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#Serge Reggiani
innocentscemetery · 4 months
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men with sad brown eyes + mustaches appreciation
[1880s-1960s]
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60sfactorygirl · 4 months
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Anna Karina and Romy Schnider with their "Etoiles De Cristal", 1963.
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Nico Papatakis, Serge Reggiani, Romy Schneider, Anna Karina and Terence Stamp photographed with their "Etoiles De Cristal", 1963.
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gatutor · 9 months
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Audrey Hepburn-Serge Reggiani "Secret people" 1952, de Thorold Dickinson.
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fidjiefidjie · 6 months
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Bon Matin 💙 🖼😊 💙
Serge Reggiani 🎶 Ballade pour une gardienne de musée
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letterboxd-loggd · 4 months
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I Hired a Contract Killer (1990) Aki Kaurismäki
January 7th 2023
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nofatclips · 1 year
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L'enfer d'Henri-Georges Clouzot, a documentary by Serge Bromberg and Ruxandra Medrea about the (non-)making of L’enfer by Georges Clouzot
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erstwhile-punk-guerito · 11 months
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robespapier · 2 years
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Listening to Michel Sardou's Danton (1972) then to Serge Reggiani's Maximilien (1989) is hilarious (Reggiani will make you cry tho, especially on a 10 Thermidor) cause it's really two widly different artists, two...widly different takes on the French Revolution, and Danton and Robespierre.
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edgarmoser · 1 year
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affiches bobino, paris
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byneddiedingo · 1 year
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Serge Reggiani and Simone Signoret in Casque d'Or (Jacques Becker, 1952)
Cast: Simone Signoret, Serge Reggiani, Claude Dauphin, Raymond Bussières. Odette Barency, Loleh Bellon, Solange Certain, Daniel Mendaille, Dominique Davray, William Sabatier. Screenplay: Jacques Becker, Jacques Companéez. Cinematography: Robert Lefebvre. Production design: Jean d’Aubonne. Film editing: Marguerite Renoir. Music: Georges Van Parys. 
A gangster movie/love story set in the underworld of Paris at the start of the 20th century, Casque d'Or feels slight, but its images have a way of tantalizing you. Perhaps that's because it evokes paintings like Pierre-Auguste Renoir's Dance at Bougival and Luncheon of the Boating Party. Jacques Becker began his career as an assistant to Pierre-Auguste's son, Jean Renoir, so it's easy to guess that there's an element of hommage in Becker's film. (Jean Renoir's wife, Marguerite, also worked as Becker's film editor.) The film's title, which translates as "golden helmet," is a reference to the blond hair of Marie (Simone Signoret), whom we first see as part of a boating party that lands at a riverside dance hall. Marie is the mistress of the gangster Roland (William Sabatier), but they're clearly not getting along. So when a stranger, Georges Manda (Serge Reggiani), joins the company at the dance hall, Marie begins to flirt with him. Meanwhile, the head of the criminal syndicate of which Roland is a part, Félix Leca (Claude Dauphin), is also making a play for Marie. Georges is an ex-con, trying to go straight as a carpenter, but he is drawn into a fatal involvement with Marie. The performances of Signoret, Reggiani, and Dauphin, as well as a colorful supporting cast, carry the rather thin story a long way, greatly helped by Becker's finesse as a director. There is a real chemistry between Signoret and Reggiani, which Becker had noticed in their previous teaming as the prostitute and the soldier who set the sexual carousel turning in La Ronde (Max Ophuls, 1950). In their first dance together, which is reprised in a haunting flashback at the film's end, Georges holds Marie with one hand on her waist and the other arm hanging free at his side -- a suggestion of their innate intimacy. Later, when Georges sees her again at a café, Marie is dancing with Roland, but she keeps her gaze focused on Georges: Becker and cinematographer Robert Lefebvre execute a dizzying tour de force in following the spinning couple around the dance floor, as Marie turns to look at Georges after every spin. The evocation of the seamy side of the Belle Époque is greatly aided by the production design by Jean d'Eaubonne and the costumes by Mayo (né Antoine Malliarakis).
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Pierre-Auguste Renoir, Dance at Bougival
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Pierre-Auguste Renoir, Luncheon of the Boating Party
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favila33 · 2 years
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Poster from the french film "Casque d'or" (1952)
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rotor25 · 2 years
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fourorfivemovements · 2 years
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Films Watched in 2022:
68. La Ronde (1950) - Dir. Max Ophüls
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gatutor · 5 months
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Serge Reggiani-Anouk Aimée "Les amants de Vérone" 1949, de André Cayatte.
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fidjiefidjie · 11 months
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Bonne matinée 💙📽💙
Serge Reggiani 🎶 Ciné cinéma
(70 balais)
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illustraction · 2 years
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Les SALAUDS VONT EN ENFER (The Wicked Go To Hell) (1955) - The BEAUTY OF MARINA VLADY (Part 1/10)
This 10 part Blog celebrates both the talent and beauty of MARINA VLADY one of European Cinema’s most beautiful actresses and massive star in France, Russia and Italy.
Born near Paris in 1938 in a ‘White Russian’ artistic family, she - alobg with her 3 other sisters The Poliakoff sisters) studioed Acting and Ballet very early on
After few small roles in Italy and France between 1949 and 1955, Vlady met Robert Hossein whom she married and also starred in many films between 1955 and 1959 when they divorced. Those movies allowed Vlady to reach a level of fame in France where she became a household name and star, nearly rivaling Brigitte Bardot between 1960 and 1962.
She married twice more but really started focusing on social causes such as right for abortion by the late 60′s-early 70′s and became a passionaria for social justice causes then. She is now 84 and remains a “Grande dame du cinema Europeen”
We begin with the French sex thriller directed by and staring Robert Hossein,which allowed her to display both her incredible body and face (piercing eyes) and beautiful blonde hair as you can appreciate on the vintage Japanese and US movie posters above (click on image for details)
Director: Robert Hossein Actors: Robert Hossein, Marina Vlady, Serge Reggiani
All our MARINA VLADY posters are here
If you like this entry, check the other 9 parts of this week’s Blog as well as our Blog Archives
All our NEW POSTERS are here
All our ON SALE posters are here
The posters above courtesy of ILLUSTRACTION GALLERY
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