#I don't see why more people don't like the first version

[rubberduckyrye]

Okay in all seriousness. There's something that I REALLY want to talk about as an open discussion with the fandom, but. This is not going to be a very nice thing to hear/talk about.

It's about how Gonta is treated by the fandom.

As a fan of all the V3 characters now, and as someone who has always been a fan of Gonta, and as someone who has many mental disabilities and two diagnosed neurodivergancies... I'm tired of playing nice about it.

You all need to stop being ableist towards Gonta.

I've mentioned in the past that I don't like shitting on personal interpretations. I don't like saying something is or is not canon because narration is just a big web of text that you try to decipher with your own personal biases, experiences, and thoughts. That's why two literary analysts analyzing the same text with the same literary criticism rules can come to wildly different conclusions--why people develop different headcanons from the same canonical information.

But one of the things that challenged my integrity is just how many people view Gonta as this innocent, naive, ignorant, baby boy who can do no harm/never has a complicated/dirty/violent/sexual thought in his life ever.

This incredibly ableist interpretation of the character bothered me for, well, obvious reasons (See: It's fucking ableist, need I say more?) but I never challenged it as harshly as I am now because to be frank, it's not my place to tell people how to HC a character. It still isn't. But I've pretty much given up on my integrity on the subject and have decided to go all in on discussing why this interpretation of Gonta is just. Really bad.

First of all, not to promote my own analyses here or anything, but I think this analysis I did of Gonta explains a LOT in regards to the ableism the cast gives him in canon. I also think that this subtle ableism is why the fandom is so bad with Gonta's characterization in headcanons and fanfic--because they've seen how the cast treats him, and they think it's normal. They don't see the microaggressions, they don't see the subtle ableism in the cast--they just see this big giant idiot who speaks like Tarzan in the English version (which... I don't actually know why people assume Tarzan (Thinking of Disney's version) is stupid. Like as a boy he had to reinvent the spear with no one to guide him on how to do it. He was able to strategize and outsmart "civilized" men in the final showdown. Still I digress) and don't see the literal genius behind his social awkwardness.

There is also another very important point I'm going to make in addition to this, and it's going to be very uncomfortable to Gonta fans who insist he's nothing but a sweet baby who only has pure thoughts. Especially to the fans who insist he "can't be sexual" or think it's weird to ship him with his peers.

Sorry to burst your bubble, but... Gonta blatantly has sexual desire and gets horny right in canon.

This is further clarified here:

It wasn't a matter of Gonta didn't want to touch her because touching someone in their underwear was inappropriate, or being flustered because she was in her underwear which is inappropriate...

It was literally a "weird feeling" that made him unable to approach her or touch her. A "weird feeling" that Miu makes pretty obvious as to what it was--sexual arousal.

He literally was sexually attracted to and felt sexual arousal from looking at Miu in her underwear. He had sexual feelings and thoughts about Miu. Why?

Because Gonta is a young man.

Gonta is a brilliant, talented young man who has normal human thoughts for someone his age--sexual desires, upsetting thoughts, complicated thoughts, ectect. He is not a child, he is not mentally stunted (I've been informed that people have literally said this on Ao3 for the NSFW Gonta fics, please for the love of god stop that)

I think the reason why Gonta fans typically want to keep him as a "pure baby child who can do no wrong" is because treating him like the young adult that he is makes it harder for them to justify Chapter 4. Every time I've seen a Gonta fan that hates Kokichi, it's always followed by the sentiment of "Kokichi manipulated and abused Gonta into killing Miu, so it's all Kokichi's fault." They're afraid of nuance and liking a character with the grey morality of genuinely thinking Mercy Killing the cast is a viable option, because it challenges their own morals about the character they adore.

To those people who read this and are upset: You can and should like Gonta! Gonta is a magnificent character who showcases the subtle way microaggressions can manifest and hurt people, he's a good-hearted person and a literal genius, he cares deeply for his friends and loves everyone with upmost sincerity.

But.

You need to re-evaluate your stance on Gonta if you think he's a stupid, naive fool who Kokichi manipulated. You need to re-evaluate why you think those thoughts, why you think Gonta being shipped with anyone is "Kinda weird" or "has weird consent problems" or "give you the ick." You have to challenge yourself and ask yourself uncomfortable questions in regards to why you treat Gonta like a child when canon has proven otherwise, why you think he cannot have violent or sexual thoughts, why he can't think mercy killing his class is the only way to save them.

This isn't an attack on you--but understand that these specific takes on Gonta? They are ableist in nature. They belittle and dismiss him, they treat him like a child, an idiot who can't think for himself--and you have to come to terms with the fact that Gonta is a far more complex character with complicated thoughts and feelings who is a young adult. Not a child. A young adult.

So again, ask yourself this: Why are you treating this young adult like he's a toddler?

#Gonta Gokuhara #Miu Iruma #Kokichi Ouma #Danganronpa V3 #DRV3 #As an AuADHD individual who thinks Gonta is Autistic coded #do you understand how frustrating it is to see this shit #Do you understand how it feels to be infantized? To be told through the lens of a character “You're too stupid to be an adult”? #Worse yet is that I'm also constantly told that me being short and baby faced makes me “child coded.” #Do you understand how ableist this all is. Do you Understand? #Anyway that's one post down. Gonna go read a thing for Star #This does genuinely upset me though as an AuADHDer #Please stop. I am speaking on behalf of people like me--/Please fucking stop./ #Tag Edit: Yes this is safe to RB and spread around #Please do RB this in fact

[zuko-always-lies]

Canon Tyzula: murder buddies with deep psychological issues and a mutual proclivity toward manipulation. Also, sometimes Azula comforts Ty Lee.

Fanon Tyzula: Look how soft and caring Ty Lee is toward Azula!

#Ty Lee #Azula #Tyzula #I don't see why more people don't like the first version #it's so much more interesting

[stairset]

I think the portrayal of Spider-Man 2099 in Across the Spider-Verse is in-character in that aside from like Shattered Dimensions he's always been portrayed as a bit of an asshole who slips into anti-hero territory at times and generally has a "needs of the many over the needs of the few" mindset and given his specific circumstances in the movie it's not unreasonable to think he could take the actions he does. However it does kinda suck that since like 99% of moviegoers had no idea who he was before the movie came out their first impression of him is when he's in an antagonistic role and people think "antagonist" and "villain" are synonyms so now I'm gonna have to listen to people who've never read a comic saying he's a villain or isn't a real Spider-Man for the rest of time or at least until he inevitably changes his mind in the third one.

#hell you don't even need to read a comic just look up a let's play of spider-man edge of time you'll get what i mean #but yeah i saw a post that was like #''the first movie had a joke about how spider-man doesn't wear a cape and miguel has a cape they did that to show he's not spider-man'' #as if he hasn't had that cape since his creation 30 fucking years ago #he's not even the only spider-man to have one. spider-man unlimited is also a thing that exists. #even the first movie had that call-back joke where they see the peter from miles's universe had a suit with a cape #these movies have a lot of little details with deeper meanings but the cape thing just isn't one of them sorry #but yeah. play edge of time or find it on youtube it's good. #shattered dimensions is also good but miguel's personality in that game is closer to peter's for some reason #so edge of time is better for getting a feel of what he's usually like #but yeah i do think spider-verse miguel was probably more straightforwardly heroic like other versions before the whole dead family thing #and i think he and the rest of the spider society are just genuinely misguided about how the whole canon event thing works #cause like george and gwen don't die in every universe peter doesn't get the symbiote in every universe #even uncle ben doesn't die in every universe #but miguel THINKS those things always happen. that's why he got the others to believe it cause he genuinely believes it himself #and i think they all take comfort in the idea that these bad things that happen to them happen for a reason #i know that's josh keaton's interpretation for why spectacular peter joined and i don't disagree with it #that's also why i disagree with people saying that miles is The Only True Spider-Man There just cause he was the first to outright reject it #look me in the fucking eye and tell me spectacular peter and insomniac peter don't understand what it means to be spider-man #or actually don't cause i'll bitch slap you into next week if you do #miguel o'hara #marvel #shut up tristan

[aq2003]

i think twelve and clara are starting to make sense to me but i don't think it's what moffat intended or how the ppl that like them see their dynamic

#they are so obsessed with each other but not as people but the ideas of each other. #twelve's whole character to me feels like the grieving immortal that no longer has anything as a buffer #between him and the weight of the universe. so he sees clara as this culmination of every one of the companions he's lost before #and that adds up. what w/ eleven meeting versions of clara and seeing them die. that adds up w/ clara's presence in heaven sent #faceless and just telling him what to do. she is the companion he cannot fail this time (but he also #cannot reconcile how one of the reasons he keeps someone like her around is /because/ she's mortal) #meanwhile clara bc of her time in the tardis and how she was treated by eleven. thinks herself to be more than she is #she thinks she's owed so much in her life and she thinks she can handle all of it. like ten in waters of mars #so she views twelve and the life in the tardis as an affirmation of what's so extraordinary about her #which is also how she sees danny. i think her character really sings if this is the main idea w/ her relationships with others #bc it's how the doctor acted around her when he first met her. not seeing her as a person but as an idea a mystery a means to an end #so of course as someone who becomes more and more like the doctor as time goes on it makes so much sense that this would be so central #just like how w martha's doctorfication arc it was about self-sacrifice and violence and death. bc that's how ten acted around her #twelve and clara still have the standard traits of doctor and companion of course. the doctor saves the companion when they're in trouble. #the companion remembers to care when the doctor forgets. but they're going through familiar motions as they #start to lose more and more of themselves by being around each other. bc they don't really see the other person #and that's why their dynamic is so obsessive and toxic #dr who #12 era #now this reading has made both characters make a lot of sense to me but also this has tanked my enjoyment of hell bent #in how clara's arc resolves. i won't elaborate more on that until i actually get to it on the rewatch though

[lisbonsteresa]

i'm going to SCREAM

#tm #you don't get how UNHINGED this makes me it's SO #like he's been out all day trying to track down this missing kid (as part of her case too; to give her another avenue against volker) #and they have their little catch up and at first he's concerned (she's been at this all day and now into the night too #and he GETS it - in a way maybe other people wouldn't - but he doesn't want her to burn herself out; he wants her to be careful #maybe he's about to tell her a version of 'get some sleep') #but then she talks about amanda and it makes me NUTS because she does NOT ask for his help #she doesn't ask him to stay; to read the files with her; to 'burn the midnight oil' with her #she's just...stating her case; explaining why this means so much to her; and he listens; he takes it in; and he makes the choice to help #to sit in this with her and to help her work through it #and i just -- neither of them will ask the other for help (yes i know she did at the end of the last episode the context is different ok) #but they're both so quietly (and sometimes not so quietly) desperate to help each other it makes me sick #it's so interesting to see how they deal with this as the show goes on....idk how to explain it but like #when jane needs help he closes himself off; he keeps secrets and he schemes and he lies ('let me help you' 'you're sweet') #because he's trying to keep the people he cares about - the people he never planned on caring about as much as he does - safe #even as he shares more with lisbon (and sometimes the rest of the team) he still doesn't share everything #because that puts them at risk #and that's what lisbon used to do to - in the earlier seasons she put up walls when she felt vulnerable; and she still does in some cases #but with this case especially she's much more accepting of help - she relies on her team (not that she doesn't usually) #and she's practically an open book to jane - in this scene most of all - she lets herself be more vulnerable #(and open to suggestions/ideas she might otherwise scoff at or reject) #idk idk it's very interesting but this scene makes me so wacky there's something so soft and tender and understanding about it #the way there's no spoken acknowledgement - no 'i'll help' or 'thank you' - just the silent understanding that they're in this together #because they're partners #(also the way he picks at the rest of her food - the 'done with this?' the only thing they say - and the framing through the window #is still somehow very domestic it's like my perfect scene) #spinning my wheels hard i'm not thinking clearly i just love everything about it

[skylar-jay]

You have Cat Quest aus?

Fgsgvjthjhj

I do! Well, just one lol

I call it the Second Chance AU It's specifically for Cat Quest 2

Basically the two protagonists are sent back home, but instead of losing all their memories they keep them, and are forced to figure out how to fix things before both fall into all out chaos.

#It's mainly about them making connections with the people in the kingdoms #because one of Lioner and Wolfen's biggest flaws was not paying attention to the needs of the subjects #for the sake of separation I call the main protagonists Felis and Canis respectively #that way I don't have to always specify which version of them I'm taking about #this is just a basic summary of it (I just woke up and my brain is still trying to start up lol) and there's a couple more details that #are in the story. like O had this whole idea for a cult that followed Aelius that would act as the main antagonist (inspired by an anime #I really like) and with the AU came a lot of filling in little world building details not touched on by the game #like how magic works and the differences in culture between the two kingdoms (I've been meaning to do some research for that) #I also have an idea for a sub-plot touching on what could have happened to Felinguard and why he mysteriously disappeared #there's also a handful of ocs. some of which I have yet to draw. that will be included due to the nature of the story being about connection #anyway #it's still technically in developmental phase partly because I'm afraid of it not coming across right when I write it down #so yea #Skylar answers stuff #thank you btw :) seeing this first thing in the morning made my day

[reginrokkr]

In view of a certain habit spread to a bigger portion of the fandom than I would've liked and that it's been more intense and frequent these past days, I have the need to give you peeps a reminder that the guideline that states that I will unfollow if I see the following behavior:

“Who doesn’t agree with this or doesn’t support this is a [insert any of the plethora of -phobic / mis- words befitting whatever situation]”

Also applies for the inverse, ergo that people are branded as -phobic / mis- for doing something they catalogue as that. All of us have our gripes and everyone has the right to be vocal about it, I get it. But it is also completely on us to police the content we're exposed to, thus suffice to say I won't tolerate the insinuations that if you do or don't do these things you're going to be pointed as being -phobic / mis-. Even less when it comes to fictional ships. If I continue to see this behavior on my dash, I will take measures.

#◟༺✦༻◞ what lays behind the mantle of faux stars ┊ooc.┊ #I don't warn before unfollowing #but this here was my own fault #because while it is mentioned in the dash version of the rules #it wasn't in the carrd #and I'm aware that people might gravitate towards those first #reason why I edited it accordingly to say #that there is a more extended version of the rules #as another pointer #suffice to say I'm not talking about the old school discourse #of k.aeluc #this is something I don't want to see myself #and I immediately eliminate it out of my sight #at the earliest opportunity it is presented #among the content I follow #other than that #do respect other people's tastes #they may not coincide with what you like #but if it's so bad that you can't stand it #there is a gorgeous unfollow button #as there is a blocking function if you want to go further #but pointing at someone like any of those #is a hard no from me #and I won't tolerate it

[questersrest]

Previous polls:

Dragon Quest I

#dragon quest #dq2 #answer the first poll quickly bc i forgor to change the duration to a week #subtitles are omitted bc the answers have character limits but yeah dragon warrior titles didn't have subtitles but japanese versions do #but the sfc and gbc versions are 2 games in 1 so they don't have the subtitles in any region #DON'T ask why the ampersand won't format properly blame tumplr i can't edit this #the wii version is in other bc it's a bundle of both the famicom and super famicom versions of dq1 2 and 3 #international fans would be better off just emulating the games directly but #some people may still vote bc of the animated intro (very cool if you haven't seen it) #ps4 3ds and switch version i think are essentially the same but like idk if you have a hacked region-free 3ds or a japanese one maybe the #convenience or portability is good? maybe you hate nintendo and have a way to play the ps4 version? #anyway see you tomorrow for dq3 i prommy these polls gets more interesting past dq3

[khunspikesficrecs]

#kinnporsche #kpts #fanvid #kp pairing #first of all banger of a song #second of all this is Khun Spikes first time seeing any actual footage of the Filmania Kinnporsche #other than that post about how Filmania Kim bites people #so here are some reactions to that #the cinematography is worse but the neon vibe is still there on a budget lol #the styling for pretty much everyone is worse and cheaper but especially my boy Vegas #Filmania Kim does rock that styling though and absolutely DOES bite people that post was 100% right #the bodyguards look so much hotter in all black that's why they saved it for Daddy Chan in the BOC version #speaking of Daddy Chan if we had the BOC version of him with this Korn there would be so much fic oh my god #i do enjoy this hotter more overtly awful Korn but i don't think he'd be as impactful as a character as Nice Grandpa BOC Version #Filmania Korn makes more sense to me as Gun's brother too #Kinn giving up the watch is interesting but it makes porsche less of a gremlin so not sure i like it #was Perth originally playing fuckign Tawan??!!!! oh man that would have been so fun #Wasn't the Filmania version almost completely done when they went under? i would love for it to leak at some point #anyway that has been a Khun Spikes Tangent #Youtube #kinnporsche the series

[ambrosiagourmet]

I've been thinking about Laios' succubus lately. Mulling it over a bit.

Because I've seen these pages brought up a fair bit, but almost entirely in the context of shipping (on all sides, really). And I really want to understand what they are doing for the story beyond that.

When I went back to reread the scene and section, a few things caught my interest: the way Laios responds to both forms of his succubus, the themes of the volume the chapter is found in, and the other events of the chapter itself.

So let's dive into those three things, and what I think they say about the succubus scene's purpose.

Laios is never fully frozen by the succubus

So. If you compare Marcille and Chilchuck's reactions...

to Laios':

-

There is a difference. Sure, the basics may look the same once it turns into Scylla Marcille, but even then, it functions differently.

Chilchuck and Marcille are completely frozen once they catch sight of their succubus. Izutsumi, as well, isn't able to look away, and completely freezes up once her 'mom' starts talking to her. As Chilchuck describes, "just looking at them makes you unable to move."

And yet, Scylla Marcille has to actively convince Laios to comply. He even looks away from her at one point!

Laios accepts this succubus, but he is never actually helpless to it in the same way. Taken in? Convinced? Sure, at least enough to let things happen that he probably should question more than he does. But magically compelled? Not really. Not the same way as everyone else is. So that's interesting. But let's move on for now.

2. Volume 9 is all about drive and desire

I don't often look at chapters within the context of the volume they are included in, but I think there's some really fun things to be found with that perspective in mind.

For one, volume 9 starts with an exploration of what desire brought Laios to the dungeon:

And ends with a question of what desire brought Laios to the dungeon:

It's also very concerned in general with questions of why people do what they do. Why they are in the dungeon, why they are with the people they are with, why they stay, what they fight for.

In addition to Laios, we see it with Marcille...

Izutsumi

Kabru

and Mithrun

Hell, we even get it for the demon!

It's certainly not the only volume concerned with desires and motives, but it is particularly focused on these ideas.

The succubus scene fits quite well into the ongoing question about desires, especially Laios' desires. It is even placed at an interesting spot within the volume. The volume is six chapters long, and the scene takes place at the start of the 4th chapter. It's almost smack-dab in the middle.

With all this in mind, it is interesting that, with both versions of the succubus Marcille, it's not totally clear which parts of her Laios is rejecting.

The first version of Marcille looks human, but Laios attacks when he identifies her as a monster. The second Marcille looks like a monster, but he seems to believe that she is the real (human)(ish) person that he knows. So is he rejecting the monster at first, and then accepting the person? Or is he rejecting humanity and only interested in the monstrous?

Something to consider as we look at the next point...

3. the rest of the chapter is a seduction, too

This is one of those things that might not be apparent on a first reading, but is crystal clear on a revisit. We see the succubus try and charm Laios over 7 pages, and then see the Winged Lion do the same thing for the next 19.

Much like the succubus, it offers the mingling of monsters and humans. Much like the succubus, it offers belonging.

(and this is the point where I absolutely must also link this post by fumifooms on the succubus, which has some great ideas on how the scene is informed by Laios' trauma and desire for acceptance!!!)

But, back to the point. The Winged Lion wants to feed on Laios just as much as the succubus did, and it uses similar strategies to try and make that happen. Though this chapter isn't really the turning point for the next Lord of the Dungeon (it is Marcille who will, eventually, become the Lion's next victim), it certainly behaves like it is.

Laios is convinced. The succubus gets its meal. By the end of the volume, the reader begins to understand how concerning his desires are. Together, it is all very good at building up that sense of dread and pending disaster, as we see exactly how and why Laios might just fall into the Lion's open arms and bring about the end of the world.

-

So that's the three things I noticed. But there's still something I want to touch on by looking at the way these observations overlap, and what they reveal, together.

As I said, by the end of the volume, you can feel the tension growing. Just as Kabru and Mithrun do, you look back for an answer to the questions that have been built, chapter by chapter: why is Laios here? Where will his loyalties fall? This chapter, and scene, seem to prove the inevitable truth: he will choose the monster, of course. He will choose the seductive, easy power of the Winged Lion.

But the details of what actually happens tell different story: one in which the Lion is wrong.

First, as a reminder - even in Scylla Marcille mode, the succubus never fully entrances Laios. It convinces him, but it doesn't have him completely under its thrall.

Similarly, in the dream, the Lion does convince Laios to embrace the world he is offering. But even within that dream, Laios continues to ask questions that will be vital to him later. It is because of those questions that Laios comes to a new understanding about Thistle.

And it's this realization that he cites later as part of his reason for refusing the Lion's offer.

He is thinking through things the entire time, just like he continues to question the succubus even after it turns into Scylla Marcille.

Laios also expresses an interesting reason for why he wants to see the future of this world. He's not just invested because it would mean people liking what he likes, or him getting to spend time with monsters. The thought that comes immediately before his acceptance is about what he wants for monsters and people.

I don't think it's a coincidence that this statement - "we're living beings that share the same world, but all we can do is keep killing each other" - can apply to the various humans races just as much as it does to humans and monsters. The thing he is thinking about here isn't just a matter of his personal daydreams. It's an idea that underpins every conflict in the story.

Laios caring about how people as well as monsters in this manner is something that the Lion gets wrong every time. Even at the end, he still frames Laios' desires entirely around hating people and loving monsters.

The Lion has heard him express an opinion about the future of the world! It happened right there in the dream, right in front of him! He just didn't take it seriously, and didn't view it through any lens other than "Laios likes monsters more".

He's convinced that he understands how to get to Laios. Maybe the Lion can't truly see everything, or maybe his vision into everyone's deepest desires has made it hard for him to realize how much choice still matters. That people can, and do, choose which desires to act on, and how to act on them.

Whatever the case, he's wrong about Laios, and the story shows us this over and over again.

After all, look at how the succubus interaction plays out:

A monster uses Marcille to appeal to Laios...

He realizes that something about the situation is wrong, and rejects her.

It changes strategies, and makes new offer: to turn him into a monster.

It also assures him that his friends are, or will be, taken care of.

He accepts. Or rather, allows the monster to have its way with him.

But Laios is not as helpless as he initially appears, and what the Lion thinks is a successful seduction also contains the seed of an idea that will allow Laios to later resist him.

We even get to see Izutsumi playing a similar role in both instances, as the one person fully able to take action in the face to the illusion.

The story lays out what is going happen, and then explicitly tells us that the demon and the succubus are thematically related.

The chapter performs a great sleight of hand here - everything about it seems to indicate that Laios is doomed give in to the option to have his deepest desires realized. But if you look closer, it also contains the evidence that he won't. There's a lot more going on for him.

Yes, he still falls for obvious tricks. He is still extremely into monsters, and he still doesn't feel like he fits in with other people. He may, deep down, crave to surrender to the monstrous - to let it absorb him. But he questions more than he seems to. He considers more than people realize. He cares so much more than anyone gives him credit for.

And I think this is part of why we see the succubus called back to so many times, especially with the wolf head addition to his Monster Form, which he specifically added due to his encounter with the Scylla Marcille.

This all stays with Laios. It doesn't just foreshadow the path of the story, it is fundamental to how and why he walks that path. It's not about him choosing monsters, and it's not about him choosing people. It's about how he considers both, and cares about both.

And it's about the forces that think they already know his answer. Mithrun and Kabru. The Winged Lion. The succubus.

It's about how they are wrong.

#dungeon meshi #delicious in dungeon #dungeon meshi spoilers #laios touden #winged lion #dunmeshi analysis

[jytan2018]

I read the comic in one sitting less than an hour after finishing the movie, and wow I have many Thoughts™.

- It's very obvious the two versions were meant to cater to different audiences AND tell different messages. I don't get why people are going "But the comic was better! It had more nuance!" just because Nimona was easier to root for in the movie.

- The comic was written back when ND Stevenson was still trying to process a lot of stuff, so all the characters are morally grey/straight up evil and the climactic battle is between a Ballister who regrets turning against Nimona, even if it was to save others vs. a Nimona who's too hurt to care if her lashing out was going to hurt innocent people.

- By the time Nimona got a movie adaptation, ND was a lot more secure in his sexuality, so the climactic battle was Nimona vs. the Director, the symbol of religious oppression and bigotry. It's not just about your friends turning on you because you're "too much" for them anymore, it's also about a society that would rather bring itself to the brink of ruin than coexist with you.

- (I totally get why people were upset about Ballister's surname change, though. Like come on, the media dubbing him Blackheart just to be mean was RIGHT THERE).

- Nimona's metaphor for not shifting is such a neurodivergent thing. Even in the comic, Nimona's parents insisting she's a monster who replaced their daughter is reminiscent of the changeling myth, which is what many parents thought their neurodivergent kids were—changelings who replaced their "real" children.

- Ambrosius being trained to cut off HIS BOYFRIEND'S WHOLE FUCKING ARM instead of merely disarming him is a very cop thing to do. As much as cops claim they're trained to de-escalate situations, their training still teaches them to treat everyone as a potential threat, and that level of constant vigilance can turn anyone into a trigger-happy/arm-choppy bastard. Even the Director, who can use a sword but probably hasn't actually fought someone in ages, STILL can't see Ballister reaching for the squire's phone without assuming he has a weapon.

- And on that note, the Queen getting killed simply because she was trying to reform the Institution and allow commoners to become knights? That's the best "no such thing as a good cop" metaphor I've seen. Because even if there ARE good cops and they ARE in leadership positions, the system will crush them before they make any meaningful change. It's not a good institution that turned rotten, it's an institution that only exists to spread its rot and refuses to be good.

- That's why Ballister's characterisation is so different in the movie vs. the comic. Comic Ballister had 15 years to come to terms with his trauma and the Institution's evildoing, while Movie Ballister is still freshly traumatised and hasn't found a way to define himself beyond the role he was assigned by the Institution.

- Not to mention Comic Ambrosius was not very noble to begin with and genuinely believed Ballister was better suited to villainy than heroism, while Movie Ambrosius never wanted the glory that came with his lineage in the first place and only antagonised Ballister because of indoctrination he needed to unlearn (which he did, all by himself, after witnessing the lengths the Director will go to just to kill Nimona).

- It really shows how important it is to surround yourself with loved ones who are open to change. Comic Ambrosius can love Ballister all he wants, but he'll still blast his arm off because he thinks Ballister deserved it anyway. Movie Ambrosius will stop to question what "the right thing" even means, even if he didn't love Ballister enough to defend him unconditionally.

I have so many more thoughts bubbling beneath the surface, but I'll probably address them some other day. In conclusion:

[ID: A pink-haired Nimona grinning evilly while holding up a knife.]

Watch Nimona. This is not a request.

Edit: Added more thoughts!

#nimona #nimona meta #nimona comic #ballister blackheart #ballister boldheart #ambrosius goldenloin

[fuckyeahisawthat]

Controversial opinion among Dune book fans maybe, but I loved the changes they made to Chani's character. Making her a fedaykin who is already an experienced fighter before Paul arrives was a brilliant choice. Dune Part Two is a war movie, and this puts her at the center of the action, side by side with Paul, and gives her a much more active role than she has in the book.

We got a hint of where things were going in the beginning of Dune Part One. The first thing we ever know about movie Chani is that she's a fighter. She serves as a voice for the Fremen, telling us the story of their struggle from her point of view. I wrote here about the difference this change makes compared to other adaptations of Dune, what a perspective shift it is to have the world of Arrakis introduced not by an outsider, describing it as a dangerous but valuable colonial prize, but by one of its native inhabitants, who tells us before all else that it's beautiful, her home that she's fighting to liberate. I am so, so glad that the second movie followed up on this characterization.

I never found Chani and Paul's love story in the book particularly convincing, because why would this woman, who already has a prominent and respected place in Fremen society, even give the time of day to her deposed would-be colonizer, let alone fall in love and have children with him? Without a compelling reason for Chani to love Paul, she ends up feeling like a prize to be won, and "indigenous culture personified as a woman to be wooed (or conquered) by the colonizing man" is a trope we've seen and don't need to repeat.

But as soon as you tell me it's a barricade romance I get it. Cool cool cool, I know exactly what this relationship is now and it makes sense. Movie Chani doesn't respect or even particularly like Paul when she first meets him, and she doesn't think he's the fulfillment of any prophecy. She comes to respect him, and eventually love him, through his actions. He's brave--sometimes recklessly so. He fights well. He's willing to stick his neck out on the front lines with the other Fremen fighters. He can (after a little help) hack surviving in the harsh desert environment. He's not too proud to learn from others. He seems to genuinely want to be her equal in a common political struggle. All these qualities make sense as things she values.

Fighting side by side as equals is just about the only way I can see movie Chani falling for Paul. And it fits perfectly with the film's pattern of reversals that Paul's capacity for violence would initially be one of the things Chani likes about him, only for her to be repelled later when she sees what he becomes.

And as for Paul, well, he's had people deferring to him his entire life. Someone who doesn't take any shit from him is probably refreshing. He seems to like people (Duncan, Gurney) who challenge him and engage in a little friendly teasing--and aren't afraid to go a few rounds in the sparring ring.

It's easy to speedrun a romance when you're spending all your time together in mortal danger fighting for a shared political cause. Especially if you then start winning in a war your people have been fighting for decades. Are you kidding me? That is the perfect environment for intense battle camaraderie to turn into romantic love, and lust.

It makes sense that this version of Chani never believes Paul is any kind of messiah. Of course a character like movie Chani wouldn't believe in or trust some outside savior to liberate them. She's been working to liberate her own people for years. The more Paul invokes the messianic myth, the more he starts sounding once again like someone who plans to rule over them, and the more uncomfortable Chani becomes. In this way she becomes a foil to Jessica, the two of them representing the choices Paul is pulled between. It's a great way of externalizing the political and philosophical debates that often happen within characters' heads in the book.

And of course this version of Chani would leave Paul at the end of the film. It's not just the personal, emotional betrayal--although that stings. What common cause does she have with someone who just declared himself emperor and is sending her own people off in a war of conquest against others? Given the important role she plays in Dune Messiah, I am super curious to see how they get her back into the story, but girl was so valid for being willing to just gtfo. Given that she has the last shot of the whole movie, I'm sure she'll be back somehow, and I can't wait to see what they do with her character in any future installments.

#dune #dune part two #dune part 2 #chani kynes #paul atreides #adaptation #dune spoilers

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

#this was much longer i had to cut it down for legibility #but i do want to say i am aware this post doesnt touch on human rights violations as a result of fast fashion #that is because it deserves its own post with a completely different tone #i am an environmental educator #so that's what i know the most about. it wouldn't be appropriate of me to mention off-hand the real and legitimate suffering #that people are going through #without doing my research and providing real ways to help #this is a vent post about a thing i'm watching happen; not a call to action. it would be INCREDIBLY demeaning #to all those affected by the fast fashion industry to pretend that a post like this could speak to their suffering #unfortunately one of the horrible things about latestage capitalism as an activist is that SO many things are linked to this #and i WANT to talk about all of them but it would be a book in its own right. in fact there ARE books about each level of this #and i encourage you to seek them out and read them!!! i am not an expert on that i am just a person on tumblr doing my favorite activity #(complaining) #and it's like - this is the individual versus the industry problem again right because im blaming myself #for being an expert on environmental disaster (which is fucking important) but not knowing EVERYTHING about fast fashion #i'm blaming myself for not covering the many layers of this incredibly complicated problem im pointing out #rather than being like. yeah so actually the fault here lies with the billion dollar industries actually. #my failure to be able to condense an incredibly immense problem that is BOOK-LENGTH into a single text post that i post for free #is not in ANY fucking way the same amount of harm as. you know. the ACTUAL COMPANIES doing this ACTUAL THING for ACTUAL MONEY. #anyway im gonna go donate money while i'm thinking about it. maybe you can too. we can both just agree - well i fuckin tried didn't i #which is more than their CEOs can say

[devilishcupid]

CARBON COPY | Miguel O'Hara

☆ premise: trying to find miles morales in earth-42, he encounters you. or at least, a version of you.

☆ pairing: miguel o'hara x fem!alt universe!reader

☆ warnings: across the spiderverse spoilers, pregnant!reader, clueless!reader, angst, hurt no comfort, miguel's pov, some swearing

☆ a/n: oh my god. across the spiderverse is literally a masterpiece. into the spiderverse already is, but the spiderverse team said, "we can do better." they didn't have to, but they did.

"Do you really think this is a good idea?" Jessica asked through the commlink. "This is risky, even by your standards."

"It doesn't matter. The quicker we find Miles, the quicker we get out of here." Miguel muttered into his earpiece as he walked through the busy streets of Earth-42's New York.

"Yes, but blending in? For all we know, a version of us exists here."

"Which is why you need to stop talking and start looking, Jess." Miguel hissed a little too loud, earning looks from a few passerbys. He winced. Jessica had a point. If a version of them did exist in this universe, it would be best not to bring attention to themselves.

"Miguel!"

And... that was now thrown out of the window. Cursing under his breath, he turned around reluctantly to face the person who called him—only to find that it was you.

His eyes widened, and his lips parted at the sight of you. Never in a million years did he expect to see her again. But here you were, the absolute spitting image of her. Your clothes were exactly the same things she would wear, your hair and makeup done the same way.

Finding different versions of people in different universes was not uncommon. There's literally a society uniting the different universes' own Spider-people, for God's sake. But Miguel didn't expect this. He didn't expect a carbon copy of his dead wife on a universe where Spider-Man did not exist.

He should've said he wasn't Miguel, that you were mistaking him for someone else. Hell, he shouldn't have stopped and turned around in the first place. He didn't know what came over him, but in a second, he had his arms wrapped around your body.

"Miguel, hon, are you okay?" You asked, your voice laced with surprise and concern. You had no clue that the man who was hugging you was not your husband. At least, not your husband in this universe.

Miguel grunted in response, his ability to string words together to form a sentence rendered broken by your presence. He squeezed you tighter. He couldn't believe he was holding you in his arms.

You weren't the same woman he fell in love with. He knows this. But he couldn't help himself. You looked exactly like her. Felt exactly like her. Sounded exactly like her. Shit, you even smelled like her.

"Damn it, Miguel, keep it together! She's not your wife!"

Hearing Jess' voice snapped Miguel out of his stupor. Remembering his mission, why he was there in the first place, he pulled away from you. He didn't want to. He wanted to hold you longer. But he knew that if he did, he wouldn't have been able to stop.

"Honey, what's wrong?" You asked, cupping his face in your hands. God, how he missed feeling the warmth of your palms. "You're acting weird."

"I'm fine, sweetheart." He gave you a small smile, his hands wrapping around yours and his lips pressing a kiss on each of your wrists. "I just missed you, that's all."

You laughed. "What are you talking about? You saw me this morning."

Miguel could only chuckle in an attempt to hide his sadness. What was only hours for you was months for him. "Right. I did."

"Are you sure you're okay, though?" You asked again, eyebrows furrowing and the corners of your lips downturned.

"Don't worry about it, darling. I am."

He wasn't. But you didn't need to know that. You didn't need to know that in another universe, the two of you were married. You didn't need to know that you had a daughter together. You didn't need to know that he loved you and your daughter more than life itself, only for him to lose you both.

"Listen, I have to go. I'm having lunch with a friend. But I'll see you later at Doctor Nguyen's, okay?" You placed your hands on your stomach, a smile forming on your face. "I can't wait to see her again."

Miguel swallowed the lump in his throat before forcing himself to smile. Only now he noticed the bump on your stomach, carrying a different Miguel's Gabriella. "Yeah, me too."

With a kiss goodbye on his cheek, you walked away, blissfully unaware that he was not your Miguel. He watched as you disappeared around the corner, knowing it was the first and last time he was ever going to see you again.

But that didn't matter. He'll find Miles. He'll make sure the canon isn't destroyed. He'll make sure another version of himself wouldn't have to suffer the loss of his family the same way he did. He'll make sure you and your kid were safe.

#˚ʚ♡ɞ˚ doll's fics #miguel ohara #miguel o'hara #spider-man #spiderman #across the spiderverse #across the spiderverse spoilers #miguel ohara x reader #miguel o'hara x reader #spiderman x reader #spider-man x reader #spiderman 2099 #spider-man 2099 #spiderman 2099 x reader #spider-man 2099 x reader #oscar isaac #oscar isaac x reader

[fairuzfan]

The thing with news sources and deciding what's trustworthy and what's not is that when you see criticism of Aljazeera (which to be clear is not a great news source about anything other than Palestine) is that they completely neglect to mention that each regional section of Al-Jazeera has different people in charge of it, different contributors, different sources.

By all means, analyze your sources and understand what information you're getting but to say outright that ALL of what AlJazeera reports EVER is wrong is inherently meant to discredit Palestinian journalists in a way that no other journalist who is not Palestinian and NOT directly experiencing the war in Gaza has been discredited. Surprisingly (not really but), a lot of Palestinians in Gaza are employed by AlJazeera because it's difficult for them to find employment elsewhere.

And again, I do not love AlJazeera. I think they do plenty of faulty journalism and reporting and I actively avoid them for most news sources. But RIGHT NOW with everything going on in Gaza, they're probably one of the most trustworthy ones because of their first hand accounts and willingness to publish Palestinian voices, which many, MANY news stations refuse to do. I especially encourage the Arabic version of AlJazeera!

Like Haartz has like... 4 Palestinians on their editorial team max, and they have EVEN LESS people on the ground in Gaza whereas we have dozens of reporters from Gaza on Al-Jazeera, many of which have died. The way to fact check your news is you find how many times they link factual evidence (like videos of experiences, primary accounts, primary quotes) and compare it with circumstance of publishing.

Here are some ways to fact check and questions to ask, even when looking at Al Jazeera:

Is this a first hand account? If not, does it name a person who experienced this first hand?

If they cite/name a person who experienced it first hand, are they a trustworthy person? What are their ties to the situation? Why would they report this, have they reported situations like this in the past?

What would the person reporting gain from reporting this? A Palestinian with an Instagram post about their life in Gaza has much less to gain than an Israeli soldier publishing their experience in Gaza, for example.

In the first hand account, are there actions or evidence that is corroborated? IE: There was a video of an Israeli soldier abducting a blonde Palestinian, and there was a Human Rights Org that reported child abductions from evidence gather by an on the ground reporter. There is less of a chance that this is false, therefore.

If you don't see other news sources reporting this (ie, you don't see CNN/NYT/BBC/Fox/any other western-led media outlet) then ask: Why would they not report it? Does that mean it's false? Maybe not. Many Euro-american sources spend MONTHS before they talk about an issue (think: Washington post article "questioning" the evidence of Hamas in Al-Shifaa hospital more than a month after the raid happened)

Defining "Trustworthy":

What is their history on reporting events? Are they someone who is well known in whatever community they represent?

Think: Ghassan Abu-Sitta, a world renowned doctor. When he reports something with his name attached, he is putting his entire reputation on the line. Therefore, it is more likely he is telling the truth.

Are they someone who has any real, structural power over the situation? Maha Hussaini, for example, cannot change her circumstances because a ceasefire relies on other people separate from her, a journalist. Therefore, she has less of a reason to lie about things happening to her.

For the news source: what are their ties to the situation? CNN, for example, has stated they have their content reviewed by the IDF. Wael Al-Dahdouh, before he was evacuated, was providing first hand accounts of situation, meaning its difficult for him to fake anything or misrepresent.

What else has this person/news source reported? What are their political leanings — not just left/right, but what are their general stances on a variety of issues?

How many people who are part of the community impacted are part of reporting on this (IE: How many Palestinian POVs are shared, how many Israeli POVs are shared, what are the POVs of the people shared in general?).

Can someone I personally trust vouch for this person? If not, can I ask someone I trust to look over this person/agency and tell me their opinion?

There's for sure more I'm forgetting but these are some ways I personally check my facts and information as a quick rundown. And I see this issue of not knowing how to fact check happen ALL OVER the place, on both sides. So I really, highly encourage everyone to engage with sources more honestly!

You'll make mistakes, everyone does! I do as well! But try to be vigilant about these things so we can ensure that we're spreading accurate information and try to correct information when possible! There's no 100% unbiased source so I encourage you to compare/contrast information and your understandings of the world to fully comprehend the situation!

Please use these questions when checking ANY news source, even Al-Jazeera!

#palestine #gaza #fact checking

[actual-changeling]

welcome back to alex's unhinged meta corner, today's topic: the chest touch at the pub. that scene has me in a chokehold for some reason and i still cannot stop thinking about it.

the first thing i wanna talk about is crowley's reaction, since this is the shorter part. he did not expect aziraphale to reach out to him like this and freezes for a second while aziraphale happily chatters away.

they were both walking and the hand on his chest stops him, so he comes to a stop right next to him while he was slightly behind him before that. his gaze also snaps to aziraphale's face, who is very much not looking at him.

they were having a conversation, but the touch essentially shuts crowley up and zira leaves him to get their drinks.

now, my question is why aziraphale does it. sure, it could just be an absent gesture since they're in a crowded place, just that he has never really done so before. i think it was very much planned, like asking crowley to dance and grabbing his hand later on.

a second before he actually reaches out, he also looks back to check whether crowley is where he thinks he is. that is the only time he does that, he was busy looking for a free table and miracles them one when he cannot find one - the look back is deliberate. especially since crowley is practically glued to his side, he has no need for confirmation, he can feel him brushing against him while walking.

the hand motion he does gets me, too. he is busy fidgeting with his hands like normal and has them clasped in front of him. aziraphale lifts them once he gets to "that is precisely the point", yet also already moves it slightly towards crowley, realizes he miscalculated where exactly he/his chest is, looks to check, then looks away again before actually touching him. am i reading too much into it? maybe.

i think it is his version of a little temptation. not only does it make crowley's brain short-circuit for a second, he also gets them their drinks and is now (or so aziraphale hopes) a bit calmer and will take the news aziraphale is about to give him better. the conversation at the cafe did not go entirely as planned, after all.

additionally, something i am not sure if other people have noticed or not is that aziraphale does not just touch crowley, it is a caress. he moves his hand down his chest.

the movement in order:

bar girl unfortunately moves in front of them, but you can clearly see the way his hand takes. to give you a direct comparison of the starting and end point:

a good point of reference is crowley's bolo tie but also the angle of aziraphale's arm while it is still visible.

the best part, in my opinion, is that aziraphale puts his hand right on top of crowley's heart. i think the symbolic importance of that is pretty clear and does not require any more explanation, although it makes me want to throw myself into a river. but that's by the by.

to summarize, aziraphale caresses crowley's heart chest to get him to calm down and not go insane over the news he is about to give him. he is also simply a bastard and knows exactly what he is doing to crowley.

as always, this is me going nuts with analysis, but i'm also curious to hear other people's thoughts on this.

don't tell my therapist about my unhinged meta posts or she will probably be very concerned for my mental wellbeing

#alex talks good omens #good omens #ineffable husbands #crowley #aziraphale #good omens season 2 #go2 #aziracrow #crowley x aziraphale #good omens meta #any grammar or spelling errors are my own #my brain is not being coherent lately