“aventurine! what is the meaning of this?!”
your heels clacked on the cold marble floors, echoing throughout the otherwise empty space. you find the man hunched over the bar, and a loud thuack resounds out as you slam a stack of papers onto the counter beside him.
a crooked smile plays on his lips, about time, he thinks to himself. aventurine takes a swig of the drink he’s been nursing, emptying the remains of the smooth liquor down his throat.
“this was not what we agreed on.” your tone was harsh, accusatory, and he could feel your gaze burning holes into the side of his head. but the man could only laugh, his head lolling to the side to meet your eyes head on.
“aventurine. answer me.” there was a dangerous glint in your eye now, and aventurine felt if he stayed quiet any longer, he may very well never speak again.
“you finally came to find me,” the grin on his face was almost sickening, and you could just barely keep the red from clouding your vision. “is this what i have to do for you to look at me?”
aventurine turns his body to face you, leaning in close enough for you to catch the stench of alcohol on him. his smile quickly turns into a pout, “it was just a little mistake… are you going to punish me?”
your eye nearly twitches, what is this man…? but you compose yourself quickly; reigning in your anger as you turned away from him and let out a frustrated sigh. even though it’s clearly not a mistake, neither of you are in the right mind to resolve this. “we will discuss this—“
your words were abruptly cut off as the drunken man in front of you grabs your face, turning it back to face him. “why won’t you look at me?”
his arms slowly crept around your shoulders and before you realise, he’s so much closer than you remembered. and this time, the pout on aventurine’s face looked much more genuine. it was a rare sight to see, one that now held your full attention.
“i am looking at you,” your voice had lost its edge, softening as you answered your colleague. a beat passes as the pair of you stood unmoving, each unable to tear their gaze away from the other.
but aventurine breaks first, sighing deeply as he casts his eyes downward, “that’s not what i mean.”
somehow he’s found his way even closer to you, resting his head upon the crook of your neck. and somehow, you can’t find it in yourself to push him away, instead letting your arms rest on his lower back.
“… you’re drunk. get some rest and we can talk again tomorrow.”
you slowly pulled away from aventurine after a while, assessing that he’s more or less stable enough to be left alone. and with the same clack of your heels, you turn to leave, with an arguably bigger headache than when you first came here.
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As a small-time Stellan Skarsgard's Acting enjoyer and big-time Morally Compromised Old Man enjoyer I was inevitably going to fall down a Luthen Rael rabbit hole at least once so forgive me for being fully on my bullshit. But I can't explain my read on this guy without talking about That Speech, and I can't talk about that speech without dumping a bunch of thoughts about dialogue.
Because in my own writing the thing I get most obsessive about is character voice, and the thing about character voice is that not everyone is a poet. Sometimes the craft of writing is about euphony pure and simple. But sometimes (revealing my biases) I think the craft of writing is being able to ask yourself - sure it's good, but is it true? Can you find the poetry in the everyday? Can you express something sharp and compelling and resonant and stay faithful to the perspective of a character who isn't consciously honing their words in that way? All fictional dialogue is constructed. But there does come a point on the spectrum of naturalistic to constructed dialogue - it's partly a matter of taste - where you see more of the writer patting themselves on the back for writing a banger of a line than you see of the character, and personally I often find this off-putting.
Which doesn't mean you never get to let the poetry off the leash (God, that would be joyless). It just means there's a time and a place.
Andor's writers are dropping a lot of bangers and they absolutely know it but largely it works for me, because they're smart about the time and place. Cassian gets to be a guy who's resourceful with his words when the chips are down - that's a big part of his characterization. Maarva and Nemik get to break out the poetry when giving a speech or writing a political manifesto; those words are crafted in-universe as well as out. And Luthen - a performer, a salesman, a man with constructed identities - he gets to use a lot of constructed speech even when he isn't in full-throttle soliloquy mode. I've said before that a lot of stories about espionage are also stories about storytelling: people who create characters, fictions, who tell lies in an attempt to get at truths. In this story Luthen is that guy. Wouldn't you rather give it all at once to something real than carve off useless pieces till there's nothing left - it doesn't matter how constructed that sounds if it's a sales pitch he's rehearsed. It doesn't matter if you see a little bit of the author or the actor peek through when he says things like I know the outside; I imagine the rest, because it functions as characterization when in some sense he is both those things.
All of which is to say That Speech works for me because it tells you something about Luthen beyond the face value of what he says. It tells you this is something he's THOUGHT about, at length. If he hasn't delivered those lines to a mirror, he has absolutely worked through some version of them in his head more than once. And that tells you something just slightly to the left of who Luthen objectively is - it tells you how he constructs and sees himself. I fully believe that Luthen believes what he's saying there.
I also fully believe that this is a man who self-admittedly has an ego and a desire for recognition, who says he's given that up but evidently hasn't let go of some measure of resentment about it. That here's a guy who put on a billowing black cloak, pulled out all the spy theatrics for the express purpose of unsettling his informant, and then gave his best space King Lear audition. That here's a guy with a soliloquy about his sacrifices locked and loaded. On some level Luthen is a little bit into being a martyr for the cause. He's a little bit into the dark glamor of being a lone wolf operator pulling morally tarnished strings. He's a little bit into frightening and manipulating his informant! For all the cynicism of what he's saying, he's a little bit enamored with his own self-image as the sort of man who says it, in a way that suggests an inner romantic more than an inner pragmatist. He says he's damned for what he does but there's more furious pride underlying it than self-loathing; in the same breath he's admitting that a tiny piece of him wants a parade.
Which is fascinating and a little unflattering and way more interesting than just a badass character delivering a badass monologue. The characterization here is partly that Luthen is the kind of guy who monologues.
And to give him his due - I also fully believe that he's a very driven and committed man who has sacrificed a lot. Seen in that light, in fact, I think some of his character flaws come into focus in highly sympathetic ways. Ultimately this is a guy with a deep sense of urgency - "terrified the Empire's power will grow beyond the point where we can do anything to stop it," as he says. And sometimes there can be a lot of ego in urgency. It is a special kind of crazy-making to feel you are taking a problem far more seriously than almost everyone around you. It is a weight of responsibility to believe it's on you to fix that problem before it becomes too big to solve. Under those circumstances it's very understandable that Luthen has big responsible student leading the group project energy and a touch of main character syndrome (which is interesting and sort funny, contrasted with Cassian spending much of the story desperately trying to avoid becoming a main character). It takes a certain kind of drive and audacity-verging-on-arrogance to accomplish what Luthen has accomplished. But character flaws are often the flip side of character strengths, and I think a lot of his are tied up here. Sometimes he's a little enamored with his own isolation (he could choose to be more open with fellow rebel leaders like Saw imo). Sometimes he's awfully comfortable instrumentalizing others while insulating himself. He says Imperial arrogance is remarkable, but sometimes he's blind in similar ways - Luthen is almost as surprised as the Imperials by the funeral riot in the final episode. He's spent so much time stage-managing his would-be rebellion from Coruscant that an organic uprising startles him. In his self-appointed position as the lonely string-puller at the top, he maybe has a bit too much fondness for control and not quite enough regard for community (imo it's also kind of telling that there are no actual Aldhanis involved in the heist on Aldhani). As Clem says - sometimes people don't look down the way they should.
All of which are very interesting and human flaws for him to have! And which I do think the show subtly gestures at in the sort of contemplative way he reacts to that riot, and which I'd love to see come into focus more in S2.
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k took me a minute to get going on final tulips chapter bc i was having many thoughts and epiphanies about Original Fantasy Novel but im back im 2k into the draft it is on its way
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ok this might seem like a bit of a dumb question, but is there any like official fanfic or smth of ATS or is it more like a running universe that you’ve created and make art for? Like do you have some sort of like way to read the full story or do you plan to make one, or is it more like a universe and characters you’ve made/are adding to over time?
It’s not a dumb question at all, no worries!
SADLY no there is no current story written for it :’0 I mean I have a couple things sitting around for certain scenarios I’ve written out but yeah,,
I know that once I start “officially” working on ATS (I say that in quotes bc I’m p much working on it officially all the time anyway lmao) it’ll be a huge commitment so. That’s why there’s not any consumable story thing out there yet besides all the stuff on the official site and throughout the posts scattered on my blog. And at this point I don’t even know what direction I want to go with it. Written story? Webcomic? Game? Some other form of media? It’s a lot to consider haha
But yeah I do plan to make one eventually!! Can’t say when but it’s the Big Dream to make some sort of long running series that covers the plot of ATS ^^
As for now tho yes it’s just like you said it’s just a universe I’m continuously expanding and adding characters to. Super grateful for the interest hehe 🥰
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~Chapter 2: Snippet~
Maul is scooped up with the force, left helpless and suspended. He howls about it.
“Wow. Is that… a cat?” asks a mon calamari coming over to look at him.
“I believe so,” Kenobi replies, “Though it needs a bath rather badly.”
The force which has him pulls Maul back to the medical bed, and gently holds him there. It smells terrible in here, like antiseptic and bacta.
“No kidding… but don't they hate water?” The mon cala asks.
“Bant my dear, I honestly have no idea,” Kenobi offers, “I've never seen one outside of holos before.”
“The horns are so cute…” the healer muses, pulling a scanner from her belt. “...looks like it's a ‘him’? He's intact too. I hope you aren't looking to get him neutered, I don't know how.”
Neutered?!
Cursed or not, Maul is going to kill these jedi.
Obi-Wan Kenobi & Darth Maul : Featuring cursed Cat!Maul, the underside of Obi-Wan's couch, and a lot of entertained but confused jedi. : Crackish : Rated T but may change : 👍🏽
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Okay so it's been a hot minute since I read your fics(I should reread them soon) but the fics/parts that stick out to me is.
That part in the chapter 5 fic where Kaito saves Kokichi, where Kaito gives Kokichi the makeshift antidote and he almost dies.
That soulmate chapter 5 fic with the kiss and color.
The introductions in twins au(specifically Mui and Gonta's), and the part where Monokuma starts beating up the kubs and Kokichi comforts Kurochi.
That part where the warriors of hope tend to Kokichi's wound.
That Kokichi Kurochi hotel fic where Kokichi reveals that secret.
Oh and the part in your wanderer fic when he sees his memories, specifically that scene where he starts panicking due to seeing how a certain doctor treated him.
(this is just off the top of my head/the first ones I thought of)
In relation to this post!
RWBY I SAID ONE FIC, NOT 6--
fmdknjkngjfngkd
I'm so happy that you like so many of my fics--and especially my Genshin fics, since you don't play Genshin :'D Honestly I'm sorely tempted to make a full LP of Genshin and like 50% of my inspiration is so you can watch it and get the lore tbh--
Okay, let's go through them one by one!
How to Stay Behind the Doors of Life - One of the first RPs turned into fanfic, I cannot talk about this without giving @aroseandapen credit here too! While I did ficify it, my favorite part of it was actually roleplaying it. Writing with L is extremely fun, 10/10 I highly recommend
Our Colorless World - This fic!!! I sometimes come back to this fic, and I just. Oof. This fic was fun to write because it's one of the few times where I technically wrote a tragic ending instead of a happy one. Fun fact: If I ever write a tragic ending, I always imagine an AU extension of the ending where the fic continues and it's revealed that everyone's alive and they get a chance to heal from the Trauma. In this fic's case, it's a VRAU and Kaito has to win over Kokichi after realizing their soulmates. ANYWAY. My favorite part to write for this fic was probably Kokichi's story about the boy under the yellow slide up until the end. Just, so much oof that Kokichi knew his own soulmate hated his guts and thought he was the worst person in existence...... and still hoping (but not expecting) a second kiss from the person he was bound to. There's a lot of tragedy in this fic hhhhhh
Danganronpa V3R: Graduation - Twins AU, Twins AU! I knew this one would come up, hueueueue. Twins AU has a special place in my heart and forever will, and I really aim to one day complete and post the fic in full. While Twins AU had a lot of RPing done with L, I actually think my favorite part to write (and subsequently, to reread) was the introduction of the fic itself. I tend to go hard with surreal imagery and I think that it's one of my strong suits in writing--so of course to this day the introduction of Twins AU is such fire that I can barely hold it without burning myself from how much I love it. I'm currently editing Twins AU's prologue and what little I had done for chapter 1, so hopefully the scene is even better now!
A Change of Fate - Hey, this is the commission you got from me! I had a feeling you might bring this one up too~ Writing this fic was overall a very interesting change of pace as I was HEAVILY in the Genshin Fixation at the time--I think I ended up putting this fic on hold for a long time in favor of "Chasing the Voided Moon" actually (I'm still sorry for that, the fixation wheel refused to free me--) and tbh it did remind me that I love the Twins so very much. I think my favorite part to write was when Junko appeared--there's something very cathartic about writing a really chaotic evil character, not gonna lie. But I also liked how Kokichi was acting during that confrontation--it was overall a great interaction.
Can you really call this a Hotel, there weren't even Mints on the Pillows - To this date this fic has the LONGEST name, and I love that for it. The chapter you're talking about was really fun to RP and ficify, too! Kokichi finally revealing that he saw Kurochi's half-written suicide note is oof. However, I think that the Korekiyo chapter deserves some credit too, since it does change the context of the LSE to one of BDSM and consent than... whatever the fuck canon was trying to do LMAO. Still, this is ALSO a fic I plan on continuing for Twins AU! I even think I know which character will appear in the next chapter >:3
Chasing the Voided Moon - The fact that you've read this fic and enjoyed it even without knowing much context for Genshin is a thing I take GREAT pride in. Though it's actually interesting that you chose that scene in particular, since the favorite scenes of that fic are often chapter 12 and chapter 16. Yet I think you're right in that there is a haunting, disgusting revelation in that chapter that is never spoken, but doesn't need to be spoken. The fact that it is canon that Wanderer's body was mutilated to the point where the big robot he was put in was his life support and his initial reaction to the idea being "Yeah that sounds about the same as what Dottore's done to me before" is. Honestly the fact that Scaramouche theorists on YT miss the severe torture/abuse implications of that scene in canon alone is staggering. It's definitely not a top favorite of the fanfic, but it really does highlight that Scaramouche didn't just suffer three really bad instances of trauma and nothing else happened to him--he endured so much off screen that was so heavily implied, and who knows how much for how long. Anyway murder maim kill Dottore. Though as for my favorite par to write... I'm sorry to say, it is chapter 16 :'D I went hard on that chapter and I'm very proud of it. Chapter 12 too, but I prefer catharsis over pure angst tbh.
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@pierprincess : don't say that. don't say that to me.
angst prompts ; accepting.
𝖎𝖙 𝖜𝖆𝖘 𝖆 𝖈𝖔𝖓𝖛𝖊𝖗𝖘𝖆𝖙𝖎𝖔𝖓 𝖙𝖍𝖆𝖙 𝖍𝖊 𝖍𝖆𝖉 𝖇𝖊𝖊𝖓 𝖆𝖛𝖔𝖎𝖉𝖎𝖓𝖌 𝖍𝖆𝖛𝖎𝖓𝖌 𝖜𝖎𝖙𝖍 𝖍𝖊𝖗, maybe because he knew that his anger and pain was bubbling so close to the surface that there was no way that he could keep it contained if they got into it. the issue was his anger wasn't loud. it was quiet and simmering to a point of unpredictability and he took him to a place that he rarely allowed himself to go. but they could no longer skirt around the issue any longer. they could no longer avoid the inevitable conversation that had his heart already 𝖇𝖗𝖊𝖆𝖐𝖎𝖓𝖌 because there was no way that either one of them was coming out the other side completely unscathed. as much as it pained david to ask 𝖜𝖍𝖞 she had done what she had, he needed to know because she must have known that there was only one way out and they had been set up to walk into a trap the moment they entered the emerson home.
𝖎𝖋 𝖍𝖊 𝖍𝖆𝖉 𝖗𝖊𝖆𝖑𝖑𝖞 𝖘𝖙𝖔𝖕𝖕𝖊𝖉 𝖙𝖔 𝖙𝖍𝖎𝖓𝖐 𝖆𝖇𝖔𝖚𝖙 𝖜𝖍𝖆𝖙 𝖍𝖊 𝖜𝖆𝖘 𝖘𝖆𝖞𝖎𝖓𝖌, he never would say that it was her fault because on some level, he didn't blame her for what happened. he blamed himself for keeping things from her, from allowing his family to be put in harms way, for allowing himself to do something so foolish and fall in love. everything she had done was his fault. but would he ever admit that to her? not anymore. david was 𝖍𝖚𝖗𝖙𝖎𝖓𝖌 and he wanted to do whatever he could to make it that she was hurting the same way he was. eyebrows raised at her plea, shaking his head as he laughed meanly, " don't say what, star? that they are all dead because of you? "
𝖍𝖊 𝖜𝖆𝖘 𝖈𝖎𝖗𝖈𝖑𝖎𝖓𝖌 𝖍𝖊𝖗, much like an animal would do its prey and whilst he had no intention of physically harming her, he would do whatever he could to make her on edge, to scare her and to make sure that she knew just how much she had hurt him, " we brought you in, we kept you safe, we gave you a home and we loved you, " it was easier to say we than single himself out, but it was still the truth. each of his brothers had their own connection with star, they all loved her in their own way and they would all be just as 𝖍𝖊𝖆𝖗𝖙𝖇𝖗𝖔𝖐𝖊𝖓 to learn how she had betrayed them all, " and how did you repay us? you let michael and his amateur vampire hunters sneak in and kill marko whilst we slept like cowards. you ran from dwayne and took laddie from him. you did nothing to help paul as he screamed whilst he died, " with every word he closed his circle, getting closer to her until he was stood in front of her, blue eyes completely dark as he looked at her, his expression nothing but pain and hurt as he looked at her, " you betrayed me by whoring yourself out to michael emerson and thinking that you could just kill me to get your happily ever after, " if she wanted him to be the monster and the villain, then so be it. even if all of this was killing him inside, he wasn't himself, he was letting his pain and grief for the family that he held close for so many years speak for him. even now he knows he can't hide the way his eyes glisten with tears as he stands in front of her, so close that they're almost touching and yet he didn't dare do it, " i really hope he's worth it, clara, because i'm done, " david didn't even know if he believed it himself, if he really thought he could walk away from her and not think about her again. they were 𝖈𝖔𝖓𝖓𝖊𝖈𝖙𝖊𝖉 in a way that couldn't be broken and there was always just something about them that he never quite understood. never did he think she would turn against him like this and would help destory everything he held close, " you all thought i was a monster and now that's exactly what you're going to get, "
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I feel so Thrawn when looking at Star Wars concept art. I could not beat Iain McCaig in a fight but I get it. I really do.
I do however absolutely believe I could beat George Lucas in a fight because he'd get scared if I shoved unused concept art into his face. Or just art of Women tbh.
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So *honks clown noice introspectively* real stair wars talk.
The original trilogy is an americana/folk fairytale scifi. You can look at it from many different angles but at the end of the day it's a small town, small people story; its politics are not the politics of big names and big city complications, it's politics the way sideroad nobodies understand it. We all make fun of Luke in the Disney era for going into a war not knowing shit about fuck but that is exactly how small people do it, and that is how causes are won time and time again; by small people doing small things and it all adds up and suddenly you have a revolution.
(Leia is ALSO part of the story not as The Main Senator, but as the daughter of one of many senators, another relatively small figure in her context.)
The prequels are synthwave big city scifi and big name politics, mouthful of responsibilities for mouths not big enough for the bite. Compared to the sincerity and the heartfelt approach of OT this is a different angle and a downgrade but it's still okay!!! it's good it's lovely it has many merits.
next we have Disney era star wars, which is hospital aesthetics. Distilled and strile to death and commodified to accomodate every fragile soul on this planet, overstuffed and underperforming at the same time and it ends up easing the itches of absolutely noone.
but then there's the one exception: The Mandalorian (2019–). We're back to americana/folk fairytales again!!! We have a wandering knight in shining armour and a magical child and small town people each with their own evil and endearing stories. The wonder of The Mandalorian is precisely about it's small scale, there lies its heart and sincerity, and that's it, i refuse to talk about anything else–
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previous sir sparklepuff oneshot word count: 1,588
updated word count: 2,360+
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Wish I had more of that stereotypical "refined genius psychopath mystery villain" vibes and less "dysfunctional no sleep cycle can't tell when/if they have emotions traumatized mess doesn't feel like a human paranoid future true crime psychopath" vibes. So that was word salad. Moving on.
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I know it in my heart that Michael C. Hall and Zachary Quinto would be besties if they ever met. They would forge a deep bond out of playing beloved serial killers and gay men.
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There was a guy I was watching on Youtube who said he wanted Georgiou to take a look at what Section 31 did to the Changelings (the virus and the stonewalling and also the torture they showed in Picard) and condemn it to really solidify the idea that like, they are the BAD GUYS. Like, if Georgiou thinks it's fucked up, it's gotta be REALLY fucked up (and what they did to the Changelings was REALLY fucked up). I agree with him and with you and I am also glad it's a movie because if it was a show they'd have to water Section 31 down to being just like, a standard black ops team situation that exists in the morally grey, which is so completely not the point. the point is that they exist in the morally black.
exactly! i get what deep space nine was trying to do -- that starfleet and the federation council look the other way even after it comes to light because they're about to lose the war big -- but they also wrote it as section 31 making the virus BEFORE the big war! how many other threats has section 31 preemptively acted against!? and the federation just let it happen for all these centuries???
i wish in ds9 actually that section 31 could have been something created during the war (perhaps brought back to life from a previous war, using outdated starfleet regulations, if they want to imply that something has been rotten in the state of denmark for a while). it would have the same narrative impact and make much more sense!! this would have most logically happened between seasons 5 and 6, when the alpha quadrant is overrun and they're losing this war badly.
unfortunately in regards to that youtuber's thought... i don't think emperor georgiou, even the domesticated version of disco season 3, would ever denounce a tidy little necessary genocide in a situation like the dominion war, when the federation was in danger of being wiped out like that.
even dyed-in-the-wool 24th century starfleet admirals ordered bashir to stop searching for a cure!
georgiou would certainly mock the federation for allowing that to happen under their umbrella of moral ideals, but there is no way that she would even think twice about the necessity of that in a dominion war scenario. she would consider bashir and the deep space nine gang traitors for trying to stop it.
like i love the end result that guy's going for there, and it NEEDS to be said, but georgiou's character would really have to be bent sooooo far out of shape for her to say that and mean it.
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Firebug is greenlit
EXCLUSIVE: Taron Egerton and the creators behind Apple TV+’s lauded drama Black Bird are re-teaming on crime series Firebug, inspired by events surrounding notorious California arsonist John Leonard Orr.
Black Bird creator Dennis Lehane, star and executive producer Taron Egerton, and executive producers Richard Plepler, Kary Antholis, Bradley Thomas and Imperative Entertainment’s Dan Friedkin will reteam on the Apple Original series.
Firebug will follow a troubled detective and an enigmatic arson investigator (played by Rocketman star Egerton) as they pursue the trails of two serial arsonists.
More: https://deadline.com/2022/12/taron-egerton-apple-john-orr-firebug-denis-lehane-richard-plepler-arsonist-1235193335/
and at Variety
https://variety.com/2022/tv/news/taron-egerton-firebug-apple-tv-plus-1235454219/
I wonder who else will be cast? This is soooo exciting. Such good news.
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remembering this video i watched about the history of Mario 3 that ended with sentimental music and text saying "Shigeru Miyamoto is considered one of the greatest game designers of all time"
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😈 next WIP after this one?
Probably the one you suggested where Jaskier is cursed to be a bird, actually! He's gonna be a tiny sandpiper and Geralt will have to figure out how to take care of him and deal with feelings. The idea absolutely refuses to leave me alone. It might become a multi-chapter thing. It is all your fault. I love it.
From this ask game!
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