Tumgik
#ain't he pretty~
sapphire-drawings · 11 months
Text
Tumblr media
Phantom shadow of the Opera thingy because... I had a need... to draw Wilson in a red dress... yeh
Also, me trying to get out of an art block but now is too hot to draw lol
219 notes · View notes
sparkspartart · 2 months
Text
Tumblr media
2K notes · View notes
raveartts · 4 months
Text
Tumblr media
gonna take a break and make another sketch page later :3
1K notes · View notes
tyttetardis · 4 months
Text
Macbeth Q&A 18th Jan 2024 Part 1
Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️
The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.
The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.
Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!
To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).
David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".
First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!
Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.
David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.
He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.
Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.
When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!
Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.
Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.
Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".
It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.
David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.
He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.
Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.
David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.
Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.
David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".
Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.
The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.
Part 2
218 notes · View notes
dootznbootz · 4 months
Text
Menelaus rambles a lot about not only Helen, but also Hermione. About how she used to say Olive like "Olifs". How she lost her first tooth running too fast and running into a low branch while out with Helen. How he'd sometimes wake up to Hermione leaning over him and poking his face to say, "Dad, can we go see the horses?" even though it was barely daylight. How she was much nicer waking Helen and how he thinks Hermione did that on purpose because she found "dad's face funny". How her favorite color was every color.
And Odysseus listens.
And he thinks about how his son only had a few teeth coming in when he left, teething on everything. How he could only say one syllable with his babbles. How his son needed balance to stand but Odysseus was so proud that Telemachus was very good at rolling over. How his son loved pulling at his and Penelope's hair.
How his son would be talking, walking, maybe even lost his first tooth by now. And he doesn't even know if he'll ever know his son's favorite color.
260 notes · View notes
dreamaruu · 14 days
Note
I love your DR art, so I'm very excited that you like TG as well!! Can you draw Tsukiyama?
Tumblr media
The nepo baby himself 🌹
81 notes · View notes
tswwwit · 1 month
Note
i have a counter argument to the 'only one person can boop bill' thing, mabel. she's the type of person to slap stickers on people, she would definitely be the type to also boop others occasionally and bill would be no exception. she probably doesn't do it to annoy bill like dipper would, but maybe as a form of a friendly gesture, kind of like those people who will lightly punch friends in the arm when they hang out.
You know what? Good point. Mabel would get away with more than most, as a fun-loving lady! Bill understands those impulses, and being a touchy person! He indulges in similar ones himself.
Though when Bill's not in the mood to be playful and gets booped anyway? The 'sister-in-law' status grants her considerable grace.
#answers#Though in addition to that - Mabel's general chaos and level of Fun Times is something Bill genuinely likes#Catch these two having one too many margaritas and slinging arms over each other's shoulders while singing too loud and off key#She'd have some leeway even without the brother situation#But Mabel gets a pass on things she normally wouldn't purely on the merit of 'this would piss off the spouse'#The thing about Bill is he's genuinely fun to party with - right up until he decides you're the pinata#Even now there are times when she thinks she's doing something 'cute' and Bill was NOT in the mood but just has to grin and bear it#Instead of breaking fingers one by one#Dipper is singular in his ability to get away with Pretty Much Everything#It's love yest but it's also communication and personality I'm afraid#If Bill DID call Dipper out on doing something Too Far he'd get an embarrassed and apologetic husband. With kisses of sorry.#Though in minor circumstances: he starts arguing with him#Turns out that bickering is a better way to deescalate with Bill than most other tactics and Dipper's a pro#Now Bill's gotta think semi-rationally to Win The Argument instead of acting on impulse.#And in the process of debate he not only: learns where his husband's coming from but has time to cool off#Congratulations Dipper! Your Nerdy Logic brain and ability to Rise to a Challenge prevent Bill from going immediately nuclear#Plus showing off that big sexy intellect of yours doesn't hurt#Whereas I see Mabel pushing one of Bill's few boundaries and then deflecting. She ain't great at conflict#Brushing it off and laughing; Jeez it was just for fun!! Lighten up already!#Exactly what Bill says when HE'S being a dick to someone!#Which is why he'd react Very Badly to that excuse#Ha ha! Fun! Of course Bill loves fun! You know what HE thinks is FUN#Barbecue. Flash-fried pork ribs. Where's that stupid pig#Dipper has to disarm that particular bomb and I highly doubt it's a pleasant process
86 notes · View notes
daddy-long-legssss · 22 hours
Text
Tumblr media Tumblr media
Black Treacle
"I watched a couple of westerns when we were doing this, like Butch Cassidy And The Sundance Kid which gets a reference in there. I also just wanted to put ‘belly-button piercings’ in a tune, I thought that would be good. I’d kind of wanted to do it for a couple of weeks and then managed to fit it in there. Why? I’d not thought about them for a while and they came on my radar somehow. And then I thought about this thing of them and the stars being juxtaposed."
[x]
39 notes · View notes
vampirepunks · 3 months
Text
Higgs Monaghan, "Beach Babies," and mind control
We know that the Bridge Baby dolls that Higgs and the Homo Demens used function completely differently than the human BBs invented by Bridges. But did you know they're also otherworldly vessels of extinction itself?
The novelization of Death Stranding suggests that these BB dolls from the Beach ("Beach Babies," as my husband and I refer to them) warp the minds of their users and bend human will towards the goal of extinction.
So... how many of Higgs Monaghan's decisions after meeting Amelie are his own?
The first thing to note is that Bridges BBs react negatively to the presence of these Beach Babies, as seen here when Sam encounters terrorists using them.
Tumblr media
Lou does not like these things. Perhaps that's why she points the Odradek at Higgs during their first encounter with him?
The novel introduces us to a porter who visited the Evo-Devo Biologist (referred to as EV in the book) while equipped with one, a couple years before Sam's expedition. He was polite and overall pretty normal at first, but then on his next visit things get... weird.
Tumblr media Tumblr media
So... there are holes in reality that using a Beach Baby allows you to see, and that's how the tar leaks from the Beach into the world of the living. Speculatively, this might be how Higgs is able to DOOMS-jump so easily and frequently (and summon tar), without getting exhausted or needing much focus at all, in addition to his level 7+ DOOMS.
Oh, but it gets weirder. And scarier, as soon as Extinction Entities are mentioned.
Tumblr media
Wow... he sounds a lot like Higgs, doesn't he? Come to find out, Higgs gave it to him.
Tumblr media Tumblr media
But surely this is just him echoing the party lines of Higgs' organization and repeating Higgs' same sentiments... right? Unless...
Tumblr media
Important to note, this porter doesn't have DOOMS. He shouldn't be experiencing extinction nightmares, but his Beach Baby is showing them to him.
Tumblr media
Whether directly or not, this thing talks to him. Like some eldritch call of the void or an element of a Lovecraft novel, it tells him that extinction is the only answer, the only solution.
EV is, understandably, instantly alarmed when she sees Sam with Lou, relating this story back to him. Sam is quick to connect the dots between that porter, the terrorists, Lou's terror at encountering these other BBs, and Higgs himself.
Tumblr media
As they discuss further, a chiralgram recording from that porter begins to play, in which he takes credit for the voidout that killed Heartman's family and explains why he did it.
Tumblr media Tumblr media Tumblr media
So then, how is Higgs affected by his own Beach Baby? From his perspective, it doesn't sound good.
Tumblr media Tumblr media Tumblr media
We can infer a few things from this:
The Beach Baby acts as the vessel for Higgs' connection to Amelie and her Beach. By the nature of his powers, that's why he's able to DOOMS-jump constantly without getting exhausted, control BTs and timefall, and use telekinesis. Think of it like supercharging a battery; his powers are fueled by connection to the dead, and through Amelie, he's plugged into the dead of five mass extinctions, skyrocketing his DOOMS abilities to their maximum potential.
The Beach Baby (perhaps even Amelie directly, by using it) shows Higgs extinction nightmares beyond the scope of normal DOOMS nightmares, "speaking" to him and giving him forbidden knowledge that fills his mind with thoughts of extinction in terms of inevitability, even without Amelie telling him directly.
(Speculative): Higgs betrayed Fragile because of what the Beach Baby did to him, and perhaps doing so was Amelie's own will disguised as his idea. After all, he turned on Fragile immediately after connecting to the BB doll, severing his closest bond practically overnight. Further, Fragile states (at least in the book, I forget if she acknowledges this in the game or not) that it wasn't Higgs who prevented her from DOOMS jumping with the nuke in South Knot City, but "someone else," who she later determined to be Amelie. Amelie ensured that Fragile had no power in that situation, and that there was no way for her to escape without hating Higgs in the end. Personally, my reading is that Amelie wanted to be Higgs' only option and only remaining connection; she set herself up to be all he had left, the only thing he could focus on. It's easier to control someone who's isolated, scared, and alone otherwise, and would remove the risk of him having doubts about accepting extinction because he had nothing--and no one--left to lose.
(Speculative): The Beach Baby acts as a mind control utility. Whatever hopes, dreams, and beliefs a person has, this BB doll can override them and bend its user's will towards the goal of extinction instead, reshaping their ideology to fit the EE's goals. It's impossible to say how much of this control is direct and tangible, but it grants Amelie a high degree of influence over Higgs' inner world, removing any sense of rebellion against her or instinctive resistance to the concept of total human annihilation.
Established later in-text (too much content to cite and embed), Higgs experiences grandiose delusions surrounding his role in the extinction, falsely believing that he's the one in control, viewing himself as "the bridge that brings the extinction" and is destined to safeguard Amelie so mankind can meet its end. Despite the facts, he genuinely thinks it was all his idea, his plan, and he's the mastermind behind the whole thing, personally chosen by cosmic forces to deliver the apocalypse and usher in a new world after humanity is gone.
As soon as Higgs is disconnected from his Beach Baby by Fragile, his delusions completely shatter and he immediately reverts to cold, hard logic, albeit the kind steeped in self-hatred. His ego does an immediate 180 and he realizes, "it was all make believe,” and "a tale told by an idiot, full of sound and righteous fury. Signifying nothing." It hits him all at once: he was nothing but a pawn, a tool, a means to an end, played for a fool. Upon seeing the error of his ways, he can only lament how blind he was. The book decidedly doesn't kill him, instead leaving him on the Beach, "alone, without a person in the world to connect to," thinking, "this is how I'm meant to be," as he remains stranded "with nothing else to do but continue to confess his endless sins."
We'll never know how much of Higgs' mindset and atrocities were truly his own, while acting as Amelie's herald, and how much of it was solely based on Amelie's unseen influence. Just like Lady Macbeth, Higgs is both villain and victim to a greater evil, so to speak.
60 notes · View notes
ghostlyarchaeologist · 7 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
"Eliot, what are you doing?"
Leverage S04E02 The 10 Li'l Grifters Job.
107 notes · View notes
moongothic · 2 months
Text
So supposedly the World Government created the Shichibukai System at the begining of the Great Pirate era, right? Roger's execution caused a massive influx of pirates to go out to the seas to try and claim One Piece, so between that and the threat of the Yonkou the World Government wanted to get things "back in balance", thus they began recruiting some of the most powerful, willing pirates to "join" their side. And so we got our funny little Warlords
If Crocodile did really set out on his funny little adventure immidiately after Roger's execution then he would've been offered the position of a Shichibukai within that first year of his pirating career, so it is actually very plausible Crocodile could be one of the true original Seven Warlords the WG picked out. But like, yeah, that leaves me wondering who the remaining six might've been. Who were the original Seven Warlords the World Government chose?
'Cause we know Hancock, Jinbei, Doflamingo and Kuma joined 13-4 years ago (respectively), so at least four of the original positions have been replaced at least once, if not more. Like for all we know the Shichibukai from the begining of the series could've been the third or fourth "generation" of Warlords
But also. We don't know when Mihawk nor Moria joined the Shichibukai. They could be people who took seats from previous Warlords like the others, or, for all we know, they could be from that original "first generation" of Shichibukai like Crocodile. They're both in the same age range (Mihawk a smidge younger than Croc and Moria a smidge older) and both were also present at Roger's execution (of course so was Doflamingo and he got his position only like 10 years ago, so being at the execution doesn't mean that much) so it is fairly plausible, they do fit the bill.
If Moria and Mihawk were from that "original generation of Shichibukai" then that would leave us with just a minimum of four "missing warlords" for Oda to reveal (and I'm sure Mr Burns, whose position went to Kuma after Ace kicked their ass, is one of them). Not that I'd mind if there were more, I just don't really need more either.
Thing is though. If Crocodile, Mihawk and Moria were all from that "first generation" of Shichibukai... Okay I know this sounds stupid as hell but as a trio, I think those three in particular could be kind of comparable to Luffy-Law-Kid, right. 'Cause you got the Crocodad, the Reasonable Swordsman, and the Angy Edgelord. Right. Like they are kind of comparable in that sense, right.
I think it'd be kind of cute. If Croc-Hawk-Moria were the Luffy-Law-Kid Disaster Trio of their era. And yeah that alone kind of makes me wish they were Warlords Together, From The Begining
29 notes · View notes
b-eye-sexual · 1 month
Text
Tumblr media Tumblr media
Yaknow I think you Tumblr dorks would like my Danny Johnson interpretation
24 notes · View notes
yakowo · 2 months
Note
Your Gaz art got me sweating like a sinner in church- it’s like it hit me with a car and I love it so much.😭💖
Tumblr media
Kermit is me rn absolutely me after I see another one of your Gaz or 141 drawings I’m dead💖💖💖💖💖💖💖💖💖💖💖💖💖💖💖💖💖💖
AHH!!! It makes me so happy to hear that you enjoy seeing my art of Gaz as much as I enjoy drawing him!!! < :D
26 notes · View notes
superbatson · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
373 notes · View notes
da-proti-toku-grem · 7 months
Text
Just finished watching the podcast with Jan and Martin and I loved it, but let me just tell you that they have absolutely no right to look that pretty while just sitting there talking for 45 minutes
Tumblr media Tumblr media Tumblr media Tumblr media
like, I had to replay so many moments because I got distracted by their beauty and forgot to read the subtitles lmao
40 notes · View notes
Text
Tumblr media
53 notes · View notes