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#Double your pleasure
atomic-chronoscaph · 1 year
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ablogofcourage · 1 month
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capturedbeauty · 1 year
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goodiecornbread · 1 year
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Em-MAY-ly, day 21
Double Trouble for the first day of Gemini season
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quickienewyork · 2 years
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somanyskills · 1 year
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If I have to remember that this exists than so do you.
Double your pleasure!
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countlessrealities · 10 months
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CUPID'S ARROWS EVENT || Closed.
@evilmcg sent: “Can I help you with something?” (for Evil Morty)
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Morty found himself freezing in surprise for a moment when the voice that greeted him wasn't the one he had expected. After the odd events of the morning, he had decided to come and check on his counterpart. First of all to know whether anything weird had happened on the other Citadel too or not, and secondly, even if he wouldn't have admitted it openly, to make sure that the other hadn't been affected.
Yet, when he opened the door of the conference room, he hadn't found himself face to face with his mirror image, but with the last person he would have wanted to discuss the matter with.
Or, at least, that was what he would have thought until a moment before his gaze landed on Meg. Yet, after they did, he couldn't remember a single reason why he could have wished not to run into her.
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"As a matter of fact, yes," he spoke, before his mind could catch up with the words. His charming president persona had automatically slipped in place, but there was something off about it. "In all truth, I was looking for you specifically."
A little lie, but spun so fluidly that it sounded like nothing but the honest truth. What was unsettlingly, however, was the intensity with which his amber eyes were locked on her.
"I've been...thinking," he went on, stopping right in front of her, a mere inch too close than it was proper. "All this...animosity isn't doing us any favour. So, perhaps, we should try to find a new ground for our interactions."
Swiftly but oh-so-gently, he caught her hand, lifting it up as he bent over to kiss it. The briefest, lightest touch, like a proper gentleman.
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snowquills · 2 years
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episode one: scar is voted out of the polycule
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goldentwst · 2 years
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My god, a spin off of the masquerade event basically writes itself:
You got a character based off of Frollo, Rollo, the OG consumed-by-lust-freak, you got Malleus who couldn’t be happier that you’re tagging along to Noble Bell College, throw in the fact Rollo seems to acknowledge MC as an admirable person paired with his hate-crush on Malleus, who gets to spend time with you, add a bunch of jealousy on both ends, and it’s perfect.
That is to say, I’d feel better writing out the scenario once we have a grasp on why Rollo seems to hold Malleus with contempt(?), but you can bet that I am staring at this event with eyes wide open. 👀👀
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♫ you dont have to answer this especially if you already have a ton but lllllllincoln li-wilson,,,,,,,,,,,,,,,,,,,,, i am a simple man
SORRY I TOOK SO LONG TO GET TO THIS I WANTED TO BE REASONABLY THOROUGH (AND YES I DO HAVE TO ANSWER THIS ACTUALLY!!!)
*breathes* heh. This might be a tad long, so let's go to my super secret Lincoln Li Wilson fan club under the cut
-oh right, the password! No problem it's
SAY HI TO YOUR DAD FOR MEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE
HEH. WELCOME TO THE COOLEST CLUB IN THE FANDOM, POPULATION YOU AND ME.
okokokokokok so so so so well I guess what I realized is that, while I have many songs for this boy- err technically a lot of them are in a shippy sorta context?? But I don't wanna, well, I don't wanna hit you with anything that is too, like, "ship-dependent" cause I don't know what you do or don't ship!
*That said*- my fucking gothcleats playlist dude? I'm handing it to you anyways cause I have FEELINGS about every single one of these fucking songs and imo honestly you can interpret most of them in a completely non romantic context anyways also also almost all of them are from Linc's perspective for me so I think you'd genuinely still appreciate at least some of these. All *that* said, I will be picking a few from this playlist to talk about that really aren't that romance-coded if at all buuuut are gonna be about Scary to some degree.
Oh- my swiftli playlist you ask??? IT'S SO FUCKING STUPID DUDE. It's so dumb like it's so silly like it's almost purely vibes and the vibes are really really dumb but yesss I'm handing you this one as well I'm not saying the songs don't slap but they're still very stupiddddd.
OK on to some fucking songs yeah???? So I guess the first one I'll start with is:
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"Angel With A Shotgun" by The Cab
Which, okay, before I even get to the lyrics like come ON am I wrong for thinking that even just that fucking name is the most Lincoln Li Wilson thing in the whole god damn world??
But yeah, I mean lyrically really this one has a lot going for it as a Lincoln song, but to point out a few particular lyrics that stand out to me:
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If love's a fight, then I shall die With my heart on a trigger
They say before you start a war You better know what you're fighting for
If love is what you need, a soldier I will be
I'm an angel with a shotgun, fighting 'til the war's won I don't care if heaven won't take me back I'll throw away my faith, babe, just to keep you safe
Sometimes to win, you've got to sin Don't mean I'm not a believer
And I'm gonna hide, hide, hide my wings tonight
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😤 This one really gives me extra feels after the last episode, I gotta say! :0 As far as like pure imagery goes I think some strange combination of an angel and a soldier is just *so* Lincoln. There's just these really interesting themes with Lincoln of like, devotion, and sacrifice, and perseverance, and making tough decisions! Especially to help those around you! This song really just captures that for me.
Okay, next!
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"Hit The Floor" by Linkin Park (more like Lincoln Park am I right sorry sorry)
Right right, where to start with this one... This one captures two primary concepts for me. It's partially, like, confrontation between Linc and Scary, from his perspective. But actually, I think you could also interpret some of these as relating to his frustrations with Grant as well! Otherwise, I like this one cause I think it captures Linc's ability to like, totally turn the tables and flip the switch when you least expect it? Seriously, that boy is quick on his feet (heh soccer heh), and always has a trick up his sleeve. Here's a few lyrics:
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One minute, you're on top! The next you're not, missed your shot You think you won, and then it's all gone
So many people like me put so much trust in all your lies So concerned with what you think to just say what we feel inside So many people like me walk on eggshells all day long All I know is that all I want is to feel like I'm not stepped on
What goes up will surely fall, and I'm countin' down the time 'Cause I've had so many stand-offs with you, it's about as much as I can stand So I'm waitin' until the upper hand is mine
I know I'll never trust a single thing you say You knew your lies would divide us, but you lied anyway And all the lies have got you floating up above us all But what goes up has got to fall
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I guess Mike Shinoda is just *the* Linc artist for me, cause this next one is from him as well!
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"Believe Me" by Fort Minor
:0 Also about Linc's confrontations with Scary, but with a different flavor! Here I think it's more retrospective, at least in part, in reference to how Linc used to look up to Scary in some sense, and trusted her and all that. Otherwise, there's obviously some narrative parallels going on between these two, particularly with regards to the evolution of their mental/emotional states, which I think some of these lines nod to as well:
...Yeah it's really basically the entire song for this one ahahaha what can I say it's good shit
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You like fun and games? Keep playing 'em I'm just saying, think back then, we was like one and the same On the right track, but I was on the wrong train Just like that, now you gotta face the pain And the devil's got a fresh new place to play And in your brain, like a maze you can never escape the rain Every damn day is the same shade of grey
Hey, I used to have a little bit of plan Used to have a concept of where I stand But that concept slipped right out of my hand Now, I don't really even know who I am Yo, what do I have to say? Maybe I should do what I have to do to break free And whatever happens to you, we'll see But it's not gonna happen with me
I guess that this is where we've come to If you don't want to, then you don't have to believe me But I won't be there when you go down Just so you know now, you're on your own now, believe me
Back then, I thought you were just like me Somebody who could see all the pain I see But you proved to me unintentionally That you would self destruct eventually Now I'll be thinking like the mistake I made doesn't hurt But it's not gonna work 'cause it's really much worse Than I thought, I wished you were something you were not And now this guilt is really all that I got
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ALRIGHT. Let me leave you with one that's just for Linc. I won't bother with specific lyrics for this one, this song slaps (I think!), you gotta give it a listen.
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"Galvanize" by The Chemical Brothers
Linc calls the shots in this fucking podcast, you know this, I know this. That's what this one is about.
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capturedbeauty · 1 year
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weebsinstash · 2 years
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I've been getting certain specific comfort fic kinda ideas stuck in my head all the time recently and while I'm starting to wonder how much I should be indulging these, you know from a "is this a form of learned helplessness" sort of idea, it's also like. Hm. Those could be fun to go at things from a Purely Emotional Angle
Like. The whole isekai chocobros thing where reader gets sucked into eos, but they can figure out pretty quickly that you, uh, don't really have much to go back to? Them just all eagerly asking about who's waiting for you back home and you're just like "oh I just need to get back before I lose my job and get evicted" without any mention of friends or family. Or maybe you just. Encounter them and when you learn of your situation you just. Go into shock. Because it's like, what did you really lose anyways, but also, now doesn't this mean you have to start all over again? And you kind of just. Tell them to leave you to die in the woods as you sit there and cry for a while
Or like something I had mentioned previously with Nanami where he's eventually like "hm, you know, I think this student is so good at harnessing negative energy because they're Totally Fucking Dead Inside and thats actually probably a bad thing?" Like there's a particularly concerning way you get violent with spirits or lose your composure or blow up. Maybe you crack a joke like "working in retail makes you want to hit things anyways" which, he can totally relate but, you're seeming to come at this job as a sorcerer from a completely "I don't care if I die at this point, im in full self destruct mode with nothing to lose" mindset and he eventually decides, hm, maybe I should step in here, let this kid stay with me for a while
Honestly its a little different now with him only being 35 but, Stolas getting attached to you and learning you're estranged from your father, who you had a horrible relationship with and died before getting to talk to again, and when your dad eventually dies and tries to reconnect, he "takes care of him" because, well, your dad had a chance, and Stolas wants to be your new dad now (and imagine how fucking awkward this was to have in my drafts and then actually reconnect with MY actual father 🤦‍♀️🤦‍♀️🤦‍♀️)
Also I like the idea of, similar prompt to above but with Omniman, but itd be in like a weird, "fucking your stepdad" kind of thing. I just, I've thought of half-Viltrumite Reader moving in next door to him on accident, you live with only your mom, she eventually passes from something and maybe the Grayson family takes you in, or at least constantly comes over to check on you as neighbors. Nolan wants to either train you or, you know, forms some form of affection for you, and maybe when your missing Viltrumite dad tries to show up again, Nolan takes him out before you're even aware he's back on the planet. HE'S the only mature older male you need in your life, in his opinion 😳 and yeah, he's much older than you from the whole alien thing and he's probably intimately aware of the effect not having a dad can make some people... horny for father figures
I dunno i love how this started out as an intended emotional-based fic post and I still managed to circle around to "what if you fucked someone because you're sad and needy"
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miutonium · 1 year
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Just curious, if let's say you did make Miguel into an f/o, would you be fine with sharing though? Since I noticed that a lot of people has started shipping with him and some are uncomfortable with sharing. If you're not okay with it it's fine! Just wanted to ask before I make you uncomfortable or anything! Hope you have a good day!!
Hi hi! I haven't decide just yet lol just let me watch the movie first aahshskakskala but anyway i appreciate you ask about sharing! That's so sweet of you asking tbh 🥺💕 I already put it on pinned so you probably missed it:
I am okay with sharing!!!
I love fictional 2D men but personally I find it dumb to be fighting about who gets to own which character. My prev f/o was a popular character so occasionally I get hate mails from people that also ship the same character like bro let's be real it's a free for all hhh the version of the character in your head is not the same as what I imagine that character to be in MY HEAD, we can just ignore or block each other if you really want to stay away from me, I actually dont mind that. I understand some people have attachment to a character so like if you feel uncomfortable with the idea of sharing that character with others just block and move on because fighting over it makes you look unhinged and I am actually embarassed if I have to tell people irl I fight with some randos on the internet because I happen to like the same fictional character a normal amount like the other person.
If I sounded harsh I am sorry though!! I just basically want to say that it's totally and absolutely okay to feel uncomfortable about sharing and also you are not an asshole if you block anyone for that reason, you're basically curating your own space for your comfort and thats 100% okay! What's not okay is going to people's inbox sending hate mails because of it and then proceed to influence other's to say that person's ship is not valid like no don't downgrade other people's ship because you're jealous, that's not very cute and weird.
With that being said, yes I am totally okay with sharing! If you see people that doesn't feel okay with sharing, please respect their boundaries! Idk how this is not a common sense thing amongst this community zzzz
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huggingtentacles · 2 years
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ah yes that feeling when you invade an Obviously Advanced PvPer and wreck them so hard you throw in a point down.
And you invade them the second time. Now nothing is off limits, this person wants you DEAD and they use all the underhand tactics to get an edge over you. And then you WRECK THEM AGAIN LIKE GUUUURL YOU DIDN'T HAVE TO GO THAT HARD DAAAMN
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countlessrealities · 9 months
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@evilmcg sent: Meg had just given her boyfriend a kiss. Telling him she loved him before saying her goodbye. Then suddenly turning to Mortimer. Giving him a quick peck on the cheek. Leaving a lipstick mark as a result. "I loathe you. I'll see you later." With that, she was off.
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Morty would have never admitted it, but the kiss caught him off guard. He always tried to be ready for everything and he could have said with pride that he managed to do it most of the times, but this particular occasion apparently couldn't be labelled as one of his successes.
The president didn't remain frozen in his spot for long, but it was still enough for his surprise to be noticeable. Especially considering that he was standing next to the person who, together with his second-in-command, had the easiest time reading his body language when he wasn't carefully masking it.
Dismissing the hint of annoyance the fact brought to him, he calmly pulled out a handkerchief from the pocket of his trousers and used it to remove every trace of lipstick from his cheek. Under other circumstances, he would have merely walked off to take care of the many affairs that waited for his attention, but not this time. He could feel the very much expected tension rising in the air between him and his other self.
After all, they still hadn't breached the subject of whatever...this thing involving the both of them and Meg was. And they wouldn't now either, because he didn't want to. Not when he was being offered the perfect chance to make a much interesting and pleasant move.
Innerly steadying himself, Mortimer turned to look at his counterpart, eyes half-lidded and lips shaped in a light, but confident curve. There was an oddly fierce, purposeful glint in his gaze and it seemed to grow stronger as he stepped closer, sliding into his other self's personal space as if he had belonged there.
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"You know, other me, it feels like something is...missing," he started in a conversational tone, reaching out to adjust the collar of his counterpart's shirt, his fingers not so accidentally brushing the side of his neck. "Like a circle waiting to be closed."
His eyes not-so-subtly fell on the other's lips, lingering for a moment too long, before they rose up again to meet those golden-brown orbs. He wouldn't have admitted it, but under his bold facade he was feeling nervous. This was usually his counterpart's script, not his. He never initiated their flirty interactions, he merely played along...if he even did.
Being the one throwing out such an open invitation, to take the risk of being turned down...He was completely out of his comfort zone. Yet, he also knew that, if he hadn't at least tried, he would have ended up regretting it.
"I think this calls for one last step. We...You and I should kiss too."
{ @mcltiples [Evil Morty] - mentioned }
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mcmansionhell · 4 months
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we've found it folks: mcmansion heaven
Hello everyone. It is my pleasure to bring you the greatest house I have ever seen. The house of a true visionary. A real ad-hocist. A genuine pioneer of fenestration. This house is in Alabama. It was built in 1980 and costs around $5 million. It is worth every penny. Perhaps more.
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Now, I know what you're thinking: "Come on, Kate, that's a little kooky, but certainly it's not McMansion Heaven. This is very much a house in the earthly realm. Purgatory. McMansion Purgatory." Well, let me now play Beatrice to your Dante, young Pilgrim. Welcome. Welcome, welcome, welcome.
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It is rare to find a house that has everything. A house that wills itself into Postmodernism yet remains unable to let go of the kookiest moments of the prior zeitgeist, the Bruce Goffs and Earthships, the commune houses built from car windshields, the seventies moments of psychedelic hippie fracture. It is everything. It has everything. It is theme park, it is High Tech. It is Renaissance (in the San Antonio Riverwalk sense of the word.) It is medieval. It is maybe the greatest pastiche to sucker itself to the side of a mountain, perilously overlooking a large body of water. Look at it. Just look.
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The inside is white. This makes it dreamlike, almost benevolent. It is bright because this is McMansion Heaven and Gray is for McMansion Hell. There is an overbearing sheen of 80s optimism. In this house, the credit default swap has not yet been invented, but could be.
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It takes a lot for me to drop the cocaine word because I think it's a cheap joke. But there's something about this example that makes it plausible, not in a derogatory way, but in a liberatory one, a sensuous one. Someone created this house to have a particular experience, a particular feeling. It possesses an element of true fantasy, the thematic. Its rooms are not meant to be one cohesive composition, but rather a series of scenes, of vastly different spatial moments, compressed, expanded, bright, close.
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And then there's this kitchen for some reason. Or so you think. Everything the interior design tries to hide, namely how unceasingly peculiar the house is, it is not entirely able to because the choices made here remain decadent, indulgent, albeit in a more familiar way.
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Rare is it to discover an interior wherein one truly must wear sunglasses. The environment created in service to transparency has to somewhat prevent the elements from penetrating too deep while retaining their desirable qualities. I don't think an architect designed this house. An architect would have had access to specifically engineered products for this purpose. Whoever built this house had certain access to architectural catalogues but not those used in the highest end or most structurally complex projects. The customization here lies in the assemblage of materials and in doing so stretches them to the height of their imaginative capacity. To borrow from Charles Jencks, ad-hoc is a perfect description. It is an architecture of availability and of adventure.
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A small interlude. We are outside. There is no rear exterior view of this house because it would be impossible to get one from the scrawny lawn that lies at its depths. This space is intended to serve the same purpose, which is to look upon the house itself as much as gaze from the house to the world beyond.
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Living in a city, I often think about exhibitionism. Living in a city is inherently exhibitionist. A house is a permeable visible surface; it is entirely possible that someone will catch a glimpse of me they're not supposed to when I rush to the living room in only a t-shirt to turn out the light before bed. But this is a space that is only exhibitionist in the sense that it is an architecture of exposure, and yet this exposure would not be possible without the protection of the site, of the distance from every other pair of eyes. In this respect, a double freedom is secured. The window intimates the potential of seeing. But no one sees.
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At the heart of this house lies a strange mix of concepts. Postmodern classicist columns of the Disney World set. The unpolished edge of the vernacular. There is also an organicist bent to the whole thing, something more Goff than Gaudí, and here we see some of the house's most organic forms, the monolith- or shell-like vanity mixed with the luminous artifice of mirrors and white. A backlit cave, primitive and performative at the same time, which is, in essence, the dialectic of the luxury bathroom.
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And yet our McMansion Heaven is still a McMansion. It is still an accumulation of deliberate signifiers of wealth, very much a construction with the secondary purpose of invoking envy, a palatial residence designed without much cohesion. The presence of golf, of wood, of masculine and patriarchal symbolism with an undercurrent of luxury drives that point home. The McMansion can aspire to an art form, but there are still many levels to ascend before one gets to where God's sitting.
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