quiet on the set: chapter two
fandom: elvis presley | elvis ( 2022 )
rating: t-ish.
pairing: elvis presley x original female character
word count: 4369
warnings: mild slut shaming. complicated relationships with fathers. complicated relationships with mothers. period typical misogyny. arguments between a director and their leading man. slapping. getting into personal space without permission. disagreeing. mild implications for submissive elvis.
author’s note: so hi y'all welcome to the second part of quiet on the set. there's not a whole lot to be said beyond me being thankful to those of you all who have read this because i know hollywood era elvis can be a bit of a mixed bag for people/kind of gets lost in the shuffle of people preferring 70s/big daddy elvis and baby/army elvis. but i've been enamoured with this concept since it's original whisperings and have- well to put it delicately between my discord wives, christi, marina and birdy and my own selfish desires/explanations of this fic to some people ( cough, cough madi ) have had this fic take on a life of its own. which is to say i hope y'all like this and allow me to play a little bit fast and loose with some elements of hollywood history. also enjoy my brief foray into basically writing robert evans somewhat as how he was portrayed in paramount plus's the offer, he'll come up later on too. also. this can be seen as austin elvis or elvis himself, as @precious-little-scoundrel's moodboard implies but i did truly write this i feel with elvis himself in mind.
"Elvis Presley. Are you- have you gone entirely insane? Why on Earth would you want him to play Stanley? Why would you want him near this film at all? The man's only known for-" Her father starts before she cuts him off with a bit of a huff.
"For song and dance formulaic movies, yes yes, I know, father. I know that he's known for movies that are meant to be enjoyed by people who’d rather listen to someone sing and dance and prance around like a prized show dog.” Catherine tries to agree with Alfred, a fact that threatens to eat her up inside but she knows as well as her mother knows that sometimes it’s best to tempt him with honey rather than spitting pure, unfiltered vinegar. “If I remember right- that’s actually what you wish all actors could be: little show dogs you can put up and tell to do something that is easily achievable. Sit and look pretty?”
“You have seen some of them, Catherine, it’s not- You know as well as I do you’ve agreed with me on several sets. Your mother has as well.” The look he gives her would- in another time and another place- normally make her buckle just a bit but she can’t help the way she rolls her eyes at it in this moment.
“That is not the point. In fact, you are trying to move away from the point I’m trying to make. He is the one I want. He’s Southern, he has the bulk, he has the look and aura and if I’m going to make this, I truly think he’d be perfect. Absolutely phenomenal in this role.”
She hears her father scoff and purse his lips. “The talent Catherine, the talent you’ve been craving for your actors to have? Does he have that, hm? Does he leap off the screen the way you want you actors to? Or are you thinking with your-”
“My what? My brain? The thing I inherited from you and mother? Yes, yes, I do believe that’s the exact thing I’ve been thinking with. That’s the exact thing that’s watched his films and can tell there’s something underneath the songs. Wild in the Country, Follow that Dream, Flaming Star, King Creole. I just know there’s something there, there’s an actor the likes of Brando and Newman and Bogie in there, he just needs the right script and director.” Catherine’s brow furrows just slightly. “Tennessee's words are perfect for the man and I can convince him to let me do it. Convince him this is the perfect man to cast.”
“The perfect man- Catherine, the antics that follow him alone would be an embarrassment. A flurry of girls on and off of the set, making a fool and mockery of you and anyone else trying to do their jobs.” He shakes his head. “You’d throw your efforts down the drain. He wouldn’t be professional and your plan would be in shambles. I’d likely have to come pick up the pieces.”
“I wouldn’t ask you to!” Her voice rises an octave and very nearly becomes a shout at the insinuation. “You- I would be able to control the situation.”
The only response he gives her is his eyebrows raised and Catherine swears she sees red. She’s older now, thirty years old and her father still has her as this twenty year old in his mind. This twenty something he’d ask to finish up his films so her mother and him could go off to another set or another country. It would always turn out beautifully and Catherine would wait to see her name in the credits, wait to see her name in those credits like she would see her mothers and yet every time she was let down. Every single time she’d watch as names drifted on by and not a single one was hers. The only Hitchcock on the screen was Alfred, not Catherine. She squares her shoulders and uses the height her heels give her to tower just barely over her father. “Elvis Presley is my Stanley Kowalski, Alfred. I do not care what the man does on the set as long as he does his job and I will ensure he does. This will not run over budget, it will not have melodrama attached to it. It is simply going to be a motion picture where Mr. Presley can show the world that perhaps he can act and not just sing and dance. It’s going to be a motion picture that you refused to do but that I wanted to do. You can refrain from giving me permission but that will not stop me from having him on my set acting against Ms. Wood. It is not going to-”
Her father tilts his head for a moment before exhaling, shaking his head in disapproval. “If that’s what you want. If that’s what you see as your vision. I expect that you will not whine to me if something goes wrong. You will have made your bed and you would need to lay in it. Is that clear?”
“Crystal.” The word is spat out before Catherine turns and leaves the room, her heels clacking against the floor.
Tap tap tap. Elvis faintly hears a set of heels tap against the floor, unaware of who their owner is- unaware that Catherine is making her way toward him- too preoccupied with the blonde in front of him, all fluttering eyelashes and rosy cheeks. She's a professional he can tell, but even the most professional of women can't help but smile and laugh at his charm. Can't help but smile and laugh at his attention because he's Elvis Presley, dreamboat, all-American male.
She clears her throat behind him and he turns around ready to give her a greeting his mama'd be proud of only to have Catherine beat him to the punch by spewing venom the likes of which he hasn't seen come off of a woman's tongue directed at him since- hell- maybe Anita?
"Mr. Presley, I believe you're distracting her from doing her job. I know it must be hard to rein in that ego and charm and sexual desire but that wasn't what I hired you for, now was it. I believe I told you I wanted an actor? Not a sex-addled man."
His eyebrows practically go up to his hairline before he shakes his head and places a hand on her shoulder. "Now, Princess, there's plenty to go 'round for everyone, I won't be causin' any problems."
"I like having eye candy around as much as the next person, Cat. But Elvis Presley. That's like asking to have Brando without the Oscar. Without the draw he still has. You're asking for him to parade about with girls, drag his little posse and that manager of his around, and for what? I'll give you that you'll have a star who knows his lines. But honey, we both know he's box office poison and a has-been in music and films. I know I can handle that, but I don't think you can." Bob's words are gentler than her father's and yet Catherine eyes still tighten at them as she takes a sip of her wine.
"Oh? I believe I can because I don't run a whole studio. I just direct. Much easier for me to survive a box office poisoning with a job intact. Besides you like me enough to have your producers want me as a director." She retorts smiling a fake smile she knows they're both incredibly familiar with.
"I don't know. When you're directing decisions include this, I might be rethinking that. Hitchcock name or not." He pauses. "With a smile like that, you are wasted behind the camera."
"Save your flattery for someone you aren't calling crazy, Evans." Catherine sighs and bites the inside of her cheek. "It's not for his looks, you know I'm not that sort of-"
He cuts her off. "Woman? Director? Normally? Of course not, moral paragon out to remind me I should do better. With a man like him? When you've been lonely for-"
It's Catherine’s turn to cut him off with a light slap to his arm. "Robert!"
Robert Evans raises his eyebrow and smirks while pointing at Catherine. “Oh you- you’ve thought about it, haven’t you?”
“A woman never tells her secrets,” she responds with a blank face before rolling her eyes as he starts to laugh harder than he already had been.
The problem, Catherine figures, is that for all Elvis and his career are on the decline, he's still a very attractive man. A man who knows how to charm a woman - if the line of girls she can say have slept with him is any indication. Sure her father and Robert had both warned her about the possibility of him having said line of girls running behind him. But it's another thing to see it right in front of her face. It's another thing to have him mock her with these women. She's heard so much about his professionalism on the job that to see this in front of her makes her think just maybe she might have made a mistake.
He was the wrong choice and she let herself get swept away in the visuals and how he sounded across the table from her when he read for her. There was something there. She's seen it in other films of his and she saw it when he sat across the table reading his lines as if his life depended on it; which if she’s being entirely honest, perhaps it somewhat did. Perhaps he knew she held his career in her hands. She’s heard whispers of the films his manager has him preparing for and she knows this is his last shot at anything truly good. The last shot at something that might stand the test of time and might turn everything around for him. The only sure bet in Hollywood might have been a Presley picture but nowadays the only sure thing when it comes to them is that they’ll do poorly. Box office poison. But Catherine thinks she can handle it. Thinks that it’s half-way what people expect from her anyway. Still, she had trusted him to be professional and keep his womanizing ways to, at the very least, a minimum on her set and yet it hasn’t even been a week of costume tests and making sure everything would be going smoothly and he’s already charming the production team. What was next? A starlet waltzing in with him as he shows her around the lot and the production while her eyes somehow still have stars in them? He’s a has-been but he’s still pretty, even with just a little more bulk than he used to have when he was younger. He can still bring them in- charm them and make them smile and giggle and say “oh Elvis” like he’s younger and actually their age.
Except that’s what she wanted isn’t it? She wanted the man you could see somehow might have charmed Stella before showing his true colors. She wanted a man you could see might be able to keep Stella and get her pregnant and- was capable of unspeakable things. Someone who could be capable of unspeakable things but had a face that might make you think he wouldn’t. Stanley has sheer, raw animal magnetism and Elvis has it hidden right underneath that exterior. She heard it in his reading of the lines, she’s seen it on camera for herself. She knows that it’s there but she needs it on the screen, she needs it to be filmed and not flaunted in front of her.
She ought to have a talk with him, she thinks. Ms. Wood is due on set today after a little scheduling mixup and she has to tell Elvis- no, Mr. Presley that ahead of time. She knows they had a dalliance once upon a time but she’s also heard how she tried to teach him how to act, a few lessons here or there. If anyone asked Catherine, she likes to think they did him a world of good in trying to harness some of his raw talent. Though she wouldn’t admit it to his face or really anyone’s face if she’s being honest. Truthfully she’s been wanting to work with Natalie for quite a while. This opportunity presented itself and felt almost serendipitous. A leading lady very enraptured with her significant other who her leading man knew once upon a time. What could go wrong?
As it turns out from the way Elvis nearly opens the door on Catherine’s face as she tries to leave her office- a lot could go wrong.
“Natalie. That’s my Blanche?” Elvis’s temper is barely being kept in check, some sense of professionalism and decorum and his mother’s way of teaching him to be a good Southern gentleman stopping him from bellowing at the top of his lungs.
Catherine feels her eye twitch just slightly at the way she can hear his anger simmering. It reminds her a bit of her own simmering beneath the surface at any given moment. He can’t blow up any more than she can in this moment, or so she hopes. “Your Blanche? Since when have you become a director? Or a producer, Mr. Presley? She’s my Blanche, yes. Is that a problem?”
“You know damn well it is!” His voice ticks up just a bit almost yelling but not quite as he shuts the door behind them, knowing it’ll be all over the tabloids if some errant person caught them arguing in the hallway. “Everyone knows we- I know her! She knows me! You had to have known that, Princess.”
“Must you call me that infernal nickname,” Catherine spits out, using the height her heels give her to try and seem as tall as Elvis is, making sure he knows he can’t intimidate her. “"Not everything revolves around you, Mr. Presley. Ms. Wood has always wanted to play Blanche and-"
He holds up a finger and she can’t help but glare at it over the rims of her glasses. "Cut the horseshit. Somehow ya get Natalie goddamn Wood and it doesn't get whispered 'round town. That’s a dirty goddamn trick"
“A trick!” Catherine can’t help the way she practically squawks out the two words. "I did it for you! Is that what you want to hear? That I figured you'd appreciate a friendly face who knows you? You are an incorrigible and ignorant little boy masquerading as a man."
"Then why did you hire me, Princess? Lil’ charity case for Hitchcock's daughter? Takin' in poor lil’ Elvis Presley?" Elvis mocks, his voice gaining the faintest hint of an airy English lilt.
“Do you truly think that- I reiterate Mr. Presley, my world- the world does not revolve around you. Your little gang may treat you as the sun and whatever girl you currently have as the moon, but I am not them! I have- This had- I only wanted to help you. You were as nervous as a little boy in your audition. I’d have thought I was talking to a 21 year old version of you. I’d have thought he was auditioning for my film, not a 32 year old! She is a friendly face in a sea of unfamiliar ones on a film set that is of far higher caliber than any of the other ones you’ve ever been on.” Catherine doesn’t realize how her chest has started to heave in sheer aggravation.
"That's the problem, Princess. I haven't- haven't talked to her since- God, West Side Story, ya know that musical she did. And you talkin' 'bout how Elia recommended her- the hell else is that supposed to make me feel?" His own chest is heaving a little in frustration, here she is in front of him looking every bit the professional he's beginning to truly realize she is and looking so put together like every starlet and every star he's ever seen despite her own chest heaving. It reminds him that's not what he's gotten to enjoy. Sure he's been a star but not like she's dealt with, not like Natalie's been since Rebel with Jimmy Dean. It sends another rush of fury and embarrassment through him. "I'll tell ya how. Like ya cast me out of your own amusement. Wanna see if those acting lessons she tried to give me meant anything."
"Are you- I knew you thought highly of yourself but are you joking with me right now? Why on God's Green Earth would I jeopardize my career over casting you to amuse myself. Why would I jeopardize ever getting to work in this town, with or without my father's assistance, ever again? Do you hear yourself?" She can't help the way she pulls herself to her full height, not reaching Elvis's but still managing to make herself as large as she can. Her hand moves to push him square in the chest. "I thought she would put you at ease. They didn't want me to cast her, said she had a better film to do than this. But Elia and Tennessee and myself all intervened. I got you Ms. Wood to help you. For heaven's sake, that's everything I've been doing."
"I didn't ask ya to! I-I can- I can do it m'self." He snarls, grabbing at her wrist. His stutter betraying him. "Don't- I don't n-need your pity."
“Get your hand off of me, Mr. Presley!” She tries to wrench her hand away from his grip before he lets go. "My pity? That's- you think this madness you are going to wreak on my set is something I'm willingly taking on because I pity you? You are the most self centered-"
"Don't you dare finish that sentence, Hitchcock." He hisses, moving to crowd himself into her space once more.
"Oh! Oh he remembers I have a name and not a little nickname he so graciously gave me! Brava, Mr. Presley! Perhaps you could remember that I am your-"
"Director, I know. Some fuckin' one ya are. Can't tell ya actors a direction they need to take." His hand moves to his chest, marveling in just how much her shove had hurt. "Or is it jus' me ya don't wanna help."
It's that exact moment that Catherine realizes just what might be one of the complications she hadn't foreseen when working with Elvis Presley. Truthfully the idea hadn't even occurred to her in all her arguments with herself and with others. Was Elvis someone who thrived under praise? Under being told what to do by someone he saw to be in a position of power over him? Did he truly need someone to direct him? The irony of it all, the irony of a man who commanded- or controlled a group of friends and compatriots called the Memphis Mafia needing someone to tell him what to do? From what she had known- heard- he bristled under ideas from those inside his circle and yet perhaps that was the key. To be from outside and not on the inside.
"I didn't know I was speaking to a child, Mr. Presley. Do I need to tell you exactly where to stand? How to compose your face into something other than a charming little smirk? How to appear menacing for an audience who needs to forget you're Elvis Presley? Would you like me to hold your hand?" Catherine knows her tone is judgmental, knows how her accent thickens and quite honestly she thinks it has taken on what she would like to argue is that of a school matron.
Elvis’s face morphs into something that raises a flag for Catherine, makes her think of what she’s been envisioning when it comes to Stanley. This is a man she should fear and yet in this moment she knows it’s Elvis and he’s a good Southern gentleman, he wouldn’t hurt or hit her. “Listen here- I don’t need ya patronizing me, Princess. I’m a grown man who doesn’t- I don’t need any of that. I know how to do my job.”
“You know how to play Elvis Presley.” Catherine retorts, watching as he takes a step towards her as she moves back. “I don’t need Elvis Presley.”
“You’re not gonna get him.” His words are practically growled out and Catherine raises a singular eyebrow as he continues. “You’re gonna get what ya cast me for. I just want to know what ya want me to do. Want t’know I’m doin’ it correctly since ya so certain I can do it.”
Catherine manages to keep herself from saying the first words that come to her mind and instead just stares down Elvis, almost challenging him to say more. He’s not wrong with what he says, that she’s certain he can do it. She’s so certain he can act better than most of his films have allowed him to show. It’s- It’s just that she has to coax it out of him, foster his talent and then she can show the world what she can see beyond his sparkling eyes and crooked smile. At his continued silence, her lips curl up into a bit of a sneer as she tilts her head just so that she’s looking at him over the rim of her glasses.
“Mr. Presley, do I look like your mother? Only existing to praise you for breathing?”
Elvis physically recoils at the words and Catherine realizes in that exact moment that perhaps it was an unwise choice of words. An unwise response, but it can’t be undone. The words have already left her mouth and already done their damage. After a second she sees his jaw clench and flex before he eyes her up and down. “My mama’d have smacked you for that, and I oughta.”
Catherine can’t help the way her eyes drift down Elvis’s body, taking in how tense he looks minus a slight jiggle to his leg. He’s holding back and actually stopping himself. For all he’s being an uncouth cad at the moment there’s a part of him that realizes, as much as his mother might have wanted to hit her for saying that, he can’t. He won’t because of some Southern gentleman manners. It almost makes her laugh but she refrains and manages to move closer to him, mocking just that little bit more.
“You didn’t answer, Mr. Presley. Do I look like your mother? Does the woman you’ve decided to call Princess look like your mother? Should I tell you that you’re doing so well? If I had known you needed that I wouldn’t-”
“Goddammit, woman!” The shout that comes from Elvis has Catherine choking on her words in shock. The boom of his voice so close to her reminds her that she is dealing with a man who, other than acting, sings for a living. The sheer anger she feels radiating off of him should terrify her, but she’s never been one to back down unless she truly wants to. No, this has her mouth gaping open just slightly as he speaks, his anger still palpable.“Don’t fuckin’- I- Just because you’re my director ya can’t just- say things like that. There ain’t nothin’ wrong wit’ wantin’ ya to just tell me if ‘m doin’ somethin’ right.”
There isn’t and yet the fact that Elvis is bringing it up in such a way has her on edge. It’s almost as if he wants to force her to do it. It makes her want to make him beg for her to give him direction. She doesn’t think she will, but perhaps it would teach him a lesson about coming onto sets and proving every one of his naysayers right. Catherine is so in her head that she doesn’t grasp how Elvis has crowded her against a wall until she realizes they’ve been walking around her office to the point where she ran out of room to walk backward. Indeed she only registers it when she feels the press of the wall against her back and looks at Elvis to see him glance at the wall and smirk. He has the audacity to smirk at putting her in this position. She sees his mouth start to open and before she realizes what she’s doing she hears what she’s done.
Smack.
Elvis immediately backs off and nearly collides into her desk. If she wasn’t feeling so angry, if the rush of aggravation and annoyance wasn’t coursing through her veins she’d have thought it was funny how it happens. It almost would have been fitting in one of Elvis’s films. No, instead she moves to stand up straight- her hands dusting imaginary lint off her clothes- and starts to walk to the door, her heels clicking against the floor. It’s only when she’s at the door, her hand poised to open it that she turns around to see a still stunned Elvis leaning against her desk.
“Prove you can do something right, Mr. Presley. Prove that this means as much as it should to you and maybe I’ll have a kind word for you. And it’s Ms. Hitchcock to you, not Princess.”
The door opening and slamming shut as her heels clicking gets farther and farther away finally yanks Elvis out of his stupor as his hand moves to rub at his stinging cheek.It shouldn’t excite him in the slightest and yet he feels a tightness in his pants that he’s choosing not to dwell on as he stands up and jiggles his leg, adjusting the fabric as he does.
“Stuck up Princess Hitchcock,” he mutters as he opens the door, checking to see if anyone sees him leaving the room. “Actin’ like she knows- She wants me to show her, fine, I-I’ll show her. Got this part for a reason and I ain’t lettin’ her ruin it.”
It’s only as he’s about to head to the actual set that he pauses and says three simple words before opening the door, a charming smile on his face. “She slapped me.”
taglist: @ab4eva, @blurredcolour, @butlersxbirdy, @precious-little-scoundrel, @eliseinmemphis, @prompted-wordsmith, @missmaywemeetagain, @lookingforrainbows, @araxw, @thatbanditqueen, @ellie-24, @austinbutlersgirl67, @heartbrake-hotel, @ccab, @18lkpeters, @slutforsomegoodlettuce, @dkayfixates, @kendralavon7, @chasingwildflowers, @notstefaniepresley, @wanderingelvis, @kxnnxy, @powerofelvis, @stylespresleyhearted, @be-my-ally, @steph-speaks, @burninlovebutler, @headfullofpresley if you don’t want to be tagged for this series, tell me, i just copied from one of my other elvis fics/took from the last tags i kind of had for the last chapter. but also if you do, give me a heads up. i'll try to get to the tags that didn't work within the next day unless y'all find it first.
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I finished watching Quiet on the Set: The Dark Side of Kids TV around 12:30 AM, and I am absolutely speechless and mortified. The amount of sexual innuendo these minors were scripted to do under Dan Schneider's orders is beyond disgusting! Example: Ariana [Grande] was trying to squeeze a potato, which clearly looked sexual, and then lied upside down on a bed pouring water on herself while squealing and moaning. “Mmm, I’m thirsty!”, she said in a youthful yet slightly seductive tone. Another example: Jamie [Lynn Spears] had goo-like substance accidentally squirted on her face by her costar Alexa Nikolas (who's character, by the way, was heavily sexualized alongside Jamie and her character). Given how disgusting of a man Dan was, the substance intentionally looked like c*m. It was supposed to be a comical moment, but Spears clearly looked uncomfortable. Some other points:
The unsetting things the cast members from All That were put through, such as Bryan Hearne. He portrayed a rapper named Lil' Fetus. That alone is just racist. The costume and position he was forced to wear and be in... WOW. I have no words.
I vividly remember the kid version of 'Fear Factor' on Nickelodeon, but I never really watched it. Seeing some of the dares the kids had to do, such as put a live scorpion in your mouth or get peanut butter licked off your bare body by dogs, looked absolutely terrifying and, for some, traumatizing.
Drake [Bell]. WOW. Everything Brian [Peck] did to him at age 15...
"I was sleeping on the couch where I would usually sleep and I woke up to him, I opened my eyes, I woke up and he was sexually assaulting me, and I froze and in complete shock and had no idea what to do or how to react, and I had no idea how to get out of the situation. What? Am I going to call my mom and be like, ‘Hey, this just happened. Can you come pick me up? I’ll just sit here and wait.’ I had no car, I didn’t drive. I was 15 at this time."
There were 41 people that wrote their letter of support to Brian.
"His entire side of the courtroom was full. FULL. There were definitely some recognizable faces on that side of the room, and my side was, uh, me, my mom, and my brother. Brian had been convicted, but getting all this support from a lot of people in the industry and... yeah ... I was pretty shocked. My mom got up, she had a statement. I wasn't going to address Brian. There was no... no reason to.”
Brian pleaded no contest for two charges of child sexual abuse: "lewd or lascivious act" and "oral copulation" to a child under 16 years-old. 'No contest', man, seriously????
He literally only got sentenced 16 months in prison and had to register himself as a sex offender. That's it. What the fuck?! Oh, yeah, and then he ended up working on the Disney Channel show The Suite Life of Zack & Cody some time after his sentence was up. Again, what the actual fuck?!
A few of the petitioners that were stated are James Marsden (not Prince Edward from Enchanted!), Taran Killam (I only know him from SNL, but this still stunned me!), Alan Thicke, Thomas DeSanto, Ron Melendez, Rider Strong, and Will Friedle.
The amount of sexual references is ridiculous and, now, as an adult, uncomfortable to watch. I can't believe all of those [sexual references] went over my head as a kid! Dan said he knew kids watching these actions would find them funny, so that's why he made these minors do them.
The entire incident involving 12-year-old Brandi and former production assistant Jason Handy. Her mother, who was a legal assistant for Hollywood, said she didn't know if she should call the police or not after he emailed 12-year-old Brandi a nude picture (who, by the way, immediately ran to her room while screaming and then crying). She decided to not call the police because she didn't want to be seen as a "bad parent".
(previous bullet point continued) That is your DAUGHTER. I hope Brandi doesn't talk to her mother to this day.
Jason literally had a journal where he wrote about his feelings towards children, especially little girls. He admitted (in writing) that he wanted to go as far as to “r*pe” little girls too…
Penelope Taynt. I loved this character, and The Amanda Show! Please go research what a "taint" is...
Don't get me started on Amanda Bynes and everything that happened to her and her career, and what all happened between her and Dan. He got way too close to her...!
There's a lot more, but I'll end the bullet points here. I recommend watching this horrifying documentary. Dan was a misogynist, racist, egoistical, and disgusting man who had too much power. The more famous he became, the more powerful and rude he was to the cast (most all of who were minors) and crew.
🌷 March 20, 2024 🌷
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