#I feel very strongly about this show | Explore Tumblr Posts and Blogs

aroanthy · 1 month

Note

hi!! i know u talk a lot about aromanticism a lot on here, but i don’t think i’ve ever seen u talk about aromantic anthy. would u mind discussing/elaborating on it or linking to a post where u do because i’m very curious!!

i got a similar ask half a year ago or something ridiculous like that on my main blog, but i’d like to really do justice to my url right now and explain it in more concrete terms.

i will say, it’s important to bear in mind that this reading of anthy’s character is very much informed by my own experiences, and a lot of those experiences are ones im not keen to talk in depth about. but you know. let’s make some nebulous gestures towards ideas of being traumatised, being autistic, struggling to meaningfully connect with others and honestly not really wanting to do such because of how they treat you.

like ive previously said, an aromantic perspective on the world would, i think, really benefit anthy. when youve lived your whole life experiencing violence at the hands of these patriarchal structures, of which romance is absolutely one, it’s kinda like. damn. im uncomfortable buying into those ideas.

anthy also has this lovely line in ep 19 where she says to utena ‘romance either happens or it doesn’t’ and it’s just sooooooo. so very interesting to me, actually, that anthy would say something so black and white about ‘romance’, a topic that anthy knows better than a lot of rgu characters is hopelessly confused and arbitrary and often enabling violence. and utena (fellow aromantic gaybo) says 'yeah, i know, but...'. these simplifications, these elisions. what is and isn't articulated. but what? maybe things are much more complicated than we'd like to think.

anyway enough of that tangent. one thing i as a trans and aromantic person always return to when discussing trans and aromantic readings of characters/texts more broadly is that there's no singular piece of evidence that can really cement these readings as Undeniable. it's like. okay. there's a critique of romance as a patriarchal structure in revolutionary girl utena. there's an ambiguity about anthy's feelings towards characters like utena, where there is clearly a queer connection but it takes shape in unconventional and complex ways. me, i'm aromantic, i see all of these pieces and i go oh well that's because she's an aromantic lesbian. you know, there's plenty of little moments i can evidence but those moments can be used to argue for an alloromantic lesbian anthy too. romance is a very arbitrary thing and i think everyone should take their own approach to it unapologetically. of course, mine is that it's hellish and i want nothing to do with it, but im just one guy. and im okay with that. i feel strongly about this reading and it is personal, and id be dishonest to say otherwise, but i do also find that it's well-evidenced in the text. as one of my lecturers once said, don't worry about authorial intent, it isn't real <3

#and authorial intent is NOT real i really cant emphasise that one enough #like it's fun to engage with the stuff a writer/director/whoever thinks about their art #and it can be very useful #but it's not definitive. that's not the last word on the topic #like did be papas consciously write any rgu character as aromantic? idk probably not #but i find such powerful aromantic narratives and themes coming through in this show #in how it chooses to examine relationships and power dynamics and the pervasive nature of romance as a concept #how it is so easily unequal how it is DESIGNED to be unequal how it offers chivalry and safety to mitigate harm #which it directly enables. makes easier #and that doesnt mean that aromanticism is the only solution bc you know. some ppl do feel romantic attraction #but it's like ok let's rethink 'romance'. let's combat amatonormativity let's challenge the relationship hierarchy that privileges #families and romantic partners in such a dangerous dangerous way #and i see all of that in this show and it resonates so deeply with my experiences many of which pertain to aromanticism #and you know. this show made me accept that im aromantic. so i think that speaks to how strongly these themes come through #but i digress. i find it hard to talk about this stuff bc its deeply personal and quite arbitrary #and also every time i do someone sends me anon hate about how i hate gay people. which is so cool btw please keep doing that #i didnt realise that loving being gay and loving gay people and loving when gay people love each other made me homophobic /s #just to clarify for the second time that is all sarcasm im gay and aromantic and i dont have time for arophobia here #anywayyyyy #im aware of all the asks ppl have sent me. im working on it i prommy <3 #dais.txt #dais talks aspec

11 notes · View notes

ind1c0lite · 7 months

Text

thing si right I HATEEE that Dhurke was killed in soj, and in a game FULL of spirit mediums and communicating with the dead Apollo and Nahyuta just?? dont get ANY closure with that??? like you mean to tell me there's at least TWO spirit mediums around both of them (Maya and Amara) and no one has the idea to summon him again to get both of his fucking KIDS closure on his death and everything thats happened over the years??? like?? no?? we just never hear from him again after that??? hello???

#soj spoilers #I say that I dont particuarly care abt the khurain plot line in soj but this I feel very strongly about #he shouldnt have died or at least shouldve been summoned again #Like it feels especially cruel to Apollo to do that to him #he doesnt get to see his foster dad in what ten years? and then he shows up in front of him one day and he's already dead and this is the #last time apollo will see him #and he's not even alive anymore #literally what the fuck why would you DO that to apollo #luna lrambles #I normally dont tag spoilers but idk it feels right here #cant believe capcom invented being fridged for men

27 notes · View notes

p0rchc0ll4ps3 · 17 hours

Text

and all the time the world unwinds i can't deny the way i feel and all these words they mean nothing at all

it stays in stella maris

it doesn't leave that room

but dawn comes, warm light over the east, warming the ruined streets of home. you were meant to be with me, here, for we are built, trained, conditioned to disappear

what comes next needs everything we got. elysium must wake

#disco elysium #de #jean vicquemare #kim kitsuragi #kimjean #jeankim #dunno which ones the right one but. yeah.#this is based on my fic. btw #which i hopefully will post soon.#okay sure some sort of just nice little sappy fic well. it's also part of my casefic and this fic takes place two months after the game #there's politics here. the world is shifting. things will be different #sure it stays in stella maris. sure you can try and forget. sure you can say it means nothing #but the truth of the matter is the gears of conflict still groove and turn #and a new dawn is coming. elysium must wake #okay?#and if you are here with me and you are also here with me and you and you and you and we stick together...#and if we all hold hands as the radio plays... the violent erasure of the world can be pushed away. all of this belongs to us.#and we will fill her lungs with air.#IDK LIKE IT WAS JUST A DOODLE bc i wanted to show how they dress differently #but ive been feeling very strongly about the hinted return. revolution.#its just been in my brain #my art #btw there's lyrics here.#it's lonely carousel by Rodrigo leão #and uhh #accidents of gesture by Rome #and then in the tags I reference #lol. the day the world died by miracle of sound #and electrical kittens by British sea power

13 notes · View notes

marley-manson · 4 months

Text

oh ALSO apparently as I've just discovered Klinger is canonically 32 circa season 6 and there's no way Hawkeye is younger than him based on a joke where he calls Klinger his daughter, so add that to the list of why Hawkeye must've been about 32 when drafted

#this isn't a real reason lol bc i'm sure klingers age has varied wildly in the writers' minds but like still #i feel very strongly about hawkeye's age in the show lol idek why but it's a hill i'll die on for some reason #marley on mash #hawkeye mash

13 notes · View notes

cantsayidont · 6 months

Text

Another dilemma with centering stories around the idea of Superman-as-immigrant is that while Superman is certainly an immigrant, and there is a substantial body of older Superman stories (mostly from 1958–1986) that present his homeworld and its culture as generally noble (and frequently Jewish-coded), it has become very common since the 1986 reboot for Superman media to treat Kryptonian culture as either decadent and corrupt (as in most of the post-Crisis comics) or actively invasive and evil (as in MAN OF STEEL or MY ADVENTURES WITH SUPERMAN).

In these stories, Superman has avoided this decadence or evil mostly by virtue of having been raised by white Americans in Kansas, and his nobility lies in his express rejection of his evil/corrupt heritage in favor of (white) American culture. These are intrinsically anti-immigrant narratives (and sometimes antisemitic as well), regardless of how much feel-good gloss the story may attempt to apply to it.

The first season of the current SUPERMAN AND LOIS TV show, for instance, plays out an alarmingly literal "Great Replacement" plot in which Superman's half-brother Tal-Rho attempts to carry out a genocidal scheme devised by Superman's eugenicist mother to resurrect Kryptonians in the bodies of living humans, while MY ADVENTURES WITH SUPERMAN presents Kryptonians as brutal invaders who have attempted to militarily conquer the Earth more than once. Neither of these series departs from the general details of Superman's origin, but they assert unequivocally that Superman being an immigrant from Krypton is of moral value only because it gives him super-powers that enable him to defend the American Way from others of his kind, and to uphold white culture in ways other Kryptonians do not or would not.

#comics #superman #it would of course be possible for superman to have #a complex relationship with kryptonian culture #but the modern stories have been very reluctant to do that #this is a major flaw of superman and lois #which tries to avoid talking about clark's feelings about his heritage as much as possible #in ways that don't seem realistic #(that show also suggests that clark and lois's sons are weirdly incurious #about the fact that their father is literally from another planet)#as for MAWS #i find its depiction of kryptonians as invaders and superman as a weapon disturbing #for these reasons #and because it's an homage to the iron giant #a movie i strongly dislike

17 notes · View notes

beingfacetious · 11 months

Note

please give us the correct negative Ted lasso review

Oh my God. This feels like a trap but I can't help it

update from the other side, this is no joke 2k words long and it's not uh happy lmao so dead dove do not eat

TL;DR:

Bill Lawrence's involvement lessened every season and it fuckin' shows

There were arcs and plot points established over the first two seasons that the writers very obviously just changed their minds about for this season

Takes about this season being dark/ending sad on purpose are MUCH too generous. like giving WAY too much credit.

It turns out most of my feelings boil down to "it's not aggressively bad it's just nonsensical"

How tf was every episode twice as long as in previous seasons but everything important happened offscreen

FIRST OF ALL, since MONTHS before the season started airing, I've nursed a conspiracy theory that Bill Lawrence left the show because of creative differences with Jason Sudeikis and that therefore this season would be significantly less good than previous seasons. This started when I saw Bill tweet that he was going home, basically, and I figured we'd get "season 3 is in post" news shortly thereafter but instead there was that weird stuff about things being delayed because of rewrites...? Anyway, that is mostly to say that I was ready to think this season was worse because I love Bill Lawrence's storytelling and have forever and you should give Cougar Town a shot if you haven't yet it's no Scrubs but it's sweet

There were interviews early in the show in which I swear Jason/Brendan/whoever said they pitched the show to Bill because he's fuckin' good at TV and he basically said "this is a great idea but you're writing to the wrong ending, it should be this," and they were like "wow you're right that is a better ending." I can't find that now but I did find this from a more recent Bill interview:

I ran that show the first year because Jason was still shooting movies while we were doing the writers room. Then, at the end of that year, much like Gary with me, I was like, “Ah, I’ll spend a couple of months teaching him how to edit.” But after like a day or two, he’s like, “Yeah, I got it.” (Laughs.) So, the second year, we ran it together, and I’m only able to do other things now because that guy ran the show himself the third year, as it should be. It’s his voice and his world this season.

Now look, Bill Lawrence is obviously not trying to throw shade here because he's lovely and also this is a Hollywood Reporter article and how immature would that be, but I can throw shade for him and I will: Jason Sudeikis is a talented comedic actor and seems like a very nice man and he had a good idea for a show, and his instincts to involve an extremely experienced showrunner with an insane talent for feelsy found family sitcoms were good and he should have stuck to them!! Telling Bill Lawrence you're good after two days of editing instruction or whatever is stupid!! Insisting on your voice and your world when BILL LAWRENCE'S VOICE IS AVAILABLE TO YOU and also you CO-CREATED THE WORLD whatever gdi

OK fine I'll do Ted/Rebecca next. Obviously I was in for Ted/Rebecca. I wanted them to put their faces together. But look, I'm not a shipper over all else; over all else I want a good storyteller to tell me the story they want to tell. If I expect things or see them coming, that's not bad! That's good! If I'm surprised by things, that's good too as long as it holds together! "Subverting expectations" shouldn't look like spiting the audience, a lie is not a twist, etc. SO. If Ted and Rebecca were meant to be platonic soulmates, that's fine!!! I don't NEED them to kiss!!! But I do not believe these people are even friends in season 3, after season 1 and tbh most of my favorite parts of season 2 were about how much they impact each other's lives. That's a dropped ball and there's NO REASON to have not made time for them to interact meaningfully because every episode was so fucking long. Instead I guess we had to know how super sad Rebecca was about not being able to have children but not need to talk to anyone about it and immediately be fully over it. Also see a lot of lingering shots of Rebecca...looking at a matchbook...

sfjbkfgs early in the season they very obviously established that Rebecca's arc was going to be realizing she actually loves the team and wants to support them and see them succeed because of her own heart and not to spite Rupert, and I guess that happened but why didn't it happen gradually in ways I could see, why did it happen in an episode in which I'm supposed to have known all along that this has to do with her childhood self ?? and in which Rupert has a FULL personality change to facilitate her sudden realization. In what fucking world would he invite her to that meeting, because she's smart or because she brings ~diversity or because maybe he wants to sleep with her again? None of it tracks at all lmao but it was also the episode in which I really enjoyed Tony Head so whatever

speaking of not tracking, Nate.........I've never been invested in Nate especially but he was SO cartoonishly evil at the start and then kind of never again. I was braced for a redemption arc I wouldn't care about but that didn't even really happen?? he got a girlfriend and realized Rupert was a bad role model? it turns out his dad thinks he was a prodigy and always just wanted him to be happy, which, lmao WHAT where????? and what am I supposed to believe about Jade changing her mind about him btw because she's seen people be terrible to him at that very table before AND she has to know he loves the place and the food because he's there all the time, so what was the revelation that turned her from relatable-via-Nate-ambivalence to suddenly heart-eyes just fdslelugatw so much of my feeling about this season isn't even like it's bad it's just it's nonsense

One of my big complaints about the season is just Keeley's whole deal. Separating her from the team/rest of the cast was a wild choice. Barbara is fine but I also would have been perfectly fine without her and none of the other new characters for the PR side story added anything to the show. Especially if at the end Rebecca is just going to write Keeley a check for the chump change she needs to run the agency. Why didn't we just do that to begin with??? I guess this season I'm supposed to think Keeley ~learned to be independent in various ways but, again, I don't ?? And her needing to not be with Roy I guess as part of that and then get back together offscreen but then not really be together maybe but then also possibly having throuple vibes later that never get acknowledged feels, whatever, like something Bill Lawrence didn't write sdfjlsefaj,lwte I know this is my unsupportable argument that post I RBed was making fun of but idc

also Jamie wanting to be with Keeley at the end of the show feels extremely Harry Potter epilogue to me lmao Jamie you don't have to marry someone you went to high school with there are so many people

Roy was fine this season. He didn't have much to do but that's probably for the best lol. Him taking Ted's job is probably the only main character ending I feel like makes sense for this season and the overall show. Him training and begrudgingly becoming friends with Jamie was always funny.

OK one of the wrong reviews was basically like if you don't appreciate this season you don't appreciate classic tragic structure. Fuck off with that. First of all this was a sitcom about soccer so even if they were going for a classic tragedy in season 3 that's stupid and they shouldn't have been. But I also just don't think that's what was happening ??? I think I'm supposed to believe everyone gets a happy ending and I just don't. Like the whole oh it's sad that Ted ends up where he started and it's about how persistent optimism and kindness can burn you out or whatever, that's...if that's what they were going for, again, why tf, and also could we have seen that like. at all. Ted barely Teds for anyone this season (frex the previously mentioned never talking to Rebecca). ROY Teds more than Ted in season 3. If we got to see Ted trying to Ted even, like, twice, and either not being able to dig down and find the positivity or I guess noticing that he needs someone to be that for him, OK, fine. A Ted/Keeley scene would have been a PERFECT vehicle for this. Didn't happen. idk if we're supposed to think he's getting back together with Michelle but that would be so...so bad ??? like what about Tan Lines??? why even have Tan Lines??? even if not, we just left completely unaddressed her starting a relationship with their marriage counselor, which is also BAD lmao. God why did I have to see so much of Michelle this season. Michelle video calls every other episode and two lines for Dr. Sharon. Nonsense. lol one of my friends summarized Ted's ending as "yeah going back to the unfulfilling life that didn't work before the show started is a victory for our protagonist"

Even the soccer of it all re that whole thing was silly. Oh marriage counselor boyfriend is a bad guy because he doesn't care about the soccer game. Oh Ted is happy now because he's coaching Henry's rec league soccer team. like it's fine that EVERYONE is still together in Richmond but he's "home" now and still around soccer which is good because we definitely saw him learn to love soccer during the course of the show. sure Jan

(to be fair I am not the audience for "it's about the kid" plots so even if I felt like it worked from the start of the show for Ted to choose moving back to where Henry is, which I don't, I wouldn't care for it, so maybe those criticisms aren't especially valid) (I didn't care about JD's kid either)

speaking of the soccer though every single scene that revolved around the actual soccer team was essentially perfect. Great use of so many of those boys. Very few notes. Sam in particular had a few nice things this season and of course Colin. Another incorrect review by a critic I actually like very much was complaining about Colin's story this season and it being tired and overdone and not caring about Trent's or Isaac's parts of it, but I actually really disagree! It was well done and it was nice to see in the context of professional sports where, sorry, coming out and being received well is not a cliche thing that happens a lot! Also, hot take! Zava was a good part of this season! Nice contained little story that impacted some characters I actually care about plus he was legit funny! Sometimes things in a comedy should be funny! I'd honestly watch three more seasons of Richmond-focused half-hour episodes with idk probably Brett Goldstein in charge

I haven't mentioned Beard because I just never understood what I was supposed to think about him lmao. By far the funniest character overall but I never felt settled on whether he was meant to be a manic pixie comic relief BFF or if he was like...a real person?? It strikes me as potentially bad that he was so worried about Ted's mental state all the time and never really mentioned his own and that was sort of a thing in the weird s2 episode but then not again? I felt so much ire about so much else I didn't have any for him marrying Jane lmao but I do understand the people who are upset about that because that sure seemed pretty toxic, but wasn't it supposed to be played for laughs? Does that fit in a show that's supposed to mainly be about people treating each other well because we're all we've got? idk, RIP Beard, sorry your best friend in the world wasn't at your wedding because it would have been narratively underwhelming to see him leave and then see him back at a future major event or whatever

idk idk, season 1 Rebecca was one of my favorite characters ever and I was so angry in the middleish of the season about how much I felt like she was being wasted, but by the end I was just like...I mean, what's to be mad at. She's not even her anymore. Ted wasn't Ted anymore. Nate I guess literally reverted back to season 1 Nate which also is that...okay...him ending up lower than he started out feels not great

Good for Mae and the bar boys though, used just the right amount this and every season and always a damn delight

OK this is ridiculous I'm going to be done now. I do want to say I enjoyed several episodes this season a lot! A couple top 10 potentials! I really enjoyed the Amsterdam one actually because it reminded me of like a Nancy Meyers movie, very nice and warm, but it feels worth noting that that is not a feeling I would describe as being struck by fucking lightning :))))))

in conclusion maybe we as a nation can move on now from giving SNL alumni we find charming huge budgets and ethereally talented casts and collaborators and letting them get us emotionally invested in their midlife crises sandbox playing

#be warned that this is truly absurdly long and very very little of it is positive #so if you don't want to read 2k negative words about the soccer show that is perfectly fine #thank u anon for this opportunity to be a buzzkill on my own blog something i am weirdly hesitant to do unprompted #maybe this will be the final exorcism of these feelings and i can ~move on lol #life of catey #i didn't like the uh back half ish of barry either but i don't feel this strongly about it lmao

47 notes · View notes

twig-tea · 4 months

Note

Top 5 Couple Fights

Oooooooh this is fun! Thank you for a relatively easy category because so often the fights in these shows are unearned and it is very frustrating. I'm still limiting myself to 2023!

Wen and Alan, Moonlight Chicken

This fight felt real, it felt lived in, and it felt heartbreaking even though we only saw some of it. These two men love each other, but love isn't enough to keep them together, and that realization is as heartbreaking as the fight itself.

My Personal Weatherman

I am obsessed with the fights in My Personal Weatherman because the characters often don't know they're in one, or are in two different fights at the same time. This is all tied to how much I love how well the miscommunication is done in this show. These fights are legible based on what we know about these characters and what they've seen, even when they're completely unnecessary, and I adore that. Of course the best one is the ending fight and not just because Segasaki ties up Yo's wrists in his shirt.

Jack O'Frost

[Not enough gifs of this actual fight and I need to finish this list so this is what you get]. The fight at the very start of this show escalated so quickly, at first I wasn't sure about it even while I appreciated the performances and the intimate way it was shot. But when we get the backstory and we finally understand how much has been withheld and said vs. not said between them, and where their anxieties were rooted and the source of these big feelings, this fight makes so much more sense. This is a show that really benefits from being watched more than once.

La Pluie

[for some reason tumblr is giving me this link to Shan's blog rather than @liyazaki so tagging you, friend!]

Patts was pushed and pushed and pushed, and he lashed out in his insecurity, and when he asked for reassurance (this lineeee) Saengtai refused to give it to him and instead lashed out out of his own insecurity. This was a painful fight that was fully earned; all of the characters and their choices were legible even as they were infuriating. And it led to a critical awakening of Saengtai who was so caught up in his own sad boy narrative he hadn't realized how much he was hurting everyone around him.

My Beautiful Man S2

Kiyoi and Hira's communication issues continuing past S1 is very believable. I said elsewhere that Hira's work on his self-worth is more like a spiral than a straight line and that's very relatable and realistic. Kiyoi being hurt by Hira not valuing Kiyoi's feelings was such an important lesson for Hira to get more than once. Again, so earned, and resulted in the characters self-reflecting and moving a little closer to whatever a healthy relationship means for these two lol

Laws of Attraction

How much do I Love Tinn seeing right through Charn and Charn being big mad at him for Perceiving him so well? All of their fights are so good because they're about boundaries and mutual respect at their core, and they actually listen to one another and are based on how well they know one another (rather than what so often happens, when the characters seem to forget who the person they're in love with actually is). This barely counts as fight but I love it and it's my list so it stays.

Bonus entry that's only for me (shh stop counting the above):

Mr. Cinderella S2

Nobody but me and like 2 other people watched this show, but I'm actually obsessed with the couple fight in Mr. Cinderella s2 so thank you for the chance to rant about it on main some more. I need to start by saying: this plot is ridiculous and the ending sucks. But within this show, Dung and Khoa have an established relationship that has been tested in S1 and is being tested harder in S2, and to a point, they actually stand together and weather the storm, and it was rewarding to watch. And then slowly everything happening ("everything" here being an ABSURD amount of melodrama) starts to wear on Khoa, who sees himself as the one solely responsible for everything, and he unlearns some of what he learned in s1, he stops relying on Dung as his support, stops telling Dung what's going on because he doesn't want to burden him, and stops trusting Dung's word about what is happening. And so, when the jealousy plot hits, it's actually believable that Dung would be mad at Khoa, not for cheating, but for not respecting Dung as a partner in their relationship. It's well done, I wish so much that it were in a better show so that I could actually recommend anyone watching (I don't). I've seen this trope (assumed cheating) done so badly and so unearned in so many shows, this was so refreshing.

Extra bonus: Best couple fight scene of all time?

Gameboys S2

[I give up on gifs of this scene; have them upset for other reasons instead!]

What I love about the way they fight in this show is that, beyond it being earned etc. etc., the dialogue is so raw. They repeat themselves, they just yell over one another, they get rude, they try saying something to de-escalate and it gets worse instead. This is not a carefully crafted speech, or a single perfectly delivered devastating line; this is raw emotion. I recognize this fight, I've been in this fight, this is what I sound like when I fight lol And we see them really fight at least twice, and the way they fight in ep8 has changed as a result of the earlier fight is also SO good.

88 notes · View notes