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#Cody Carpenter
brokehorrorfan · 2 months
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John Carpenter will release his fourth solo album, Lost Themes IV: Noir, on May 3 via Sacred Bones Records. The filmmaker/composer is, as always, accompanied by son Cody Carpenter on synthesizer and godson Daniel Davies on guitar.
The album is available to pre-order on vinyl in several colorways, each of which features a foil stamped jacket and comes with a 24x36 fold-out poster (pictured below):
Black ($20)
Red ($24)
Indie exclusive tan and black marble with bonus 7"
Sacred Bones exclusive red on clear splatter with bonus 7" ($30, limited to 1,000)
Rough Trade exclusive oxblood red and black splatter with bonus 7" ($33, limited to 300)
Shout Factory exclusive black and clear cloudy with bonus 7" ($32, limited to 500)
The album is also available on CD ($14) and cassette ($12). Watch the music video for a new song titled "My Name Is Death" below, where you can also read the press release.
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It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. In the years since, Carpenter, Carpenter, and Davies have released close to a dozen musical projects, including a growing library of studio albums and the scores for David Gordon Green’s trilogy of Halloween reboots. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration. Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it. “Some of the music is heavy guitar riffs, which is not in old noir films,” Davies notes. “But somehow, it’s connected in an emotional way.” The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results. “This is who we are, I think,” John summarizes. “Daniel’s the adventurer. He pushes for new sounds, new directions. He tries things that I haven’t thought of. He’s a lot more daring than I am, and he enriches the whole thing. Cody’s the musician. He’s a savant at music. He understands music. We depend on him to rescue us.” And what about John’s contribution? With characteristic understatement, he concludes: “I’m the experience. I’ve done music for movies before.”
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omercifulheaves · 2 months
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John Carpenter - My Name Is Death New Lost Themes album!
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oculus-de-malus · 1 month
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daddysothermusic · 13 days
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bats-in-my-pants · 8 months
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fynn-the-fox · 2 years
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Say what you want about the H40 trilogy, but you gotta admit, the music slaps!
2018: The Shape Hunts Allyson
Kills: Rampage
Ends: The Junk Yard
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John Carpenter, Cody Carpenter and Daniel Davies - He Walks By Night
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cbcruk · 27 days
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John Carpenter, Cody Carpenter and Daniel Davies - My Name is Death
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curtvilescomic · 2 months
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John Carpenter, Cody Carpenter and Daniel Davies - My Name is Death (Off...
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deepredradio · 1 year
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Firestarter 2022
Story: Seit mehr als einem Jahrzehnt befinden sich Andy und Vicky auf der Flucht: Verzweifelt versuchen sie, ihre Tochter Charlie vor einer geheimnisvollen Regierungsbehörde zu verstecken, die ihre einzigartige Fähigkeit, Feuer zu entfachen, als Massenvernichtungswaffe einsetzen will. Andy hat seiner Tochter beigebracht, ihre durch Wut oder Schmerz ausgelöste Fähigkeit zu kontrollieren. Doch für…
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brokehorrorfan · 21 days
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Fright-Rags has released a shirt and flexi disc bundle for John Carpenter's new single, "He Walks By Night." Both feature artwork by Aaron Lea. Priced at $45, the set is limited to 500 and will ship the week of May 24.
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jmunneytumbler · 1 year
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jmunney’s Favorite Albums of 2022
Before publishing this list, I listened to each of these albums again to make sure that I still liked them. And I did! (But there was one other that I had on my preliminary list that I ultimately decided I didn’t like enough to include. Bonus points if you can guess what it was.) (more…) “”
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I fucking love the M.A.S.K. theme, it’s fucking great, and this cover is great too.
More importantly M.A.S.K. fills me to bursting with nostalgia because I have potent, powerful memories of repeatedly renting a tape of it - the film, maybe? Was there a film? - from the Blockbuster that used to be just a little walk from my folk’s house.
Ah! To be young again! With a Blockbuster!
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danbenzvi · 1 year
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On The Jukebox: “Halloween Ends (Original Motion Picture Score)”
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Original music composed by John Carpenter, Cody Carpenter and Daniel Davies.
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thebutcher-5 · 1 year
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Halloween Kills
Benvenuti o bentornati sul nostro blog. Nello scorso articolo abbiamo ripreso un tipo di cinema che non trattavo su MMD da tantissimo tempo, il trash, e lo abbiamo fatto con un’opera nostrana, Cruel Jaws – Fauci Crudeli. La storia narra di una cittadina marittima che viene attaccata da un feroce squalo tigre. Nel frattempo avvengono numerose sotto trame, come il perfino uomo d’affari che vuole…
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bkenber · 2 years
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'Halloween Ends' - Expect The Unexpected
‘Halloween Ends’ – Expect The Unexpected
I got to listen to the film score for “Halloween Ends” in its entirety before I sat down to watch the concluding chapter of this particular Michael Myers trilogy. Composed and performed by John Carpenter, Cody Carpenter and Daniel Davies, it reminds me of what Carpenter himself said about this installment: it is meant to be “more intimate” than its predecessors, and the music helps to illustrate…
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