#Pell James

[deepdwnbodythurst]

this diva

#gael garcia bernal #gael garcía bernal #2005 #2000s #laura harring #Pell james #cannes

[slingtv]

i always wonder what bands would be like if their lineups hadn’t changed

what would metallica sound like if cliff hadn’t died, or jason never left, or even dave hadn’t been kicked out?

what would mayhem have done if euronymous and pelle not died?

what would it be like if slipknot hadn’t replaced joey with jay?

so many bands could have ended up completely different than they are known today and it’s always interesting to think about what could have been

#i love metal too much #random thoughts #metal #metal music #heavy metal #metallica #james hetfield #kirk hammett #lars ulrich #robert trujillo #cliff burton #jason newsted #megadeth #dave mustaine #mayhem band #dead mayhem #pelle ohlin #euronymous #slipknot #jay weinberg #joey jordison #corey taylor

[glimeres]

Stop. Have you watched Original Cast Album: Co-Op?

Will you watch Original Cast Album: Co-Op?

When will you watch Original Cast Album: Co-Op? Here, watch Original Cast Album: Co-Op. ( 1 , 2 )

#original cast album: co-op #john mulaney #taran killam #james urbaniak #renee elise goldsberry #alex brightman #richard kind #paula pell #documentary now! #off-topic: tv #video #posted

[ablogthatishenceforthmine]

My Dream 2022 Emmy Nominations: Outstanding Supporting Actress in a Comedy Series

In alphabetical order

Paulina Alexis (Reservation Dogs)

Belinda Bromilow (The Great)

Hannah Einbinder (Hacks)

Sarah Goldberg (Barry)

Meredith Hagner (Search Party)

Janelle James (Abbott Elementary)

Sarah Kameela Impey (We Are Lady Parts)

Paula Pell (Girls5eva)

#emmys #2022 emmys #paulina alexis #belinda bromilow #hannah einbinder #sarah goldberg #meredith hagner #janelle james #sarah kameela impey #paula pell #reservation dogs #the great #hacks #barry #search party #abbott elementary #we are lady parts #girls5eva #willie jack #aunt elizabeth #ava daniels #sally reed #portia davenport #ava coleman #saira #gloria mcmanus #my posts #ablogthatishenceforthmine

[entitled-fangirl]

Masterlist <3

I started writing fanfics in late January this year, and I'm so glad you guys like it! 4 months and 50+ fanfics already!

Bridgerton

Benedict Bridgerton

A beautiful thing to picture, indeed.

One happy marriage.

Saltburn

Felix Catton

He would burn the world for her.

I love hearing about your day. SMUT

The cold ground provided no comfort.

Sweet little nothings.

So guilty.

Breakfast is ready.

It's like heaven. SMUT

Anything for you, beautiful girl. SMUT

The Last of Us

Joel Miller

A civilized meal.

Never been more thankful.

They're not gonna hit you.

Her saving grace.

Sweet mama.

Miller baby.

Two idiots in love. Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11 Part 12 Part 13 Part 14 (Finished series)

Mandalorian

Din D'jarin

His perfect little Cyar'ika.

You've made me worry.

Such a pretty sight.

I know you made her your riduur.

Good Omens

Crowley

He may always be a demon, but she still loves him.

Hannibal NBC

Hannibal x reader x Will

I see the way you look at her, William.

His carefully crafted web.

A predicament.

Terms of Endearment (drabble).

Will Graham

No Pajama Party for you, Mr. Graham.

Fishing 101.

Their safe hold.

So scared but so happy.

Polar

Duncan Visla

Four days of hell.

Midsommar

Pelle

That's a love rune. Casts a love spell.

Twilight

Jasper Hale

Are you scared of me, Princess?

Sparring.

Marcus Volturi

The Best Thing for Marcus.

Caius Volturi

The human did interrupt.

Sherlock BBC

Jim Moriarty

A deer in the headlights.

Harry Potter Universe

Barty Crouch Jr.

His betrothed. Part 2. Part 3. Part 4.

I hope I do.

Severus Snape

The astronomy professor.

Remus Lupin

Our needs. SMUT

James Potter

Feeling unwell.

OC stories:

Harry Potter universe:

The misaligned stars.

Remus Lupin x OC x (past)Regulus Black

Summary: The golden trio knocks on the door of someone who can help them with the Slytherin locket.

................

I'm new to the whole writing side of things but I'm open to try requests!

Here's the link for what I write for!

Fanfic count: 59

#masterlist #imagine #fanfiction #fanfics

[disneytva]

Break’s Over! Monsters at Work Sets Disney Channel Move For It's Season 2 Debut

Monsters at Work, returns for season two with a special two-episode premiere on Friday, April 5 (8 p.m. EDT) on Disney Channel as the series moves to the Disney Channel Original branding.

Subsequent airings of the season will move to Saturdays, with two new episodes launching each week beginning at 10 a.m. EDT on Disney Channel and Disney XD, Season 2 will stream Sunday, May 5 on Disney+.

Season 2 guest stars reprising their roles from the Monsters, Inc. franchise include Aubrey Plaza as Claire Wheeler, Nathan Fillion as Johnny Worthington III and Bobby Moynihan as Chet Alexander. Additional guest cast includes Jennifer Coolidge, Rhys Darby, Janelle James, Jenifer Lewis, Ali Wong, Bowen Yang, Paula Pell, Danny Pudi, Cody Rigsby, Jimmy Tatro, Danny Trejo, Joe Lo Truglio and Alan Tudyk.

Brand extensions for the series include a upcoming multiple-single soundtrack with two original songs by Dominic Lewis (Walt Disney Animation Studios "Baymax!", "DuckTales" franchise) from Walt Disney Records slated for the summer.

#Monsters At Work #Monsters Inc #Monsters Inc The Series #Bobs Gannaway #Kevin Deters #Melissa Kurtz #Disney Channel

[haiku--di--aliantis]

"L’amore non inizia e non finisce nel modo in cui pensiamo. L’amore è una battaglia, l’amore è una guerra; l’amore è crescere." (James Baldwin)

E anche quando sembra finito, l'amore rivela la sua vera natura. Capisci sulla tua pelle che di base esso è come un elastico invisibile e lunghissimo. Appena pensi di essertene liberato infatti, senti questa sua presa improvvisa e fortissima sulla schiena che ti attira nuovamente, inesorabilmente verso quella brunetta apparentemente anonima che tiene il tuo cuore in pugno.

Aliantis

#haiku di aliantis #absurdia di aliantis #unopercento

[abirdie]

Gael García Bernal in The King (2005, dir. James Marsh)

(these gifs also feature Pell James)

[other gael filmography gifsets]

#gael garcía bernal #the king #ggb filmography gifs #southern gothic meets greek tragedy #not for fans of happy endings #(that's technically a spoiler but come on i mean) #gael garcia bernal #the king 2005 #for obvious reasons there were no films in 2020 so we'll be straight on to 2004 on monday now we've finished 2005 #notice i say 'we' like you're somehow complicit in this ridiculous project

[goingtoweather]

Full crew list! With names, ranks, and ages! (tho some have less detailed portraits since they've only really shown up in the background at this point). I'll update periodically with better pics.

Name: Barzillai Waite Rank: Captain Age: 46

Name: Adelaide Waite Rank: Captain's wife Age: 34

Name: Eric Mathews Rank: 1st mate Age: 32

Name: Ezra Carter Rank: 2nd mate Age: 25

Name: Charles Allen Rank: 3rd mate Age: 34

Name: Lawrence Manner Rank: Greenhand Age: 26

Name: Josué Cabral Rank: Ordinary Age: 22

Name: Bastien Addo Rank: Ordinary Age: 28

Name: James Barnard Rank: Ordinary Age: 29

Name: Joseph O'Reilly Rank: Ordinary Age: 23

Name: Jackson Pells Rank: Greenhand Age: 17

Name: Silas Dickey Rank: Greenhand Age: 16

Name: Enoch Pike Rank: Cooper and Carpenter Age: 32

Name: Abnur Wright Rank: Ordinary Age: 20

Name: Luis Sela Rank: Ordinary Age: 21

Name: Samuel Nelson Rank: Greenhand Age: 21

Name: William Williams Rank: Boatsteerer Age: 27

Name: Frank Iona Rank: Greenhand Age: 19

Name: Francis Goldwhit Rank: Boatsteerer Age: 23

Name: Martin Amos Rank: Boatsteerer Age: 27

Name: João de Silva Rank: Boatsteerer Age: 24

Name: George Lee Rank: Ordinary Age: 26

Name: Ephraim Murray Rank: Cook Age: 41

Name: John Gillipse Rank: Steward Age: 18

Name: Apollo Delaman Rank: Ordinary Age: 21

Name: Peter Fortune Rank: Ordinary Age: 28

Name: Afonso Borges Rank: Greenhand Age: 23

Name: Ed Barker Rank: Ordinary Age: 25

Name: Josiah Ripley Rank: Ordinary Age: 23

Name: Scupper Rank: Mouser extraordinaire Age: 3

#gtw crew

[castieltrash1]

since yall seem to love the sleepovers, i present to u all... friday the 13th sleepover weekend >:3 normal guidelines apply! feel free to send in drabble prompts, rambles/thoughts, fmks, etc. for any horror characters!

all characters are allowed but the only ones i'll be WRITING for will be:

scream; billy, stu, randy, sidney, dewey, tatum, mickey, charlie final destination; alex, tod, ian, erin, carter, kevin house of wax; bo, vincent, lester, nick the lost boys; david, paul, marko, dwayne, michael saw; amanda, matt, schenk cabin in the woods; marty, curt, holden ahs; tate, kit, kyle, jimmy, james misc; daniel le domas, brahms heelshire, jason dean, david mccall, rex (my little eye,) sam (ginger snaps,) joel (smile,) colin gray, george + papillion (as above so below,) emmett dewitt, mike milch, the man (hush,) pelle, joe goldberg, the grabber, specs, ed warren, jackson rippner (red eye)

+ i can assure you all that the previous requests from the gosling sleepover will be finished soon! i just wanted to do a halloween themed weekend before the szn ends 👻

REQUESTS OPEN 10/13-10/15

#ik i put the poll option up but hehe horror time and tim roth can be next i prommy #friday the 13th sleepover weekend

[justzawe]

ZAWE ASHTON

Through writing, actor Zawe Ashton is slowly shifting her role from object to subject.

Words by Hettie O’Brien. Photography by Pelle Crépin. Styling by Holly White. Hair by Bjorn Krischker. Makeup by James O’Riley.

FILMS ISSUE 45

The work of a convincing performer is to make a practice of disjunction, blurring fact and fiction until it’s no longer clear where the performance ends. Zawe Ashton, an actor and writer from East London, has been performing for so long that she sometimes feels as though she has “just woken up.” “There has been this eye, this gaze, that has followed me since birth,” she says. This is what it is to have grown up as a child actor, an experience that would be strange, were Ashton to have ever known anything different.

It’s only now, at the age of 37, that Ashton feels she has managed to “reshuffle the cards,” as she puts it. We’re speaking over Zoom: Ashton from the northwest London home she shares with her fiancé, the actor Tom Hiddleston, and me from an office room that I describe, when she asks, as a “Zoom booth.” “Are they the new thing? They sound sexy,” Ashton says with characteristic provocation. “They sound like the new location for a fresh scandal to me. It happened in a Zoom booth!”

There is a sense that runs through Ashton’s work of someone chafing at the limits of their discipline. She is best known in the US for her role in Velvet Buzzsaw, a satirical horror film set in the Los Angeles art world in which she starred alongside Jake Gyllenhaal. She grew up in Hackney, East London (her parents were both schoolteachers; her mother is Ugandan, her father English) and attended Anna Scher, a theater school in Islington that banned the words “star” and “fame” from the classroom: Stars burn out, Scher taught them, but the career of an actor persists regardless of fame.

Ashton’s first notable role was in the British kids’ TV show The Demon Headmaster. In her early 20s, she took bit parts in crime dramas and hospital soaps; her break came when she was cast, at 27, as the chaotic, drug-taking, straight-talking student Vod in the series Fresh Meat. One article from the time suggested Ashton was “the coolest thing on TV right now.” But Ashton felt herself growing increasingly frustrated. “I hit a wall in my life—whether it was burnout, or [an] existential crisis, where I was like, Hold on a minute . . . . I’ve spent the past 30-something years performing, and I have no idea who for.”

What Ashton really wanted to do, she tells me, was to be a writer. In the basement, her mother still keeps a box of the stories Ashton wrote as a child, including one, from when she was six, about a dinosaur having breakfast with Elizabeth Taylor. “I think language, and how surreal and expressive language is, has always been part of my wanting to be in this world.” So, alongside her acting jobs, Ashton wrote a play. For All the Women Who Thought They Were Mad centered on the experiences of Black women in the corporate workplace and was praised for its darkly comic study of prejudice when it was staged at the Hackney Showroom in 2019.1 She also wrote a pilot for a TV drama about a woman having an early midlife crisis. “I was treated extremely badly at the hands of television executives,” she says. The pilot was passed over, and Ashton “put it in a drawer because it was just too traumatic.”

A book agent read that defunct script, and asked if Ashton would consider authoring something longer. “It’s one of the hardest, best things I’ve done,” she says of the resulting book, Character Breakdown, a playful, tragicomic account of an unnamed protagonist’s acting career. “So much of my life has been scripted; so much commitment has been to saying other people’s words and inhabiting other women,” she explains. “I thought . . . I can sit down and write this without anyone giving me permission.” Writing was an opportunity to stop acting—for a while. Ashton spent some time living in Margate, a blustery seaside town popular with people priced out of London. She nicknamed the book, which took two years to finish, “the cockroach in the nuclear disaster of my life.” For a while, it felt like the only continuity she could grasp at.

Character Breakdown defies the very definition of the word order—it is composed of fragmentary conversations retold in a weaving chronology. The protagonist receives different character synopses that are irritatingly sexist (a silent woman in a civil rights protest, a sexy spy, a dead body on a mortuary slab). She takes calls from her agent, sips lukewarm wine, changes her hair to appease casting directors and remembers being bullied at school after first appearing on TV. It is loosely fictionalized: Ashton says that if the book seems like an “actor’s memoir,” she has “done something very wrong.” “It was an attempt, or an opportunity, to try and crack open the difference between fact and fiction before slamming them wholeheartedly back together again,” she explains.

Although magnified in the acting industry, the banal occurrences of casual misogyny and racism that Ashton’s protagonist endures resonate far beyond the book. “Thinking about acting became like a blueprint for a way that I could look at my experience as a woman in the world,” she says. She missed her publisher’s first deadline, a misstep that turned into a gift. By the time Ashton submitted the manuscript, revelations of sexual violence in the film industry had started to break. “Me Too really reframed my writing completely, because I thought, No one is going to want to hear from an actress about stuff that’s gone down and how it might relate to the wider world. And suddenly it was all anyone wanted to hear.”

We’re speaking a month before the release of Mr. Malcolm’s List, a sugar-frosted Regency rom-com in which Ashton plays a lead role. The film revolves around the wayward schemes of Ashton’s character, Miss Julia Thistlewaite, and will please anyone who enjoyed Bridgerton.2 In period-drama obsessed Britain, it would have been unthinkable for a mixed-heritage British woman to land this role even five years ago. The multiracial elite portrayed in Mr. Malcolm’s List is a fantasy that omits the reality of colonial racism in Regency Britain, casting actors of color as dukes and duchesses. “There is a lucrative market . . . . for the depiction of racial difference in the absence of racial inequality,” the British author and journalist Gary Younge recently wrote of Bridgerton, taking issue with the genre. Ashton is critical of this argument. “What’s crazy is there’s only a handful of [similar] shows,” she says. “When you get real diversity is when there are so many . . . . that some can show one aspect [of history], some can show another aspect, and this is a spectrum.”

The protagonist of Character Breakdown reflects that “nothing good comes of being visible.” Together with this film, and her forthcoming role as a Marvel villain, Ashton seems poised to become the kind of highly visible celebrity who occupies a different plane of existence: rich, distant and chauffeured.3 Yet that’s not how she comes across in person. She is open and disarming, throwing back bigger questions to those I ask. I wonder if she enjoys the control of writing in her own words, as opposed to speaking those of others. “It doesn’t even feel like control,” she says. Ashton tells me about the American visual artist Lorraine O’Grady (about whom she made a film for the Tate). “She wanted to play with the idea of being subject and object,” Ashton says. “You want to shift the lens, shift the perspective on your work and life as much as you can. And that’s how I feel.”

#zawe ashton #kinfolk magazine #interview #article

[schizografia]

La sua mutilazione e la sua morte coronavano così l’immagine di lei alle prese con una tecnologia in collisione, divenivano celebrazione delle sue membra individuali e delle sue superfici facciali, dei suoi gesti e delle sfumature della sua pelle. Ciascuno degli spettatori doveva essersi portata via dal luogo dell’incidente un’immagine della violenta trasformazione di lei, del complesso di ferite fondenti insieme la sessualità di lei e la dura tecnologia dell’automobile. Ciascuno di loro avrebbe congiunto la propria fantasia, le tenere membrane dei propri tessuti mucosi, i propri fasci di tessuto erettile, alle ferite di codesta attricetta; e questo, per il tramite della propria auto, toccando tali ferite nel guidare in un intrico di posizioni stilizzate. Ciascuno avrebbe posato le labbra sulle aperture sanguinanti [...] premuto le palpebre contro il tendine esposto dell’indice di lei e il dorso del pene eretto sulle sfondate pareti laterali della sua vagina. Lo scontro automobilistico aveva così reso possibile l’auspicata unione finale tra l’attrice e i membri del suo pubblico.

James Ballard, Crash

#crash #ballard #jean baudrillard

[kwebtv]

From the Golden Age of Television

Grandpa Changes the World - CBS - July 22, 1956

A presentation of "Telephone Time" Season 1 Episode 16

Drama

Running Time: 30 minutes

Written and Hosted by John Nesbitt

Produced by Jerry Stagg

Directed by Lewis Allen

Stars:

Thomas Mitchell as Grandpa (Andrew Hamilton)

Reginald Denny as Governor William Cosby

Peter Hansen as William Smith, Sr.

John Eldredge as James Alexander

Anthony Eustrel as Chief Justice James DeLancey

Terence De Marney as District Attorney

Barney Phillips as John Peter Zenger

Patricia Blair as Mary Hamilton (credited as Patricia Blake)

Leonard Carey as Associate Justice

George Pelling as Baliff

#Grandpa Changes the World #TV #Telephone Time #Drama #1950's #NBC #1956 #Thomas Mitchell #Reginald Denny #Peter Hansen #John Eldredge #Barney Phillips

[focsle]

Just thinkin about this excerpt scholar Nancy Shoemaker highlighted from the journal of whaler James F. Pells about some shore leave in Nuku Hiva...

[id in alt text]

From 'Native American Whalemen and the World'.

#which is such an excellent book just...IN GENERAL #i wish Pells' journal was digitized i want it... #awhalin

[obscure-song-tournament]

ROUND TWO !!!!

A

Keep Away - Isane Driver VS. Pulp Friction - Fool Heavy

Scatterbrain - Casual Tees VS. Sad Hit Song- V is for Villians

Patches - Jawbreaker Reunion VS. Animal Rites - John Congleton & The Nighty Nites

New Dance - DEERPEOPLE VS. Maple Leaf Etc - Maxshh

B

Mama - Eudora June VS. The Helper - Giannah Noelle

Victim of a Siren - Seraph Siege VS. There's a Darkness (but There's also a Light) - The Wild VS. Ray - Dylans

Alive - GON VS. You are Loved - David Lamotte TIE

Where U Goin? - Half in the Bag VS. For Me - Dearlie

C

The Hidden Word - Noe Venable VS. Echo in the Hills - Carrie Elkin VS. YOUR GALAXY - ROZLYN PELL

Juliet and Juliet -Kactus Kid VS. Low Rent Truman Show - Marc with a C

The Danger - Patricia Wallinga VS. Call Me Captain - Emrys Layne (@callmecapt) VS. Deep Blue - Grapefruit

D

PIANO GAMES - Hazma Notes VS. Worst in the World - Uncle Outrage

Cheese (original mix) -Cheese VS. Hokutoshichisei no Ichiya- Akiko lkuina

There'll be Someone at My Funeral Who Doesn’t Want to Be There - Sammy J VS. The Crayon Song - Class Of 3000

TECVM CIRCVMAMBVLARE NOLO - John Linnel VS. Imagination - Niel innes VS. Me and Nikolai - Pale Young Gentlemen

E

Eat Your Heart Out, Sigmund Freud - Mollie Maxwell VS. Don't Want You -Carpark

Runaways - Big Tree VS. 10,000 Days - OK Glass

Hurricane - My Cat Umi VS. Rotten - Missouri Surf Club

Born to it - Freefonix VS. last week/month/year - rain

F

Pointillize - Raccoon Fink VS. execute - ninty

Better Red Than Dead - KELChip VS. Ego -Powderpaint

... - subeteanatanoseidesu VS. Nighttime (I fall asleep) - Sam X

GOTH BITCH DUB - 621 gecs VS. To.Get.Her - Nixis

G

Dusk and Dawn - Das Fi VS. Between You and Me - Clementine Werchola

Monmon Fanmoran - Mochitsune VS. Can Graze the Roof Bring you Back to Childhood? - Anomaly Vector TIE

Memories - Jens East (Ft. Lotta Rasva) VS. Moongrains with Lyrics feat. Gumi A - Anonaly Vector VS. Ode to Janey Lou- FOE

The Dreaming- Marquis of Vaudevill VS. Best Friend - Taitoki

H

Rusalka and The Shepherd Girl - The Forgetmenauts VS. Four Tall Trees - Leslie Fish

Captain Ward - Tempest VS. The Trials Of Oscar Wilde - Alan John

Winter's Tooth - Alexander James Adam VS. He of Sidhe - Alexander James Adam

Labyrinth - Madeline S VS. The Phoenix - Julia Ecklar

I

Liar and the Hound - Beneath Eden VS. Bodysuit -FlooringCo

Pause Button - Particle Devotion VS. On a Walk - Fort Womb VS. Death is a Girl - Skippocalyptic

52 Pickup - Z. VS. 山谷澗 - Mysterain小雨樂隊 VS. Pub Money - Bag of Cans

J

Never be Famous - Hussalonia VS. 613 - FC the kid VS. Lhasa - Shapaley

Collide - Harold J VS. We Made it - JAMIEvx VS. 412 (coffin built for two) - Mollie Maxwell

Unretractable Fact - Second Person VS. SCARY* - EXIT ONLY

Preserve - PETROLEUM! GENDERLOSS VS. No Proposals - Physical Plant

K

Maneater- Blue Eyed Blondes VS. la somnambule - La Femme Pendu

Center Stage - Howard Martin VS. Gears of the Atom Man - Angels of Liberty TIE

Wake Up Girl - Skeeter Truck VS. Dark Rip - Teen Girl Scientist Monthly

Trust Me - Time Crash VS. Not Yet - Leo and the Little Things

L

Grace - Raelle VS. Animal- Xisco Feijoó

Hyperphantasia - Fearful Earful VS. Tonight Eternity Alone - Rene Clause

Cardigan Sweater - Jasmine Kennedy VS. Milá má - Nahore VS. Side A -Alohaha

The Binding Of isaac - Schmekel VS. Slip! - Bright Orange

M

Boy who Blocked the Sun - Demi the Daredevil VS. Rainy Day Georgia - Jayne Trimble VS. Burn it Down with Math - Deuce of Gears

Haircut Song - Shannon Moser VS. Reunion - Brent Spiner & Maude Maggart

Small Parts of Something Much Larger - Suns VS. Sunshine and Lollipops 2020 - Sad Snack

Say What You Want - Growth Spurt VS. Mirëmëngies - Edona Vatoc

N

Have You Ever Seen a Duck, Like, in Real Life? - Lisa the Beauty Queen VS. Housekeeper- Faun Fables

Caroline - Espers VS. Tales of the Phantom Ship - Nathan Landis Funk

Lotus eaters - Jessica Law VS. Raising the Dead! - Jessica Law VS. Autism Murder Memorial - Fit to Work

Blow Up the Moon - Feel Spectres VS. All For Me Grog! - Spud Bugs

O

Reclaim - Porch Cat VS. Orpheus on Ice - The Small Calamities VS. Violin Concerto in the Key of Crippling Regret - The Small Calamities

Homme Offer Knee - Ben Below VS. Hold My Heart - The Dune Sea

Each Time She Calls - Jessie Gosling VS. flexible guy - clown residue

Howard - Demo- Mother Aiden VS. Blooming Strangely - Ginger & Pear

P

恐竜あげみざわ★ - Kyouruu Friends VS. 星の旅人- Sayaka Senbong & Yumiri Hanamori

The End of the World - Fred Deakin VS. 運命は※ Love You - チームDEKAI

Ultimate Performance of Abandoned Magic Boxes ~ Racks of Junk - KR. Palto47 VS. 薔薇は美しく散る x 輪舞 revolution - okurigi66

297回の試行 - Image44 VS. They'll Make a Monster Out of You - Freefonix

#obscure song tournament #bracket #poll related #music poll #not polls #PRAYING for less ties this round. #but I think there might be MORE somehow cos less people are voting as time goes on #so it gets easier to tie </3

[disneytva]

Monsters At Work - NYCC 2023 Panel Screens First Two Episodes Alongside Guest Cast List

Monsters at Work executive producer Kevin Deters revealed the second season guest cast today at New York Comic-Con, along with a sneak peek screening of the first two episodes ahead of its debut in 2024.          

The special announcement was that among the guest stars on season two will reprise their roles from Monsters University with Aubrey Plaza (The White Lotus) as Claire Wheeler, Nathan Fillion (ABC’s The Rookie) as Johnny Worthington III, and Bobby Moynihan (DuckTales) as Chet Alexander. 

Additional guest cast includes Jennifer Coolidge (The White Lotus), Rhys Darby (Our Flag Means Death), Janelle James (Abbott Elementary), Jenifer Lewis (Walt Disney Animation Studios "The Princess and The Frog"), Ali Wong (Beef), Bowen Yang (Saturday Night Live), Paula Pell (Saturday Night Live), Danny Pudi (DuckTales), Cody Rigsby (Peloton instructor, Author, TV personality), Jimmy Tatro (ABC’s Home Economics), Danny Trejo ("Big City Greens" Franchise), Joe Lo Truglio (Walt Disney Animation Studios "Wreck It Ralph") and Alan Tudyk (Walt Disney Animation Studios "Wish"). 

#Monsters At Work #Monsters Inc: The Series #Monsters Inc The Series #Monsters Inc #Bobs Gannaway #Disney+ #Disney Plus #Disney+ Originals #Disney Plus Originals #Disney+ Original Series #Disney Plus Original Series #Disney+ Original Animated Series #Disney Plus Original Animated Series #NYCC #New York Comic Con #New York Comic Con 2023 #NYCC 2023