It’s interesting how much blame people will lay and how varying it is. How opposite. The Jedi didn’t give him special treatment because of his power/status. The Jedi didn’t treat him normal like one of their own. Obi-Wan was too critical. Obi-Wan didn’t pay enough attention to him. The Jedi didn’t allow Anakin to have friends/acquaintances outside of the Order. The Jedi allowed him to be friends with Palpatine. Obi-Wan didn’t save Anakin on Mustafar. Obi-Wan didn’t kill Anakin on Mustafar. Literally everywhere one turns, not only does the blame lay at someone else’s feet aside from Anakin Skywalker, but apparently there is no right answer either. Even if you could place any blame on someone else for his choices, either way it’s a two headed snake. It’s never been enough for people.
Star Wars is a lot of things. It’s about a lot of things. Family, hope, compassion, forgiveness, redemption, tragedy, war, peace, the goodness in people. But all in all, it’s about choices.
Star Wars is about choices. People make choices in these stories and they aren’t generally forced into any of them. It’s about agency, the ability to make those choices and owning up to them. And guess what? Anakin made the choices he did without anyone forcing him to do them. He made those choices knowing exactly what he was doing and exactly how wrong it was.
And the point is, that people allow him to make those choices. They can’t make them for him. He has to make those choices. And he doesn’t want to.
Anakin doesn’t want to make choices.
But in the end, of every episode, every movie, every defining moment, he makes a choice anyways. And until the end, none of them come out the way he wants them too.
Because he wants both, he wants it all. He doesn’t want to choose.
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I find it so painfully heartbreaking that Solomon just...laughs off all the derision, the name-calling, and possibly even did "evil" things on purpose because it's expected of him at this point. (He had not always been like this as Thirteen pointed out before). There was a time when he was "innocent". When his soul sparkled. When it resembled the kind of soul everyone in these god forsaken (pun intended with spite) three realms seemed to associate with the ever loved MC. He's just...worryingly carefree. And because he's like that, he feels even more of a tragic character to me.
Sometimes it even seems that he himself would seemingly make up excuses on why he's hated. Oh, it's because I'm a sorcerer this. I might have won a war against Devildom single-handedly this. I have forgotten. But maybe, I did something bad, that. Hon, you were doing that to SURVIVE. You don't have to be a faultless person to deserve compassion. You don't have to be MC to deserve to be loved.
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ALRIGHT okay I will attempt to explain this to the best of my ability, which is currently being held together by tape and coffee
so I have a long running post philippi story focusing on the octavian-antony divorce arc conflict and it's heavily dramatized and full of dead people. it's one part historical, one part my own invention, and one part fucking around with ideas (or the lack there of) in movies about antony and cleopatra. many of which are bad! however. there is a bad one that's actually good. like, I wouldn't recommend it except that I talk about it constantly.
it's the 1953 movie, Serpent of the Nile and I have not known peace since watching it. it's one of the more interesting takes on antony and cleopatra (TO ME), and more importantly: I'm obsessed with the plot point where antony helps lucilius escape egypt to warn octavian.
this scene is partially inspired by that! this scene is partially inspired by several things, but that's the one to mention bc I haven't published any of this story except for the periodic scene I've drawn for fun so listing the rest of it will not add to this experience and also I’m very sleepy right now
the egyptian wall backgrounds in the first page and the last page are of a tomb wall painting, the third page uses an illustration of the death of antony for shakespeare's antony and cleopatra, and on the second page is actually my own painting of antony and cleopatra after giambattista pittoni's painting of antony, cleopatra, and the famous pearl incident
additionally, that last page. the floor. that's a relief commemorating the battle of actium. I'd been reading about depictions of actium and it is. intriguing, especially since my first thought wrt to all of that is usually abt the bodies in the water and how they'll never be buried or antony's parthian fuck up setting the stage for all of this.
also this specifically. fascinating.
Representations and Re-presentations of the Battle of Actium, Barbara Kellum
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was thinking about takeshi and how he's my favorite brand of unconditional devotion btw. the utter and absolute and all-consuming kind that runs so deep to the very core and is so intrinsic and fundamental to it, it can only express itself in the most casual and natural and certain way. without second thoughts, without any room for doubts or for any moral dilemma to be had over it, because of course he ought to always be breathing and living for his chosen person first and foremost. of course he ought to hang on their every word and make them true no matter what, no matter what he has to do to make it happen, no matter what he has to do to other people to make it happen, and no matter what it might turn him into in the process. because it's obviously the way the world should be for his chosen person. at their feet, ready to bend over backwards and break and build itself again to better answer to all their needs even if they don't ask it for it. it's the only right way it should be for them, and of course takeshi's going to do his utmost at all times to make it a reality as much as possible.
and his devotion comes out as naturally as breathing, comes out lighthearted and nonchalant like he might as well be talking about the weather, but it's not unaware of itself. it's not that takeshi doesn't know it's unhealthy and wrong and that he's willing to go entirely too far in its name for anyone's good. it's not that he wouldn't hear you out if you were to sit him down and explain to him just why he needs to tone it down a little (a lot). logically, he'd agree with you and know you're right. and then he'd tell you he's still not going to do anything whatsoever about it. that he's not bothered by it and doesn't feel the need to change anything to his attitude. makes it a point to never let anyone or anything sway him even an inch in the stand he took when it comes to that, no matter how many thousand of times you might go over the subject with him.
because the morality of his devotion isn't the point at all. is entirely irrelevant to it and doesn't affect the way he expresses it all. it's not the metric with which he draws a line in the sand to hold it accountable to. because the thing is, takeshi's entire world revolves around tsuna--tsuna is his entire world altogether, and it's just a matter of fact, that simple. to him it's a truth as unchanging as the sky being blue, and so being the way he is according to that truth is the only way he can imagine being that'd feel right to him. and so the actual and only metric that matters here is "would tsuna be happier if i were to do this?" and/or "is this something tsuna needs me to do?"
and like. i don't think takeshi ever stops being a kind person capable of compassion and understanding and mercy and forgiveness even ten years later once they became mafia through and through. and i don't think either he grows up to be feared and called a monster per se despite the things they inevitably had to do during those ten years (and the things they'll inevitably keep having to do as long as they keep being mafia), at least not in the way, for example, they'll never stop fearing and calling mukuro one. but i do think that among the tenth gen, he ends up being the one with the most ruthless, merciless and horrific blood on his hands of that particular and distinct loving kind. you know the one i mean, right? he comes to be the one most expected and the one first expected to be willing and to take it upon himself to go through with it when the need arises. and to think little of it after, if anything at all. all in the name of making tsuna's reign as easy on him as possible.
and it's to the point where it's the kind of blood that makes even mukuro pause at times. or, when takeshi is the one coming up with solutions himself during meetings, makes even reborn blink. not because it's unjustified or wouldn't be safe or efficient or anything of the sort, but because it is unwarrantedly thorough in its retaliation. and sometimes, at times like this, he's the one tsuna needs to step in for the most, because he's the only one who can reason with him that "yes, this would work in getting rid of our problem" but "no, please, don't do that takeshi". because if tsuna is the only thing that infers on just how much and in what ways he'll let himself be devoted to him, then of course, he's also the only one takeshi's willing to reign himself in for without second thoughts. because he'd hate to ever do something tsuna would disapprove of or wouldn't want him to do. or do something that'd make tsuna see him differently or love him back less even in the slightest.
and it's also like. his devotion isn't an undisciplined one. it's not one he doesn't have control over, the very opposite. it's a very purposeful and conscious choice he chooses to keep making over and over again every step of the way, and he taught himself to have control over it, to know when it's needed and/or wanted, and how much and in which ways it is when it happens, and to keep it down otherwise. and, yes, to also reign it back in at tsuna's request at times when it still slips past his control. because it's all about making tsuna's happiness easier and secure and long-lasting, and never about burdening him with just how committed he is to do that.
so it comes down to this: takeshi willing to go above and beyond and more for tsuna unless tsuna explicitly asks him not to. and to tsuna needing to ask him not to every now and then. and to other people pointing out to him how too many times tsuna's already needed to stop him, and that maybe there's a hint for him to take there. and to takeshi seeing the hint, looking it straight in the eye and recognizing it for what it is and just. deciding it doesn't apply to him because it's all perfectly normal behavior to him. because it's the only kind of behavior that makes sense to him and feels right.
and so—to circle back to my first point—he can only express his devotion as naturally as breathing, so casually, almost like it's something inconsequential and not worth talking about despite how unmistakably it couldn't be further away from being the truth. it's the only way he could have always known how to express it, because, after all, who has ever taken time to ponder about the details and the hows of the way they breathe?
and i, for one, absolutely eat that shit up every time, thanks for coming to my ted talk <3
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I love the murder/suicide scene (and I've watched it far too many times), but I'm realizing more and more how incredibly cruel it is.
Izzy is always looking at Ed and Ed knows this (I saw ya - Course ya did), but Ed only grants Izzy those little glances, not more. When they are directly interacting, Izzy's eyes are on Ed's every expression like a laser beam - and Ed is distractedly looking out to the sea, turning his back to Izzy or looking at other things/people.
And then, in the middle of Izzy's worst nightmare, Ed comes in and really looks Izzy in the eyes for an eternity, soft light, so close, over the barrel of a gun. Looking more beautiful than ever, not the Kraken anymore. This is Ed, finally there with Izzy, totally in the moment - he's even holding his hand for a bit.
After all this time, Izzy finally gets Ed's undivided attention - but only because he wants Izzy to do something for him. The worst thing he's ever asked of him. The ultimate act of cruelty.
No wonder Izzy tries to kill himself.
(the only other time Izzy gets Ed's full attention is when Izzy is dying - those two really are closest in death, aren't they)
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