Headcanon #500:
Mind is afraid that when he distances himself from or above the others, that he will be too far gone to come back down. That when his paranoia gets the best of him, he'll shut everyone else out and then be completely alone with no way back to where he was before.
Heart is afraid that if Mind is right, with the idea that what he does isn't genuine, that he's being manipulative without realizing it. Then therefore being Whole without himself there is the better option. That he'd be thrown out because his ideas would then be "not worth it" or even "vile"
Soul is afraid that no matter what he does or how good things will be, they'll always eventually split up again or even end up worse. Even then he has no clue what he's supposed to do or be during everything, and so because of that he'll never be whole. Or worse that he'll never really "feel" whole.
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This voting period really just feels like im watching a bunch of people force a gay man back in the closet
I know thats not people's intentions but literally how else is he going to take this guilty vote. "I just don't want him to think his lying was okay" he doesn't! And he's not going to think that! He's actively trying to stop lying! All guiltying him will do is tell him he should have kept lying and continuing his relationship!!
"I just want him to have some kind of consequence for what he's done" Was Hinako literally dying not enough??? Sure, he didn't love her, but he still LIKED her. They were friends, they lived together, he married her because he WANTED to love her! He is literally drowning in guilt because of her death, I think he's had enough consequences by now. He might not be wearing his ring anymore, but he still carries it with him, he is very clearly still grieving her death.
"Innocent votes have no effect on him" Yes they will!! It didn't do anything last time because we forgave him for the wrong reasons and because he absolutely hates himself. Assuming we're right about him being gay, which I'm pretty confident we are, having his 'true' self validated rather than his fake one will 100% have a bigger effect on him this time. Guiltying him will only make his self-hate worse and show him that only his false self is forgivable, so he should keep lying to be accepted.
I know most people's intentions are not to make him keep lying, but regardless of whatever intention you have, it doesn't matter how you want him to take it, you can not ignore how he will actually take it.
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Did you notice how when you first listened to Torches it sounded so fun? And then when you listened again and paid attention to the lyrics you realized it was about hate and using your beliefs to push hateful rhetoric? And you were surprised because “but this song is so upbeat and fun and the chanting and call-and-response only adds to that”? Surely with that big community of voices surrounding the narrator what they’re singing about isn’t that bad? Like how in real life being surrounded by others who share the same beliefs as you and glorify their actions makes it easier to go along with things and be brainwashed? In this essay I will—
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I’ve been twirling it around in my head how Ted and Jamie had similar but opposite movies assigned to them, both revolving around the concepts of dreaming and waking up, but which are very very different in execution. Like literally so different, that that’s the only common thread they have.
Ted, son of Dorothy, with the Wizard of Oz. Leaving the tornado back home in Kansas and traveling to another world where he builds relationships with people trying to discover the magic in themselves. Something about a road (but also something about quoting Robert Frost’s ‘the road not taken’). Crossing through the Dark Forest. Making his way to the Emerald (Man) City. And we know the point of Oz is that eventually you can not stay in the dream. The shoes you’ve found and worn will carry you back home - you’ve had the power within you this whole time. But it also begs the question: has Ted met the man behind the curtain yet? Or is that man meant to be the reflection of himself, the person - the dad and husband - he always assumed he’d be? Wizard of Oz is ostensibly a story about growth and questioning your belief in the role you’ve been assigned and when you’re ready, seeing who you really are and what the world really is. You had the power all along. The dream is a wonderful place, but it’s closing time and you want to go home. You want to go home.
“There’s no place like home.”
In Nightmare on Elm Street you are never safe in your home. Freddy Krueger hurt and sexually abused kids when he was alive (in the waking world), and after he died preyed on kids when they were asleep (in the dream world). And even when they were awake, the kids were always afraid that Freddy was after them. Jamie is literally afraid of his own Freddy Krueger. There are no magic shoes. There is no exploration of self, no growth, no learning - there is just constant, exhausting vigilance. The only way to kill Freddy Krueger is with fire, and even then he keeps coming back. And that’s the note that every Freddy Krueger movie leaves on. The idea and hope that maybe you’re safe. Maybe this time. Maybe. Maybe. Maybe. So you try to enjoy that possibility as hard as you can, as much you can, but it’s forced, because you know deep inside that you can’t truly know that if you’re safe ever again. Because it’s the hope that kills you.
So Ted. Sweet Ted. Amazing Ted with his red heels and his beloved witches and his strange but wonderful companions and his flying monkeys. Ted probably feels like he is wrapping up in Oz, ready to face the wreckage of the tornado head on. He’s ready to leave the dream. And he thinks as he’s talking to a Jamie from his world, a Jamie that has grown so much and who’s so strong and smart and kind, a kid who’s so so brave. Because that’s what Ted has seen. That’s the role he’s played. From his viewpoint, this is how the movie goes.
But that’s not Jamie’s viewpoint. Jamie may have wandered into Ted’s play, but to him if he ever fit in, it was only because he was pretending. Because he was stopping himself from being a prick. Everyone else is great and does great things - it’s Jamie who needs to try harder. Ted’s dream was a great place to hide for a while, but Jamie was never waiting for the slippers; he was always waiting for the other shoe to drop. One, two, Freddy’s coming for you. You can’t hide from him. You can’t escape him. And he can even get you in your dreams.
Which is why there’s a point in every Freddy Krueger movie when the victim says they’ve had enough of hiding, and they take some sleeping pills, and they decide to face him head on.
So Ted thinks he’s ready to leave Oz behind and that everyone in Oz will be fine once he’s gone, when actually what he’s accidentally done is given Jamie an idea: to wade into the Dark Forest and confront Freddy Krueger head on. Jamie doesn’t h
Ted and Jamie are talking, but they’re not in the same movie. They’re not in the same genre. They’re both at the end of their movies, ready to face the bad guy, so they think they’re having the same conversation. But they’re not.
And once again I’ve typed so far that I’m not sure where I’m going with this, but there’s definitely. More story there. A climax that hasn’t happened. Another story to explore. Because what becomes of the companions after Dorothy leaves Oz? Even if Jamie defeats Freddy, will he survive to the end of his own movie? Does he make it to the sequel?
Will Roy Kent get to fight his dad like Jason Vorhees? Does he already own a machete, and does he borrow the hockey mask from Van Damme?
Now I’ll just pivot down a different somewhat related path (road):
Shoes.
Isaac literally told Keeley he just wanted to do something with shoes. Something about the shoes. Something about Jamie burning the shoes his mum got him. Something about all the football lads fighting over what kind of shoes they’re allowed to wear, and Dani hating mourning shoes and stealing Rebecca’s soft bright cozy ones that she never wears. Jamie being stuck in his socks at the locker room at Wembley. Roy wearing his colorful socks with the yoga mums. Keeley wearing shoes that out her on eye level with everyone else. Trent’s leopard shoes. All these people in Oz with their fucking shoes or lack thereof.
Dreams!
And shoes!
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