there are so many amazing and powerful benders in atla but what i love about zuko is that whether or not he can use his bending in that moment has zero (0) bearing on how much he’s going to absolutely kick your ass. no bending? that’s fine - he’s got swords. no swords or bending? that’s fine - he’s literally just going to beat you up. if you’re REALLY unlucky then you get all three. as a treat.
I am once again reiterating that Leo could and should be a figure skater because what are ice skates if not twin blades? What is dual blade swordsmanship if not a dance-like performance? Using the skates as blades themselves could let Leo make portals be his ice rink no? I rest my case. ⛸️
start from the beginning // read the november chapter // read the most recent chapter (january)
hey listen. look me in my eyes. have you read thirteen by anna scribbles. i think you need to read thirteen by anna scribbles. i think if you want your life to be forever changed you need to read thirteen by anna scribbles. i think if you are a person who is breathing and alive you need to read thirteen by anna scribbles. thank you
I feel like... Perhaps... Arguing that transphobia is defined by murder and that anything other than murder doesn't even matter... May NOT be conducive to fighting for trans rights.
Like... people want the right to exist as they are. They want to have access to hrt and surgeries and prosthetics. People want access to clothes that fit them and reflect how they want to be seen. People want access to medical care (eg. Getting screened and treated for sex-based forms of cancer can be impossible if you have the "wrong" sex listed to receive those tests). People want to be respected and treated well. People want to not be sexually assaulted and beaten and abused. People want to have access to housing and jobs, and the protection to not lose those things for being trans. People want access to shelters for homeless people or survivors of domestic abuse. People want name changes.
Acting like all of those things don't matter because at least they weren't murderered by an individual (and instead die of suicide or state violence, or survive and suffer) isn't okay.
the hannibal franchise fucking sucks <- is enjoying the hannibal franchise quite a bit actually <- is just very mad that clannibal is a thing that exists
Wait wait I just scrolled by a mutual that reblogged your Godseeker-Comic. Is that an AU? Is there more of this? This is so interesting! I have never seen Godseeker turning to be a part of Void. Mostly just always getting killed by it.
I hope you're doing more with this concept in one way or another because this is a really interesting idea!
ouuu thank you 🥺❤️ its not really an au, its more like my interpretation of a continuation to the embrace the void ending!! :D I think most people are not aware that she canonically doesnt die, and take the ending at face value.... its kind of hard to explain for me since even i am not 100% sure what exactly happens lol but i like to think that theyre perpetually linked or fused together in some weird way. and i feel that this result is pretty intentional from both sides.
Godseeker mentions that they seek gods to "clutch at their greatness and immortality", which i assume that with 'clutch' she means that these traits would be shared with the Godseekers through the "Godly focus" thing. And the knight, besides the fact that it proved its strenght against the local strongest beings, it posesses (via the Void Heart) the void under its will, which is literally said to be an "eternal" force that "denies time", ie immortal.
and this union of sorts would be beneficial for the knight as well, as it can go into Holy Beast mode at just about anytime it wants, which is a really awesome powerup if u ask me. That and also (in my headcanon) it does like her. very much :-)
reached the end of the tears of the dragon questline. I knew it I had a feeling ever since my discovery yesterday I had a feeling and I am so so so sad and horrified but that was badass what a great idea A+ game you have such a good story opportunity here please please grab it
I was busy within the hour this released. but I'm here now and. ... oh boy just bear with me
youtube
I'm gonna just... copy/paste my initial thoughts as I watched this, here, for the next couple lines:
Final Results:
Now listen to me, I need to scream into the void all my newfound realizations and woes but it's 1:30 in the morning and I need to wake up early the next day. So understand that I'm making this as short as gayly possible (it may not be short at all).
Aside from all the lesbian saxophone that my eyes just witnessed, which is a scream that will never make contact with any airwaves - digital or otherwise - ... The last two minutes of that trailer were entirely unexpected.
Now don't get me fucking wrong I wasn't NOT paying attention to the section of the teaser during the livestream that showed us a glimpse of Black Swan's fear and surprise drowning in that fiery background. but. ... bro— FUCKING COME ONNNN MAN!!
HOW FAST THE SCENE FLIPPED, HOW QUICKLY- WHATEVER THAT THING (IT DEFINITELY WASN'T THE ACHERON WE KNOW) WAS TOOK THE LEAD and LITERALLY tossed Black Swan around like a helpless bird. a PREDATOR chasing their PREY
AND THE PREY IS BLACK FUCKING SWAN???? THE FUCKING MEMOKEEPER FROM THE GARDEN OF RECOLLECTION?? THE MYSTERIOUS AND ELEGANT SOOTHSAYER???
To see Black Swan of ALL characters in this game so far be filled with such visceral fear and trepidation, to be tossed around at the MERCY of something that could have so EASILY killed her just like. t h a t. is beyond insane.
I expected it to be more of a "What terrible horrors have you commited?" 'Wow! Horrors that even Black Swan thinks is terrible, Acheron is capable of s-' no she literally almost killed her. She's not a human by the way. Black Swan is not a human being anymore she is like. coNdEnseD mEmORy AND SHE LITERALLY ALMOST DIED. WHAT ARE YOU TALKING ABOUT???
also, we love Allegra Clark in this house this woman is hilarious
to me, the question of whether hera would want a body is first and foremost a question of autonomy and ability. she has an internal self-image, i think it's meaningful that the most pivotal moments in her character arc take place in spaces where she can be perceived the way she perceives herself and interact with others in a (relatively) equal and physical capacity, and that's worth considering. but i don't think it's about how she looks, or even who she is - and i think she's the same person either way; she's equally human without a body, and having a body wouldn't make her lived experience as an AI magically disappear - so much as it's about how she would want to live.
like most things with hera, i'm looking at this through a dual lens of disability and transness, both perspectives from which the body - and particularly disconnect from the body - is a concern. the body as the mechanism by which she's able to interact with the world; understanding her physical isolation as a product of her disability, the body as a disability aid. the body as it relates to disability, in constant negotiation. the body as an expression of medical transition, of self-determination, of choice. as a statement of how she wants to be seen, how she wants to navigate the world, and at the same time reckoning with the inevitable gap between an idealized self-image and a lived reality, especially after a long time spent believing that self-image could never be visible to anyone else.
it's critical to me that it should never imply hera's disability is 'fixed' by having a body, only that it enables her to interact with the world in ways she otherwise couldn't. her fears about returning to earth are about safety and ability; the form she exists in dictates the life she's allowed to lead and has allowed people to invade her privacy and make choices for her. dysphoria and disability both contribute to disembodiment - in an increasingly digitized world, the type of alienation that feels like your life can only exist in a virtual space... maybe there's something about the concept of AI embodiment, in particular as it relates to hera, that appeals to me because of what it challenges about what makes a 'real woman.' when it's about perception, about how others see her and how she might observe / be impacted by how she's treated differently, even subconsciously. it's about feeling more present in her life and interfacing with the world. but it's not in itself a becoming; it doesn't change how she's been shaped by her history or who she is as a person.
i think it comes back to the 'big picture' as a central antagonistic force in wolf 359, and how - in that context, in this story - it adds a weight to this hypothetical choice. hera is everywhere, and she's never really anywhere. she's got access to more knowledge than most people could imagine, but it's all theoretical or highly situational; she doesn't have the same life experiences as her peers. she has the capacity to understand that 'big picture' better than most people, but whatever greater portion of the universe she understands is nothing next to infinity and meaningless without connection and context. it's interesting to me that hera is one of the most self-focused and introspective people on the show. her loyalties and decisions are absolute, personal, emotionally driven. she's lonely; she always feels physically away from the others. she misremembers herself sitting at the table with the rest of the crew. she imagines what the ocean is like. there's nothing to say that hera having a body is the only solution for that, but i like what it represents, and i honestly believe it'd make her happier than the alternatives. if there's something to a symbolically narrowed focus that allows for a more solid sense of self... that maybe the way to make something of such a big, big universe is to find a tiny portion of it that's yours and hold onto it tight.
Two small details I love about Peach's body language in Showtime (putting under the cut for those who don't want to see any footage before the release):
1. After a while of standing still, Peach starts looking around in worry/fear.
2. When jumping in place, she stumbles upon landing and needs a second to recover (at least that’s what I think this animation is about?).
Idk, I really appreciate how this is a game with Peach as the main character, who is capable of having all those badass abilities through her outfits, yet the game still has those kinds of small elements to give this vibe of “Peach is far from the strongest person around but she’s willing to try her best”. It’s great!