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#Whatever my standards for posting are very low
quinn-pop · 8 months
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if we are made in his image, i hope i never meet god
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(i played star allies lol)
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bigfatbimbo · 2 months
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silly low effort dating Lucifer headcanons —
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I LOVE HIM SO MUCH HE’S THE SILLIEST EVER. Anyways, now that we have that out of the way. He is very touchy with you, especially after you guys start dating. He constantly has his hand on your shoulder, arm, in your hair, or on your leg. He’s been so touch starved ever since Lilith left him. So he’s always chasing that kinda of comforting physical touch. Also, probably just always clinging to your arm, no matter what you’re doing too. He’s just there, hanging around. I said in another post he likes to play with your fingers, rings, hands, bracelets, etc when he rambles on about whatever is interesting him. ”I had another Idea for a rubber duck that blows bubbles but I never really got around to it, plus there’s always—“ and he’d be fiddling with your hands the entire time. He also has a thing for being called really lovey-dovey pet names. Princess, sweetheart, babycakes, pretty boy, things like that. I swear they have him on the floor blushing every time, especially if you play it up well enough. ”You look so good today,” and then you strut over to him and tilt his head up to look at you, “my pretty boy.” Hes in shambles oh my god. Probably giggling and putting his hand over his mouth to conceal his dorky grin. Up the stakes by taking his hand and kissing it gently, never breaking eye contact. “Oh— oh my—“ he would stutter out. “Darling how… charming.” But he’d be tomato red and giggling the whole time. Not a lot of people acknowledge this, but he can be very snobby too. Of course, he’s the king of hell. Why shouldn’t he be? He also hold himself to a standard above sinners because, in his words, ‘they’re just the worst.’ So he’d be lowkey snooty and proud in public sometimes. And he’s a little rich boy too so don’t be surprised if he complains about how: “This restaurant serves their lamb too cold. You know, we don’t have to eat here. I have pancake batter at home sooo…” If you end up calling him out on it he’d feel bad about being so bratty and tip the waitress an outrageous amount. Also, i’m sorry this man is a little spoon through and through. Let’s be real right now. He’s so tiny he absolutely dissolved in your arms. Which is very comforting for him on bad days when he just wants to be held by you. He also, even though he acts all high and mighty when it happens, loves being manhandled by you. Maybe he’s overworking himself and so you just sneak up behind him and throw him over your shoulder. He'd bang his fists on your back and demand to be treated with dignity, as if he couldn’t overpower you in seconds. Also, you catch him talking to his rubber ducks A LOT. For a while they were probably all that he talked to it’s kind of sad to watch. But in a cute way? He has names for them all and specific personalities. He’ll be showing you his collection and be like “Oh, george likes you!” after forcing you to hold a rubber duck for him. Also a good cook, I don’t know why I just feel like he is. But like very oddly specific dishes too. He makes a mean gourmet mac and cheese with parmesan on the top. He likes to dance with you too, whether it’s slow dancing or you two are just being silly, he likes to feel your body warmth on him while you two move together. Also, i’m pretty sure we all ready know… autism. I’m not even projecting this time either, it just might as well be canon. So he comes you to about any new hyperfixations he has at the time because he trusts that you, above all people, will listen to him. Once again he’ll play with your bracelets, or fiddle with his hands while he talks to you. And of course, you listen, and even do your research later to make him feel like you really care. He also loves making arts and crafts with you. Sometimes even with some friendly competition (incredibly competitive high-energy contests on who’s contraption works better.) I also imagine you have to say things to him multiple times for him to hear you. It’s not that he can’t hear you, he’s just in his own little world, not paying attention at all to his surroundings.
”What, honey? Sorry, didn’t catch that last part—“ 
Then he’ll focus so hard on paying attention, that he’ll forget to actually pay attention and make you explain it another time.
I imagine he likes doing little tasks for you, so he can feel useful. Like running your laundry for you, doing the dishes, anything to keep him busy.
Also, it’d it earns words of affirmations from you, then it’s worth it. 
Say you catch him scrubbing pots and pans to save you the effort. Come up behind him, put your hands on his hips and kiss his head before telling him how amazing he is. And how great full you are for him.
He’s beaming and smiling so hard his cheeks hurt.
I also think he’s a morning person, so more often than not, he wakes you up with breakfast in bed.
He falls asleep so early at night it’s literally crazy. 
Like you could be hugging him, even standing up, at nighttime and he would immediately get so drowsy.
You’d have to pick him up bridal style and carry him to bed, all the while he’s whining about how he’s “Not tired, yet! I still have so much to do.” I think he also is a huge giggler like he just gets a kick out of everything you say and thinks you’re the funniest person alive. Also, he’s a terrible ugly crier. Like his face scrunches all the way up, snot comes out of his noise, he makes god awful chocking noises. It be kinda funny if it wasn’t so sad to watch to be honest. Cries at super stupid things too, those dog commercials for example. But it’s so bad he could be being his goofy self and like making the milk and the carton of eggs talk to each other. And he would get so invested in their ‘lives’ that he would start crying. ”No, Mr. Milk i’m sorry we can’t—“ sniff sniff “—be together. I DON’T LOVE YOU!” and now he’s crying. He buries his face in your shirt when he cries and just, I have a specific noise in mind, violently squeaks and sniffs.
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a/n — My tumblr was tweaking out when I wrote this. I don’t know what happened but if you saw this posted last night, no you didn’t.
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hareofhrair · 3 months
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I wanted to put this one the previous post but it was long and this is a tangent but- In regards to the hypothetical "If House was my doctor I'd just tell him everything. Rip to all his other patients but I'm different."
The whole point of the show is that you wouldn't. Like a major theme of the show is about how the various shames and stigmas and habitual dishonesties that plague our societies both metaphorically and literally kill us. "Everybody lies" isn't just a cynical catchphrase, it's the shows thesis. Because of how we operate as a society, everyone feels compelled to suppress and hide things and that inevitably leads to suffering.
And there are plenty of episodes where this is obvious, ie "I cheated on my partner and gave them an STD." But there's also much more of "This little girl went through early puberty and because of the way our society stigmatizes women's bodies her single father never discussed puberty with her and she was so afraid and ashamed of her new pubic hair that she tried to shave it without telling anyone and mutilated herself, leading everyone to think she'd been abused and throwing off the whole case until House figured out her hormones were going crazy because she'd been exposed to her father's low T medicine, which he hid because of how our society regards masculinity, which he started taking because he began dating a younger woman (because of shame stemming from our society's unrealistic expectations wrt sex in relationships) which he was hiding from his kids, because of shame regarding our societies toxic views on monogamy."
A particular episode stands out as a really good example. S06E15 "Private Lives," which aired in 2010 but was fairly prescient about where social media was heading. The patient was a blogger who documented literally every moment of every day for her followers. She made it very clear she left *nothing* out, from her and her boyfriend's sex life to, eventually, asking for feedback from her followers on whether to get her heart valve replaced with one from a pig or a "vegan" plastic one. She handed the whole blog over to House as soon as he took the case and the team poured through the whole thing. Surely this is proof you're wrong about everybody lying, the team says to House. She's give us her whole life and you still can't find out what's wrong! Spoiler, it turned out the crucial symptom that allowed House to put it all together? Was the one thing she *didn't* include in the blog- Her bowel movements. Shame and stigma around talking about *poop* nearly killed this woman. It was also a detail that should have been picked up immediately by a normal doctor, who would have asked about her bowel movements as part of the standard checklist of diagnostic questions. But this woman was so confident that she'd laid out every relevant detail of her life in her blog, she wouldn't answer those questions, obfuscating what she was actually ashamed of underneath a pile of curated, rationalized, narritivized junk she could pretend was proof of a lack of shame and not simply a skill at creative writing.
When I say "I'd just tell House everything" is ridiculous, I don't just mean "well, because of the way the show works, you HAVE to be hiding SOMETHING." I mean literally, you- because you are a human being- are ashamed of *something.* And because you are a human being, the more info you try to give House the more deeply you will bury whatever it is you're actually ashamed of. And, because of the way the show works, that *will* end up being the key to what's making you sick.
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bumble-punch · 13 days
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I tend to care about taking a more realistic approach to Riptide in terms of resource management ect, so here's some random thoughts about clothes.
(minor spoilers up to episode #87)
Space management is important on a ship, so pirates tend to stick the essential clothing pieces, and change and wash them less than the average land-dweller.
Pirates don't smell great. This is just something you have to accept.
(except Gillion. Gillion smells of fish and salt and seaweed and the ocean, and never smells sweaty because he doesn't sweat in the human sense, he's just always moist)
Pre episode #87:
Chip has one shirt and one pair of trousers. When he needs to wash them, he will just walk around shirtless or in his underpants depending on what item is being washed. even for a pirate, this is a bit excessive.
he has like three pairs of underpants and he washes them concerningly infrequently
Jay has a change of clothes - she has a spare shirt and trousers, 2 bras that she alternates between, and several pairs of underpants. This is closer to the regular amount of clothes you would expect a pirate to have
After Chip lost his shirt in Allport, he borrowed Jay's spare one since I refuse to imagine him shirtless for the entire Feywild arc. My boy would be cold! :(
Jay is overall the most well-groomed due to her Navy upbringing. However, this isn't something she enjoys - more like something that she feels obligated to do. She finds washing her clothes a pain, and doesn't mind not smelling great or being dirty. As a kid she always hated washing and wearing uncomfortable clothes. As she spends more time on the pirate ship, she becomes less well-put-together and starts to drift more towards a Chip-level of cleanliness - though she promises herself she will never stoop quite as low as him. It's a matter of pride.
She does pick up his habit of walking around shirtless or in her underpants when she can't be bothered to get dressed / it's too hot / whatever. It's a pirate ship, social norms don't matter. Everyone on the ship is family and no-one cares.
She stops wearing bras when they are not on land for the same reason. However, when they come to land, she does make a concerted effort to make herself look socially acceptable and conform to standard norms regarding dress, since she knows this will get them a better reception with the land-dwellers they interact with.
Gillion's was raised to be well-groomed, but didn't have a chance to pack a change of clothes when he was kicked out of the Undersea. His clothes are stiff and encrusted with salt from all the time he spends in the water. There isn't as much of a need to wash items of clothing in the Undersea, as they are in water the whole time, and stains don't show up in the underwater gloom unless they're extremely obvious. Chip and Jay teach him how laundry works easily enough, and Gillion employs a similar strategy to Chip. However, he washes his clothes less frequently than they do as they are always being resubmerged in water anyway.
Post episode #87:
They finally get Gillion a change of clothes. He has an alternate shirt and trousers.
Since they have a bigger ship by this point, the crew has space for a few more fun/luxury items of clothing that aren't for everyday wear. Only a few - ie one special shirt - but it's still nice to have.
(Gillion has an emo band T-shirt) (yes they have emo bands in the fantasy world of Mana) (come on we all know at this point that the world doesn't conform to a consistent time period)
Jay realises she hates her current clothes because the starched sleeveless shirts she has been wearing, though they have become far less starched after a year of heavy use and improper wear, are very scratchy on her skin. She buys two softer woolen sleeveless shirts instead (ie the ribbed design a lot of the fanart of her features). She gives the old shirts to Chip
Chip buys the coat, which keeps his shoulders warm, and so he often prefers to go shirtless to show off his tattoos. However, he will wear Jay's old shirts when his tits get too cold.
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ms-demeanor · 2 months
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Going off that post about nutrition and science, I'd love to hear what you think of the 5:2 diet/The Fast 800 and its creator, Dr. Michael Mosley. For context: in order to get an NHS-funded breast reduction (it's a gender thing, but also just a general quality-of-life thing), I need to be a certain BMI, so I've been referred to a weight management clinic. The lady I've been seeing initially just put me on a low-carb diet (130g or less of carbs per day, with an aside from her about how bullshit Keto and BMI limits for treatment are), but now she's said that, if I wanted to speed up the weight loss, I should include the 5:2 diet: 5 days in a week where I eat "normally", and 2 fast days in which I restrict myself to 800kcals. I did a little looking into it myself, and found that 5:2 - which I HAD heard about before - is now being sold as part of "The Fast 800", with Dr. Mosley being the creator of it. I was shocked by that, because I was already a fan of Dr. Mosley's work (he has a podcast called "Just One Thing" that I really liked, and thought contained reasonable-sounding advice), and yet having a diet plan that he's clearly making money off of does immediately make me feel suspicious. I've borrowed his "The Fast 800" book from the library, both to find out more about the diet I've been put on and to see if it's at all backed by evidence, and he does cite a bunch of scientific studies which seem to back up his ideas, but I don't know how valid they are, and I don't just want to accept them at face-value (especially since he's a "we got fat completely wrong in the 80s, therefore we should eat a Mediterranean diet!" types). Obviously I'll go with what my weight management lady suggests, since she's obviously more qualified to talk about it than I am, but I am curious to know what you think, and whether I'm right to be distrustful of all of this.
I am, generally speaking, against any diet for rapid weight loss. They're not sustainable so people gain the weight back (often with more weight getting added on).
There have also recently been findings that suggest that BMI cutoffs for top surgery are detrimental to patients as patients in higher BMI categories are more likely to have minor complications like UTIs or to be readmitted, but are not likely to have major complications or be at risk of significant harm from having top surgery. I don't know if anybody will listen if you bring up that study, and I know that GCS is fraught in many places for many reasons.
I'm also just.
I'm so mad. I'm so fucking mad! I'm so mad about this!
One of my best friends is a guy who was pressured into a pattern of disordered eating and unhealthy exercise in order to qualify for top surgery; since then he has not been able to eat in a healthy way and has struggled with alternating between exercising to the point of harm and other destructive behaviors that make him unhappy and unsafe. And he didn't need that. He didn't need any of that! He needed a very safe surgery that had perhaps a slightly higher risk of minor complications at his size and instead he got top surgery and an eating disorder! I hate it! I'm so fucking mad about it!
Also as near as I can tell Michael Mosley qualified as a psychiatrist in the 90s, spent very little time working as a psychiatrist, and then became a media personality. From what is visible on his website and every biography I've found for him he apparently doesn't have any background in nutrition beyond whatever is standard for someone in medical school (which is NOT MUCH).
Hey I just looked at his website and this is straight-up fucked up.
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Anybody recommending an 800 calorie a day diet for 2-12 weeks in a context that is not heavily medically supervised can fucking choke. That is *ridiculously* dangerous and the website says that this can improve insulin resistance but there are a shitload of studies about people on crash diets like this *developing* insulin resistance (oh hey like my friend who became prediabetic after his rapid significant weight loss).
Also in regard to the studies he cites on the website, the "two years later patients are still going strong in their diabetes improvements" it's really important to put shit like that in context
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at 5 years 13% of the original intervention group were in remission from their type two diabetes; the average weight loss experienced by the intervention group as a whole was 6.1kg compared to 4.6kg in the control group. That's 1.5kg lower for the people who went through a twelve week medically supervised very low calorie diet compared. That's an average difference of 3.3 pounds between "starvation diet" and "no diet" for the Americans in the audience.
Yours is the second comment I've seen that has been leery of the Mediterranean diet, btw, and the Mediterranean diet is fine. It's very achievable and not super gimmicky and is based on very reasonable reassessments of fat, not the hardcore "you are fine to eat 100g of fat a day" kind of attitude that you get from the keto crew. There isn't really one Mediterranean diet and it certainly isn't low carb (which the bits from Mosely's website seem to indicate it is).
So, no, honestly I don't think much of Mosely and I'm very sorry you're in this situation, that sucks and I hate that they're refusing you treatment until you undergo an exceptionally difficult and potentially harmful weight loss excursion.
I know you're probably stuck with that and it's bullshit and I think it fucking sucks and unfortunately the medical advice you're likely to get is "eat in a significantly disordered manner at least until it is time for surgery" and it blows. That just fucking sucks.
If you're looking for rapid weight loss that you don't plan to sustain (and you shouldn't plan to sustain it, it won't stay off) you may want to look into body building forums for how they discuss cuts. It's still disordered eating and it's still not healthy, but at least they're effective and can tell you what supplements will keep you from becoming malnourished while you prepare for surgery. This is a terrible idea. I don't actually want to give this advice to anyone but bodybuilders are the exact kind of people who know how far and how fast they can push weight loss while having an awareness that it isn't really good for them and it won't stay off.
I cannot overstate enough how much I hate the thought that people are being encouraged to rapidly starve themselves in order to prepare to recover from surgery. I am so sorry and I'm so mad and
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p0rk-guts · 10 months
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I'm so surprised I've seen so much Ruby Gillman hate but not a single redesign! I guess that's bc most hate is towards the trailers and the plot from what I've seen and not the designs, but I'm putting my two cents in anyway.
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Ruby 2.0! I made her very octopus-like because as far as I can tell krakens are just bigger scarier octopi. Took out her stupid ear fins also. With or without them she shoulda had them headphones on or a hat or something bc the fact that she can leave them uncovered with no questions asked just makes the humans look that much more stupid.
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Very messy bc by this point I felt too lazy to make a polished version but you get the idea! And I actually made her have an octupus body of some kind instead of whatever tf her kraken form was. Where did the fins come from? Why 3 weird noodle legs instead of 8 tentacles?? It's like they were trying to make her look as dissimilar to a octopus/kraken as possible
As much of a hater as I was in this post, I don't even really hate her design that much— I just thought taking my own spin on it would be fun. I also will still very much be watching this movie, and I'll probably enjoy it too, at least a little. I have low standards and I like hatewatching perfect storm
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redivia · 2 months
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'I think it's time for bed' Ghost x Reader
Summary: Simon fell asleep on the couch after coming home from work.
Authors note: Heyy! So this is my first ever story. I never thought I would write anything let alone post it, but here we are. Also it has to be said that I don't have a beta reader so if you notice any errors or mistakes kindly point them out in the comments. English isn't my first language so I might have missed some errors. Have fun reading! <3 This is also posted on AO3 .
You were sitting on the couch together with Ghost, or how he wants you to call him, Simon. Outside you could hear the wind blowing through the leaves of various bushes and trees surrounding your joint home. Since it’s been getting colder, the wind was accompanied by some light rain. Not the kind of rain that leaves you drenched if you even think about stepping outside, but the kind that makes the nicest pitter patter noises on your roof. If you listened carefully, you could even, make out the water making its way across the roof and cascading down the rain gutters that ran along the side of your home.
Simon came home a few hours ago, seemingly pretty tired and ready to go to bed, but his face lit up and adorned a fatigued smile once he saw you. You welcomed your boyfriend home with a much-awaited hug and a gentle kiss. Together you ate dinner. During your dinner you made sure to make light conversation with him. Talking about how the weather suddenly switched up on you while you were walking home, or how there was a sale on your favourite snack at your local store and you were therefore indirectly forced to stock up again.
Dinner wasn't really anything that took tons of effort, but it was still as comforting as ever. A simple one pot pasta had to make do for tonight, but for Simon, he might as well could have been at a Michelin star restaurant. Having to rely on MRE's as his main source of calories during his time at work, has set his standards for food very low. A warm meal? With his partner? At home? He might as well be in heaven. Simon made sure to show you his gratitude in the form of cleaning up the dishes afterwards.
Which in all honesty, could have just been shoved into the dish washer and called it a day, yet he insisted on doing them by hand. Meanwhile you were sat next to him on the countertop and listened to him complaining about some new recruits that were trying to turn everything into a competition.
Being able to look at his face and watch his emotions flicker across his face while he was telling a story has always been one of your favourite aspects of your relationship. Simon swore a long time ago that he won’t be wearing his mask around the house, and you’ve been grateful that he stuck to his promise. The privilege of getting to see his face wasn’t something Simon granted to just anyone, and you are well aware of the fact. Making it even more special to you.
The story about the recruits ended in them trying to sabotage and deliberately throw other comrades off of the obstacle course. Some poor rookie had to get stiches because he fell off of the wall they were meant to jump over. But Simon witnessed how the recruit behind him gave the guy in front a not-so-gentle push, because the poor guy was moving too slowly for his taste. It goes without saying that Ghost delivered a long and proper talking to and maybe some extra rounds of running for the saboteur.
While his story came to a close, Simon had also finished the dishes. You both agreed that you only had enough energy left for a movie before deciding on heading to bed.
So that's how you found yourself and your boyfriend sat on the couch in your living room, watching whatever action movie that was currently running on the TV. You listened to Simon ramble and rant about how inaccurate basically every single aspect of the movie was. How they held the guns wrong, shooting for 5 minutes straight without reloading once, not to mention the amount of ammunition they would need to carry with them for them to be able to shoot as much as they were.
All you could do was listen to him with a small grin on your face. Only Simon would be able to pick apart some movie that was clearly produced in some warehouse in Hollywood, with a plot that never even saw the inside of a writer’s room. But of course, you supported your boyfriend in his strong opinions and joined him in his rant.
It must have been about an hour into the movie when you noticed Simon had stopped talking to you. You risked a small glance over at him and saw he was properly passed out. The stress of the day at work must have finally caught up to him. Taking the liberty, you turned down the volume of the TV just a couple of notches, making it so that the movie was now just background noise.
When you were designing the living room you deliberately chose a three-seater couch, ensuring that there would always be enough space for you and Simon to stretch out without hogging the space from the other. Leaning into his side of the couch, your boyfriends arms sat limply at his sides, his right hand placed on your thigh just above your knee.
Normally he would be stroking his thumb gently from side to side as a reminder that he was still there. Honestly you should have noticed that he was asleep once his ministrations ceased. You took a moment to admire how is face changed depending on whatever light flickered across the screen in front of the both of you. In your opinion, he looked the nicest in a subtle orangish tone, the warm light bringing out his faint freckles and blond lashes. Although the universe refused to grace you with your all-time favourite feature of his, his eyes. You would have to make do with Simon’s for once peaceful expression.
Peaceful, but not relaxed, you noticed. There was still a light crease between his eyebrows, even while sleeping he still seemed stressed. Thinking of possibilities to diminish his stress, you gently picked up the hand that was previously placed on your thigh, without waking him up. Simon’s large and warm hand lay limply in yours, and you started to gently massage his hand.
Running your fingers across his knuckles and the back of his hand. Making sure to appreciate every single small cut and faded scar along the way. You carefully turned his hand palm side up and started to massage the palm of his hand with both of your thumbs. The rest of your fingers were supporting what was now the underside of his hand. Your thumbs dug into the muscles of his palm running across all of the folds and creases, before moving to his fingers.
Feeling his fingerprints underneath your fingertips made it feel like he was your missing puzzle piece you have been searching for all your life. Two separate people coming together to make a whole. You couldn’t stop the smile that was now plastered on your face.
Glancing back at Simon, his eyebrows seemed to have relaxed a bit, but not enough for your liking. You had to take drastic action. You lifted your dominant hand to his face you stroked your thumb across the space between his eyebrows in hopes of completely erasing his frown. Your mission was a success, he stopped frowning.
However, he was now blearily blinking awake. The universe obviously had chosen to show mercy today and decided to grace you with his dreamy eyes once again. Your hand slid a bit lower, now resting on his cheek, your thumb still lazily stroking the side of his face.
With a small smile you told him: 'I think it’s time for bed'.
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stars-and-inkpots · 6 months
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Greetings, I'm hoping you're having a great day and or night😊 I love your writing, you're talented! If your requests are still open, can I request Tav (female please) being insecure that she doesn't live up to Gales standards because he was with Mystra? Tav just tells him "I'm in love with you, but I'm nothing. I'm no Goddess" I love my romance with some angst🥲❤️
I finally have a little time this week to write!! I loved this request, thank you so much. I actually had two versions of this planned out, one where you aren't yet together (this one), and another set in post game when the two of you are together in Waterdeep (I might finish this version and post it at some point too) ANYWAY, I hope you enjoy!
With You | Gale x Reader
You were nothing when compared to a god, and Gale certainly wasn’t blind to that. 
So you keep yourself at a distance. You convince yourself that this is for the best. 
Of course, Gale notices.
Pairing: Gale/Reader
Tags: Love confessions, hurt/comfort, fluff and angst, first kiss, comfort, self-esteem issues, low self-worth issues
Ao3 Link: Baldur's Gate 3 Requests
Word Count: 1,037
Realising you had developed feelings for Gale was a complicated discovery on its own. Knowing that Gale’s previous partner had been none other than a literal goddess complicated it even further. 
The two of you had grown close, and both of you would be fools to not admit that there was something between the two of you. But you hesitated everytime the opportunity to take things any further than friendship arose. Not because you didn’t want to, no; Gods, you wanted to so badly. But it was exactly because of Mystra that you hesitated. 
Gale had been with a goddess before. A goddess. And you were just… well, you were just you. You were mortal, and you could never hope to possibly compare to the divine. And what if he was just settling for you? Was he simply lowering his standards? What if Mystra, for whatever reason, decided to return to her affections for Gale? Would he, despite everything that She had done, go back to Her? You were nothing when compared to a god, and Gale certainly wasn’t blind to that. 
So you keep yourself at a distance. You convince yourself that this is for the best. 
Of course, Gale notices. 
Not immediately at first, but after a few days of you barely speaking to him, he can’t help but worry he’s done something wrong. There are no more late night talks by the fire; no walking just a little too close to be simply friendly during the day; no stolen glances. Nothing. Where there was once undeniably something, there is nothing. He curses himself for not saying anything sooner, for hesitating. 
At first, he wants to assume it’s because you suddenly realised that he’s dangerous, that he’s volatile. Then he worries that you’ve realised he’s just not as impressive as you thought he was. Maybe his skill no longer impresses you, and if he doesn’t have that then what else is there? The thought that you look at him and see only what he thinks he is, a pathetic shadow of a man who once was. 
Maybe it’s desperate on his end, but he’s not willing to just let this go. As much as he’s ready to wallow in self-pity, he needs to know. He can change, if that’s what you want. 
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“I want to talk to you, if you have a moment,” Gale says before you can duck into your tent for the night. 
“Alright,” you relent. “Let’s go for a walk then.” You lead the two of you out of camp, and Gale follows beside you. You can’t shake the anxious feeling that only grows with the silence between you two. Once you’re far enough away, Gale speaks up. 
“I’m going to be perfectly transparent here; and if I’ve misread anything, do stop me before I embarrass myself too much.” Gale takes a breath, as if he’s already waiting for you to object. When you remain silent, he continues. “You mean a great deal to me, and I care about you a lot. In all honesty, I have feelings for you, very strong feelings. Now, a few days ago I had thought that you returned and shared my affections. But you’ve been quite different with me as of late. I know I am not owed an explanation or an answer, but I will still ask for one all the same.” 
You freeze. Even though you knew this conversation would come eventually, you don’t know what to say. He’s here. He’s here and he just admitted that he felt the same way as you did, and yet you can’t bring yourself to answer. 
“I just want to know if it was something I did. Did something change? As I said, you don’t have to answer, of course, I just… what happened to make you change your mind?” You can hear the nervous self-consciousness in his words, but it confuses you. How could he ever think it was something that he did when he had been with a goddess? How could he want you? 
“No, nothing changed. It was nothing that you did. I promise.” You sit down, and Gale follows, sitting beside you. 
“Then why have you been so cold with me? It isn’t fair to tell me I did nothing wrong when you go from spending so much time with me to barely even looking at me, let alone speaking to me.” He sounds frustrated, and you don’t exactly blame him. It was cruel of you to treat him so differently without an explanation. 
“I’m sorry.” You finally bring yourself to look over at him. Even through his slight annoyance with your behaviour, there is hurt. “You deserve better than me,” you say finally. You watch his expression change to one of confusion. “You shouldn’t lower your standards for me.” 
“What?” For once, you seem to have rendered him nearly speechless. 
“Gale, I’m in love with you, but I’m nothing. I’m no goddess.” 
A sudden understanding crosses his face. 
“Yes, you are. You most certainly are.” He takes your hand in his. “And you are more than I deserve, I assure you. If you truly wish to remain no more than friends, then so be it; but if those worries were all that were holding you back, I assure you you need not entertain them any further.” Every word sounds so completely genuine. 
“Are you sure?” You ask, despite yourself. 
“Completely.” He lifts your hand and presses a kiss to your knuckles. The act and the way he looks at you is enough to push your worries aside for now. You can tell he means everything he says. 
“Can I kiss you?” You ask, in a rush of newfound confidence. 
“I would like nothing more.” 
The hand not holding yours rests against your face, thumb brushing along your cheek. You brush your fingers through his hair, and you feel him shiver. It’s a soft kiss, the beginning of things. When you part he rests his forehead against yours and both of you are smiling. 
The walk back to camp is quiet, but comfortable. Gale doesn’t let go of your hand until you kiss once more and retire for the night to your tents.
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pizzaronipasta · 7 months
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READ THIS BEFORE INTERACTING
Alright, I know I said I wasn't going to touch this topic again, but my inbox is filling up with asks from people who clearly didn't read everything I said, so I'm making a pinned post to explain my stance on AI in full, but especially in the context of disability. Read this post in its entirety before interacting with me on this topic, lest you make a fool of yourself.
AI Doesn't Steal
Before I address people's misinterpretations of what I've said, there is something I need to preface with. The overwhelming majority of AI discourse on social media is argued based on a faulty premise: that generative AI models "steal" from artists. There are several problems with this premise. The first and most important one is that this simply isn't how AI works. Contrary to popular misinformation, generative AI does not simply take pieces of existing works and paste them together to produce its output. Not a single byte of pre-existing material is stored anywhere in an AI's system. What's really going on is honestly a lot more sinister.
How It Actually Works
In reality, AI models are made by initializing and then training something called a neural network. Initializing the network simply consists of setting up a multitude of nodes arranged in "layers," with each node in each layer being connected to every node in the next layer. When prompted with input, a neural network will propagate the input data through itself, layer by layer, transforming it along the way until the final layer yields the network's output. This is directly based on the way organic nervous systems work, hence the name "neural network." The process of training a network consists of giving it an example prompt, comparing the resulting output with an expected correct answer, and tweaking the strengths of the network's connections so that its output is closer to what is expected. This is repeated until the network can adequately provide output for all prompts. This is exactly how your brain learns; upon detecting stimuli, neurons will propagate signals from one to the next in order to enact a response, and the connections between those neurons will be adjusted based on how close the outcome was to whatever was anticipated. In the case of both organic and artificial neural networks, you'll notice that no part of the process involves directly storing anything that was shown to it. It is possible, especially in the case of organic brains, for a neural network to be configured such that it can produce a decently close approximation of something it was trained on; however, it is crucial to note that this behavior is extremely undesirable in generative AI, since that would just be using a wasteful amount of computational resources for a very simple task. It's called "overfitting" in this context, and it's avoided like the plague.
The sinister part lies in where the training data comes from. Companies which make generative AI models are held to a very low standard of accountability when it comes to sourcing and handling training data, and it shows. These companies usually just scrape data from the internet indiscriminately, which inevitably results in the collection of people's personal information. This sensitive data is not kept very secure once it's been scraped and placed in easy-to-parse centralized databases. Fortunately, these issues could be solved with the most basic of regulations. The only reason we haven't already solved them is because people are demonizing the products rather than the companies behind them. Getting up in arms over a type of computer program does nothing, and this diversion is being taken advantage of by bad actors, who could be rendered impotent with basic accountability. Other issues surrounding AI are exactly the same way. For example, attempts to replace artists in their jobs are the result of under-regulated businesses and weak worker's rights protections, and we're already seeing very promising efforts to combat this just by holding the bad actors accountable. Generative AI is a tool, not an agent, and the sooner people realize this, the sooner and more effectively they can combat its abuse.
Y'all Are Being Snobs
Now I've debunked the idea that generative AI just pastes together pieces of existing works. But what if that were how it worked? Putting together pieces of existing works... hmm, why does that sound familiar? Ah, yes, because it is, verbatim, the definition of collage. For over a century, collage has been recognized as a perfectly valid art form, and not plagiarism. Furthermore, in collage, crediting sources is not viewed as a requirement, only a courtesy. Therefore, if generative AI worked how most people think it works, it would simply be a form of collage. Not theft.
Some might not be satisfied with that reasoning. Some may claim that AI cannot be artistic because the AI has no intent, no creative vision, and nothing to express. There is a metaphysical argument to be made against this, but I won't bother making it. I don't need to, because the AI is not the artist. Maybe someday an artificial general intelligence could have the autonomy and ostensible sentience to make art on its own, but such things are mere science fiction in the present day. Currently, generative AI completely lacks autonomy—it is only capable of making whatever it is told to, as accurate to the prompt as it can manage. Generative AI is a tool. A sculpture made by 3D printing a digital model is no less a sculpture just because an automatic machine gave it physical form. An artist designed the sculpture, and used a tool to make it real. Likewise, a digital artist is completely valid in having an AI realize the image they designed.
Some may claim that AI isn't artistic because it doesn't require effort. By that logic, photography isn't art, since all you do is point a camera at something that already looks nice, fiddle with some dials, and press a button. This argument has never been anything more than snobbish gatekeeping, and I won't entertain it any further. All art is art. Besides, getting an AI to make something that looks how you want can be quite the ordeal, involving a great amount of trial and error. I don't speak from experience on that, but you've probably seen what AI image generators' first drafts tend to look like.
AI art is art.
Disability and Accessibility
Now that that's out of the way, I can finally move on to clarifying what people keep misinterpreting.
I Never Said That
First of all, despite what people keep claiming, I have never said that disabled people need AI in order to make art. In fact, I specifically said the opposite several times. What I have said is that AI can better enable some people to make the art they want to in the way they want to. Second of all, also despite what people keep claiming, I never said that AI is anyone's only option. Again, I specifically said the opposite multiple times. I am well aware that there are myriad tools available to aid the physically disabled in all manner of artistic pursuits. What I have argued is that AI is just as valid a tool as those other, longer-established ones.
In case anyone doubts me, here are all the posts I made in the discussion in question: Reblog chain 1 Reblog chain 2 Reblog chain 3 Reblog chain 4 Potentially relevant ask
I acknowledge that some of my earlier responses in that conversation were poorly worded and could potentially lead to a little confusion. However, I ended up clarifying everything so many times that the only good faith explanation I can think of for these wild misinterpretations is that people were seeing my arguments largely out of context. Now, though, I don't want to see any more straw men around here. You have no excuse, there's a convenient list of links to everything I said. As of posting this, I will ridicule anyone who ignores it and sends more hate mail. You have no one to blame but yourself for your poor reading comprehension.
What Prompted Me to Start Arguing in the First Place
There is one more thing that people kept misinterpreting, and it saddens me far more than anything else in this situation. It was sort of a culmination of both the things I already mentioned. Several people, notably including the one I was arguing with, have insisted that I'm trying to talk over physically disabled people.
Read the posts again. Notice how the original post was speaking for "everyone" in saying that AI isn't helpful. It doesn't take clairvoyance to realize that someone will find it helpful. That someone was being spoken over, before I ever said a word.
So I stepped in, and tried to oppose the OP on their universal claim. Lo and behold, they ended up saying that I'm the one talking over people.
Along the way, people started posting straight-up inspiration porn.
I hope you can understand where my uncharacteristic hostility came from in that argument.
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jaynovz · 2 months
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Expanded Info for Black Sails Kink Meme 2024
Hi there!
Since there has been a sufficient amount of interest for this idea, let me explain a little further how I think this will work and general guidelines–
I’m encouraging as informal and low stress/pressure of an atmosphere as possible here. Back in The Day when LiveJournal Kink Memes were common, it was very typical to see a prompt put up and filled within an hour. It doesn’t have to be polished, it doesn’t have to make logistical sense, it just has to fill the prompt as best as you can, sexily! It’s supposed to be fun. A bunch of fun, raunchy kink and smut to roll around in as a fandom. 🥳 🥳
So yeah, first thing to expect, it’s basically ALL PWP (porn without plot). Not to say that someone can’t write a full plot epic if they like, do whatever you like, but in my experience, a 4am fugue state smut fill written in a sweaty haze is kind of, the spirit of the thing. We’re creating ficlets, snapshots, tasty treats of smut with as little pressure to make it in any way polished as possible. Please think of this as, hmmm, a little fun writing exercise you do before you go back to your Big Serious Work, if that helps. We are letting loose, we are having fun, we are being deliciously, joyously, unrepentantly filthy with it! The tagline for the event is: “Get High, Jerk Off Three Times, and Write Me a Warmup :DD”
A prompt might say, for example– “MaxAnne, s2, would love to see the girls get slippery wet with some period sex, bonus if one or both eats the other out while she’s menstruating.” 
Pretty standard stuff, nothing that off the wall from my perspective, however, some folks might feel shy about asking for it for whatever reasons and so the anonymous format frees ppl up to ask for anything from: “Midshipman James McGraw getting caned in pre-canon by his superiors” to, idk, “full tentacle-y type oviposition porn where someone is being forced to come over and over again while being implanted with eggs by some giant plant beast on Skeleton Island (probably Silver).”
Literally ask for whatever smut you want~~ This is your chance, toss it into the pot! It will be tagged accordingly when posted if it’s filled, so live your truth, chase your bliss, know no shame, no one can see you~~
It is helpful when submitting a prompt to give details that are important to you, and the prompt filler will do their best with it. <3 So, I suggest giving a ship specification up front, maybe a vague timeline (season 1, season 2, etc), and then the kinks you want to see with a short description. Sort of like the MaxAnne period sex I gave an example of above.
Logistics and Structure of Submissions–
I have created a sideblog called @blacksailskmeme through which, once submissions are live (it will be open to accept prompts hopefully in March 2024), you may submit ANON ASK PROMPTS. I will publish them with a number and a link to the collection. If you like one of the prompts, simply post it through the collection with its corresponding number and then that AO3 link to your fill will be reblogged underneath the original ask prompt.
Simple as that! 
Follow the Event Blog, or the tag #2024BSKMemeFills in order to keep tabs on when prompts are filled. 
This makes it very easy for me and yall both, as there is no claiming process to trouble ourselves with. As many fills as are written are allowed for each prompt, simply write whatever speaks to you and I’ll be able to track the fills by the notifs on the collection. :DD
As of now, I’m planning to open prompts in March 2024 and keep the collection and blog running for prompts and fills both up through the end of Summer 2024. To respect the spirit of the event, all fills and prompts MUST be anonymous. Edit for clarification: The entire collection is marked Anonymous, which means any work submitted to it will be posted Anon. There is no option you need to worry about checking to guarantee this. I apologize for the initial confusing language, I have been learning as I go.
It still stands that if, after the event is closed, you want to then de-anon your work, that is your prerogative. However, it will mean you must remove the work from the collection, as the collection itself will forever and always remain anonymous.
Rules–
–This is an 18 plus event, please, as all of the content will be Explicit. 
–It is also a Black Sails Only Event, please no crossover prompts or fills. However, AU of all types are encouraged with our favorite pirates.
–All ships, all kinks, are welcome for submission, and the fill will then be tagged appropriately. If you have any questions on how to tag something, or just want another pair of eyes to confirm, you can always DM me <3
–Fills must be 500 words minimum of fic. There is no maximum and the fill is allowed to be WIP if you intend to write more chapters later. I would encourage that the content of the prompt be IN the first chapter at least before submission to the collection.
–We’re Gonna Be Nice and Civil!! No ship bashing, no kink shaming, we’re all mature adults here. If you don’t like something, then don’t fill it, don’t reblog it, don’t read it, pretend you do not see it. If you don’t like it, it’s not for you! 
If I haven’t covered everything here, or if you’re unsure about something, feel free to reach out to me either through the event blog or through @jaynovz <3 Also, if you’d like to help me out with the event, hit me up as well.
Thank you!
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runwayrunway · 7 months
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No. 54 - Ryanair
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You are watching a video on a popular video sharing service. It is a full episode of a popular and long-running show, generously uploaded for free. It is narrated by a calm man with a BBC accent of the sort which belongs exclusively in documentaries.
The narrator names a date between 1903 and the current year. It is accompanied by a location - an airport. An airplane is on approach. It has a certain number of people on board, and it flies for some airline. There are pilots, most likely two of them. They make some sort of mistake, and maybe there's an issue with the weather, or the ILS is down, or the instruments are giving misleading information, or some other thing has gone tailcone over teakettle in an alarmingly short timespan and now their approach is tremendously unstable. They aren't on the glideslope. They're too fast or too slow. They really need to declare a missed approach, but for whatever reason they don't.
The plane lands, or 'lands' - finds itself on the ground, regardless - either on or short of the runway. It bounces, or flips over, or just pancakes into the ground. The fuselage cracks, or splits, or peels open, or horribly catches fire. There is an evacuation. It's all very stressful at minimum, and an unmitigated tragedy at worst.
You scroll down to the comments for some reason. "Average Ryanair landing," says one near the top.
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Ryanair (not to be confused with Ryan Air, a real but unrelated airline) is Europe's largest air carrier. It has over 550 airplanes and serves over 200 destinations. It is difficult to imagine an airline with a worse reputation - their CEO is a literal troll, their customer service is legendarily poor, and their ultra-low-cost model is one in which you inevitably get what you pay for. They are memetically despised, and their rough landings are the stuff of legend.
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And yet their livery is understated, with a certain head-held-high gravitas. It is difficult to describe the legitimate cognitive dissonance which arises from Ryanair's aerosartorial choices, an effect that seems to touch more people than just me. On another airline, I wouldn't find this livery particularly thought-provoking. Enough substance to write a post about, but not something which lurks in my mind and draws my attention. But on Ryanair, it's downright fascinating.
I've said what I've said, but I'm actually a defender of Ryanair. Look, it's like getting a ticket on a bus or the metro. It's cheap (at least in theory - they seem to be getting pricier lately) and it gets you where you need to go and it's probably not going to be that long of a flight anyway so, I mean, whatever. I've flown some pretty long flights before in-flight entertainment was standard, Ryanair is fine. I never even noticed the hard landings until I saw people talking about them, and to be perfectly honest I didn't notice them afterward either. Maybe I'm just not bothered by hard landings, the same way I'm not bothered by turbulence. Who really knows? My point is that I'm something of a Ryanair apologist. I live in the US, where you just don't get dirt cheap flights like that and getting anywhere outside of your home metropolitan area by train (and even sometimes bus) costs even more than flying. Ryanair could make me board the plane by abseiling up it myself to save money on airstairs and I'd be fine with it if the price was right. I'm not a millionaire. I haven't got the money to go jetsetting around Europe on a real airline. So I mean this when I say it: thank goodness for Ryanair.
I mean, I'm not saying this because Ryanair is good, don't get me wrong. They are the Big Bill Hell's of airlines. They are the closest thing we have to John Mulaney's version of Delta. Ryanair is not just no-frills, it's hot-glued fabric scraps in the vague shape of a garment. They are legitimately comical in their commitment to service so Kafkaesquely bad that you almost wish you'd travelled by trebuchet instead! And all this for the low, low price of...well, I mean, they do get pretty low.
When I released my first questionnaire I added a question about Ryanair specifically because of its reputation and my own feelings about the airline. Multiple people did agree with me - well, it's definitely not comfortable at all, you won't enjoy yourself, but it's so obscenely cheap that this isn't really objectionable. You are getting exactly what you pay for. And, well, if you do want some semblance of the full-service experience you can pay an extra fee. Or a lot of extra fees. That's how they get you. The ULCC model relies on stripping out everything possible and then charging you extra for it. That does mean that if you need things like printed boarding passes or the ability to pay by credit card that come standard with literally any other airline you could end up paying a decent amount for your miserable cramped flight, but if you truly want the bare minimum they will charge you appropriately, and that is so important to me, because I have too little money to insist on being comfortable.
I do feel...particularly sorry for one respondent.
It isn't bad press they are legitimately a nightmare. A attendant once lied to me and told me that type of plane just didn't have toilets (it did. There was a working toilet on board) then proceeded to lecture me about 'not planning ahead and going in the airport'
This is kind of hilarious in a sad way and I'm very sorry that this happened to you. Ryanair is infamous for its bad customer service but it's rare you'll hear about cabin crew behaving this poorly at any airline. While this particular incident was a one-off, you probably will have a pretty miserable time if you need to call the airline about literally anything.
One person just answered 'bitches'.
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Well, that answers the question "what is Ryanair", but why is Ryanair?
The world is full of low-cost carriers. Wizz Air, EasyJet, airasia, Allegiant, Jetstar, FlySafair, Volaris, T'Way, Azul, Nok Air, Frontier, Lion Air, jetBlue, and SpiceJet are just some of the dozens which fill the skies. They are often colourful, frequently grumbled about, and essential.
Low-cost carriers, and especially ULCCs, are a relatively recent phenomenon. They only sprung into being after aviation stopped being by necessity a luxury product. It's generally agreed that PSA (Pacific Southwest Airlines), an intrastate carrier from California colloquially known as the Poor Sailor's Airline, was the first low-cost carrier. While the large interstate carriers of the time had a sort of detached gravitas to both their services and their prices, and were often prevented from lowering said prices anyway due to federal taxes that didn't apply to intrastate carriers like PSA, a ticket on "The World's Friendliest Airline" was cheap and the service was casual and personable. The low-cost model is built on being an option for a normal person. If you don't have the money to fly TWA, you can fly on an airline which is made for normal people and charges you accordingly.
The model didn't really catch on immediately, though. I couldn't exactly say why - it might have to do with the lack of demand for air travel that wasn't either commuter flights or long-haul. There was some activity in the market, with Loftleiðir (a precursor to Icelandair) offering cheap-as-dirt transatlantic flights in the 60s and Laker Airways having a three-year tenure in the late 70s serving a similar market from a Western European base. Even today the long-haul low-cost market they served is notoriously difficult to make anything work in.
What is generally thought to be the next major player in low-cost airlines, Southwest, emerged in 1971. David Neeleman further refined the model, first with innovations in cost-cutting at Morris Air and later by raising the bar for customer experience at jetBlue. David Neeleman, though, was active right at the turn of the millennium. Low-cost carriers only really began to emerge in real numbers in the 80s and 90s, with examples that are long-gone, like the infamous ValuJet, existing alongside ones US residents have probably seen at their local airport, like Spirit.
Spirit is different from jetBlue and Southwest. Spirit Airlines is not just a low-cost carrier but an ultra low-cost carrier. As the name suggests, the difference is one of scale. A low-cost carrier provides less comprehensive and less ritzy service than a full-service airline, but they do so in the tradition of PSA, trying to provide a comfortable experience that makes people want to choose their airline. The ULCC model, on the other hand, guts out literally every possible feature and then dangles it in front of you on a string, telling you to pay extra if you want it. These airlines do not provide a good experience. There will be no baggage allowances, no extra legroom, and no priority boarding. The base fare, however, is almost absurdly low relative to even low-cost carriers, and as air travel becomes a fact of life more and more the humble ULCC becomes a necessary part of the ecosystem as the only way many people can afford to travel.
Ryanair is technically 38 years old, but it's only been a low-cost carrier since 1990. This pivot is the brainchild of then-CFO, now CEO (and ouster of the eponymous Ryan) Michael O'Leary, one of the wealthiest and most unpleasant men in Ireland.
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image: Associated Press Yes, this is actually a real image of the CEO of Ryanair. I imagine this may clear up a thing or two.
Why is Ryanair? Because Michael O'Leary, is the simple answer. Michael O'Leary is - and there is genuinely no better way to describe the man - a troll. If you take David Neeleman's image during his tenure at jetBlue, a sweet everyman trying to improve the experience by sitting in on flights and giving up his salary to employee medical funds, Michael O'Leary is the literal exact opposite of him on every point. A self-described "gobshite" and "obnoxious little bollocks" who has admitted to "not liking" aeroplanes, Michael O'Leary is a cruel, selfish, belligerent, publicity-seeking freakazoid on a mission to piss off everyone in Europe which has so far been largely successful.
I don't want anything I say about the man to come off as positive. Michael O'Leary is a wealthy ghoul (and, yes, he was born wealthy, no rags in his tale) who publicly berates, mistreats, and underpays his staff. He has expressed prejudice against racial and religious minorities, fat and disabled passengers, women, and just about anyone who expects to be treated with some measure of dignity. He has committed legitimate crimes, like impersonating journalists. He denies climate change and has accumulated his massive wealth by abusing the pilots and cabin crew who keep Ryanair adequate. In 2010 Ryanair was named one of the least ethical companies in the world. The fact that he is so absurd as to be hilarious isn't an endorsement or a defense of him.
That said, here is a short, curated list of Michael O'Leary's, and Ryanair's broadly (as their public image is really an extension of his and vice versa) most Ryanair shenanigans:
O'Leary installed a taxicab license plate on his luxury car and driving it in the bus lane to avoid traffic.
Advertisements have taken open and somewhat sneering shots at other major European airlines, like Lufthansa ('bye by Late-hansa'), British Airways ('expensive BAstards'), and the now-defunct Sabena (using a reference to the famous Manneken Pis statue). These have not been simple comparisons but outright name-calling.
One time they advertised sales to 'sunny' vacation destinations, like Norway.
Generally, their advertisements push so many boundaries that they were once found to have committed seven violations of advertising law in just two years, and I'm shocked they didn't begin an ad campaign centring around this dubious achievement.
They frequently misbrand airports way outside of major cities as being in that major city, with the most insane example being "Vienna Bratislava" - yes, Bratislava, the one in Slovakia.
Pilots are forced to pay for simulator checks while cabin crew are forced to pay for uniforms and training. Employees are even forbidden from charging their phones from office sockets, apparently.
Sometimes passengers are forced to carry their own luggage to the planes! Not carryons, luggage.
O'Leary, in a bold move, outright denied that the 2010 eruption of Eyjafjallajökull had created a massive cloud of volcanic ash hazardous to airplanes (it very obviously had).
He also said he would like for there to be a recession, since it would let Ryanair keep costs low. He said this in 2008.
One time he said travel agents ("fuckers") should be shot .
O'Leary claimed that Ryanair would begin offering business class, featuring "beds and blowjobs". I'm personally not sure I would want a Ryanair blowjob. That sounds really horrible.
Also, bold coming from an airline with no seatback pockets.
Apparently they tried to get planes delivered with no window shades (though they weren't able to because of regulations).
They've floated the idea of standing seats. I don't believe this will or indeed could ever happen but it definitely is truly dystopian.
Ryanair keeps trying to buy Aer Lingus. They keep failing, and they keep trying. Obviously, everyone in Ireland has a vested interest in making sure this does not happen.
Fundamentally, Ryanair doesn't care. They can and will essentially throw tantrums to get airports to charge them lower operating fees and if they can't get an airport to do this they just won't operate there. It's like negotiating with a seven-year-old. Except that seven-year-old is Europe's largest airline.
They wanted to buy the C919. This isn't, like, a bad thing, it's just really strange for a hardcore Boeing loyalist airline and I can't imagine how it would save them money.
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image: Robot8A This is the interior of a Ryanair plane. Note the safety cards attached to the seatbacks due to the lack of pockets, plus additional adverts on the seatbacks and overhead bins like this is a sports match in a massive stadium. It's also just quite ugly.
Fundamentally, Ryanair is just perpetually doing Ryanair things. Why is Ryanair? Because Ryanair is one giant publicity stunt. A couple of people answered my question by referencing the CEO saying he'd like to charge people to use the toilet, and that's sort of true in the sense that he's said he'd like to do this, but he's always been pretty clear that it's a publicity stunt:
Short of committing murder, negative publicity sells more seats than positive publicity.
Like, it's a bit. He's doing a bit. He's 100% in on the joke. For every one of the more particularly insane claims, like charging to use the toilets, he's outright denied it. Even some claims that are pretty borderline are ones he's contradicted at other points. He's a legitimate bigot who's created one of the most nightmarish work environments out there and just wants to suck money out of people by any means necessary, and he's indefensible, but that's not really what people talk about when they talk about Ryanair. They talk about charging for toilets.
Charging for toilets continues to be the number one story that resurfaces in the press and it’s the gift that keeps on giving. We’ve never done it, but it keeps coming up on social networks every three or four months, the media picks up on it and then someone writes a story on it.
Which I think is misplaced effort when he's also, for instance, a climate change denier who forces disabled passengers to pay for wheelchairs. And I don't believe for a second his climate change denial is based on legitimate convictions - he just doesn't want to have to spend more money. He would absolutely knowingly feed the world into an incinerator if it lowered costs.
Anyway, here is a picture of him having his face violently introduced to a pie.
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image: Olivier Hoslet
All of this said, there's no such thing as an ethical airline - he's just playing it up to the extreme for essentially business clickbait.
I feel like the best example of Ryanair's general...Ryanairness is their Twitter account, which I have a sneaking suspicion Michael O'Leary runs himself to save money. It's mostly composed of firing back at complaining customers, Formula 1 opinions, and jabs at everyone from Boris Johnson to the British Museum. (Heartbreaking: the worst person you know just made a great point.) Their description, 'we sell seats, not windows', references the frequent complaints about seat 11A, which does not have a window. (To be fair, their website does warn you about this.) Their weird window situation actually generated my all-time favourite Ryanair tweet.
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Here are some other winners.
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No, seriously, I think Michael O'Leary might be writing these. I also really don't know how to feel about the fact that it appears someone at the airline - potentially O'Leary himself - has made an edit of a yassified Ryanair plane.
But at the end of the day, it's Ryanair. O'Leary himself has described aeroplanes as "a bus with wings on". As one individual tweeted,
THANK YOU to [Ryanair], for letting me see Europe for Feck All
and that's why I do think I genuinely have primarily positive feelings about Ryanair as a product rather than a company - you truly do see Europe for Feck All. (O'Leary has claimed both that he would introduce $10 transatlantic tickets to the US, and that he would make tickets literally free and make all profits from ancillary fees - while neither has yet happened, it takes one hell of an airline to claim that it's on the table.)
Ryanair isn't affordable, it's dime store. It's an airline you bought from Wish.com. It's the free pen you stole from a cup of identical pens at the bank which stops working within days. You're not just in steerage, you're on a tramp steamer. You get exactly the misery you pay for, and you go from one place to a different place.
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And it's worth noting that Ryanair has at least one positive feature - safety.
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When I ran my first questionnaire I asked respondents what type of airline they thought was most dangerous. Other than what's shown there was also an option for mainline full service carriers; unsurprisingly, nobody chose this. There were 50 respondents but 5 declined to answer this particular question, so the sample size isn't really significant enough to draw any conclusions from, but it's what I have. (I kind of wish I could stop to re-run this with my current follower count, but this post is actually a request. No, not for my wonderful beloved followers - for my dentist. Not joking. Thank you for making my teeth not have holes in them.)
20% of respondents indicated that low-cost or ultra-low-cost airlines probably had the worst safety records and practices. It's completely understandable why someone would think this, but without going into the actual statistics of plane crashes this simply isn't true, and in fact they're the safest category on here. While it obviously depends on the specific airline, low-cost carriers as a category are no less safe than mainline carriers. This is despite the fact that they tend to fly shorter flights and thus they operate more takeoffs and landings, which are the points in a flight where the majority of crashes occur.
How does that make sense? Well, part of it is that the airline industry has gotten very close to eliminating accidental crashes via innovations in technology and an incredible safety culture built on years of hard lessons. The world has paid in blood for crew resource management and GPWS, but it has paid, and now the sorts of crashes that would have been unremarkable just 20 years ago are completely unthinkable. Actually, in the 2010s it's quite possible more people were killed by planes brought down deliberately than accidents. But beyond that, the costs low-cost airlines cut tend to be ones that aren't safety-critical. They tend to operate shiny new fleets (better fuel efficiency, purchased in bulk) with large maintenance teams (shorter turnaround and less planes grounded for long periods of time) at less congested airports (lower operating fees) and indeed when I think about famous accidents that involve massive cutting of corners it's nearly always full-service airlines, save for egregious examples of low-cost industry pariahs out of business within a few years. Focusing on eliminating operating costs by making the passenger experience cramped and miserable allows for pouring all your budget into running a smooth and well-oiled operation.
The axiom "if you think safety is expensive, try a crash" is often attributed to EasyJet founder Stelios Haji-Ioannou. And it's true. Beyond the cost of writing off a plane, of financial compensation to survivors and families, of lawyers and PR, of having to update your operation to make sure it never happens again...as O'Leary himself said, all press is good press...short of murder. A heinous, clearly negligent crash, on the other hand, can kill an airline as easily as it can kill people. It has done in the past and that threat will never stop being there. Airlines go out of business all the time for any number of mundane financial reasons. In many cases margins simply do not allow for something like a crash. Crashes have even ended the lives of deeply historic, beloved, well-established nationalized flag carriers, so this particular sword of Damocles could cut Ryanair's control cables just as easily. And they've managed to avoid this fate, with zero passenger fatalities and only one written-off airplane - the 2008 crash of flight 4102, caused by a birdstrike during landing.
And I'll be honest, "miserable and safe but a tenth the price of a train ticket from Boston to New York" (I am unfortunately not exaggerating) is a pretty appealing package to my non-millionaire self.
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...so why do their planes look like this? I'm dead serious, it vexes me. I don't know what to make of this. Hey, did you remember I'm an airline livery review blog? Look, I can't help myself. Low-cost carriers as a topic, and how they're viewed, is probably the most interesting facet of the aviation industry to me. I feel like if I had infinite time and resources I might genuinely sit down, hit the databases and archives, run a few studies, and write a book about it - it's fascinating, and low-cost carriers are something that only economists and businesspeople seem to want to talk about. I think it's about time someone approached them through a lens of history and social psychology. There's not really academic value to what I do here, on Runway Runway, my tumblr blog where I call Lufthansa planes ugly, but if something doesn't exist I will create it even if my sample size is 50.
So how about how they're literally viewed - like, what their planes look like? Well, here are some low cost carriers I've reviewed. Notice something? They're bright and eye-catching. They don't take themselves too seriously. They're fun. The original low-cost carrier literally painted big smiles on their bright pink and orange planes.
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Okay, yes, they don't all look like this. WestJet and IndiGo, for example, are fairly normal-looking. And there are full-service carriers like TAP Air Portugal (and condor. Absolutely condor.) that I would say have a pretty low-costy look to them. There is nothing wrong with that. Low-cost liveries are frequently colourful and exciting, with much more thought put into distinctiveness and charm instead of a passionless appeal to dignity. Indeed a lot of my most highly esteemed liveries, including all the ones pictured above, are low-cost airlines. GOL, for example, is a snappy, eye-catchy design in bright colours that's clearly not meant to look expensive. The same goes for Breeze Airways. There's even more examples out there I've yet to touch on, like EasyJet; ValuJet; Scoot; Spirit Airlines; Frontier Airlines; PLAY (and the late WOW air); Volotea; airasia, so on - to be dignified or clean is not the goal here. Even the names of low-cost carriers frequently are very hastily stapled together and generic, like EasyJet or Super Air Jet or Wings Air; JetSmart; SkyUp; Smartwings; FastJet; Sky Airline (just one!); MYAirlines; the classic ValuJet; flyadeal; and the legendary jet2.com, making no attempt at all to seem as if they have a legacy to fall back on. And there's even more out-there specimens, like Mango or even Nok Air. Many of them have specific themes, like Batik Air, Tigerair, or Buzz, which isn't something you see on full-service carriers, which brand themselves on national identity and the promise of luxury and good service - which is boring. Low-cost airlines, if they want to succeed, have to do something to make people remember they exist.
This is the fundamental shape taken by the low-cost product, which operates with few laurels to rest on and a mission of getting people to remember their website at any cost. Much like a can of Arizona iced "tea" guaranteed to cost ninety-nine cents, literally cheaper than a bottle of water, the package it comes in makes no attempt to look classy. And I am a heavy tea drinker who considers myself fairly discerning, whose favourite type of tea is gyokuro yamashiro (which is absurdly expensive), but you literally can't beat Arizona! It's potable and it's ninety-nine cents and it sort of resembles tea if you don't think too much about it and Massachusetts summers are surprisingly hot and the can is pretty and colourful. Sure, I'd rather have Ito En, but that costs normal money and Arizona costs 99 cents, and sometimes that's all I really have, and it gets the job done even if my teeth aren't enjoying the experience. A Wizz Air plane is a can of Arizona iced tea. It is ninety-nine cents and potable.
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This isn't Arizona, this is a box of Darjeeling from Harrods. Ryanair outfits their fleet in handsome navy blue and gold. Their logo, an outline of a woman with harp-like wings taking flight, is simple yet elegant, and that feels so very wrong. I actually asked in my questionnaire what the colours of the Ryanair livery were, because I had seen people expressing casually that they weren't sure they could recognize so much as a Ryanair logo, and the results aren't worth showing in a chart because they're basically as good as random. I do want to specifically appreciate the person who answered "I don't remember but it must be whatever the cheapest colour of airplane paint is", though.
But the truth is that they have such a rich palette, and I do mean that in the sense of 'wealthy'. A deep royal blue paired with a saturated gold used as a sparing trim, these are the colours of an overstuffed plush armchair, not a budget airline. Aside from the name on the winglets and the giant billboard wordmark there is nothing, and I mean nothing, that is typical for a low-cost airline. This is not garish advertising, this is stately.
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The layout itself is what I call "Deltalike". Delta certainly did not invent this style of livery but they are the carrier I associate most with it, likely due to the fact that I live right by one of their hubs. The Deltalike is a white plane with a painted tail unconnected to the main fuselage body, painted winglets, painted engines, and a painted underbelly large enough still be visible when viewed directly from the side. While a 'true' Deltalike uses a consistent palette for the engines, tail, and underbelly, there is significant variation. The detached tail is, in my opinion, the harbinger of the Deltalike, and I call liveries with an incomplete presentation of Deltalike features Deltalites.
This scheme is not as common as the Lufthansa Line variants but it is still very common, with its popularity probably peaking in the 2010s. Some examples of the true Deltalike include Air Canada, 2006 Icelandair, Azul, the old GOL livery, and jetBlue. Some colour-varied Deltalikes are the old Flair livery, the SAS red engine livery, and British Airways. An example Deltalite is the old Croatia Airlines scheme, which has a painted tail and belly and engines that are sort of painted. Sure, the engines are just grey and a bit of the tail extends onto the body, but it's got the colour concentrated in the right place and it has the painted belly, it's a Deltalite. A lot of liveries have painted engines and detached tails but no painted bellies, and I do consider these to be on the far end of the Deltalike spectrum, but they aren't what I mean when I refer to a Deltalike. They're what brown dwarves are to actual stars - related but not really the same.
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Ryanair is a true Deltalike, but I would even call it an elevated Deltalike. The gold trim, like the cord adorning the hems a of a thick brocade smoking jacket, has an effortlessly shallow curve as it trims the rich blue underbelly, larger than that of a typical Deltalike and with a very deliberate shape to it which at the rearmost point covers half the fuselage by height but fades away to a sort of goatee at the front. This is not a plane which sat in a puddle of blue but an intentional cloak impeccably positioned, visible not just from the side but from the front. The engines, instead of being plain or just one colour with a website printed on, large and garish, are the same white and blue with yellow trim, the last traces of the setting sun melting into a glassy deep blue ocean below a stark white sky with which it inexplicably coexists. Sure, the detached tail still looks bad, it always does, but you can ignore it at most angles.
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From below the dark blue creates that distinct cetacean effect, a certain brightness-inverted countershading effect, similar to what you see on airlines like KLM and other blue-side-up liveries. The underside doesn't have a huge, legible logo, visible even from the ground on final approach. One of the defining features of the low-cost livery, in my mind, is a large, prominent website. It's tacky and a little pointless (I mean, surely they can Google your airline's name if your wordmark is large enough) but it is downright ubiquitous. Even full-service carriers frequently heavily feature their website, but it's nowhere on a Ryanair plane. That's so, so incredibly weird.
Just...think about it. Their entire identity is outrage marketing. They are the xQc of airlines - bigoted, constantly in the news, and obnoxious. And nobody remembers what their livery looks like because it doesn't look obnoxious. This is like if MrBeast's thumbnails were lovingly curated aesthetically pleasing shots of scenery that could pass for screenshots from an actual film. It's not tacky and cheap and it's not generic and cheap, it's elegant and cheap. And of all airlines to look like this...Ryanair? Seriously? Ryanair?
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image: Associated Press
The CEO.
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The airplanes.
Do you see what I mean? Do you see why I find this deeply strange? This is not a clickbait plane. This plane is downright unclickable. It has never been clicked. I bet if I covered the name up and showed it to people (again, I wish I'd had the time to do this) I could fool people into thinking this is like United. Hell, I've learned from my other survey that the average person clearly knows less about liveries than I, the Joker of liveries, do, and can't identify basically any from memory. I could probably fool at least one or two people into thinking this is Singapore Airlines. I may try this on a few co-workers and then get back to you.
How did we get here? I have no clue. While Ryanair did start out as a charter carrier rather than a low-cost airline, and they always had blue and yellow as their colours, their very early liveries were just white planes with wordmarks.
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This livery seems to have appeared very early in the history of low-cost Ryanair. Unfortunately, I can't date it precisely - the only thing I can say is that the earliest photograph I could find in this livery was from 1994. Based on the fact that their planes were photographed in different liveries right up to then, including this very brief TAM-like BAC 1-11 livery, I think 1994 is most likely the point they committed to it.
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Oh, Adam Rowden, what a different world you lived in.
Even for 1994 this is a pretty conservative livery. Sure, this was before the real boom of bright and venomous flying billboards, but it's still strange. And Ryanair is no stranger to literal flying billboards in the form of logojets for such companies as Vodafone and Hertz, often sort of hideous ones, though I imagine these days nobody would ever want to associate with them like that.
And they never changed it, except that they did - to the modern, softer curve. This I can pinpoint with much more accuracy. It was changed in mid-2003 as new aircraft were delivered, while the older livery was phased out together with the secondhand airframes which wore it. I do not understand this at all. If any airline were to just make the decision to go full circus tent and be as garish as possible it should be Ryanair, right? Ryanair is a brand incapable of cowardly behavior. But they look far more sober than even the average modern flag carrier livery. I guess they don't think they need an eye-catching livery, but I just don't buy that as a full explanation. Imagine the news they'd make for introducing something truly heinous. I think their genuine best move would just be to put a huge picture of Michael O'Leary's face, blown up massively and poorly aligned with visible JPEG artefacts, all over their fuselages. All of Europe would be furious. So why? Why is this the situation?
So what's the verdict? This may be the hardest decision I've made so far. The options here range widely. I'll lay them out.
If I were rating this based on pure visual appeal, I would give it a B-. I am dead serious - this is a visually pleasing, well-balanced livery, simple yet elegant. The detached tail is my only major complaint. But I think Saudia's planes are quite pretty and I graded them low because I think they fail at representing their airline or having a distinct identity, so this cannot be my sole criterion.
I almost want to give them an F because of just how un-Ryanair they are, like how Copa's livery is literally not the Copa livery, but that feels wrong because that's still the Ryanair livery, it's not just a refusal to design a livery at all.
Do I marry these two into a tepid union destined for either divorce or a dramatic act of arson after a seeming eternity of languishing in mutual dysfunction in Tallahassee? I really don't want to do that, because attempting to balance these factors betrays the fact of their contradiction, the mental strain I've been afflicted with over this simple, pointless choice with zero consequences except maybe one of my followers disagreeing with me, which is fine. Unlike certain individuals I will not call you swear words and say you're an idiot.
The final option is maybe my least favourite of them all, because it's capitulation. It's admitting Ryanair is special, just the most annoying golf-ball-sized hailstone in the blizzard of absurd and comical frustrations which is the airline industry. But I just don't know what to make of this miserable little pest, this plague on the patience and knees of the traveling public.
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Z. FUCK YOU IT'S RYANAIR.
It defies categories by being good, but being Ryanair. I hate that. I hate it, I hate their beastly little CEO, and I dislike that their planes are sleek, elegant, and could easily pass for an airline that doesn't instruct stewardesses to kick their passengers' shins as they walk down the aisles. If I am buying a ten-euro plane ticket I do not think the plane should look like this, teleologically speaking. At the end of the day I just have no better way to quantify my feelings.
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Prick.
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stillness-in-green · 8 months
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On Heteromorphs & Heteromorphobia (Arcs VI - X , Hero Killer to Provisional License Exam)
(This post will also cover the bonus chapter “Tsuyu's Ribbity Diary.”)
Thank you all for your amazing response to last week's post, my goodness! I thought I'd found about all the audience I was likely to get for my harping about heteromorphic discrimination, so I was delighted to see a number of new names!
I do have to warn you all, if you haven't done much looking into my archives, that I'm pretty critical of BNHA these days, especially of the ways it insists on holding up individualistic solutions to problems clearly established as systemic in nature. That will become more apparent when I get into the post-war material, as the endgame is absolutely rotten with it.
This week, though, we'll start by getting out of the school to get a look at signs of and contributors to heteromorphobia in the wider world.
The Vs. Hero Killer Arc (Chapters 45-59)
Chapter 45:
Mina’s preferred alias, Alien Queen, in reference to the Xenomorph queen from the Aliens franchise, is turned down by Midnight.  The reason for this is never made especially clear.  Class 1-B gets away with a number of villainous or monstrous hero names, like Phantom Thief and Gevaudan, violent ones like Battle Fist, even an animal reference in Jack Mantis.  But Mina, for whatever reason, gets pushed towards the indescribably twee Pinky instead.  Does Midnight the R-rated hero not think girls should get to have hero names with some edge?  Surely not; her entire persona is based on titillation.  Length is clearly not a factor, given that Midnight personally approves Can’t Stop Twinkling. I don’t know exactly what went down here (from a Watsonian perspective, that is; the Doylist guesses are readily apparent and all eyeroll-inducing), so I will simply point out that a non-baseline gal wanted to name herself after a famous monster with acidic blood and was pressured into going with something cutesy based on her skin color instead.  Bakugou’s choice gets turned down as well,[1] but he actually has “murder,” like, right there in the name; Alien Queen is quite roundabout by comparison!
Chapter 48: 
Introduction of Uwabami, the Pro Hero gal with the head snakes.  She’s a bit of a weird case.  Given that all we know she does is find hidden people using the snakes’ keen senses, do they have some self-awareness that makes them able to communicate with her—a case somewhat like Tokoyami and Dark Shadow, perhaps?  Does she just tap into their senses at will rather than being able to speak to them?  Or are they rather just extensions of herself, with no particular consciousness of their own, and they function like what must be a fairly dizzying array of extra-sensory perception that she receives at all times?     Whatever the case, she’s a model and celebrity, and thus our first clear example of a heteromorph who doesn’t seem to suffer for her looks. Her looks are, of course, quite accentuated, given that her hero costume is a low-cut evening dress with a slit in the side up to her hip.  Other than the hair-serpents, she’s a baseline woman who checks all the boxes for modern beauty standards; she will serve in this fashion as a good predictor of other highly ranked heteromorphic Heroes.
Chapter 51+55:
Endeavor, as will be made clear in Chapter 55, doesn’t really have any idea what the Noumu’s deal is.  As far as he knows, it’s just like any other villain—and yet in Chapter 51, he opens up with an attack that bathes the Noumu in flame anyway, and comments in 55 that he’s never known anyone to remain conscious after such an attack.  While I think this mostly speaks to the general brutality with which villains are treated by heroes—much different from standard police practice in real-life Japan!—it’s nonetheless notable that the Noumu he attacked with such casual ferocity certainly doesn’t look very baseline to the casual eye, between the exposed brain, the significant height, and the crawling movement.
Chapter 56:
Midoriya is startled by Chief Tsuragamae’s “woof” interjections.  He doesn’t comment on it out loud, so I’m not inclined to hold it against him (not like someone else I’m about to bring up), but it wouldn't be the first time he’s come across this kind of vocalization: Tsuyu makes ribbit noises pretty frequently.    
Tsuragamae notes that the authorization of a certain class of people, called “heroes,” to weaponize their quirks against others was initially a heavily criticized decision, one which only garnered public support because those original heroes were careful to always obey the laws dictating the circumstances in which they used their quirks.  He goes on to say, of using one’s quirk to inflict harm without explicit instruction from the powers-that-be, “Such action would represent a stunning breach of law.”  Like Thirteen before him, he completely omits any mention of how such laws disproportionately affect heteromorphs, who can’t turn off a permanent physical trait, and, particularly in cases of people whose entire bodies are divergent, have little choice in whether or not to use their quirk in any sort of physical altercation that might lead to harm.    
Shouto, angry over what he perceives as punishment for a good deed, calls Tsuragamae a mutt.  The chief doesn’t react particularly strongly to this, but as the chief of police, you have to imagine he’s pretty used to the slings and arrows of public opinion.  The incident passes without comment, but it will not be the last time we hear a Todoroki derisively referring to another human being as an animal.
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There are some sweatdrops and exhortations to get the kid to cool it, but those were ongoing before the animal words came out.
Chapter 57: 
Gran Torino notes that the age they live in, for better or for worse, is one of suppression, and that the situation with Stain and the League will draw people out who are influenced by that ideology.  Gran doesn’t elaborate on exactly what sorts of people he has in mind—All Might says only, “Then heroes will deal with them,”—but it’s an early hint that there are people in this society who feel unjustly suppressed.  Crucially, Gran Torino doesn’t even necessarily think those people are wrong; he just thinks it’s a necessary evil.  But what, exactly, is it that he’s grudgingly accepting as inevitable for the sake of maintaining the status quo?  And how might his circumstances need to differ for him to have a different opinion?    
In Chapter 27, we learned that producing support goods requires a government license; here we find out, courtesy of Giran, that dealing in and producing support goods without such a license is a major crime.  So if you, for any reason, failed that “rigorous examination” to get cleared for support goods for quality-of-life reasons, you’re unlikely to find someone who’ll just provide them to you out of sympathy provided you keep quiet about where you got them.  Instead, you have little choice but to turn to black market brokers—all because the government doesn’t think your quirk is affecting you negatively enough to qualify you for support equipment.     Again, this isn’t specifically about heteromorphs, but someone having an emitter quirk they can’t control well who needs the support item because they are choosing to pursue a career requiring them to learn that control is a very different case than someone who needs government support because of an immutable, always-on physical trait.    
This chapter contains the first appearances of both Gigantomachia and Spinner, both fairly extreme heteromorphs: Machia for his size and rocky hide, and Spinner for animal traits considerably more prominent than e.g. Tokoyami’s bird head or even Tsuyu’s conglomeration of mildly froggy traits.  Indeed, Spinner’s heteromorphic traits are so much more prominent than something like Jirou’s earlobes that it hardly seems accurate to even categorize their bodies the same way.    
The sidebar for Daikaku Miyagi, the anchorman with the quirk that gave him two big horns who amputated one so that it would be less in the way during newscasts and other things that required there to be a camera on him.  This in and of itself wouldn’t necessarily be notable, save that the same extra goes on to describe how the decision garnered some backlash from “a certain human rights group” who said that decisions like his fostered discrimination and were linked to the rejection of quirk-based society on the whole.  Horikoshi further notes that he enjoys thinking about the lives and stories behind minor characters—even this far back, then, three and a half years before the introduction of the CRC, we have concrete evidence that the author was thinking about quirk-based discrimination and the politicization of heteromorphic features.
Chapter 59: 
All Might drops some exposition about the Advent of the Exceptional, during which we see an image of a crowd full of implied-quirkless people holding up signs proclaiming their humanity and the monstrosity of those with quirks.  Conversely, three of the four quirked people we see have obvious physical divergence from baseline human appearance.  So from early on, that “monster” turn of phrase was heavily associated with changes in the physical appearances of those with special abilities.  Later on, the PLF advisor at the hospital will tie these two things together explicitly.
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The Final Exams Arc (Chapters 60-69)
Chapter 61:
Ectoplasm’s character sheet.  The teeth are creepy no matter which way you cut it, but they look much more profoundly unsettling when they’re right there on his unmasked face, as opposed to behind a black cowl, where you can let your eye fool you that they are in some way part of its design.  His hero costume, naturally, includes the cowl, but his daily clothes do not—I wonder if he ever tried to have a gentle talk with Shouji about why Shouji wears the mask even in his downtime?  I wonder even more how much the teaching staff in general, and Nedzu and Aizawa specifically, actually know about Shouji’s history.     o It’s also noted that Ecloplasm looks scary, but has received continued support after coming back to the job after losing both legs in a fight with a villain—we see this same pattern with Jeanist after Kamino.  No word on how regular his support was before the traumatic double limb loss, though.
Chapter 66: 
Nedzu, we find, was “toyed with by humans in all sorts of ways in the past.”  Nothing we know about him suggests that he has any particular longevity, but his dynamic with Endeavor,[2] many chapters down the line, does suggest to me that he was at least on the staff when with Endeavor was at UA some thirty years ago.  Thirty years is within the span of All Might’s career, well after society began to stabilize with the formalization of the Hero System.  And yet, despite that, a sentient being, one with human—above human!—intelligence, was mistreated badly enough that he bears a grudge to this day.  Nedzu is, again, not in precisely the same situation as a human heteromorph, but he serves as an indicator of what humans have, even in the age of heroes, been willing to do to those they think of as “animals.”    
A shot of Koda and his mother, who look much alike.  Interestingly, the biggest difference in their appearance is that she has horn-like protrusions that her son lacks.  We’re a long way from the first quirk evolutions, and even farther from Koda’s quirk evolution, but we will later see Koda’s mother specifically tie those horns to her animal communication quirk becoming more powerful.  This makes for another good piece of evidence towards Horikoshi having a grasp of heteromorphobia from early on, as the evidence is pretty good that Koda-mama got those horns as a result of a quirk evolution of her own, and those don’t happen under normal, non-stressful circumstances.  More on Koda’s parents in a bit, as they're a pretty stand-out case in another way that isn’t immediately apparent here.
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Can we call it foreshadowing for Koda defending Shouji at the hospital that Koda is wearing the same scarf as the main character in Horikoshi's Oumagadoki Zoo? Hmm. I'll leave that one to codenamesazanka.
Chapter 67: 
A flashback panel to Mineta’s days in middle school.  While I don’t doubt that there are P L E N T Y of reasons Mineta would be unpopular with the girls in his class, it is nonetheless notable that the popular boy getting showered with attention is perfectly baseline, while Mineta and his friends are not.
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Note also that the cute heteromorph girl has long-ish ears and no other obvious divergent features.
Chapter 68: 
Shouji and Iida are specifically called out to at the mall, trying to attract them as customers with claims that whichever storefront employee is hailing them can help them find anything they need.  Midoriya mutters to himself about the difficulties of catering to everyone, given the many different types of quirks scattered across multiple age groups.    
Crowd scenes at the mall show scattered numbers of heteromorphs, a somewhat higher number than usual for such civilian crowd scenes.  The Kiyashi Ward Shopping Mall is noted for being the biggest and trendiest in the prefecture, with a variety that attracts lots and lots of people, so perhaps it’s no surprise to see somewhat more heteromorphs than usual there.
   
The Forest Training Camp Arc (Chapters 70-83)
Chapter 70: 
Introduction of the Wild Wild Pussycats.  A team of three Emitters and a Transformation-type, none of them in the slightest heteromorphic (give or take Tiger’s permanent :3 mouth), they nonetheless theme themselves after cats, including fake tails, big costume paw gloves, and cat-ear-esque headsets.  It’s cute and unobjectionable in and of itself, but I do wonder what people like e.g. Officer Sansa think of it.
Chapter 71: 
Shouji is missing from the hot springs scene.  It doesn’t hugely stand out in the moment because Aoyama and Sero aren’t there either, but it does read a bit differently with the benefit of hindsight.  Given the strong possibility that Aoyama is off doing Traitor Activities and Shouji is avoiding any possibility of having to torpedo the hot springs fun-times with an explanation of that time he was savagely beaten by people in his hometown right in an open street, it kinda leaves Sero as the only one who maybe just skipped for normal reasons, like that hot springs would gunk up his tape or something.
Chapter 73: 
Bakugou addresses Ojiro as “Tail”—referring to him by his heteromorphic trait.  He’s not even particularly angry at the moment; he’s just still nursing a grudge about Todoroki’s underwhelming performance in their Sports Festival match and wants to swap partners for the Test of Courage.  Early Bakugou is very much a “judge a person by their quirk” sort.    
Pixie Bob ushers Tsuyu and Ochaco into the woods for their turn at the Test of Courage by referring to the latter as Uraraka-kitty and the former as Ribbit-kitty.[3]  While in the English, this reads as a baseline woman in a cat costume referring to the heteromorphic student by her animal-themed verbal tic and the baseline student by her actual name, uraraka is a fairly onomatopoeic way to say bright and cheerful.  I would guess that Pixie Bob is probably referring to Ochaco’s personality here, which makes it somewhat less egregious.  It won’t be the last time someone refers to Tsuyu via the frog sound instead of her name, though.
Chapter 75:
Mandalay telepathically compliments Spinner, calling him both cool and handsome.  While I doubt he’s the only person in the world who’d react the way he does—he blushes, gets flustered, and missteps, giving Mandalay an opportunity to attack him—the moment does get some new context when you consider how everyone called him “the lizard freak” in his hometown.  Approximately zero people calling him cool and handsome back there, one imagines!  Having it immediately turn out to be a ploy likely informs some of the outraged anger in his response.
Chapter 81: 
Mandalay points out that Spinner never used his quirk during their combat, implying that she doesn’t think just his lizard-like appearance or his claws “count.”  Chalk another one up to the classification problems of “heteromorph” as a descriptive term.  This will turn out to rather neatly illustrate one of the issues I’ve been talking about with regard to the way heteromorphs are unfairly disadvantaged by the current laws about public quirk use.  Remember, a “Villain” is someone using their quirk illegally.  So if Mandalay doesn’t think Spinner used a quirk here, and since he has no record, why does he get categorized as a Villain instead of just a garden variety criminal?     Now, one could say that by associating with the League of Villains, Spinner is rather claiming the designation for himself, and we don’t know how the legal system will technically classify him, when and if he ever actually faces trial.  To that, I would say to hold the thought, because Skeptic will eventually back me up on the, “Heteromorphs are unfairly targeted by Villain designations,” claim all but word for word.    
BONUS CHAPTER 1: Tsuyu’s Ribbety Diary
We meet Tsuyu’s family, all various froggy types.  They’re a cute family, but the husband and wife both being froggy kind of raises some questions about pressures that might exist about marrying your same “type,” or at least refraining from marrying anyone too obviously not.  I’d be more willing to wave it off if not for two things.      First, we get the same sort of scenario from Spinner’s character sheet, that his is “a family full of reptilian quirks.”  Second, there are very few romances in the series between someone close to “baseline” and someone with a more extreme heteromorphic appearance.  The most obvious, clear-cut, canonical example is Koda’s parents—his dad has slightly weird hair but is otherwise entirely baseline; we see him defending his wife from other peoples’ mockery.  That, of course, is a single panel limited to a flashback inside a flashback, so not exactly very visible to the reader!  The next-most significant one I can come up with is Natsuo and his mouse girlfriend, who has likewise been seen in one (1) panel, had no dialogue, and whose appearance and identity were so incidental the anime deleted her entirely.     Who’s next?  Well, if you assume all those No Comments from Kamui Woods and Mount Lady about their relationship are indicative of a relationship between them, they’d be another, though we don’t actually know what Shinji actually looks like under his mask, only the implication that it’s divergent enough that he prefers to cover his face.  Next up on my tally would be Thief Takami and Tomie, but since the sum total of Takami’s animal traits are tiny little elbow wings, you can see how fast the drop-off is there.     Compare this to the number of pairings/families we have between people of like type: Bakugou’s parents, Iida’s, Jirou’s, Aoyama’s, Tsuyu’s, Ochaco’s, Shouto’s, Toga’s, Spinner’s, and Tomura’s whole family on both sides.      Then you get the ship-teasy stuff that’s more about crushes, people dating, or hints that are perceived as pointing towards epilogue romances: Deku and Ochaco, Jirou and Kaminari, Shindo and Yo, Gentle and La Brava, Miss Joke’s flirting with Aizawa, and Toga’s variety of crushes (among which Tsuyu is the most distant from Toga’s own body type).[4]  I think Kirishima and Mina are right on that borderline, with Mina having a normal body type but a collection of minor but highly visible divergent traits.     So like, the vast, vast majority of the romantic relationships in the show are between relatively baseline people.  In that context, it sticks out like a sore thumb to me that Tsuyu and Spinner are both explicitly said to have the same type of animal heteromorph quality on both sides of their family tree.  It’s not an incest concern or anything, just that I wonder what the pressure is on cross-type couples, or what social circles look like post-graduation.    
Two classmates talk about how it’s hard to tell what Tsuyu is thinking; one of them says, with her eyes hooded and a kind of cool expression, “That expression of hers never changes.  Maybe ‘cuz she’s a frog?”    
Tsuyu tells us that she never really made any friends; while some of this may simply be because Tsuyu didn’t have much time to socialize, between hero training and looking after her family, it’s also true that all of her classmates that we see have baseline appearances.    
This lasts until she starts getting stalked by a snake-headed heteromorph girl named Mangusu Habuko—a fellow loner.  Tsuyu is initially frightened by Habuko’s behavior, but has an intuitive sense for what the deal is, that Habuko wants to be friends but is awkward and doesn’t know how to broach it.    
When asked if she wants to be friends, Habuko flips out.  She calls herself treacherous and untrustworthy; she calls Tsuyu a foolish frog and says she must be joking, and that she should choose her friends more carefully. She then immediately dissolves into tears.  Somehow, I doubt all this self-loathing about her innate nature manifested out of thin air!    
The Hideout Raid Arc (Chapters 84-97)
Something that’s observable throughout this arc is that we’re in another sequence, like the Sports Festival, where the percentage of people with heteromorphic features in the crowd shots tends to run a bit higher than the norm of the series to date.  Unlike the Sports Festival, though, these crowds are just civilians, not heroes.  So what’s the difference between Kamino and the earlier on-the-street crowd scenes?     Well, the neighborhood the Noumu warehouse is in is a somewhat rougher area.  Part of the visual shorthand for that is people in edgier clothes, stuff that’s indicative of districts with bars, clubs, sleazy hangout spots, and so forth, but another shorthand is an increased number of heteromorphs.
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These panels are respectively from Chapters 87 and 92.
Chapter 87:
The character sheet for Kamui Woods notes that the story of his early childhood is “grand and compelling,” and that his story was made into a documentary.  That, to me, has Inspiring True Story written all over it.  Probably not coincidentally, Kamui Woods is another character whose face we’ve never seen.  As more pointing in the direction of him having a childhood marked by severe discrimination, he’s not sure of his age—it’s given as “29 since he started counting.”  So was he abandoned as an infant for his weird face?  I could come up with other explanations, all equally over the top (extreme confinement, for example, that left him unable to properly mark the passage of time), but the fact that he can’t e.g. look up a birth certificate for himself suggests that whatever went so wrong for him, it happened very early.     …Though I suppose there’s the possibility that he’s not human, but rather a tree that manifested a quirk.  As documentary-worthy origins go, though, that feels less Inspiring True Story and more Educational Biopic About Rare Phenomenon.    
The Provisional Hero License Exam Arc (Chapters 98-121)
Chapter 99: 
Shouji’s room is shown, all but barren.  He says that he doesn’t care much about owning things, but knowing what we come to know about his history, it’s easy to wonder if he really doesn’t care about owning things or if this is rooted in a childhood in which it was believed that anything he touched would be polluted.  Not a situation that led to him being given much of his own, one suspects!
Chapter 103:
This chapter introduces Yokumiru Mera, from the HPSC, who gives an opening statement that has some very interesting ruthlessness lurking in its subtext.  Particularly relevant to our current topic is his comment that in the modern era, the time it takes to resolve a given incident is incredibly short, so the test that year will be prioritizing speed.  Prioritizing speed (wouldn’t want some other hero to get the metaphorical kill first, after all!) is a surefire way to guarantee that heroes are not taking the time to really examine all factors in a situation or make any attempts whatsoever at calm, considered de-escalation, but rather are just making snap judgements based on their biases and gut reactions.  Guess what group of people that’s going to disproportionately impact?        o Now, it’s notable that Mera says the test prioritizes speed, but the conclusion many others come to is that the test only pretends to do so; that actually, it prioritizes care and information gathering.  Indeed, we find a few chapters later that the actual priority is teamwork, as requested by police higher-ups—the idea is to fill in the gap left behind by All Might with hero squads that work well together.[5]   However, while the intention may be to gather those good at teamwork, it certainly doesn’t stop people like Shouto and Inasa from cruising through—and, in any case, whether the groups learn teamwork or not doesn’t take away from an HPSC rep telling them to their face that speed of incident resolution is one of the most important things to a modern hero and never following that up with any kind of amendment or clarification.
Chapter 107:
Introduces the HUC, or Help Us Company, professionals trained to act as victims in disaster rescue exercises.  Given that context—what they’re communicating to students training to understand what “victims” look and act like—it’s extremely worth examining what they, well, look like.
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God, this is so Yikes.
And having asked that question, we find that the only people in this group that might not be baseline—the ones with short, childlike statures—are dressed to emphasize that stature.  The end effect is a crowd of “victims” with not a single heteromorphic representative.
Chapter 109:
Shiketsu’s class rep, Mora Nagamasa—the extremely hairy one—approaches Bakugou to extend an apology for Shishikura’s behavior during the exam.  It’s noticeable here that, having matured somewhat since Early Series Bakugou, and having been approached in downtime in a reasonable manner, Bakugou manages to refrain from coming up with any demeaning nicknames centered on Mora’s appearance.  Kirishima remarks internally on all the hair, but only internally; he’s much too polite to say anything out loud.
Chapter 110:
A big splashy introduction for the man ranked #3 in the Heroes Who Look Like Villains ranking, Gang Orca.  He’s at the test to play villain and is, just as noticeably as all the play-victims are baseline, a heteromorph.  At the time of his introduction, he’s ranked Number 10 in the Hero Rankings, but will be bumped out later on.  This does, however, make him the highest-ranked known heteromorph who doesn’t have a human face,[6] with the possible exception of Kamui Woods—who, like Shouji, covers it with a mask.
Gang Orca’s character sheet notes that, while he’s a popular guest at aquariums, his intimidating face and “stony personality” always result in weepy children.  He apparently finds this relatively upsetting (“lots of angst”) but, unlike Shouji or Kamui Woods, has not taken to wearing a mask, nor trying to tone down his personality on any level—to the contrary, Present Mic suggests much later on that he exaggerates it.
-----------------
Next time, I'll cover from the Shie Hassaikai arc through the end of Joint Training. Thanks for reading!
--------------------- FOOTNOTES ---------------------
[1] Initially.  He sticks to his guns long enough that he gets away with it in the end, though.
[2] The big tell is that Nedzu addresses Endeavor as Todoroki-kun rather than Todoroki-san or simply by his hero name, but his observation that Todoroki-kun has “matured” (literally in the Japanese, “become an adult”) doesn’t hurt, either.
[3] Kerokero neko and Uraraka neko.
[4] You can get further out there with this, but by the time you get to e.g. Shouto and Momo or Ojiro and Hagakure, the ice is definitely getting thinner on whether you’re seeing groundwork for future wedding bells or just reasonably close male/female friendship.  Your mileage may vary depending on how tightly attached your shipping goggles are or how cynical you are about shounen authors’ tendencies towards timeskip marriages.  Also, I can’t be bothered to dig up and list out the crushes or shipping patterns among the Class B kids. Koroiro likes the mushroom gal?
[5] Note that Mera phrases this as being merely a stopgap until they find the next All Might.  The HPSC is not so eager to change the methods they’ve come to rely on over the last thirty some-odd years!
[6] We don’t know enough for me to say for sure whether Wash is a heteromorph.
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parsnippety · 8 months
Text
Brainstorming-
Mkay I have several ideas for alien/human posts so I'm putting them here before I forget. If this gets popular maybe I'll actually write some lol
Songs/singing : sounds being very powerful w/ other species; the most severe (?) sounds you'll find are soft clicks/rumbling and most languages developed through touch / what we'd call sign language. So these species are mesmerized by human singing cause they either can't do it / don't have enough control over the pitch of their voice or they "hear" by feeling vibrations and process tones differently.
This has endless possibilities- a human singing softly while working and causing some extreme reaction in the mechanics of the ship or their crewmates, humans taking over ships by accessing the intercom system, humans knowing the first thing to do if they're kidnapped is to yell at a really low pitch then a really high one cause chances are one of them will do something, videos of humans harmonizing becoming really popular (and being banned in several galaxies), two humans realizing they both know a song with a harmony and proceeding to sing it (causing everyone on the ship to stop what they're doing and just listen in awe), sign language becoming the main form of communication and ships having soundproof rooms so humans can talk to each other / themselves...
Species variation : most species didn't figure out efficient space travel for millions of years. Pair that with gene editing (to get rid of "imperfections"- usually this portion of the species' history is their "dark age"), and each individual looks pretty much identical. Most species have some sort of fetishized/slur word for individuals with any kind of abnormality, cause they're really really rare at this point. Think crocodiles; maybe some color variations but they've stayed more or less the same for millions of years. But humans? No two look the same- except maybe identical twins, but they could have different haircuts (don't even get me started on body modifications- other species do it, sure, but humans are already so different that it makes them a nightmare to teach about.) And in space the beauty standards are all over the place so if you want tattooed stripes you can get them- but wait, aren't there already some humans with stripes? And pointed ears? Dyed hair?
There's also the constant battle between human willpower and circumstance. When other species carefully figure out how to turn and move around an obstacle, humans are literally slingshotting themselves off of it. But for every death-defying feat, there are God knows how many feat-defying deaths. One human got an adrenaline rush and lifted an entire gnarflax. Another fainted 'cause they stood up too fast. Most species have clearly defined limits, so there's no pressure to push past them.
And mimicry : As if humans' vocal range isn't enough (what's that clicking? Sounds like a xhrhghfnl from my home planet- nope, it's John. Machinery malfunctioning? Alarms? Nope. F***ing John.), they can also make disguises and act. See, most species can manipulate the holograms or whatever but there's no way they'd be able to do convincing impressions in real time. Just going for it? Completely irrational.
One time, a human even convinced an entire rhusngi fleet that she was a rhusngi inspector "in disguise". (Honestly that line should've given it away but it walked and moved with the same mannerisms- the same- I don't even know. We were completely- what's that human expression?- shook.)
Not knowing what someone's going/been through unless they tell you is a completely novel concept. Imagine a human acting all violent when you take over their ship so you put 'em in the brig somehow, only to pull up the camera feed later and see them sobbing or completely frozen in a fetal position, or even worse- hurting themselves somehow. But the second you go down there, they're spitting curses at you and showing zero signs of weakness.
If anyone wants to write about these pls go right ahead. Sorry if they've already been done/overused (if they have, please lmk so I can go read them).
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adelarsims · 4 months
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Hi, you are more than welcome to ignore especially if you have answered before and I missed it/it's elsewhere on your blog but can I please just ask how you get your CAS photos to look so incredibly clean? Especially around the edges, they're so smooth it's incredible. Thank you in advance, I really appreciate it! You inspire me so much tbh, everything you post is so beautiful. (Also also also the eyebags you released recently are my new gold standard and I use them for everything now tysm for sharing them) 🖤
thank you!
ok so here are a few tips, you don’t need to follow all of them, but if you like exactly my cas style, maybe some of them will help
1. edge smoothing. sorry for being obvious, but use either in-game anti-aliasing, or a smaa shader if you’re a reshade/gshade user, or you’ll get a pixelated staircase for the edges that will be hard to fix. if your PC doesn’t handle high graphics well and you play without edge smoothing, you can toggle it on temporarily just for taking a few good cas pictures and then turn it back off.
2. use MXAO. if you use reshades, use mxao shader for pictures, it's really a life changer. though i don't use it during the regular gameplay and only turn it on when i take pictures, because moving a lot with it is a visual overload for me.
3. but don’t overdo it with MXAO. seriously, don’t go all out with mxao. for a cleaner look shadows need to be delicate, just to overline shapes and give your sim more dimension. every time i tweaked my reshade presets, i made mxao even more thin and gentle and realized that it only got better.
4. background makes a huge difference. solid colors. in my personal opinion, grey gives the "cleanest" look (i said while still using my old dirty yellowish that i'm too lazy to find a replacement for). also, if i want to use black or white background, i make it a little darker than white and a little lighter than black, they look pretty much the same but will attack your eyes less (especially the white one).
5. CAS lighting makes a huge difference. maxis light isn't that bad, but cc lighting definitely give you more clean, crisp image. my personal favorite neutral one that i use by default is v2 by helgatisha. sometimes i use lightings with side highlights for more “rendered” look, but they aren’t always comfortable for everyday use and i only use them for specific pictures and then get back to my default neutral one.
6. shadow overlays. i mean cc that imitates shadows on sim's face, it gives sim's face so much dimension. there are spotlight v1 and v2 by simandy and lighting overlay v1 and v2 by joshseoh. i'd say josh's overlays are for fancy portrait pictures (they imitate a very strong light source from different angles, cool for sim photographers), and simandy's are more neutral. personally, i only use v2 by simandy, it's my holy grail and i don't take sim's pictures without it.
7. SRWE. it's a program that emulates having a bigger display resolution than your monitor can afford, meaning much better screenshot quality and cleanliness for small details. srwe can be a bit of a hassle to use for a lot of pics and most of the time i’m too lazy to use it and just take my regular small pixelated screenshots, but sometimes i want just one, but extra clean picture.
8. Topaz Clean 3 (photoshop). i don't usually edit my pictures and just drop them like whatever, mostly because i can't, but i make them sharper and cleaner with a gentle touch of topaz on very low strength.
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aranarumei · 3 months
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tenma sumeragi’s genuinely one of my favorite characters in a piece of media ever and it’s still difficult to quite explain why. like with other characters I love—take yuki from the same game, for example, I can boil down the main parts of why I like them at least fairly succinctly… with yuki I love that his crossdressing isn’t a joke but a sincere expression of his love of fashion, and that he’s both insightful and cutting and vulnerable in a way that middle schoolers can be. (okay i can tell this will get long so the rest under the cut)
but for tenma, it’s like the way that I adore him is a… collection of little details? like, I simply become more charmed over time… or something.
he’s closed off and pompous at the beginning, all while carrying a deep sense of earnestness even from the start—though he acts like he’s hot shit, he auditions for mankai out of his deep respect for sakuya adlibbing and a desire to improve himself. even as a popular child actor inheriting the legacy of famous movie stars, it’s clear he’s got his own deep appreciation for acting as well as his own personal standards.
like, even in the beginning, when he’s got a low opinion of his cast mates, he’s respectful of yuzo’s critique. and later we see that when he doesn’t get the part he wanted for this amazing audition, he acknowledges his own faults and understands he has room to grow. for someone who is frequently irritable and always bickering with yuki, there’s a startling kind of maturity when it comes to acting. and it’s part of why summer troupe is so good for him—as much as he is their leader, he also gets to act like a kid!
he’s stupid and sheltered enough to be scared off by fireworks, but he’s insightful when it comes to acting, which it’s clear he’s studied very much. and he’s scared of ghosts, but he’ll head back to face his father all on his own with quiet resolution, making a blog post so that he’s literally unable to back out from the show, and no one else can make him do so. rather than refuse to sell tickets under the weight of his star power, he adores mankai so much that he’s willing to sacrifice that pride of his, because summer troupe is the one thing that he can’t let go. and he returns with a black eye because his father punched him, but simply brushes it off.
I think what really gets me is like… for someone whose life has been characterized by loneliness, he’s earnest and sincere and loving. it’s him that takes the initiative to step forward and change himself. and when he does, and makes the first proper friends of his life, it’s that connection that allows him to learn how to adlib so wonderfully and successfully.
maybe what I appreciate most is that for all the dramatic elements in tenma’s life, and his in-your-face loudness every once in a while (hear him squawk about some injustice or whatever) he’s actually quite a reserved guy? but I never feel that I can’t see the depths of his love for the people that he cares about, as well as the passion he holds towards acting. there’s lots of little details, though… I feel like I haven’t even touched on half of them!
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chickenkupo · 5 months
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Just My Luck
Just My Luck
Summary: The lands are ruled by ruthless gods of various levels of power. Humanity is only a means to an end for their endless desires, if they happen to gain their attention. Many lay low, do what they can to appease the gods and try to live their lives out, as best they can, given the circumstances. Wriothesley is one such mortal. Having committed a great crime as a young boy, he’s constantly fleeing from his past. Little did he know; however, his constant misfortunes lead to his destiny, and it is most certainly not what he was expecting.
Recommendations: None, this is a purely AU work, so you’re good to go, reader.
Warnings: 18+ content, ya’ll. We’re going to get a little spicy here. Not my usual sort of Wriolette content. Neuv is going to be a little dark and demanding in this one, so if that sort of content (I’d guess you’d say it’s very close to yandere), then this isn’t for you. Religious hints/themes are also present in this. Consent really doesn’t exist here. I have been thinking of this sort of god x human trope for a while now, and I just needed to get it out of my brain. So, I guess this is a little self-indulgent work that I hope others out there will appreciate as well? Also, it’s putting me in a mental headspace to make a little follow-up chapter to Coming Home, since it’s looking like ya’ll are wanting that, hehe.
Also, one more warning. This is me trying to write a SHORT story and not have this as a full-blown novel. However, if this does receive a lot of love, I will 100% rewrite this to be a multi-chaptered work. This is me practicing self-restraint and tldr make a short story, you freaking gremlin sorta thing. OH, also, this isn’t beta-read, but will 100% be if this makes it to being AO3-post worthy.
AN: I AM TOO LAZY TO UPDATE MY WARNINGS BUT I MESSED UP AND THIS IS SO LONG BUT ENJOY IT AND IF YOU WANT AN EVEN LONGER VERSION WITH MORE LORE AND ACTION LET ME KNOW IN THE COMMENTS PLZ AND I WILL POST ON AO3 I FAILED KEEPING THIS SHORT, I AM SOOOORRRY
Wriothesley grunted as he was pushed forward, his hands bound behind his back by a golden metallic rope that refused to give way, even in the slightest. The guards that stood beside him ensured that he continued walking down the extravagantly decorated hallway, figures lining each side wearing various elegant dresses and suits, some even in intricately designed armor that mortals were rarely blessed to see. They all watched as the bound man was ushered onward to a large set of doors, decorated with a carved design of a long, serpent-like dragon encompassing the entire outer border of both doors, as if it were protecting what was beyond them. Wriothesley tried to slow his pace, flexing his well-defined muscles, doing whatever he could to try to break the bonds that held him in place, but nothing worked. The guards beside him only stared at his pathetic attempts at breaking free, a few patrons from the sidelines murmuring to themselves, commenting on how he should give up and how silly mortals were, thinking that they could defy even the smallest demands of the gods.
He always found himself in the most unfortunate circumstances, but this was the worst fate that could have befallen a human. Most of his kind kept their heads bowed, living silent lives and avoiding the powerful gazes of the deities that ruled their lands. For mere mortals, the prime level of life that they could wish to live was providing high level sacrifices to appease their rulers, hoping that they would be blessed in return or even ignored, in hopes of being allowed to live their lives to the best of their abilities. If they failed to uphold to this standard and a god felt slighted, even in the smallest of ways, then they were bound to become cursed, and experience the worst luck imaginable, having them wishing for a swift death. No, the gods loved toying with their victims, extending their punishment for as long as possible, feeding upon their misfortune, until their victims took their very last breaths. It was a miserable existence, but as long as you dedicated yourself to providing sacrifices that satisfied their desires and obeying whatever they commanded, then you could potentially avoid their gazes and wraths.
However, Wriothesley didn’t feel as though that was an existence worth living. He was a man that was shaped by misfortune, and rarely feared it. Having been orphaned at a young age and shoved from one foster family to another, he knew exactly what misfortune was, without the direct punishment of the gods. Each family he was tossed to was worst than the last. From having one family relying on him to provide them with everything and having worked to the point of exhaustion to keep food on the table, only to endure harsh beatings regardless of the outcome every night, to being sent off to fighting rings to win boxing matches against young men his age and older, he had seen it all. He eventually had enough and turned on his last foster family, killing his adoptive parents in the middle of the night, fleeing the area and taking the other children that happened to have the same misfortune as him to wherever he was going to go. They did find refuge in small, abandoned buildings, and for once his luck did strike true as he was able to find families that would take his adoptive brothers and sisters in, and not expose them to the same fates that they had before. No, these people took true pity on them, bringing them in and giving them a proper home and a good foundation for raising them. The same families always offered Wriothesley the same conditions, but he would always deny them, saying that he was far too damaged and messed up to be worth anything, too far gone for any sort of redemption or happy ending. Before they could even try to convince him otherwise, he had already taken his leave and was moving onto his next venture.
The young boy grew into a young man, roaming from city and city, finding places to work manual labor that would provide him with just enough funds to survive off of. Whenever a place offered him a permanent position or abode, he would thank them, and then immediately leave, onto the next city, town or village. He didn’t know why, but there was a part of his soul that felt like he was always in constant danger, and needed to run from prying eyes, even if he had no enemies. Though he had murdered his foster parents in cold blood as a boy, there were no further investigations into this, almost as if the crime had never happened. He wished so desperately that this was the truth of the matter, but his suspicions never seemed to completely wane. Someone had to have known, whether it be a mortal or a god. He knew that he was going to have to face the consequences of his actions, however justified that they were. So, he vowed that he would continue moving onward, never stopping, always running.
So, that’s exactly what he did. He never stayed long enough for any human or deity to know him well, and he wanted to keep it that way. Discretion was key, and to be honest with himself, this type of living excited him and kept him feeling alive. For once, he thought that he had finally hit it lucky, this was the lifestyle meant for him and he was going to live it to the fullest. Though his suspicions and underlying fear ruled him deep down, there was an odd sense of freedom that he felt being out on his own like this, and he never wanted to lose this. For once in his life, he felt lucky to be in the position that he was in. He was afraid to feel happy, but he couldn’t help himself. His adoptive brothers and sisters were on their way to a better future, and maybe one day, so would he.
Well, as quick as luck had visited him, it was just as fast to leave. The young man was continuing his work assisting a local general store with helping them bring in heavy goods, a horribly weighted sack placed on his shoulder as he was able to transport it inside of the store before multiple guards, lesser deities by the look of them, all approached him at once. Wriothesley immediately dropped the sack and tried to take off, not even taking the time to question their motives, but he was easily detained. One deity grabbed him by the shoulder and twisting it, pushing him against the wall as another guard brought out a metallic, golden rope, that automatically tied his wrists together behind him. Wriothesley growled as he tried to resist, now finding the time to begin spouting questions as he realized the situation that he was currently in.
“The hell did I even do?! I just got here and haven’t broken any laws, let me go!”
“That’s not up for discussion. You’re to come with us, no questions asked. Any hesitation, and we’ll hunt down your adoptive family and have them suffer for the rest of their days.” one of the growls out, tightening the rope around his wrists ever so slightly, for emphasis. Immediately, Wriothesley shut his mouth and said no word and offered no resistance. So, his suspicions were correct, someone had been keeping tabs on his whereabouts and knew about his past, but what god or mortal alike would hold any sort of interest in him? Sure, he was handsome and had both women and men swooning for him, but that never held any sort of value to him. He also didn’t have any sort of money in savings to his name, using whatever little he earned from odd jobs to be able to afford housing and small, pitiful meals and other necessities.
His heart felt like it skipped a beat, as he immediately reminded himself about his biggest fear. Was this finally the retribution that he would be facing for his previous sins? Did the families of his abusive foster parents that he murdered finally send out their agents to find him, and a god had felt it was their time to shine to torture a mortal? There was no escaping it, even if it was the case. Wriothesley then opted to keep his mouth shut, hoping he was overthinking the situation. But, what else could this possibly be over, then? He needed answers, but he wasn’t about to try to fight against them for it.
Reluctantly, Wriothesley complied with their demands, and was ushered into a rather delicately designed carriage, one that clearly belonged to a higher-powered god, but which, he had no idea. The guards also remained silent on the manner, merely ushering him in and taking an odd interest in keeping him safe and comfortable, but still under their ever-watchful gazes. They continued onward with their journey, and eventually reached to where they were now, standing in front of those formidable doors, gods of various levels of power and renown surrounding them all, but their focus all centered on him and him alone. Wriothesley’s heart was racing in anticipation, knowing that he had no choice but to face whatever was beyond those doors, even if it ended up killing him, or worse.
A low, guttural growl was heard, seemingly originating from past the closed entryway in front of them, which had Wriothesley’s eyes widening in shock. Never in his life had he heard such a noise, no other god he had known or met personally held the sort of power that was radiating from such a sound. The others that were previously surrounding him were now shuffling away in fear, some were even shaking, staring straight ahead. A thought suddenly ran through Wriothesley’s head, he noticed that all of the deities were distracted, and he could easily flee from the scene. He tried to will his body to run, but instead it only stayed firmly planted in place, his body no longer under his control. His heart began to race in a sudden panic, and it wasn’t eased as the closed doors in front of him began to part, opening up to reveal a continuation of the current hallway that he was in, but a darkness was at the very end, hiding whatever it was that was awaiting him.
What happened next horrified the young man beyond measure, and by then he knew that he was doomed.
“Wriothesley, step forward, come to me, come to your destiny.” a regal voice called out, though the growl from before was also heard in the same voice, as if they were perfectly mixed together. Whoever was calling to him, this had to be one of the ancient gods of lore, mighty beasts that garnered so much power from its followers and victories of war, that it gained godhood. But, what would such a highly positioned god want with someone low and poor, as himself? Wriothesley wasn’t about to argue, however. Wriothesley tested his muscles, now being able to freely move them. He had regained control of his body, and along with that realization, the golden metallic rope that was previously wrapped around his wrists shattered, releasing their hold on him. Whoever this was wanted him to come willingly and freely, but also prevented him from having any other option. After taking a moment to mentally accept the situation for what it was and what it could possibly be, the man slowly but surely took step after step, inching his way forward, obeying the command that had been called out to him.
Once he was past the dual doors, they both slammed shut behind him, as if signaling there was no way to truly turn back now, the only way was forward. The young man jumped in response to the loud noise behind him, but didn’t bother looking back. Instead, the man glared as he looked forward, a figure now clearly standing where darkness once was, the hallway now oddly illuminated, as if showcasing the person directly in his path.
The god before him stood mighty and tall, long white hair with just as long blue streaks, decorated with golden ornaments, robes that matched the varying colors of the ocean’s brightest waters, swirling around his slim body in an ancient style of robes. His eyes were a sharp lilac color, and gave an odd feeling of being so similar to the eyes of a feline, slit pupils that were slightly dilated as his gaze was transfixed to Wriothesley.
“I see that time has done you well, Wriothesley. You certainly grew into a rather handsome man. I will forever consider myself fortunate to lay claim on you so many years ago, before the others could.” At this, Wriothesley gasped, anxiety beginning to rise within his chest. A god laying claim on him? Ages ago? He would have remembered such a thing, seeing as though the deities usually made a huge spectacle when they took a human as theirs. It wasn’t an uncommon act, but according to what Wriothesley remembered hearing, a god had to be completely enamored with a mortal to do such an act. A claim meant ownership of the mortal by the god, sure, but it also bound them together in a deep, intimate way. The god would always know the whereabouts of the mortal, their control over them being absolute. For the mortal, it meant having a power being provide and protect them, but gods tended to be jealous beings, and this often resulted in a rather lonely existence for the mortal. There were humans that found this to be an absolute obsession for themselves, dolling up their looks and doing what they believed would get the attention of some sort of god that would claim them, but many found that staying away from this sort of deep-rooted obsession was better for them.
“I’m sorry, but I think you’ve got the wrong guy. No one’s laid claim on me and- “
“Then how would you explain your horrible luck then, Wriothesley?”
The young man shuddered, every time the god in front of him said his name, an odd wave of feelings started to phase through him that he couldn’t quite explain. It was like it felt right, and a small part of him wanted to hear the figure continue to say his name, until he couldn’t handle it anymore. The hell was wrong with him? He has never had such thoughts about others like this, why now?
“I-I’m not following…”
“I saw you kill your foster parents. I knew what you did was justified, my dear. They were horrible and their sins innumerable. You did what you needed to do to protect yourself and the little ones. It’s not often that I find myself observing humans as closely as you, and I knew from that moment forward, you were someone I wanted. Someone with such a profound sense of justice, and the spirit to carry out punishment. So, I cursed you.” The man continued to explain, as if it were common knowledge.
“Why the fuck would you curse someone that you’re interested in? Are you fucking insane?!” Wriothesley shouted out, stomping forward to stand right in front of the mighty being. The ancient one’s brows furrowed, glaring at the young man in front of him.
“Wriothesley…” the god said, his tone demanding respect and issuing a single and final warning.
Wriothesley bared his teeth at the ancient one, issuing his own, small, pathetic growl, in comparison. However, he understood and heeded the silent warning, not taking any further action, allowing the omnipotent being before him to continue on with his explanation.
“Of course. I didn’t want to take you away, especially with you being so young. However, I wanted no other god to look upon you in favor and want you for themselves. So, I placed a curse on you, and took care of anyone being aware of you committing murder. You would always feel as though someone or something was chasing you. A home would never be one for long, your soul aching to keep searching for something. If a suitor tried to approach you, you would take no notice or interest. They, also, would disappear from your life. Luck would abandon you, forcing you to follow your true destiny with hardships that would test you, mold you for your potential to come alive. You were to keep living your life, until I was prepared to receive you, and you were of a proper age. Now, is the time, Wriothesley…”
The powerful being before him then snapped his fingers, the area around them turning pitch black for just a moment, before the it was illuminated once more, showing a marble decorated room with various different nautical decorations adorning every aspect of it. Blues, golds and silvers lined and adorned every aspect of it, treasures beyond measure lay everywhere, as if the room itself were a museum of the heavenly bodies. In the middle of the room, and directly behind the god, was a giant, circular bed with blankets of the finest silk with the same level of intricate designs on them as well. Wriothesley’s breath stuttered, as he took a small step back, his head tilting to the side in confusion.
“Now is the time to consummate our binding, wouldn’t you agree? It’s been many years, and my hunger for you is insufferable…” the being in front of him stared intensely into his own eyes, unable to avoid him. A million thoughts were running through Wriothesley’s mind, but only one question was able to come out.
“W-w-who are you…?”
“Ah, yes. Sincerest apologies, my love. You may know me by many names, and by many forms, though this is my true self, that I will never hesitate to show and share with you. The title you humans appear to have given me in my temples is Neuvillette, god of all that is hydro, the waters of all are mine, of the lakes, the sea…” Neuvillette purred as he began to approach Wriothesley.
“Of every human body, but especially yours…”
The young man hastily started taking steps backwards, never keeping his eyes off of the powerful being before him, but it was to no avail for his situation. Suddenly, behind him, he felt a sort of cushion that he was then pushed down onto, sheets wrapping up around him as he became entangled in them. It took a moment for him to realize that the god before him must have teleported the both of them straight to the circular bed he had observed before, and now both of them completely nude and exposed to each other. Wriothesley shrieked as realized the position that the two were in now, him being laid out on the bed like a meal on a decorated platter, while the god above was draped over him in pure possession and domination, but that wasn’t the only reason why he screamed out. The young man also observed the full body of the god in front of him, perfectly chiseled muscles but with a slim, elegant figure. White, creamy skin that was free from any blemish or imperfection, and perfectly smooth with little to no body hair, except for his lower body, where white pubic hair trailed from below his navel down towards his lower pelvic region, where instead of one perfectly thick and long member, he seemed to have…two…
Oh, fuck, he was truly not going to make it out of this alive, whether Neuvillette realized it or not.
“G-Get the fuck off of me, just kill me!” Wriothesley screamed out, trying his best to push the god off of him, but once more, to no avail. Though his muscles were much larger than the deity that was draped above him, it mattered little. Whatever claim the god had on him seemed to hold true, he could never overpower him.
“Never, Wriothesley, never, you’re staying with me for the rest of eternity. I will show you how a god truly appreciates his claimed…” Neuvillette growled out, as he lowered his head and nuzzled Wriothesley’s neck, licking it repeatedly in a sensual manner, as if he were handling an absolute treasure. Wriothesley shut his eyes as he moaned in pleasure, not able to prevent himself from doing so, as his hips started rutting upwards, his member starting to harden from just the simplest of touches from this being. He blushed in embarrassment, but no one had ever touched him in this way before, no one had ever said such words to him. Everything he ever wanted to hear and feel from someone, Neuvillette was serving it on a silver platter for him, and he was a starved mortal, ready to accept it all.
“Ah, ah, what are you doing to me, Neuvillette…” Wriothesley breathed out, in a husky voice, fully immersed in all of the emotions and sensations he was feeling. Neuvillette only smiled against the skin of his neck, as his hands began to roam the young man’s body. Soft, but powerful hands continued to caress him, touching Wriothesley in places he never dared imagine anyone else doing so. From his muscled pectorals, down the sides of his stone hard abdomen, and then finally down to his rear as Neuvillette grabbed his cheeks, giving them a nice, firm squeeze, sharp nails digging into the meat of them, but never breaking the skin.
“I’m showing you how much you mean to me, you’re my desire, my passion, my reason to hold firm to my rule, so that no other may touch you like this. Only me, only ever me…” Neuvillette mumbled, burying his head back into the crook of Wriothesley’s neck as he continued.
Wriothesley let out a dirty moan as Neuvillette’s fangs elongated, rooting themselves deep into his neck, and tasting of his blood. The god made sure that when he released and his fangs retracted, that the wound would heal, but leave behind a deep scar that none other would question. He made sure in the back of his mind, to order one of his underlings to immediately begin commissioning a necklace for Wriothesley, that would accentuate his looks but also have the marks forever on full display for the world to see.
At this point, Wriothesley was hard as a rock, his member leaking precum as it begged for attention, for a release, for pleasure, and Neuvillette was more than happy to oblige. Removing himself from the young man’s neck, Neuvillette moved over to Wriothesley’s lips, licking them lightly, biting at him just a smidge, before he invaded them completely, inserting his long tongue and exploring the depths within. Wriothesley greedily allowed him to do so, wrapping his arms around the neck of the god, pressing him further down so that the kiss could be deepened even further, if that was possible. Neuvillette could only smile as he continued his assault, a hand now trailing down Wriothesley’s body, feeling the differences between the two. Where Neuvillette’s body was smooth and perfect, Wriothesley’s had dark hair that covered his arms, some of his chest, and definitely trailed down to his lower regions, oozing manly features. His body, though littered with scars from the trials and tribulations of his life, only seemed to further decorate how in his own way, he was powerful and worthy to be the claimed of Neuvillette.
As the hand of the god reached Wriothesley’s member, the man groaned, still stuck in the deep and passionate kiss, continued to raise his hips up, a while leaving his lips as his member demanded any sort of friction against it. Neuvillette grabbed him, stroking up and down, thumb teasing the leaking head. The kiss finally broke as Neuvillette desired to see Wriothesley’s pleasure, as he continued to pump the member of his claimed, doing every action so perfectly and true to the wants and needs of the young man. It wasn’t long before Wriothesley was breathing hard, his body shaking as he released all over the god, thick ropes of cum shooting out and even coating Neuvillette’s chest, as if adding to the creamy skin of his claimer.
Neuvillette could only continue to smile as Wriothesley repeatedly began to apologize, ashamed of what he had done but enjoying feeling every effect his god was bestowing upon him.
“Shhh, my soul, hush now with that. I do not want your apologies for indulging in what I give freely to you. Now, roll over…” Neuvillette growled out, the animalistic side of him starting to show. Wriothesley trembled beneath Neuvillette for a moment, but the god only offered him an odd sense of assurance as he gently led Wriothesley to roll over onto his stomach, directing him to keep his chest lowered onto the bedsheets but his rear raised high, on full display to his god. The young man, still embarrassed, tried his best to hide his face within the lavish sheets of the bed, but didn’t fight back. A part of him wanted this, needed this, wanting this session they were sharing to never end.
Wriothesley felt a warmness spread throughout his core, as he assumed Neuvillette had summoned some sort of water to assist with what was about to happen. The liquid was spread along the crease of his bottom and hole, delicate and soft fingers of the god above him caressing him, touching every inch of him, as if he were savoring his very existence. It wasn’t much longer after this that he could feel an odd flesh shape being pressed against his hole, one of his dicks, Wriothesley surmised. His heart started to pick up it’s pace once more, worried that such a formidable size wouldn’t be able to fit and he would feel nothing but pain as he was tortured into the act. However, that was far from the truth.
The water continued to warm and relax the skin that it touched, his muscles feeling lose and somewhat stretched even before he knew he was being entered. Neuvillette lowered himself once more, kissing Wriothesley’s back and nibbling here and there with his fangs, building up Wriothesley’s desire for him, which he did. Once he heard the young boy beginning to pant, spreading his legs even further and raising his rear even higher, he knew he was ready. Slowly, the god started pressing the head of one of his cocks into the greedy hole of his claimed, and it accepted him with ease. Wriothesley continued to plant his head directly into the sheets of the bed, moaning so loudly and continued to pant like a dog, but he desperately wanted this, needed this. It was only a matter of time before the god was deeply planted inside of him, taking a moment to relish the feel of the warmth that his length was now experiencing. The god then started to pump into his claimed, clawed hands holding onto his waist for support.
The thrusts started out small, and careful, but the pace was quick to change. The more that Neuvillette was planted in Wriothesley, the more that he desired, so his thrusts began to continue with their assault, becoming deeper and rougher.
“Yes, yes! More, more-gah, FUCK!” Wriothesley yelled out as his thoughts started to lose all sense but being completely consumed by pleasure. Within seconds he lost the ability to form any coherent words, only feeling and appreciating the ecstasy that his god was providing for him. Time seemed to go on forever as the thrusts continued, and Wriothesley had begun grabbing onto the nearby sheets, twisting them until they were a complete mess from the perfect state that they were in before.
Another deep, animalistic growl was heard above him, which made him moan even harder, as he felt Neuvillette’s balls slap against his ass from how deep he was thrusting in, the second cock now also fully erect was also slapping against his ass, warm and thick. It seemed that the god did have some form of pity for him, as he had only inserted one of his members this time. But that didn’t stop the conquering of his mortal body. A few more grunts were heard as Wriothesley felt something spill inside of him, so very warm and copious amounts kept flooding in. The young man sighed in absolute bliss, eyes fluttering shut as his body fell down back to the bed, Neuvillette easing him back down, but keeping his member deeply planted as more cum continued to be released inside of his claimed one.
Little did Wriothesley know this was the final act to solidify their bond. The god of hydro had marked him with his essence, and it will never fade. Every god and mortal will instantly know who he belonged to, and Neuvillette will always know what he was feeling, where he was, his thoughts and feelings now completely forfeit to him.
Oh, how lucky this god truly was.
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