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popculturebuffet · 2 years

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So, who would you say are your favorite voice actors and the favorite character they voice? Also, are you okay with answering questions along the lines of say "which scene would you say the main cast of (insert cartoon) did the best job in individually and why" ?

To answer your second question first, absolutely. As for the first there's quite a few I could list so (cracks knuckles) Jason Mantzoukas: The man just has one of those voices you can't help but recongize and a manic energy all his own. He's america's homeless shady uncle and I'm here for it and he brings that energy to every role. Like the rest of this list hearing he's going to be involved will instantly get me to check out a series. Faviorite Role: Alex Dorpinberger, Close Enough. Admitely this one is playing to all his strengths as Alex is a role he easily could've played in live action: a hairy weirdo in his own weird little world who gets too loud, is way too confident and way too weird for his own good. But it's also the perfect version of that: alex is more sympathetic, being weird and obnoxious sure but also being supportive, kind and thoughly himself. He's also just really fucking funny from connecting garfield to jesus, to badly singing the friends theme, to being entirely into his biking insturctor when she reveals herself to be an alien. And said last scenario also shows his heart as while he's willing to do some freaky shit, his friends.. his family really.. come first.

Kimiko Glenn: A rising star Kimiko Glenn is a wonderful, witty lady with a great penchant for playing the snarkiest people imaginable but a great range too, currently playing pinkie pie but as a unicorn in the new mlp series. (Sunny is great but that is what she is and you can't convince me otherwise). She also has a hell of a voice. Seriously she's been on broadway. Why more shows aren't captalizing this is beyond me. Faviorite Role: Lena, Ducktales. Yeah BIG SUPRISE but this is the role I feel really rose her star in the voice acting world. She got to play her both as the surface, a cool teen mentor/love intrest to Webby... and the abused child underneath who slowly grows a concienous and is able to fight back against her abuser and break free, finding a loving home in the process. I would've done the retrospective for her for free and would gladly do it all again. The character is amazing and kimiko is a large reason why.

Zeno Robinson: Easily the freshest face on the list and one of the best rising stars in the industry. And I say that with the utmost respect: Zeno has blew up in the past few years and for good reason, able to play some of the best characters of this generation of animatoin with ease, having a youthful energy that can go from bouncy nerd to tortured homnculus to kid playing green arrow to cyborg in an instant. He's a one in a million talent and I look forward to seeing what he does next. Faviorite Role: Hunter, The Owl House> Again pretty easy to see coming and while as always a good part of it is the writing, Zeno really makes hunter his own, having his sense of authority, playfulness and the scared child underneath all mix effortlessly.

Keith David: You all fucking knew this was coming. And this is without seeing gargoyles but ANY TIME live action or voice acting Keith David shows up expect him to fucking bring it. Keith is a fucking legend for a reason and is still going to this day and can do just about anything from outright joke rolls to dead serious villiany. He's a damn talent and a sex machine and was guarnateed a spot here. Faviorite Role: King Andrias, Amphibia. I know it's a fairly recent one but not only is it complex, he just bounces between his three faces, jovial king, tortured soul and giddly evil tyrant with pure ease and skill only keith david could do.

Danny Cooksy: Now that's a name I haven't hear din some time. Seriously where are you danny. Where are you? WHERE ARE Y... point is he's an all time faviorite and I hope he does more. He did do the bygone gulch pilot so there's hope it's just weird he vanished like that. Faviorite Role: Jack Spicer. His other roles are fine mostly bullies and stoop kid was close but this overdramatic weiner is one of the best villians i've seen in a show.. not really a threat half the time but so enjoyably over the top and decidated to a job he's just not good at you can't help but love him.

Jim Cummings: This one is also not a shocker nor someone I need to overhype. The guy has a decades long career, hasn't stopped for a second and continues to keep going up to the recent Chip N Dale Movie and I hope he never retires. Jim Cummings can do anything and you damn well better respect him. Faviorite Role: A very hard choice... seriously he has so many. But I gotta go with his most iconic: Big Pete. He wasn't the first guy to voice him and won't be the last, sadly, but he's theo ne who took him from one dimensioanl bully to the lovable egotisti of varying levels of villany we know today.l

Kate Micuci: I saved the best for last but while I started liking as her a va because I had a crush on her (for good reason), her talents go far beyond my simping. She can play just about anything, from childish glee to velma skeptcisim with ease, and while her voice is always recongizable her range with it is phenmonial Faviorite Role: Webby Vanderquack< Ducktales. Again, not a huge suprise but the comedic timing, emotional depth and sheer fun she had with the role cannot be undrstated.

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skullrock · 3 years

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the (secret) santa - Jonathan x Steve

12 days of fics day 2 - the (secret) santa

pairing: stonathan

summary: Steve is psyched to get Jonathan for Secret Santa, but has a hard time figuring out what to get him.

word count: 4.2k

warnings: simply none

a/n: Jonathan is Jewish here bc I love that headcanon <3 I used the Internet to tell me when Hanukkah was in 1986, and it said it was December 26th-January 3rd, so that's what I used! hope u enjoy <3 also I literally cannot find a good video to make a stonathan gif w sorry

30 days before Christmas; 31 days before Hanukkah

Steve knew Jonathan, but Steve didn’t know Jonathan. Not the way he’d like to, at least.

When he got Jonathan for Secret Santa, he was ecstatic. It seemed like the perfect way to get closer to him - to make things right, to see him in personal and intimate ways. Ways he has always wanted to. He was excited, until he realized that he didn’t know much about Jonathan, save that he made the bat Steve currently had in his trunk, liked to cook, was cute, and was a photographer. And Steve had already gotten Jonathan a camera, so that wasn’t a viable gift. Plus, the budget was twenty dollars.

Twenty dollars did not seem like enough money to spoil Jonathan Byers like he deserved.

So Steve did the only thing he knew how, which was talk, and try to be sneaky about it.

===

28 days before Christmas; 29 days before Hanukkah

“Jonathan!”

Jonathan and Will both turned on their heels to face the voice that had rung out. Will rolls his eyes when he sees Steve jogging towards them - of course it was Steve. And of course he wanted to talk to Jonathan. How neither of them saw it, he doesn’t know, but he climbs into the passenger seat to give them some space. They’ll get it soon enough.

“Hey,” Jonathan says, shoving his hands hastily into his pockets, as if he had something to hide. “What’s up?”

“Hey, man,” Steve pants, leaning forward just slightly and gripping his side. “Do you like music?”

“What?”

“You know?” Steve licks his lips. “Do you listen to music?”

Jonathan’s brows twitch together. “Yeah, I - I listen to music.”

“Me too.”

Jonathan stares, which is all he really knows how to do around Steve. Stare and observe. Take in the brunette and blonde locks, how they curl a bit on the end, how they all fall perfectly into place when Steve runs a tired hand through them. How his sweater is the color of red maple leaves in the fall, and how it clings to his shoulders. How that sweater rides up when Steve straightens, showing Jonathan the pale and smooth skin of his hips.

“What kind of music?”

Jonathan blinks and shoves his hands deeper into his pockets. He glances back to Will, smiling knowingly from the passenger seat, then back to Steve. “I kinda - I gotta take Will home.”

“Shit,” Steve mumbles, then bends forward to wave at Will. Jonathan’s still watching the way the sweater rides up. “Sorry, I didn’t know.”

“‘s okay,” Jonathan says with a bit of a laugh.

It’s at this point Jonathan realizes what’s going on. Steve was not very subtle about being his Secret Santa. And if that’s not it, then Steve is making an enormous effort to be Jonathan’s friend, and who is he to deprive him of that?

“The Smiths.”

“Who?”

“The Smiths,” he repeats. “And The Cure. Stuff like that.”

It takes Steve a moment to realize these are bands and not families in Hawkins. “Oh. Oh. Awesome. That’s so cool.”

There’s an awkward pause before Jonathan asks, “You?”

“Queen,” Steve says, almost immediately. “Yeah. Queen. And, like, other stuff, too.”

“Oh. Cool.”

“Yeah.”

Will knocks on the window and raises his eyebrows at Jonathan, because the sight was honestly a bit painful. Jonathan looks, then back to Steve. “I should -”

“Yeah,” Steve says again. “Yeah, go ‘head, don’t let me keep you.”

Jonathan doesn’t know why he feels so damn giddy, why a smile tugs at the corners of his thin lips, but it’s happening. He tucks his face towards the collar of his shirt as he rounds the car. “See you, Steve.”

“See you,” Steve calls back.

He wonders why Will is looking at him like that.

===

25 days before Christmas; 26 days until Hanukkah

There’s something about Jonathan Byers under the glow of Christmas lights.

Maybe it’s the mustard colored sweater he’s wearing, casting a warm glow on his face and illuminating the blonde in his hair. Maybe it’s just the holidays. Either way, Jonathan Byers looked beautiful, and it was just the two of them in Mike’s basement while the kids ran upstairs for snacks.

“Are you ready for Christmas?” Steve asks, his knee against Jonathan’s.

Jonathan bristles. “Oh, we celebrate Hanukkah.”

“Oh,” Steve whispers. “I - do you still do presents and stuff?”

“We do.” Jonathan shifts, bumping his knee against Steve’s again. “But we light the menorah and everything, too.”

“Oh.”

Steve mulls over the logistics of getting someone who is Jewish a Christmas present, but Jonathan luckily says, “So I could do the Secret Santa, because we still exchange presents. My family does, anyway.”

Steve hopes his sigh of relief isn’t too noticeable.

“What other things do you like?” Steve asks. “I - I just realized that we never really got to know each other.”

Jonathan feels himself about to smile again. “Music-wise?”

“Anything-wise.”

Jonathan doesn’t like talking about materialistic things, so he mumbles. Steve has to lean close to hear, and it makes his hair stand on end. “I like photography. And… peace.”

“Peace?” Steve smiles. “Past few years must have been real hell for you.”

Jonathan laughs mirthlessly. “Yeah, they were.” He takes a deep breath. “And I like drawing, sometimes. But Will’s better than me.”

Steve scoffs. “Doubt it.”

“What?”

“I - no. Shit. That’s not what I meant - I mean, like, I’m sure you’re good, too.”

Jonathan lets out a confused laugh. “Thanks.” He relaxes, and his knee is firm against Steve’s now, and both of their breaths hitch. “I really like seeing my friends happy. And I like seeing Will happy. And mom.” And you, he wants to say, but it’s caught half in his chest and half in his throat.

“How is your mom?”

Jonathan wasn’t expecting that. “She’s doing okay.”

“Good. Good.” There’s a sincerity behind Steve’s voice that Jonathan also wasn’t expecting, but that sends his heart soaring in his chest. “If you guys ever need anything….” Steve uses his thumb to point to himself as he turns to Jonathan to show how serious he was. “I’m not that far away.”

“I know,” Jonathan says, and before either of them can say anything else, the kids hustle down the stairs screaming about a movie.

Steve and Jonathan scoot apart.

===

23 days before Christmas; 24 days before Hanukkah

Steve has never been to the Hawkins Library, but Dustin practically holds his hand through the process of finding and selecting a book to read. Steve wants to learn more about Hanukkah, and a children’s book seemed like the best way to understand it all. It takes him only half an hour to read it - a personal record, Steve thinks - and while he’s not still completely sure what Jonathan does to celebrate, he’s at least got a better idea.

Steve thinks of maybe buying Jonathan a hand-made menorah, but the price is well over twenty dollars. Then he considers getting them candles for the menorah, but figures they probably already have that covered. Robin seconds this.

“Just get him a vinyl or a walkman or something,” she says, laying on the floor of Family Video.

“Yeah, maybe.”

“If I didn’t know any better,” she starts, sitting up slowly, “I would say you’re trying to… impress him.”

Steve stutters. “What? No. No. No way. I - I - I just like getting good presents. I think - I know I’m really, really good at it.”

Robin narrows her eyes at him before sighing. “Steve. I see how you stare at him.”

“What does that mean?”

“Nothing,” Robin says, sighing again. “It means nothing, Steve.”

About an hour later, a miracle happens - Jonathan comes to the store.

Jonathan Byers has never set foot into Family Video, and he treads lightly as he enters. Steve almost trips over himself when he sees Jonathan walk in, another pretty sweater on his slim frame.

“Can I help you?” he asks, approaching Jonathan, who stays relatively close to the door.

“I need to get Will something?” It’s more of a question than a statement. “He wants to watch a movie tonight.”

“Oh, I know the perfect thing!”

Jonathan watches Steve jog the short distance to the register and jog back. Jonathan wonders if he always runs around him to impress him, but he pushes that thought out of his head. Steve presents him with a VHS box with David Bowie on it - Labyrinth.

“Bowie?” Jonathan asks.

“Apparently,” Steve answers. “Will said he wanted to watch it, and Keith finally ordered it. You like Bowie, too, right?”

Jonathan’s brows twitch and he smiles a bit, that swelling feeling once again apparent in his chest. “You remembered what Will wanted to see?”

“‘Course.” Steve puts his hands in his back pockets. “I was holding it for him.”

Will was the most important person to Jonathan Byers. He would very easily trade his life with his brother if he could. He would do anything to make him safe and comfortable and happy. And Jonathan never really saw Steve as someone who would care about his little brother in such a way that he saved a tape for him. Which, yeah, maybe the bar is low, but Jonathan’s known for a while now that Steve Harrington has a knack for defying all expectations.

“It’s free,” Steve says, Jonathan shocked into silence. “Just take it. Let me know how it is.”

“Do you want to watch it?”

Steve’s eyes widen before he blinks. “I mean, maybe -”

“Do you want to watch it with us?” Jonathan almost tags on an “as friends”, but Steve’s almost certainly not thinking it’s a date. Steve’s a boy. Jonathan’s a boy. Just friends.

Steve blinks again, his brain short circuiting - like, yeah, of course he wanted to watch a movie with Jonathan Byers, and yeah, Bowie did look hot in that outfit, and yeah, they’re two men that hardly know each other except on a very deeply personal level that Steve can’t think about without making his head spin. It makes Steve’s head hurt when he thinks about the bond he shares with Jonathan, even though they’d only had approximately seven conversations over four years. He thinks Jonathan looks at him like he has him figured out, and it makes Steve’s stomach turn in excitement and anxiety.

“Tonight?” he finally manages.

“Yeah.”

Steve licks his lips. “Yeah, man. Yeah! Yeah. I like movies. Yeah, man, I can come over. What time? Want me to bring something?”

“No,” Jonathan says quickly. “Just yourself. Eight?”

“I can do that,” Steve says, not a hint of a joke in his voice. “Eight sounds perfect.”

“Do you remember where I live?”

Although Steve had only ever been at the Byers residence to thwart evil from overtaking the universe, he does remember. He could make the drive with his eyes closed. “I do.”

“Okay. Eight.”

Robin smirks behind the counter.

===

Later, 9 pm

Jonathan cannot believe how obvious Steve is about being his Secret Santa.

“Do you listen to Bowie?” he whispers in the middle of the movie. Their knees are touching again.

“Yeah,” Jonathan whispers back.

“Do you, like, have all of his albums?”

Jonathan glances at Steve, then back at the TV. “I do.”

Steve lets out a defeated sigh and Jonathan has to stifle his laugh behind his hand. Will can’t believe how obvious they’re being, either, but he tries to focus on the movie and not the scene happening beside him.

“Do you - like… um. Is there an artist you don’t have… an album… for?”

Steve cringes at himself.

“I’m set,” Jonathan says, trying to wrack his brain for anything he could give Steve. He feels pity for Steve, who’s just trying his best, but Jonathan isn’t exactly materialistic. He doesn’t even know why he let Will convince him to be part of the exchange.

Steve lets his eyes wander around, trying to think of anything he could get Jonathan. Maybe a nice blanket, or a sweater. Maybe a David Bowie poster. His eyes wander towards the kitchen window, where he can see a golden candlestick holder.

“Menorah?” he asks Jonathan, gesturing towards it.

“Yeah.” Jonathan looks towards it, too.

“It’s the twenty-sixth this year, right?”

“What?”

“Hanukkah,” Steve clarifies. “‘Til the third?”

“H- how’d you know that?”

“I looked it up,” he says, matter-of-factly.

“You looked it up?” Jonathan asks quietly.

“Yeah.” Steve frowns a bit. “Was I not supposed to?”

“Why’d you look it up?”

“So I could know more about what you celebrate.”

“Oh.” Jonathan looks back at the TV. “That. That’s nice of you.” And then he looks back at Steve and with a small smirk says, “We don’t need candles for it.”

“I wasn’t going to ask,” Steve says with a smile, bumping his knee against Jonathan’s.

They both smile the rest of the movie.

===

16 days before Christmas; 17 days before Hanukkah

Steve takes his headphones off. “I don’t know if I like them.”

Jonathan scoffs and bristles. “What - what don’t you like about Joy Division?”

Jonathan’s bed dips under Steve as he adjusts, his knee and elbow hitting Jonathan’s. “They’re, like, sad.”

“That’s the point!”

Steve rolls his eyes slightly, but smiles. “Why do you always want to be sad?”

“I - I don’t - they’re just good.”

“I believe you,” Steve says, and he means it. “I mean, what do I know about music?”

“Here,” Jonathan says, leaning forward to grab a Bowie album. “Have you ever listened to Bowie?”

“On the radio.”

Jonathan smiles and puts the tape into the walkman, and Steve puts the headphones back on. He gives Jonathan an apprehensive look as the younger boy clicks through songs, and is pleasantly surprised by the music that comes through. It’s not as sad as Joy Division - not at all. Not whiney, either - it’s victorious and upbeat and Steve can’t help but to move, shimmying in place, leaning sideways to hit Jonathan’s arm with his as he dances. Jonathan smiles and says something, but the headphones block him out. “What?!”

Jonathan chuckles and pauses the music. “I said, do you like it?”

“It’s happy!” Steve asserts. “You should listen to this stuff more often.”

“I do listen to it.”

“More. Often,” Steve enunciates, and then presses play on the walkman, his hand brushing against Jonathan’s.

Jonathan realizes how much he likes Steve being happy. He always knew it, but he didn’t know how much he liked it. Steve moves like he owns the world, like he’s not ashamed or afraid of anything. And Jonathan knows how bullshitthat is, that Steve, at heart, is a scared and insecure person who needs to love and be loved every moment of the day. Jonathan wishes he could give that to him, but if David Bowie gets Steve close to as happy as Jonathan would like to make him, he’ll take it.

“Put it in your stereo,” Steve says suddenly, pausing the music. “We should both listen to it, shouldn’t we?”

Jonathan shrugs a shoulder and takes the tape from the walkman, slipping it into the stereo and playing it. They both jump at the volume before Jonathan turns it down, and then they sit together, listening to Heroes until it fades out.

“Like us,” Steve says. “Heroes.”

“Yeah,” Jonathan says. “I guess.” Jonathan chews his lip for a moment before pausing the tape. “You saved my life.”

“What?”

“When the….” Jonathan can’t say it. “With the bat.”

“Oh. Yeah.” Steve looks at his hands and then smiles. “After you saved mine by beating the shit out of me.” Jonathan stiffens, and Steve sighs. “I know I said it before, but I’m sorry, Jonathan. I’m… God. I’m so sorry.”

“It’s fine,” Jonathan says, voice a bit cooler. “It’s in the past.”

“You did save my life, though,” Steve says after a pause. “Seriously. If you didn’t beat sense into my brain….”

“You mean a concussion?”

“Sense,” Steve repeats. “If it wasn’t for you….”

“I know.”

It’s all that needs said.

“Another?” Steve asks.

“Really?”

“I like listening,” Steve says.

Jonathan suppresses another smile as he leans forward and turns the tape on again. Their arms are touching.

===

10 days before Christmas; 11 days before Hanukkah

“Just get him a new walkman,” Dustin says, tone bored, as Steve drags him through the biggest mall within an hour from Hawkins.

“It’s not good enough!”

Steve is exasperated, and desperate. He’d been spending way more time with Jonathan, and kept asking questions - he’s 90% sure Jonathan is on to him at this point - and he was still unsure of what to get him. Each day that passed made Steve more desperate to give Jonathan something that would make him happy, and a twenty dollar budget was just not enough for Steve. And though he feels like he knows Jonathan more than most people, he doesn’t quite understand Jonathan. And he wants to. He wants to so badly.

“Jesus, o-kay,” Dustin says, throwing his arms out.

“I’m not - I’m not mad at you.” Steve sighs and runs his hand through his hair as he stares at a sweater displayed in a window. “I just - I don’t know what to get him.”

Dustin knows why, but he still asks, “Why do you care so much?”

“I don’t! I don’t. I don’t care that much.”

Dustin sees through the bullshit, but he doesn’t think a mall is the best place to talk to Steve about his feelings. “I just got Mike a new dice set. It’s not the best gift, but he’ll like it.”

“Well, I’m not lazy.”

Dustin pouts. “I’m not lazy -”

“And you’re not supposed to tell me who your person is -”

“You told me yours!” Dustin already knew Steve’s, but the point still stood.

Steve’s brows twitch in agitation. “Well, yeah, because I need help!”

“And I am helping you. Get him a damn walkman.”

As Steve contemplates the idea, a new one pops into his head.

“Perfect!” he shouts, making everyone stop to look at him. Dustin inclines his head, trying to get Steve to elaborate.

“We have to go to the music store. Now.”

===

3 days before Christmas, 4 days before Hanukkah

It’s official - Steve hates Joy Division. Not as much as he hates the Smiths, but he definitely hates it.

His ears hurt after listening to Jonathan’s favorite music, hand selecting the songs with the lyrics that Steve thought best exemplified Jonathan. In a way, the music helped Steve understand Jonathan, which was a happy surprise. And, quite honestly, Steve doesn’t mind listening to the music, because he knows it would make Jonathan happy, and that’s mainly what he cares about.

But something seems missing. Maybe it’s because no gift on Earth would be good enough for Steve to give to Jonathan. Jonathan deserved the world, deserved much better than what he was dealt. So did the rest of his family. Steve knows if he gave Jonathan anything worth anything, though, he wouldn’t take it. And if he did take it, he would share it - and Steve wanted to get him something that was purely for Jonathan. Maybe a mixtape was the perfect gift, but it didn’t feel like it. Something was missing.

Not that Steve had much time to contemplate another gift, because the exchange was happening tonight, and Steve couldn’t even write a two page paper in six hours, let alone find a better gift.

There’s always next year, he thinks as he’s wrapping it. Or his birthday. Or….

The wrapping paper his mom had purchased was patterned with bright green mistletoe, plum colored berries hanging from the leaves. Steve’s eyes focus on it for a while - intimacy was something that he missed. The closest he’d gotten in a year was his skin pushed up against Jonathan’s, knees and biceps touching. It made him yearn, and not for just anyone, but for him. For Jonathan.

But Steve doesn’t know how Jonathan feels. Yeah, they touch each other a lot, but maybe that’s just what friends do. Steve wouldn’t know. Jonathan’s eyes had lingered on Steve’s face before, and when they were smoking Jonathan didn’t even wince when Steve passed the joint to him. Isn’t that kind of like kissing? Steve doesn’t know. He just knows he wants to kiss Jonathan. He’s known for a while, and Robin told him after Steve cried to her one night that maybe he’s bisexual, and Steve had adopted that term because he wants to kiss Jonathan Byers so bad. And a kiss would be a personal, for-Jonathan-Byers-only gift.

A kiss, though, seems very straightforward. It doesn’t seem like a great idea. Maybe back in high school when Steve would kiss just about anyone, but not now. Not when he doesn’t even know if Jonathan swings that way.

So Steve finishes wrapping the tape, and he prints Jonathan on it in the best handwriting he can muster, and he hopes Jonathan understands through the lyrics.

===

“It’s got, like, you know.” Steve clears his throat. He’s too aware of the mistletoe above them. “The bands we listened to on it.”

“Steve,” Jonathan says, turning the tape over in his hands. His brows are furrowed together as he studies it, wondering what’s on the tape, wondering what Steve thought was intrinsically Jonathan Byers. It was such a personal gift that Jonathan didn’t even know what to do or say. “I…. Thanks. Thank you, Steve.”

Max grabs another gift from under the tree. “This one’s for Mike.” She chucks it at him and everyone’s eyes seem to turn to Mike, except for Will and Steve.

Their eyes meet, and Will gives Steve a look he doesn’t understand.

What? He mouths.

Will’s eyes flit up to the mistletoe, then back down to Steve and Jonathan. He repeats this a few times until Steve almost gasps at the suggestion. Does Will know something Steve doesn’t?

Steve nods his head as subtly as he can towards Jonathan. Him?

Will nods furiously, then looks back to Mike, who seems quite pleased with the dice Dustin had bought him. But Steve doesn’t get it, and when the presents are done, he pulls Will aside.

“What the hell?” he hisses. “What - what does that -” he mimics Will’s eye movements - “mean?”

Will rolls his eyes and crosses his arms. “C’mon.”

“What?”

“Come on,” he repeats. He gets quiet, and Steve can see Joyce in Will. “He likes you.”

“What? Did he say something to you?

“Steve. You touch each other, like, all the time.”

Steve deflates. “So he didn’t say something?”

“He doesn’t need to. Why do you think I convinced him to do this?”

Steve knows he’s saying “what?” too many times, but he says it again. “What?”

“We all planned this. We paired you two together on purpose.” And then he walks away because he’s tired of hearing about everyone’s love lives. This isn’t his problem. He just wants to play with Mike’s new dice.

When Steve looks towards the kids, they’re all staring. They quickly start talking to each other again, and Steve lets himself sit with the realization that these bunch of punks just pulled the most amazing Christmas hijink of perhaps all time.

Shitheads, Steve thinks, and while he’s definitely going to confront (and thank) them later, he’s got to talk to Jonathan first.

Later, 9 pm

“I knew it was you, you know.”

It’s cold outside, but it’s the best privacy they could get.

“How?” Steve asks, though he already knows.

“You’re not very conniving,” Jonathan says, once again suppressing a smile. “It was pretty obvious.”

“I just wanted to get you something you’d like,” Steve says. He breathes out and watches his breath disappear into the cold air. “You’re impossible to shop for, you know.”

Jonathan has the audacity to seem offended. “What?”

“Impossible,” Steve says, stepping forward. “You’re not a materialistic person.”

“So?”

“So,” Steve says. “So.” He can feel his heart in his throat, beating loud and fast - he hopes Jonathan can’t hear it. “So….”

And then they’re kissing under the mistletoe that Mrs. Wheeler hung on the porch.

Steve pulls back first, quick, surprised with himself. “Shit.”

Jonathan says nothing - he just stares.

“Can I kiss you?” Steve asks, throat dry.

“Didn’t you just kiss me?”

“Um. Yeah.”

Jonathan blinks. “Then do it again.”

And this time Steve really steps forward, really takes Jonathan’s cold cheeks in his cold hands, and he really kisses him. Jonathan finally lets that smile come through for the first time in a month as he melts into Steve, like a snowflake into a snowbank. Steve’s warm - well, warmer than the air - and he tastes a lot like vanilla birthday cake. Jonathan’s never really liked cake, but he likes Steve’s lips. Weird.

Jonathan pulls back first this time, because it was getting increasingly harder to kiss as his smile grew. He even tries to hide it behind his hand again, but Steve stops him, taking his cold fingers and wrapping his own through them.

“Impossible to shop for,” Steve repeats, his own smile hurting his cheeks. “Good thing kisses are free and personal.”

A laugh bubbles up from Jonathan’s chest and to his lips. “Yeah.” He squeezes Steve’s hand. Their chests are touching. “Good thing.”

===

tags: @pterawaters @mpmarypoppins

#steve harrington #jonathan byers #stonathan #steve x jonathan #my fics

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riotatthemovies · 4 years

Text

Halloween sitcom specials.

When the Halloween season comes rolling in I like most people start to watch more horror movies (maybe even more than I usually do). But near Halloween the horror I watch needs to have a childish innocence to it. Memories of Halloween with candy and costumes and telling each other innocent ghosts stores around a fire to spook each other. That's what Halloween is for me, memories of how as a child monsters and ghosts were just too damn cool. So the horror films I choose are more monster based often with a folklore campfire tales twists. However I also love flashing back to the cheesiest childhood memories of tv at the time. Everyone loves the better episode of Simpsons Treehouse of horror. The VHS collecting geeks I talk to often post articles about the infamous Halloween make up tips tapes and safety PSA tapes of the 80s.

For your retro entertainment I bring you a list of my 10 favorite sitcom and kids show Halloween episodes of my youth. I say my favorite not the best because I'm sure if I said the best I'll get a msg saying I'm wrong. Also I'm sure some kids gonna tell me of a that's so Raven episode and I'm an old so I never watched that. Also people always talk about the Rosanne Halloween episodes so I will let everyone else talk about those. Also note there was never a Golden girls Halloween special and if there was there is no doubt that would be the top of my list. So this is in no real order . . .

10: Facts of Life Season 5 episode The Halloween Show

Natalie is making a home movie and SPOILER tricks all the girls into believing their den mother is possessed by a ghost and is turning random people into sausages and feeding them to the group. Yeah seriously that's the point, I mean you don't know its Natalie tricking everyone so she can film a reality horror film until the end but you figure it out. Its completely unbelievable that the group of girls fall for this and legit believe it enough to try and fight their den mother that they have been best friends with for five seasons. The magic of a show being 25 minutes long that the characters have to jump to huge assumptions and get over it and a chuckle pretty quick too.

9: Webster Season 4 episode Witchbusters

Webster has some non Halloween oddly creepy episodes as it was pure 80s kids entertainment. Webster loved wearing Halloween masks and in season 2 he finds a creepy doll in the room of a missing girl that looks like a real person and comes off very Black Christmas/ Psycho. But I love the season 4 episode where Webster is peer pressured into sneaking into an old ladies house on Halloween because everyone thinks she is a witch. When Webster sneaks in his friend chickens out and leaves . Webster then finds one of the old ladies cats and thinks it is his friend who had been turned into the cat by the witch. Like many episodes the issue at had happens because Webster is really dumb. So of course he kidnaps the cat and takes it home because he thinks its his friend. Dumb Webster Dumb. Man I loved that stupid show.

8 .Family Matters season 8 episode STEVIL

Many people seem to remember the Halloween episode where infamous Steve Urkel brings a ventriloquist dummy to the Winslows Halloween party and as as ventriloquist dummies do , it comes to life and tries to kill everyone. Goosebumps meets Family Matters right there. I noticed its been the hip show to talk about this seaspn, probably cause this happened in the 90s.

7. Mr. Belvedere season 3 episode called Halloween

Mr Belvedere is depressed after eye surgery and the youngest kid in the family Wesley gets old Mr Belvedere in an eye patch and brings him out trick or treating which in turn sends him out on a bit of a bender. Also in the episode the daughter wants to wear a sexy maid costume to a party but her dad wont let her. So her older brother wears the maid costume to the party so they can secretly switch costumes there. Just one of many episodes where the older brother Kevin did a drag scene to show off his legs. ALSO in that episode the dad Bob Ueker is asked to join a sort of Shriners group but they end up being a crazy hooded cult. Which is extra funny cause in later episodes you find he did join the Shriner group after all and they never mention them being a cult. In fact the next time you see the cult members they are friends of the family and all go in drag with the oldest son they can go under cover to catch a purse snatcher.. but that's another episode.

6. Alf season 2 episode called Some enchanted evening.

Alf wants to go trick or treating cause well candy of course. The tanners think its too dangerous for Alf to go out even that he insists everyone will think he is just in a costume and not an actual Alien Life form. Eventually a Halloween party is held at the house and Alf meets an old cat lady. Alf loves cats... sorta. Also in the episode is an appearance of Lewis Arquette the dad of the all those wacky Arquette kids.

Seeing the costumes that appear in all these episodes makes one feel like in the 80s and 90s there was a rule that you couldn't have a Halloween party if there was not one devil, one pirate , one French maid, one little bo peep, one scarecrow and one Dracula. Like it was a rule or something.

5. KnightRider Season 3 episode called Halloween Knight

Michael Knight must investigate the visions of a confused woman. They believe she will be the next victim of a murdered in a gorilla suit. In the episode a man wears one of the silver shamrock pumpkin masks from Halloween 3. I did an whole article on this last year. Just another reason for you to go look through the riotatthemoveis archive.

4. Fall Guy season 4 episode called October 31st

Elvira guests stars as her self as she teams up with Lee Majors and the Fall guy team to break a curse and solve a possible murder in an old castle. Guest cameos of John, David and Keith Carradine. Also Lewis Arquette. Elvira would return the next season in an episode called.. wait for it.. October the 32nd... Yep.

3. Night Court season 3 episode called Halloween Too.

Every season of Night Court got a Halloween episode but this one is suiting for the humorous episode title and for Markie Post (who was in the episode of Fall Guy I just mentioned) wearing an amazingly and awkwardly hot witch costume. She shows up in this costume after Judge Stone has just broken up with his girlfriend who he discovers is an actual witch with magical powers as he believed her magic compromised his position on the bench. Guest cameo by Anne Ramsey as another witch. All the Halloween episodes are but I really like in this one when Quan Lee misunderstands the concept of Trick or Treating and thinks you need to threaten people for candy. Also I just needed an excuse to post this picture of Markie Post.

2 . Diff’rent Strokes Season 7 episode called A Haunting we will go. Arnold and his new step brother Sam (yeah that's a thing if you ever watched the last two season of Diff’rent Strokes) peer pressure them selves into sneaking in to an old haunted house. (similar to the Webster episode as poor little Gary Coleman and Emanuel Lewis would always be compared to each other). What makes this episode gold is when Arnold and Sam break into the haunted house they have detailed replica Ghostbusters costumes on, decades before Strangers Things season 2. We also get a door banging , chandelier shaking haunted house , dusty piano and everything if I remember right and then they show us how they did it. Very cool for an 80s kid like me. Also guest stars the amazing John Astin.

Last but not least...

Punky Brewster season 2 episodes Perils of Punky part one and 2. The cartoon series has an episode of the same name but no relation. This two parter is something if you know me you have heard about a lot. Punky and her pals go camping and meet a native shaman who tells them about a haunted cave, so in part 2 what do they do.. go in it of course. Then shit get surreal. Punkys friends get offed one by one by evil spirits then get turned into severed heads, one that flies and one that is stuck in the rock wall. It all ends with Punky having to battle a giant spider with shades of the original IT movie and has to hack it to death with an axe. Ending in the spirit of native girl waving goodbye in the cave that looks just like Punky as her friends magically come back to life as if it was all a dream... or was it. The episode is to be seen to be believed. My second favorite next to the episode where Punky thinks she killed a man at her restaurant but finds out he is just a narcoleptic with a broken hearing aid. COMEDY!!!!!

There are so many more, feel free to msg me and let me know old tv shows that had wild Halloween episodes that you hold dear.

I need some Count Chocula and a reason to watch some more... hmm maybe some boo berry,... oh man, anyone got an Haunted House pasta or Scarieos?

dang.

#halloween #halloween special #halloweentv #sitcoms #80s #80stv #80ssitcom #nightcournt #family matters #punky brewster #knightrider #webster

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notyourmothersplaylist · 5 years

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England’s Forgotten Club Kids: The Rum Runner

There’s a lot to be said about the Club Kids of the 1980/1990s. Too much for films, documentaries, books, and certainly too much for a short blog post that’ll certainly be more photos than words. Simply put, the true ‘Club Kids’ were a group of misfits in the late 80s/90s who f*cked up New York City. There were so many I can’t name them, and they liked drugs, electronic music, and the scene culminated in a grisly murder of one of their own, by one of their own.

Before them, however, there were the Blitz Kids in London—named for the Blitz Club, where Boy George was a cloak attendant and Spandau Ballet was the house band—and the new-romantics who frequented the Rum Runner just short 2-hour train north in Birmingham, where the boys of Duran Duran were bussing tables at 8 and took the stage by 10. There’s quite an amount of literature on the Blitz Club, but not as much on the Rum Runner; so for the first post in a vintage club series I may never finish, let’s take a look at the history of Birmingham’s Rum Runner and some of its most exciting patrons.

The Rum Runner was a casino before Paul and Michael Berrow, the two sons of the club’s original founder, renovated the place after a particularly exciting trip to New York City wherein they visited Studio 54 (Brits may not admit it all that often, but they’re kinda obsessed with America, in the same way Americans are obsessed with Brits). The Berrows wallpapered the place with mirrored glass resembling of what it might look like to step inside a disco ball, painted any other visible walls black, and opened the doors with visions of David Bowie dancing in their heads (they hosted club nights spotlighting tunes from Roxy Music, Chic, Bowie, and many other glam rock giants, which attracted all the coolest kids in Birmingham, naturally). In 1978, cool kids Nicholas Bates and Nigel Taylor (who would then become Nick Rhodes and John Taylor) handed the Berrows a demo tape for their fledgling band Duran Duran and the rest is history; they held auditions until D-Squared became a full-fledged band with a guitarist and everything, and the Berrows became their managers.

Guitarist Andy Taylor recounts many interesting things in his book “Wild Boy” (a fantastic read) about the Rum Runner. He writes about working with the Berrows, helping maintain the interior of the club by polishing the mirrors, touching up paint, and whipping up burgers in the kitchen in exchange for free rehearsal space. He talks about the wild behavior of the club-goers—how flamboyantly they dressed, how they acted like rules and behavior norms didn’t apply, and how sex, drugs, and glam rock were paramount. He also talks about the aptly named ‘Sex Offender’s Room’ (“People weren’t politically correct, then”, he writes), where the Durans and the Berrows dragged in a nice fluffy bed in a vacant corner…and then would purposefully walk in on one another when they were enjoying the, uh, intimate company of their guests.

Yeah, they truly did that.

(All-around handyman Andy Taylor, busboy Roger Taylor, and deejay Nick Rhodes, from the Rum Runner Facebook page)

Another thing they did is run their official Fan Club upstairs from the f*ck room in the club they also worked at. I can confirm this because I have the card to prove it:

(Yes, this is a hand-me-down from my Duranie Aunt, and now something that is in my possession and that I cherish dearly).

Through the years, Dexy’s Midnight Runners, Ub40 and the English Beat would also become regulars there, amongst others, and the English Beat would go on to film their video for “Mirror in the Bathroom” with the Rum Runner as the setting, aptly named for the mirrors that swallowed the entire club (these are some of the best interior shots of the club I’ve seen, and the song is a killer ska jam!). The Berrows would go on to manage Duran Duran until the mid ‘80s, just before the release of 1986’s Notorious. The Rum Runner would also face its final curtain in 1986, where they hosted a ‘Demolition Party’ before the club closed for good, and now a Hyatt hotel stands on its former grounds on Broad St (so don’t go looking for it).

The Rum Runner held happy memories for many. Jeremy Green writes on an old Duran video showcasing clips from the club about one of his contemporaries, Gay John (who was a prolific member of the new romantic scene/gay community in Birmingham, more on him later): “I remember one night Gay John went around The Rum Runner Club sticking his vibrator in people's drinks.. Fun times. :p :p :P” (Gay John sounds like fun. Where is Gay John now?). Keith Hill, probably also a dude from Birmingham, writes “Had my 21st Birthday party here...how cool is that?...I believe John Taylor was seen there, love to say I invited him, but maybe cooler to say…he crashed my party! Hiding in barrels, dodgy goings on in barrels…& the toilets of course, the multi sexual toilets.”

What he might have meant was, there was a unisex area where men and women could apply makeup at the club, but he also...could have meant other things.

In fact, he most certainly also meant other things, if Andy’s accounts of the club’s wild party-goers are to be trusted. Also, there were barrels. Was this place even real?

A patron named Rob goes on to write he met his wife at the Rum Runner, and now they’ve got grown children, which is a fun and unnecessary fact to share, I suppose, but the internet is full of that; Andy Taylor also claims to have spent much time with his then-girlfriend-current-wife Tracey there, as well (seriously, they’ve been married for ages, which is incredibly sweet), even asking her to be his wife after throwing back one too many drinks within the mirrored walls. For a joint with a f*ck room, the place seems pretty damn wholesome.

(He also did cocaine there on Christmas Eve, though, so let’s not get ahead of ourselves.)

Going back to Gay John, though-- I’ve grown incredibly obsessed with him in the short time I’ve been researching the Rum Runner and I’d love to find more information on him. Gay John is almost always mentioned in reminiscent comments by the old Rum Runner club-goers on chat boards/comment spaces, although only by means of a sentence or passing mention; that being said, video footage of Gay John does exist, as he’s featured in Duran Duran’s Planet Earth video doing the ‘New Romantic Shuffle’ with fellow Brummie clubgoer who went by the name ‘Lavinya’.

(Who’s who? I can’t even say.)

Gay John was, as you might guess, a member of the gay community in Birmingham who worked with many drag artists and was also apparently involved in the Rocky Horror community; he also owned a strip-club called the Tin Can in Birmingham’s Digbeth area, where glam/goth tyrants like Sisters of Mercy, the Jesus and Mary Chain and Flesh for Lulu would go on to play. Apparently someone died there during a show, though, so who’s to say what really happened there or when it closed (nobody’s said anything otherwise, so I’m guessing it’s closed). If anyone has information on the Tin Can Club or Gay John, please let me know!

I’ve not got much else to say other than the internet was kind to me when I started searching for Rum Runner lore, and it sounds like a fantastic place to have frequented in its day. It might not be the Limelight or the Blitz, but for a bunch of working-class kids, it was a place of decadence and self-indulgence. Because we can’t see it for ourselves, I’ll try to paint a picture as best I can for you to the tune of the Rum Runner Playlist, with songs hand-picked by resident DJ Nick Rhodes to evoke memories of when he was still pressed for cash and most likely dying his own hair.

All photos below will be credited to their owners as best I can. Enjoy!

Sources: The Guardian, Carpenter & Joiner, Birmingham_81 on Twitter, BirminghamLive / a second article from BirminghamLive, Duran Duran Wiki, Shapers of the 80′s, Gay Birmingham Remembered, Birmingham Music Archive, John Taylor’s and Andy Taylor’s books, and last but certainly not least, the community-run Facebook page for the Rum Runner

#duran duran #my content #1980s #rum runner #new romantic #club kids

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theonceoverthinker · 6 years

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OUAT 2X19 - Lacey

I don’t know what this episode LACED itself with, but I’m tripping over how good it is!

Read below the cut and find out why!

Press Release

Mr. Gold enlists the aid of David to help him try to jog Belle’s now cursed memories and get her to love him again; and when it is revealed that the magic beans Anton and the dwarves have been harvesting have begun to grow and could possibly transport everybody home, Emma is torn over whether she would want to live in fairytale land or stay in our world. Meanwhile, in the fairytale land that was, Rumplestiltskin forces Belle to accompany him on a hunt to kill a thief, whom she had freed in the name of mercy. General Thoughts - Characters/Stories/Themes and Their Effectiveness Past I love this flashback. We get to see the first chronological bit of good that Belle sees in Rumple, and it feels pretty earned. The structure here is good, showing Rumple reveal more and more of his goodness as it progresses while still not shying away from the more monstrous aspects of his personality. I’ll talk about that shortly, but that is so important to do when making a Rumple centric. And Belle is fantastic here too! While believing that Rumple can change, she’s true to her desire to be a hero and isn’t afraid to dole out vigilante kindness, something she does later on in the series! Present LACEY IS MY QUEEN! Look, I know that she’s little more than a one off in a lot of respects, but fuck it. I love this character. She’s part Valkyrie and part Cruella, a total boozer, but a wickedly fun time, too! Lacey is not just the anti-Belle, but she’s someone so fun and distinct. She drinks and plays pool and listens to rock music and is okay with beating the crap out of people! But what makes her so great in my eyes is how strong she is in her convictions that she’s not Belle and that Rumple has to respect her identity. I just love how she refuses to be projected on!

For as much as I like Emma, I feel because barely any time was dedicated to her subplot regarding returning home (Apart from giving Regina her first inklings of suspicion about the beans, which she could’ve learned through other means, honestly), it would’ve been better off being cut in favor of some DESPERATELY needed Rumple/Neal screen time. That having been said, I liked two and a half of the three scenes that the subplot revolved around for the stellar character interactions. All Encompassing More than anything, I appreciate this episode for how it handles Rumple’s character in both realms. Rumple is a difficult character to do because he cannot nor should be Woobie-fied. Here is a great example: Rumple has a monstrous nature. It’s not one that can’t be overcome and the narrative sets out to show that much, but it, even more than his cane, is his crutch for when he feels like the people in his life let him down. When outside influences of good can’t be depended on for a moral dessert, Rumple will default back to that nature. And when they can (Or at least give him a good ole pep talk), he proves himself capable of taking it down. What works about this episode for me is how that mindset is not framed as a good thing. Rumple’s reliance on his more monstrous nature as a crutch may have earned Lacey’s affections, but that aspect of the ending is not framed positively (Everything from the music to the lighting to the parallels to the past says as much), nor should it. Insights - Stream of Consciousness -The most unrealistic thing about this dream sequence is the fact that Rumple would ever hold a birthday party in his shop. I mean, look at that cake! He wouldn’t be smiling! He’d be grumbling about how frosting was getting all over the counter the whole time! -So Rumple CAN sleep! His bed is comfy! I’m just going to HC that one can either imbue sleep upon themselves with magic or that as one gets more seasoned with the Dark One curse, they can sleep. -This entire bit with Regina and Rumple realizing they’re family just cracks me up! -I really love the set that Regina and Rumple walk through during their conversation. I wish we got to see it more often. The windy path and the red fences make it damn memorable! -I like how Belle has finally accepted that Belle is her name! About time! -”You’ve been locked up long enough.” True dat. -Rumple, that pillow is gonna do fuck all to drown out Belle’s sobbing. She can’t press her head into that! -Rumple, that was a very un-you like way of poofing! -I love Rumple’s flair for the dramatics with that fucking arrow! I love you, you little shit! -”All magic comes with a price, and in your case, dearie, that’s me.” Is it just me, or does that sound like the opening to a Rumple/Robin Hood porno? XD -”I’m sure Mr. Gold will be thrilled.” He will by the end of the episode! XD -”The package.” Well, he certainly does have that, but just call him Hook! -Yes! Whoever is dangerous will matter if you go back to your land! Stop them here first! -Awww! I love seeing Anton! And he’s good at darts! Now I want him to play with Killian! FIC IDEA!!! -Grumpy! Why are you being so mean to Anton! Did you two have a domestic? -Anton is just the sweetest!!!! I just want to give him a huuuuggg! -”After what I did to Cora, I think restoring our land is the best way to mend it.” HOW?! Like, how would that work? Cora would still be dead (not that I believe for a second what you did was wrong, but I get it: guilt) and as Emma pointed out: “DANGER.” -Unngghh. I hate the latter half of this Charming family scene. Snow and David are offering Emma nothing but platitudes (And empty ones) in the face of her very real concerns. -I love Rumple’s pissed off face in the hospital. He looks like he sucked on a lemon. -I love the bartender at the Rabbit Hole! He’s so nice and proud of the joint, but still smart enough to be afraid of Rumple! -Lacey in that blue sleeveless top makes me...feel things. Very gay things. By the way, does Red Lace (Ruby/Lacey) exist? And if not, why not? -Rumple’s biggest act of cruelty is making Belle wear a fucking ball gown for however long it was between when Belle and Rumple first made their deal and when Rumple finally got her another dress. -Belle is such a BAMF with how she saves Robin Hood? -”I’m sorry. Do I look like a one-handed pirate with a pistol?” No, but you would ROCK that look! -Okay, the more I hear Regina talk about Neal, the more I want Rumple and Neal to CONVERSE! Like seriously! It’s been three episodes at this point! -SHEEP BROOOOOOOOSSSS!!! -I gotta say, I don’t appreciate the Lacey shaming, Rumple. -”David Nolan still won Mary Margaret’s heart.” No, he didn’t! -”Overpraised lasagna.” I take back what I said earlier: THIS is your biggest act of cruelty, Rumple! -”Someone who’d have killed all of you.” THANK YOU, RUMPLE! -”If you do, for the first time ever, I’m gonna owe you a favor.” DO IT!!! Like, pun intended, that is an offer good as Gold! XD -Gotta admire Belle’s poker face as Rumple prepares to torture Robin! XD -Jeez! Way to make Rumple sound like Gaston with her schtick about books! -”People who steal magic never have good intentions.” Speaking from experience or something, Rum Rum? -Rumple, you’re at a 10 and you need to come down to like an 8, okay? Cool. -I love Lacey listing off all of these bands and I completely HC that Weaver rocks out to ALL of them! -You can just see the cogs in Lacey’s brain twirl as she decides to give his suit-claden square a chance! XD -”Don Juan was nothing before he made a deal with me.” Rumple is basically the Hitch of the OUAT world! XD - I love how Emma is trying so damned hard to get along with Regina while also not losing the bite in her that someone would have after Regina and Cora tried killing her family. -I fucking love Lacey! She knows she on a date with the richest guy in town and she is gonna string him along for every fucking cent! XD Chicken parm and white wine? Hell yeah! -Lacey, stay forever! Like, I want Belle to take that serum so we can keep Lacey because she is just amazing! What a personality! What a funny and dark woman! -”I see a man who wouldn’t hurt anyone.” Rumple...you are something special, man. Warped, but special. -Lacey, I know you’re about to ditch, but at least glug some of that GIANT ASS glass of free wine you just got! Like, for fucking real! -Thank you, Rumple for finally giving Belle a dress she can conceivably move in! -”What would people think if I spared the life of someone who stole from me?” Considering you tortured him for a short while and the only reason he escaped was because of a third party, they’d probably still be pretty scared! -Belle ROCKS those gloves! -Sheriff, quit while you’re ahead! -Marian!!!! Hi!!!! -Honestly, Rumple, you’d be better off if Robin didn’t die. Then TWO people could ward off people from breaking deals with you. -”You are not the kind of man to leave a child fatherless.” As @onceuponatimeihadalife pointed out, you can see how these words affect Rumple. He’s reminded of both the prophecy he got from the Seer AND how Bae was left fatherless by his and Milah’s actions. It’s such a cleverly written show of Rumple’s other soft spot and how Belle on some level gets Rumple, even this early in their time together. -”She may have loved you, but I am not her.” LACEY FUCKING ROCKS MY SOCKS! I love how adamant Lacey is about her own identity! She forces Rumple to understand that she won’t be pushed into being someone she isn’t just to be his manic pixie dream girl, and that loudness is just fantastic. -”New guy always buys.” With what money?! -Ooh! I love that tracing magic Regina uses! It not only looks pretty, but is such a smart move on her part! -I feel bad for Keith. The one time he’s not the worst, he gets beat up for it. -Seeing Neal carry Henry is both funny and adorable! -Awwww! August and Henry are buddies!!! -Killian’s baccccck!!! And in fully bondage (I’m willing to bet @killian-whump appreciates that)!!! Arcs - How are These Storylines Progressing? The Storybrooke Citizens Going Home - This arc honestly hasn’t left much of an impression on me. I’d say it was due to lack of suspense, but even on this go around, I’ve found arcs that I knew the ending of to still be thrilling. This one, less so. It’s barely been brought up, and in this episode, we’ve barely seen Emma take the time to really go into greater details about her...dil-EMMA! And I don’t get everyone’s hurry to get out of town because there’s just as much danger back in the Enchanted Forest, even without Rumple and Regina (And even still, they could totally get there, let’s not fool ourselves). Rumple getting back to his son - I’m kind of frustrated that it’s been THREE episodes since Rumple and Neal spoke to each other in a scene. THREE. Rumple spent a century trying to get back to his son. I feel like he should be all but hounding Neal to spend time together. I want to see the payoff to this passion that drove Rumple to create (or at the very least steal) a curse that would screw over an entire land! Even just a one off acknowledgement of him trying to see Neal would be great! But no! Favorite Dynamic Sheep Bros. Not much to say here, but David and Rumple have a great rapport and seeing David help Rumple woo (or seemingly woo) Lacey is just funny! Josh and Robert have great chemistry and seeing Rumple and David’s personalities clash is a real treat! Writer Adam and Eddy have really had a terrific season! They’ve landed several astounding episodes, and I’m happy to say that this is another! There’s a very careful balance with character depiction and storytelling balance on display in this episode. Rumple and Lacey’s characters are handled so delicately. With Rumple, I like how there is no ambiguity of the fact that his morality can change on a dime. He has the power over how he conducts himself, and he very much values gratification for his efforts and will change his tune should things not work out in his favor. With Lacey, A&E went a long way to ensure that Lacey was someone who was annoying to Rumple, but not to the audience. She’s funny and the sheer fact of how much of an opposite to Belle she is just makes for an engaging ride! I did however not enjoy some of the dialogue. To me, some of the lines were either deceptive of character traits or a little heavy on platitudes. Culture I have thoughts on exactly who Lacey is as a character, mostly in regard to whether or not she is Belle’s true cursed form. I personally don’t think Lacey is Belle’s true cursed form, and I come to that conclusion based on not only pre-Regina instances of her cursed self, but the cursed selves of others. First, let’s talk about Belle post-memory wipe. If you recall, Sneezy had a memory wipe too, but he strictly reverted to his original cursed version. In the same manner, so did Belle. And when we finally got some extended scenes with her, we see she’s nothing like Lacey. While pretty panicked due to all the magical stuff and the car accident and all, she’s more or less pretty similar to her real self. Just listen to Belle’s kindness when Rumple talks to her early on in this episode at the hospital. Those words could’ve so come out of Belle’s mouth just as easily. She’s all set out to help Rumple aspire to be good and even shows him some real kindness again!

That brings me to my second point. When we look at the cursed Storybrooke characters like Snow, Charming, Ruby, and Grumpy in comparison to their real selves, there’s so such dramatic deviation the likes of Belle and Lacey. Their personalities chime much closer to home with maybe one or two differing qualities (Ex. Snow’s missing her bravery as MM, Charming’s missing his sense of honor as cursed David). This holds true for Belle’s memory wiped self pre-Regina far more than post-Regina.

So what does that make Lacey? IMHO, a corruption -- possibly even a reset. Regina clearly magicifies that matchbox to give Belle false memories, and the ensuing personality is something that is only made to screw over Rumple. In the past, Regina didn’t put much effort into Belle’s cursed form because as far as she knew, Rumple would never discover her. However, now that she’s about to be a player in Rumple’s life, Regina decides to stop her influence. I mean, I know Rumple claims they’re her “cursed” memories, but I don’t know, it just doesn’t seem right to me.

At the same time though, as I was writing this, I had a great conversation with @mrs-stiltskin where she pointed out that Belle’s relatively tamer pre-Regina cursed personality was more of a result of being a blank slate and Lacey was the actual creation of a personality, and that’s an interpretation that I also readily accept, AND it supports Rumple and Regina’s words too! Rating Golden Apple. What more can I even say? The story and its execution are fantastic. A&E balanced Rumple and Lacey like fucking katana swords. It’s a charming story (pun always intended) that’s pretty freakin’ funny when it needs to be while also being emotionally satisfying. Even the stuff I didn’t like gave way to some good scenes and I only disliked them because there was more that I wanted to see (*cough* RUMPLE AND NEAL *cough*). Flip My Ship - Home of All Things “Shippy Goodness” Rumbelle - The past has some pretty good Rumbelle. For one thing, I love how Rumple stumbles over trying to explain why he didn’t kill Belle. Suuuuuure, Rumple. Also, you gotta love how Rumple gives the Sheriff of Nottingham the most well deserved punishment ever for attempting to trade Belle like cattle! XD Also, that hug post-sparing was just ADORABLE!!! Finally, the library scene shows the first inklings of Rumple falling in love with Belle as their themes merge and the thematically binding line of the episode is spoken. AND before we go into Golden Lace territory, let’s talk about some present Rumbelle. Just look at Belle’s face and voice when Rumple appears in the hospital alive! She’s so happy!!! And it’s so nice how now that they’re able to talk, Belle can connect with Rumple so much more easily. Finally, I really like how angry Rumple gets at Regina for forcing Belle to revert to her cursed self. Golden Lace - Rumple is trying so freakin’ hard to impress Lacey and it’s adorable! Look at him tripping over himself as he tries to hold the menu at Granny’s! It’s honestly adorable! And Lacey couldn’t be more thirsty for Rumple’s darkness if she was locked in fucking Care-a-lot for a year beforehand! I love this bit of ANOTHER villain ship!!! Swanfire - Emma and Neal only get two minutes together, but they take full advantage of it! I like how Emma and Neal, while not fully knowledgeable of the other’s situation, are able to understand each other. And they have some nice chemistry! Aww! And Neal believes in Emma’s ability to figure the truth of August’s message out! ()()()()()()()()() What a great episode!!!! Thank you for reading my review and to the fabulous folks at @watchingfairytales! Btw, after exactly one vote (Thanks, Sarah!), I have decided to combine the finale review! It’s gonna be a LONG one!

Next time, while Lacey may be my queen, there’s another one just waiting to be in the spotlight once more. See you guys then! Season 2 Tally (157/220) Writer Tally for Season 2: Adam Horowitz and Edward Kitsis: (50/60) Jane Espenson (35/50) Andrew Chambliss and Ian Goldberg (31/50) David Goodman (24/30)* Robert Hull (24/30)* Christine Boylan (17/30) Kalinda Vazquez (28/30)* Daniel Thomsen (18/20)* * Indicates that their work for the season is complete

Operation Rewatch Archives

#ouat #once upon a time #watching fairytales #ouat 2x19 #ouat rewatch #jenna watches ouat

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thisisnthunk · 6 years

Text

Ask masterpost part 1 under the cut! I wanted to do them all but im tired and I want to write, so stick around for part 2 tomorrow

Anon said: Oi fam, be a ledge and come down for a nandos and some banter with me and the lads ye? Don't worry about price yeah we'll spare a tenner, mans got bare P's don't stress innit. See we were gonna get chippie but my mate David Attembanter ain't into that chip cob life because he's a right knob jockey and Ryan ain't feelin kebab so we're getting some proper cheeky chicken and getting well smashed after, you get me?

-I get you but I also hate you

Anon said:why did u gotta go and do that... I'm cryinh now…

Anon said;I’m not crying you’re crying. 😭😭

-get a hot choclate and wrap yourself up in a blanket anon, we have a wild ride ahead of us

@mybutylki said: Congrats with 2000! Thanks for this amazing au♥♥♥ Just btw what do you think about leakira?

@river-night said:thoughts on leakira? (also congrats on 2k!!! you deserve it xx)

-its rad, I haven’t really looked into it that much yet but honestly whenever fans take things into their own hands it’s super cool

(also thank you! <3)

@pan-keith-stan said: HHHHHHHHHHHHHHHHHHNNNNNNNNNNNNNNNNNNNNNNNNNNGGGGGGGGGGGGGGGGGGGGGGG THIS IS A MESS

-thats what I was going for so thank you dearly

Anon said:

fuuuuccccckkkk im sobbing, ive been in a scarily similar situation to where lance is and fuckfuckfuckfuckfuck its so realistic and beautiful! you are obviously an incredible writer *hugs you* but now i must go get ready for work lol

-thank you! I hope everything worked out okay, and I hope you had a good day at work

I’ve never really been in a situation like it so im glad its coming off as realistic

Anon said:

I found your texting au (I don’t know what you’re calling it) and holy SHIT it’s so good! Course, I had spoilers from finding the most recent one first.

-You can call it anything you like, thank you! Though it sucks that you were spoiled during one of the more hectic parts of the plot line

@random-dorky-kid said:

Ow my heart -it’ll be okay just hang in there

@dissapointedagain said:

i deadass need a friend like keith cause i have none lmfao

- yeah I dont think many people do? People treat breakdowns brought own by somebodies own actions as if they deserve it but like, if a neurotypical person doesn't have to go through that somebody with a mental health issue shouldn't either

OBVIOUSLY friends cant do what therapists do, a lot of people just cant deal with somebody in a bad state and thats alright, but being gentle with somebody going through a lot is the least you can do

@wild-springflower said-

Oh holy shit!! Okay, glad Lance isn't going to be alone. That is really really good. I haven't been reading the behind the scenes thing you're doing yet, but if the scene between Lance and Keith is going to be in it I'm gonna have to! So Good!!! 😄

-I have my laptop back now so the behind the scenes chapters will be able to come out faster than usual, so there should be Klance on it a lot sooner than expected! Woo!

@loveryder said-

Deadass i cant handle angst like at all so if this doenst get happy fast im so screwed but i know i wont stop reading cause its so good😭

-it depends what your definition of happy is in regards to how fast itll get happy but it will get happy eventually

@kabi-kinoko said-

aaahhh!good thing I came on time to see both updates, hehe xD oh man, what a nice turn of events, everything simultaniously, like in real lvie haha. looking forward to the comfort and consequences :)

-YOU’LL GET YOUR COMFORT SOON FRIEND

Anon said-

Our blue boi is stupid but god damn he needs a hug

-He’ll be hugged dont worry

@odalys-salinas said-

Ahhhhhh!!! I just find your blog and your Au, and i'm screaming!!! Is so good!!! Keep the good work, sorry poor my bad english, the question is, lance will open the dore to keith?

-You’ll see in the next update ;) thank you! I love hearing how people enjoy my au

Anon said-

me, reading the update: that shit hurted

-ouched

Anon said-

To the latest thingy- oOf

-mood

thespeckofstardust said-

AAAAAAAAA YOUR AU HAS ME COMPLETELY H O O K E D

-Im so glad! I hope you enjoy the rest

Anon said:

i appreciate that keith isn’t going to just let lance get away with what he did but is still helping him through panic attacks !!! thats so great you’re doing an amazing job i love this so much

-Keith is a great guy, in a way I imagine Lance sort of wishes Keith wouldnt comfort him though, you know?

#admin asks

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deadcactuswalking · 3 years

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REVIEWING THE CHARTS: 21/11/2020 (Billie Eilish)

I’ve got an easy week ahead of me since nothing happened this week. Okay, that’s a lie because there are some big stories here but we only have six new arrivals, meaning that this might be a shorter episode and honestly I’m glad. We’ve had immensely busy weeks since I started this show, full of album bombs from 21 Savage, Ariana Grande and Headie One, bizarre new entries from years ago like “Train Wreck” or “All Girls are the Same”, interesting and intriguing new arrivals ranging from Clairo to Giggs and most importantly, a lot of comical mediocre garbage from D-Block Europe. This week, however, I’ve got half of my usual bargain bin of pop music and whilst some of these songs are notable and worth talking about... well, you’ll see. “positions” by Ariana Grande is spending a fourth week at #1. Welcome back to REVIEWING THE CHARTS.

Dropouts & Returning Entries

Firstly, let’s run through the drop-outs, most of which are inconsequential considering this is a slow breather week between two massive ones – BTS are coming next, folks, and bringing Megan Thee Stallion with them. I think our most notable losses is how absolutely everything from Kylie Minogue, the Kid LAROI and even dutchavelli is completely gone here, including “Cool with Me” with M1llionz, the actual single from the record. I guess we can say goodbye to the top 10 hit “Breaking Me” by Topic and A75, as well as the drop off of one 2020’s biggest #1 hits, “Rain on Me” by Lady Gaga and Ariana Grande – we can wish a perhaps premature farewell to “Jerusalema” by Master KG and Nomcebo Zikode while we’re here. The bigger stories probably lie with our returns, many of which are peaking or returning to their peak like “Sofia” by Clairo at #75, “All Girls are the Same” by the late Juice WRLD at #73 and “Martin & Gina” by Polo G at #71. The Christmas songs have also started flooding in, one of which is a new arrival that we’ll talk about later, but so far we just have the controversial classic “Fairytale of New York” by the Pogues featuring Kirsty MacColl returning to #63, “Last Christmas” by WHAM! – the biggest #2 of all time – back at #44 and already, on November 21st, more than a month before the big day, “All I Want for Christmas is You” by Mariah Carey moving up to the top 40 at #30. I don’t see much competition that’ll block this from #1 this year. Also, speaking of all this holiday music, “Holiday” by Little Mix returns at #36 thanks to silly UK chart rules that meant it was traded off with “Happiness” from last week. I’ve already reviewed all of these songs – or close enough to all of them – but one I haven’t reviewed is “Yes Sir, I Can Boogie” by Baccara returning to #57 as it becomes the new Scottish football anthem. You know, that Spanish disco track from 1977. It did hit #1 that year, but this is such a bizarre return I felt the need to talk about it... but, never mind, I think I should take advantage of having less on my plate this week. In terms of fallers and climbers, “Straight Murder (Giggs & David)” by, you guessed it, Giggs and Dave, dropped out of its top 40 debut to just #56 this week, joining the biggest faller, “Dynamite” by BTS, presumably having its streaming cut or just finally running out of the K-pop steam, dropping from #21 to #52. Other songs backing away from the top 40 include “Deluded” by Tion Wayne and MIST at #49, “Confetti” by Little Mix at #42 and “Loading” by Central Cee at #41. What worries me is there’s not much that seems to be replacing it, other than maybe “Plugged in Freestyle” by Fumez the Engineer and A92 at #45 or our biggest climber, “Get Out My Head” by Shane Codd at #30. It should also be noted that strangely, the album at #1 on the Album Charts has no presence in the UK Top 75 – which I review because, really, who cares about those last 25 songs? – probably because of how many physical albums were sold instead of digital sales and streaming. It’s an AC/DC album so it’s expected that the audiences who stream songs and buy CDs from Australian rock legends don’t overlap, even with a big lead single that nearly charted on the US Hot 100. Well, let’s talk about the songs that DID debut finally, starting with... the revenge of the Sith.

NEW ARRIVALS

#65 – “Cut Me Off” – Yxng Bane featuring D-Block Europe

Produced by DZL and Akeel

The music I’ve been listening to has been pretty much all over the place recently, ranging from 1990s drum and bass to McAlmont & Butler to bitcrushed hyperpop to Ned’s Atomic Dustbin to... Young Thug, for some reason. That’s part of the reason I like doing REVIEWING THE CHARTS. It keeps me grounded to what music is actually popular, important and what I should be looking out for. With that said, I don’t think I’ve ever felt the need to look out for D-Block Europe, but they keep on popping up on the chart week after week regardless. Well, a collaboration between these two is never unexpected; after all, they have an entire album together, which has sometimes confused me since Yxng Bane has always been a smoother Afrobeats crooner whilst D-Block Europe make stiff, comical trap-adjacent emptiness type beats... whatever that means. The collaboration, I have to say, actually works and I’ll admit, I’m actually pretty fond of this track. It’s got a pretty minimal beat off of mostly dancehall percussion, sparse vocal samples and bass, but it picks up a lot of groove during the chorus and whilst Yxng Bane isn’t exactly the most interesting frontman, he does ride the beat fine and his sing-songy flow is pretty damn catchy. He takes care of the first half of the song, before D-Block Europe even come in, and surprisingly, the first other voice we hear is Dirtbike LB. No, Dirtbike isn’t interesting but he sounds a lot more engaged than usual and he actually sounds mentally sound and happy, so that’s good, even if he rids the song of any of Yxng Bane’s subtlety. His flows are pretty solid, even if they are sometimes copped from NAV on “Lemonade”, oddly. This beat can also handle Young Adz’s fascination with leaving empty space in his verses, as he has some pretty complex melodic and triplet flows over the beat, which never loses its funk even when threatened with how awkward D-Block Europe tend to be, and that final flow Adz uses over the pumping 808s is smooth as all hell and actually has some swagger for once. He doesn’t say anything embarrassing and there’s actually some wordplay going on here, so I really can’t complain about this track as much as I wanted to. Will it stand up to replay? Maybe not, but this is pretty great actually and a massive improvement from all three of these dudes, although this may just be a fluke like “New Dior”. If these guys want to show more fluke brilliance from now on that would be great. Just saying.

#60 – “HOLIDAY” – Lil Nas X

Produced by Take a Daytrip and Tay Keith

I like Lil Nas X. I enjoy his fun social media presence and meme-heavy persona, which may grow old to a lot of folks but I still like seeing him pop up on my timeline. I admire how he is openly gay and not afraid to discuss that in his music especially when he has the impossible platform of “Old Town Road”, one of if not the biggest songs of all time. I’m intrigued by his willingness to blend genres and break down boundaries in styles of music from sound, presentation and even race, even if it loses him some points on actually developing said tracks, mostly ending up as demos – the initiative is there. However, on that last EP, and especially this song, his charisma is the driving force and I don’t think Nas can replicate the magic of even “Panini” without more than his natural, jovial and playful tone. To start off with the positives, I do like the cold, icy beat that fits with the vague, pretty false holiday theme here, and they are some nice little details like that wobbling synth-bass differing from typical distorted trap 808s, the background keys replicating the melody of the second chorus throughout, and even the morphing of the producer tags to form a sentence. Tay Keith took it to ten instead for this beat, I suppose, and it is a good fusion of the two production styles. The problem I have with this song is, unfortunately, Lil Nas X. His delivery is checked-out and bored, and that makes these hard-to-sell lyrics about his career both irrelevant to the ostensibly Christmas-themed song and just not convincing in the slightest.

I can’t even close my eyes and I don’t know why, I guess I don’t like surprises / I can’t even stay away from the game I play, they gon’ know us today, yeah

This is the chorus and he’s saying absolutely nothing here. It’s just rhyming words that would have fit for a demo but are produced with some robotic multi-tracking and engineering to make it sound professional but also dull and manufactured. Sure, the verses and pre-chorus have more depth but this type of self-aware flexing and snarky one-liners only works well when it doesn’t sound like it’s being played completely straight (No pun intended). The song and artist exhumes character and optimism but both the beat and Nas here sound sour, mean-spirited and almost ugly. Most of the throwaway pop culture references are pretty pointless and awkward as well, with some really awful lyrics.

Ayy, and I’m sexy, they want to sex me

I call redundancy, Your Honour. Oh, and what a pre-chorus. “Hee-hee, I’m bad as Michael Jackson”? In 2020? It’s not like I expected anything lyrically superb from Lil Nas X, but less filler and... unfortunate implications would have been fun. Man, I do want to like this song, and I’m excited for that “CALL ME BY YOUR NAME” track he continues to tease, but for now this doesn’t work as a Christmas single at all, unless your idea of the Winter holidays is joyless cynicism. Okay, well, maybe in 2020, that’ll work out for you but any other year, this wouldn’t cut it.

#59 – “A Little Love” – Celeste

Produced by Josh Crocker and Jamie Hartman

This song is an advertisement. So much of an advertisement in fact that the full name of the song is “A Little Love (From the John Lewis & Waitrose Christmas Advert 2020)”. The John Lewis company is a brand of high-end department stores across the British Isles and have become kind of an iconic Christmas tradition in the UK for their heart-warming but often fantasy-adjacent advertisements they release every November or so. It always comes with a song, sometimes original, sometimes a cover, and nearly always a dreary piano ballad. This year they enlisted BRIT Award winner and British soul newcomer Celeste but not even new blood and an original song written for the advert can make this sound anything resembling interesting. A lot of people thought this John Lewis advertisement was disappointing – I don’t have an opinion because I do not care about the quality of adverts. I also do not care about the quality of the song which I’m sure you can tell is very little. This advert becomes increasingly irrelevant as the years go on and not even Celeste’s pretty unique voice can make this anything more than dull and half-baked. I mean, it’s well-mixed, but so is nearly everything that charts. You really can’t say this is anything but a product that serves as promotion for another product. It’s no surprise this didn’t debut high because in 2020 – and really any year – people would and should want more than this. Hopefully this doesn’t coast off of the advert and become a hit because, I don’t know, it kind of sets a bad precedent. Maybe I’m just pretentious. Probably.

#43 – “Flavour” – Loski and Stormzy

Produced by Mike Elizondo and Steel Banglez

Last time we saw Loski, he was going for a threatening and menacing “bad guy” drill track, but now he’s making room for the ladies in that drug trafficking route, rapping over a smooth Afrobeats instrumental courtesy of Steel Banglez, who’s still around actually amongst the waves of rip-offs and producers courting his style for their own, and it’s just a hook-up jam where the guys mostly trade bars about girls. Of course, Stormzy gets the first verse, but with the deadpan delivery of both of these guys but especially Loski, the somewhat shoddy vocal mixing on Stormzy’s voice, I find myself caring so little about absolutely any of this. This beat is kind of distracting in how it mixes Eastern strings with Afrobeats rhythms, early 2010s dance music synths (the main synth pattern sounds as 2014 as possible) and trap skitters. The hook is barely existent, neither of the guys have chemistry or charisma here, not even Stormzy, and the song’s about two Loski verses too long. No, the lyrical content isn’t anything but vaguely cute, surprisingly inoffensive and shockingly lacking in misogyny for once, and I don’t expect it to be. Honestly, Stormzy name-dropping Everybody Loves Raymond is probably the highlight. I’m sure Ray Romano is beaming.

#7 – “Stop Crying Your Heart Out” – BBC Children in Need

Produced by Brian Rawling, Mark Taylor, Anoushka Shankar, Sheku Kanneh-Mason, Grace Chatto and BBC Concert Orchestra

When I did my Spring episode, I was met with a BBC Radio 1 cover of “Times Like These” by the Foo Fighters that was released to support the NHS workers during the COVID-19 pandemic and the first British lockdown. This “Live Lounge Allstars” single went to #1 and naturally, with a second lockdown we have a second single by a second BBC radio station with second-rate “Allstars”, which is probably why it’s just credited as BBC Children in Need this time. Oh, and for some reason, they credited every single BBC Child in Need on the Spotify page this time. Now last time we had you know, the actual Foo Fighters, as well as global superstars like Dua Lipa and Ellie Goulding, as well as Sean Paul, Rita Ora and members of Coldplay, alongside many, many others, all of which were or are relevant to this day. So for this second song, not only did they take an absolutely crap Oasis single from their early-mid-2000s years, way after they had stopped being worth listening to, and stripped it of any of its genuine orchestral backing and intriguing and iconic Liam Gallagher vocal deliveries. I’m not going to go in-depth like last time. It still butchers a classic, but a classic song I hate in the first place, just getting rid of any redeemable elements that Oasis still had in 2002, so I don’t care enough about the source material but really this is weak and boring, with questionable vocal mixing and unimpressive vocal performances from everyone involved. If you’re wondering who everyone involved is, it’s Izzy Bizu, Grace Chatto of Clean Bandit, Melanie C, Jamie Cullum, Ella Eyre, Paloma Faith, Rebecca Ferguson, Jess Glyne, LAUV, Ava Max, James Morrison, Gregory Porter, Nile Rodgers, Jack Savoretti, Anoushka Sankor, Robbie Williams and Yola... as well as some of the more bizarre additions, like Jay Sean riding high off of an uncredited sample of his hit last year, Kylie Minogue clearly only here to promote an album (In fact, that can sadly be said for most of the artists here), Lenny Kravitz and freaking CHER both being somehow completely unrecognisable, Goddamn Bryan Adams and KSI of all people, who doesn’t even get a rap verse like AJ Tracey and Sean Paul on the first cover. He’s just... there, I guess? None of these guys are in sync at all and the song was unremarkable in the first place but I can’t get mad at charity going to a good cause, even if all of these musicians could just cough up some of their own cash. I expect to see this fall dramatically next week.

#2 – “Therefore I Am” – Billie Eilish

Produced by FINNEAS

This, however, I predict will stick around. Billie Eilish bravely drops the lowercase for a brand new song – and maybe perhaps could possibly be a lead single – and it acts as an attack on the critics, particularly a response to all of the nonsense that has been thrown her way for being a confident young woman in the industry who decides she doesn’t want to conform to outrageous beauty standards set by the media. I think a very recent notable one was when she was photographed by paparazzi walking and looking like a completely normal 19-year-old woman (although, perhaps one with particularly vibrant hair dye) and was met with criticism from the news media and a lot of different narratives on social media, ranging from general body-shaming (which she already took a stance towards in March on her tour with a pretty cool short film) to weird professions of beauty when, no, she did not look like she was keeping up appearances and that is completely fine. That image displays a problem with how society holds celebrities and particularly women to a ridiculous fashion standard, even when they’re just walking from place to place, like they can’t look like your normal, ordinary, every-day adult woman, which, you know, they are. I think she really gets to that point when she says this:

Top of the world but your world isn’t real / Your world’s an ideal

Sadly, I think the rest of the song is rather underwritten and feels like a vague diss track towards critics, using arguments that really only apply when talking about cyberbullying and genuine toxic media press (which the UK knows well), and generalising them with all critics, making it seem like a human attack on mass-media corporations, which doesn’t really go down as well as she wants it to. The pre-chorus, chorus and even the second verse and bridge feel pretty underwhelming in terms of content too and whilst her carefree delivery is supposed to make the lines hit harder if anything it just weakens the blow. The minimal production from FINNEAS with a pretty nice 808 bass groove and distorted percussion, as well as a pretty piano flourish, does help to make this sound a bit less tired but honestly just makes Eilish seem out of place if anything, which isn’t true for anything else the two have made together, so I’m personally not a fan and think this is a rare miss for Billie and FINNEAS. I agree with the message, but this could have been executed in a much more impactful and aggressive way that would have made more of a point, in my opinion.

Conclusion

That’s not to say that the song is bad, though and I’ll give “Therefore I Am” by Billie Eilish an Honourable Mention even for just being interesting and more than the most basic, factory-produced equivalent of its genre that could be made, which can be said for most of the rest of the tracks here. Best of the Week does go to Yxng Bane and D-Block Europe of all people for “Cut Me Off”, and I can’t bring myself to dislike a charity single so I suppose Worst of the Week goes to Lil Nas X’s “HOLIDAY”, and the Dishonourable Mention will be brought to you after the messages. In other words, it’s “A Little Love” by Celeste. Here’s this week’s top 10:

I’ll brace myself for the upcoming week now, and you can follow me on Twitter @cactusinthebank if you want to see me Tweet complete nonsense the majority of the time. I’ll see you next week.

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berniesrevolution · 7 years

Link

Silicon Valley prides itself on “thinking different.” So maybe it makes sense that just as a lot of industries have begun paying more attention to work-life balance, Silicon Valley is taking the opposite approach — and branding workaholism as a desirable lifestyle choice. An entire cottage industry has sprung up there, selling an internet-centric prosperity gospel that says that there is no higher calling than to start your own company, and that to succeed you must be willing to give up everything.

“Hustle” is the word that tech people use to describe this nerd-commando lifestyle. You hear it everywhere. You can buy hustle-themed T-shirts and coffee mugs, with slogans like “Dream, hustle, profit, repeat” and “Outgrind, outhustle, outwork everyone.” You can go to an eight-week “start-up hustle” boot camp. (Boot camp!) You can also attend Hustle Con, a one-day conference where successful “hustlers” share their secrets. Tickets cost around $300 — or you can pay $2,000 to be a “V.I.P. hustler.” This year’s conference, in June, drew 2,800 people, including two dozen who ponied up for V.I.P. passes.

But for some, “hustle” is just a euphemism for extreme workaholism. Gary Vaynerchuk, a.k.a. Gary Vee, an entrepreneur and angel investor who has 1.5 million Twitter followers and a string of best-selling books with titles like “Crush It!,” tells his acolytes they should be working 18 hours a day. Every day. No vacations, no going on dates, no watching TV. “If you want bling bling, if you want to buy the jets?” he asks in one of his motivational speeches. “Work. That’s how you get it.”

Mr. Vaynerchuk is also a judge on Apple’s “Planet of the Apps,” a reality show where app developers compete to win funding from a venture capital firm. A recent promo depicted a contestant alongside this quotation: “I rarely get to see my kids. That’s a risk you have to take.” The show’s promotional tweet added: “For the ultimate reward, he’ll put everything on the line.”

Good grief. The guy is developing an app that lets you visualize how a coffee table from a catalog might look in your living room. I suppose that’s cool, but is it really more important than seeing your kids? Is the chance to raise some venture-capital funding really “the ultimate reward”? (Apple pulled the promo after a wave of critical comments on Twitter.)

This is sad enough for start-up founders, but rank-and-file workers are buying into this madness, too. Last year, Lyft published a blog post praising a driver who kept picking up fares even after she went into labor and was driving to the hospital to give birth. Critics saw dystopian implications — “horrifying” was how Gizmodo put it — and Lyft deleted the post. But people at the company, including the driver herself, seemed genuinely puzzled by the negative reaction.

A century ago, factory workers were forming unions and going on strike to demand better conditions and a limit on hours. Today, Silicon Valley employees celebrate their own exploitation. “9 to 5 is for the weak” says a popular T-shirt. A venture capitalist named Keith Rabois recently boasted on Twitter that he worked for 18 years while taking less than one week of vacation. Wannabe Zuckerbergs are told that starting a company is like joining the Navy SEALs. For a certain type of person — usually young and male — the hardship is part of the allure.

The truth is that much of the extra effort these entrepreneurs and their employees are putting in is pointless anyway. Working beyond 56 hours in a week adds little productivity, according to a 2014 report by the Stanford economist John Pencavel. But the point may be less about productivity than about demonstrating commitment and team spirit.

“Everyone wants to be a model employee,” said Anim Aweh, a clinical social worker in the Bay Area who sees a lot of stressed-out tech workers. “One woman told me: ‘The expectation is not that you should work smart, it’s that you should work hard. It’s just do, do, do, until you can’t do anymore.’ ”

This has led to tragedy. Last year, Joseph Thomas, an engineer at Uber, committed suicide. His widow blamed the company’s gung-ho culture, with its long hours and intense psychological pressure.

Now some are pushing back. David Heinemeier Hansson, a software developer, is on a crusade to persuade entrepreneurs that they can succeed without working themselves to death. (The sad thing is that this even needs to be said.)

In a recent essay Mr. Hansson excoriated venture capitalists as brainwashing founders with “an ingrained mythology around start-ups that not only celebrates burnout efforts but damn well requires it.” He says V.C.s are exploiting founders. Their attitude is, “Make me rich or die tryin’,” he wrote.

(Continue Reading)

#politics #the left #capitalism #venture capital #venture capitalism #silicon valley #venture capitalists #gig economy #Millennials #new york times

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popculturebuffet · 4 years

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Jake Reviewcaps Stuff: Amphibia: Truck Stop Polly/A Caravan Named Desire

A day two days late but no dollars short, we reach the middle of the Plantar family vacation. Polly super runs away from home after feeling negelcted and gets a neat trucker hat while Hop Pop is forced to choose between his love of theater and aiding and abetting, Sprig tries to fit in with the cool kids and Anne tries to just finish her damn Koala puzzle already. The show must go on under the cut

Okay first why this was late... I had a LOTTT of cleaning to do for a vistor coming to the house, so while I did get the episode watched I didn’t have time to write about it till today.. ironically hours before my sister from another mister is having her wedding, a small one in her backyard with all the food pre-packaged, but still it’s obviously a lot .. and yes this has been going through my head.

youtube

Point is life’s been busy, this isn’t the first thing to get delayed, but I do want to try to get these out on saturday at least. Second.. these eps faced an uphill battle.. see like the Lost Harp of Mirvana during my ducktales coverage earlier this year, this is what seems like an average ep from the summaries given out by disney.. right before a stream of far more important and intresting ones. For this one it’s two fairly standard eps.. right before another fairly standard one.. that then leads into finding out both what Sasha’s doing and presumibly, why she’s still on the bad guy side like the intro suggests or if the intro is just lying. We won’t know till next week. And to make matters worse after that we have Kermit the frog’s episode.. as in kermit doing voice work not whoever his voice actor is now just doing a diffrent voice. And i’m so glad disney is continuing this beautifully insane idea that started when Fozzy voiced a character on Big City Greens. See this is good quality use of your muppets. Hopefully muppets now will keep this up later this week. Anyways paired with Kermit is the long awaited gravity falls homage “Wax Museum” with Alex Hirsch himself doing both stan stand in, a stan-in if you will, teh curator and frog soos. Which is the greatest name in Disney history since Sharkbomb. Oh and THEN, we finally get to newtopia and finally meet marcie.. and if that weren’t enough, the newt king is voiced by keith motherfucking david, disney royalty as voice of Goliath in Gargoyles (Which I really need to get off my ass and watch already, I have no excuse for taking this long. At least with Darkwing Duck the absolutley baffling airing order that isn’t disney plus’ fault for once but they scould still fix is a mild one.. if not enough of one) and Dr. Facilier in “The Princess and the Frog”, in which he sang one of the best villian songs in the disney canon. Never fails to kill me. He also should’ve been sexist man alive by now but fuck if I know why he hasn’t been.. even at 64 he’s still in the running and I will not back away from that sentence. That man can get it and his wife is a very lucky woman. SO yeah, Sasha, Kermit, Frog Soos, and then a one two punch of Marcy and keith fucking david, followed by i’m assuming a good helping of world building in newtopia and i’m not assuming thanks to the episode summaries including guest voices even MORE Keith David. So yeah like Mervana proceding Fenton and Boyd and then Daisy! an episode i’d been waiting for since last year’s comiccon, and was not disapointed by, this episode is before a giant pile of stuff i’ve been waiting for plus a thing I had no idea was coming with Keith David. And this show isn’t alone: next week’s owl house is another king episode about him making a big style wish that goes wacky.. right before we get Willow and Amity’s backstory, then the episode where hopefully the gays will win. This isn’t a new thing and will doubtfully occur again but like with Mirvana I gave these eps a fair shake. How did they shake out with the added pressure? let’s find out.

Truck Stop Polly

We start in the Wagon, or Fwagon as the family calls it but i’m not because no. Just no. Plus there isn’t a catchy song for caulking your Fwagon sung by the talented, and recently engaged congradulations Joey and Lauren now that was the kind of news I needed this week, Joey Richter.

But no Bessie isn’t being caulked down for glue, Sprig and Anne are driving the wagon, Hop Pop is asleep, as he probably hasn’t slept and Polly.. isn’t doing so good. She’s clearly missing home seeing Miss Croaker.. onlyt o find a rock.. and then because this is Amphibia some kind of nightmare that reminds me of a baby xenomorph. Anyways the reason Polly ain’t doing so good is well she’s like.. 5, on a scary trail with no one to comfort her, and none of the old comforts of home to help her forget her very likely death before she’s even big enough to rip a man’s heart out with her bear hands. I mean that’s been in her 7th birthday plans for like, forever. She TRIES to replicate old things, first trying for story time.. which fails because while Hop Pop tries, he can’t stay awake because he apparently, as the episode will prove out, hasin’t heard of caffine, while trying to get her older siblings to read to her just gets them and her in trouble when she gets bessie ran into something and Polly’s attempt at bath time afterword just floods everyone out. Thankfully while the episode does go with the “Character tries things multiple times and is destined to fail” thing, something i’ve seen a lottt in animation and as i’ve made clear in my handful of loud hosue reviews i’m not a big fan of it... but it works well here. It takes up only a portion of the episode and is used well. Nuff said. But it’s with the aftermath where things really start to shine and we really get why this episode works: Polly messed up bad yes.. but she’s also , again 5. Her family just sorta forgot that 5 year olds need a lot of attention because this is one who probably has ripped a man’s heart out... the bear hands thing is more just because it’s cooler that way. But Polly isn’t really thinking about anyone else but herself and this episode reveals a problem polly has: She puts up such a tough front she has trouble opening up.. which makes sense. Polly wants to be taken seriously, as seen with the inn episode last season, and likely feels acting her age will just get them to stop doing that.. but as we saw there while she’s utterly capable in a crisis.. she’s still a small child, it’s still scary and she needs what all little kids need as much as she needs a freshly ripped out heart with breakfast. But what really makes the scene is, as Polly hides, Hop Pop loudly and crushingly for the poor tadpole, outright wonders if they should’ve just left her with Ms. Croaker. And yeah this is a .. hard thing to hear. That her only parental figure regrets bringing her and feels he woudl’ve been better leaving her away from her family for what’s at the very least a month and will defintely be longer.. and not just because of future episode synopisis. And if they succeed with anne.. one of them wouldn’t be coming back. She’d miss telling her big sister good bye and that’s a LOT to take away from her and probably explains,besides Polly being badass, why they still took her: She may never see Anne again. And if Anne can’t get home, she wouldn’t of b een there for her. Polly tears up and it’s a ROUGH scene. But what really makes this scene already amazing work.. is the immdite followup. Sprig and Anne are both shocked by this and Anne , in typical “the character only heard the bad part” fashion, and as Della has proven even full grown adults aren’t immune to this so don’t feel too bad polly, asks if he really meant that. And he didn’t. It’s what makes the scene work so hopping good: it’s realistic. We’ve all had moments where a parent, a friend, or even ourselves has just said something, something hurtful, or yelled or screamed or what have you at osmeone without meaning it.. and sometimes you can’t take that back. But we’ve all been pushed to the limit, stressed or tired or upset and just.. snapped and said something terrible. And it’s this realness that really makes it worse. Hop Pop explains he’s just exausted.. which makes sense. He has trouble deligating, being utterly terrified of Anne and Sprig taking up watch duty, and has probably been driving without sleep for a week at the LEAST given the trip’s been said to have gone on longer than planned. So he’s not in any good shape, and Anne and Sprig do consider she had her reasons. Anne does give Hop Pop coffee for the first time, which perks him right up. Polly however is still hurting and decides to use 5 year old logic and leave a fake, a convient purple ball she find sthat she dresses up with a sleep mask and her bow, and figures once they find out she’s not there, they’ll feel bad and come back. it’s a short sighted plan but we’ve all probably thought of something like this at her age. I once ran away from home carrying among things i’ve forgotten by cyclops helpmet from the x-men.. must’ve been from the 80′s as by the 90′s he let his hair out. Wish I still had that thing or at least a cyclops visor. Love that guy. This naturally backfires as while Sprig and Anne try talking to polly, Sprig thinks she’s alseep and warns anne never to wake her.. never... how.. how many stabbings did she give you before that sunk in man? Are you okay sprig? Polly naturally freaks the fuck out upon thinking her family abandoned her, but vows to start a new life.. with flapjacks and more story times. She dosen’t know anybody.. cue swampy joe from last season. A welcome return, horay! Anyways Swampy naturally not leaving a child to die because this is amphibia and not an average night in Monkey D Luffy’s childhood, and also gets her a sweet trucker hat off screen. I assume she put it on exactly like this. Polly gripes about the situation.. but in a refreshing and suprising, to both me and polly, change of pace we don’t get them agreeing or her getting a new life: The Truckers point out the main issue: She’s homesick, and she’s trying desperatley to seek comfort in old rituals without adapting to the fact that some simply don’t work as well in their new situation or taking the fact her family is busy and this is stressful for them too into account. It’s also a nice moral for thes quarantine times; sometimes you can’t get normal back easily, and have to adapt and you have to consider others feelings as hard as it might be. They also peg her being so hardned on the outsdie she dosen’t let things in and again while this is new.. it does track. We’ve rarely seen polly upset, or vunerable or any of that.. so this simply makes it a character trait.. that part of why she rarely acts like the 5 year old she is is she’s scared of letting people in and loosing what ground she’s gained with Hop Pop. As for why their so wise it’s because when your alone driving for miles on the open road you have nothing but self improvment.. and in a great bit the lone female trucker among them got her PhD, and celebrates with her friend with a high tounge. Of course bigger problems arrive. Turns out taking some random object you found without checking for a zany scheme isn’t wise as a man comes in wondering where his roc’s egg went.. roc’s bein ga type of bird.. a giant bird. That kills the first frog it sees upon hatching, like imprinting only more horrifying.. so like the twilight version of imprinting then. And yes i’m aware i’m bashing twilight still, and while I largely don’t care, having an 18 year old man romantically imprint on a baby, rapid aging or no, is fucking creepy and not a good ending for the character. And yes that actually happened. Polly gets Soggy Joe, now speedy joe complete with hat and yes you need to call him that Polly finds out, to give her a lift back home. Meanwhile back home, Anne decides to read to polly anyway. I mean she just watched her sorta girlfriend sacrifice herself and then get carted off by the scary asshole who wanted to presumibly put her grandpa’s head on a spike outside his tower as a warning. Polly stabbing her a few times dosen’t really stack up. But she discovers she’s not there and gives out a code purple.. which ges the rest of the family right on time. Polly and Joe catch up with them and find the roc emerging out of the caravan and everyone fighting. Thankfully polly static clings on Joe’s fringe seats, which Joe grumbles about, and builds up the static before having him fast ball special her into the bird, which beats it. Polly takes credit for about five seconds.. before Hop Pop uses her full name as he’s pissed.. not about the giant death bird, a giant bird trying to murder you seconds after birth is just an average tuesday on this hell planet.. though i’d still trade it for our hell planet if they could get streaming down. No like any good parent he’s upset she ran away.. and devistated when Polly tears up and reveals she heard his whole thing earlier, with Hop Pop gently apologizing and explaning he took just how grown up she is for granted, with the Anne and Sprig naturally agreeing and the four hug. I do wish Polly apologized.. but it still works anyway as she’s still 5, she does feel bad about it, and she did just save their lives. The episode would’ve been slightly better with it but works fine. Soggy Joe offers to tow them, because he’s a class act, and Hop Pop decides to have storytime with everyone.. Anne points out she’s 13 but eh why not. Also I did like getting conformation how old she is as before it was just conjecture by me that she was 13 or 14. For the record as you can tell I peg polly as five, Sprig as 9 or 10, and Hop Pop as me shrugging. Also Polly’s normal story is a gritty noir story about a man trying to murder his wife’s killer.. which is funny enough and explains a lot about polly enough.. until we get a POP UP BOOK POP UP OF A HAND HOLDING A KNIFE. Just.. (Chef’s kiss) my god. Of course Anne loves it.

Final Thoughts for this Episode: A really good one, that has a lot of intresting dynamics and remembered Polly’s age without overwriting her character.. it still felt in character and was a nice reminder she’s still a young child, just one that can Volt Tackle large birds and who likes noir revenge quests as her bed time story. It added some more depth to Polly and it was something she really needed, giving her a vunerable side again and expanding on that. The first third does drag a bit.. but once the episode gets going it gets really fucking excellent.. while “child feels neglected and runs away” isn’t a new story, it works here both due to it’s realism, giant muder bird, or birderer if you will, non-withstanding, and due to being rooted in the Plantar’s characters. It’s damn good and like Mirvana was a nice suprise of an episode.

A Caravan Named Desire Suprisie a wedding is exausting and not only did I have to abandon finishing this review to get ready for it, but was too tired to actually finish this when I got home. Aw well. Let’s keep it going.

We open as our heroes are about to enter the thirsty swamp, another desert region, but this time more deserty. Anne scoffs at needing hydration.. before a cut to her utterly dehydrated and pouring the canteen on herself.. which she pulled up including sprig who gives out a whee. As adorable as it is chuckle worthy. Hop Pop is worried because as his faviorite plays says the area is full of terrible monsters and bandits.. and the kids groan because he’s clealry talked about this play a lot. As it turned out Hop Pop always wanted to be an actor, but gave it up.. and this is where I feel the episode missed some good character stuff: We never find out a lot about Hop Pop at that age: why he wanted to buck tradiition when why by present day he’s nothing but tradition, or why he gave up after one failed audition.. it’s not a bad episode, but I feel we missed out on an opprutnity to learn more about Hop Pop’s past, an area the show really hasn’t dug into apart from “He and sylvia were into each other once and he has a rvial and now he’s dating Sylvia for real this time so yay”. And speaking of which it is weird he hasn’t brought her up.. I mean he dosen’t have to miss his girlfriend every 5 minutes, that’d get fucking annoying , and the silver age fantastic four comics where Johnny storm would constantly pine for a girl he met for all of 5 minutes, carried over to the 90′s cartoon but toned down, are proof that’d be annoying. But it’s still just.. weird it hasn’t come up once so far.. we have a full season for it too, but it just feels like the show abrubtly left most of it’s supporting cast behind without asking how any of htem felt about Anne and the plantars leaving after spending a full season having them go from mildly tolerated to beloved by the town, especially Anne. Anyways before Hop Pop can bring up his one time as Tony in the wartwood production of west side story, they have worm sign and soon a sandworm is chasing them because of course Amphibia has sand worms. Their thankfully saved by a mysterious woman and her caravan, Renee Frodgers, the writer of the play Hop Pop won’t shut up about and no one else cares about.. kind of like me with.. everything. Pretty much everything. But with auditions going on Hop Pop gladly follows Renee back into her office, while a nearbye actor kid offers to take the Plantar kids to the kids car. Sprig and Polly are entirely on board, but Anne’s answer?

Turns out when Anne was widdle, somewhere from 4 to 6, she was in a school play about dental hyginee as a tooth tripped.. and everything caught fire. “4 out of 5 detinsts say I was traumatized.”, a great line. So Anne’s noping out of this one and decides to instead work on her Kola’s of Passion jigsaw puzzle.. which if that’s for an animatied ripoff of titanic but with Kolas I will give all my money to see that.. well no I need that but I do have an unopened can of pringles on my desk and a penguins of madagascar dvd I got for free at a garage sale. Will that work? Please? So we have our two main plots and running gag: Sprig trying to fit in with the kids, hop pop living out his dreams and anne trying to finish a puzzle. And since the plots really don’t intersect till the last moment apart from one scene with Anne, i’ll be covering both seperatley. Sprig’s plot is very simple: He wants the theater kids to like him, the lead actor treats him like crap, Polly gets accepted but is just sorta there htis episode outside of one great gag that we’ll get to in a moment, and eventually sprig just gets fed up and tells the guy off. It’s not all that enjoyable as I relate a bit too much to desperatley wanting to be liked in high school by people who were utter dicks.. and breifly in college online, so it brings back too many bad memories but hte punchline of sprig jumping back into frame in cosutme the minute he gets acceptance for telling the pissant off is priceless. Now with that out of the way, back a few minutes ago Hop Pop tries auditioning but tries to hard and fails, and dosen’t get the part, in part because he has no experince but later storms back in and tells Renee off.. and that honest passion gets him the lead. And .. turns out Hop Pop is a master actor getting love from the masses and living out his dream. Again it’s where I wish we got more drive, more of his past. I don’t know why other than “I want to act” why Hop Pop wants this so bad or why it means so much. I know what he wants, paul, but not WHY he wants it. I do get time constraints.. but if that was the case.. why keep the sprig subplot? He could just be an extra or stage crew or making a puzzle with anne or some other shenanigan that required less screentime. I do REALLY like spirg, this season if nothing else has made me realize how good the character is, I just feel for this episode the other minutes could’ve gone better to set up Hop Pop’s love of acting and past better and give us more of how Hopidah went from a wannabe actor ready to leave tradition behind to someone who clings to it like something clingy. This episode isn’t bad but there’s more it could’ve done. Anyways the good times, and the tour and if your curious the wagon is being stored somewhere on the caravan since they can’t safetly travel alone, end when Hop Pop walks in on Renee planning a heist. Now granted instead of the obvious of “oh their just theives’ the troop are legit actors, directors etc... the heists are because, much like on earth, no one supports the arts and they need money to keep going and keep putting on shows, hence Renee and her two goons rob the towns they visit during the more powerful moments of Hop Pop’s performance. And this is something like. While “Character wants to do something and ends up getting recruited by shady people for a scheme to do it” isn’t at all new, here it’s intresting because instead of being bad at it or the scheme being related to the heist or the normal twists.. Hop Pop is legit good, we even see a bit of his performance later and loved, instead of just being so bad it’s useful, and the theives aren’t just after money but keeping their art alive. So Hop Pop is conflicted and turns to Anne.. and ruins her puzzle because of course he does, but while Anne tells him the obvious: Stealing is bad even to support our badly unfunded arts, otherwise modern artists would be pulling daring heists all the time.. seriously that should be a show, Hop Pop decides he’s such a godo actor he can convince himself nothing’s going on. Sprig comes in for his subplot and annoys anne further and also dosen’t listen to her and Polly.. just tells Anne she loves her with Anne screaming it back. It’s a great punchline to the scene and also really sweet. Aww. So Hop Pop tries to get used to aiding and abetting but realizes during his big scene he just.. can’t turn his concsen off, outs renee then gets into a chase with her, with renee making hte mistake of detaching the front car to escape.. only to end up Worm food. She’ll make good spice at least.. I guess? I don’t know how Dune works. She’s arrested, and Hop Pop and family book it after the kids accidently spill he knew about the crime ahead of time and did nothing. The end.

#amphibia #a caravan named desire #truck stop polly #anne boonchuy #hopidiah plantar #sprig plantar #polly plantar #soggy joe #disney channel #reviews #reviewcaps #team starkid #the trail to oregon #frogs

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newstfionline · 7 years

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In Silicon Valley, Working 9 to 5 Is for Losers

By Dan Lyons, NY Times, Aug. 31, 2017

Silicon Valley prides itself on “thinking different.” So maybe it makes sense that just as a lot of industries have begun paying more attention to work-life balance, Silicon Valley is taking the opposite approach--and branding workaholism as a desirable lifestyle choice. An entire cottage industry has sprung up there, selling an internet-centric prosperity gospel that says that there is no higher calling than to start your own company, and that to succeed you must be willing to give up everything.

“Hustle” is the word that tech people use to describe this nerd-commando lifestyle. You hear it everywhere. You can buy hustle-themed T-shirts and coffee mugs, with slogans like “Dream, hustle, profit, repeat” and “Outgrind, outhustle, outwork everyone.” You can go to an eight-week “start-up hustle” boot camp. (Boot camp!) You can also attend Hustle Con, a one-day conference where successful “hustlers” share their secrets. Tickets cost around $300--or you can pay $2,000 to be a “V.I.P. hustler.” This year’s conference, in June, drew 2,800 people, including two dozen who ponied up for V.I.P. passes.

This is sad enough for start-up founders, but rank-and-file workers are buying into this madness, too. Last year, Lyft published a blog post praising a driver who kept picking up fares even after she went into labor and was driving to the hospital to give birth. Critics saw dystopian implications--”horrifying” was how Gizmodo put it--and Lyft deleted the post. But people at the company, including the driver herself, seemed genuinely puzzled by the negative reaction.

A century ago, factory workers were forming unions and going on strike to demand better conditions and a limit on hours. Today, Silicon Valley employees celebrate their own exploitation. “9 to 5 is for the weak” says a popular T-shirt. A venture capitalist named Keith Rabois recently boasted on Twitter that he worked for 18 years while taking less than one week of vacation. Wannabe Zuckerbergs are told that starting a company is like joining the Navy SEALs. For a certain type of person--usually young and male--the hardship is part of the allure.

This has led to tragedy. Last year, Joseph Thomas, an engineer at Uber, committed suicide. His widow blamed the company’s gung-ho culture, with its long hours and intense psychological pressure.

“Die trying” is by far the more likely outcome. The vast majority of start-ups fail. The odds of striking a huge Facebook-level success are infinitesimally tiny. No one knows this better than the V.C.s, who improve their odds by spreading their bets onto dozens of companies and whipping them all into a frenzy.

Mr. Hansson’s essay singled out Mr. Rabois, the venture capitalist who worked for 18 years with hardly any vacation. This prompted a debate on Twitter, where Mr. Rabois sniped that Mr. Hansson’s take-it-easy approach to building a company would be perfect--”for lazy people who want to accomplish nothing.”

Mr. Hansson and his business partner, Jason Fried, run a Chicago software company, Basecamp, that employs 56 people and turns a profit. The workweek is capped at 40 hours and gets pared back to 32 in summer. Mr. Hansson has enough free time that he competes as an amateur driver in endurance car races.

In 2010, the two men published “Rework,” a book denouncing workaholism, and they’re publishing another one, “The Calm Company,” next year. Mr. Hansson told me that they’ve grown dismayed “seeing people being asked to give up their vacations, their sleep, their youth, their family and their morals on the start-up altar.”

They run workshops and do a lot of public speaking. Their talks usually go over well--although in San Francisco they often hear “incredulous gasps,” Mr. Fried reported. Mr. Hansson added: “People tell us we’re not ambitious enough. We’re not trying to change the world. The perversion runs so deep.”

The chance to become the next 20-something tech celebrity billionaire has not lost its power. Every year thousands of fresh recruits flood into San Francisco, hoping to be baptized into the religion of the hustle. As bad as things have become today, there might be worse to come.

Dan Lyons is the author of “Disrupted: My Misadventure in the Start-Up Bubble” and is at work on a book about workplace culture.

#Silicon Valley #workaholism #working 9 to 5 #Dan Lyons #work-life balance

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alicias · 7 years

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veronica mars, gilmore girls, the x files

ur my favorite human have i ever told u that (& i already did gilmore but i’m excited to do the other two!!!)

VMARS

my all-time ultimate fave character: VERONICA MARS!!!!

a character I didn’t used to like but now do: logan echolls…..me in the first 6 eps: this guy is an asshole and people love him with veronica??? wtf??? me midway through s1: logan echolls is my son

a character I used to like but now don’t: uh. maybe veronica’s mom?

a character I’m indifferent about: meg manning, like she’s fine but i don’t really care about her strongly

a character who deserved better: logan probably LOOK AT ALL THE SHIT THAT HAPPENED TO HIM TIME AND TIME AGAIN

a ship I’ve never been able to get into: veronica x duncan and veronica x piz, both very boring and both put me to sleep, also the weird incesty plot point with veronica x duncan LOL

a ship I’ve never been able to get over: veronica x logan……………..

a cute, low-key ship: did mac and dick ever happen i honestly don’t remember if they did or if i just read too much fic. if not then wallace and tessa thompson

an unpopular ship but I still enjoyed it: ????? keith and wallace’s mom????

a ship that was totally wrong and never should have happened: VERONICA AND DUNCAN like pre-series sure fine but in series??? NO THX!!!! OH WAIT ALSO LOGAN AND CHARISMA CARPENTER

my favourite storyline/moment: i looooove the s2 finale YOU ARE NOT A KILLER VERONICA

a storyline that never should have been written: logan sleeping with the one person veronica truly hates i wanted 2 DIE

my first thoughts on the show: this seems kind of quirky and cool!

my thoughts now: A LONG TIME AGO WE USED TO BE FRIENDS BUT I HAVEN’T THOUGHT OF YOU LATELY AT ALL YEAH COME ON NOW SUGAR BRING IT ON BRING IT ON BRING IT ON YEAH

THE X FILES

my all-time ultimate fave character: dana katherine scully

a character I didn’t used to like but now do: skinner? i think i was wary of him at first

a character I used to like but now don’t: i think i liked krycek when he first showed up because i was a DAMN FOOL

a character I’m indifferent about: doggett?? truthfully forgot he existed until 2 seconds ago

a character who deserved better: SCULLY SHE’S BEEN THROUGH SO MUCH SHIT

a ship I’ve never been able to get into: mulder x krycek. what the fuck is that about. what is wrong with u people

a ship I’ve never been able to get over: MULDER AND SCULLY!!!!!

a cute, low-key ship: maybe doggett and reyes? did i ever even like them?

an unpopular ship but I still enjoyed it: there’s like four characters on this show

a ship that was totally wrong and never should have happened: mulder and the vampire girl in that s2 ep where gillian was on maternity leave

my favourite storyline/moment: BAD BLOOD BAD BLOOD BAD BLOOD

a storyline that never should have been written: probably the entirety of s9 minus the finale WAIT NO IN THE REVIVAL WHEN MULDER THOUGHT HE WAS TRIPPING ON MUSHROOMS AND I WAS FORCED TO WATCH DAVID DUCHOVNY LINE DANCE

my first thoughts on the show: aliens are cool

my thoughts now: THE TRUTH IS OUT THERE TRUST NO ONE

#luv u mg #jonimitchell

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geekade · 7 years

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Before Their Time, Gargoyles

One thousand years ago, superstition and the sword ruled. It was a time of darkness. It was a world of fear. It was the age of gargoyles. Stone by day, warriors by night. We were betrayed by the humans we had sworn to protect, frozen in stone by a magic spell for a thousand years. Now, here in Manhattan, the spell is broken, and we live again! We are defenders of the night. We are GARGOYLES!

So begins Gargoyles, some of the best animation on television in 1994. I loved this show so much that when it finally came out on DVD in 2013 I was afraid to revisit it. After all, I remembered loving She-Ra: Princess of Power, jumped at the chance to rewatch it on Hulu, and regretted it almost immediately. Childhood is treacherous that way.

I’m happy to report that Gargoyles still merits a spot alongside Batman: The Animated Series and X-Men as a well-executed and rewatchable 90’s classic. In addition to complex characters and plot arcs, the series boasts terrific animation (including some killer fight sequences) and fabulous voice talent (an assortment of Star Trek alumni make appearances of varying duration). Gargoyles also represented my first encounter with a starring woman of color, more than one fully developed female character, and sympathetic villains. Of course, Disney cancelled it after only two seasons; ABC ran a third season called The Goliath Chronicles, but…let’s just say there’s a reason it’s not out on DVD.

The series premiered in 1994 as part of the Disney’s syndicated after-school cartoon block. It shared several writers and directors with Batman, including Michael Reaves, Brynne Chandler Reaves, and Frank Paur, and they brought a similarly brooding sensibility to Gargoyles. Like most of the short-lived shows I love, Gargoyles opened strong and just got better and better until its untimely demise. The pilot clocks in at five episodes, cutting between the gargoyles’ history in 994 AD and their reawakening in 1994. Considering it aired before DVR was even a glimmer in some startup’s eye, and that it couldn’t count on the character recognition of comics-based shows like Batman or X-Men, a five-episode pilot was pretty damn ambitious. As if that wasn’t daring (or dark) enough, Gargoyles opens with a genocide; before the show even gets going, its titular characters face a breach of trust that exterminates nearly their entire clan. The remaining gargoyles – Goliath (Keith David), Hudson (Ed Asner), Brooklyn (Jeff Bennett), Broadway (Bill Fagerbakke), and Lexington (Thom Adcox-Hernandez), along with watchdog Bronx (Frank Welker) awaken in a world ten centuries and an ocean removed from the one they knew.

Although the surviving clan from Goliath all the way down to Bronx get rich characterizations, histories, and performances, I was always captivated by three of the supporting characters, two of them villains. My favorite character was Elisa Maza (Salli Richardson-Whitfield), the NYPD detective who discovers the gargoyles while investigating a disturbance at Xanatos’ skyscraper. She guides the clan through the new world and protects them from discovery. Perceptive, resourceful, and trained in hand-to-hand combat, Elisa was the first major animated character I ever saw who looked remotely like me and the first heroine who did the rescuing.

The first person she saves our heroes from is David Xanatos. Jonathan Frakes voices him with an oily suavity that channels Bruce Wayne and Tony Stark but is more grounded, amoral, and dangerous than either of them. Xanatos understands that has earned a kind of medieval debt-loyalty for relocating and reawakening the gargoyles, and he wastes no time exploiting this for his own ends. When he can no longer use Goliath’s clan, he develops technology to replicate their abilities, forcing them to face off against a series of robots, cyborgs, and clones. His brand of villainy – elegant, elaborate, and nearly unbeatable – lends its name to the Xanatos Gambit.

Like I said, Tony Stark minus the alcoholism and moral compass. Riker wishes he was this cool. Xanatos reunites the clan with another member they’d believed lost in the sack of their castle: Goliath’s lieutenant and mate, Demona (Marina Sirtis). Demona possesses a Machiavellian single-mindedness; she resorts to magic, treachery, and brute force in the pursuit of her goal to exterminate humanity. Much like Magneto, she’s convinced that humans will never coexist peacefully with gargoyles, and once you’ve witnessed the distrust and cruelty that precede the destruction of her brethren, this logic almost makes sense. She’s gotten this far on a series of Faustian bargains and a heady cocktail of rage, survivor’s guilt, cognitive dissonance, and loneliness, but her conviction masks a longing for everything that might have been – for her, for Goliath, and for their lost clan. An object lesson in the dangers of revenge, Demona is no less tragic for being irredeemable.

Goliath, Elisa, and the clan battle Demona, Xanatos, and a series of other adversaries (not all of them dispatched by Xanatos) in sequences that showcase thoughtful character design. I love good fight choreography, and the hand-to-hand in Gargoyles never ceases to amaze me. The airborne combat sequences are particularly mesmerizing, combining dogfighting and midair grappling, but the earthbound stuff is no slouch either. Most kids probably wouldn’t have noticed if the gargoyles fought like large humans, but the animators make good use of their talons, tails, and wings, especially all the ways these things change the gargoyles’ relationship to gravity.

While the first season (13 episodes) follows the clan’s efforts to adjust to modern Manhattan, the second season (52 episodes) takes Goliath, Elisa, and Bronx on a “World Tour” which starts with a visit to the enchanted isle of Avalon. Referencing anything that happens after Avalon would be spoiling some neat surprises, but I can tell you that the series travels through a collection of places, times, and mythologies that would make Neil Gaiman blush. As you might have guessed from the introduction of Avalon, these episodes reference Arthurian legend and Shakespeare (mainly Macbeth and A Midsummer Night’s Dream) liberally, and I have to tip my hat to anybody who can make Oberon and Titania’s marriage make sense. Gargoyles united many of the elements that made Batman and X-Men so compelling, especially the darkness of the former and the xenophobia of the latter. But the show grew to more than the sum of its parts, its heroes and villains alike the products of complex and often surprising histories. If you loved it then, know that you can revisit it now without fear of disappointment. And if you’ve just learned about it here, know that Gargoyles is rendered beautifully, visually and auditorily. I defy you not to be seduced.

HOW TO WATCH: Seasons 1 and 2 are available on DVD. Season 2 is divided into two parts. All 3 DVDs are available on Amazon.

MUST WATCH: “Reawakening,” the final episode of the first season, features Michael Dorn as a resurrected gargoyle inhabited by three different souls. “Bushido,” the Japan episode of the World Tour, is a touching reintroduction of the trust between humans and gargoyles.

FAVORITE LINES: “Lot to go through for a piece of lawn sculpture.” “What are you doing here?” “Making sure you weren’t being ambushed.” “Man, you guys are paranoid even for New York.” “Someone had to make sure those comic book rejects didn’t find you.” “And they say the Middle Ages were barbaric.” “Flabby as I am now, I probably wouldn’t last a second in a Central American war.”

PAIR WITH: Jalapeños

LISTEN FOR: Everyone, but especially for anyone who ever starred in a Star Trek show. You already know about Jonathan Frakes and Marina Sirtis, but Michael Dorn, Brent Spiner, Kate Mulgrew, Nichelle Nichols, Avery Brooks, LeVar Burton, and Colm Meaney all make appearances. Notable non-Star Trek voices include Clancy Brown, John Rhys-Davies, Sheena Easton, Tim Curry, Diedrich Bader, Tony Shalhoub, Charles Shaughnessy, and Roddy McDowall. Seriously, everybody was on this show.

ODDS & ENDS: The magic spells sprinkled throughout the show are actually quasi-functional Latin. They are collected and translated here.

Gargoyles’ characters and plots mostly hold up today, but much of the first season’s storyline is only possible without cameraphones. Every time the gargoyles wind up in a populated area I find myself waiting for the cut to the YouTube footage.

Every gargoyle has a battle cry, equal parts growl, roar, and avian scream, which is as awesome and terrifying as it sounds.

It would have been more in character for Elisa to wear her hair short or tied back, but flowing Disney princess locks seem a small price to pay for being able to take somebody out even when you’re on crutches.

In closeup shots Xanatos appears to be rocking some serious guyliner; somehow this seems appropriate for a character voiced by Jonathan Frakes.

AFTERWARDS: The Goliath Chronicles are not available on DVD, and I strongly advise you to accept this as a sign from the TV gods, because ABC took over the show with an entirely different writing and animation staff, and it shows. Disney did approve two comic book runs, one by Slave Labor Graphics (SLG) and the other by Marvel. Both are out of print and I can’t vouch for either, but I do know that Greg Weisman, one of the show’s creators, worked on the SLG run, and that lots of fans consider it the canonical third season.

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