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#Daniel A. Schulke
erase-rebuild · 1 year
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After a five year wait, an unwanted cancellation of my pre-order and a subsequent, and much more costly, re-order it finally arrived today. Daniel A. Schulke's massive tome The Green Mysteries. This beast is much bigger than I expected, and a thing of beauty.
Have not had time to read more than a few snippets so far, but it seems promising.
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lailoken · 4 months
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What reading or background knowledge would you consider to be a pre-requisite for starting Viridarium Umbris?
I'm honestly not sure what I would suggest, other than maybe trying to learn what you can about Eruopean Wort Cunning and the Cultus Sabbati first. Others are welcome to give their own suggestions to this, though!
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friend-crow · 7 months
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on today’s episode of People Let Me Touch Their Fancy Books:
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Hey there! I’ve followed you for a bit but haven’t asked you much yet! So I’ve got one for you—what are your general thoughts on Chumbley’s work? Any books you recommend regarding Cultus Sabbati?
Hello! hope all is well 😁
Admittedly I’ve read more Schulke than Chumbley, though I do enjoy his works. I enjoy his writing style more than Schulke’s, tho like most sabbatic literature it can be hard to grasp but that’s the point! I enjoy the emphasis on ecstatic and oneiric experiences, the draconic motifs, the stellar motifs. It’s kinda what I was looking for when I got interested in witchcraft as a pre-teen. Sabbatic lit provided me structure as I was leaving behind the New Age stuff, which I desperately needed as I no longer had the structure of Wicca.
I’d recommend Azoetia, Lux Haeresis, Opsulca Magica and Qutub to somebody newer to sabbatic craft. I also really really enjoy Viridarium Umbris, Ars Philtron!
Pretty sure all of these are easy to find as PDFs. VK who? 👀
Just for transparency’s sake I am very much a novice, I have been practicing trad craft for like 6 ish years? Gotta long way to go!
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themotherofrevelation · 3 months
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Thorns are chiefly weapons of Warding. As such, there is often to be found some sweet treasure the Herb or Tree is obliged to defend against those who would steal it: the odorous blossom of the Rose, the moist oasis at the heart of the caftus, the succulent dates of the Crucifixion Thom. The Thorn, therefore, is naturally endowed with the potencies of brisk defense, and further to this virtue, hatred of its enemies and valour in warfare. In this latter manifestation the Thorn is both punitive and binding, the Holy Nail of the Greenwood executing the grim sentence of Crucifixion at once harnessing the forces of binding and torment.
Daniel Schulke, Viridarium Umbris: The Pleasure Garden of Shadow
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brightgnosis · 7 months
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Purification or cleansing often presupposes a prior state of filth or defilement, but this is an impre­cise and unnecessary position […] The Pathway of the Virgin [instead] mandates rig­orous self-examination to reveal exactly what one is composed of: Points of past failure, as well as suc­cess, can be instructive in this process — if one is willing to learn [P] For the present considerations of katharsis, let us consider the Pathway of the Virgin to be swept clean or cleared of [all] previous spiritual states.
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From Thirteen Pathways of Occult Herbalism, published 2017; Daniel Schulke (My Ko-Fi Here)
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banecraft · 24 days
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Why I won’t buy, read, or review “The Green Mysteries” by Daniel Schulke
Three Hands Press has become an untrustworthy print on demand grift and Daniel Schulke, its sole proprietor, is as equally terrible at indie publishing as he is at writing intelligible books. A lot of people don’t know Daniel Schulke is the only person behind Xoanon and Three Hands Press. There’s no companies, no offices, no warehouses, no employees, and no cultus sabbati group, it’s literally just a dude. Despite claiming it was founded in 1992, Xoanon didn’t exist until post 2000 and it was just Chumbley self-publishing. After his death Schulke used it for self-publishing. Despite claiming it was founded in 2003, Three Hands Press was founded after Chumbley’s death in 2004 with its first book not published until 2009. I doubt Chumbley was ever involved. The press ran smoothly for a few years until Michael Howard (the anonymous unnamed partner who was the money and the publishing expert) died in 2015 and then it started to fall apart. Chumbley and Schulke are windy trash bags and always were. Stop listening to traditional witch influencers who make you think you have to have certain authors on your shelf to be legit. Neither has given anything back to the community. They never created community. Exclusion was their marketing ploy and it worked. Everyone wants into the exclusive club. It was always about book sales and the email list. Just an occult bro mlm. And y’all fell for it. Eight years to publish just one book and y’all still kissing Schulke’s ass after he spent all the preorder money, wouldn’t answer emails or give refunds, and then the book sucks? Insane.
Sources:
“Navigating the Crooked Path: Andrew D. Chumbley and the Sabbatic Craft “by Ethan Doyle White, 2019.
Video: “Why I won’t buy books from Three Hands Press anymore”
https://youtu.be/-abIFwGxWuQ?si=x3vK7Rrv0ayNYDfy
Three Hands Press’ Better Business Bureau complaints:
https://www.bbb.org/us/ca/san-pablo/profile/online-shopping/three-hands-press-1116-925897/complaints
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witchcraftingboop · 2 years
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I know you're fucking lying. Ain't no way THP has the largest balls of any other failing publishing house out this bitch. Bold af. Talking bout some "oops!" biiittcchhhh 😂 I have moved twice and emailed/messaged them a number of times trying to just update my shipping address for TGM with no response or acknowledgement, and then they go and post this?? The sheer audacity of this mf
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emeraldscarcircle · 2 years
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It was Christmas Season 2018, Yule time if you prefer, when I was browsing for books online one evening & I stumbled upon a title known as “The Pillars of Tubal Cain”. I was not entirely sure what to expect from the book, I ordered it on a whim, and shortly after its arrival my life would be changed forever. To shortly summarize the Pillars of Tubal Cain is a book written by Michael Howard and Nigel Jackson. To my knowledge the book is a collection of articles from Michael Howard’s “The Cauldron” magazine and website that provided a series of articles regarding traditional witchcraft running from the 1970’s until Michael Howard’s passing in 2015. The book covers many topics such as the roots of Angelic Magick, Yezidism and the Peacock Angel, Esoteric Taromancy, the Knights Templar, Solomons Temple, the Fallen Angels etc.
I post this blog to give credit to Michael Howard for providing a gateway for me into Sabbatic Craft which later on sparked my deeper interest into Arabic sorcery and their potential relationship. Michael Howard’s work sparked me greatly, I began to research everything about him, as knowing the author can sometimes teach you more than the books themselves. I started by purchasing associated titles involving Michael Howard, one of which was “The Luminous Stone” edited by him partially. It was when I opened this book that I realized Michael Howard had died in 2015. I felt this strange coldness in my chest when I read this, knowing I would never be able to speak to this man. It was then when I was lead to the work of Andrew Chumbley and the Cultus Sabbati, as for me this seemed an accessible root into Howards influences. Michael Howard had been initiated into the Sabbatic Cultus in 1999. It was not until I read Eikostos, the Xoanon Bibliography that I learned that Michael Howard was credited for "facilitating the placement of our grimoires in the hands of worthy owners." This quote is from Daniel A. Schulke, found in the forward of Eikostos.
About a few months after my reading of Pillars that I had acquired a copy of the Azoetia by Andrew Chumbley, following my digestion of Michael Howards work. At this time, I am trying to narrow down exactly how much is respectable to say of my work with this grimoire, one thing I will say is it birthed the coven and its structure which I currently oversee. The Pillars of Tubal Cain spoke of the legend of the battle in heaven between the Arch angel Michael/Mik’hail and the fallen angel Lucifer. It was said in the battle of heaven that the arch angel struck Lucifer’s brow, which lead an emerald to fall to the earth. This emerald would be proposed to be many things, or a part of many things, such as the Emerald Tablets of Thoth, and the “emerald table” of King Arthur. It was theorized this strike towards Lucifer’s brow created what is known as the Mark of Qayin, synonymous with the Third Eye, or Ajna Chakra in many witchcraft traditions around Britain especially.
So, what is the Emerald Scar? The exact same thing to me. If the emerald falls to earth from Lucifer’s brow, it creates an Emerald Scar. This legend and Michael’s work along with practice of the Azoetic arcana led me to form a small circle that would “embody the entirety of witch blood “. The concept of Via Nocturna propounded by Nigel Jackson referenced by Andrew Chumbley in Opuscula Magica Vol. 1 stuck with me greatly the more I learned about it.
It is termed as "the invisible conclave of initiates conjoined through parity of experience within trance-ecstasis, Its wisdom is accessible to those whom have passed through the transliminal gateways of this world and whom have undertaken the initiatory night-journey to the oneiric realms of the Sabbatic revelry." Within the Sabbatic conclaves of the Greater Dream, the dream beyond the dream, I glimpsed through the Emerald Jewel a series of phantasmagoric visions which lead me to believe that an initiatory path via the Golden Chain had opened for me. I want to add that the Golden Chain of initiation isn’t even a concept coined entirely by Andrew, it is very much related to the Naqshbandi Sufi order as a way of initiation via lineage. This Golden Chain is discussed as a concept in Pillars early on. I believe Andrew Chumbley understood this concept to a deep degree, considering his vast crediting towards Sufic orders in his 1995 work, Qutub. Qutub especially had an impact on my desire to find missing links between Arabic Magic and Sabbatic Craft, especially due to Chumbley's reference of many terms used in Sabbatic tradition which are directly linked to Arabic Etymology and practice, as well his reference of the Sufic sect of the Mullamatiyah, the Jhakri of Nepal, the Yezidi of Kurdistan, the Dhu'l-qarneni of medieval Morocco. Over time I had begun to form my own view of the cosmos based mostly (at least at first) on the work of the Cultus Sabbati and associates.
With the launch of the Emerald Scar website, we find it fitting to give credit to those who helped spark our inception. We have no direct affiliation with the Cultus Sabbati whatsoever, their works however were a major focal point for us.
I personally also had the pleasure of visiting Essex, Andrew’s home county in England for the Nameless Arte Conference in 2019. There I was able to meet A.D Mercer author of Liber Coronzom & Runen Wisdom of the Runes, Gemma Gary Co-owner of Troy Books & author of Traditional Witchcraft: A Cornish Book of Ways, The Devils’s Dozen, & the Charmers Psalter, last but not least Martin Duffy author of Effigy, The Devils Raiments, and the newly published Anathema Maranatha. Meeting these authors and associates of Three Hands Press provided me with a lot of inspiration to continue the workings that I was undergoing at that time. It’s been 3 years now since I first got into the works of Cultus Sabbati and its associates and I still continue this work within my chosen "Cells" of Magical Arcana. I would also like to thank James Hunter-Ralston for being a dynamic figure in my journey and helping me to meet many of authors who inspired me. Throughout the "unfoldment" of the work more credit to inspirations will be given and more exposition shall be offered into the arcanum of the Emerald Scar. We look forward to those who wish to join us at the Emerald Flame of the High Witch Sabbat. (This blog is from our website www.emeraldscar.com , if we caught your attention please consider supporting the website.)
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haremask · 2 years
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lux haraesis
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magic-study · 1 year
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I pre-ordered The Green Mysteries years ago, as we all did. Finally, it was coming out April 11th. For real this time! So I waited and waited and checked my orders on April 18th to see when it should be arriving, concerned that it wasn't here yet.
My concern was warranted, as it showed up nowhere in my orders, not even under "cancelled." Where was it? Was Amazon gaslighting me? I called customer service to see what happened.
It turns out I had an old payment method that didn't work. Amazon tried charging it over several days and sent me several emails, none of which I saw, to warn me of my impending loss. After getting no reply from me, they did the sensible thing and cancelled my order.
Dear ones, make sure to check your email regularly so you don't fall to the same fate as your humble magic student. Stay safe and keep your payment methods updated.
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lunefrog · 2 years
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*you walk in on me strangling daniel schulke with my bare hands* hey! yeah i'll be out in just a minute, you caught me in the middle of something haha! hm? yeah this is the author of Viridarium Umbris and the Green Mysteries. yeah you can help if you want
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lailoken · 1 year
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'Concerning The Powers and Virtues of Pine, Rustic Lord of the Lonely Places'
"The Pine stands as the ally of the Wayfarer upon the Path for its many uses, both practical and magical. The presence of Pines is an indication of life, as the Trees tend to grow in community and attract diverse beasts and worts to their domains. Dead wood provides excellent kindling for the fire, and live wood cut for timber is one of the most versatile and workable of woods. Nuts found within the cones provide a wholesome food to sustain the body; all species are edible. Its sap is both nutritive and medicinal, and, should additional sustenance be needed, the green needles may be brewed into a nourishing tea. Thus, though often found spreading its branches in the wild lands, the Pine-forest serves as a place of Sojourn and respite whilst walking the path in pilgrimage.
The Genius of the Pine, despite its preference for wilderness, is on the whole friendly toward man, hence its adaptation in many circumstances to domestic existence, and bestows the virtues of ingenuity and adaptation. In species it numbers almost one hundred, widely distributed throughout the world, and some kinds, such as the Bristlecone, may attain ages in advance of 4,500 years. Though numerous exotic conifers have come forth unto Albion in recent centuries, its principal Pine-warden is the magnanimous Pinus sylvestris or Scots Pine, which may be seen in its truly wild state now only in isolated places in the Highlands, however in certain hedges in East Anglia it curiously makes a home among the more usual hardwoods common there.
With most Pines, trunks of larger trees reveal sap-flows where the fragrant resin has hardened; this may be collected and used for varied purposes of Art, such as for fumigation or for making varnishes. However, not every Pine species produces resin of good and wholly aromatic quality, thus it is a matter of discernment which the simpler must arrive at by cunning and diligent investigation. Where a certain pine resin is left wanting with regard to its aromatic properties, it may still be used as an agent of binding.
Needles harvested and dried green will retain aromatic virtue and may be burnt, together with resin and cones, as a suffumigant strong in powers of earthing, and keeping haunting shades of the dead at bay. This power of removing ghost-infection is doubly potent in the resin.
The cones, after having expelled their seeds, serve as encharmed vessels for the work of thaumaturgy, each of the numerous hollows capable of being filled with a different enchantment. Likewise, the hollows of a cone may be packed with flammable unguents, aromatic resins and powders, and the whole set to roast slowly upon the hearth-fire of working as a splendid perfume. Such aromatic ingredients may be derived from the Pine direct, in the form of resin, ground bark and needles, and twigs, or from other worts and trees as dictated by Ingenium."
Viridarium Umbris:
The Pleasure Garden of Shadow
3: ‘The Book of Going Forth into the Field of Cain’
by Daniel A. Schulke
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friend-crow · 1 year
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The star of today’s gathering.
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Had to capture this little plantain.
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“Deeds of the Art Magical may forge, intensify, differentiate, or disrupt the bonds o f phantasmal emanation, thereby re- presenting their sentient qualities. Where Will, Desire and Belief perfectly frame the emanant trajectory, enchantment achieves realisation in the form o f hypostasised Eternity. This is accomplished by the congressive formulae of Light oo Void, the particulars of the Grand Triangulum, and the manifest strength of the Phantasmal Body.”
“Implicit within these maxims is the principle that every successful enchantment of the Art Magical produces a distinct emanation of Light, Shadow, and Void interweaving Totality. Knowledge of this maxim assists the Wise in determining how the Magical Fire is to be kindled, what serves as its best fuel, its immolative nuances, and its ultimate duration. This principle also embodies the mindful considerations o f magical trajectory and perpetuity. Accordingly, Operations of the Art are formulated not merely by need, inspiration and ingenium, but also in consideration of their radiative proclivities and points o f reception. This encompasses the knowledge that the light so produced exists not only as a presently-manifest form, but also as a distant artifact in futurity.”
Daniel Schulke, Lux Haeresis
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la-dame-grise · 1 year
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So, I printed the Viridarium Umbris but my printer does not have the double-sided printing option... So yeah it was a lot of ink and a lot of paper... I don’t even know how I am going to be able to bind it, I am thinking maybe a Japanese binding and I will need to do it in two volumes.
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