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#also I should probably play some Don't Starve before I try to make an AU post...
@ all y'all who yelled at me yesterday:
don't worry, I'll make a proper AU post for the Don't Starve AU eventually!
after I, uh, get a few more things done from my drafts, then I can goof off a little and do some funny little AUs-
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the-final-sif · 1 year
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Crack AU Idea: Sam is actually a Warden hybrid and interprets Dream’s “Warden of his Prison” idea as a proposal.
So, warden hybrid Sam’s has had this crush on his human server mate Dream for a while now, and — like — they’ve flirted a bit here and there, but there’s never been any serious attempts by either party to go anywhere serious. And then Dream suggests that he become a prison warden for a new thing he needs built, and Sam agrees even if he thinks the wording’s a little cheesy. And then — through certain lines of questioning and maybe an inhuman ability to tell when someone is being honest vs lying to his face — Sam slowly manages to piece together that this prison is for DREAM.
And — well.
Wardens in this AU have. A bit of an intense mating ritual. In which one party will basically have to capture the other and then showcase that they are powerful enough to keep the other safe and in their control. And — the gesture is just so SWEET, and he starts getting giddy just thinking about it, and he’s just — so happy and excited because this is the Warden equivalent of your long time crush coming up to you and proposing a wedding with everything you’ve ever considered for a wedding, even the cheesy cringy stuff that you thought would never see the light of day. And he plays coy as well, never directly referencing the proposal for what it is as he tries to get a handle on how Dream wants this to go. How long would someone remain prisoner here? As long as it takes? Oh this is the TRADITIONAL route, where one has to MAKE the other submit, okay. Would you — er, should the prisoner eat stake from this automatic farm I designed? …Raw potatoes…? …Alright. How should the cell — that’s it? O— Okay. Okay. You want it rough. Okay, yeah. I can do that. Sam starts to think that Dream is — uh — kind of freaky, to put it lightly. He’s a bit worried that he won’t live up to his expectations, but — okay. He can give it a shot. The Prison Arc begins. Maybe some of the other members of the server ALSO think this was a really elaborate proposal. And then it starts, and the mating dance starts in earnest.
Problem is: Dream has not proposed. Dream has not intended for Sam to interpret this as any of the above. Dream might not even be aware that Sam’s a Warden hybrid at all.
They figure it out eventually, but not before Sam ends up unwittingly doing some serious damage in his attempts to fulfill his role as the more dominant partner in a customary-Warden-mating-ritual. Oops :/
Man, c!Tommy tries to visit in this AU and just gets hard turned down like, he's over here trying to get dramatic emotional closure (in a very stupid way) and c!Sam's just like "how can I get this toddler to stop bothering me b/c im trying to court a guy here and this is really a buzzkill."
c!Quackity comes by to try to torture c!Dream and c!Sam is scandalized because excuse you this is HIS partner and also Quackity already got two??? And he's not even paying attention to them??? Get out of here???
c!Bad tries to become a prison guard and c!Sam is like "no absolutely not im not inviting a cockblock in here."
Meanwhile I think Dream would actually be having a decent time? Like, he'd be a bit pissed off about some visitors getting denied thing, but he'd be getting at least 0 torture and lots of attention from Sam. I'd imagine Sam in this sorta AU would also be a bit more attentive to his needs. Like you don't want your partner dead. Sam would probably cave on the matter of food once he realized it was having long term health effects. Starving your partner is very poor form when you're trying to prove that you're capable and strong.
At most, I feel like Dream in this AU is just getting increasingly confused about what's going on and why, because Sam's actions aren't lining up with what he expected, and he's really not a fan of that.
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nanamicide · 3 months
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ur not being annoying at all! gimme some : 🎁 💕 🌻 📗 💭 💡 📚 🤖 💛 💌 🎨 (dont have to do them all, just do the ones you wanna!)
🎁 Have a piece of a WIP you want to share?
This needs to be heavily edited but this is from a sukufushi fic I've been veryyyy slowly working on:
Sukuna's heart stops as he catches sight of the person so delicately playing this score. 
It's hardly even been a second since he's laid his eyes on him, but every cell in his body is already starving for more of him. 
Sukuna swallows thickly, carefully taking in the scene unfolding before him. Long, coordinated fingers dance across the piano, hitting the keys with a grace Sukuna would have never imagined to be humanly possible. The pianist’s body moves to the rhythm of the [adjective] tune, dark strands of hair gently swaying across his forehead as [something more movement]. 
Their gazes finally meet, and Sukuna knows he's done for. His heart loudly thumps against his ribcage, threatening to burst through as green eyes further capture him into the moment they're sharing, driving him deeper into the shadows the pianist is painting with the [adjective] sound of his music. Sukuna feels as though he's lost in a sea of darkness, the glint in the pianist’s eyes [something akin to a lighthouse making him feel safe]. He lets the [adjective] chords (of the score? Of the music? Of the piece? Idk) crash against him like tidal waves, making him drift further from the shore.
💕 What is your favorite fic that you’ve written?
That's a difficult one, but probably sweetest blossoms, which I wrote for my friend Asa. I'm usually not into historical AUs but she requested one, and I surprisingly had a lot of fun writing it and look back on the process pretty fondly.
🌻 How often do you read your own fics?
Never tbh (unless proofreading to edit counts). If I read my own fics I would probably end up deleting them out of self doubt so I just let them sit there on ao3 for people to enjoy lmao
📗 Do you want to write something outside of fanfiction? If so, what about?
Not really, unless non-fiction books or articles about my professional field count.
💭 What inspires you and your writing?
It's mostly the media I consume that inspires me, whether it's music or anime/manga I'm watching/reading. Sometimes I'm also inspired by some stuff that happens to me irl or situations I'm in (there's a particular wip I'm working on that comes to mind when I say this, and if you end up reading it and know enough about me you'll probably catch it whenever I post that, lol).
💡How many WIPs do you currently have?
10 that I know for sure I'm not gonna end up scrapping. More if you count the ones that are on the fence, but I don't wanna go there 🤪
📚 Is there a fanfic or fanfic writer you recommend?
For Barakamon, I recommend ahknee (@misocucumber) always, especially this fic.
Other fics that have really stuck with me are run the red out by saltwreath for inuokko, the proper care of lilacs by teasomnia for sukufushi, anything by ietjesiobhan for haikyuu. And there was this one fake dating kuroken fic that I read a while ago, in which Kuroo and Kenma broke up years ago but never told anyone and get invited to kagehina's wedding and decide to pretend they're still dating for the occasion, but I can't remember the author or title and I don't have time to look for it rn, but that one stuck with me for a long time.
There are so many I'd like to recommend, I should really start coming up with rec lists.
🤖 Are non-fandom friends aware that you write fanfic?
Only my partner and a handful of online friends (i met them in anime circles i guess they could count as fandom friends as well, but they're not into it like that so idk)
💛 What is the most impactful lesson you’ve learned about writing?
That it doesn't need to be perfect on the first try, and that a draft is just that—a draft. You can always come back to edit it later and improve the things you don't like; that doesn't make you a bad writer or untalented, everyone does that.
💌 Is there a favorite trope you like to write?
Mutual pining with 2 idiots who think the other would never be into them
🎨 If someone were to make fanart of your work, what fic or scene would you hope to see?
I honestly don't have a preference, if someone were to make fanart of my work I'd be eternally grateful regardless of the fic or scene the artist would pick!
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nuclearnerves · 3 years
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INCOMING VAMPIRE AU THOUGHTS
Don't mind me I'm finally getting the ideas I had on this shit out so I can actually go forward with developing it as an AU. It's my usual mixup of fps protags, Gordon Guy and John, but I'm starting with Gordon as the Vampire and Guy as the Vampire Hunter.
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absolute beast of a wall of text under the cut
What If Being A Vampire Literally Sucks All The Time Forever like chronic pain sucks. like THAT level of sucks. Like Here's what I was thinking of. Being a vampire isn't just "being alive forever but you need to drink human blood" It's like Oh man I have some lore you look at vampires and their main thing is that they're blood suckers right so lets start with a corpse dead body. cadaver. no longer with us. just some rotting meat. The brain needs oxygen as fuel. The blood supplies the oxygen through blood. The blood is pumped through the heart. The blood is made by your bone marrow. You die. Your heart stops beating Blood stops pumping Brain no longer has oxygen to think marrow stops making blood thats standard! Now, becoming undead, as a vampire, is a little more complicated. The long and short of it is: your body is FIGHTING ACTIVELY to be alive against all odds and wins every time (immortality), but it hurts the whole way
I have the gist of it. It's like. Your heart stops. By all means, you should be dead. but the magic kicks in, and you're still thinking. Your brain is still sending signals to your muscles to move. But using what oxygen to move? whats burning in you? You don't know but you know it's just enough to get to your next meal. So you ferociously eat something, and then find you can't swallow. You can't make saliva. You barely have the energy to chew, and once you DO get something in your stomach, it immediately comes back up. Why can't you feel your pulse? What's going on? You're out of options so you figure you might as well just lie down and die. You're too tired to keep going anyway. So you do, you lie down, and you close your eyes, and you quietly hope that death is as peaceful as sleep. You realize you've actually been moving around without breathing, which makes sense because you can barely flex your diaphragm for more than a shaky wheeze. How are you thinking with such little oxygen? But as you fade from consciousness, you can feel something in you, and it's so upset, it's crying, it's filled with grief, and you instantly can tell it's your skeleton. It's your bones. You're distraught down to your marrow. You're dying. You're dying! Your heart stopped and you have no more blood! You need blood! You need blood to move! To breathe! To think! You try to breath deep again for the voices in your bones, trying to comfort them, to sooth them with the repetitive motion in your lungs, trying to fill yourself with anything but grief, but they keep wailing. We make the blood, our creation, our child, what we put all of our work into is gone! gone! gone! We need it back! Anything! All of it! Find it! Bring it back to us! We're hungry! WE'RE HUNGRY!
and once you find yourself too exhausted to listen, to think, how badly you wish just to die already to cease hearing this wailing, you find your body moving without you. And it's hungry and it's searching and it's crawling on all fours and it misses its beautiful red life that made it feel so full before and it needs it back, and the next thing you know you're desperately grabbing anything with blood in it and shoving it in your mouth in a desperate attempt to sooth this cry for life, you don't want to die, you don't want to die, you worked so hard to keep up this body and craft it and LIVE with it and you're not going to go, and even when you try, even when you try to lay down and die, your body refuses, it takes the reigns, and it keeps up the work itself with or without your help. And it's not until your stomach is full and your teeth are stained and you feel a pulsating burning in your bones that you snap back awake, completely conscious, just fine. You're lucid, you don't feel any more pain. Everything around you is dead and drained and messy and your heart still isn't beating. but you can breathe now and holy shit you guess you literally need to kill to survive and the less you eat and the more you starve yourself the worse it gets when your body finally decides to take recourse.
my idea was like. "the vampires curse is actually stored in the bones, thats why the teeth get so sharp and also theres a connection between blood and bones with the creation via bone marrow" its literally like i was sitting there thinking "no no no, whats it like to be a vampire. what neurosis would you develop. How would you panic? What are common mistakes beginner vampires make" which, by the way, gordon is a beginner vampire
so now you gotta factor, what blood lasts for how long? how long can you go between meals? not only that, but what creatures satisfy the urge? How long can you go avoiding human blood? Does it work like drugs where you develop a resistance to the high, or is it like food where it will keep you moving until you eat again? How the fuck are you gonna get your hands on blood? Can you just eat raw meat? Does that count? and thats where im at lol
OKAY now. now thoughts on beginning scenes of vampire au
So my idea was this Doomguy is a vampire hunter independent and one of his buds says that some freak scared and almost attacked his daughter when she got too close to his old abandoned laboratory up the hill and hes like “he might be… you know… a problem. if you needed a lead” and guys like yeah i fuckin hate the undead ill kill this dude so he busts into old lab space and sees so many dead animals its actually mostly Bones and pelt that hes seeing piles of feathers etc so hes like yeah this is all telltale signs of vampire uhhh hes introduced to gordon SOMEHOW im not totally sure of the details but the working idea i have is guy falls into a trap gordon devised that restrains him suspended in wire or something and gordon like. limps/stumbles into the room and this dude looks haggard he’s breathing heavy, his cheeks are hollow, he’s bug-eyed and shaking while looking at this massive wall of meat in his trap and he bares a bunch of hideous teeth and grits them and looks like hes really struggling with somethin... Like if these dudes don't know each other then Gordon might give in and try to drain Guy, and Guy would absolutely do anything in his power to turn this new vampire into ash, im thinking the inclusion if g-man as a coven leader can fix both issues.
i like the idea of guy falling into gordons trap and gordon thinking about what to do with him before gman shows up and whisks gordon away for a “meeting” while complimenting him on his good work catching the most feared vampire hunter in the country and gman just leaving guy suspended in wires that he has to fight his way out of. Instant situation defuser.
Guy ends up needing to take care of other monsters before going back to Gordon, and he DOES plan to go back to gordon, because no vampire is a good one, especially not one associated with the fucking head of a coven, but next time he sees Gordon, Gordon helps him out of a scrape by attacking and draining a combine who was going to take Guy out or something and escaping before Guy can catch him, or otherwise seeing Gordon do something good with his insane undead powers and like, the third time he meets up with him is when they can actually talk, and Gordons fuckin SO haggard, he’s not even fighting back and he’s even going as far as to say “just make sure theres nothing of me left when you’re done, I don’t want anyone else getting hurt”
Side Note: Guy has a bunch of scarring on his body from dealing with vampires, cops, ghosts, werewolves, anything violent that kills people. I'm playing with the inkling of an idea that he has Divine Blood in him, so that any time something undead bites him or tries to drink his blood, it burns. We'll see.
Side Note 2: now i really like the idea of the combine actually being an organized faction of vampire hunters that are WICKED crooked and exploit people for all their worth in exchange for their “safety” when they kill a vampire They’re essentially loansharks and Guy fucking hates them and hates the name theyve given to vampire hunting
Side Note 3: You've probably noticed that I haven't said anything about John yet! He's in this too. His species is a surprise but I need to get to him later I have an idea for where he came from (Cortana too)
I still need a good reason for Guy to not instantly kill this vampire, if not it's just gonna be "Gordon Freeman escapes the countrys best vampire hunter like a seventh time" every time they meet and they end up being rivals. And it gives Guy enough time to look past the whole "undead monster" thing and start looking at the "Oh this dude figured out how to fight his ridiculous craving for blood in a way more humane than most and is actually staying out of peoples way and keeping to himself. Guess he's not that big of a threat but I still need to keep an eye on him in case he loses it. Turns out he's got a family (Probably Alyx, Eli, Issac and Barney) who's been lookin for him and cares about him as well, don't wanna hurt them". I like the idea of them ending up needing to team up to take out undead together.
And that's what I got so far!!!
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outoftimewriting · 4 years
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Imagine (based on the incomplete fanfic Son of the Underworld) (Son of Hades! Percy AU) (5/5) or (5/10)
Hey so, this is the last part of PJO - I follow into HOO, so before you read this, check on the masterpost - and read the warnings before proceeding :)) Good reading!
Annabeth comes to him, at the end of his fifteenth birthday party, and shows her Daedalus laptop. There's a document open in it, and it's labeled Achilles' Curse.
Percy doesn't read it - he hates reading, in any way or form or language - but she does, out loud.
"I'll think about it"
They have a year. Most of them, even those who aren't year-rounders, are going back to camp, to draw battle plans and stock on the armory.
He feels kinda selfish - for a whole five seconds before he remembers he'll probably die next summer, so he just shrugs it off - Percy deserves this year.
They all leave to go back to camp. Nico seems conflicted over something - but Perseus doesn't question it, there's enough bad blood between them.
Paola is really cool - and Sally really loves her. It's kind of bizarre at first, to see his Mom dating his teacher - and of a subject he hates - but Paola is calm and well-tempered and she laughs at his stupid ass jokes.
He visits Persephone afterward - and it really feels like he has three moms to fulfill his lack of a father - well, he is absolutely grateful for the women in his life.
Percy isn't truly in good terms with his father. The man doesn't really seem to care much for him as a person - he is much more of a trophy son.
Perseus loathes being a trophy son, but at least he has someone to help with his powers - not something a lot of half-bloods can claim.
So he goes back to school with Rachel, and they pretend everything is normal. He tells her about his quests - all three of them. He thinks she understands him better now.
He opens up to her. Tells her about Annabeth - the adrenaline-fueled kiss - and Rachel stops talking with him for a week.
She apologizes when she comes back. She needed to figure some things up - firstly, the redhead tells him she is probably asexual - and maybe aromantic too, but she is not certain because the internet wasn't really clear about that.
Then Rachel confesses that she is not jealous of him in a romantic way - she is envious of his friendship with Annabeth. Percy is her first genuine friend that really appreciates her.
This is the first grudge Perseus lets go for real before it even takes place - Rachel didn't leave him because of teenage drama, she ignored him out of confusion. Everyone is allowed space - he knows this better than anyone.
They don't kiss anymore. Not because Rachel doesn't like it - no, she is all for it - but because Percy is starting to think kisses should mean something - he is saving them.
They kiss once - when Rachel father calls for the first time this year - not to ask about her, but to tell Rachel he found this amazing all-girls school. To Percy, kisses mean comfort.
They cuddle a lot, though. These past few years of fear have made Percy very touch-starved.
It's sophomore year - and Percy is in five AP classes: Macroeconomics&Microeconomics, Statistics, Calculus AB, Physics 1, and Comparative Government and Politics.
He is planning on taking both AP Computer Science classes, Psychology, Physics 2, and Calculus BC next year; leaving only Electricity&Magnetism, Mechanics, Chemistry, and World History for his senior year.
If he lives, he is working on a tight schedule here. He doesn't know what he wants yet - and if he is in constant danger, it's already pretty lucky he can do high school - but probably something with Math.
Rachel says fourteen AP courses are ambitious - that he'll burn out. But math comes to him easily enough - it's in his blood.
She is also overworking: She is taking AP Environmental Studies, Art History, Drawing, 2-D Art and Design, and English Literature and Composition.
They complete each other. Rachel is planning on taking as many Art, History, and English courses as she can - he is taking as many Physics, Math, and Science as he can handle.
(She is also going to take on Japanese studies for some reason - probably for her GPA, but Perseus just teases her that she is getting too invested in anime)
Perseus doesn't care about languages anymore - the only languages that matter to him are C++ and JavaScript now.
They study together, they take naps together, they climb to the roof together, they flee school to visit Sally together - he is the Pinky to her Brain, the Scooby to her Shaggy, the Lois Lane to her Superman, the Robin to her Batman.
They look like troublemakers - They are honor roll students, but she is always with ripped pants dirty with paint, and he is always full of flowers everywhere, even in his muddy converses - a cliche to kill all cliches.
They're both nerds - he is the classic one, all polo shirts now, the first chair for every number-related class - and she is the artsy one - there's a brush behind her ear and her hair is so messy that half the time it covers her face.
Paola gifts him a pair of cheap frames without lenses once - saying it adds to the aesthetic - he totally uses them.
Persephone just makes him flower-crowns, and giggles when he matches them with his polo shirts.
When winter comes, he goes back to his hoodies and sweaters and gloves - to find out he doesn't miss them a lot.
Rachel introduces him to polaroids - and they look eerily pretty in the winter, her hair looking like blood spilling over the snow - and he loves it.
If he survives - he can feel Rachel slapping him - when he survives, his college credits will be remarkable. The idea of doing SATs makes him want to cry - reading always does - but he'll get somewhere good - he knows it. Perhaps Stanford. Or NYU. Or the dream of his life, MIT.
He is living his life to the fullest - he starts reading comic books, he gets really (really) into Tony Stark once Iron Man 1 comes out (even if he has to kill at least three monsters just to go to the movies), he plants trees and Rachel starts teaching him how to play her ukulele - but half his mind is still on the upcoming war.
Christmas vacation comes - and he goes to visit Camp Half-Blood, before heading back to his mom. It's quite memorable, if only by the fact that Nico Di Angelo freaking betrays him.
He tells Percy to come to the Winter Solstice with him. Most of the campers are not going - the war effort is in an all-time high - but Percy has never gone before. Hades will be there - it'll be great!
Perseus should absolutely be less surprised with the outcome - seeing that Nico is inviting him in Cabin 1, post-dinner, and they don't even stop to talk to Chiron about it.
But Percy goes. Because Percy wants to make amends.
There's no time to really talk to anyone. They travel in Blackjack for the Empire State Building - and it's fine.
They go up to Olympus, Nico shows him everything in the god's land, the temples are a work of art, if not kind of old, and the meeting is kind of okay, even if the gods are squabbling children.
Then the gods leave, and Perseus thinks they're leaving too.
"My father needs a word with you"
Perseus feels the betrayal claw on him. There are no shadows in the white hall, there's no way for him to escape. Nico looks apologetic - Percy wants to clock him in the face.
"He promised to tell me more about my mother" Nico pleads "He will tell me more about where I've come from. Please, Percy."
Nico is cute. He is, for a soon-to-be fourteen-year-old. But his pretty face and exquisite white eyes don't make him any less of a freaking liar. All his handsome male straight friends betray him - it's a worrying pattern now.
He muses for a second that they also all have a crush on Annabeth - gods, the blonde attract the worst types.
It's double-crossing - Percy ends up in an all-white cell that burns his retinas without any weapons because Zeus wants praise in the middle of this freaking war - doesn't matter if a hundred demigods die, if he only has the glory.
Nico ends up with barely any information - Zeus didn't promise anything. The god of the skies is a lying-ass motherfucker - literally.
And Zeus justifies it - He says Perseus is a criminal because he awakened Typhon. So Hephaestus issues a quest so he can save a hundred demigods, he destroys a powerful titan weapon of doom, and he is the villain? Sure, Jan.
Perseus writes this grudge in his heart - that's where trust will take you. To a cell. Betrayed by a "friend". Again.
He flinches when Nico comes into his cell, pins him to the wall and promptly begins to try and strangle him. He wants to melt in the boy's shadow - to go and never give him a chance to explain - but he looks so guilty Percy waits for his repentance.
The son of Zeus saves him, but Perseus is still pissed off. The god of thunder has threatened to kill him off at least two times now, what is to say he wouldn't have killed off Percy for the sake of glory?
He half hopes Zeus had killed him off. The war is close, too close - Nico wouldn't be the Prophecy's child. There would be no child. Olympus would fall - and Percy would have seen it all from his very comfortable couch in Elysium.
He wants Kronos gone - but he kind of wants Olympus to fall with the Titan.
Nico flies him down to the Earth - the elevator is monitored. Zeus has left, like many others - not to bother with the war effort against his main enemy, but to go to the human world mess with people.
Some gods are doing something - He has heard from Annabeth that Artemis is leading the widest hunt ever, with her brother by her side; Hermes (with Hephaestus help) is delivering Celestial Bronze, other metals, old schematics and a whole lot of fuel to Camp Half-Blood every few weeks; Poseidon is fighting his own war, in the ocean; Dionysus is at Camp - and this time, he is really helpful with the battle formations; Demeter is on the Underworld - Chiron seems to think his father is preparing for war, but Percy sorely doubts it.
Percy is taking some people with him to Sally's Christmas dinner. Just Annabeth, Clarisse, Rachel, Connor, Travis, and Charles - people who don't have a present family to celebrate it with.
Grover is coordinating the dryads up in San Francisco with his second cousin, Gleeson Hedge - they are the first to fall if anything goes wrong in Mt. Othrys.
"I think you should stay." He tells Nico.
"You don't trust me anymore." It's not actually a question.
Percy doesn't trust the boy. Not at all - it's the third time he does something shady to achieve his ends based on emotional turmoil. But he is a good person - it's just his father's cursed temper and his grief.
"It's not that. You're needed for the war effort."
Both of them know it's a lie. Percy doesn't care - he deserves to be bitter a little longer.
Percy goes back home. Christmas is amazing - even if Rachel asks him where Nico is because he is talking about making amends with the boy for a while now.
He goes visit Persephone - but she is occupied, so he wanders through the Underworld after Bianca di Angelo - someone he, for some reason, never been able to reach. It's a pointless endeavor by now.
He finds her. Or else, he finds a shadow of her - she is blocked from his view. Bianca doesn't talk to him - they weren't close - but she guides him to a girl.
Her name is Hazel Levesque.
She seems lost - like most ghosts - but something in Percy calls for her. It's the color of her skin and the sparkle in her golden eyes - Hazel remembers him of himself.
He promises to visit more - even though he doesn't think she'll remember it - and leaves to go back to the surface - he will finish the sophomore year.
And Percy does. After a very distressing break, he is doing his best. His grades drop a little in English because he can barely focus - half his mind is on the war and Nico's betrayal and Hazel Levesque's golden eyes.
Miraculously, his GPA doesn't fall - he still is taking a ridiculous amount of AP classes, and barely has time to breathe - dark circles grow under his eyes, and he looks like a mess - but now he is a Junior.
That's why, as soon as the year ends, Rachel takes him on a road trip with Connor. They go all the way to Boston, then Portland, Quebec, Montreal, Ottawa, Syracuse, Baltimore, and Filadelfia, before going back to NY.
They are stopped five times by the police - because Percy is black, and it's Rachel driving the Camaro, because she has a learner's permit and Connor is, somehow, an approved license holder.
They are on a pier, enjoying the view of the beach. They did the last week alone because Connor wanted to go check on one of his cousins - at least, that's what he said, with an over-exaggerated wink that both Percy and Rachel ignored for the sake of their sanity.
She tells him about Clarion Ladies Academy - but that her father is at least mildly happy with her GPA this year, even if he disapproves of her Art focused AP classes. Percy thinks Mr. Dare would love him, with his APs on Economics and Politics, if only he was rich. And white.
This time, when Charles Beckendorf arrives in a Pegasus to tell him it's time, Rachel doesn't kiss him - she justs hugs him and makes him promise to call her.
Perseus doesn't go to the Andromeda Ship - he is needed in Camp. He is useless on the water - but they do need him to improve battle strategy.
Charles Beckendorf is dead. Thalia is the one to tell them - she was in her father's palace helping with a monster under her Lady's orders - he went on the mission alone.
Percy talks briefly with Beckendorf's ghost - is his worst developed power, and he can barely hold the "seance" for more than a few minutes. He does it with only Nico di Angelo for witness - the others are the way to close to the situation.
There's a spy passing information to Luke.
They look at him. Doesn't matter how much he does, he is always the first suspect - he is a son of Hades. He was friends with a lot of people on the other side. He was gone for a year and a half, who knows where.
Perseus wants to say that he has helped to save their asses four times now - that without him in the Labyrinth, they would all be dead right now - and that Charles was basically his older brother.
Then he points out he wasn't even here - he had no idea of any plans of anything - and he told him about the spy, so he is not the freaking spy, go point fingers at each other instead of him.
When they start yelling, he stops them - this is not the time, he was just angry at their accusations. They have to burn Charles shroud. Silena is inconsolable - Percy is not very far from it, but he is not a public crier. The last time he cried in public, Luke was dead on a cliff.
Percy speeds up the line for Elysium to Beckendorf - his brother deserves it.
They read the prophecy together - Perseus already read it last summer, he doesn't even care anymore. They look at him anxiously - no one has forgotten that he abhors most of the gods.
Clarisse and Michael Yew fight, but Lee Fletcher - with a mechanical arm built by Beckendorf himself, still re-learning how to shoot arrows and forever incapable of playing the guitar again (but the keyboard is not ruled out yet) - stops them: They can share the chariot. The war is more important - is not the time for petty fights.
Chiron shows them Typhon - and Perseus has a sliver of hope that they can destroy Kronos and be free of the gods at the same time - It's a horrible hope, because he loves Persephone and some of them are even okay sometimes, but he really wants Zeus to go to Tartarus for at least a century, so Perseus doesn't meet him again in this life.
But he also wants the gods to win, because there's a lot of dead people - innocents, people who have nothing to do with this war.
He dreams of Rachel. Rachel is painting Luke - and Percy wakes up crying, for the boy the gods took away.
Annabeth takes him aside and reminds him of Achilles' Curse. He is off to May Castellan's house - the last place Luke has been - for it's his best and only chance, its what Annie thinks. And she is scarcely wrong.
Perseus hates the gods. They wrecked a family - and for what? May Castellan - forever waiting for a son that will never come back, haunted by visions of his future, plates of burned cookies everywhere.
Perseus doesn't pity her - he rages against the gods, who brought madness upon this woman and then left her to it. Where was Apollo, the god of health? Dionysus, who is supposed to control mental health? Artemis, whose job is to protect women?
Hestia is kind - but she is still a goddess. She could've prevented this - but she hides in her hearth and abstains - and that's enabling. Hestia enables the other gods to do as they please, even when she is the oldest. She says they ignore her - oh well, she ignores them right back! He has no time for the laments of another all-powerful being.
So he goes to his mother and asks for her blessing. Then, just to be sure, he asks Persephone's too.
He thinks about his anchor - where does he want it to be in his body. He doesn't want somewhere in his back - where he can't see it - or in his gut - where anyone can stick a sword. He settles for the bottom of his back - where he can at least touch it and it's well protected by armor - and dives.
Perseus hates water - and he has an uncanny fear of drowning. He feels pain - everywhere, horrible pain.
His vision now doesn't have Annabeth's face - the blonde is his link to the demigod world, Persephone is his link to the Underworld and his mom is his link to childhood - but the person who grounds him is Rachel.
He is stronger. He feel his powers at his fingertips - Perseus feels the Underworld as a whole, and it's overwhelming.
Green flames explode from his hands. Flowers made of shadows curve around his ankles - he has been training since he was 12, but now his body can sustain all of his power. This is all his.
He goes meet with his father - Perseus manipulates him. He tells Hades he'll be the hero, but the god himself can be praised for more than being his father. That he should join the battle against Typhon - That's his chance of proving himself. Also, there's less paperwork for him if there are fewer dead people.
His father is amused with his blatant bribing, but he thinks about it, Percy can tell. In a way or another, he excuses himself and goes back to the surface where he is needed.
Persephone stalls him. She asks him to stay, just for this night. He can go back in the morning - he sleeps, and dreams of Rachel again, drawing in the sand. In greek.
He is scared for her - she is having demigod dreams, but she is mortal. Something is wrong.
Typhon is getting worse - and Kronos draws closer to NYC. It's time - he calls for Blackjack and leaves - Mrs. O'Leary, who has become more or less of a mother to his own hellhound, follows. Persephone promises to convince Hades.
They have about sixty campers able to fight heading for the Empire State Building, and five healers. The ones too young to lift a sword or string a bow stayed back at Camp with Argus - fifteen children between 5 and 9 years old.
Percy knows he looks different - he looks just like his father. He has gained a godly aura - he has no scars anymore, no imperfections. Perseus looms over all of them - he went from 5'7'' to 6'2'' - it's a weird view, from up there. It's still strange when they look at him with a mix of fear and admiration.
Perseus Jackson is officially their leader. He hates Olympus - but he will give his life to defend every single one of his demigods.
The vision Hestia shows him just makes him want to tear this throne room with his bare hands - Luke was a kid. He was a kid - and the gods corrupted him. Thalia was a kid - and the gods took her life, twice. Annabeth is still a kid - they all are - and she is here planning battle strategies.
Annabeth missed an extra year of formal education - while Percy is a Junior, Annabeth barely qualifies for a Freshman - because the gods took this from her too.
Percy rages. The ground of Olympus trembles beneath him - he wants to kill something.
Then Hermes appears - like this whole war is not his fault in the first place, the literal bastard - just to relay a message from Athena that gives them a plan that Annabeth was already putting into works and tells Percy to stay away from Annabeth.
Like she cares. Like Athena has ever, ever, done anything for Annabeth.
Perseus can't punch Athena, so he punches the messager (also, because he freaking guilt trips both of them about Luke). He has nothing to lose - he is going to die by the end of the day anyway, and they need him too much.
He has punched a god before - Ares, in a desert in the middle of Los Angeles - but this time, it's satisfactory. He feels good after it.
Hermes seems strangely resigned - He feels guilty about Luke too, but Perseus doesn't think it's enough. It'll never be enough, not while the gods leave their children to rot in a cabin of rejects and May Castellan bakes cookies for a son that will never come back.
Hermes leaves, ashamed. It's only fair, Perseus thinks. They all should be ashamed.
They see the city asleep - the prophecy is in the works.
Perseus executes their strategy - every cabin is covering a tunnel, with the exception of Dionysus, because Pollux is with the Demeter kids, and the Hecate kids stay behind to use spells to overlook the city. Lincoln Tunnel is getting covered by Ares - who, this time around, is actively participating.
The undetermined who didn't desert are with Hermes - and the minor god's children are divided by specialty - most Hypnos and Morpheus children follow him directly, but the two sons of Iris go with the Apollo Cabin.
Annabeth executes Plan 23, automatons, mounting on Mrs. O'Leary (who has strict orders to take Annabeth anywhere she wants without stopping to play around) - she doesn't need his help with this, and Percy has a tunnel to defend.
That left the rivers uncovered - until Thalia appears, with magical sand money, and made the rivers cooperate.
The hunters join the Aphrodite kids - who are half a dozen children between 11 and 19 - the oldest being Silena Beauregard, who uses a crossbow that looks exactly like her immortal half-brother's one.
His bridge is completely covered on skeletons - but no monster comes, even if he hears explosions. He leaves an English Lieutenant from the Battle of Yorktown in command of the bridge - with Tyene, the oldest daughter of Morpheus, to be in alert and don't let Clovis sleep through the battle. Because he did it before - and while it is funny, it can't happen right now.
Perseus mounts Blackjack - and go see where the noise is coming from. It's the Williamsburg Bridge - where are most of Apollo's Cabin.
They fight - and Percy almost cries when he sees Luke, who is not Luke anymore. Luke, who is a puppet controlled by Kronos.
Perseus kills the Minotaur and the weight of his stone spikes collapse the bridge - and Michael Yew dies. This time around, the bridge falls silently into shadows, and he doesn't bother about searching for the corpse - he saw the boy falling, and his screams will haunt all of them, forever.
This time around, Annabeth is not there to protect him - Ethan also doesn't try to kill him. The Son of Nemesis doesn't leave Kronos side for a second - but there's regret in his eyes.
After the bloodlust is gone, Perseus collapses - Will has to bride carry him back. Overuse of his powers - he summoned skeletons and produced shadows, melted enemy swords (with the bonus of incapacitating them without killing), and sprouted stone spikes everywhere - there's even a vine or ten that he used to hold his friends from falling.
Perseus doesn't sleep quickly enough to not hear the yell of anguish that comes from Lee Fletcher - the pain of losing a brother and not being able to fight beside him.
But he does sleep - and he dreams. He dreams of Hades killing Maria Di Angelo, not Hera, like Zeus told Nico. He dreams of Zeus cursing the Oracle - and he seethes, because he also sees what happened to May Castellan.
He keeps getting angrier and angrier at the gods - it's building inside of him. But his friends are still here, still fragile. He can't let them suffer more.
Perseus wakes up, checks on everyone - most everyone is either injured and/or exhausted, but he checks on every camper. He knows all of their names, their ages, their cabins. - and promises to sit up to talk with Thalia and Nico - war makes him prone to peace - and promptly goes back to sleep.
He dreams of Rachel. He wants to scream for her not to come: but she'll anyway.
Perseus dreams of a boy. He is his age - maybe a little younger. His hair is blonde and his skin is whiter - but Percy glances at his eyes, and there are waves in them.
There's a girl by his side - she is familiar to Percy, somehow. They're climbing a mountain.
The dream ends and Percy can't make heads or tails of it. He asks Thalia if she has a brother, but she says that she doesn't, looking wistful.
Prometheus is tempting - but he knows there's no Luke anymore, there's only Kronos. And the gods are horrible, vile and immature - but they never killed any of Percy's friends. Some of them died for the gods - but never by their hands, so for now, Perseus would toe the line.
He does want to punch Hermes again. He takes the Pythos - if everything goes wrong, he will not hesitate in going down for the sake of his friends - but there have been six deaths, and it's enough.
"Was it worth it?" He asks Ethan.
"Alabaster is alive" And it's all the answer Percy needs.
He dreams of Ethan and Alabaster. Alabaster is alive, yes, but he is missing half a leg - courtesy of Clarisse herself. Luke - Kronos - is indifferent, and Ethan curses the daughter of Ares - "The sword that took from us will take from you"
He contains Hyperion with his shadows. Then he helps Grover (who was half asleep, because of Morpheus) to make the Titan into a tree. It's a pomegranate tree - then he sets hellish fire to it and sacrifices it to Hades and Persephone.
A pig is in the sky - this time around, Annabeth and her frightening army of automatons kill it with Nico's help.
Perseus laughs - because Annabeth has about two hundred automatons under her command, Martin Luther King and Alexander Hamilton leading the charge with a giant bull being ridden by the Mad Hatter behind them.
It's weird to see historic figures Percy admires - like Jane Bolin, Sylvia Mendez, or Abraham Lincoln - fighting alongside people he downright despises - Thomas Jefferson and the goatfucker, herpes-ridden, Colombus. His Comparative Government teacher would have a field day.
Annabeth and Nico's pair up is amazing - They fight alongside like they have been doing it all life.
Nico is a force of nature, flying and commanding the winds to do his bidding - His eyes shine in the midst of the stormy clouds. His specialty is weather manipulation - he hasn't had much success with direct energy or electric discharges.
Annabeth has her mother's tenacity for war - and her clever mind for strategies. It's clear in her eyes - she is racking the weaker points of the Clazmonian Sow in her mind and destroying it. The automatons hold the pig in place - and she makes bacon of it.
Hercules couldn't do it. Nico and Annabeth can, because they have the power and the mind.
Perseus is still fighting off monsters - but they're too widespread, so they retreat to the doors of the Empire State Building.
Percy does a mental tally: of sixty-two campers, six are confirmed dead, twenty are injured and nine are out of commission on exhaustion. There should be 27 orange shirts here - but there's only twenty.
Percy wonders if the seven missing are injured, or dead, or under a pile of rubble somewhere with no one to help them. Is there someone being slowly eaten by monsters? Is there someone alone and injured and abandoned? He doesn't know.
He prays that those seven deserted them - at least that means they probably are alive and well.
Perseus looks at Phoebe's grief-stricken face, and he knows it's not probable - she had almost three dozen hunters with her, and now there's barely fifteen still fighting, Thalia nowhere to be seen.
They prepare for their last standing - Percy keeps conjuring skeletons, but they're no match for the sheer strength of the hyperborean giants. Nico is shoulder to shoulder with the Stoll brothers against a group of telkhines - Clarisse is bringing down a whole giant by herself.
After the Party Ponies save them - Chiron leads the charge against his own father, and Perseus is so proud of his mentor he can't even put in words how much - he goes to sleep. Fighting gets him tired quickly, and they'll come back.
He dreams of Dionysus. Perseus is not fond of any god who is not Persephone, but Dionysus is mostly okay sometimes. He seems to care about his children.
Perseus couldn't care less about the Western Civilization - but he'll care for Pollux. It's one of his demigods, after all, and Underworld people are possessive of theirs (i.e. Hades and Persephone).
He dreams of Thalia, in her father's palace, begging Poseidon to leave the underwater war and help with the invasion - His wife is none too happy with the presence of his immortal bastard daughter.
He wakes up to Rachel's helicopter falling - how is Rachel even awake, is a mistery.
The improbable pair Nico and Annabeth strike again: The girl knows how to fly helicopters, and the boy can fly himself. They save the redhead and the pilot - everything is fine.
"You're not the hero"
"Why did you risk yourself to tell me something I already know?"
Rachel doesn't explain - she can't. But she has a vision that says that he is not the hero. The hero of what? Perseus has no idea. But there's no way any of his cousins is dying for this stupid prophecy.
Suddenly, there's a drakon there. Rachel has another prophecy - Perseus fears she will walk the path that led May Castellan to destruction - that only a child of Ares will be able to kill it.
Bad news: All children of Ares are otherwise out of battle.
Clarisse is resting after a nasty concussion - and her brothers and Apollo's children are fighting yet again because Lee Fletcher is in no condition to stop them and Michael Yew is dead. Ares' side refuses to fight without the chariot - which Cabin 7 has hidden somewhere.
The best they can do is fend the drakon off until a miracle occurs. And it does: Clarisse, in full armor, manages to lead her brothers into battle.
Clarisse is dead. Something shatters inside of Perseus - and he leaves the drakon for the Ares' children to solve - he can't kill it anyway - and starts to vaporize the army behind it.
He is so caught up in bloodlust, that he almost misses Clarisse slaying a dragon. Clarisse, who has no armor. Clarisse, who is alive.
Ethan's curse rang true - Clarisse's weapon took something from her.
Silena is a traitor. She is also dead - which makes her a martyr, and probably going to reunite with her boyfriend in Elysium.
He remembers how easy is to fall for Luke's charm - he was - is - still in love with the guy. Percy thought the son of Hermes could do no wrong - and he wonders how much of his rage against the gods sprout from his influence.
Something evil inside of Perseus's mind tells him she deserved it. It tells Perseus that better her than Clarisse - but he shuts it down, and concentrates on his shining red friends.
He hates Ares. But he might just have an okay side if he can produce such a magnificent daughter.
Silena is the Patroclus to Clarisse's Achilles, and the Drakon is Hector - and the daughter of Ares is sure to parade its dead body.
It's the first time they feel like they are winning. It doesn't last - but as he hugs Clarisse tightly, he thinks he might cry of relief.
Clarisse looks tough - but she is a wonderful human being. She loves Silena with her whole heart - even more than she loves Chris, her best friend. Silena might've been in love with Charles - but she and Clarisse? They are soulmates.
The damned Pythos is following Perseus - and he is done with it. He knows where hope will survive best. Rachel wants him to give it to Hestia - but he owns the fire goddess nothing.
She has never interfered, not once, to help the dozens of demigods with no family that is abandoned in Cabin 11, and he won't forgive her for it.
He sacrifices hope to Persephone because that's what spring is. Spring is the hope of a new life. Maybe, Perseus thinks, it'll convince his father to come.
They go down to make their final stand against the forces of Kronos. There's not a lot of them - but they're not getting through those doors.
Well, his father doesn't come. But Poseidon does, with his whole army, Tyson and Thalia behind him, and the scales seem to turn.
And then Kronos cuts the barrier. Perseus can see his Mom (why is his Mom here with a handgun?!) and Poseidon fighting against the monsters under the eyes of extremely confused mortals.
Some are trying to break the barrier - but it's futile. Kronos has corraled them like sheep for the slaughter.
It's just him, Grover, Annabeth and Nico, fighting against Kronos vanguard - which is big, but not as strong as they are.
Kronos passes him without resistance - Ethan follows, but there's anger in his eyes - not for Percy, but for the monster he is leashed to. Alabaster is not there.
As soon as Kronos powers stop working on them, the four follow the titan - and some things never change, no matter the universe.
This time, it's Nico who falls because of Hera - it's her curse over all of her husband's bastards.
Ethan takes one look at Perseus, and they don't even need to fight. They have been friends for longer than they have been enemies - and they both loathe the gods, but Kronos is as much of an all-powerful controller being as any of the Olympians.
They battle against Kronos - Perseus has only his ax against his scyther - a true Underworld fight.
Ethan dies. And Perseus bloodlust consumes him - it clouds his eyes and he can only keep fighting.
"If... if we've had cabins... and they had thrones"
It's true, and more than ever, Perseus wishes Kronos wasn't such a bastard. He wouldn't bother killing the gods - but the titan is a way worse option.
"LUKE, PLEASE" It's Annabeth. He doesn't have her faith - she didn't saw his transformation. But he tries anyway because he loves Luke just as much as he hates Kronos.
"Luke, remember our summer" But his words are caught up in his throat when the titan throws him against the wall.
But the amalgamation of his friend and an all-powerful being looks confused, so props for his genius best friend.
Kronos shows them a rainbow message of Typhon - and that's where Perseus it's pretty sure he starts liking his father.
Because the Lord of the Dead opens up the earth and gets out in a black chariot guided by skeletal horses like a king. By his right side, is Persephone, in armor battle as a queen should be. By his left, is Demeter, who looks every single bit like the matron she is supposed to be.
Behind him, a hundred thousand dead roars. Charon is mounting Cerberus - and literal hell is unleashed upon the Father of Monsters.
The gods strike down Typhon, sending him back to be locked away - this time, in the depths of Tartarus instead of Mount Etna.
Kronos gets mad. Utterly, undoubtedly mad. He talks about burning Luke's body. Then he hurts Annabeth and breaks two promises in one fell swoop.
"Luke.... remember family" It's what Annabeth utters, but Perseus, already certain of their own demise, is crying now.
"That summer Luke, you promised to never hurt her again. You remember it? YOU PROMISED LUKE!!"
Annabeth's promise was already broken - he had hurt her, all those years ago, in Mt. Othrys. But the promise he made to Percy - that he would never hurt her again - is new and broken, in the river Styx no less.
Luke regains his own body, for a minute, and Perseus runs to him like a man in a desert with no water.
"Please, please tell me there's a way to undo this, Luke, please, please"
"There isn't one, Percy" And it's the first time he hears Luke call him Percy, Percy and not Perseus, in his own voice, in two years. Percy cries.
"We... we don't have much time, hellebore. Give me Annabeth's dagger. Before he... before he takes back"
Luke calls him hellebore and it makes him start crying all over again. He gives him the dagger - and Luke kills himself, taking Kronos out with him.
Luke doesn't need to ask if Percy has ever loved him - Percy kept loving Luke, one-sided as it was, even when Kronos was there.
He still crying over Luke's body when the gods arrive. Luke is dead. Ethan is dead. Silena is dead. Michael Yew is dead. Charles is dead.
He lost three of his best friends in two days. Ethan is dead. Luke is dead. Luke is dead.
Perseus can't stop crying. They take Luke's body away - but he can't stop. Annabeth explains what happened to the gods - most of it, anyway. Apollo says he is in shock - his father says he is a hero.
Perseus doesn't feel like a hero. Was this all worth it? Was it worth it the pain and the death and the suffering?
Persephone touches him - and he has no tears to cry anymore. She can't hug him here, but she'll do so later.
He stares at the walls, listening to his friends being awarded - compensated by their siblings and friends' deaths - with a blank stare. Perseus wants his mom.
They call for him. He raised his head but doesn't bother getting up. He just saved their asses - for the fifth time in a roll. He deserves to grieve.
They offer him immortality. A place between the gods.
He laughs. Zeus looks murderous, but he can't stop laughing.
"My apologies, but I have to refuse," he says. But in his mind, he is thinking about how could they even think he might want to sit between them and be an all-powerful being, be another god ignoring his children and messing with mortal lives while thousands die for him.
"Promise me, on the river Styx, that you'll give me the wish that I want."
They promise him, that if it's within their capabilities, they shall grant him his wish.
"I wish for every child at the age of twelve to be claimed. I wish for cabins in Camp Half-Blood, for every single minor god, and my own father. I wish for Calypso to be free, and to the demigods from the opposite side of this war to be given amnesty. It's not their fault. It's not any of our faults."
"You dare to-" Zeus begins, but Percy is really tired of Zeus.
"We fought your war, we won your battles. We, the unclaimed and rejected stowaways of Cabin 11. We, the children of minor and Underworld gods. We deserve respect. Just like my father deserves a throne, just like the minor gods deserve justice."
"Don't you fear us?" Athena asks, something weird shining in her eyes.
"I thought I would be dead today. At least if I die now, I'm dying for something I believe in."
It stays unsaid that he doesn't believe in them. The other demigods look at him worried - but he is not afraid of the gods.
They grant his wish. Some of them aren't happy with it, but they have to do it. He meets Calypso at the front gates of Olympus - and her smile can brighten the pits of Tartarus. He sees Alabaster talking with Lou Ellen - they are both crying.
He thinks it's the end - it's not. Thalia tells him Rachel left for Camp in her Pegasus - and his father has lift the curse, the Prophecy is gone, but he fears for his best friend.
Perseus is too tired for shadow travel - he does it anyway. He flickers, but anyway, he is too late.
It works. Rachel - his best friend - is the new Oracle. Someone jokes they can't be together anymore and Rachel lifts an eyebrow.
"We never were. Didn't you see the last few hours?" Well, he did out himself. Mostly - they might say it's just friendship, and he will hate the way they twist it. Luke wasn't a villain, and Perseus isn't a pure hero with a heart of gold.
Perseus is healing from lost love - and Annabeth is too. His crush on her was only a crush, he thinks - She is his best friend first and foremost. They cry together at the bonfire that burns away the shrouds of 43 demigods - from both sides - and 16 hunters of Artemis. Their souls all rest in Elysium now.
Alabaster comes back to Camp and helps his siblings to build the new Cabin for Hecate, full of spelled blocks and magic chimneys. Clovis and Tyene have their hands full with their own cabins - it doesn't help they keep getting sidetracked with naps.
Somehow, Nico, Thalia, and his bond over helping construct Cabin 13 - They are both way too invested in the goth vibe, mostly because Cabin 1 looks like a temple, and Cabin 3 looks like a beach cabin. And both of them are so over it.
Perseus doesn't want a goth cabin - he is fighting against the aesthetic for years - but sometimes, there are no arguments. His Cabin is made of black marble, and there are skulls everywhere, with torches shining with green fire. Outside, at least. Inside, it looks like Persephone's garden, with input from the queen herself. It's ready just shy of the end of summer vacation.
Rachel tells the next Great Prophecy. Perseus isn't such a positive person to think it won't affect him - he hopes at least it'll wait until he is done with High School.
That night, he dreams of the blonde boy again - it's his first night without nightmares since the battle. He has a scar in his lip, and his green eyes pierce Percy's soul. Perseus wonders if they'll ever meet, wonders if this boy is one of the Seven of the Prophecy.
But alas, Perseus lets it go. The summer is over - he is sixteen, somehow. He is alive and going to go back to his mortal life and his junior year, and grief. Not everything is fine - but eventually, it will be.
It's not the end. Not yet.
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noctuascion · 4 years
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I'm gonna make 2 requests, because I'm greedy and a little Cryptage starved right now. Also, you write so good and you have this way of turning a phrase that makes me super jealous so here goes. 1) FAKE DATING! Just... always with the fake dating. 2) Not sure how the lore works on your au but if it's applicable, either vamp crypto accidentally exposing wolf mirage to silver or wolf mirage exposing vamp crypto to sunlight.
;; Be as greedy as you want, sweetums. I love writing your prompts and also love you so it works out. uwu
Also, anything to keep me from falling asleep lol
I'll write your second request in a different post, but it'll be a bit. I write kinda slowly chjdjw ;;
--
Elliott Witt has had a lot of things happen to him. He's had first loves, first kisses, first everythings. He's done a lot in his life, but, in all his years of living and loving, he didn't think fake dating his rival would ever make the list. It did, though, as much as both of them resented it.
One of the promotional managers had called them in for a quick meeting. Basically, he laid down that they were to start appearing in public more and that they were doing it together. At first, Elliott had been on board. Having more time in the limelight sounded amazing, but then came in Park, who was now going to be his boyfriend.
Now, he's not saying Park's disgusting or revolting or that he isn't comfortable enough with his sexuality to be able to freely hug and tell his buddies he loves them (because, well, his only friends are a lesbian and a drug addict for the most part), but he's straight, a ladies man! Sure, the kid's pretty and everything, but he's not feminine either. He has his own special type of charm that's not entirely easy to put into words. (He has nice legs, though. Elliott will give him that much.)
He's glad, though, that he's not the only one entirely against this. Park managed to miss a lot of meet 'n greets, forgoing seeing his fans and opting out of photo shoots. He's rarely seen in public, and, if he is, he looks about as shady as a drug dealer—hiding his face, oversized clothing, etc. He hates the spotlight, Elliott quickly figured out, and that was his only real issue with this whole ordeal.
And when Elliott pointed out that he seemed to be perfectly fine with dating him, he called him what he assumes are curse words and insults in his native tongue before telling him he'd sooner date Nox.
However, their word was final, and the two were now a "couple" in the eyes of the public. Their fellow competitors were allowed insight on their little "agreement," and they did what any supportive friends would do: they laughed and wished the new couple a happy life.
Today was their first official "date" as a couple, so Elliott intended for it to be at least somewhat decent for them. He was aware Park hated public places, but they wanted them to be seen in public together. He couldn't please both parties, so he decided a small, family restaurant would be their destination. There wasn't a lot of people that normally visited, but Elliott was a personal fan of the food served there. The atmosphere was warm and friendly and he's sure Park would appreciate that much.
Why am I trying so hard again…?
Shrugging, he pulled on his second nicest jacket—a nice yellow shade that went well with his white shirt and blue jeans. His hair was done up in its usual style, though he lacked the goggles he normally wore, so his hair fell in his eyes a bit. He was sure Park wasn't going to try too hard, so he didn't either. It was a casual outing, after all; no need for either to wear anything extravagant.
Well, Elliott was wrong when Park met up with him wearing a white turtleneck, a nice black blazer, and matching slacks. He suspects a turtleneck because he's at least trying to hide his cybernetic implantations without being too obvious and still looking like effort was put in. There was such a stark color difference, though—he felt like the sun next to the moon.
"Oh, h-hey, you look…" Elliott trailed off, unsure if he should give a genuine compliment or play it off like a joke—but he's already stuttered, so he may as well commit, "… good—you dress up nice."
"Paquette and Wraith helped." He huffed, stuffing his hands into his pockets. "I wouldn't have put in so much effort otherwise."
"Such a heartbreaker, Kim."
Elliott chuckled before reaching out and opening the door, gesturing for him to hop inside his car. The hacker rolled his eyes before slipping inside, the trickster shutting it before hurrying to the other side.
"Where are we going?" Park asked once Elliott was inside, turning the engine on and beginning to leave the complex.
"I know you don't like public places, and a movie is a terrible first date, so I picked out a small family restaurant that has some of the best lemon cakes I've tasted. Not to mention some people will see us, together, so it'll make the higher-ups happy, y'know?"
"Hm. You're smarter than I thought you were."
"I'm full of surprises, sugar."
"Don't push your luck with this 'dating' thing, Witt."
"Oh! That reminds me—we should probably establish some boundaries." Elliott took a right, keeping his eyes on the road but focus elsewhere. "Personally, I don't really care. So long as we don't have sex, I think I'm good otherwise. How about you?"
"No kissing, holding hands, touching in general, stupid pet names, or sex."
"… Well, you've eliminated every possible way of showing we're 'dating.' Anymore you wanna ban there, kid?" Elliott sighed, stopping at a red light and looking over to where Park was seated, glaring out the window. "This is definitely more like a friendly outing, if anything, but no one's gonna talk about us if we just seem like friends. Higher-ups will have our necks."
"I take back what I said earlier. You're an idiot if you think I care about whether or not they're happy with what I do."
"All right, fair point. Can we at least hold hands? That shouldn't be too much to ask."
Park sighed, pinching the bridge of his nose and sinking into his seat. "Fine. If it'll get them out of our business, we can do that. But only for a few seconds."
"Gotcha. Man, whoever dated you in the past must've been as touch-adv—avd—ad—ad… adverse as you."
"…"
"…"
"…"
"… Holy shit—you've never dated anybody."
"Shut up."
"No, no, that just makes this whole thing worse!" Elliott began driving again once the red light changed to green. His eyes returned to the road as well, though he was no less focused on the topic at hand. "You're experiencing a date for the first time with someone you don't even like, a-and that's not fair!"
"I—"
"No, y'know what? No, you're getting a date. Getting everything! You're getting the ol' Mirage charm, gonna get swept right off your feet."
"Witt—"
"No buts! You're being dragged out of your cave and getting screwed out of a first date with someone you're actually interested in. The least I can do is be as good to you as possible."
Park only stared at him, silent, before an amused breath left him, letting himself smile. "Okay."
—;;
Park wasn't a conversationalist, Elliott quickly found out. He was very quiet and reserved, which didn't help much either. He was, however, a great listener, and Elliott loved to talk, so, in a way, it worked out for the better.
The small restaurant they were seated in was relatively quiet, but they could hear hushed whispers about them being together, seated in a secluded booth that helped alleviate any anxiety Park might have with being seen by a bunch of people.
The holographic expert had ordered himself a steak, medium rare, with a salad on the side. He opted out for any alcohol, since he was the driver and he had no idea if Park was comfortable dealing with someone drunk, so all he ordered was some tea. Park, though, only asked for steak fries and a soda.
"Y'know," Elliott said after taking a sip of his tea, "you should get more meat in your diet. Helps build muscle, gets some meat on your bones."
"Hm…"
"C'mon! You also never join us for dinner. Or lunch—or, actually, I don't… see you eat. You eat, right?"
"Yes."
Elliott hummed in suspicion, a hand smoothing down his beard, though Park's stoic gaze didn't relent any. "All right… What do you normally eat?"
"Usually from whatever takeout menu is closer."
"… How are you even standing right now?" Elliott looked sad for a moment before shaking his head. "Let's make a quick deal here—"
"We've already made a deal."
"Let's make another. If you agree to come out of your cave for breakfast, lunch, and dinner, I'll agree to do whatever you want. Anything. Well, except really bad stuff. Like, I won't kill someone. Too far."
It was Park's turn to hum, taking a sip from his straw, before placing the glass on the table. "I benefit from this more than you do."
"I get the benefit of helping my sweet sugar plum get better, even if it's just a little bit."
Park raised a brow. "What did I say about pushing luck?"
"Ya love me. You wouldn't leave me on our date like this… Well, I hope not."
Park wanted to roll his eyes, say "I would and I will," but he didn't. He kept silent, giving Elliott a look, who seemingly took the hint and changed subject.
"So, have you ever been asked out before?"
"Isn't that a bad topic for dates?"
"Just curious. Feel free to not say. Besides, it's not a real date."
"Don't let them hear you say that." Park stirred his drink with his straw absentmindedly, watching it fizz up at his ministrations. "No, no one's ever asked me out."
"Really?"
"You sound surprised."
Elliott laughed in disbelief. "Well, yeah! I mean, you're…"
"What?"
"I dunno—gorgeous, beautiful, cool and mysterious! You'd think girls would be all over you."
"I'm not exactly pleasant to be around, Witt. I'd think you'd have figured that out by now."
The trickster waved a hand, like he was denying Park's claim. "You're rough around the edges, but you're not horrible." He shrugged, taking another sip from his drink. "I'm sure someone out there's just dying to wanna date you! Or maybe you haven't met them yet. Who knows!"
Park let another faint smile curl his lips, looking into his drink. "Who knows, indeed."
—;;
Day two of their time as a couple was during a duos match (of course it was just them), and Elliott had counted this as possibly his most unlucky match.
They had landed at Epicenter and Park landed on top of the tower, alone, and Elliott landed on the ground with two other squads, one consisting of Nox and Octavio and the other being Natalie and Ajay. Nox had trained his sights on him immediately and began chasing him down (the sadistic bastard), and he had to rush to find a gun. All he could find was a P2020, and it wasn't exactly a fair match against the scientist's Spitfire.
Neither of them had any shields, but just a couple of shots from the toxic trapper's gun was enough to down him, slipping on ice and colliding with the hard ground.
"Oh—fuck!" the trickster cursed, trying to crawl away from the man towering over him. "C-C'mon, Caustic, don't you have anyone else to shoot at?"
"No."
"That's a lie and you know it."
However, before Nox could kill him off, the sound of a Sentinel going off, following by Nox quickly being down, sent a wave of relief through his system, looking over onto the cliff to see Park perched atop it, the bolt-action sniper in his hands.
No scope. That's kinda hot.
The hacker had shot off a few more rounds, and Elliott could hear Octavio shout in pain, before he began sliding down the hill, swapping out his sniper for a Wingman. The revolver was shot off twice before Nox's death box suddenly popped up in front of him, signaling the end of that squad.
However, they still had Natalie and Ajay, though they'd been injured by Octavio. They were clinging to D.O.C.'s healing up until Park tosses a grenade where they were healing. Natalie hadn't escaped fast enough, and she ended up downed, whereas Ajay was only injured.
She put up a fight, firing off her Alternator with frightening precision, and, had Park not hit his shots, he would've been killed off.
However, the man calmly approaching his fallen teammate was enough of an indicator that he won that battle, only a few wounds and scratches indicating his prior struggle.
"Kid, if I didn't know better," he said, pausing to let out a grunt at the syringe being plunged into his chest, "I'd think you're trying to show off and steal my heart."
For a moment, Park was silent, helping Elliott back to his feet, before a smirk crossed those dashing fractures, looking up at the other with a faint sense of mirth dancing in his eyes.
"Did it work?"
For once in his life, Elliott was left stunned, mouth open, unable to formulate a response, before the surveillance expert left to loot.
He regained his senses after a moment, blinking himself back into reality, and shutting his mouth.
Kid's full of surprises.
—;;
Their third date wasn't for the public. Their third date wasn't even suggested by Elliott. Park had just grabbed Elliott by the arm, dragged him out to god-knows-where, late at night, and laid down on a small hill. He didn't say anything, didn't give any explanation, and, honestly, Elliott didn't expect anything less. He just laid down beside the other, looked up at the stars, and let out a breath.
However, as Park's own mind was clear, hands resting on his stomach and a leg bent at the knee, Elliott's own was filled with thoughts of confusion, his hands behind his head, acting as a pillow.
Park was such a strange guy. One day, he acts like he's the bane of his existence, and, the next, he's smiling and making quips that make Elliott's heart race. Elliott's been with a lot of people, and he's learned a lot from his time with them, but there's never been a time where they've made him feel like… this.
They never badger him about his gross, smelly hair spray, they never playfully banter with him, they never push him off of exploding trains, and they certainly never made him speechless, never made him feel like he lost the ability to function. They never treated him like a person. They always just treated him like… Mirage.
"Hyeon?"
"Hm?"
"I don't think I'm straight."
"Mm. What makes you say that?"
"Because I think I'm in love with you."
Park smiled, letting out a quiet laugh. "You don't even know how I feel about you."
"I don't. You're weird, and you're never forward w-with how you feel, but… I just… thought you should, y'know, know, since we're doing this whole… thing."
"Mm. The fake dating thing?"
"The fake dating thing, yeah."
"… Do you want it to be fake anymore?"
Elliott turned into his side, Park own head moving to meet his gaze. "No."
"Mm. Good." Park's head turned back to the stars, shutting his eyes. "Neither did I."
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persona-rrau · 6 years
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Is the shuake ending really a bad ending? I guess it is in the sense that Minato dies for it to happen, but it seems to settle a lot of things in the story and everyone's relationships better than your original pegokita storyline now because a lot of things come to light in Akira's and Akechi's perspectives. I don't think I would consider it a bad ending at this point when Minato takes on a similar sacrificial role that he's known for in canon. It all just fits into place imo.
TNT: Original pegokita storyline? I don’t think I’ve outlined my original ending yet? Or even talked about it (Akechi’s end)? I’ve kept quiet because I’m in the process of outlining a huge Akechi-centric post that tells you exactly what steps he took to become retainer, and what led him to betray Minato in the end. 
Straylize’s end and mine aren’t the same (Our Akechis are completely different). I give a lot of thought to alternate routes because I find it entertaining to think of what the outcome would have been if things played out a little differently.So, when you say “it fits into place” I’m happy it does, because that was the intention. 
I wrote the shuake end wanting to explore Akechi more as a morally gray character, because in this particular AU, both Akechi and Akira have killed people. Just not for the same reasons. So, in a way, they can reach a resolution based on their similarities. Akira could argue Akechi forced himself to kill for “no reason”, but Akechi could equally argue that Akira forced himself to kill for “no reason” because it would have been easier to “imprison” the guilty. He points out that Akira just didn’t “want” to because it would leave Minato vulnerable to another attack if those prisoners ever got out. These two arguments follow my canon as well and aren’t exclusive to the shuake bad end.
Though, I love that specific shuake end a lot because of the reasons you listed, anon. I write all my endings based on BIG DICK ENERGY (just based on what is a cool concept and what would make for a good alternative to play with outside of canon established story) and I love when things come full circle. It’s a bittersweet ending, in a way, but noncanon nonetheless. It’s still an alternate universe I’ll probably draw for/play with because of the potential between Akira and Akechi, and the grief that Akira and Akechi will go through because of Minato’s sacrifice.
It’s a bad ending because Akira and Akechi still feel unhappy with the turnout (Really, all endings that aren’t pegokita are kind of bad endings bc this is a pegokita au. Even an ending where Akira gets together with Hifumi and Minato gets together with Aegis would still be considered bad end. I think it’s just a “catch all” tag at this point, even if the endings themselves aren’t necessarily “bad” in turnout). They don’t regret settling their differences but they’d have fought for/preferred a different ending if it were up to them. I love absolutely all bad endings, but this shuake one in particular is one of my favorites because of the way Akira and Akechi are forced into the roles that they thought were “easy to manage” and “if I was in their shoes, I’d do things differently” when it actually isn’t that simple.
The canon story I want to tell with Akechi is focused more on how unhinged and broken he becomes because of the shit he forces himself to do. However, in this universe, he isn’t exactly ‘forced’ to do anything like he is in canon (not that canon forced him, but he made a dumb choice, really. Here, he has time to opt out whenever by his own will because no one will step on him if he quits). It’s something he ‘wants’ to do- a choice. I want to give us what canon didn’t give us: Akechi, but a really cunning and downright terrifying antagonist. Becomes so warped and distorted you can’t help but to want him to succeed because of how motivated he is and how careful he is about achieving his goal. He works on it slowly in steps- breaks Minato down and renders Akira useless so progressively that no one suspects a thing. Also, Minato genuinely fucked up twice with Akechi in canon. Should have penalized him the first time he broke rules, but didn’t. Shouldn’t have made Akechi retainer (Minato broke tradition for selfish reasons- ie: Akira needs help, so to hell with tradition, I’m making Akechi second retainer) and Minato suffers because of his own actions, despite being manipulated into making Akechi second retainer (not that Minato was aware of it- but Akechi managed to persuade Minato to make him retainer). 
However, in this AU’s canon, if Akechi attacks Minato, it’s absolutely game over for him. 
Given how P5′s canon Akechi has nothing to lose and wants to be loved… he wouldn’t hesitate to exploit Minato if it granted him some lasting effect of love well after he’s gone. If Minato won’t give him what he wants, he’ll just have to take it by other means. Forge his own happiness. The Akechi in this au is so starved for attention that he fools himself while he’s trying to fool Minato- makes himself believe he can replace Akira completely and be Minato’s only retainer and special person. I’m trying hard not to go into detail about what it is, but I plan to make sure that people hate/love Akechi in au canon specifically because of how good he is at being an antagonist. Manages to fuck the whole system, driven by sheer pettiness, and become retainer (despite it never being possible before), covers his tracks so he can’t be framed for murders, sends Akira out on wild goose-chases by spreading rumors in town (because he knows Akira gets leads by rumors sometimes, and there’s NO WAY Akira would take the bait if it came out of his own mouth) so Akira spends more time away from Minato and leaves Akechi to work closely with Minato in his place, manipulates Minato by mimicking Akira’s mannerisms and habits to subconsciously make Minato feel safe in his presence, renders Akira useless by taking on more burdens as retainer, etc. All the while, Akira knows something is up with him, but he can’t figure out what because Akechi doesn’t give Akira room to catch him red-handed.
Akechi’s character is so versatile thanks to canon that I can practically pull him in either direction for either a bittersweet end, a good end, or a fucked up and truly bad end. Bittersweet end would be those shuakes, the good end would be the minakeshu where no one suffers and NO ONE DIES, and the truly fucked up one is where he embraces his antagonist role and becomes a menace to both Akira and Minato- so much that Minato suffers greatly in the end for making Akechi retainer, and Akechi suffers for crossing Minato greatly as well. 
Minato basically gave an unhinged person a huge deal of power. That has to come with some very dire consequences for him, given he’s a leader, and it’s his responsibility not to let his dick do the thinking.
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im-fairly-whitty · 6 years
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What is Villain AU? I’m new and I don’t understand.
Hello new person! Come on in, we’re glad to have you here!
So here’s the thing, around here headcanons fly loose and fast so sometimes it can be a little hard to catch up. I’ve got a lot of ongoing Coco stories and am always open to people asking headcanon questions and ideas to them, which is why it sometimes gets a little messy to play catch up since we’re all having so much fun. 
There are currently three, four, like five? four active stories on this blog that you need to worry about. 
1.) Teacher au: Hector is a high school teacher who is simultaneously attempting to woo his boss, Director Imelda, take care of his recently orphaned godson Miguel, and try to please his demanding Youtube diva roommate and childhood best friend Ernesto. @slusheeduck and I write that one together and it’s a fan favorite with tons of slice of life writing and domestic fluff for days.
Next update: Slush recently posted the latest chapter and I’m on deck for the next one, but it’ll probably be a couple weeks before it’s posted since we have to have a grand re-planning meeting for the rest of the story. Go ahead and search our blogs for “teacher au” for the oodles of extra content and oneshots generated by asks.
2.) Teacher au Romance: a flashback in the teacher au timeline to when Hector and Imelda were dating the first time, a year before the main timeline. (Because I did a valentines day oneshot and I’m a sucker for Imector fluff.)
Next update: Don't know, probably before the next main teacher chapter though.
3)  Villain au: “Whatever it Takes” was a oneshot that I wrote as an experiment to see if I could take the canon Coco plot and make Hector the antagonist, but keep him in character. It’s not a “swap Hector and Ernesto’s outfits” or a “swap Hector and Ernesto’s personalities and histories” situation, I take the Hector that we know and love from canon, and then put his sweet self through exactly the right terrible situations where he would believably make terrible choices in an effort to protect his family. It makes your heart ache to read, but also keeps you on the edge of your seat.
I meant to only write one chapter but it blew up in popularity and people kept sending me great asks about it. It’s become a full-length fic now with a delightfully fleshed out history and characters. It’s much more intense and darker than my other stories, not everyone’s cup of tea, but the psychology is fascinating and the danger is real. It’s currently from Enrique’s POV too which is very rare and a lot of people love. If you get into this story be sure to search for the villain!au tag on my blog since there is a ton of important side story information from the au generated from asks. 
In the villain au there is a fan favorite character, Rodrigo “Ruy” Rivera, who is the youngest son of Hector and Imelda and a rebellious but generous composer who is far too much like his canon father to get along with the villain version of his father. Ruy is a heart stealer and has inspired several sympathetic spin-off stories written by fans in an attempt to try and give him a bit of a happier life since he’s having it so rough in the villain au storyline right now. Which leads us to 
4) Canon Ruy au: this has come out of the blue in the last two days. Things have reached critical danger for Ruy in the villain au and we’re all blowing off some steam as a community between chapters with a quick jaunt into an alternate universe where Ruy and his father get along and love each other before we get back to pain. 
In this au Ruy is worked into the canon coco plotline, born only months after Hector is poisoned by Ernesto, he still practices music despite the family ban, runs off to New York to be a famous composer, and still parties himself to death by 26. When he wakes up on the other side he is eager to meet his father who he’s heard so much and so little about his entire life. They are the very best of friends since Ruy has a limitless need for love and Hector has been starved for family for over twenty years, and they really are so much alike in every universe. 
I’ve written a full chapter for this au and am forcing myself to keep the rest restrained to ask responses so I can wrap this au up in a day or two and get back to the main villain au plotline. 
That should get you mostly caught up! There’s more stories that I’ve written and are ongoing as well, but those are the main four that you’ll see actively mentioned on this blog right now. Read the chapters, search the blog tags for extra content (#teacher au, #villain!au, #canon ruy au), and send in all the asks you want to help expand the stories with the rest of the community!
You can check out my fic masterpost if you want to explore the other stories as well, but for now I’ll end by saying welcome, glad to have you here, read what you want and get ready to have some fun!
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