Francisco de Goya y Lucientes (Spanish, 1746-1828)
Tobia e l’angelo S. Raffaele, c.1787
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Francisco de Goya y Lucientes - Witches' Sabbath (The Great He-Goat)
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Portrait of Doña María Vicenta Barruso Valdés, seated on a sofa with a lap-dog
Francisco José de Goya y Lucientes
Early 19th century, Napoleonic era
Source: Christie’s
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Bruxas
"E arrepiou-se de pânico, cruzando as mãos diante de si, só de lembrar-se da boca entreaberta de Dona Urraca e dos seus dentes brancos."
Jorge de Sena, "O Físico Prodigioso"; pintura de Francisco de Goya y Lucientes (só Goya para os amigos).
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Early 1800s Directoire fashion -
Top left: ca. 1800 María Luisa de Borbón y Vallabriga by Francisco de Goya y Lucientes (Galleria degli Uffizi - Firenze, Toscana, Italy). From Wikimedia; increased exposure 2030X3490 @72 833kj.
Top right: 1800 Condesa de Chinchon by Francisco de Goya y Lucientes (Museo Nacional del Prado - Madrid, Spain). Probably from Wikimedia 2015X3051 @310 1.6Mj.
Second row: 1801 Fru Elisabeth Sophie Chrystie, f. Krefting by Jens Juel (Nasjonalmuseet - Oslo, Norway). From their Web site; fixed spots & edges w Pshop 4928X6214 @150 6.7Mj.
Third row left: 1801 Sophie Crouzet by Louis Hersent (Cleveland Museum of Art, Cleveland, Ohio, USA). From their Web site 2206X2752 @144 5.8Mp.
Third row right: 1801 Marie Joséphine Charlotte du Val d'Ognes by Marie Denise Villers (Metropolitan Museum of Art). From their Web site 3020X3780 @300 3.2Mj.
Fourth row: 1802 Madame Philippe Panon Desbassayns de Richemont (Jeanne Eglé Mourgue, 1778–1855) and Her Son, Eugène (1800–1859) by Marie Guillelmine Benoist (Meropolitan Museum of Art). From their Web site 2934X3795 @300 5Mj.
Fifth row left: 1803 Friederike von Helldorf by Anton Graff (location ?). From twitter.com/Make_u2_happy/status/1327328578569179136/photo/1; fixed 3 spots and suppressed veiling reflection lower left w Pshop 1636X2048 @72 694kj.
Fifth row right: 1803 Lady Airey, née Catherine Talbot, femme de Sir George Airey, officier anglais by Richard Cosway (Musée du Louvre - Paris, France). From their Web site; fit to screen 804X1200 @72 342kj,
Sixth row: ca. 1804 Louisa Montagu, Viscountess Hinchingbrook by Thomas Lawrence and studio (auctioned by Christie's). From Wikimedia 1951X3200 @33.81 817kj.
Bottom: 1804 (published) Lavinia (Bingham), Countess Spencer by Charles Turner after Sir Martin Arthur Shee (National Galleries of Scotland - Edinburgh, UK). From their Web site 1920X2552 @300 2.6Mj
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The Sleep of Reason Produces Monsters
The historian and philosopher Tzvetan Todorov discovers the "underground" thought contained in the work of the painter Francisco de Goya in his book 'Goya. In the shadow of the lights', in which he recovers the humanist ideal of this figure beyond his artist facet.
https://www.europapress.es/cultura/libros-00132/noticia-tzvetan-todorov-goya-fue-mejores-pensadores-historia-20110928153459.html (in spanish)
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“Horned God Flanked by Witches”. by Francisco de Goya y Lucientes.
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Goya (Francisco José de Goya y Lucientes)
And So Was His Grandfather, Etching print of unknown origin.
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Boy on a Ram, 1786-87. Francisco José de Goya y Lucientes.
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Francisco de Goya (Spanish, 1746-1828)
Procesión de disciplinantes (A procession of Flagellants), c.1812-14
Real Academia de Bellas Artes de San Fernando
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Francisco José de Goya y Lucientes - The Hanged Monk, 1810.
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Francisco José de Goya y Lucientes
Al Toro y al Aire Darles Calle
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Santo Ofício
“...querendo o Santo Ofício, são más todas as razões boas, e boas todas as razões más, e quando umas e outras faltem, lá estão os tormentos da água e do fogo, do potro e da polé, para fazê-las nascer do nada e à discrição, Mas, estando el-rei do nosso lado, o Santo Ofício não irá contra o gosto e a vontade de sua majestade, El-rei, sendo caso duvidoso, só fará o que o Santo Ofício lhe disser que faça.”
José Saramago, “Memorial do Convento”; pintura de Francisco de Goya.
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