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princesssarisa · 3 months

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Opera on YouTube, Part 2

Le Nozze di Figaro (The Marriage of Figaro)

Glyndebourne Festival Opera, 1973 (Knut Skram, Ileana Cotrubas, Kiri Te Kanawa, Benjamin Luxon; conducted by John Pritchard; English subtitles)

Jean-Pierre Ponnelle studio film, 1976 (Hermann Prey, Mirella Freni, Kiri Te Kanawa, Dietrich Fischer-Dieskau; conducted by Karl Böhm; English subtitles) – Acts I and II, Acts III and IV

Tokyo National Theatre, 1980 (Hermann Prey, Lucia Popp, Gundula Janowitz, Bernd Weikl; conducted by Karl Böhm; Japanese subtitles)

Théâtre du Châtelet, 1993 (Bryn Terfel, Alison Hagley, Hillevi Martinpelto, Rodney Gilfry; conducted by John Eliot Gardiner; Italian subtitles)

Glyndebourne Festival Opera, 1994 (Gerald Finley, Alison Hagley, Renée Fleming, Andreas Schmidt; conducted by Bernard Haitink; English subtitles)

Zürich Opera House, 1996 (Carlos Chaussón, Isabel Rey, Eva Mei, Rodney Gilfry; conducted by Nikolaus Harnoncourt; English subtitles)

Berlin State Opera, 2005 (Lauri Vasar, Anna Prohaska, Dorothea Röschmann, Ildebrando d'Arcangelo; conducted by Gustavo Dudamel; French subtitles)

Salzburg Festival, 2006 (Ildebrando d'Arcangelo, Anna Netrebko, Dorothea Röschmann, Bo Skovhus; conducted by Nikolas Harnoncourt; English subtitles) – Acts I and II, Acts III and IV

Teatro all Scala, 2006 (Ildebrando d'Arcangelo, Diana Damrau, Marcella Orasatti Talamanca, Pietro Spagnoli; conducted by Gérard Korsten; English and Italian subtitles)

Salzburg Festival, 2015 (Adam Plachetka, Martina Janková, Anett Fritsch, Luca Pisaroni; conducted by Dan Ettinger; no subtitles)

Tosca

Carmine Gallone studio film, 1956 (Franca Duval dubbed by Maria Caniglia, Franco Corelli, Afro Poli dubbed by Giangiacomo Guelfi; conducted by Oliviero de Fabritiis; no subtitles)

Gianfranco de Bosio film, 1976 (Raina Kabaivanska, Plácido Domingo, Sherrill Milnes; conducted by Bruno Bartoletti; English subtitles)

Metropolitan Opera, 1978 (Shirley Verrett, Luciano Pavarotti, Cornell MacNeil; conducted by James Conlon; no subtitles)

Arena di Verona, 1984 (Eva Marton, Jaume Aragall, Ingvar Wixell; conducted by Daniel Oren; no subtitles)

Teatro Real de Madrid, 2004 (Daniela Dessí, Fabio Armiliato, Ruggero Raimondi; conducted by Maurizio Benini; English subtitles)

Royal Opera House, Covent Garden, 2011 (Angela Gheorghiu, Jonas Kaufmann, Bryn Terfel; conducted by Antonio Pappano; English subtitles)

Finnish National Opera, 2018 (Ausrinė Stundytė, Andrea Carè, Tuomas Pursio; conducted by Patrick Fournillier; English subtitles)

Teatro alla Scala 2019 (Anna Netrebko, Francesco Meli, Luca Salsi; conducted by Riccardo Chailly; Hungarian subtitles)

Vienna State Opera, 2019 (Sondra Radvanovsky, Piotr Beczala, Thomas Hampson; conducted by Marco Armiliato; English subtitles)

Ópera de las Palmas, 2024 (Erika Grimaldi, Piotr Beczala, George Gagnidze; conducted by Ramón Tebar; no subtitles)

Don Giovanni

Salzburg Festival, 1954 (Cesare Siepi, Otto Edelmann, Elisabeth Grümmer, Lisa della Casa; conducted by Wilhelm Furtwängler; English subtitles)

Giacomo Vaccari studio film, 1960 (Mario Petri, Sesto Bruscantini, Teresa Stich-Randall, Leyla Gencer; conducted by Francesco Molinari-Pradelli; no subtitles)

Salzburg Festival, 1987 (Samuel Ramey, Ferruccio Furlanetto, Anna Tomowa-Sintow, Julia Varady; conducted by Herbert von Karajan; no subtitles)

Teatro alla Scala, 1987 (Thomas Allen, Claudio Desderi, Edita Gruberova, Ann Murray; conducted by Riccardo Muti; English subtitles)

Peter Sellars studio film, 1990 (Eugene Perry, Herbert Perry, Dominique Labelle, Lorraine Hunt Lieberson; conducted by Craig Smith; English subtitles)

Teatro Comunale di Ferrara, 1997 (Simon Keenlyside, Bryn Terfel, Carmela Remigio, Anna Caterina Antonacci; conducted by Claudio Abbado; no subtitles) – Act I, Act II

Zürich Opera, 2000 (Rodney Gilfry, László Polgár, Isabel Rey, Cecilia Bartoli; conducted by Nikolaus Harnoncourt; English subtitles)

Festival Aix-en-Provence, 2002 (Peter Mattei, Gilles Cachemaille, Alexandra Deshorties, Mirielle Delunsch; conducted by Daniel Harding; no subtitles)

Teatro Real de Madrid, 2006 (Carlos Álvarez, Lorenzo Regazzo, Maria Bayo, Sonia Ganassi; conducted by Victor Pablo Pérez; English subtitles)

Festival Aix-en-Provence, 2017 (Philippe Sly, Nahuel de Pierro, Eleonora Burratto, Isabel Leonard; conducted by Jérémie Rohrer; English subtitles)

Madama Butterfly

Mario Lanfranchi studio film, 1956 (Anna Moffo, Renato Cioni; conducted by Oliviero de Fabritiis; no subtitles)

Jean-Pierre Ponnelle studio film, 1974 (Mirella Freni, Plácido Domingo; conducted by Herbert von Karajan; English subtitles)

New York City Opera, 1982 (Judith Haddon, Jerry Hadley; conducted by Christopher Keene; English subtitles)

Frédéric Mitterand film, 1995 (Ying Huang, Richard Troxell; conducted by James Conlon; English subtitles)

Arena di Verona, 2004 (Fiorenza Cedolins, Marcello Giordani; conducted by Daniel Oren; Spanish subtitles)

Sferisterio Opera Festival, 2009 (Raffaela Angeletti, Massimiliano Pisapia; conducted by Daniele Callegari; no subtitles)

Vienna State Opera, 2017 (Maria José Siri, Murat Karahan; conducted by Jonathan Darlington; no subtitles)

Wichita Grand Opera, 2017 (Yunnie Park, Kirk Dougherty; conducted by Martin Mazik; English subtitles)

Teatro San Carlo, 2019 (Evgenia Muraveva, Saimir Pirgu; conducted by Gabriele Ferro; no subtitles)

Rennes Opera House, 2022 (Karah Son, Angelo Villari; conducted by Rudolf Piehlmayer; French subtitles)

#opera #complete performances #youtube #le nozze di figaro #the marriage of figaro #tosca #don giovanni #madama butterfly #madame butterfly #wolfgang amadeus mozart #giacomo puccini

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sharpfamily · 1 year

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How is it to grow up with a professor/ex-auror (he would probably say there's no such thing as an ex-auror) for a father?

T: *gasp!* "He's an ex-Auror?! You don't say! Did he ever mention anything to you?"

M: "I really had no idea, Theo, I don't think he ever said-"

E: "said anything about this fact in the past 24 hours."

*chuckling*

N: "No, he actually doesn't mention it that often, but he tells us some of the stories from his time as one. Mainly to teach us some sort of lesson, something that he only learned later in life, but wished he'd known sooner.

M: "He knows a lot of people from the Ministry still. When I was little, we got a pet kneazle. It normally takes some time to get the proper permits and such, it can apparently take even months! Well, dad sent Diana to someone he knew with a letter one day, and the next day Aunt Poppy came around with the proper permit and a kneazle kitten! Of course we named her Popps!"

E: "Not to mention he's on first name basis with all of the professors, including the deputy headmistress."

T: "That can be both a blessing and a curse. Every time someone has a birthday, we have a little celebration in Hogsmeade on the weekend. Dad Floos Professor Weasley, and suddenly first and second years are allowed to go to Hogsmeade! However, every time someone gets into detention for something, the parents are going to know right away. Though that's usually Sebastian owling mum. Eh, Professor Sallow, that is."

N: "Let's not forget that not all of us like to frequent detention, Theo. Dad basically always says not to burn any bridges and always leave on good terms, be it a profession or a relationship, and it clearly works."

E: "One thing I noticed is that him being a teacher taught him how to know how some people learn best. What works best with them, essentially. For me, I do best with clear instructions, while Maggie needs to see in order to understand."

N: "And Theo learns by trial and error!"

T: "Haha, I suppose that's right. He's a, well, he's definetely older than he was when he was an Auror, but it seems that age has no effect on him. He's still able to move around without making a single sound, his reflexes are lightning fast, and lying to him is absolutely pointless. Not only he knows when someone is lying, he also absolutely hates dishonesty. Nothing gets past him. He's a heavy sleeper - in summer when we're all home, we could all be stomping like erumpents, and talk really loudly downstairs, and dad would be happily sleeping on. However, every time I've attempted to sneak out at night to go outside for a bit, he caught me before I even climbed down the stairs. It's a little infuriating, to be honest."

N: "He was obviously very good in his job. But it sems some of his Auror 'aura' got brought into his professor years as well. Uncle Amit once told me that while he always looked up to Dad, he found him rather intimidating as well. On one hand, I understand. I mean, Dad can appear intimidating, he's tall and strong, he can be strict and his scar can put some people off. But at the same time, well, he's Dad! And he always has so much patience with us, it's difficult to imagine him being in any way different than to when he was still teaching, but apparently he was quite hard on his students."

E: "Which is understandable! Potions can be incredibly dangerous, so of course he had to be strict and hard! I think that when you have a a large number of students, which he had, you can't individually appeal to everyone's learning styles, the lesson is only so long."

M: "You'd think than him being a former potions teacher would mean all of us automatically get good marks, that he makes sure our essays are up to par and such. Well, no. He does help us, he answers questions, gives pointers, but won't proofread our work as in his mind that crosses the line into cheating, as he knows how the essays are graded from the teacher’s point of view. We do get good marks, but we do so through our own hard work. Dad would rather have any of us get an A through our work, than an O through cheating."

T: "Overall, he's a good dad. Great one actually... The best one. He's honestly my greatest role model and always will be. Both him and Mum."

E: "I agree."

M: "Ditto."

N: "A lot of our friends have problems with their parents, they're either butting heads too much, or the parents have ridiculous expectations, or they are overbearing or instead don't care that much about their kid. While our dad and mum tend to be slightly overbearing sometimes, I wouldn't change a single thing about either of them. We are lucky to be the Sharps."

E: "Anyway, thank you for the owl! I think I'll go hug Dad now, maybe he'll even let me assist him in the shop!"

M: "And then we could all go to the Three Broomsticks after he's done working. I'll see if Mum's up for an evening out. Bye for now!"

N: "Goodbye!"

T: "Bye."

#hogwarts legacy #aesop sharp #professor sharp #aesop x reader #natalie sharp #theodore sharp #eleazar sharp #magdala sharp #tag: the sharp family

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diana-fortyseven · 10 months

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16, 25 and 29?

16. At what point in the process do you come up with titles?

This can happen at any time (or not at all lol)! Sometimes I have the title in mind before I start writing, sometimes I get the idea in the middle of writing a paragraph, and sometimes I sit there ready to publish and think "F U C K" because I realise I still need a title and I can't come up with anything good.

That's how titles like Gourd Intentions and 47 Shades of Burnwood happened. I am very sorry about that.

25. Have you ever upset yourself with your own writing?

Yes, haha. When I Would Lose Myself in (Every Single One of) You and its sequels made me really, really sad because I couldn't stop thinking about the cruel situation Edwards I put Diana and 47 in. :(

29. Share a bit from a fic you’ll never post OR from a scene that was cut from an already posted fic.

This one is from an AU I started two-ish years ago and then abandoned because the whole idea felt stupid. I don't think I'll ever finish it, buuut... we'll see. There's always April 1st and my Crack Treated Seriously tradition, I guess.

On her desk she keeps an oil lamp and a coffee mug, empty and clean, and to his surprise, an old photo of him. He blushes as he reaches out for it, touching it with shivering fingers. He’s been at headquarters that day, visiting her in her office. 47 remembers how she laughed when she took that photo, proof that he existed, and how they shared a lunch of salty snacks and Dr Popp from the vending machine. Another time, long gone. She has kept that photo, decided to take it with her when she had to leave so much behind. It flatters him.

Thank you for your ask! :D

#Ask Game #Fanfic Meme #Fanfic Asks

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arugula2048 · 2 years

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youtube

help im turning into my dad... anyways i found a new opera to focus on but i'll do my best to save it for myself as a treat for tomorrow

also my top 5 in no particular order are: Diana Damrau, Lucia Popp, Natalie Dessay, Edda Moser, and Susanne Elmark, with an honorary mention of Erika Miklosa for actually holding the prop knife. altho i rated them holistically w costuming/setting in mind as well lol. wild to see how even the cream-of-the-crop pros have trouble with not rushing, altho its 10000% understandable - i cant even scream that high

#.txt #to be honest. they are a little completely in order

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congregamus · 2 years

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Four Last Songs

I know it's not important, but I need (as in, I have an irrepressible yearning) to have a top-5 list of favorite recordings of Strauss Vier letzte Lieder, and, much as I love her, I can't put Diana Damrau's version, unfortunately, on that list.

(Don't get me wrong; she sounds amazing as always. These poems require a vulnerability and wisdom that simply enunciating the text in perfect Hochdeutsch does not address; nor is their expression to be found in alternate plunging and soaring -- Frau Damrau's calling card, for which I will clap like a fool every time she does it.)

Lucia Popp's performances of this cycle are (to my ear at least) the rod by which the ongoing tradition of these four songs are to be measured. I know that I am biased because the one linked directly above is a recording of my late friend, but it's also very good without that bit of information. This is no doubt because Mz. Wall was what is often called a Mozart-Strauss soprano, so the fit is proper, and the song cycle that this piece is from (to my ear at least) is the pinnacle of Orchesterlieder. (For whatever reason, I really have no ear for the Fleming voice.) It is not a competition, but excellence encourages excellence.

Contrariwise, Barbara Bonney's performance is glorious, precisely because she takes Lieder seriously. Her recording of the set uses the piano transcription (something most sopranos who sing this cycle wouldn't do for the risk of not being taken seriously). She, too, was a soprano whose voice caught the light of Strauss like a crystal. But hers was too light a voice for the orchestrations such as they are. Still, it would not be right if we did not have a record of her reading of the poems.

#Spotify #text #minutiae

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jurnaldeoltenia · 3 years

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Caravana EveryGirl la Liceul ”Voltaire” din Craiova

Dinamica din domeniul tehnologiei ne arată că tot ceea ce pare astăzi imposibil va deveni mâine o realitate, pentru că fiecare zi oferă posibilitatea de a învăța ceva nou. Tehnologia este un spațiu care evoluează continuu, iar oportunitatea de a face ceva ce schimbă din temelii cursul lumii este mai la îndemână ca oricând. De la medicină la arte și de la științele sociale la științele economice,…

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most-like-a-marshfire · 3 years

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Another thing I've been thinking about - or how singing is accidentally really spiritual and how this might work in Motherland Fort Salem.

So in my last post I talked about face shapes.

Another thing that really influences the colour of the sounds one can produce, as well as the intensity, is age. And this makes me a little excited in relation to MFS because Alder has the power to vary her age.

Disclaimer: you might have already noticed in my previous post that the perspective that I'm using in regards to singing is a classical one. That's what I was trained in and I think that there are a lot of merits to looking at singing from that vantage point. I would argue that classical singing is at the same time the most technically challenging kind of singing - it has to be; classical singing is supposed to reliably fill concert halls just with your voice without ruining your health after a week, no microphones - and the way of singing where you need to understand your voice so well that you can then, using this knowledge, protect it better from overuse.

Also - and this is the way it was for me but I think this happens generally in the classical approach - classical singing allows you to go to your lesson and then you and your teacher try to figure out what your voice is like exactly, what your weaknesses and strengths are and then how to allow all your different potential to shine. We think a lot about face shapes, voice projection and breath support - and age.

The colour of your voice changes naturally as you age, and I'm not speaking of the voice change in puberty, I'm speaking of the maturation of your voice in your 40s.

For sopranos in the classical world (I'm a soprano so this is what I know) this change is quite important, very, very generally one can say:

- children: naturally have a lot of higher frequencies in their voices, they can be very light and aethereal and bright. They usually don't have a lot of natural vibrato, so their sound is slimmer, sometimes flute-like. I'm thinking of a young Jean-Baptiste Maunier:

youtube

He starts singing at around 1.25.

-young sopranos (ca. 14/5 to 35) - (usually) lyrical sopranos: retain much of the brightness and lightness of the child voice but - see voice change - they have a lot more natural vibrato and their voice is a little darker than a child's voice. A really nice example of the kind of sound I'm talking about here is this recording by Lucia Popp:

youtube

She sounds like a bell, it's quite extraordinary.

- older sopranos (ca. from late 30s on) - lyrical sopranos can become dramatic sopranos: some lyrical sopranos gain sufficient dark colours and weight in their voice to be able to sing what is called "dramatic repertoire", i.e. pieces that we usually associate with 'operatic divas'. These older sopranos are able to sing pieces that require both more vibrato as well as more volume and fullness of sound - you can't sing Wagner satisfactorily, you might not even make it through his operas, if you are not a dramatic soprano. Funnily enough, the recording by Lucia Popp that I've just mentioned is actually a miscasting - the Queen of the Night is a dramatic soprano, her arias are intense, passionate and somewhat violent, you need a dramatic soprano for this. (Lucia Popp's recording is very beautiful but aesthetically, and for this role in the opera, it's not right).

A fitting Queen of the Night would be someone like Diana Damrau:

youtube

Now what has that got to do with Motherland Fort Salem.

The witches are not classically trained (and frankly, the workings don't make sense mechanically, sound production does not work the way it's envisioned there) but that aside they do use their voices and the development I've described for classical singers happens to everyone - if you sing or not, classical singers are just really attuned to noticing and using this changing of the voice.

Age-wise, Alder would be in the age bracket for a dramatic soprano; which is interesting to me because Alder is depicted as being able to wield powerful, momentous kinds of magic; and in the classical singing world this power to raise a storm and make the sea boil is very much dramatic soprano. Not saying that a lyrical soprano couldn't do it but it wouldn't have the same energy and power.

I think this might be quite a nice counterweight to 'witches must be young and sexy' (which we thankfully don't have in MFS). If it's about singing and power, the middle-aged witches are MOST definitely the most powerful hands down. They'll need to have taken care of their voices in their youths and trained properly but if they have; well, dramatic sopranos are terrifying.

So, if this was applied to MFS the shape of the face would not be the only thing the trainees would be paying attention to. They would also be very invested in taking care of themselves and in making the best out of their already existing vocal talent. To be fair, having only dramatic soprano types would be a little boring (I'm actually more of a sucker for warm, lyrical sopranos), but then again, I suppose workings don't actually have to only be about war, violence and destruction (and sorry dramatic sopranos but this is you).

Also (caution: bad joke): you do need to be a certain age to fully understand the weight of your actions (hence, for weightier actions, older age and weightier voice is more effective). To wreak destruction, you must understand it. This is the burden, pain, and wisdom of age. (Cue Alder being really powerful, no surprise.)

If I were Alder, I would let my age vary depending on what kind of working she has to perform - for all the powerful, aggressive stuff, her age is perfect. But for more subtle workings, or more serene and peaceful workings, her voice would sound better younger. And now isn't it interesting that Khalida, head of the Tarim, a pacifist witch clan, seems really old but is in a child's body with a child's voice.

I like to imagine two things:

- child Alder - because sometimes you need other kinds of workings, too - walking around Fort Salem, her biddies in tow, and giving dubiously looking recruits or recruits who dare squat down and ask her if she is lost an absolute death glare.

- and child Alder and her biddies standing in a field, under a sky full of stars and singing long lost seeds of her family. And any nosy recruits who whisper: what is she doing there? - are shushed. "She is capturing the light of the stars, ephemeral and bright."

#motherland: fort salem #abigail bellweather #tally craven #raelle collar #sarah alder #general alder #Motherland fort salem theory #My headcanon is that Alder does not actually enjoy having to be the military all the time #she's a person not a war machine #the salem accords were a terrible compromise #I am ignoring 2x09 #Youtube

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apricotbones · 3 years

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I can’t find the original post, but at some point I wrote about 47 buying lots of gifts for Diana under the guise of ‘blending in’, and @diana-fortyseven challenged me to write a fic about it. Finally liberated it from the drafts folder! 🎁✨🌃

Needed to blend in and I didn’t want these to go to waste.

Diana folded the note and slipped it into her pocket, then turned her attention to the cardboard box that had appeared on her desk that afternoon. The contents glinted in the soft light: a filigree lamp crafted from coppery metal and amber-coloured glass, tiny jars of red and gold powder, a wooden box filled with dried fruit and nuts, a beautiful silver vessel filled with perfume. She pulled out a soft bundle wrapped in tissue paper and opened it to reveal a blood-red cashmere scarf.

She wrapped the fabric around her. It was soft and warm and smelled faintly of the market in Marrakech; of spices and shisha and fragrant oils. The scarf was same colour as 47’s favourite tie. She imagined his hands, long pale fingers, running idly over these treasures as he eavesdropped on their targets.

“I knew it would suit you.”

She jumped, and turned to find him hovering in the doorway. The corridors of the ICA building were dark behind him.

“You’re still here”, she said. A pointless observation.

He nodded.

“Leaving presents in my office now, 47? People will talk…” she joked.

He shrugged. “No more than usual.”

She huffed a nervous laugh.

He stiffened. “I’m sorry. I thought-“

She took a few steps towards him, reaching out to place reassuring hands on his shoulders.

“Thank you”, she whispered as she leaned up to kiss him on the cheek. His face was pink when she pulled away.

He stared at her for a moment, seemingly lost in thought, then cleared his throat and looked at his watch. “It’s late. Have you eaten?”

“No.”

“May I- take you to dinner?” He said without looking at her.

“It’s past midnight, everywhere is closed.”

“Right, of course. Another time, then.”

He looked dejected for a second, before arranging his features back into that impassive mask she was so familiar with. He was beautiful in the half-shadow: skin so pale he could have been carved from marble.

“Goodnight”, he said, before turning away from her.

“47”, she caught his hand in hers, “there’s a vending machine on the second floor. How do you feel about a midnight snack?”

***

47 disabled the alarm on the fire escape, and they made their way up to the roof with their bounty. He spread his jacket out on the concrete, and they sat shoulder to shoulder, eating crisps and chocolate bars and watching the lights of the city glitter below them.

“Cheers”, Diana said, clunking her can of Dr Popp against his.

She started shivering after an hour or so, and he suggested they head back inside.

“A little longer”, she protested, pulling the red scarf around her shoulders, “it’s so peaceful up here.”

When she rested her head on his shoulder, he placed a tentative arm around her. They must have fallen asleep like that - backs against the rusty air conditioning unit - because next thing they knew the sun was coming up.

“Diana”, 47 said softy, gently sweeping a piece of hair from her face, “it’s 4am.”

#hitman #agent 47 #diana burnwood #diana/47 #hitman fanfic

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azzydoesntexist · 3 years

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Dc Comic Character Themes! Songs and Characters below the cut!

Also, Carter is 80s superboy, Conner is the yj cartoon/tshirt suberboy, and Lane is jonathan lane kent superboy, while jon is Jonathan Samuel Kent the current superman.

Bruce -- Life On The Moon - David Cook

Alfred -- This Is Your Life - Switchfoot

Gordon -- Deadman - SAINT PHNX

Bullock -- Is Anyone Out There? - Delta Rae

Kate -- Cookie Cutter - Ivory Lane

Luke -- Courage - Clay Finnesand

Barbara -- Survior -- 2WEI & Edda Hayes

Dick -- Eyes Warm, Eyes Wide - Lilli Furfaro

Jason -- Burning Alive - 8 Graves

Tim -- Haze - Tessa Violet

Cassandra -- Will I Find My Home? - Juniper Vale & Vian Izak

Stephanie -- Masterpiece - Summer Luk

Damian -- Bones - Emily Finchum

Duke -- Infinite (Unsung Hereos) - Built By Titans

Clark -- Blink - Revive

Lois -- Feet Don't Fail Me Now - Neoni

Jimmy -- Parrot - Stepdad

Jon -- Glorious - Stephanie Mabey

Connor -- Black Sky - Arrows To Athens

Carter -- Bishounen - Hikaru Station

Lane -- Little Poor Me - Layto

Lex -- Legendary - Welshly Arms

Hal -- Way Beyond - 32 Leaves

John -- Iscariot - The Vassar Devils

Guy -- Monster - Seafret

Kyle -- Them Dirty Bones - Mike Waters

Sinestro -- Beast - 8 Graves

Ollie -- Glory Bound - Matt Hires

Dinah -- Whatever it takes - Madilyn Paige & Kyle Wesley

Artemis -- Unstoppable - Sia

Roy -- Bury A Friend - NateWantsToBattle

Jim -- Never Going Back - The Score

Will -- Shot In The Dark - Within Temptation

Barry -- SAD (Clap Your Hands) - Young Rising Sons

Wally -- Starting Line - Luke Hemmings

Bart -- Ain't No Crying - Derivakat

Thaddeus -- Top Of The World - Greek Fire

Harrison -- Chosen One - Valley Of Wolves

Caitlin -- Human - Gabrielle Aplin

Cisco -- Just - Startisan

J'on J'onzz -- Ship In A Bottle - fin

Diana -- Stand My Ground - Within Temptation

Arthur -- High (Keep Up) - Bo Baskoro

Micheal -- Destiny - NEFFEX

Ted -- Rose Bouquet - Hamster & Wit Blue

Zatanna -- Power - Little Mix

Billy/Shazam -- Unfortunate Soul - Kailee Morgue

Constantine -- Contagious - Night Riots

Cyborg -- IDK - The DLX

Starfire -- Wildflowers - Maddie Poppe

Raven -- Vulture Vulture - Of Monsters And Men

Beastboy -- Let's Kill Tonight - Panic! At The Disco

Kaldur -- Silence - Marshmellow & Khalid

Joker -- Not Human - Elegant Slims

Penguin -- Emperor's New Clothes - Panic! At The Disco

Riddler -- Everybody Loves Me - OneRepublic

Harley -- The Broken - Stars In Stereo

Ivy -- Bit By Bit - Mother Mother

Crane -- The Fear - The Score

Croc -- Popular Monster - Falling In Reverse

Selina -- Solitude - Sorry Peach

Len/ Captain Cold -- Glory - The Score

Glider/Lisa Snart -- Woman - Kesha

Mick/ Heatwave -- Riot - Hollywood Undead

Digger/ Captain Boomerag -- Higher - The Score

Top -- The Mystic - Adam Jensen

Weather Wizard -- How It Ends - Great Elk

Pied Piper -- Primadona - Marina And The Diamonds

Eobard -- The Wolf - SIAMES

Ra's -- Counting Bodies Like Sheep - The Perfect Circle

Tahlia -- Castle - Corvyx

Slade -- Stand Up - Trapt

Jade -- Becoming The Beast - Karliene

#Spotify #dc #dc comics #batman #superman #jla #justice league

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musical-chick-13 · 6 years

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Also 1 and 16 :)

1. Which dead opera singer would you resurrect to hear them perform live?

LUCIA POPP. I mean, there are live recordings of her BUT I DIDN’T GET TO BE THERE SO SORRY SHE’S COMING BACK FROM THE DEAD

16.What opera singer do you crazily fangirl over the most? (YOU CAN ONLY PICK ONE.)

UGGGGHHHHHH WHYYYYYY I’M NOT GOOD AT MAKING CHOOOIIIIICEEEEEEEESSSSS

*panics*

Diana Damrau. Watch this, and you’ll see why.

#opera #ask meme

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pinpointpictures · 5 years

Video

M.A.C. Cosmetics - Canadian Original - What an incredible two days of working with the supremely talented Gemma Warren to capture such stirring motion and stills for M.A.C. Cosmetics for their Canadian Originals campaign. Featuring the incomparable Tessa Virtue and a host of incredible talent from all walks of life, this project was a highlight of my year. This campaign was as eye-catching as it was eye-opening!

Gemma and the whole Popp Rok team were kinetic, energetic and so fun to work with. Such a great time.

Client: M.A.C. Cosmetics

Agency: Cundari

Production Company: Popp Rok

Executive Producer: Taj Crichtlow

Executive Producer: Director X

Head of Production: Adam Palmer

Director: Gemma Warren

Producer: Adam Rodness

Production Manager: Carina Mak

Production Co-ordinator: Ashley Ballentine

1st AD: me

2nd AD: Adam King

DOP (motion): Jordan Oram

Stills: Gemma Warren

Art Director: Diana Abbatengio

Talent: Tessa Virtue, Stacy McKenzie (!), Vivek Shraya, Grece Ghanem, Alyssa Lau, Steve Hansmann

#cosmetics #makeup #advertising #production #respect the process

0 notes

princesssarisa · 3 months

Text

Opera on YouTube

I've shared links to complete opera performances before, but I love to share them, so I thought I'd make a few masterposts.

These list are by no means the only complete filmed performances of these operas on YouTube, but I decided that ten links for each opera was enough for now.

By the way, some of the subtitles are just a part of the video, while others require you to click CC to see them.

Die Zauberflöte (The Magic Flute)

Hamburg Philharmonic State Opera, 1971 (Nicolai Gedda, Edith Mathis, William Workman, Christina Deutekom, Hans Sotin; conducted by Horst Stein; English subtitles)

Ingmar Bergman film, 1975 (Josef Köstlinger, Irma Urrila, Håkan Hagegård, Birgit Nordin, Ulrik Cold; conducted by Eric Ericson; sung in Swedish; English subtitles)

Salzburg Festival, 1982 (Peter Schreier, Ileana Cotrubas, Christian Bösch, Edita Gruberova, Martti Talvela; conducted by James Levine; Japanese subtitles)

Bavarian State Opera, 1983 (Francisco Araiza, Lucia Popp, Wolfgang Brendel, Edita Gruberova, Kurt Moll; conducted by Wolfgang Sawallisch; English subtitles)

Metropolitan Opera, 1991 (Francisco Araiza, Kathleen Battle, Manfred Hemm, Luciana Serra, Kurt Moll; conducted by James Levine; English subtitles)

Paris Opera, 2001 (Piotr Beczala, Dorothea Röschmann, Detlef Roth, Desirée Rancatore, Matti Salminen; conducted by Ivan Fischer; no subtitles)

Royal Opera House, Covent Garden, 2003 (Will Hartman, Dorothea Röschmann, Simon Keenlyside, Diana Damrau, Franz Josef Selig; conducted by Colin Davis; no subtitles) – Act I, Act II

La Monnaie, Brussels, 2005 (Topi Lehtipuu, Sophie Karthäuser, Stephan Loger, Ana Camelia Stefanescu, Harry Peeters; conducted by René Jacobs; French subtitles)

Kenneth Branagh film, 2006 (Joseph Kaiser, Amy Carson, Benjamin Jay Davis, Lyubov Petrova, René Pape; conducted by James Conlon; sung in English)

San Francisco Opera, 2010 (Piotr Beczala, Dina Kuznetsoca, Christopher Maltman, Erika Miklósa, Georg Zeppenfeld; conducted by Donald Runnicles; English subtitles)

La Traviata

Mario Lanfrachi studio film, 1968 (Anna Moffo, Franco Bonisolli, Gino Bechi; conducted by Giuseppe Patané; English subtitles)

Glyndebourne Festival Opera, 1987 (Marie McLaughlin, Walter MacNeil, Brent Ellis; conducted by Bernard Haitink; Italian and Portuguese subtitles)

Teatro alla Scala, 1992 (Tiziana Fabbricini, Roberto Alagna, Paolo Coni; conducted by Riccardo Muti; English subtitles)

Royal Opera House, Covent Garden, 1994 (Angela Gheorghiu, Frank Lopardo, Leo Nucci; conducted by Georg Solti; Spanish subtitles)

Teatro Giuseppe Verdi, 2003 (Stefania Bonfadelli, Scott Piper, Renato Bruson; conducted by Plácido Domingo; Spanish subtitles)

Salzburg Festival, 2005 (Anna Netrebko, Rolando Villazón, Thomas Hampson; conducted by Carlo Rizzi; no subtitles)

Los Angeles Opera, 2006 (Renée Fleming, Rolando Villazón, Renato Bruson; conducted by James Conlon; English subtitles)

Opera Festival St. Margarethen, 2008 (Kristiane Kaiser, Jean-Francois Borras, Georg Tichy; conducted by Ernst Märzendorfer; English subtitles)

Teatro Real di Madrid, 2015 (Ermonela Jaho, Francesco Demuro, Juan Jesús Rodríguez; conducted by Renato Palumbo; English subtitles)

Teatro Massimo, 2023 (Nino Machiadze, Saimir Pirgu, Roberto Frontali; conducted by Carlo Goldstein; no subtitles)

Carmen

Herbert von Karajan studio film, 1967 (Grace Bumbry, Jon Vickers; conducted by Herbert von Karajan; English subtitles)

Vienna State Opera, 1978 (Elena Obraztsova, Plácido Domingo; conducted by Carlos Kleiber; English Subtitles)

Francisco Rosi film, 1982 (Julia Migenes, Plácido Domingo; conducted by Lorin Maazel; English subtitles)

Metropolitan Opera, 1987 (Agnes Baltsa, José Carreras; conducted by James Levine; English subtitles)

London Earls Court Arena, 1989 (Maria Ewing, Jacque Trussel; conducted by Jaques Delacote; English subtitles)

Royal Opera House, Covent Garden, 1991 (Maria Ewing, Luis Lima; conducted by Zubin Mehta; English subtitles) – Acts I and II, Acts III and IV

Arena di Verona, 2003 (Marina Domashenko, Marco Berti; conducted by Alain Lombard; Italian subtitles)

Royal Opera House, Covent Garden, 2006 (Anna Caterina Antonacci, Jonas Kaufmann; conducted by Antonio Pappano; English subtitles) – Acts I and II, Acts III and IV

Metropolitan Opera, 2010 (Elina Garanca, Roberto Alagna; conducted by Yannick Nézet-Séguin; English subtitles) – Acts I and II, Acts III and IV

Opéra-Comique, 2023 (Gaëlle Arquez, Frédéric Antoun; conducted by Louis Langrée; English subtitles)

La Bohéme

Franco Zeffirelli studio film, 1965 (Mirella Freni, Gianni Raimondi; conducted by Herbert von Karajan; English subtitles)

Metropolitan Opera, 1977 (Renata Scotto, Luciano Pavarotti; conducted by James Levine; no subtitles)

Teatro alla Scala, 1979 (Ileana Cotrubas, Luciano Pavarotti; conducted by Carlos Kleiber; no subtitles)

Opera Australia, 1993 (Cheryl Barker, David Hobson; conducted by Julian Smith; Brazilian Portuguese subtitles)

Teatro Regio di Torino, 1996 (Mirella Freni, Luciano Pavarotti; conducted by Daniel Oren; Italian subtitles)

Teatro alla Scala, 2003 (Cristina Gallardo-Domâs, Marcelo Alvarez; conducted by Bruno Bartoletti; Spanish subtitles)

Zürich Opera House, 2005 (Cristina Gallardo-Domâs, Marcello Giordani; conducted by Franz Welser-Möst; no subtitles)

Robert Dornhelm film, 2009 (Anna Netrebko, Rolando Villazón; conducted by Bertrand de Billy; no subtitles)

Opera Australia, 2011 (Takesha Meshé Kizart, Ji-Min Park; Shao-Chia Lü; no subtitles)

Sigulda Opera Festival, 2022 (Maija Kovalevska, Mihail Mihaylov; conducted by Vladimir Kiradjiev; English subtitles)

#opera #youtube #complete performances #die zauberflöte #the magic flute #la traviata #carmen #la boheme #wolfgang amadeus mozart #giuseppe verdi #georges bizet #giacomo puccini

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csenews · 7 years

Text

JSCC Spring Semester Honor Roll Announced

Spring Semester Honor Roll Announced

Jackson, Tenn (June 21, 2017) – The Office of Admissions and Records at Jackson State Community College released the honor roll for the Spring 2017 semester. On the honor roll, there were 307 full-time students who achieved a quality point average over 3.00. There were 381 students who made the dean’s list by achieving a quality point average of 3.50 or better.

Honor Roll is reserved for students who are enrolled for twelve (12) or more hours of college-level work (Learning Support excluded) and who complete a semester’s work with a quality point average between 3.00 and 3.49.

Dean’s List is reserved for students who are enrolled for twelve (12) or more hours of college-level work and who complete a semester’s work with a quality point average between 3.50 and 4.00.

JSCC Dean’s List Spring 2017

Page 1 of 5

BENTON

Dylan Blake Furr

Tanner David Johnson

Kaitlyn Annette Page

William C Vick

John Henry Benjamin York

CARROLL

Samantha Madison Barrow

Kristina Marie Cannon

Kimberly Ryan Canoy

Jonathan Thomas Cash

Leslie Marie Cathey

David Michael Deloach

Samantha Leigh Ferguson

Scott Eugene Force

Kalee Jo Fountain

Whitney Nicole Hicks

Dan Ellsworth Hoffman

Carl William Joyner

Kirsten L Joyner

Mitchell Brandon McCartney

Cheyenne Harley Moran

Rachel E Noles

Russell Lee Noles

Deborah Ann OBryant

Steven Hunter Peterson

Lacy Jolene Pride

Channa Larame Ragsdale

Alysia Marlana Shear

Sarah C Taylor

Brittany Nicole Watson

Brittany Nicole Webb

Matthew Tyler Williams

Michael Elihu Wilson

Christopher Wesley Wood

CHESTER

James Howard Barber

Trae Daniel Brewer

Loleta Dorilean Carothers

David Gaddy Carroll

Christopher Edward Cox

Landon Thomas Cupples

McKinley Brooke Farley

Ashley Michelle Faulkner

Ashley Dianne Frye

Johnny Alfred Glass

Heath S Graves

Cameron Lane Greer

CHESTER continued:

Tori Brooke Hill

Haley Elaine Hughes

Coty Alan Laudermilk

Brooklyn Rene Miller

Peyton Randal Millner

Carlee Elizabeth Morris

Brand Edward Nicolay

Kenneth E Page

Eva Perez

Colton L Plunk

Reba Marie Price

Chase Colton Ross

Caitlin Jenee Sanchez

Michael Sinclair Segerson

Ezekiel Joesph Smith

Kendyl Dawn Smith

Peyton Wesley Stewart

Amber Dawn Thompson

Sydney Blair Watson

Marcus Lee White

COFFEE

Ryan Yates Dye

CROCKETT

Jesus Aguirre

Telisa Shuntel Brown

Jill Anna Castellaw

Aaron Christopher Dennison

Kelsey Ann Gadberry

Meleah Rose Gateley

Michelle Lynn Jones

Candice Woods Kellough

Anthony Chance Lovelace

Jennifer Mooney

Whitney M Revelle

Micah C Riley

Ana Julissa Rios

Kayce Abigail Stallings

DAVIDSON

Latoya Antionette Gibbs

DECATUR

Whitlee Adraianna Camper

Lauren Ashlee Hays

JSCC Dean’s List Spring 2017

Page 2 of 5

Kyla Bree Linton

Stephanie Lynn Mitchell

Jessica Brooke Patton

Macy Camille Sumler

Decatur continued:

Bryan Wood Swafford

Misty R Swindle

Brandon M White

DYER

Talia Suzanne Alley

Dalton Wayne Harrison

Cara Lee Rose

Erica D Tipps

Chloe Jo West

GIBSON

Peyton Charles Adams

Karen Nicole Allen

Bryan Kevin Barnett

Seth Brayden Burchett

Dylan Warner Cole

Kendall Nicole Cox

Michael Scott Evans

Robert Mcgregor Fly

Andrew Joseph Gordon

Nicholas Grant Gutierrez

Hailey Brooke Hudgings

Kahmadre Jay-Quan Hudson

Hannah B Hutchison

Ryan Daniel Jones

Kaitlyn Michelle Kelly

Ryan Dennison Mayfield

Amy Alison McCoy

Madison Brooke Michael

Sa'Liyah Ann Newbill

Andrew Lloyd Oliver

Samantha Kelly Palmer

Ashley McClain Pierce

Alexander Popp

Benjamin Douglas Powell

Dylan Ray Powers

Jonathan Chase Prescott

Courtney Michelle Reese

Katelyn Nicole Rickman

Crystal Lee Rogers

Tasha N Romero

Gage Michael Schneeberger

Brooklyn Victoria Schrupp

Katherine Michelle Stephens

Hunter Michael Taylor

Michael Sean Threadgill

Colton R Tucker

Katherine Walters

Deonte Tyshawn Watson

HARDEMAN

Alexis Rebekah Beibers

Hannah Rose Black

Tyler D Callahan

Rachel Elise Davis

Austin Wade Greene

Luz D Gutierrez

Katlin Leigh Kelley

William Stewart Koimn

Brittany L Luttrell

Hannah Grace Scott

Marissa Drew Thweatt

Carly Rae Weems

HARDIN

Dustin Blake Ayers

Teara Genea Bearden

William Warren Bond

Amber Nicole Bowling

James Caleb Crotts

Kaylee Renea Gillis

Julia Renee Hall

Chandler Davis Harris

Caden Charles Holt

Savanna Cheyenne Liford

Sarah Ann Marshall

Katy Carroll Nix

Samantha Dawn Oaks

Sasia Sewilta Patterson

Savana Rae Payne

Hannah Lynne Roberts

Amanda Grace Sandusky

LauraAnn M Shiver

Jodie Lee Smith

Kaila Grace Smith

Lauren G Smith

Peggy Ann Snyder

Jessica Lee Ann Stricklin

Alexis Alley Thurman

Jennifer Michelle Vandiver

Destiny Brooke Weeks

Alison R Whaley

JSCC Dean’s List Spring 2017

Page 3 of 5

Haley LeAnne White

Kanesha L Wright

HAYWOOD

Henry Stanley Clement

Mary Catherine Currie

Presley Grace Gaters

Danielle Nicole House

HAYWOOD continued:

Caroline Elizabeth Newcom

Elizabeth Blair Simpson

Ashton Muriel Taylor

Kristin Brooke Turner

Emily H Wright

HENDERSON

Anthony Glynn Anderson

Jaclyn Devin Arnold

Andrew B Austin

Bethany Jo Autry

Emily Gore Baughn

Trent Cavalier Beacham

Justin Andrew Brown

Molly Brooke Brown

Leighann Nicole Burkett

Eduardo Carreto-Salgado

Charles Michael Carrington

Lauren Rae Cole

Tonie L Coleman

Emily Anne Dyer

Paul Leo Fowler

Cassidy O Garner

Johnathan Keith Goodman

Melissa Allean Gray

Andrew Garrett Grice

Bethany G Hayes

Crystal Renee James

Haley Nichole James

Kristen F Lawler

Sarah Michelle Lindsey

Abigail Marie Maness

Morgan Elizabeth Maness

Jessica Brooke Montgomery

Fernando Gonzales Munoz

Vanessa Ann Nelms

Jimmy Hunter Powell

Katelynn Allison Nichole Pratt

Allyson C Reeves

Alyssa L Reeves

Kaley Elizabeth Rogers

Jacob Daniel Smith

Kersten L Springer

Dalton Bryce Womack

HENRY

Samantha Frances Dixon

Taylor Brooke French

Seth Zachary Gibbs

Courtland Nicole Hester

David Penick

HUMPHREYS

Ashley Nicole Bates

LAUDERDALE

Andrew Carver Dunavant

Conner Clayton McLemore

John Daniel Moore

Jakara L Snipes

MADISON

Remoun Abdo

Cassidi Grace Adams

Malarie Alexander

Sajedah Alghunaim

Rami Amer Al-Jafari

Kimbrielle Elise Allen

Kaitlan Sheree Anthony

Faith Selene Atherton

Colin Andrew Barnett

Marietta Nicole Barnett

Sydney Taylor Brookshire

Ethel Louise Brown

Megan Fairchild Buehler

Michael Aaron Campbell

Jessica Dianne Carter

LeeAnne Madison Clement

Rachael Merriem Clenney

Curtis Andrew Cobb

Jacqueline Brooke Cole

Vania Evette Comer

Claire Allison Cooke

Humberto Coronado

JSCC Dean’s List Spring 2017

Page 4 of 5

Alberto Coronado Chavez

Christian Taylor Cotner

Melissa Anne Craigie

Sarah Mae Craigie

Jarius Okuria Curry

Kiley Renee Douglas

Sarah Elizabeth Droke

Diana Steffy Escober

Chloe Nicole Espitia

Jessica Danielle Gibson

Damian Jordan Gladney

Zia Goli

MADISON continued:

James Tucker Goodwin

Sydney Gail Grammer

Brianna Madison Gregory

Eric Michael Gunn

Olivia Marie Guzzo

Alex James Haggard

Marshall Britton Hammill

Korean Nichele Harris

Garry E Harvey

Sarah Elaine Harvey

Amanda Nicole Haynes

Berlie Grace Hieagle

Edith Charity Horst

Cody Lynn Hunt

Kayla Nichole Johnson

Kassidy Blair Jones

Hailey Renee Jones

Meagan Hope Kitchen

Janelle Nicole Kyle

JuliaAnne Frances Lansdale

Dillion Robert Larimore

Patrisha Dannielle Leadbetter

Sarah Fulton Lim

Philippe Lumpkin

Lance Austine McElroy

Michael Todd McFadden

Natalie Mendoza

Blanca Estela Mireles Valdez

Madison Marie Montchal

Michael Lee Montgomery

Stephen Houston Morse

Belinda Sue Murchison

Andrew Steven Murley

Justin Robert Mutschler

Callyn Leonard Nims

Rebekah June Pennington

Nicholas Anthony Pica

Brittney Michelle Pickens

Anthony Daniele Previtera

Paige Marie Ramage

Teena Maree Rea

Nicolas N Reyes

Anna Belle Robertson

Xavius K Robinson

Eric Lee Rooks

Rachel Elizabeth Royer

Adriana Salinas

John Louis Santana

Sandra Shari Santiago-Bullington

Heaven Leigh Schatz

MADISON continued:

Tempestt Bernice Seward

Hailey Elizabeth Shephard

Joseph Michael Shephard

Mya Taylor Spivey

Allison Claire Stutts

Victoria Lynn Subia

Kimberly Nichole Sullivan

Brooklyn Marie Taylor

Debra Taylor

Allison Faith Thomas

Robert Mikael Utley

Ryne Vinson

Jordan Breanne Warren

Kenneth Connor Weaks

Clay E Webb

Kaylyn Alyra Weddle

Jacob Dylan Weidner

Destiny Marie Westbrook

Elizabeth Renee Williams

Ashton Vernard Willis

Kameron Dean Wilson

Noah Alyssa Wilson

Brooke Ashlyn Woodard

Brinlea Madison Woodard

Ryan K Woods

Alexander Ryan Wortham

Jeremy Dean Yates

Kelci Nicole Zabriskie

McNAIRY

Kathrine Rose Atkinson

Joanna Elizabeth Barlow

Jonathan Ray Bauer

Carrie Elizabeth Clausel

JSCC Dean’s List Spring 2017

Page 5 of 5

Haylie Marissa Crum

Elizabeth Hope Doucette

Shelbi Elise Doucette

Eric Ryan Gowler

Evan Parker Harris

Kateryna Kucherenko

Warren Austin Lowrance

Mary-Elizabeth Adale Lyons

Payton James Mast

Elizabeth Nicole Miller

Andrew Vinson Pettit

Tamara A Pickens

Samuel Reid Pierce

Jacob Alan Qualls

Ashton Brooks Rich

Josiah David Rininger

McNAIRY continued:

Dakota LeighAnn Russell

Angela Michelle Taylor

Jon Michael Williams

OBION

Stevie Brooke Mers

PERRY

Sandra Marie Dicks

SHELBY

Ian Jose' Bibiloni

Nicholas Jordan Blankenship

Issac James

Brandon Tyler Maxwell

Michael Hoang Nguyen

TIPTON

Theresa Donyelle Allison

Carlye Kay Dixon

WAYNE

Amy Lois Bartlett

Brittany Nikole Bunch

Jessica Gable

Nicholas Caden Grace

WEAKLEY

Tom Eric Jehnzen

Lyndsey Brooke Scott

JSCC HONOR ROLL SPRING 2017

Page 1 of 4

BENTON

Lindsey Nicole Baker

Michael Keith Coady

Corina Nicole Hensley

Jearleh Generale Obas

Justin Lee Smothers

Kelsey Jordan Yates

CARROLL

Kallie Cheyenne Berry

Hannah Olivia Boroughs

Jennifer Renee Bratton

Stephanie Marie Brown

Layla Dawn Byrum

James Zach Cagle

Meagan Renee DeLaney

Joshua Cody Douglas

Austin Chase Ezell

Chadwick Heath Futrell

Hunter Lynn Harris

Sara Beth Hayes

Kaitlyn E McAlpin

Jackie F McClain

Hannah Lea McWilliams

Charles Neil Prestwood

Jazzlyn Janae Ray

Michael Ray Rogers

Kelsey Layne Runions

Rachel N Sellers

Heath D Spain

Riley N Toombs

Kasey M White

Amanda Michelle Williams

Danielle Leigh Williams

Kevin Wayne Williams

Kelsey L Wortham

CHESTER

Brianna Gayle Allen

Erin Michelle Barnes

Zackary Jordan Bethune

Jonathan Trey Ervin

Sydney Taylor Frank

Kelsey Lynne Grissom

Haley Cheyenne Hardwick

Morgan Elizabeth Hays

Bayley Madison Holder

CHESTER continued:

Austin Tyler Holman

Dylan Wesley King

William James Lampley

Dustin William Tyler Montgomery

Austin Edward Moore

Amber Shalane Mosley

Jaylan Dewayne Northern

Jared Patrick Page

Christine LaShae' Puckett

Trenity B Puente

Cody Allen Riley

Kendall Anne Shaw

Payton A Wilkinson

CROCKETT

Yulissa Bautista

Makalah Carter Buckner

Hilary Brooke Butler

Yeltsin Chapina

Meraleigh Peyton Holland

Erin Yessenia Juarez

Kevin Scott Kail

Anthony J Merriweather

Joseph Braden Nace

Lauren Breanna Pender

Lionardo Sanchez

Seth Daniel Shewmaker

Kordell Jay Smith

DAVIDSON

Lee Rice

DECATUR

Brett William Bell

Jesse Alan Burns

Morgan Anna Crews

Lacey Leann Hicks

Geovany Jimenez

Jacob Christopher Maness

Tiffani Cheyenne Shea

Kayleigh Morgan Smith

Jase Lee Taylor

Jordan C Tubbs

DICKSON

Leslie Ann Darrow

JSCC HONOR ROLL SPRING 2017

Page 2 of 4

DYER

Elizabeth Ann Fisher

Allison C Hodge

Kyndal Riddick

Chari A Swift

FAYETTE

Jaleesa Shavon Blade

Kelsey Roxanne Wilson

GIBSON

Reagan Wesley Barnhart

Bethany Carol Lynn Bolin

Kayla Gabrielle Bowie

Seth Everett Brown

Zachary Monroe Case

Lila Marie Cauley

Andrew Tyler Chambers

Andria Marey Cole

Charles Benjamin Coleraine

Madison Paige Ellis

Taina Bronjour Escalera

Carly A Fry

Heather Michelle Frye

Emily Jerene Galvan

Melissa D Goodrich

Alyssa Faith Hartig

Matthew Davis Hawks

Braydon Gregory Hendrix

Baylea Alexandra Holmes

Olivia Langston Hunt

Rachel Nicole Jones

Amanda D Littleton

Lauren Elizabeth Miller

Raquel Taylor Miranda

Austin Eli Moore

Jessica N Paz

Haley Nicole Rainey

Kayla Michelle Reeves

Anna Sison

Kyle Martin Trompower

Mackenna Grace Upchurch

Bailey Anne Vandiver

Brandt Gage Wright

HAMILTON

Austin Zinkann

HARDEMAN

Luis Santiago Ayala

Kamryn Nicole Brown

Kenylsha D Bryant

Lashara Shavay Burkley

Megan Ashley Caicedo

Ethan Scott Grantham

Timothy Landon Lee Harris

Joshua M Kennamore

Michael Brandon Knepp

Rianna V Lewis

Christopher Z Luciano

Keylon D Muex

Andrea Lashae Mullins

Keanna Monee Pirtle

Patric D Stewart

HARDIN

Taylor Brooke Alexander

Bailey Reese Brasher

Jenny Marie Briley

Alyssa Mariah Dilday

Ricki Kay Lynn Ford

Ryan Mitchell Guyer

Tori Ann Haggard

Austin Wade Henson

Makaila Cheyenne Keymon

Dustin Kane Moore

Mickay Vaschelle Qualls

Jefferson Charles Rey

Serenate N Searles

Jordan Luke Sledge

Elizabeth Diane Talley

Delaney Jean Timberman

Ronita D Walker

HAYWOOD

Brooklyn Paige Anderson

John Burton Friedman

Jennifer Marie Hendrix

Amye Ann Pitts

Nakesia Monique Shephard

Leigh Anne Stanley

JSCC HONOR ROLL SPRING 2017

Page 3 of 4

HENDERSON

Jordan Ray Bartholomew

Adam Clayton Briggs

Timothy Dovone Clark

Martice Daniel Crawford

Drake Daniel Eason

Jacob Alan Ewell

Zachary Robert Haynes

Shanna L Lindsey

Destiny Lanette Moody

Alaina Elizabeth Moore

Jordan L Morris

Jessica Marie Nowell

William Survan Pickering

Eli Tyler Plunk

Dylan Frank Powers

Holly Duncan Pratt

Brandi Sheree Reeves

Caitlin Ashlee Scott

Samuel Paul Shannon

Jacob Randall Thomas

Lyndsey P Tosh

Haven Nicole Trull

Emily Nicole Vinson

Trevor Chase Wood

Lilly M Woods

Trey M Wright

HENRY

Erika N Barlow

Brianna Leigh Houlle

Allie Joy Murphy

Chelsea N Phifer

Holly Nicole Potts

Rachel Gayle Ragan

David Ian Sarnik

Rachel Tioni Silvester

Mikala Cheyenne Spry

LAKE

Joel Tyler Estes

LAUDERDALE

Beau Bradford Simpson

Kolie J Smith

Simonne Janae Snipes

LEWIS

Kenzie Owen

MADISON

Brittany Zinelle Anderson

Samuel Davis Anderson

Isaac H Andrews

Amie Lee Scales Autrey

Crystal Linda Autry

Mark Anthony Bedwell

Matthew Elliot Blackwell

Shelbi Leigh Bond

Cameron D'Anne Briley

Chelsea Lane Brown

Hunter Daniel Brown

Marcus Wayne Brown

Ryan Mitchell Butler

Kimberly Renee Carpenter

Richard Jacob Crosnoe

Yulissa DeLaCerda

Mouhamd Elsebae

Hunter Mckinley Finan

Eric Nicholas Forsythe

Russell E Fowler

Brooke Lauren George

James Jacob Gross

Olivia Grace Hall

Jayda McKenzie Hampton

Christian Carter Hays

Janet Diane Hilliard

Angel Mae Hodgin

Brian Jacob Honey

Haleigh Elizabeth Hooper

Garrett Carson Jeanes

James Edward Johnson

Kalesha Rachelle Jones

Shalanda Denise Jones

Jessica Ellen Kirby

Dylan Alexander Kyle

Shea Elizabeth LaFont

Annabel Leon

Bishop Jones Lewis

Elizabeth E Macon

Hunter Allen Massey

Banks Christian Mayo

Jacob Lee McCord

Abby Leigh McNeal

Michael Patrick Mills

JSCC HONOR ROLL SPRING 2017

Page 4 of 4

MADISON continued:

Jacob Weston Morford

Jennifer Lynn Nieves

Lauren Marie Nieves

Ryan Joseph Palmatier

Carson Mitchell Parker

Chiquita Lashon Perry

Shainia Danielle Perry

Jessica Lynn Pittman

Andrew Christopher Pope

Naydelin Ramirez-Gonzalez

Desiree Ransom

Kaylee Renae Riddle

Cheterra Nicole Rogers

Julie Amanda Rouse

Joshua Bryant Shuford

Allison Taylor Smith

Mia Kayley Spivey

William A Swift

Christina Leigh Tall

Zachary Chase Taylor

Nicholas ONeil Teague

Anna June Thompson

Blake Martin Tims

Shelby M Tisdale

Hayden L Towater

Kayla Jordan Vaughn

Jesse A Williamson

Taylor Nicole Willis

Haley Nicole Worsham

Sarah Janine Yelverton

MAURY

Joshua Avery Frantz

McNAIRY

Tina Bailey Bennett

Brandon Kyle Brown

Jacob Ryan Cox

Kendall Shae Dickerson

Zachary Alan Howell

Sarah Elizabeth Hurst

Caleb Tate Kennedy

William Homer Lescheck

Landon Troy McAfee

Anna Marie Moore

Megan Nichole Morris

Haven D Phelps

Krista D Ray

Joshua Lee Shelby

Lauren Elizabeth Steele

Emily Katherine Surratt

MONTGOMERY

Kayla Renee Bradley

Michelle Amber Donner

Lucas W Veltri

OBION

Kristian Alisha Davis

Bethany N Workman

PERRY

William Blake Qualls

SHELBY

Sadler Allen Goodwin

Marcus Andrew Lytle

Annamarie B Pugh

WAYNE

Jerrica Katline Hicks

WEAKLEY

Brennen Zachary Cobb

Denise Rae Cook

Audrey Louise Grooms

Jeffery Lynn Hampton

Starr Anne Petersen

Lawson Michael Roberts

WHITE

Darin Reed Cole

18 notes · View notes

humongousfanhologram · 7 years

Video

Diana Damrau - Queen of the Night (The Magic Flute)

Full Song Title: Wolfgang Amadeus Mozart - Aria (Queen of night) Here is another one of my favorite Mozart pieces,it's from the Opera Die Zauberflöte K. 620 (The Magic Flute). Wolfgang Amadeus Mozart is one of my absolute favorite composers and I can't get enough of him :-) . Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), was a prolific and influential composer of the Classical era. Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, and his influence on subsequent Western art music is profound. Ludwig van Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote that "posterity will not see such a talent again in 100 years". Diana Damrau, is one of the most sensational opera singers to emerge in the past decade. She has a sparkling voice that exudes personality, and her technique is so secure that she can concentrate her talents into bringing out a character's dramatic nuances. In Mozart's operas, she has already sung Kostanze in the "Entführung aus dem Serail," Susanna in "Le Nozze di Figaro," Servillia in "La Clemenza di Tito" and Fauno in "Ascanio in Alba." She has also assayed the lead roles in Donizetti's "Don Pasquale and L 'Elisir d 'Amore," Rossini's "Il Barbiere di Siviglia," Salieri's "Europa Riconosciuta" and Strauss' "Die Ägyptische Helena," "Ariadne auf Naxos," "Arabella" and "Der Rosenkavalier." While she is an outstanding and endearing presence in all these operas, the role where she remains nonpareil is as the Queen of the Night in The Magic Flute (Die Zauberflöte k. 620). No other soprano, not even those legendary singers that include Lucia Popp, Roberta Peters, Luciana Serra or Sumi Jo, have mastered the role's technical and dramatic demands the way Damrau has in the past decade or so that she has been singing this extremely complex character. In the ten minutes that she is onstage, she breathes so much life into the Queen that she can save a performance from mediocrity. Mrs. Damrau retired this singing part in 2006. Most opera stars sing the role and then put it away forever because it's so hard on the voice. Well, those are High Fs. A lot of them :-). The Magic Flute (German: Die Zauberflöte), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna.

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