wasn’t his fault, and neither is the fact that she died. Ana, however, and now Marisol—
Is it his fault that he can’t seem to make himself feel the way he should?
Eddie sighs, slumps against the back of the couch, and pulls out his phone. Even if he can’t figure out this nesting thing, there’s one thing he can do.
you’re not planning on putting in for any idiotic kind of transfer any time soon, are you? he types and hits send.
The phone rings before he can even put it back in his pocket, Buck’s face filling the screen. 
“I seem to remember you being the one who left the 118,” Buck says as soon as he picks up.
“I came back,” Eddie says, though he knows it’s a little beside the point. “I was always going to come back. You’re the one who was going to leave for good.”
“I wasn’t—” Buck starts, sighing, and Eddie cuts him off.
“Buck, I know,” he says, soft, before Buck can really get into it. “That’s not why I’m calling.” 
“I called,” Buck points out. Eddie huffs.
“You know what I mean.”
“So why are you not-calling, then?” Buck asks.
Eddie pinches the bridge of his nose, suddenly unsure how to phrase his question. How to make Buck understand without typing it all out first, making sure it all makes sense.
“You heard Chris,” he settles on, finally, the words coming out on a sigh. “He thinks everyone we love is going to leave us. I just—” he trails off.
The silence he leaves hangs between them for a long while. If Eddie couldn’t hear the faint sounds of traffic in the background, probably floating in through Buck’s open balcony door, he’d think the connection dropped.
When Buck finally speaks, his voice is soft. “Eddie,” he says, and there’s something careful about it, like working out how to fit his mouth around the word. Like he hasn’t said it thousands and thousands of times before.
“Eddie,” Buck says again. “I’m not going anywhere.”
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Cuz everybody needs a half-naked Eddie Diaz on their blog!
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neverevan · 15 days
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EVAN BUCKLEY + SUNSETS in 9-1-1: S7A
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buddiebeginz · 1 month
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jeeyuns · 1 month
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madney parallels: for @comfortbuddie, mwah! 7x01 vs. 5x18: madney stay goofy as hell 💕 jee-yun pawned all their brain cells for ice cream spoons
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meep-meep-richie · 1 month
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They really go for Buddie canon aren’t they😭😭
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kenneth-black · 1 month
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Nothing to see here folks. Just two dads talking about their kid 🤷🏻‍♂️
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They are sooo married at this point 😭😭😭
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rosstrytobe · 1 month
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I feel sick from all these flirty and fluffy moments tbh
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crazed-rambler · 1 month
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I really enjoyed the scene where Eddie recruits Buck to talk to Christopher and not just for the obvious reasons ("he didn't get it from me" "you didn't turn out like you").
The fact that they're having this conversation while checking for any last bits of fire on this car so methodically- like, when was the last time we saw the END of a call? We always see the beginning and the middle but never the boring end bit where they have to check that yes, the fire is out, we can leave knowing that nothing else is going to go wrong.
I know we've seen them walking to the truck and putting things away before, but the menial double checking? That's new, or at least as far as I can remember, and I'm absolutely living for it.
I've always enjoyed the personal convos that happen during low stakes calls, like in 2x08(?) where they're saving the guy from the ATM, but even those were kinda fast-paced what with the cutting back and forth between two different convos.
The fact that Buck and Eddie are talking about how to deal with their kid's problem while checking the bonnet and the boot and the footwell just drove home how firefighting isn't all blazes and people choking or what have you. There's a procedure to follow and yeah, it's gonna be boring but that's how you keep people safe. And I think its really important to show that in a show where people defy death once every 5-10 eps. Not every call needs explosions or gallons of blood or some ridiculous nonsensical Thing happening.
The combination of all that and the tracking camera following them around all shaky-like just really helped ground the scene.
But yeah, I'm really looking forward to the rest of the season if its anything like 7x01, because they really came out of the gates RUNNING, and if there are anymore of these grounded, menial moments I will be very happy.
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