US Vogue January 15, 1963
Anne de Zogheb wears a wool ensemble, checkered dress and long-sleeved cuffed jacket worn with a yellow straw bowler, both by Gustave Tassell. Kid gloves by Suberb. Parisian Pink lipstick by Jaquet.
Anne de Zogheb porte un ensemble en laine, robe à carreaux et veste à manches longues à revers portées avec un melon en paille jaune, toutes deux de Gustave Tassell. Gants en chevreau par Suberb. Rouge à lèvres Parisian Pink de Jaquet.
Photo Bert Stern
vogue archive
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Gustave Baumann (1881-1971)
Cottonwood Tassels, 1943. Color woodcut
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Frocking fabulous boob bow bonanza! Gustave Tassell, 1969, Philadelphia Museum of Art.
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With winter upon us, there’s no better way to keep warm and make a fashion statement than with a stylish coat. Let our of outerwear collection inspire your cold-weather style.
"Woman's Evening Coat," Spring 1939, designed by Elsa Schiaparelli. "Woman's Coat and Skirt," around 1981, designed by Monica E. Brown. "Woman's Ensemble: Coat and Dress," Spring/Summer 2005, designed by Karl Lagerfeld. "Woman's Ensemble: Dress and Coat," 1967, by Chester Weinberg. "Woman's Coat and Scarf," around late 1960s–early 1970s, attributed to Gustave Tassell. "Woman's Coat," Fall/Winter 1972-1973, Designed by Pauline Trigère.
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US Vogue February 1, 1964
Brigitte Bauer wears a white pleated silk blouse with slightly elongated shoulders. Petit point suit in black wool, by Gustave Tassell. Hat by John Frederics, Marvella necklace.
Brigitte Bauer porte un chemisier blanc en soie plissée aux épaules légèrement allongées. Tailleur petit point en laine noire, de Gustave Tassell. Chapeau par John Frederics, collier Marvella.
Photo Louis Faurer
vogue archive
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Philadelphia-born designer Gustave Tassell’s silk and wool wedding dress with ostrich feather hood (1968), or When You Have a Wildling Betrothal at 6 and the Iditarod at 8. #FabulousFashion: From Dior’s New Look to Now at The Philadelphia Museum of Art thru March 3.
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Critical Role Quotes and Memorable Moments - Campaign 2 (105/?)
DM: "You've certainly caught Lucien's attention as the bolt now is embedded, not bleeding, but embedded in his rock, hard abs. This is an Astral washboard right here, y'all."
Marisha: "With advantage? Not disadvantage. Okay. Sorry, I took the lower number instinctually, because I hate myself. I said [to Lucien], 'Don't you want to see Gustav?' but I used my bonus action to do it."
Laura: "Okay, okay, okay."
Marisha: "And it was a persuasion check."
Sam: "So if we all say, 'Do you still want to see Gustav?' Maybe it'll work a lot more."
Marisha: "What if we all start chanting 'Gustav, Gustav'?"
Travis: "Well, I'm slowed. Which is just fucking great. I will try and travel 15 feet towards you."
Matt: "Towards me?"
Travis: "Yeah. Coming down."
Sam: "You're attacking the DM?"
[Beau and Yasha fighting again]
Marisha: "I just flash her my titties real quick as a distraction. I'm like: 'No, don't, don't, don't!'"
Travis: "Barbarians love that."
Matt: "It is tried and true."
Laura: "She's got two Cobalt Soul tassels."
Matt: "While you are racked with guilt, and only one creature can be racked with guilt at a time, you have disadvantage on saving throws. And we'll figure out what the rest does when it comes time."
Travis [laughing manically]: "Ha ha ha FUCK!"
Matt: "What does the..."
Sam: "Fox say?"
Marisha: "But I'm not eyeless. [...] I'm not Billie Eyeless."
Matt: "No, you're not."
Marisha: "Kill me now."
Matt: "Yeah, that's the plan."
Liam: "In that moment, Lucien, ♪ 'I'm going to end you.' ♪"
Sam: "Okay. Let's do some damage. You still helped, even though you failed."
Marisha: "Thank you, that's my motto."
Travis: "And I will cast Far Step, and I will bamf inside the tower through the slit in the window."
Matt: "You've got it."
Liam: "Nice."
Sam: "Went into the flesh tower through the slit."
Liam: "I don't know if that negates what she's going through, I hope it does. And I'm just going to hold my tongue for now. And I'm going to cast Slow."
Sam: "On Fjord."
Liam: "On Fjord, definitely."
Laura: "That was a hex. It went away."
Marisha: "Oh, that was a hex?"
Taliesin: "Yeah, it's one round."
Marisha: "Oh, I thought that was the shame."
Laura: "No, no, no, no, no, no."
Marisha: "Oh, I was getting confused on what they did."
Travis: "I mean, your shame is still real."
Marisha: "I tried to bury my shame for two campaigns."
Matt: "So from the one bolt that's sticking through at that point, you see him glancing around and grabs at that one to pull it out, and another one gets in that shoulder as he's pulling this one free. Looks back at you, and just flexes, and both the other bolts just go out."
Veth [impressed gasp]: "You're not my type, but maybe you are?"
Travis: "'I'm open to new things!'"
Taliesin: "We've known it all along."
Liam: "It puts the minotaur to shame."
Marisha: "Yeah, right?"
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"Cottonwood in Tassel" Gustave Baumann (1881-1971)
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