#I feel like if this were boards for live action there’d be less character acting drawn in

[ruewrites]

Raising Them Right

AO3

WBT

Ships: Diavolo/Lucifer (minor near the end)

Word Count: 3960

Warnings: Abandonement, Self Deprication

A/N:  Here it is! So this is the second fic that was inspired from the one angst anon that wanted to know more about Asmo’s past relationships. I really had a wonderful time writing it, and I hope you guys enjoy!

Lucifer could still remember that day. It was clear in his mind and bit at him like a viper, slowly killing a part of him that was now long lost to time. He knew that Levi and Mammon remembered as well. Maybe Satan. But Asmo and the twins? Not so much. Regardless, he knew it had toyed with his brothers in various ways. Forcing different insecurities and means to cope down their throats. Honestly Lucifer didn’t even get away unscathed. 

Hurt and betrayal had bubbled up in his throat as he tore their room apart. Part of him was looking for an answer of sorts. A reason. But the bigger of him wanted destruction, wanted to erase them from their lives entirely. They chose to leave, so why should they have any memory of them? 

Lilith’s room was left untouched. Lucifer boarded up the door the best he could. This made his heart ache the most. He couldn’t focus too hard on what he was doing. It wouldn’t lead to good things. He needed to keep a steady composure for his brothers. They needed someone to look up to. Someone they could rely on. 

They had all packed up and left that night. The oldest three couldn’t bear to be in the house anymore. Satan hadn’t said anything, conflict swirling within his young mind. Asmo and the twins questioned their actions slightly.

“What if they come back looking for us?”

“Are we gonna go home soon Luci?”

“What if they miss us?”

It made the situation worse. It made Lucifer’s throat tighten and his eyes burn. How could he tell them that they weren’t even going back? That that place was no longer home? That they’d been abandoned? That was how Lucifer saw it, and he could feel that Mammon was just as bitter. His teeth were clenched, trying so hard not to snap at the little ones. They didn’t know any better, and Lucifer wished he could have protected them all from this reality. 

He was helpless.

They’d travelled around for a while, until they found a small motel with a vacancy. The older three had done the math. If they worked enough, they could stay here.. He wasn’t sure who called about them, but he wasn’t surprised. Who wouldn’t have been worried about seven children of varying ages wandering around alone on their own? Honestly, it was the responsible thing to do. Even if Lucifer hated admitting to it.

Ever since that day, Lucifer fought tooth and nail for his family. He refused to let anyone take his brothers away from him, refused to let them be torn apart any more than they already were. He’d heard everything. He was too young to effectively take care of them, that the little ones would be better off in more stable households. These conversations only succeeded in making Lucifer angrier. Eventually they reached a compromise. All seven of them would move in with a family, until further notice. 

Lucifer had agreed to this, but also took it as a challenge to get them their own place as soon as he could.

***********

Lucifer had gotten the call. He put himself down as the primary contact for all of his brothers, so he always knew what was going on with them. 

Deep breaths. In. And out. 

Getting angry at Mammon rarely got him anywhere. It was just frustrating. Mammon was smart  dammit! And he was a good kid deep down. Lucifer knew this, and it made it even worse every time he heard that Mammon had acted out once more. Lucifer had apologized to his professor multiple times about not being able to show up to class, and they understood, but it didn’t make the situation any better.

Lucifer got out of the car and started the routine he’d become so accustomed too. What could it be today? Acting out in class? Snatching something off of the teacher’s desk? Stealing from the cafeteria? Oh Lucifer could only imagine.

Greeting the ladies at the front desk, Lucifer was quickly ushered back to the principal's office. Mammon was hunched over in one of the chair’s, his hoodie obscuring his face.

Suspended.

For getting into a fight with another student.

It wasn’t  a long suspension, but Lucifer still didn’t exactly know how to feel about it. There was a tense silence in the car.It got to the point where Lucifer pulled off into a parking lot and shut his car off. Mammon sank down further in the car seat.

“Would you like to explain yourself?” Lucifer hoped his voice came out even, despite the twitching he felt in his lip. 

“It wasn’t that bad.”

“It wasn’t- Mammon you got suspended.”

More silence.

“Let me see.”

“Luc-”

“Let. Me. See.”

Mammon hesitated for a moment before pulling his hoodie down and looking over at Lucifer. He had a black eye. Lucifer put his head in his hands and Mammon quickly went on to try to explain himself.

“It wasn’t my fault! These guys came along n’ they were makin fun of Levi and were tryin to take his-”

“Levi?”

Lucifer’s head perked up as he looked at Mammon. His frustration slowly melted away as he listened to his brother with new interest.

“Yeah! These guys are normally jerks, but then they started goin at our family, and messing with Levi really bad.”

Lucifer was silent for a moment before starting the car. He was quiet for a few moments before speaking up, “Is there anything you want?”

“What?”

“You know I don’t reward bad behavior Mammon,” Lucifer started, “But I don’t think I consider what you did today bad behavior.”

Mammon blinked a few times before snorting, “You sound like a dad.”

“Don’t push it.”

“Aight aight…. Thanks Lucifer. I’ll think about it.”

***********

Levi had always loved his games, and he was good at them. The time he spent on them honestly had Lucifer concerned for his eyes. They made Levi happy and Lucifer could usually hear him talking about the lore behind them or the characters when he wasn’t talking about his favorite shows or manga.

Lucifer didn't understand any of it, he didn’t pretend to. Usually he couldn’t stop the confusion that spread across his face. Understanding what Levi was trying to understand quantum physics. But Levi didn’t seem to mind, he would continue to talk, excitement rising with each word that passed through his lips. Honestly, Lucifer was fine with anything that made him happy.

As long as his brothers were happy and safe, that was all that mattered.

So when he heard sniffling from Levi’s room, Lucifer couldn’t help but investigate. The door was open ever so slightly. He peeked his head in first, eyes scanning the room and settling on a pile of blankets in the center.

He walked closer and sat down on the bed and let the silence permeate for a moment.

“Levi,” he said softly, the sniffling stopped for a moment, “Why are you crying?”

Levi didn’t say a word. Lucifer didn’t move.

“I’m not gonna do anything or amount to anything,” Levi sniffled, “I’m not good at anything. My interests are weird. I’m  just taking up space and… and-”

And Dad said so.

The unspoken words lingered like a bitter perfume in the air. Lucifer knew their father had most likely said such things to Levi, he knew that he’d probably said more to Levi and the idea made Lucifer’s blood boil. Just because his brother had interests that their parents hadn’t deemed worthwhile, it didn’t  mean that it made them any less important nor did it define his worth in any way. 

Yet the words of their abandoners still ran hot through Levi’s veins, and the idea of his own self worth suffered. 

It was despicable.

Deplorable.

“Who told you this Levi?” Lucifer asked.

The pile of blankets went quiet for a moment, “Just people…”

“Well they’re wrong,” Lucifer said, pulling the blanket down from Levi’s head, “You have plenty of talents and you have a place in this family.”

He picked up one of the controllers around them. The plastic felt awkward in his hands, and the buttons were foreign to him. Levi hadn’t moved, so Lucifer went to the next thing he could think of.

“I’d like it if you could teach me how to play.”

***********

After countless hours of research on cats, Lucifer finally made a decision. Satan had difficulties when it came to being calm. He surrounded himself with teas, and books, and music, but every now and again something (or someone) would ruin the atmosphere he worked so hard to create. Lucifer wanted to help him, he wanted him to find some sort of peace and maybe a cat was just what was needed.

Satan loved cats. Ever since he’d been young he’d had an affinity for them. Lucifer used to catch him setting out scraps for the strays outside of their old house, and maybe on more than one occasion Lucifer had left out said scraps for Satan to find. 

Cerberus was good with other animals, he’d seen the dog around cats and Lucifer didn’t think there’d be any problem with having another pet in the house. Satan was responsible and a wonderful student.  Lucifer wanted to help him and wanted to see him succeed.

“Where are we going?” Satan asked, crawling into the passenger seat. 

“I guess you’ll just have to wait and see.”

The look in his brothers eyes when he realized where they pulled up  to was one Lucifer swore he’d never forget. He asked him not to run as they got out of the car, but his pleas fell on deaf ears. He knew every cat in the shelter would be coming home with them if Satan could have his way, but they would be settling on one.

“Lucifer?”

Satan was staring into one of the pens. A small grey kitten with bright green eyes stared back. Needles to say, the soft bundle made the trip home with them. Lucifer swore that the calmest he’d ever seen Satan was when he was with that cat. He became a happier child and took care of her all on his own. His laughter filled the halls of the home more often, and it was contagious. Lucifer enjoyed seeing Satan smile, and he hoped the world would continue to allow him to have this type of happiness.

***********

Clothing stores had become a second home for the Morningstars. Lucifer swore the clothes he bought for his brothers never fit past the mall dressing rooms. Every other week he was bringing one or two of his brothers for shirts, or pants, or shoes, or some other article of clothing. Today it was him and Asmodeus.

Lucifer pushed the cart down the thin aisle glancing at the various clothes on either side of them with Asmo hot on his heels. However, the closer they got to the usual section the further and further Asmo lagged behind. It wasn’t until Lucifer was in front of the button ups that he realized his younger brother was no longer close behind him. Panic seized him for a moment, thinking he’d lost one of his siblings, but soon he spotted Asmo a few aisles down looking off at something.

“Asmo. Don’t wander off,” Lucifer said, as he approached him. The closer he got to Asmo, the better he could see what he was looking at. 

Pretty bows, flower clips, other sparkling hair pieces, skirts, loose fitting sweaters. Lucifer took a moment, looking over all of the different clothes, before realizing how nervous Asmo looked. Normally he was talkative and bubbly, but right now he was uncharacteristically silent and avoiding Lucifer’s eyes.

His brother had always liked pretty things. He loved picking flowers and having Lucifer catch butterflies for him to look at. He loved to watch the way sparkling dresses twirled in the movies they watched together and looking at the makeup on models on posters in the mall. Lucifer noticed these things, Lucifer knew these things about his brother, but Asmodeus didn’t know that Lucifer knew.  Asmo was worried, and unfortunately Lucifer thought he knew why. 

His brothers deserved to feel safe, to be happy, and even if they’d had a rough beginning, Lucifer wanted to make sure the rest of their stories led to a happy ending.

Lucifer leaned against the cart and offered a smile, “Well, pick out some things to try on.” 

Asmo perked up, looking shocked before a wide grin spread across his face. He put multiple outfits together from various sections and filled the cart. Lucifer honestly hoped they’d last him a while and that he wouldn’t outgrow them as soon as they got home. Asmo’s excitement was contagious.

Later that night, when he dropped him off at Solomon’s, Asmo tore out of the car, excited to show his friend his new clothes, hair clip sparkling in the sunlight.

***********

“Is dinner ready yet?”

Lucifer sighed and put the knife down next to the vegetables he was chopping. Beel had an appetite unlike any he’d come across before.  Doctors had said that he was probably going through a growth spurt and that he was likely going to be tall. A growing boy needed food, and Beel was far from a picky eater.

“Not yet.”

It was the same answer he’d given a few minutes ago.

Beel’s stomach echoed through the small kitchen as Lucifer picked up the knife once more. As he chopped away, his younger brother inched closer until his little eyes were peaking over the counter. A small hand reached out to steal a carrot piece from the counter. It wasn’t sneaky, Lucifer saw, but it didn’t matter.

Beel watched Lucifer in silence for a while, eyes wide and tracing every movement his older brother made.

“Lucifer?”

“Hm?”

“If I help you with dinner will it be done faster?”

The chopping stopped once more as Lucifer thought for a moment. Of course he could let Beel help. He didn’t want him using the knife, but this could still be a good opportunity to learn.  Slowly he nodded and looked towards the vegetables he’d already cut. 

“See those right there? Could you put those into the pot for me? I have another pot on the stove filled with water if you’d like to watch it warm up. When it’s boiling we can put the noodles in,” he said.

Beel’s grin widened and he nodded quickly, almost tripping over himself to help.

“And make sure you wash your hands, and be careful with the stove!”

Dinner had been quite lively that night. Beel chattered on and on about how he’d helped Lucifer with dinner, which led to some of the other younger ones wanting to learn so they could cook what they wanted. Lucifer chuckled quietly to himself. He knew he’d have to teach the rest of them eventually, but he never thought that he’d have a little cooking class on his hands.

***********

Finals had Lucifer stressed. He was running off of at least thirty-six shots of espresso split between six separate cups of coffee. Sleep seemed like a distant and fond memory to him, something he hadn’t experienced in a long while. He almost didn’t pick up on the sounds of small feet slowly padding against the floorboards of the house.

“Lucifer?”

The voice startled him, and he almost spilled one of his cups of coffee that had long gone cold. He swore softly before turning around. The soft glow of his laptop had been the only light source illuminating the room, and it took his eyes a while to adjust. Belphie stood in the doorway, pillow in one hand and his blanket trailing behind him. 

“Don’t tell the others, but,” Belphie was hesitant, his eyes swept to the floor, pink flooding his cheeks, “I had a really bad nightmare, and I can’t fall back asleep.”

Lucifer sat up a bit and tilted his head, “Is there anything you’d like to tell me about it?”

Belphie started to shake his head, then he hesitated. He opened and closed his mouth a few times before shaking his head again. “No,” he said, “But can I stay out here with you? But don’t-”

“Tell anyone? Of course I won’t, but you’re welcome to stay,” he yawned, scooting over ever so slightly to make room on the couch. He could feel his brother hesitate for a moment before wandering over to lay down. Minutes ticked by, and it wasn’t long until Belphie’s eyes shut once more and his small body slowly rose and fell

The more peace he could bring his brothers the better. Even at the slightest disturbance of sleep, Lucifer would smooth back Belphie’s hair in an attempt to calm him. Nightmares had become a common thing after what happened for a lot of them, and that meant Lucifer became alright when dealing with them.

He wasn’t going to leave them ever.

*********

Had he made the right decision? Or had his own pride made him so stupid as to make the worst mistake of his brothers’ lives? Should he have let them be taken by other families, potentially more stable families, and just set up dates to meet? Had he been selfish in his decisions?

These thoughts often plagued Lucifer when he was alone with his own thoughts. He thought about the problems his brothers faced and part of him felt responsible. He felt responsible for their fears, their problems, their worries. Everything bad that afflicted them could potentially be his fault. 

Mammon’s rebellious behavior.

Levi’s self deprecation.

Satan’s frustrations.

Asmo’s issues with his image.

Beel’s misplaced guilt.

Belphie’s angst.

Maybe he thought he could do more for them than he was actually capable of.

Maybe he’d been wrong.

**********

“Lucifer!”

Lucifer’s eyes glanced up from his paperwork to look at Diavolo from across the desk. He’d had piles of paperwork today, it felt like more than usual. There’d also been an influx in clients. New hires would definitely be needed soon. Perhaps he could have a meeting with Diavolo and Barbatos about it. 

“It’s time to clock out!” he said, bright and chipper as usual, “I was wondering if I could walk you home?”

Lucifer sighed and put down his pen. Diavolo was a good man and Lucifer did love him, but sometimes Lucifer felt like he took his work a little less seriously than he did.

Or maybe Lucifer was a little too strict. 

“That isn’t exactly necessary, besides, I have some things I need to finish up before I head home.”

“Nuh uh!” Diavolo clicked his tongue and shook his head, “The last time I let you stay past close to work, you were still here when I got back in the morning! It’s time to clock out. I’ll even help you where I can tomorrow!”

If he could stay on task when Lucifer needed him to. But Diavolo was a good man to work with, and he had proven himself time and time again. So Lucifer really shouldn’t worry himself all too much…

With a sigh of defeat Lucifer stood from his seat, each vertebrae in his spine cracking as he did so. He’d sat longer than he intended to…  “Alright, you win,” he said, “Just let me organize my work.”

Barbatos was waiting for them by the doors of the firm, keys in hand. Diavolo’s hand was pressed firmly against Lucifer’s back as he chattered away excitedly. It brought a soft smile to Lucifer’s face as he nodded to Barbatos. The more he thought about it, the more he realized how routine it had become for the three of them to walk home together. They were two of the closest friends Lucifer had ever had. After all, taking care of his brothers hadn’t left much room for socializing.

He knew Diavolo walking him home would also require him staying to talk for a little bit. Lucifer was already thinking of the variety of teas he could make for the two of them to relax with. His home wasn’t ideal, considering his brothers could be nosey when it came to his relationship, but if it made Diavolo happy it would suffice.

“Thank you,” he said as Diavolo opened the door for him, “Now-”

His sentence was cut short. No sooner had he walked into the kitchen and turned the lights on than confetti streamers went off, and a chorus of ‘surprise!’ surrounded him. 

His brothers were all there, standing with wide smiles and eager faces. In the center of it all was a cake: “Congrats on One Year!”

Diavolo was behind him again, guiding a stunned Lucifer into the room. His hand squeezed his shoulder, excitement coursing through his veins. 

“You haven’t forgotten have you?” Barbatos hummed, “The firm has been around for a year now. Your brothers wanted to congratulate you and asked us both to help.”

Ah. That’s right. This is why Barbatos was their secretary. The man knew how to keep track of the passage of time. 

Seeing that their brother was still in shock, Beel decided to speak up, “We wanted to let you know how proud we are of you.”

“Despite everything you’ve had to do and all the odds stacked against you, you still did it!” Asmo chirped in.

“And you did it while still raising all of us,” Satan smiled.

“Even when we could be the biggest pains in the ass,” Mammon said.

Levi turned to look at him, “Hey, stop talking about yourself Mammon.” 

“Oi!”

“Nah, he’s right, we can all be annoying,” Belphie snorted, “Well, you guys anyways.”

Despite his brother’s bickering, Lucifer’s smile had found its way back on to his face, “Thank you… All of you.”

“Well, why stand here when we have a cake to eat?” Diavolo chuckled, “Come on now Lucifer, let’s take a seat. Ha! That rhymed. Look at me being a poet!”

As Lucifer sat down with the others, he couldn’t help but look over all of his brothers. They’d all grown into such fine young men with bright futures. They were laughing, and happy, and together… They’d had their rough patches and a rather depressing beginning, but now they had a bright future ahead of them. Maybe Lucifer did make the right decision and maybe he’d been too hard on himself at times.

Despite every terrible thing that had happened they’d made it. They’d all beat the odds. As he sat there with his family he looked each of them over.

Confident and boisterous Mammon, who enjoyed drawing in attention.

Passionate Levi, who loved his hobbies more fervently than anyone Lucifer had ever met before.

Intelligent and calculating Satan, who’d always be hungry for knowledge.

Sweet little Asmo, who wore his heart on his sleeve and could spot beauty in anyone.

Gentle giant Beel, who was so compassionate and was always sensitive to the needs of others.

And a mellow Belphie, who knew how to appreciate the little things in life.

Lucifer was proud of them. No. Pride couldn’t even begin to describe the feeling spreading throughout his chest. This feeling was so much more intense. They were all so happy together, and Lucifer wouldn’t give this up for the world.

Their parents would never understand what a grievous mistake they’d made. Lucifer would never understand their reasoning, and he would never make excuses for them.

Lucifer had one thing they’d never have: the love of his brothers.

They would never have the satisfaction of seeing them be successful in life, and Lucifer would make sure they were successful and happy.

Even if Lucifer hadn’t been perfect, he knew he raised them right.

He knew they’d have bright and happy futures.

#obey me #obey me lucifer #obey me mammon #obey me leviathan #obey me satan #obey me asmodeus #obey me beelzebub #obey me belphegor #obey me diavolo #obey me barbatos #ruewrites #WBT #angst #hurt/comfort #fluff #angst with a happy ending #dialuci #mild dialuci #human!au

[maddhatterreviews]

So something kinda funny happened a while ago

I was completely unaware that DC Superhero Girls had started airing again. That wouldn’t be that much of an issue, except I also forgot that I set my DVR to record new episodes months ago. So imagine my surprise when I check the DVR and find five new episodes of Superhero girls just there. 

And I thought it would be fun to go over the episodes I saw, since there’s actually some good stuff in them. I doubt I’ll do this again anytime soon, but still. 

Tween Titans: This actually came out after I found the recorded episodes, but I figured I’d throw it in too. Mostly because I don’t actually have that much to say about it. Karen and Jess get a job babysitting Dick Grayson and the other Titans, but they are all around ten years old. There wasn’t anything particularly special about this episode. It was just kinda fun watching Bumblebee and Green Lantern having to deal with a bunch of superpowered kids. 

I will say the time line seems about right. Dick is usually a few years younger than Barbara, and the characters are specifically called tweens, so he has to be somewhere between ten and twelve years old. We also got to see Bruce Wayne first hand for the first time. It is kinda funny to continue to see two of the three members of the Trinity being assholes. Although, to be fair we’ve really only seen Superman through Supergirl’s eyes and she has a pretty strong bias against him. And it’s unsure how much of Bruce’s douche nature is all part of the “Bruce Wayne Act” he usually has going on.

And I have a distinct feeling this episode is a direct response to Teen Titans Go. While most fans of the Titans either actively hate Go or are generally ambivalent towards it. I kinda have a feeling Lauren Faust might be slightly resentful towards Teen Titans Go since Super Best Friends Forever basically got passed over for it. It’s just the fact that they used the most popular version of the Titans, which just happens to be the same lineup as Go. It could be coincidence, but considering the Titans act like hyper-active brats, a fairly common criticism of Go, it really seems like Lauren Faust is taking a dig at Teen Titans Go.

All about Zee: A girl from school nobody talks to or really acknowledges becomes obsessed with Zatanna and eventually takes both her physical appearance and powers. She figures out Zatanna’s other friends are the superhero girls and takes their powers and appearances as well, becoming a hodgepodge of them all. This is easily the weakest episode for me. I’ve seen this premise a bunch of times and it’s never not felt cringy as shit. 

It feels like this was the episode that really felt like it was pulling influence for MLP. People were saying Zatanna was a lot like Rarity, and Rarity’s main thing was generosity right? I don’t know, that’s just how it feels to me. 

I think it is kinda funny that the running joke of the villain of this episode is that no one knows who she is and they can’t remember her name because I can’t either. And I’m also not sure if she existed in the comics either. Maybe she’s a Zatanna villain, I don’t know, I haven’t read many of her books. I thought she was Cole for a minute, but as far as I know, the whole changing appearance thing isn’t something Cole can do. 

I don’t know, this just didn’t feel like this show’s best, you know?

Living the Nightmare: Another Zatanna focused episode, and a marked improvement over the last. The Girls are having a sleepover at Zatanna’s place and they start talking about nightmares, specifically how Zatanna doesn’t have nightmares because she doesn’t have any insecurities or anxieties that can manifest within her subconscious. So, of course the villain of the episode attacks the girls through their dreams. 

I initially thought the villain was going to be long standing Justice League villain Dr. Destiny, but turned out to be a relatively new Zatanna villain named Fuseli. A demon who feeds off of people’s nightmares. And since Zatanna doesn’t get nightmares, she has to enter her friend’s dreams to find the little bastard. 

I usually like episodes like this. It’s a good way to quite literally get into the heads of the protagonists. We don’t get a lot of insight into most of the girls unfortunately. Most of their nightmares are by and large inconsequential. Kara is afraid of cockroaches, Diana is (Inexplicably) afraid of teddy bears, and Babs is afraid of...sharks I think? Karen’s fear has a bit more substance since she’s afraid of public speaking, but that’s to be expected from a character whose main defining trait is being shy. 

The two interesting dreams are Jess’s and Zatanna’s. A common criticism of the portrayal of the characters was the omission of the anxiety and mental issues that were part of Jess’s backstory. In the comics, Jess was an agoraphobic who experienced an extremely traumatic event before having the powers of Power Ring, the evil Earth-3 Green Lantern that’s powered by fear instead of Will power, forced on her. Lauren Faust has openly stated that Jess had gotten over most of her issues before the series began, but this episode alludes to the idea that she hasn’t gotten over them completely. And this could set up for future episodes to further explore Jess’s issues in full context. This episode is about Zatanna after all. 

Speaking of, Zatanna’s claim that she doesn’t have any issues isn’t entirely true. I wouldn’t call it a running joke, but a recurring plot point in the series is that Zatanna’s magic isn’t the best. She usually comes through at the end of the day, but more often than not, Zatanna’s attempts to perform magic will backfire in some way. And after tricking Fuseli out of her friends’ dreams and into her own, It’s revealed that she did in fact have something she was scared of. Zatanna is actually afraid of her own full magical potential, and that if she didn’t have enough control she might hurt someone. The reason she doesn’t have any nightmares about it was because someone, most likely her father, magically suppressed them. 

This is also one of the few times so far that the show brought up and expounded upon a storyline that appeared earlier in the series. Abrakadabrapalooza showed that Zatanna’s powers first manifesting scared the absolute shit out of her. While she quickly accepted her magical powers, I have to assume it still really freaked her out considering she almost destroyed the Green Room she was in, and could have easily developed a complex as she was learning to control her powers. Zatara, seeing the toll the incident in the Green Room was having on his daughter, could have locked away her fears so she could have peace of mind while she trains to become a better sorceress. 

Of course Fuseli, being a nightmare demon, manifests Zatanna’s repressed fears and there’s a big showdown where Zatanna obviously wins. There’s some interesting implications about Zatanna having her fears suppressed; like what will happen to her now that her fears are out and she acknowledges them. This was a fun episode and it does a decent amount to develop Zatanna. 

Dinner for five: Not my favorite of the bunch but it is up there. Dinner for Five doesn’t do much to develop the characters and the only one of the main Girls in the episode is Barbara. It’s just a really fun episode with a lot of action, great interactions and good comedy. It also introduces Deathstroke into the show, which is genuinely surprising. 

The episode is about Babs meeting a new friend in school, Rose Wilson, whose father just happens to be Deathstroke. The fights between Babs and Deathstroke are one of the highlights of the episode. Superhero Girls has some above board animation, but it’s not what the show is known for. This isn’t exactly Avatar, Rise of the TMNT, or even the original Teen Titans. The fight scenes have always been less about choreography and more about Loony Tunes’ esque slapstick and visual humor. And the fights between Babs and Deathstroke are some of the best mediums between the comedic style of fighting this show is known for and more serious fight animation. 

What really surprised me about this episode is the just that Deathstroke was the villain and the show actually named him Deathstroke, kept him as an assassin, and outright claimed that he killed many people, and the entire reason he and Rose came to Mertopolis was to murder Jim Gordon. This is especially surprising considering the reason Deathstroke was named Slade in Teen Titans was because Cartoon Network wasn’t sure they could get away with a recurring villain being named Deathstroke the Terminator. So it’s just kinda funny that DC Superhero Girls did that even though it’s  aiming at the same, if not a slightly younger demographic than Teen Titans. 

The story is also a prime example of the beauty in simplicity. With a premise like “Babs makes friends with Deathstorke’s daughter” I would have figured there’d be some kind of third act twist where it turns out Rose is actually Deathstroke herself, or she takes up her Ravager identity and she and Deathstroke both fight Babs. But no. Rose is just a nice sweet girl that really likes Babs and her dad just happens to be an infamous assassin. She even knows he’s Deathstroke and walks in on him about to murder Babs. And she just scolds him for doing so, and kind of implies Deathstroke has tried to kill her friends before. 

Bottom line, this was a fun simple episode 

Retreat: This is another low point for me. It’s not as bad as All about Zee, but there isn’t much to say about it either. Even though I don’t have a problem with episodes just being fun and not having any relevance to the larger narrative or developing the characters, Retreat especially feels like filler. 

Jess drags Babs, Karen, Hal, and Garth into the woods for a camping trip, and springs on them that she also invited Pam. And Pam immediately freaks out when the others start using various tree parts to do stuff around the campset. Pam runs off into the woods and turns into Poison Ivy to raise a small army of plant monsters to straight up kill the others. As she does this, Babs tells Garth, Karen, and Hal a scary story about a witch of the woods, and of course Ivy’s plant monsters attack just as she finishes her story. 

The rest of the episode is just the heroes fighting off the plant monsters with various shenanigans happening as they try to survive, since Jess insisted that they put all their technology, including all of their weapons, in a bag tied to a tree. And It’s all pretty solid. I can’t think of anything overtly wrong with this episode, it just doesn’t really do anything all that special. It is still a little annoying that the running joke of Aqualad being useless is still going on. But at least they acknowledge that Garth is the only one of the heroes whose powers don’t come from an external source. He still gets taken out pretty easily, but at least they show he is one of the strongest characters in the show, even if he is still a joke. 

It is still funny that Jess is so adamant that she and Pam are friends, when Pam’s antipathy towards her and the other is clear as fucking day. While it is kinda ridiculous that the Superhero Girls and Supervillain Girls can’t seem to put two and two together and figure out who the other is (Especially since Babs put it together that Rose’s dad was Deathstroke pretty fuckin quick) I honestly hope this dynamic sticks around for as long as possible. Logic be damned. 

Ally Cat: This is easily, the best episode of the bunch. And it brings up something I’ve been waiting for since the first episode: Lex Luthor coming back as a villain. And holy shit, was it worth the wait. 

The episode begins with a news report showing Lex digging up Stonehenge to find the mythical Book of Eternity. An ancient tome that Zatanna claims is able to predict the future with perfect accuracy. Because no one in this universe, or at least none of the six main girls, knows that Lex is a massive asshole they’re not too worried about him having a Book that powerful. But Zatanna insists that no one should have that much power and actually suggest they steal the book from Lex. 

Most of the girls are apprehensive, but Babs is surprisingly on board with the idea, and is sure she could come up with a plan to sneak into Lexcorp. Unfortunately, Babs has to go out of town with her dad, and can’t help heist. (And I kinda love that Babs insists that they’re not stealing they’re pulling off a heist, like there’s some kind of difference) So the girls do the only other logical thing they can think of; find Catwoman and get her to plan the heist for them.��

It is a solid plan, and it’s kinda funny that Diana either doesn’t understand the concept of blackmail or is so righteous and good she doesn’t recognize that she and the other girls are doing it to get Catwoman to help them. Either way, Catwoman does come up with a fairly genius plan to get them into Lex’s vault. 

I have to admit I really love what this series does with Catwoman. Making Selina black is whatever, it’s not that big of a deal to be honest. But the fact that Summer Cree was directed to emulate the Eartha Kit version of Catwoman adds a lot to the performance. And it’s kinda great that they made Catwoman the brains of the Villain Girls. Catwoman’s always been clever, but this show almost seems to make her out to be almost, if not just as intelligent as Lex. 

Speaking of Lex, after they just barely manage to get into the elevator to take them to Lex’s vault (Catwoman’s plan almost immediately goes south because the Girls absolutely suck at being criminals) Lex confronts them in his vault, traps the girls, and reveals that Catwoman had actually been working with Lex the whole time. It does make the Girls almost fucking up the plan to get here even funnier in retrospect, since it’s clear Lex wanted them in the vault in the first place. He also reveals that he’s managed to capture the Invinci-Bros and even Superman. 

Lex explains that he read the Book of Eternity, and knew that the Superhero Girls were going to try and steal the book by asking Catwoman for help, so he just got to her first. He was able to predict everyone’s moves thanks to the book, which allowed him to effortlessly incapacitate everyone he’s confronted so far. He claims he needed every hero in the city out of the way so he could enact his master plan. The plan he decides to tell Catwoman, simply because he doesn’t think she can stop him and he’s about to send her out of the city anyway. 

Thanks to the Book of Eternity, Lex knows that a huge meteor is hurtling towards Earth that will utterly destroy Metropolis and possibly cause global ecological devastation. Lex plans to let the meteor hit, have millions of people die and come in as the big goddamn hero he wants everyone to see him as, and have his technology save the surviving citizenry and rebuild the city in his own image. 

This is why I think this series is so good. It’s dumb and goofy, but when it wants to get dark, Holy Shit! They do not pull any punches with this plot. Catwoman out right says that countless people will die if Lex does this; and Lex does not give a shit. Lex Luthor’s main defining character trait is being a megalomaniacal sociopath with little to no regard for human life. He’s obsessed with his own self-image and will destroy anyone or anything to make himself look better. And this episode encapsulates that perfectly 

The show doesn’t do anything too extreme, but this plan shows just how evil Lex can be simply by not sugar coating the death toll that will result from it. To the point even one of our recurring villains is utterly horrified by it. But he does seem to scare her off before she can do anything to try and stop him. Fortunately, like in the comics, Catwoman admits that while she’s a thief, she isn’t willing to let an entire city die just to save herself. She doubles back and releases the Superhero Girls so that they can save the city from the meteor. 

Catwoman finds Lex on a boat and tells him that after he hired her to trick the Girls, she took a look at the book herself and figured out what Lex’s plan was. So she tore out the page that said what she’d do after the Girls were captured and double crossed Lex. This is also completely in character for Lex. He is so smart that Lex will always underestimate whoever he’s dealing with, so it’s usually surprisingly easy to trick or outsmart him. Especially for someone as clever as Catwoman. 

Of course, Catwoman tries to take the Book of Eternity from Lex, but the Girls show up and get the book from her. And the episode ends with Catwoman robbing Lex blind, and showing that the male superheroes are still in Lex’s cages. 

This was another thirty minute long special, and probably one of the best so far. It did a great job of showcasing just how dangerous this version of Lex is, while still keeping him kid friendly. He was silly and danced around during his fight with the heroes, but he still planned on letting an entire city be destroyed just to make himself look good. It was also fun to see Catwoman’s more anti-heroic side coming out in this, since DC Superhero Girls has her set up as a pure villain. 

And that pretty much everything. This took a lot longer to write, and I will never try to review five episodes of a tv show again, but it was fun to get all my thoughts about this show out. A new episode came out while I was writing this, but I’m not gonna talk about that one this time. I just want to get this one done. Still, as simple as this show is, it continues to be a fun superhero cartoon that I hope will get more kids into DC’s heroes. 

#DC Superhero Girls #Wonder Woman #Batgirl #Supergirl #green lantern #Zatanna #Bumblebee #DC Comics #Lex Luthor

[reactingtosomething]

Kris Reacts to The Defenders (cont’d)

"For Whatever It’s Worth, I’m Glad You’re Here.”

Find my off-the-cuff mini-Reactions to the first five episodes of The Defenders here. A full-sized Reaction with some others may be forthcoming later in the week. SPOILERS AFTER THE JUMP for the rest of the season. Some non-spoilery, mostly Daredevil-related thoughts first.

I feel even more strongly than before that to get very much out of The Defenders, you really should watch both seasons of Daredevil. There are for sure lots of quality Jessica-Luke moments, don’t get me wrong, and in the unlikely event that your favorite Defender show is Iron Fist, Colleen Wing gets a surprising amount to do. But the most important non-Defender characters, including significant villains, are from Daredevil’s supporting cast.

I love Matt Murdock (although not as much as Caroline loves Matt Murdock), but he has got to stop referring to New York (or is it just Hell’s Kitchen, or Manhattan? I’ve never been sure) as “my city.” Especially when Daredevil never really gave us a sense of what either the Kitchen in particular or NYC in general means to him. In fact, I’d love a moratorium on all superheroes referring to “My City,” especially if we rarely see them interacting with the people and places of “their” cities in meaningful, specific civilian capacities. The bar here is set by Luke Cage, which in two episodes does more to flesh out Harlem than the entirety of either Daredevil or Jessica Jones (which are otherwise the best entries in the Defenders series) did for Hell’s Kitchen.

The Defenders shares a composer, John Paesano, with Daredevil. This is not surprising, as these shows also share showrunners, Douglas Petrie and Marco Ramirez (who were producer-writers under Drew Goddard and later Steven DeKnight in Daredevil s1). What is surprising is how much I like the music in these shows. It’s pretty melody-light, and vaguely “atmospheric,” and there’s a lot of repetitive percussion, which all taken together is generally a style that annoys me. But what usually annoys me about that style is that it’s intended to blend into the background, to not really be noticed at all. And Paesano’s music, while it isn’t always super prominent in the sound mix or anything, uses simple but still hummable leitmotifs that -- even if in your experience their overall impression is to blend in -- can be recognized as very Of This Show. In other words, unlike many movies that have melody-light or even effectively melody-less scores, often with aggressive percussion, things scored by Paesano actually have musical identities (including Mass Effect: Andromeda, whose musical identity is probably the second-best thing about it, after combat).

Take the first music we hear in season 2 of Daredevil, “The Devil of Hell’s Kitchen”:

At first this seems like it’s just gonna be generic chasing-and-punching music, from literally any post-Bourne action franchise, but around 1:14, the ostinato that’s the backbone of the title theme kicks in. It’s much faster than in the titles, but instantly recognizable. Even if you don’t consciously recognize it in the moment, you probably feel a distinctly Daredevil vibe. It goes away again for a bit as the action of the scene ends, but returns as we see Matt (relatively) clearly for the first time in the season, a devil perched on a chapel.

This music from the climactic fight of the s2 finale, “They Have Nothing Now,” is another good example, riffing on both the ostinato and the main melody that starts about 18 seconds into the title theme.

Contrast this with the Guardians of the Galaxy movies, which do have a melodic instrumental theme, but which you almost certainly don’t associate with the movies or the characters. Partly this is because it’s just OK, but mostly it’s because what anyone remembers about those soundtracks are the needle drops of the Awesome Mixes. Don’t get me wrong, the Awesome Mixes are cool and all. But they also consist of music that most people would not specifically or exclusively associate with Guardians. Weirdly, the same composer worked on Atomic Blonde, which takes a similar approach to its music. This always seems to me like a missed opportunity. It’s like your movie or your show is somehow incomplete. What is Star Wars without John Williams? Or Batman: The Animated Series without Shirley Walker, 30 Rock without Jeff Richmond, Battlestar Galactica without Bear McCreary, Game of Thrones without Ramin Djawadi? What is Wonder Woman’s No Man’s Land without “No Man’s Land”? 

Anyway, all this to say that I’m a weirdo who REALLY LOVES A LOT that when a character briefly plays an instrument late in The Defenders, what they play is the show’s simple, vaguely Danny Elfman-esque title theme, rather than some overused classical piece.

Moving on... spoilers below!

There’s a lot about The Defenders that doesn’t work, and we’ll get to some of it. But unexpectedly, what’s stuck with me -- perhaps its single greatest achievement -- is that after the shitshow of his solo series, it renders Danny Rand pretty likable. Or at least, much easier to empathize with, much more often, than in Iron Fist.

In episode 6 when he’s tied up and Luke is babysitting, Luke (sarcastically) asks him to recount again the story of how he earned the Iron Fist by punching a dragon in the heart. Danny has a very bad sarcasm radar, and complies, and Luke has to remind him that he doesn’t give a shit or even really believe him (EVEN AFTER ALL THE WEIRD SHIT THAT’S HAPPENED). And Danny gives this sigh that back in Iron Fist I probably would’ve found petulant and childish. It does still feel, for lack of a better word, very young here. But I also found myself honestly feeling bad for the guy. He’s trying so hard, and in episode 4 he was the only one who (this is crucial) like the audience was rooting for the team to be a team, yet everyone keeps treating him like an annoying little sibling. Also, he’s telling the truth, he’s been telling the truth since he got back to New York (admittedly in the least persuasive ways possible at the start of Iron Fist), and since he got back to New York almost no one has believed him. And finally there comes the one guy in The Defenders who doesn’t have to believe Danny because he knows that Danny’s telling the truth: Stick. But then Stick is the one who wants to take Danny off the board at the top of episode 6, pulling the rug out from under him just when it seemed he had an all-in ally and even a potential mentor (something he realized he still needed very badly late in Iron Fist). This can’t be a fun place.

So that sigh actually carried some decent emotional weight for me. All the more because Luke immediately realized he’d genuinely hurt Danny’s feelings, and not just “get over yourself, you privileged white boy” feelings but “this is a central part of his identity that I’m mocking mercilessly” feelings.

Now, to be clear, Danny is an annoying little sibling. But Iron Fist never really recognized this, because it wanted Danny to be an imposing, menacing badass when what it needed him to be -- what The Defenders makes him -- is sweetly goofy and eager-to-please, a puppy who just happens to also be a trained killing machine. Danny’s the kind of guy that the cast of Leverage would call “adorable” with equal parts condescension and fondness, the kind of guy about whom you might say “bless his heart” and actually kind of mean it.

It should surprise no one who knows me well that despite all of the above, I Extremely Approve of Elektra pretty easily outclassing Danny in their fight at the end of episode 7, Iron Fist or no Iron Fist. 

But as Caroline mentions in her thoughts on her Patreon (and as she discussed in her Daredevil s2 reviews), it’s never super clear what it means for Elektra to be “the Black Sky.” For that matter it’s still unclear (though more deliberately) what the full potential extent of Danny’s Iron Fist powers is. And I think The Defenders could’ve gotten a lot more mileage out of parallels between Danny and Elektra as “living weapons.”

In general I’d hoped, perhaps foolishly, for a lot more from Elektra than we got. I didn’t have any problems with the acting, to be clear; I’m basically in love with Elodie Yung, entirely on the strength of her absurdly charismatic performance in Daredevil. But because Elektra doesn’t come back to life with her memories, Yung has to spend most of The Defenders keeping that charisma locked away, until a Plot Twist (Elektra killing Alexandra!) that I’m not convinced entirely works. I went along with it wholeheartedly anyway because it meant Yung got to unleash her full powers again. Or it would’ve been her full powers, if there’d been a lot more time to flesh out exactly what and who Elektra 3.0 is. 

We get a complete-ish answer by the end of the show, when it becomes clear that Elektra not only has her memories of Matt back but is still in love with him. But this is a character whose main challenge in her first life was that she was never permitted to figure out for herself what she wanted to do with that life, and “hijack the Hand’s plan to return to K’un Lun, and more importantly become immortal” -- though immortality certainly makes sense as a thing Elektra would want -- doesn’t come close to concretely addressing the ultimately relatable existential crisis (what is my place in the world?) that she faced in Daredevil. 

Sigourney Weaver is able to sell a desire for immortality as Alexandra Reid’s overriding concern because we meet her getting a (vaguely defined) terminal disease diagnosis, and because we spend a lot of time with Alexandra dwelling on her physical fragility and on her concerns about legacy. Yung’s Elektra doesn’t have that way in, and the writers don’t have the time or space in the last act of the season to do more than gesture broadly at Elektra’s desire to finally decide her own destiny. I think the reason this doesn’t land as well as it ought to is that it’s framed as a Villain Monologue, delivered to Danny, a character with whom she doesn’t have history. She doesn’t have this conversation with Stick (she just stabs him), and worse, she doesn’t really have it with Matt outside the chaos of a fight scene, though at least they get that last (?) kiss.

There’s a lot of lazy dialogue in The Defenders, especially in the finale, though thankfully these actors for whom we have a lot of banked affection just about pull it off. The last line of the cold open -- Luke’s “let’s go do something crazy” -- is... just kind of there? Which is a weird choice for the first big punctuation mark in the climactic chapter of this crossover event. He could’ve said that at basically any other point of the show; this should have been a line he could only say at this moment. 

Trish’s “Jess is a good friend speech” to Karen is not great. It’s not awful, either, but it’s not all that specific: Jess doesn’t do any of the things most of us in the real world ask our friends to do, “but when it comes to the real stuff, the stuff that’ll last forever...” What is that stuff? That Trish is interrupted by Malcolm and Foggy with some Bad News feels a little like the writers just didn’t know how to finish that sentence. How exactly are Matt and Jessica good friends? Yeah yeah yeah, they save your life, cool, standard superhero. But what’s the last time Matt in particular was 100 percent emotionally there for you? I do remember Jess and Trish’s friendship being my favorite part of Jessica Jones, but it’s been almost two years and some details would’ve been nice. 

Actively bad is the exchange that ends this scene: “That was the epicenter.” “Of what?” “Everything.” That’s just -- come on. That’s nowhere near as profound as it seems to want to be. That Midland was the epicenter of the earthquake is PLENTY to convey to the others that “ohhhhh that WASN’T a natural earthquake and shit’s about to go down.” In the abstract, “EVERYTHING” may sound more important than “the earthquake.” But the latter was a major inciting incident of The Defenders, and because none of these characters actually knows all of the other pieces the Defenders themselves are concerned with, the specificity of the earthquake is what should have been prized.

(In general, though, I did love that Karen and Trish got a scene together.) 

Luckily the best lines -- or at least, the best line readings -- of the episode come in the scene immediately afterward:

JESS: If you’d told me a week ago that I’d be here, with you two, about to blow up some building and fight ninjas to save New York... LUKE: (sigh) MATT: (chuckle) For whatever it’s worth, I’m glad you’re here. JESS: What? MATT: No, circumstances could be better, I’m just saying, you know -- I’m glad we found each other. LUKE: I’m not hugging you. MATT: (resigned sigh) JESS: You guys ready or what? LUKE: No. MATT: ...No. JESS: Sounds about right.

The sheer endearing-ness and tonal perfection of this moment is hard to convey in writing. Charlie Cox’s delivery of Matt’s “No” in particular is just terrifically world-weary. The other thing I need to say about this scene is that I identify a weird amount with Matt’s series-long resistance to the team culminating in a belated moment of emotional openness, only for him to be met with the realization that the emotional availability of others doesn’t work on his schedule. 

It’s possible I’m reading way too much into this. After all, I also identify with Luke’s resistance to hugging it out.

(My favorite dialogue in the show is probably still the “Are those pork?”-through-“God, you’re weird” exchange of episode 4.)

Another dialogue thing that stood out to me in the finale was the repeated trope of The Moment I Saw You.

Elektra, to Matt: “We’re together. Something I’ve wanted since I first laid eyes on you.”

Claire, to Foggy, about Matt: “But there was no talking him down. He had his mind made up the day I met him.”

This isn’t remotely unique to The Defenders, but it is a trope I tend to find annoying. I don’t think I believe in love at first sight, is probably part of my problem here, and I guess I get it if your mileage varies on that particular account. But it also feels lazy that it happens twice in a relatively narrow span of time, and about the same character, no less. Arguably more importantly, this is -- I know I lean on variations of this word a lot -- such an unspecific thing to say, in a show that had SO MUCH specificity at its disposal in the solo series. Why “since I first laid eyes on you” rather than a callback to something Matt said that night, or to their Sexy Sparring Session? Why “the day I met him” rather than a reference to Claire stitching Matt back together, or finding Matt in a literal dumpster?

(I liked that Claire and Foggy got an “our mutual friend” scene, but as others have said, it’s super weird that Claire and Matt never had a moment.)

There’s probably also something to say here about destiny and purpose, which ties into Elektra and Danny, and into the formation of the team itself, but again the show didn’t really make the time for that. I'm absolutely not suggesting that they needed 13 episodes -- I just don’t think they really managed their time well -- but with so many characters to serve, maybe 10 would’ve been interesting? To give Elektra a more robust arc post-Alexandra, if nothing else?

(About Alexandra -- I read some reviews to the effect that Sigourney Weaver held the first few episodes of The Defenders together through sheer force of will and Sigourney Weaver-ness, but I did not feel that way at all. I mean I thought she was very good, but the writing mostly wasn’t deep or clever enough for her to take the character of Alex anywhere near the level of Cottonmouth or Kilgrave or Wilson Fisk, and I think this “Sigourney Weaver is the best thing about The Defenders” take was mostly wishful projection on the part of people who know her corpus much better than I do. I’ve seen Alien but not Aliens; #sorrynotsorry.)

I did love that both in the premiere and the finale, Luke got to call back to Pop’s “Forward” mantra, without repeating the full “Forward always, always forward.” It was a nice way to show that Pop’s philosophy is thoroughly a part of him now, and that -- unlike Jessica, the person he’s with for the second callback -- he’s really deliberately thinking about his future.

I also liked, or wanted to like, that Jessica said maybe they could get coffee, but I wasn’t entirely sure what was intended by this. See, in Luke Cage, “coffee” turns out to be a euphemism Luke uses for sex, or at least a one-night stand.  But he’s with Claire now, which may be a reason he doesn’t deliver the established winking response from his own show: “I don’t drink coffee.” (Misty said it to him back then; he replied, “Neither do I.” I don’t think Luke not drinking coffee was a thing in Jessica Jones, and even if it was, it would totally be in character for Jess not to remember.) Apart from the lack of a callback response, my uncertainty comes from “we should get coffee” almost inevitably meaning, in my experience, “we are definitely not going to make the effort to get coffee,” even if we’re both totally sincere about wanting to catch up, which seems like a relatable social phenomenon Jess would snark about. 

To backtrack a bit -- that big fight scene in episode 7, against Gao and Bakuto and Murakami? It was... not shot well. Way too claustrophobic, and at least by the high standards of Daredevil, way too choppily edited. Most of the fights in The Defenders were underwhelming -- really missed Philip Silvera’s work -- but that one in particular stood out as a mess. (Caroline remarked that it’s a shame the fighting styles of the team aren’t better differentiated, at least in the show’s latter half; this is particularly true for Matt and Danny. It’s interesting that although Finn Jones is overall much better at the action here than he was in Iron Fist, the fights in The Defenders do lose a fair bit of the wushu character that previously distinguished his hand techniques, at least, from Matt’s.)

Anyway, I could probably say more -- I’m particularly sorry I haven’t done justice to the Jessica-Luke dynamic, or to the Daughters of the Dragon -- but I’ve lost most semblance of a train of thought here, so I’ll stop. I do recommend checking out all of Caroline's Random Thoughts, and, as always, the episode reviews over at The AV Club. (As of this writing the AVC is currently on episode 5.)

Though I did want a lot more from The Defenders in a lot of ways, as with the pretty strange and uneven Age of Ultron it was still a lot of fun to spend time with these characters, both alone and together. This was very much a show that did not manage to be more than the sum of its parts, but at least many of those parts were very pleasant. And frankly, I’m glad the run of episodes 6 through 8 was the last thing I watched this weekend, rather than the trainwreck (Tormund banter, zombie burning, and Dany’s winter wardrobe notwithstanding) that was this season’s penultimate episode of Game of Thrones.

I’m also cautiously optimistic about the possibility of a Luke Cage-Iron Fist team-up show, and to a lesser extent even -- I can’t believe I’m gonna say this -- the next solo season of Iron Fist (which will have a new showrunner -- Scott Buck is helming Inhumans, something about which I have strong feelings that we just can’t get into right now -- and add Simone Missick’s Misty Knight to its roster). If that’s not an endorsement, I don’t know what is.

#The Defenders #Daredevil #Jessica Jones #Luke Cage #Iron Fist #John Paesano #Matthew Murdock #Danny Rand #Elektra Natchios #Charlie Cox #Krysten Ritter #Mike Colter #Finn Jones #Elodie Yung #Kris's Type? #Strong Soundtrack Opinions #reaction #Kris #TV #superheroes

[phantom-le6]

Episode Reviews - Star Trek: The Next Generation Season 6 (3 of 6)

Continuing our look into season 6 of Star Trek: The Next Generation episodes, here’s a third round of episode reviews, beginning with the first of three mid-season two-part episodes that during the last two seasons of the show.

Episode 10: Chain of Command (Part 1)

Plot (as given by me):

The Enterprise rendezvous with another Starfleet vessel, the Cairo, where Picard learns from Vice-Admiral Nechayev that he is being relieved of command of the Enterprise. Nechayev later briefs Commander Riker, Counsellor Troi and Lt. Commander Data that following a Cardassian withdrawal from Bajor, the Cardassians have mobilised some of their forces along the border with the Federation and their communications traffic has increased 50%. Suspecting this may be prelude to a new offensive by the Cardassians, Nechayev has assigned the Cairo s commanding officer Captain Edward Jellico to command the Enterprise as it heads to the border to engage in talks with the Cardassians. Jellico was apparently crucial in negotiating the peace treaty between the Federation and the Cardassians, which is why he is to lead the mission in Picard’s absence.

 However, Picard is not the only member of the Enterprise crew being reassigned; Dr Crusher and Lt. Worf are also reassigned as part of a clandestine mission, which the three officers begin to train for as Jellico comes aboard and takes command in a formal ceremony. Jellico is much more strict and less personable in his command style, expecting immediate implementation of his orders regardless of whether they’ll take time to implement or not, and he orders Troi to wear a standard issue uniform while she is on duty. He also uses a lot of strange tactics with the Cardassians when they arrive rather than being more diplomatic as Picard might be, and Troi senses Jellico is not as sure of himself as he acts.

 Picard, Dr Crusher and Worf eventually leave the Enterprise via shuttlecraft to begin their mission, which Picard reveals en route is to infiltrate a Cardassian base on Celtris III. Apparently the Cardassians have been experimenting with a new means by which to safely utilise metagenic weapons; viruses programmed to consume any DNA they encounter, effectively wiping out all forms of life on a planet while leaving its population centres and infrastructure intact. Picard was chosen because he is the only officer in Starfleet with any expertise relevant to the delivery system, Worf for his combat expertise and Dr Crusher for the medical knowledge necessary to identify and destroy any bio-weapons found.

 The trio manage to convince a Ferengi smuggler to provide them with transport, and the infiltration is initially successful. However, it soon turns out that the whole thing is a trap, and the group is ambushed by Cardassian soldiers. Dr Crusher and Worf manage to escape, but Picard is captured. He is then brought before a Cardassian officer later revealed to call Gul Madred, who reveals the trap was designed so the Cardassians could capture Picard. Madred also notes that Picard is there to answer questions rather than ask them, and any answers the Cardassians find unsatisfactory could mean his death.

Review:

For a long time, Next Generation had shied away from multi-part episodes outside of season finale cliff-hangers, presumably because mid-season episodes of the multi-part persuasion were part-and-parcel of any show having an over-riding continuity, whereas Next Gen was very much supposed to be episodic television that could be dipped in and out of.  However, with more and more single episode referring to TNG’s own continuity and to the wider franchise of Trek, not to mention the season 5 two-part episode ‘Unification’, it seems the way was opened to really start this kind of longer episode on a regular basis.

 That all being said, it appears that if the Memory Alpha wiki site is to be believed, budgetary reasons were what led to this episode becoming a two-parter.  As a one-part episode where Picard was rescued by the end, it was too expensive, so expanding it over two parts was apparently governed by financial concerns. Regardless of the reasoning, the episode is quite an interesting re-jug of the show’s normal status quo. All of a sudden, we have a new captain in command and the old one going off on a stealth mission with two other key officers, and we finally see Counsellor Troi compelled to wear a standard uniform, something she then largely sticks with for the whole rest of the show and on into the films.

 The problem with part 1, however, is that while it’s got enough other things going on to keep it from being pure set-up, I also feel like the change of command wasn’t very well-handled.  From what we come to learn is standard dismissive bitchiness from Nechayev and Jellico’s out-of-place harsh command style, we’re being set up to loathe and despise the change of commander, so you know from that and the fact this is all coming mid-season that the change is highly unlikely to be permanent.  However, the episode tries to make us buy into the idea that it might be with a formal transfer of command ceremony.  A valiant try, but for me it’s a waste of time.

 To make the change of command seem more likely to be permanent, they should have brought on board a commanding officer who wasn’t acting like a militaristic hard-ass more suited to a 20th century military than 24th century Starfleet.  The new CO should have had a different command style but still have gotten on well with the crew instead of rubbing them all the wrong way. Next, there should have been interim replacements for Crusher and Worf as well.  Surely there’d need to be a new chief medical officer and new Chief of Security/main Tactical Officer in a situation where combat and casualties would be likely if talks with the Cardassians went sideways.  As it is, every time Jellico was on screen, I was hoping for him to get blasted away by a Cardassian.  For me, this episode gets 7 out of 10.

Episode 11: Chain of Command (Part 2):

Plot (as adapted from Wikipedia):

Gul Madred uses a number of torture methods on the captured Captain Picard, including sensory deprivation, sensory bombardment, forced nakedness, stress positions, dehydration, starvation, physical pain, and cultural humiliation to try to gain knowledge of the Federation's plans for Minos Korva. Picard refuses to acknowledge Madred's demand for information. Madred attempts another tactic to break Picard's will: he shows his captive four bright lights, and demands that Picard answer that there are five, inflicting intense pain on Picard if he does not agree.

 Meanwhile, the Cardassians inform the Enterprise crew that Picard has been captured. Captain Jellico refuses to acknowledge that Picard was on a Starfleet mission, an admission necessary for Picard to be given the rights of a prisoner of war (along with better treatment) rather than being subjected to torture as a terrorist. This leads to a heated argument between Jellico and Commander Riker, which ends with Jellico relieving Riker of duty and promoting Lt. Commander Data to acting first officer. Lt. Commander La Forge detects residue from a nearby nebula on the hull of the Cardassian delegation's ship, and Jellico suspects a Cardassian fleet may attempt to use the cover of the nebula to launch an attack on Minos Korva. Jellico determines that their best course of action is to place mines across the nebula using a shuttlecraft. However, Riker is the most qualified pilot for the mission. Jellico visits Riker in his quarters, where he candidly criticizes Riker's performance as a First Officer and Riker does the same for Jellico’s command style. Jellico asks, rather than orders, Riker to pilot the shuttle. Riker agrees, and he and La Forge successfully lay the minefield. Jellico uses the threat of the minefield to force the Cardassians to disarm and retreat, as well as agree to the release of Picard.

 With word of the failure of the Cardassians to secure Minos Korva, Madred attempts one last ploy to break Picard, by falsely claiming that the Cardassians have taken the planet and that the Enterprise was destroyed in the battle. He offers Picard a choice: to remain in captivity for the rest of his life or live in comfort by admitting that he sees five lights. As Picard momentarily considers the offer, the Cardassian head delegate enters the room and informs Madred that "a ship is waiting to take him back to the Enterprise." Picard realizes he has been duped. As Picard is freed from his bonds and about to be taken away, he turns to Madred and defiantly shouts, "There are four lights!" Picard is returned to Federation custody and reinstated as Captain of the Enterprise. Picard admits privately to Counsellor Troi that he was saved just in the nick of time, as by that point he was broken enough to be willing to say or do anything to make the torture stop. In addition, by the end he actually believed he could see five lights.

Review:

It’s in the second part of ‘Chain of Command’ that we finally see something of what Trek should be in that it tackles an on-going issue from real-life society.  However, because of how part 1 was presented, it’s not so easy to see. Basically, this is an anti-torture episode, but that fact is kind of hidden by the fact that Picard is being held captive by a highly militaristic race like the Cardassians who are fundamentally villain characters for the Trek set in the 24th century. Because of that, it’s hard to see that this episode is trying to make an allegorical case against torture because torture is something to be very much expected of the Cardassians based on how TNG has portrayed them up until now.  This episode was the last before Deep Space Nine’s pilot aired, so the complexity that show added has yet to materialise, and so if not for reading Memory Alpha’s page on this episode, I wouldn’t have got the message of the episode.

 To my mind, an effective anti-torture episode should really show it being used by some rogue human or other and involve some genuine debate around its use.  It’s more the kind of show that would have been better on Deep Space Nine after the characters of Sloan and Section 31 were introduced.  Alternatively, it could have fit into the season 4 episode ‘The Drumhead’ or involved an over-zealous Starfleet security officer in another episode of this series.  Because this episode was part 2 of a multi-part episode and combined such villainous behaviour with what was a villain race at the time, the message is lost and ends up appearing as just so much status quo.

 We also get more of Jellico being profoundly unlikeable back on the Enterprise and the somewhat convenient return of Crusher and Worf before yet another command shake-up as Riker gets relieved of duty and Data not only becomes acting first officer, but also has to shift from the gold shirt of an engineering officer to the red shirt of the command branch.  It just goes to show what a total tight-arse the character is, and much as I’d rather have seen him get a right cross to the jaw or a phaser hit before leaving, at least Riker put the idiot in his place towards the end.  Ok, yes, Jellico did a good job working in getting the Cardassians to agree to return Picard at the end, but to me it was very much too little too late.  When Jellico leaves the bridge for the last time, I want him ejected through a photon torpedo tube or the waste disposal rather than by transporter or shuttlecraft.

 Luckily, the episode does far better with British actor David Warner guest-starring opposite Patrick Stewart in the role of Gul Madred.  Apparently, Warner appeared in a couple of the original series films, but I know him more from roles like Captain James Sawyer in series 2 of Hornblower and Professor Jordan Perry in the second of the original live-action Teenage Mutant Ninja Turtles films.  Both Warner and Stewart are classically trained theatre actors, so seeing the two perform together is similar to the high quality you get out of performances between Stewart and Sir Ian McKellan when they played Professor X and Magneto in the X-Men films.  In other words, there’s some great acting going on with a lot of gravitas, and it makes for great viewing regardless of the roles being played or the franchise at hand.  Overall, I give part 2 8 out of 10; with a more likeable interim captain, a more blatant exposure of the issue part 2 was exploring or the unlikeable interim captain getting a bit more karma for his bastard attitude, this episode might have snatched top marks, but sadly it misses out and largely relies on Stewart and Warner to save its proverbial bacon.

Episode 12: Ship in a Bottle

Plot (as adapted from Wikipedia):

Lt. Commanders Data and La Forge are enjoying a Sherlock Holmes holodeck program when the pair notice that a character programmed to be left-handed was actually right-handed. They call Lt. Barclay to repair the holodeck, but as he checks the status of the Sherlock Holmes programs, he encounters an area of protected memory. He activates it to find the sentient Professor Moriarty character projected into the Holodeck, who appears to have memory since his creation ("Elementary, Dear Data"), including during the period while he was inactive (a feat Barclay and the others claim to be impossible). Moriarty again wishes to escape the artificial world of the holodeck and was assured by the crew of the Enterprise that they would endeavour to find a way to do so, and is irritated at the lack of results on the part of the crew and their seeming lack of effort. Captain Picard, along with Data and Barclay, attempts to assure Moriarty they are still working towards this goal but their technology does not yet permit it. Moriarty is dismissive.

 Moriarty confuses the crew by seemingly willing himself to existence by walking out of the holodeck door. He explains this to the stunned Picard and Data by saying, "I think, therefore I am." Moriarty creates a companion for himself, the Countess Regina Bartholomew, by commanding the computer of the Enterprise to place another sentient mind within the female character of the Sherlock Holmes novels that he is programmed to love. Moriarty then demands that a solution to get Regina off the holodeck be devised. He takes control of the Enterprise through the computer, insisting that a way be found for her to experience life beyond the confines of the holodeck.

 Barclay and Data suggest trying to beam an inanimate object off the holodeck using pattern enhancers in hopes that the transporter could re-form the object as conventional matter. However, when the experiment fails and Data finds no information in the transporter log, he becomes suspicious. Data then observes that La Forge's handedness is incorrect, just as they had experienced earlier. Through this, Data deduces that he, Picard, and Barclay are still inside the holodeck with Moriarty, and everyone else and everything that appears to be the Enterprise is part of a program Moriarty created. Picard then realizes that he has unwittingly provided Moriarty with the command codes for the Enterprise. With this information, Moriarty takes control of the real Enterprise from within the simulation.

 Captain Picard finds a way to program the holodeck within Moriarty’s simulation to convince Moriarty that he and Regina can be beamed into the real world, though in fact they are only "beamed" onto another simulation on that holodeck. Moriarty, believing he has entered the real world, releases control of the ship back to Picard. He and the Countess use a shuttlecraft given to them by Commander Riker to leave the Enterprise and explore the galaxy. Picard ends the simulation and the trio return to the real Enterprise. Barclay extracts the memory cube from the holodeck and sets it in an extended memory device in order to provide Moriarty and the Countess a lifetime of exploration and adventure.

 Picard comments that the crew's reality may actually be a fabrication generated by "a little device sitting on someone's table." This unnerves Barclay enough for him to test the nature of his own reality one more time: he gives an audible command to "end program" to test whether he is still in a simulation. There is no response, indicating he is indeed back in the real world.

Review:

“Elementary, Dear Data” was one of the few highlights of TNG’s second season, and apparently hadn’t been revisited before now because the show’s writers believed there was an on-going legal dispute between paramount and the estate of Sir Arthur Conan Doyle.  In the end, it turns out to be a misunderstanding; the estate had been irritated at Paramount over the film Young Sherlock Holmes.  Fortunately, the estate allowed Next Generation to use the Holmes characters again for a reasonable license fee, and thus the sentient Moriarty holodeck character came back.  However, this time we see Picard, Data and the ever-amusing recurring guest character of Lt. Barclay get trapped within a simulation of the Enterprise that is created by Moriarty, which is quite a clever way of mixing things up.

 However, the one thing that spoils the episode slightly is the final scene where Picard suggests the reality of Trek itself may not be real and Barclay then feels compelled to test that idea.  I get that it’s meant to be a bit of an in-joke given that this is a TV show, but not only does it seem unnecessarily cruel to a well-known paranoid multi-phobic introvert like Barclay to make that suggestion, but it’s also annoying when any TV show tries to suggest the reality of its own world isn’t that at all.  Once any world of fiction establishes what its reality is, to my mind that reality must be its reality at all times.  You don’t wait until you are mid-way through your penultimate season and then suggest it might be a fantasy.  Either it’s a fantasy from day 1, and you either also show the real world now and then or make that what you’re trying to get back to, or it’s real and any fantasies are conclusively revealed, over and done with inside of a single episode or multi-part story.  Having it both ways is just indecisive and moronic.  Because of this, the episode only nets 8 out of 10 where it could otherwise have claimed full marks.

Episode 13: Aquiel

Plot (as adapted from Wikipedia):

The starship Enterprise arrives at a subspace communications relay station near the Klingon border on a resupply mission. However, when an away team boards the relay there is no sign of the two officers assigned there. Lieutenant Aquiel Uhnari, Lieutenant Rocha, and the station's shuttlecraft are missing. While searching the station, the away team finds a dog that belongs to Lieutenant Uhnari. The away team also finds a substance on the floor, which Dr Crusher determines is a type of cellular residue.

 The crew uncover evidence that a Klingon had been on the station leading Dr Crusher and Commander Riker to suspect that Uhnari and Rocha may have been the victims of a Klingon attack. Lt. Commander La Forge backs up this theory when he examines Uhnari's personal logs. He finds an entry in which Aquiel relays her fears to her sister Shianna about a Klingon named Morag. Captain Picard contacts the local Klingon governor, Torak, and learns that Morag is commander of one of the Klingon ships that patrols that section of the Klingon Empire's border. At this point, Torak refuses to cooperate further. Picard threatens to take his case to Chancellor Gowron, a threat scoffed at by Torak until Picard casually mentions that he served as Gowron's Arbiter of Succession. Knowing Gowron would be in Picard's debt and how the former might frown upon the disrespect shown to the latter, a nervous Torak agrees to cooperate fully.

 The senior staff meets with Torak, and he produces Aquiel alive. She explains that Rocha attacked her and that her last memory was escaping from him. She doesn't remember precisely what happened. To help clarify what really occurred, Picard requests to speak with Commander Morag, the Klingon who was allegedly harassing the station. Attracted to her, La Forge befriends Aquiel, and takes her to the Ten-Forward lounge. He reveals to her that he surveyed her logs and personal correspondence as part of their investigation. Aquiel says she didn't like Rocha but did not wish to hurt him. She realizes she is a suspect in his death.

 Meanwhile, Dr Crusher continues to examine the cellular residue found on the deck plate. Riker and Lt. Worf, who are examining the shuttlecraft, come across a phaser set to kill. La Forge gives moral support to Aquiel as she is questioned again.

 Commander Morag then arrives aboard the Enterprise and meets with the senior staff. He admits that he was present on the station, and that he took priority Starfleet messages from its computer. La Forge returns to the station and discovers that Rocha's personal log has been tampered with. He confronts Aquiel who admits deleting messages from Rocha's log, because Rocha, as the senior officer, was going to declare her insubordinate and belligerent to Starfleet. Scared that this new evidence will condemn her as Rocha's killer, she agrees to stay aboard the Enterprise because La Forge has faith in her. He and Aquiel use an ancient method of her people to bond and share their thoughts.

 While Dr Crusher examines the DNA found on the deck plate yet again, the material moves and touches her hand. It then withdraws and forms a perfect replica of her hand. Due to this, she suspects that the real Rocha may have been killed by this strange coalescent organism, and a replica of him may have attacked Aquiel in search of a new body. Believing that the organism may now have Aquiel's body, Riker and Worf race to Aquiel's quarters and stop the ritual she is conducting with La Forge. Morag is also arrested, as it is just as likely he is the organism.

 With Aquiel and Morag in the brig, the Enterprise proceeds to the nearest starbase as the crew keep a close watch on them both, since the organism may need a new body soon. La Forge is in his quarters along with Aquiel's dog Maura reminiscing about her. The dog transforms and attacks him, but he is able to kill it. Later, he explains to Aquiel, who has been released, that Rocha was replaced by the organism. When it attacked her, it began the takeover process (hence her lapse in memory); however, she managed to get away in time. The creature then turned to the only other life form on the station, her dog.

 The episode ends with Aquiel and La Forge in Ten-Forward, where she turns down his offer to help her join the Enterprise crew. She tells him she wants to earn her way there on her own merits.

Review:

This episode is rather ‘meh’, as it was supposed to be a La Forge character episode that gave a main cast member a long-term romance and compensated for the transfer of the O’Briens to Deep Space Nine, which meant TNG had lost the only married couple on the show and was once again basically a Trek singles’ cruise in terms of its main cast and recurring guest characters.  However, it ends up being taken over by the murder mystery plot, and not in the fun way of Data pretending to be Sherlock Holmes or Picard acting as Dixon Hill. It’s a decent episode, but it’s too plot-driven with no character focus or issue exploration, which means it’s not proper Trek.

 The only thing I truly hate regarding this episode is that according to the Wikipedia page about it, in 2019 the website ScreenRant claimed this episode made Geordi look like a sexual predator. Presumably this is in relation to Geordi reviewing Aquiel’s logs and personal correspondence when she was through to be dead, so all I can say is clearly ScreenRant knows fuck all about proper murder investigation.  If someone is believed to have been murdered, everything about the victim and any suspects has to be looked into, and it’s not like a corpse has to worry about privacy anymore.  The idea that this would lead any reviewer to categorise Geordi as some kind of pervert only shows what naïve, romanticised and childish views some people hold regarding murder investigation.  Far too many people out there seem bound and determined to act like Hastings in Agatha Christie’s Poirot stories, blanching at any detection methods he considers as ‘ungentlemanly’.

 In the BBC audio drama for ‘Peril at End House’, Poirot unearths love letters from Michael Seaton to Mademoiselle Nick Buckley, and when Hastings objects, saying “Poirot, you really can’t do that; it isn’t playing the game.”  Poirot then instantly responds, and quite rightly, “I am not playing a game, my friend; I am hunting down a murderer.”  This is the perfect example of the ScreenRant idiot’s point of view versus my own; even in the world of Trek, hunting down a murderer is a serious business and you can’t avoid potentially vital information just because it might invade the privacy of a victim or, as in the case of ‘Peril at End House’, an intended victim.  If you have reason to believe the information is relevant to finding the killer, you pursue it, end of debate.  Geordi just mis-handled telling Aquiel about it afterwards, but he nicely recovered and was otherwise a perfect gentleman.  End score for this episode is 5 out of 10, end score for ScreenRant’s ability to comprehend proper murder investigation procedure, zero out of infinity.

Episode 14: Face of the Enemy

Plot (as adapted from Wikipedia):

Deanna Troi is kidnapped and brought aboard the Romulan Warbird Khazara. After waking up, Troi looks in a mirror and is horrified to find that she's undergone cosmetic surgery to make her look like a Romulan. Subcommander N'Vek, the Khazara first officer, privately explains that he has no intention of harming her, but needs her to pose as Major Rakal of the Tal Shiar, the Romulan intelligence service and secret police. N'Vek has secret cargo meant for the Federation, and needs Troi to act her role to convince the Khazara commander, Toreth (who is not aware of N'Vek's plan) into complying. Troi, as Rakal, is able to sway Toreth to head for a planned rendezvous in the Kaleb sector under threat of intense interrogation techniques.

 Aboard the Enterprise, the crew brings aboard Stefan DeSeve, a human who had served as an ensign in Starfleet before defecting to the Romulans. Now he has returned with a message from Ambassador Spock. Captain Picard, wary of his prisoner's motives, considers Spock's message regarding a meeting in the Kaleb sector that would be prudent for the Federation's interest, and directs the ship there.

 As the Khazara is en route, N'Vek shows Troi the secret cargo - Vice Proconsul M'Ret and two of his aides, held in stasis. They wish to defect to the Federation, and his presence there would aid further Romulan dissidents to flee the Empire. The plan is to transport the stasis chambers to a Corvallen cargo ship at the rendezvous point, who will subsequently deliver them into Federation space. When the Khazara meets up with the cargo ship, Troi senses its captain is not trustworthy, and N'Vek fires upon it, destroying it. He claims he was ordered by Major Rakal. Troi later explains to Toreth that she recognized the captain of the cargo ship as a known Federation spy. N'Vek, in private, explains to Troi that their only other option is to travel to Draken IV, an entry point for the Federation, where Troi can use her Starfleet codes to allow the ship to enter undetected. Troi gives this order to Toreth, who reluctantly agrees to it. However, their conversation is interrupted by the arrival of the Enterprise.

 The Enterprise arrives at the designated time and coordinates, but finds no trace of the cargo ship. They start a search, soon finding the wreckage of the vessel. As the Enterprise moves in, Toreth takes this as a sign of Troi's truthfulness. Troi wants to hold position, but the commander points out that with the wreckage nearby, they will be detected, and has the ship travel some distance away while the Enterprise continues to search. Troi is worried that the Enterprise will not be able to follow them, and has N'Vek create a trail of the cloaked ship.

 Toreth learns of the Enterprise trailing them, and suspects that they've been detected. She orders a collision course for the vessel in order to test their reaction. When the Enterprise moves to avoid collision, Toreth orders the ship to decloak and attack. Troi steps in as Rakal and takes command from Toreth, then orders the ship to decloak and hails the Enterprise, offering to discuss the matter. The Enterprise crew, though they recognize Troi, feign ignorance and take down their shields. N'Vek fires on the Enterprise with low-powered weapons, appearing to damage the vessel.  In reality, the low-power disruptor shot masks the transport of the stasis chambers to the Enterprise. Toreth, realizing that she is being deceived, executes N'Vek and retakes control of the Khazara. Before the Romulans can leave with Troi as their prisoner, Troi is safely transported to the Enterprise. In sickbay, Troi's cosmetic surgery is reversed, and she contemplates the value of N'Vek's efforts to aid the Federation.

Review:

This is the first and only call back in TNG history to Spock’s dissident movement that was showcased in the two-part episode “Unification” the previous season.  It’s an interesting episode, and for a Troi episode very good, as it nicely takes us away from seeing her having to deal with her mother or whine over something strange sensed via her empathic abilities.  Personally, I’d have preferred to see Troi go into this set-up fully briefed and prepped to play the role of spy rather than being landed in it at the deep end, as some of her initial scenes do verge on being highly cringe-worthy a la the Troi episodes of old.  Moreover, it would have helped distinguish it more from the later Deep Space Nine episode “Second Skin” which revolved around a very similar premise.

 The episode gives us a good of character development for Deanna in hindsight as well; between her recent uniform shift and having to play a commanding role on the fly, Deanna is beginning to develop skills she will later need when she takes the Bridge Officer’s Test to try and become a full commander the following season.  As such, the episode is a case the show trying to get back to what it should be.  I give it a score of 8 out of 10.