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#I'm sorry it doesn't look AS GOOD
jerswayman · 2 days
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LOVE THY GOALIE. GIVE THY GOOD BOY HEAD PATS.
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beanghostprincess · 6 months
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i'm aware that due to luffy's more cheerful personality and looks, a lot of people might find it weird to picture him in sexual situations. especially since most of us see him as aroace (as if aroace people couldn't have sex or be in love but, y'know, that's for another time) and it's completely understandable to not feel comfortable around sexual stuff if you don't like it with this specific character. however, being uncomfortable around that type of content and infantilizing luffy's character to the point that you consider it problematic or wrong to put him in romantic/sexual situations is too much and you should let people enjoy characters however the fuck they want. if you don't like something just scroll and ignore it, but don't try to make everyone follow your own moral compass and likes because we're all different and luffy is just a fictional character.
people often forget he's the captain of a pirate crew. he's mature and has critical thinking and if seeing a cheerful/cute character instantly makes you assume he deserves to be "protected" from sex/romance, you are: infantilizing his personality (that may or may not be neurodivergent coded, but that's another story), villainizing sex and romance instead of just seeing those as something you don't personally enjoy but should let other people consume, and using being aroace as a shield from the real world and a stereotype instead of actually being inclusive and truly seeing him as aroaspec. friendly reminder that aroaspec people can have sex and be in romantic relationships because it's a spectrum. that's the whole thing about it. it's understandable to not be comfortable around sexual situations with a character you don't perceive as sexually active, but that doesn't mean it's wrong to write him that way. let people do whatever they want with their idea of luffy and have fun!
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everqlow · 1 month
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19.03.21 — ∞ #5YearsWithEVERGLOW
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thunderboltfire · 2 months
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I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.
It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.
The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.
What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.
But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.
There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.
On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.
But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.
My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.
The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.
I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.
And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.
It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.
And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?
There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.
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crown-ov-horns · 2 days
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Crowley in Good Omens (1.03)
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kenneduck · 5 months
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Sidlink BOTW AU where Sidon WANTS to fancy Link, but thinks Link will only like a Hylian, so Sidon tries to act Hylian around Link... except Sidon doesn't know much about Hylians.
Sidon just squatting and trying to act shorter around Link. Attempting to hide his sharp toothy grin and stop his tail from wagging. He's starting fires when trying to cook Hylian meals. Sidon putting on pants... incorrectly. It's really weird. Everyone in the domain is thinking the Prince is having a midlife crisis.
Sidon IS having a crisis, but it's a gay panic one.
But unbeknownst to Sidon, Link has fallen for these Zora quips. The smile Sidon flashes makes Link lose his train of thought... the way Sidon's tail wags makes Link flustered. When Sidon shook Link's hand with his two smothering strong ones, Link felt dizzy. Link is missing these quirks Sidon would show, so Link is determined to see them again!
When Link and Sidon are alone in Zora's Domain, Link purposely tells a funny story to the Prince. One he KNOWS will get him to laugh. But when Sidon turns his face from Link to "keep cool", Link gets frustrated. He grabs onto the fishy prince's face, asking him WHY Sidon is acting so differently. Sidon tries to deflect such a notion, but Link calls Sidon out on all the weird things he's been noticing... especially the pants.
Sidon cracks under the gaze of this Hylian! Link not only sees right through Sidon's changes, but Link seems to DISLIKE them, too! Sidon is embarrassed, and he deflates from the realization that Link doesn't like the prince. Sidon refuses to look at Link as he tells Link half the truth, that he wanted to be Link's... FRIEND. That he thought Link wouldn't want to be with... well FRIENDS with... a Zora. Link pauses, as he KNOWS that Sidon knows about he and Mipha's friendship, so something STILL feels off. It isn't until he notices Sidon's blushing that he understands what is truly being said.
After Link makes sure Sidon looks into his eyes, Link reassures Sidon that the things he likes about Sidon are what are truly him. His heroic grin, his playful tail wags. His champion-like swimming abilities. That Link enjoys Sidon. That he wants to SEE Sidon... all of him. Quickly, though, after Sidon lets out a flustered wheeze, Link realizes how his words came across, stating he just meant for Sidon to take off the pants! Sidon wheezes louder. Link gets more embarrassed and tries to explain he just meant Zora don't wear pants, so he'd want to see Sidon without-
It's great. They're great. They're trying.
It takes a bit more time after this convo, cause clearly the two are terrible with communication, but they reveal their romantic interests.
And they burn that infamous pair of pants.
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essektheylyss · 1 month
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was reminded that people get riled up about this the way they get riled up about pineapple on pizza and honestly, as a knowledge org nerd, it is weird and unnecessary 😌
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cerise-on-top · 2 months
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hi<3 if you can, can you do valeria and laswell with a gothic s/o? like someone who likes darker/morbid things and things like that! love your blog by the way! it’s definitely my favorite blog to come look at after a long ass day <333
Hey there! Sorry, but I couldn't really find too much on what counts as dark and morbid in the goth scene, so I wrote more general HCs, I hope that's alright still ^^;
Valeria and Laswell with a Gothic!S/O
Valeria: She’d most definitely be intrigued, but not too much. In all honesty, she doesn’t know too much about the subculture, she’s never really met a goth who was clearly one. However, if it makes you happy, that’s all that matters to her. While she won’t really know too many bands, or any at all, she’d be more than happy to listen to a few if you want her to. Yes, she won’t always have the time, but when she isn’t too busy she could put on some songs by Joy Division or The Cure, she really doesn’t mind. She can vibe to that sort of music, even if it isn’t her favorite. You’re more than welcome to discuss the literature with her, though. She’s probably never read a single gothic literature book, but she can buy you some. Anything from poetry to a regular novel, it’s quite alright. While she won’t be the best person to go to when it comes to discussing those, she’ll support you either way. However, something she could definitely enjoy would be going clothes shopping with you. The fashion is kind of nice, she has to admit, so she’d be more than happy to buy you whatever garments you desire. Will go out of her way to find something you might like as well. I can’t see her being too much into the history of goth culture, though. It’s nice that you are a goth, if you want to tell her about it, then you can and she’ll listen to you, but she likely doesn’t have the time to research everything by herself. Tell her about its roots and she can definitely appreciate you going against what’s mainstream and how it all came to be. She’s a very defiant and rebellious woman herself, so she definitely gets it.
Laswell: She knows so many people, I wouldn’t be surprised if she has worked with goths before. And even if she hasn’t directly, she’s likely seen quite a few walking around the city. She usually grows worried for them in summer since their attire is black, which makes it quite hot. However, she’d be very intrigued by you and your subculture. It’s something very near and dear to you, so she would put in the effort to learn about your history. Will give some classic bands a listen as well. She just really wants to have something to talk about with you. Besides, she gets to learn more about you. While she may not be the biggest fan of your interest in death, considering she’s surrounded by it more often than not, she’d be more than happy to indulge anything else it has to offer. Laswell spent a good chunk of life left alone with her thoughts, so she definitely knows a thing or two about melancholy, the state of the world and introspection. Maybe not in the same way you do, but she can definitely keep up in a conversation. She’s likely also unintentionally read some of the more popular gothic novels out there and liked them, so she’d make for a good discussion partner as well. While she doesn’t particularly understand the need to make your face completely white, she doesn’t mind. In fact, she thinks it looks quite cool, even if it’s not for her. However, the fashion in and of itself looks really good to her. Again, she wouldn’t want to wear it, but something about Victorian and Edwardian fashion has a certain something to it that she can’t quite place. Like Valeria, she’ll definitely buy you things she thinks you might like. Anything from a suit or a corset to a book about poetry. Beware, though, she will read the books before you can.
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cold-neon-ocean · 8 months
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Remember when I drew everyone as horses lolol??? I should bring that back tbh that was fun. I can't believe these are 3 years old (yeah i can sheesh) I kinda want to bring this AU back though, it was fun and evoked happiness for me ;; my silly horsies
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inu-jiru · 3 months
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So I've been seeing all the Vivzie discourse, and honestly, what gets me about the "Poison" animation isn't simply "O Vivzie is ignoring SA survivors and that one animator is a fetishist", it's just another example out of many where Vivzie has proven that she can't be serious about something. It's the reason her shows feel so half-assed with moments like Blitz's apology to Fizz and Moxxie's abuse (and in HH, Sir Pentious' whole "redemption", yes, I've seen the first 2 episodes and I know he's not fully redeemed yet, but still, that whole "he's a spy!!!!" thing went by in like 2 minutes).
I get that comedy is a good coping mechanism for trauma, but the issue with Vivzie is that it's 99% jokes, and 1% seriousness that gets brushed aside or even invaded by another dumb sex joke. Idk, I'm not gonna get too deep into it because people are talking about it enough on Twitter. It looks like people are finally calling Vivzie out and criticizing her and her work the way it should be.
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ladystoneboobs · 1 month
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no of fence to jon snow fans who for some reason care about his exact age, but these discussions just annoy me no end. not only bc there's no way any weirwood flashbacks bran has to rhaegar/lyanna will come with time/datestamps, but also bc there's always comments like this:
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SEVERAL turns of the moon (ie, months)?! have these people never seen a human baby before or just have no concept of their ages? even if we take into account travel time from the toj to wf, meaning jon was not a newborn too fresh out the oven when catelyn and robb arrived, there's still a difference between a newborn and a 3mo and an even bigger difference between those infants and an older baby 5-7mo. there's very good reasons these lines were cut. whatever birthdates can be worked out internally for jon and robb from when they're first mentioned as 15 and 16 don't matter in the end, bc grrm doesn't care about a consistent timeline and the actual text of catelyn's pov and ned's convo with robert about cheating on her should outweigh any guesstimates about jon's official nameday wrt robb's. catelyn may not have cared for jon, but she would sure as hell have noticed his nameday if it came before robb's and made him ned's firstborn. if jon's birthday canonically came before robb's then either ned's cover story would not involve adultery (not impossible for him to sire a bastard before his wedding), or he'd just give jon a new nameday along with his new name to fit the adultery lie. it makes no sense for him to lie about one and not the other, undermining the big lie with a little public clue of his story not adding up. whatever else she was as a stepmother, cat wasn't stupid and a bastard who was actually the eldest son being raised alongside her trueborn heir could be an even bigger insult than whether he was born of adultery or not.
BUT, the unknowability of jon's true birthday is not the only reason this annoys me, it's bc this is all based on the assumption that jon must be older since rhaegar/lyanna ran off together before ned married cat, as if both boys must have been conceived asap as robb canonically was when his parents consummated their marriage. and that's not how human reproduction works! even if you don't understand how fast babies grow in the first year, you should know that people who get pregnant do so through ovulation cycles and a lucky sperm finding an egg and all that, not just immediately getting knocked up as soon as one has p-in-v sex for the first time. not unless you only know mean girls sex ed where if you have sex you will get pregnant and die. (even tho lyanna did die, there's plenty of canon examples where pregnancy did not lead straight to death. also examples of people who did not get pregnant right away and even some who are/were sexually active and childless without always having moon tea on hand.) we can't know how long lyanna was having sex before that sperm+egg match happened or even how long she was with rhaegar before losing her technical virginity. if they were married, doesn't it make sense to think they didn't consummate their relationship until the wedding night either? that's the only leverage there is to ensure a status as wife rather than just mistress.
and while i just said grrm doesn't care about exact timelines and a lot is still foggy surrounding the rebellion and esp rhaegar, there is one timemarker wrt robert's rebellion he voluntarily threw in, time and time again: that stannis was besieged at storm's end for almost a whole year. that siege, which mind you, did not match the duration of the entire war. it only started after robert won his battles at gulltown and summerhall, returned to storm's end, and then went out and lost the battle of ashford, leaving his homeland open to the reachermen. the same siege which only ended when ned made a detour there after the sack of king's landing, before going to the toj. even if lyanna may not have given birth that exact day ned found her, she could only be waiting in that bloody bed for weeks at the most, not months. so if rhaegar knocked her up the very same night he carried her off and jon was still a newborn when ned found her after the siege of storm's end had ended, wouldn't that mean lyanna was pregnant for well over a year? that's not how human pregnancy works either! so, maybe that's proof that jon and robb, whichever order they were actually born in, were actually very close in age as babies, much closer than if they were both conceived asap.
and really, jon's actual birthdate does not matter imho, when he was raised not just as the bastard to robb's trueborn heir, but with robb also known by catelyn and the world as ned's firstborn (which he was, in any case, as jon was ned's nephew by birth). what difference could a birthdate before robb's make (even were there some means of discovery) after ned, cat, and robb are all dead? if one is looking only at his birth parents then he's only a firstborn child on lyanna's side, but definitely a second son on rhaegar's side. maybe he was always meant to be a second son with a not much older half-brother! even if the aegon fka young griff is not in fact rhaegar's son, he'll still be known as aegon vi targaryen, meaning jon will never be known as any father's elder son. if i may reference mean girls again, it's not going to happen.
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beeholyshit · 4 months
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You know you made a promise Maroon
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So please don't forget about it!!
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xiaolanhua · 9 months
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My Dearest 연인 (2023) Dir. by Kim Sung Yong – Ep. 4
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season-77 · 1 month
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Today's topic may be somewhat controversial...
It is said that a man always looks good in a uniform...
Does Morse look good in a uniform? I'm not entirely convinced... I have the feeling that everything is too big on him, the trousers are too baggy, the jacket too wide in the shoulders, even the MUSTACHE seems huge compared to that tiny face...
I started to wonder if it's not a deliberate director's choice... maybe the oversized uniform is meant to emphasize how sensitive and vulnerable Morse is, how much he doesn't fit the mold of a uniformed policeman.
I remember the conversation between Morse and Thursday:
-I'm a good detective!
-But a poor policeman ...
Perhaps it's just my vivid imagination, but maybe the oversized uniform is meant to help viewers better understand Morse's character and motivations.
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victoriawaterfield · 10 days
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i hate you rent 2019 i hate you soo much
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thedreadvampy · 7 months
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legitimately insane how to some people, "we should wipe out this ethnic group that we've violently constrained to a ghetto because they're just genetically more violent and dangerous" is a reasonable and justifiable statement but it's Nazi Rhetoric to say something like, "it's bad that Israeli civilians are being killed but acknowledging that as tragic includes acknowledging that the almost daily state-sanctioned murder of civilians by the Israeli government is also tragic and unacceptable"
btw guys speaking of Nazi shit - can we check in, alongside what's been done to Palestinians in the last 75 years, what's the Israeli government's take on the Azerbaijani government's newest round of ethnic cleansing of Armenians? oh are the Israeli government's actions maybe not determined by Jewish identity, but by a commitment to colonial supremacy which puts them on the same page as other violently genocidal states like Azerbaijan, the US, and the UK? god can you Even Imagine?
(framing speaking against Israeli war crimes as inherently antisemitic requires understanding the Israeli state as representing all Jewish people, when it doesn't even represent all Israelis.
framing Israeli war crimes as synonymous with Jewish identity is pretty fucked up if we're being honest. I don't think that controlling water and power and movement for a captive population and shooting children dead for throwing stones is an inherent value of Judaism, any more than I think the torture carried out at Guantanamo Bay is an inherent value of Christianity - in both cases they're atrocities carried out by a far right genocidal government using religious identity as a shield.
Calling statements like "Israel is committing genocide against the people it's displaced" inherently antisemitic is doing more to further the idea that all Jewish people are associated with Israel than saying "the Israeli government is doing war crimes," which is a statement of fact about a country that exists and does war crimes. Is criticism of Israel as a nation often used as cover for antisemitism? Absolutely. Does that mean the Israeli government isn't doing literal war crimes repeatedly, on record, while talking publicly about scrubbing an ethnic group off the map? Uhhhhhhhhhhhhhhhhh well in the last 48 hours they've definitely cut off water and power to almost 600,000 civilians and allegedly used white phosphorus against civilians so in an extremely factual and unambiguous way yeah man those are Literal War Crimes whoever does them.)
#red said#sorry man saying 'it's bad to do genocide and war crimes' doesn't actually mean 'I'm happy when Jewish people die'#it means 'there is a context to Palestinian militants attacking Israelis which involves Palestinians being killed wounded or imprisoned#very nearly every day by the Israeli state and settlers. so no you can't treat a Palestinian attack on Israel as an unprecedented tragedy#without also recognising that Israeli forces have repeatedly visited attacks of similar magnitude on Palestine which is ALSO tragic#as well as the regular state-sanctioned murder of over 200 Palestinians in the 9 months BEFORE the Palestinian attack on Saturday#It means 'Palestinian lives don't matter less than Israeli lives' not 'Israeli lives don't matter'#this week is literally the FIRST TIME SINCE RECORDS BEGAN that more Israeli lives have been lost than Palestinian#bc for every year since 2000 orders of magnitude more palestinians than Israelis have been killed in this war#you don't get to say 'it's only bad when X ethnic group is killed it's GOOD to kill Y ethnic group' then accuse OTHERS of genocide apologis#it is legitimately a tragedy for Israeli civilians to be killed and wounded en masse. the people are not the nation.#but it's not less of a tragedy for Palestinians to have been killed and wounded en masse week after week for decades.#and when peaceful protest gets you shot and bombed and acting against the military gets you shot and bombed#and just existing doing nothing at all gets you shot and bombed. living near someone accused of terrorism. looking for your fucking cat.#when you're getting shot and bombed daily whatever you do. it's not surprising that sometimes people move to violence against civilians.#because as people from Gaza have said. better to die fighting for survival than die on your knees waiting.#which like. I'm not making a moral judgement one way or the other bc i am intrinsically disgusted by mass killing. as we all should be.#and this might be the movement which liberates Palestine and it might be the excuse which allows Israel to finish Palestine#and either way hundreds of people are dead on both sides and however you slice it that's a fucking tragedy#but we cannot. treat it as if Hamas' strike began the violence. and ignore the 200+ Palestinians killed by the IDF this year beforehand#Palestinian lives matter as much as Israeli lives. 700 Israeli citizens dead is a tragedy. 600 Palestinians dead is a tragedy.#and if you lay out the numbers from this weekend alone you can pretend that Israelis are getting decimated by Palestine.#but to do that you have to ignore the facts that for every 1 Israeli killed in the past decade 3 Palestinians die.#and that Israeli deaths happen in occasional outbursts of violence while Palestinian deaths happen every week#whether or not Hamas or any other Palestinian faction initiates violence
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