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keeperthemultiversemom · 22 days

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What could be consider laws of the multiverse?

Or is there no such thing?

Aight aight

Let's go, explanation for time

For this one I will speak as creator

This is infos I've shared before on my site, and I got the greenlight to share it here !

Reminder that @neonross was the og creator of Out of Bounds and I am merely one of the artist and writers ( and alternatively the lore gremlin that make sure everything is smooth good lore lol ( so for lore clarification yeh I'm the good person to ask haha))

So here are the "laws" of the multiverse and how it works in wttmv specifically !

Those rules apply only in our story, but anyone who wants to use those concepts are welcome, of course ! Neon Ross's og intent was to have rules flexible enough for people to make characters and have fun with the concepts, but we don't mean to be an autority of any kind and ruin people's fun... Anyway, explanation time

It's not really "laws" so much as rules for ourselves and for our story, to give it nuances and stakes and the right amount of lore scratching complexity

Some characters however might tell you that these are laws lmao

✨Out of Bounds ✨

___-Lore Guide-___

Out of Bounds (OOB) is a realm existing beyond the multiverse, operating by its own rules and devoid of time. This guide provides insight into OOB's nature, its role in the multiverse, and the mechanics governing its interactions.

Nature of Out of Bounds

Definition :

• OOB is a space outside of alternate universes, akin to the Void Realm in Towags where forgotten characters and places reside.

• Awareness of this space is limited, known only to those who reside within or encounter its inhabitants.

Television :

• Floating televisions within OOB display AUs, acting as viewports or portals for interaction.

• Televisions serve as a primary means for Multiversers to observe and interact with AUs. ( While it is the primary way, note that there are exceptions and other ways to travel )

Shows :

• We call "show" the stories within the multiverse. Includes the Original, Variants, Alternate Universes.

• The Original cannot be touched or interacted with by anyone.

• Variants are copies of the original with very minor changes (art style, design, head canons). They can be interacted with on varrying degree, depending on the creator of the variant will.

• AUs are copies of Welcome Home with major or noticeable changes, from the story, to the characters and their designs.

Vintage Tapes :

• AUs are stored within vintage tapes, with the film inside representing the universe's timeline.

• Tapes categorize AUs into Fixed and Flexible, depending on the level of interaction allowed by the creators of each AUs.

Interference Mechanics :

• Interfering with Fixed AUs poses risks, as altering their storylines can lead to universe corrupt and/or collapse.

• Flexible AUs allow more interaction, often featuring crossovers and Y/N scenarios.

Out of Bound Spaces

Channels :

• Spaces integral to the multiverse system, including the Observer's TV room, the Archives, and Admin's film room.

Shows :

• The AUs themselves, contained in the multiverse, then OOB

Lost Media :

• Spaces not categorized as channels or tapes, such as the Keeper's domaine, Trader's space, and Stitcher's atelier. (Often time those are kind of like shells of dead/collapsed/modified AU, or pocket dimensions)

Pillars of Creation :

• Vast space outside of the multiverse, a galaxy-like zone full of stars, that is said to be where the creators of AUs reside. Very few characters go so far in the OOB.

In between :

• The void between the AUs. It is devoid of breathable air, often dark and lightless as well. Some multiversers are unaffected by the lack of air, but stay careful ! We don't know what lurks or leaks in the in-between

Diagram made by Bloomenvogel and Neon Ross for the Out of Bound as we see it in WTTMV

Note : this diagram applies to wttmv, but feel free to use I with your characters if you want ! Just like all of those rules, we made those to help make the story as a whole

Out of Bound Inhabitants

Natives of OOB :

• The Out of Bound is often said to have a mind of its own... It will sometimes create its own variants of the core cast, for reasons still obscures to this day. Notable characters born from the OOB : Observer, Courier, Messenger

"Refugies"

• Cast or OC characters that had their worlds destroyed/corrupted/collapsed, and who are left to wander in the multiverse. Most often they will end up in Peacekeeper's domaine until they can be rehomed in a flexible tape or new universe, or adapt to the Out of Bounds.

• A character that adapts to the Out of Bounds will then be called "Multiverser" along with the native of OOB

• Characters considered "refugies turned multiverser" in wttmv : Peacekeeper, Filante, Trader, ShopKeeper, Watcheye, Stitcher, Croupier

Multiversers :

• Multiversers are the inhabitants of the Out of Bounds. Often times, they are anomalies that have developped specific abilities allowing them to reside or survive in the Out of Bounds. Those abilities often includes being able to travel to multiple flexible tapes, but not always. A multiverser will almost always be a variant of a cast character, and rarely, if not ever, a y/n or fan oc. (If you wonder why y/n and ocs are excluded from being multiversers specifically, it's because Y/N is at its core a you self insert, but *you* are supposed to be viewers in the story. It's fine when in a pocket universe like Keeper's and Trader, a y/n can exist there, but in the oob it could causes some problems of logic with viewer influence and control, or the focus of the story could go astray to fit a y/n, which is not a story we want to tell. It kinda goes for ocs too)

__________________

I tried to say as much as I could without much spoilers... For the reminder, I already explained the main, general chronology of wttmv on the site

Ik, ik, it's a bit of a hassle to go search and look and all. Tbh the site is kind of a way to give a bit of a treat for the really big fans who are ready to go on a separate site to get lore lmao /lh

But now I get to ramble here too ! Hurray !

TLDR :

OOB is big and weird. The AUs and Variants can be interacted with only if allowed by the creators. Multiversers are the weird cast variants living in the oob. The OOB is kinda like an onion, it has layers. Most characters always stay in the multiverse part.

#ooff big lore one #rambling time #yk I love to ramble #anyway - you can use this as official lore guide #it's Ross approved #mostly-#you might notice the lack of Nyxie inclusion in this post /j #well actually it's because that even as a multiverser she doesn't fit in here.#also Nyxie runs under an other set of rules that loosely connects to wttmv so that she can be disconnected whenever I need her to #i am smart like that haha #you might also notice some characters are not mentionned #it's either because their originin is “unknown” or because they have been created by a third party outside of AUs #but if I say that - I fear people might roll with it and go too crazy - so just in case i put it here for people who read all the tags only #to you - you are allowed to know that some characters were created in the pillars of creations by a third party and it's an anomaly #welcome home au #welcome home #whmultiverse #keeper poppy au #multiverse mom #ask peacekeeper poppy #ask blog #welcomehome #lore time #big lore drop here #lore guide

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boatemtown · 1 year

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#qsmp #qsmp gegg #wilbur soot #charlie slimecicle #slimecicle #qsmp fanart #my art #lmao sorry this came to me after reading what some people are saying on twitter #im a gegg apologist btw #also idk if i need to tag for fake tumblr posts #but uh #fake post cw #<- just in case :)

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moeblob · 1 year

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I have only seen their C/B supports and honestly I love them a lot. Alfred really out here just committing acts of treacherous friendliness with other royals from other kingdoms. It's wonderful to see.

#fe engage #alfred #ivy #just in case im gonna tag as #fe engage spoilers #just because idk how far people have played nor what supports they have seen #at first im like dang bro alfred out here at weird times interacting with ivy but then he says #we really gotta stop meeting at these times princess ivy in their b and im like yeah p much #then goes on to be pleasant but teasing but helpful all in one conversation with her and i just really love him ???#also i am very fond of ivy i love her a lot #also what time does alfred go to bed i need to know because hes always already slept #when he meets up with ivy and dia ....... when they havent slept #alfred my son what are your hours of passing out and waking up #im only on ch16 so uhhhhh i made like one ch of progress lately lmao #then ive been doing some dlc battles and other paralogue fights

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dallonwrites · 7 months

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actually making my tags from my last post into their own post. writers who struggle with grammar, spelling, typos, errors etc i love you. writers who struggle with rereading their stuff thoroughly no matter how much they try, who don't always have access to other people to help them read i love you. whilst reading through and checking for these things is good practice i really believe that the weight of it should not be put wholly on the writer's shoulders. especially writers who are neurodivergent, disabled, have any condition that can impede their reading + comprehension, are overworked and overtired, are not writing in their native language, list goes on....because grammar mistakes/language mistakes/typos have nothing to do with your abilities as a creative. this is where editors should be uplifting writers, helping them, not scrutinising them for something they cannot always control

#and in case anyone is going to say it...like i said in my tags i get that it can be frustrating #if it feels like a piece has NOT been reread or checked for these things at all #but even then its like...do you know the writers context? their background?#does the story itself still hold up strong creatively?#im just saying some leniency and grace goes far and esp in the short story/litmag scene i think #an editor who is considerate and inclusive should not use those things against a piece's worth #for me its like....1) the word spelling and grammar check is really confusing to work with sometimes #and also just. straight up does not work sometimes #and 2) no matter how much i reread and check for spelling and grammar i will forget a word. i will misuse a word. i will forget things #a bitch is forgetful! a bitch struggles with rereading their pieces and i do what i can to help that #but i need help and grace from the editors who wish to work with me!#i remember one time i wrote vacancy as vanacy in an excerpt in a writing update #literally passed me by and i was so humiliated?? nobody even pointed it out #but i assumed people were going to think of me less that i would make a simple mistake #its just...v hard and daunting being open with your writing sometimes lol lets all be kind to each other

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ralsriel · 1 year

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Hi, no matter which person you're rooting for in the tumblr sexyman polls, please stay respectful about other people's choices and don't mock fans because their character lost/won.

Also if you want to talk about how much you hate a character, at the very least be decent and don't put it in the the main tags.

#undertale #welcome to nightvale #mp100 #reigen arataka #sans undertale #cecil palmer #nagito komaeda #tumblr sexyman poll #tagging these just in case #anyway also I hate that I need to mention this but just. be decent about a character even if you hate them?#saying in detail how much you wish they were dead and that crows should pick on their corpse etc is.. really uncomfortable?#so yeah let's Not do that. yes even if the source material has some issues just jesus christ y'all.

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daz4i · 6 months

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that who tops quiz made me appreciate skk for not being a basic "whoever's taller tops/whoever's angrier bottoms" ship. love wins

#i just checked and it's like a 300 fics difference too. love and light and bottom dazai on planet earth #it's actually an interesting study case in fandom on how these common fanon interpretations get decided #like the size thing i get. the angry/edgy thing i also get (''they need to relax and be taken care of'' stuff)#which is why outliers are particularly fascinating I'd say! studying why that's the case. what makes them special #i actually have some ideas on why skk is like that. if anyone's interested i will elaborate. bc tags are uncomfortable :P

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the-judicial-assistants-notebook · 1 year

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*KICKS THE DOOR DOWN* WWWAIT FREYA I HAVE MIXED FEELINGS ON FANDOMS VIEW OF THIS SHIP I NEED TO KNOW UR OPINION. HOMUMIKU???

WKSHJSHJDBJHAHAHAH HIIIII, GRACE!!!! ❤️💕💞💝💗💖💘💓💕💞💖💞💘

Homumiko (HUGE spoilers for DGS after the bingo sheet):

I have been waiting to get into this ship properly, because I have THOUGHTS and I need to be forced to get them out coherently.

Let's get into the basic ship itself. Honestly? No comment. I think hmmk cheats a bit by relying on the literal decades people have spent shipping Holmes and Watson together, and I doubt that they would be half as popular without this history; but, as someone who has never had strong feelings about HolmesWatson either way, I don't have that bias! Even if we're just going off of DGS and looking at how they complement and trust each other, and are obviously more comfortable around one another than most other people, I don't really have a strong opinion on them. I do think they're close, but whether that bond is platonic, romantic, sexual or some mix of the two is just not something I particularly care about. You know who I do care about, though?

Susato-san.

OKAY, SIT DOWN, EVERYONE BECAUSE THE SHIP BINGO PART OF THIS IS OVER, AND NOW WE'RE GOING TO TALK ABOUT THE PARTS OF HMMK I DO CARE ABOUT AND WHY THAT ACTUALLY HAS VERY LITTLE TO DO WITH THEM AND EVERYTHING TO DO WITH HER.

Let's get this out of the way first. Based on my very modern sensibilities, I take a rather harsh stance on Mikotoba's parenting.

Do I think he loves his daughter? Sure. But which parts of his daughter? Because it's very easy to love a child who is always obedient, elegant and the literal embodiment of idealised Japanese womanhood without knowing or truly even looking at her. I think Susato made it easy for him to love her, because she believed she had to earn it. Her father left when she was born, consumed by grief over her mother's death -- her mother, whom she killed. I know the game tries to justify this by saying it was Jigoku who dragged him away (and I do think him leaving was good for him, because I doubt he would have been a good father even if he'd stayed due to his grief), but the point is that he still left. For six years. And when he returned, he didn't even return because of her (whether she knew that from the moment she met him or not is debatable, but I think, at least on a subconscious level, she knew. And, of course, it's also debatable whether he could have returned sooner because of his commitment as a transfer student, but the Mikotobas are a powerful family, and, if Soseki could return before his period of learning was fully up, I think he would have been able to pull strings to return home if he wanted to).

This falls under speculation, so I understand not agreeing with it, but I don't think Mikotoba ever properly spoke to Susato when she was a child, especially not about what he did in England. I believe that a part of the reason why Susato started reading the Sherlock Holmes stories to begin with was because they featured a doctor in London, like her father had been, and she wanted to feel closer to him through those stories. And it probably worked! Her father probably did start engaging with her more after after she picked them up, because it was an easy way to connect with her. That's why I believe she was so insistent on the existence of John H. Watson, as a doctor, when she met Iris and learnt the truth.

There's this distance between Susato and her father which glimpse in moments in the game, like how he remarks on her lack of composure in court (suggesting that he isn't used to seeing her yamato nadeshiko mask slip), how he less requests her trust and more orders or expects it forthright, and how he seems reluctant to face the parts of her that inconvenience him (like how he asks her to play the koto when he isn't home and how, when faced by her real anger, he looks to Holmes to explain the situation rather than actually attempt to himself).

HOWEVER, in the setting of the game (Meiji-era Japan), I will concede that Mikotoba is a fantastic father. He may not have been very present in her life growing up, but men largely weren't expected to be. Their jobs were to provide for their children, not nurture them. And Mikotoba went well beyond his duty in that regard. Add to that the fact that he had her properly educated, ensured she knew how to defend herself, and allowed her to pursue her studies overseas at a level that was on par with any man, and you can see that he's really quite a great father; which is why I don't think he sees his absence as a flaw or even notices he was absent. Susato, though, does.

Now, Susato is obviously a product of her time, too, so I believe she'd be insulted if anyone was to suggest that her father or childhood was lacking in some way. That being said, I do believe she is aware of the distance between them in a way he is not. I think her affection for him is founded on a sense of duty and filial piety rather than pure love (although, obviously, she does love him), and, as she grew older, she stopped vying for his affection; hence why she's obsessed with the Great Detective more so than anyone else when we meet her. I also think that this distance contributed to her becoming so attached to Kazuma, in spite of the fact that he kept her at arm's length, too; he may not have allowed her very close, but he was always there, and he saw her for who she truly was. When she leaves at the end of the first game, Susato is not so much anxious that her father is ill as she is shaken -- she seems more upset that she's leaving her Baker Street family rather than that her actual father might be dying, and I think that's because she knows how to live without him. This distance between them, I believe, becomes all the more apparent to her when she goes to London and sees the deep bond held between Iris and Holmes.

And, speaking of, you know who else I think is aware of the distance between them and the part he played in creating that distance? The Great Detective himself, Mr. Sherlock Holmes.

See, I think Holmes has always known about Susato. I'm quite sure that, from the moment they met, he knew that Mikotoba was running away from something and that he had left an infant daughter back home. He just didn't care.

We don't know what Holmes was like when he was younger, but I believe he was a lot closer to how he appears in a lot of modern adaptations and how Watson describes him in some of the Sherlock Holmes stories: the 'cold, calculating computer' character. I don't think it's a stretch to think that Holmes viewed marriage and children as mere distractions and interferences to the mind; and Mikotoba was, presumably, his first real friend. He wasn't going to let something pesky like a baby back home detract from his friend's obviously sterling character and brain! After all, it's a lot easier to ignore this nebulous, abstract entity when you simply consider its existence, and thus its abandonment, unimportant. It's a lot easier when you don't know what it's like to be a father yourself. It's a lot easier when you don't know her.

Here's the thing: I believe Holmes's image of and relation to Mikotoba began changing from the time he started raising Iris. Suddenly, that inconsequential baby seemed to bear quite a bit of consequence, actually. But it was still all right to keep dismissing her, because maybe Mikotoba's baby wasn't special the way Iris was. Maybe she was a brat or an idiot, and really not worth much time at all! Maybe she could've lived without him and been perfectly fine, regardless...? As time went on, I believe the excuses he made for Mikotoba's decision all those years ago became increasingly flimsy, but he was still able to hold onto them because The Daughter was still an indistinct figure in his mind. She wasn't quite real.

That is, until he met her.

In the game, Holmes tends to keep a certain width between himself and Susato. He very rarely initiates conversation with her the way he does Ryuunosuke, and from a Doylist (ha) perspective, this is obviously because Ryuunosuke is... the main character. Looking at it from a narrative perspective, though, I think he was afraid of hurting more than he already has and must.

Holmes is a very resolute man. He sticks by his decisions regardless of what anyone else thinks, so I don't think he ever regretted what he did. However, I do think he felt guilty. Certainly, he didn't quite take her father away from her, but he did play a role in keeping him from her for so long. I think there was a part of him that consciously guided Mikotoba away from thinking about Japan while they lived together, because, well... he didn't want him to leave.

There's an interesting layer to the separation that Holmes creates with Susato, because, beyond the distance he maintains between her and himself, he also keeps her identity separate from her father's. Contrary to how he refers to Ryuunosuke by his last name, Holmes only ever calls Susato "Miss Susato" or "my dear (madame)", and never "Miss Mikotoba". I view this is his way of, perhaps subconsciously, dividing from that little girl he once decided did not matter. And it's interesting because, to an extent, he tries to do with her and Kazuma, too.

In the SS Burya case, despite meeting Susato first and seeing how affected she is by Kazuma's "death", Holmes largely ignores her in favour of focusing on Ryuunosuke and his bond with Kazuma. He calls Kazuma Ryuunosuke's "dear companion" and pretty much only interacts with Susato when he has little other choice... until he sees her cry.

See, I believe that when Holmes found out Susato was going to England and was about to be wrapped up in the whole messy affair, he was fully committed to Not Giving a Damn about Her. Sure, he would let her and Kazuma live with him, but by no means was he going to allow himself to grow attached to her because, again, he values his relationship and history with Mikotoba too much for it to get complicated in this way. Susato's relative composure throughout the case helps him hold on to this resolution; however, when he catches that final conversation between her and Ryuunosuke in the cabin, he is finally forced to see and acknowledge the amount of pain she is truly in. It forces him to at last face the fact that he can't avoid or fake aloofness around her any longer, because she is not some nebulous, distant entity he can continue to ignore. She is an actual girl with a fiercely strong spirit, a brilliant mind and real, human emotions. A girl whom he's hurt twice-over now and must continue hurting until all his lies finally come to light.

When he makes that decision to enter the cabin and console her the only way he knows how, he throws away any hope he had of feeling anything but apathy towards her. In truth, he probably didn't have much hope of that to begin with, because at his core, Sherlock Holmes is a good man, and he cares.

He cares for her, too, even though he may have no right to. How could he not, when she loves him so openly, trusts him so readily, saves his life? How could he not, when she comes to him in the middle of the night with a secret she can't tell anyone else because his judgement is the only one she wholly trusts and believes in? How could he not, when she refuses to accept he lied despite the living, breathing evidence he did until he admits it himself? How could he not, when after everything he has done, she still looks at him the way she always has and says that she's proud that her father is the assistant of "the Great Detective"?

How could anyone not? How could Mikotoba not... love her the second he laid eyes on her?

And of course this doesn't shatter his love for Mikotoba -- he has no right to these feelings in the first place: no matter how indignant or guilty he may feel, it doesn't change the fact that he has been lying to and manipulating her the entire time they've known one another. He can't even bring himself to tell her that he's been lying; he has to go through Ryuunosuke instead, because, even after all this time, he still can't face the woman whom he's done nothing but cause pain for from the moment she was born. When he can't even give her that ounce of respect, who is he to judge Mikotoba?

So he doesn't. Till the end of the game, he keeps Susato at a distance and pretends that everything between him and Mikotoba is as it was from the start. But, inside, I think he knows it isn't. Because I think Holmes can see that Mikotoba doesn't feel half as guilty about what they've done as he does, and that he doesn't view the fact that he left Susato 16 years ago as a real problem. And while he doesn't judge Mikotoba for that, I don't think he can look past it anymore. That final investigation and dance of deduction, to me, is less an assurance that they are still the same partners they were before, and more a final farewell to their old, uncomplicated bond -- the one that did exist before they grew to love other people and understand what love truly meant to both of them.

Going back to the ship itself, I think shipping them pre-DGS works perfectly well. They both had a huge impact on each other's life and changed one another for the better; Holmes by drawing Mikotoba out from his grief, and Mikotoba by pulling Holmes from his life of solitude and loneliness. They needed each other, but it is also because of these reasons that I think there was an issue of codependency between them, hence the semi-horrible for each other box I gave them. With Mikotoba, it's clear cut. Holmes helped him run away from his very real issues at home and allowed him to live like he was a bachelor with zero familial obligations again. With Holmes, it gets a bit more foggy, but I believe that Mikotoba basically allowed him to live believing he was the only person Holmes would ever truly connect with and properly befriend. Holmes is obviously his own person and whatnot, but I do think there was a bit of unhealthy attachment there on his end if not both.

During DGS and post-DGS is where their ship gets more complicated for me, because, while Susato is still very much there at the beginning of their relationship, her role in their lives and what they did to her becomes impossible to ignore once she and Holmes actually meet. I don't believe that they can just pick up from where they left off because there is now (imo) a fundamental disagreement in how they view their actions and how it affected her. So, even if they do go back to being lovers or whatever afterwards, I feel that there should be this chasm or weight between them that they simply don't talk about or acknowledge in any way. Because I don't think they'd discuss it. Holmes because it isn't his place, Mikotoba because he sees it as a non-issue (maybe he doesnt even notice this distance), and both because sweeping unpleasantness under the rug is so ingrained into their cultures.

My main issue with the way this ship is often portrayed post-DGS (why they got a 50-50 on the I would erase them from existence box) is that it ignores what happened with Susato. The few times I've seen the concern that she might have an issue with their relationship even brought up in hmmk works is always because they're gay. Which, like!! Fair!!! It's the 1800s, I get it, but!!!! You're ignoring the actual, very big issue for why she might be hurt and that's because DGS ends with her finding out that three of the men she's closest to have been lying and using her for their own means her entire life!!!!!!!! And she just has to take it!!!!!!!

Which brings me to the second most popular interpretation of this ship which doesn't just put Iris and Susato in a box somewhere unseen, and that's the one where all four of them are a peaceful happy family with 0 issues! And this one bothers me because it seems like it's taking what Susato said at the end of the reveal as what she 100% sincerely meant down to her core, rather than something she had to say because (1) it is her duty to honour her father no matter what, and (2) because Iris was there. When she learns the entire truth, I don't think Susato knows what she truly thinks or feels about any of it; but she sees Iris, and she sees this little girl who was abandoned through her circumstances as a baby, named after her mother, and forced to grow up much sooner than she should have been, and she sees a girl who is more her sister than anyone else. So she does what she always has and tucks away her own emotions so she might tend to someone else's. She has been the perfect daughter her whole life; she can be the perfect sister.

Even if you don't subscribe to the, admittedly, harsh view of Mikotoba's parenting that I do, I don't see how you can get away from the fact that they still lied to her for a significant portion of time. Especially from Holmes, whom she trusted and believed in more than anyone else! In the face of his shoddy deductions, she still held onto her unwavering belief that he was a genius and a good man, and then it comes out that he's just been lying to her from the first day he met her. I just can't extract the ship from their treatment of Susato, so when I say that I would erase the ship from existence, it's mainly about these two bits. As with Asoryuu, the primary reason why I don't ship them personally is because I can't do that to her.

And, obviously, it's just shipping and fun and games, and everyone should feel free to ship whoever in whatever way they want bUT IN A SPECIAL WORLD MADE PERFECTLY FOR ME. iris would be perfectly oblivious, and susato would have tossed both holmes and mikotoba into the thames and left them to figure it out. In a world that must still vaguely make sense with the canon of the game, though, then Holmes would have given Mikotoba the boot and taken the kids; because he may be a coward, but at least I can see that he knows he fucked up, and he allows Susato to set the terms of their relationship, just like he does Iris.

Anyway, I'm so sorry for how long, convoluted and only tangentially-related to the ask this is, but thank you so much for it, Grace!!!! I don't think I quite got down what I meant precisely, but it's the closest to coherency I've ever gotten so. Thank you 💖💕💗💓💕💘💕

#this one's getting TAGGED bc i spent TIME on it & bc ive been trying to articulate my thoughts on holmes & susato for ages #homumiko #susato mikotoba #dgs sherlock holmes #yujin mikotoba #dai gyakuten saiban #the great ace attorney #dgs #tgaa #honestly i feel like i still didnt quite say what i wanted to but this is the best ive got so far. i like the way their relationships are #handled and depicted in canon but the fanon ones just never sat right with me #i feel like i came across as very harsh to yuujin here wjsjdgak i think he's a good man and he did his best!! grief gets the best of us #sometimes. but i cant get over how he seems to show 0 compunction for leaving susato behind as a baby and openly saying without a hint of #'oh i was also ready to be with my daughter finally' that he was FORCED out of london. like???? ALSO the way he says he wants ryuu to go #back with him & leaves susato out to dry??? i know he says it's respecting her freedom and whatnot but doesnt that seem a LITTLE neglectful #in a way? like it can very easily be read as 'oh i dont need you with me' or 'i cant be bothered to worry about you right now' especially #when he's already abandoned her once like. !!!!! and even if you dont view it that way doesnt it seem a bit dismissive of her role in those #cases? susato was crucial to all the cases ryuunosuke won (and he would attest to that) but yuujin makes it seem like it was all ryuu and #just disregards how important susato was there and i. i dont like that.#some might say that i am unfairly biased towards holmes and that's fair. i kind of am wjsdh but the reason why i dont bash on his parenting #as much is because he never pushes iris to love or respect him as her father. he very much leaves that up to her so when iris asserts at #the end that holmes IS her father you know that there is a real sense of love between them. that's why that scene is so important and #that's what validates their father-daughter relationship #ofc u could still argue im biased bc he did leave a 10 y/o to go on a cruise for who knows how long so. yea. valid WKASGAKSH #anyway. thank you SO much and im so sorry i completely went off the rails there. i hope anyone who read everything got... something from it #💕💘💓💖💖💘💖💕❤️💝💞💗💘💞💞💕💓💞💕💖💖💖💖💖💕#sorrry again grace 😔 i hope i came a little close to giving you what you wanted #mikotoba susato #mikotoba yuujin #dgs spoilers

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nightjarring · 1 month

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Watching people fight over and defend hh is insane. People who think it's good have utterly shit taste obviously but im mostly baffled by the other people who have come to the conclusion it sucks but also really need there to be a moral or ethical reason to justify why it sucks. It can't JUST be ugly or annoying or poorly made, it needs to be morally irredeemable.

#playing with fire perhaps but if you are annoying to me about this keep in mind you are easy to block #the show was probably one of the most unpleasant watching experiences ive ever had for a cartoon and that is staight up just because its #ugly and annoying and badly constructed #like imagine if people needed a moral imperative to justify not liking like. problem solverz #its unpleasant on a surface level but also on every level under that. like an onion that is just fully decaying to slime #the character and plot writing is some of the worsr ive ever seen. i did watch the whole show it really doesnt get better.#it is funny to see people upset at it being ~problematic content~ bc my reaction to that one spider episode was #wow you didnt earn this at all. you didnt earn any pathos #you didnt set this up nothing in this show had any time to breathe and is so utterly devoid of the capacity for creating emotional impact #which is to say i just kind of rolled my eyes lmao. many such cases #not tagging this. dont want it to be found

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wavesoutbeingtossed · 1 month

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The issue of power is so interesting (or something) to see because yes, from an economic perspective Taylor undoubtedly has more sway -- she's one of the most famous people on the planet, she's a billionaire, her every move is followed, etc. So I can almost sort of understand the concern, in another scenario, where some people may expect that she could crush her detractors (For instance, I'm thinking about how Harvey W. silenced his victims as a Hollywood mogul, or how corporate titans silence whistleblowers which I feel are analogies some people may turn to. Or maybe we've all just watched too much of the Roys on Succession.)

I said this in the tags of a post the other day I think, but I think some of the discourse is kind of conflating power with platform. And yes, Taylor undoubtedly has a bigger platform, again by virtue of her fame and position in the media/industry. But part of that is that she's visible in these areas, and her presumed subjects aren't, of their own choice. If any of these subjects ever chose to spoke out, or make art based on their experiences, or pursue opportunities in the media/public eye, they would absolutely be given a platform for it. (Going way back, think of how JM used the media to give his side of the story through his music and his interviews after their split. And I'd argue he was probably way more public/direct about it than she ever was.)

If any of these people decided they wanted their side of the story out there, it would be and it would absolutely be turned into a story. (And arguably that may already be starting but that's a whole other thing.) And this is just my opinion, but given that the subjects of these topics are often privileged white men, I'd argue that their sides tend to carry (more) weight regardless of their economic status in relation to her. If JM or JG or JA or HS wrote a book or a song or a script about their experiences, even only insinuating about her, it'd be the conversation. And not to be a cupcake about it, but the media seems to always want to find something to knock her down a peg about (which, sure, journalism's job is to hold people accountable, but that's not what always happens here and we know it), so they would absolutely give this the time of day, if they chose to put anything out there.

The thing is, I do see in a superficial way that there is there is a clear difference in their socioeconomic/celebrity status, and perhaps that's perceived as a power imbalance, but that's implying that she's dictating a whole host of entities out of her control, and I just don't think she holds the sway of those that some feel she does. Don't get me wrong, she's absurdly wealthy and has influence, but so do so many other people around her, including those who don't support her. (That's the wrong word for it, but I just mean, people who aren't in her circle/sympathetic to her.) And as I've posted about so so so many times before, THESE OTHER PEOPLE (men) ARE WEALTHY AND IN THE PUBLIC EYE TOO. They are all in careers that entail celebrity and involve their own influence in the media. These are not shrinking violets in private civil life who are like, grocery store checkout clerks. They're actors and musicians and media personalities who play the same game. And even the "poorest" of these subjects for the most part are millionaires who are far, far wealthier than any of us will ever be in our lifetimes. They may choose to stay off of social media or the press when it suits them, but they could absolutely make art or give interviews about their experiences and they would command their own kind of influence. (I'd also argue that they would be given a platform thanks to Taylor's platform, but that's another thing.)

I don't want to dismiss the influence of her wealth and stature in the entertainment industry, and I feel like that's kind of where the perceived "imbalance" comes from, but to be frank, I feel like if any of these other subjects spoke out, the media would be so quick to raise their stature in the press for the sake of clicks/controversy/what have you. Critics claim that Taylor can crush any story or person who goes against her, but I think given the breadth of stories out there about her at any given time (the NYT op ed, the jet stuff, the DM stuff, etc.) I don't think that's true; I think the publicity/clicks outlets get for covering stuff, even if salacious, outweighs any concerns over upsetting her or burning bridges. (Not saying that may have not happened, but... I think it would be more obvious if it were a regular occurrence these days.) If anything, 2016 through rep kinda proves that she doesn't have the "control" of the media that some claim she does.

But most importantly, THE ALBUM ISN'T OUT YET. WE DON'T KNOW WHAT THE LYRICS ARE. Taylor gets accused of writing diss tracks, but she rarely does, and I don't think she's written an outright callout song since her Fearless/Speak Now days when she was a teenager/very young adult. Just about everything since Red on has been about her own feelings, experiences, etc. and not a literal "you did x and y and z and you're stupid and i hate you" song. She's not calling people out by name, and truly only chronically online fans are going to deduce who songs are about; five years from now, people discovering the music will just know they're bops (or depressingly sad breakup songs, as the case may be).

I don't know where I'm going with this, i'm talking in circles, it's just interesting how things are being interpreted or assumed so far. I fully acknowledge I'm a cupcake so I'm generally not going to jump to the worst conclusion about Taylor, but there's also curious sociological/gender stuff happening in these conversations. I absolutely think that if the roles were reversed and her exes were billionaire household names and she was an indie artist, nobody would ever talk about power dynamics. I think it's all moot because like so many people have said, I don't think the album is going to be what some think it's going to be, and I think it's going to be way more introspective/vulnerable/dark than what they assume a breakup album is going to be, though obviously I don't know anymore than they do. It's just funny because you never hear about this with other people. (Like, was there a big fuss when Kelly Clarkson wrote a breakup album about her ex-husband? I know she's not as wealthy as Taylor and her ex was probably wealthier than Taylor's exes, but she's someone with sway in the industry and is on TV everyday, but everyone kind of said "lol her ex was a jackass wow she writes sad banger ballads" and moved on.)

Anyway I don't want to start shit or anything, but I'm just giving my two cents about my observations of the whole media landscape stuff.

#my personal bug bear is some faction painting J*e as a poor street urchin who was plucked from obscurity hunger games-style #yes his life undoubtedly changed from associating with her but HE'S AN ACTOR WHO'S BEEN IN OSCAR-NOMINATED FILMS #HIS FIRST MOVIE WAS WITH AN OSCAR-NOMINATED (winning?) DIRECTOR!!#I'm not shitting on him or anything in this case -- I'm saying he was pursuing a career in a very high profile industry himself!#it may not have panned out for him like he'd hoped or planned but as far as we know it's still what he's pursuing #he comes from a privileged background that i'd argue mirrors taylor's own pre-fame #and even now (thanks to royalties) will be financially secure for life #he's not the most famous man in the world but if he decided he wanted to speak out he would be for 15 minutes #and the media would absolutely eat it up and i'd even argue give his side more weight than his 'power' would indicate #i'm not saying he should or needs to but i'm just saying he's not powerless in this situation #also putting this in tags but it seems in private there was often a power imbalance in her relationships & not in her favour iykwim

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sysig · 6 months

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Requestober 2023 Sketches

The playlist has returned for this year! There will be a few in between, but it should be updating at least once a week on either Wednesday or Friday or both - keep an eye out for your req(s)!

Day 4 got some subtle Black Eye, they are a great pair ♪ You can see I couldn’t fully decide on posing - this will be a theme lol - maybe Sylvia loafing and poking her nose up at Peepers? Or just man-handling him into a snuggle lol, I almost went with that one! But I still ended up going with the first sketch after all, his half-squinted eye was too cute to pass up!

Day 6′s first sketch was also a first-try-correct but lemme try something else lol, I’m glad I went with this one though! Friend looks very fluffy, as does Ghostbur <3 Thank goodness for digital cleaning, Phil’s arm completely confounded me traditionally lol, same with the wings actually

The alt is still cute tho, and sad :’) Ghostbur would still consider Phil his dad! And yes he’s not exactly Will, Phil’s kid ahh </3 And yet he still gets to hug him!! The piece of him that remembers him! It hurts ♥

Day 10 was a great excuse to draw blood lol, I can’t not ♪ I ran out of room since this was the last sketch of the page so while I fully intended for the bloody knife to be continuous with the rest of him, I had to puzzle-piece it all together haha ♫ He’s so scribbly lol

Day 15 was so fun!! Ahhh!! As I mentioned in the tags, I got the notification for this one while I was offline and dozing but even in that state of mind, this was the image that immediately bloomed in my head! I am so pleased I got to make it exactly as intended haha ♪ They’re so cute <3 And it’s always fun to draw Mitsu reacting like “O//o//O” even just in emoji form lol

Day 16′s was fun and silly - I only ended up with the one sketch, it’s been too long since I’ve drawn a Core! It hasn’t been all that long since I’ve watched a Meet the Cores but it has been long while since I’ve picked up Portal 2 or Mel, it’s too bad ‘cause they’re both so cute haha. But I mean, all this Portal stuff has inspired me to get back to playing so hmmm :3c

Day 17 had those two options but for me it wasn’t even a question lol - I do of course love RGB but I’ve made a habit of drawing him! And I did get to draw him later as well, so I got all the character diversity I could ask for haha. I’m so sad that I missed out on the “tk” SFX in the final version, I made it and then just forgot to turn the layer back on before exporting lol, just hear it in your head if you would ♪

Day 18, more blood! Moreeee! Thank you for all the Yanderapy attention this year ahhh, it’s so gratifying to know these boys are being enjoyed ♥ I love them too! And it was doubly fun to imagine them playing into their baser urges, yandere-wise haha ♪ What’s the fun of a yandere if they can’t have a little blood, as a treat? Hehe ♫ Mitsuru’s swirly eyes are one of my favourite yandere features of his, drawing it in full swing was really fun :D

Day 19, a bit of Ranboo ♥ It’s been long enough that I’d forgotten how much I enjoy Ranboo! c!Ranboo as well as The Guy haha, they’ve gotten more chaotic lately it seems, good for them. He’s also still quite fun to draw, that’s just good character design for you ♪ A cute little squished face, wanting to go out and play. You can kinda tell from the flower boxes that even traditionally I wasn’t all that detail-oriented for this one lol

Day 20 got a lot of concept art! Making new outfits will do that lol, started with just deciding what their sweets theme would be - Mitsuru was so obviously ube and buttercream that it hurts lol, and you can see there was a bit more deliberation with Ishida. Salted lemon, and he was supposed to keep the lattice motif - we’ll get there :P

Outfit designing! Ishida’s was a OHKO - you can’t see it in the final version since he’s angled away but his buttons are salt stones! And he’s also got asymmetrical salt “freckles” around his left eye :) Mitsu’s was a little over-complicated so he needed a second pass

But only a second pass! A chunky sweater with the swirls was absolutely the correct choice, and then since zippers don’t exist in the JD universe (lol) he gets buttons!

Finally they got their final version! You can see from the sliced version that originally they were meant to have three sections apiece for both limbs, buuut that ended up being overly visually busy, so I gave them two for their arms and three for their legs :) All the other posing and everything was pretty much perfect though! :D

This is the most correct version of their clothes for their cut-up frame; I was in a bit of a rush for the gif version so a few elements are missing, like Ishida’s aforementioned lattice design element :’D Just try to not look too hard at the final version for these details specifically lol ♪ Oh the foibles of trying to be speedy!

Technically not Requestober but I was inspired by my own idea of them switch-stitching their limbs back together lol - lemon ube?? I guess that might work...

Day 21 got a concept sketch before starting - Luci’s glares are very cute hehe ♪ I was sure I could push it cuter tho >:3c

And I was right! I called this an alt but honestly this was the correct choice from the beginning lol ♪ Long ears are so fun to pose, extra expressions! I had a bit of trouble with his arms, but I think that’s just a me-not-knowing-how-to-draw-arms-lately thing lol

Day 22 was also very close to the end of the page so I was a bit cramped! Their faces are definitely the most important element - especially considering RGeeBs has one here! - so I wanted to give them a bit of extra attention. I really like his sharp nose hehe ♪ And Hero’s hand doing the classic cartoony pinky-up with her white gloves ugh it’s so cute <3

They did get a very tiny fullbody sketch tho haha ♪ For how it turned out here, I’m doubly happy with RGB’s pose in the final! Especially his legs :D

Speaking of tiny, day 24 was super tiny!! I always draw the stick figures tiny tho haha, they’re such cute little pops of colour on my page :) I’m glad as well that I could make all the colours clean digitally - the colours got a bit mixed traditionally lol

Fun fact: Day 25 didn’t get a traditional sketch! It’d been too long since I’d drawn GLaDOS so I felt a little better to just have the references right there in the same canvas lol. My initial digital sketches are always a bit chaotic, lots of very energetic lines! It does make me all the more determined to make her design readable in my style >:3c

I started forgetting to label what day they were around day 26 haha, but I started with them side-by-side - I wanted them to show off their outfits a bit more but it felt a little stiff :P Obviously Sinister would be uncomfortable in heavier clothes tho, so I went with that thought ♪ Poor Stanley haha

The alt ended up taking it since interacting is way more fun than not! I haven’t drawn Stanley using sign language in a hot minute which is too bad! It’s very fun to do! He’s not going to listen to you Stanley, no matter what you do

Day 28 gave me a bunch of thoughts but since it was fairly open-ended, I wasn’t sure where to take it at first! Angst just has so many possible roads! Initially, featured here, I considered them getting caught - them in a police light was a very cool concept for my lighting-focused brain this season haha - but it still wasn’t quite right. Maybe because Ishida actually looks stressed, noo D:

The plot just kinda picked up from there, the idea of Ishida killing Mitsuru since they were caught, and then what I eventually ended up with - all while trying to fight against limited space and a not-the-best art day, just gotta keep powering through despite the obstacles!

But I did finally land on the idea I wanted the most :) Originally this one was going to have two panels but I couldn’t make it look right, switching back and forth between them :P I’m glad I finally got to it in the end! It was a struggle haha

Day 29 got Fellplates!Gaster! Heck yeah! :D It’s been a while since I’ve drawn him so I had to get back into the swing of it lol - I actually booted him on “April 1st” by changing my clock and then my internet refused to connect to certain sites?? What the heck is that about. Well either way, I got him! He is cute haha

I really was tempted to give him something to do with other Fellplates members, but the lack of references confounded me! Ah! You can probably tell which one was meant to be Alphys huh lol ♪ Him and his sense of loyalty ah 💔 Well, self-destruction is a common ley line for him huh haha

And then what I finally ended up with ♪ He has a slightly more open expression here, but I do like the somewhat sinister edge the final version ended up with :3c The backlighting begged for it!! And everyone needs cool backlighting haha

Day 30′s TSP/Portal crossover!! It’s such a classic idea, I am actually honestly surprised that this is my first foray into it - I’ve thought about it forever! I’ve drawn them adjacently! But this is my first time actually drawing them interacting?? How?? Well I’m glad I have now haha, they’re so- they’re just so them, y’know? Lol

Y’get a bonus because the idea of Stanley and Chell just kinda vibing in a test chamber and Stanley reacting - which you can see the barest of unfinished sketch there on the right lol - to having his Bucket taken from him, it was too good not to haha. Chell is indifferent lol

Day 31, last day! I actually drew this the night beforehand, very quickly thus the scribbliness haha. Sometimes that’s all you need, just to get the image out! You can see with the SFX, despite being noiseless in the final version, I was thinking of the static right away :) I’m quite happy with how it all turned out hehe <3

That’s all the general sketches from this year! A good solid mix of things! Very fun :D

#Doodles #Requestober #Blood #The usual tag roundup except it's all in one tag lol - Wander Over Yonder - DSMP - lots of Yanderapy thank you <3 - several of Portal -#A few TPoH - technically some Just Desserts - Animation vs. - The Stanley Parable - and Undertale! Specifically Fellplates haha #A very fun lineup! A well-mixed bag of enjoy :D #There's also a couple digital additions here hehe ♪ It's unusual but needed this year!#I'm not usually one to go back in and edit something after the fact (noticeably - I did actually do that at least once last year lol)#But with this one ahh I was silly on colouring :P I was too hasty!#That said I do still - for the most part - believe in setting down and doing better next time haha ♪#This is more for my own sake in the future in case I come back and look at it and be like ''Ah this version is correct'' but it's not! Haha #As for the rest it's all the usual :D #I have to say thank you again because that's how big I feel it haha - thank you for all the love towards my Yanderapy boys!!#It makes me very happy to see them being enjoyed :D I love them so I'm happy happy that they're getting love from others too! <3 #I got to draw a lot of favourites this year :) I always love when that happens!#And y'all inspired me to get back into Portal hehe ♪ Thank you! It's been fun replaying it so far :D #In fact I think I'm gonna go try and beat it today hehe ♫ I think I've earned it haha

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sableeira · 5 months

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when you think about it, Tanizaki’s ability is basically creating a irl real-time rendering engine

#been thinking for about half an hour about how that would work #because he says he transposes the surroundings to a digital realm #which is basically just code but to actually show what’s going on at least part of this digital realm has to be rendering engine like tech #also I’m being nitpicky but that would mean he doesn’t superimpose the surroundings on himself to disappear #but instead he skips his own render passes :P at least that would be more performant… it’s an ability so maybe he doesn’t need to worry #about performance… man if that’s the case I would go N on him to study the shit out of his ability #also how does he capture the surroundings? is it some kind of photogrammetry thing? gaussian splatting?#also he definitely needs some kind of physics engine as well otherwise collisions wouldn’t work #so he is more like a game engine #not tagging this with the rewatch tag as I’m just rambling about nerdy stuff #had to share this with the class because this will now be forever stuck in my head #sina’s rambling

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atherix · 1 year

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Hi guys have a little ficlet? I decided it didn’t fit into the main story so it’s going onto tumblr exclusive status hehe Also I’m lowkey sick right now and I can’t think to write today thanks

CW? I guess? Because some of this comes across as pretty Religious Talk so

“Grandfather?”

The King doesn’t look down at the child standing next to him, instead gazing out across the realm, all the way to the sea and what lies beyond. Scar looks up up up at him- distant and so far away, untouchable and cold.

“Yes, my Grandson?” the King speaks, voice soft and flat.

Scar fidgets with his hands, turning back to look through the balcony railings. “What am I?” he asks after a moment of hesitation, the question echoing oddly around.

There is a moment of silence from the King, and Scar’s heart races.

“You are a Prince,” the King says simply.

“One of the healers you bring here says I should not be,” Scar says carefully, hesitantly. “They say I am not even Fae.”

The King finally looks at him, though Scar doesn’t dare look up. “Yet I, the Fae King, am saying you are a Prince, and you are Fae. Would you take the word of a healer over the word of your Grandfather and King?”

“No!” Scar says quickly, looking up at him. “No, but- is being Human really so bad? That- that some Fae won’t even see me as Fae?”

Despite the suns resting across from one another in the sky, lighting up the world around them, Scar can’t make out the expression on his grandfather’s face. It’s like a shadow is being cast, obscuring him from sight even as he pulls away from the rail, kneeling down in front of Scar. Even nearly on his knees, he’s taller than Scar can ever imagine being.

He reaches out and brushes the loose, wispy strands of Scar’s hair away from his face, almost gentle as he traces the braids. They’re tight, and the ribbons and vines woven through them, tied to a veil in the back, hide just how short his hair is right now. Scar can’t help but lean into his grandfather’s touch despite how cool his skin is.

“You,” the King says, “are you. You are Fae and you are Human. You are both of these at the same time. You are the proof that our world is changing.” The King moves his hand away, setting it on Scar’s shoulder now. Scar watches him quietly. “The Pantheons have a plan for you.”

“How can they have a plan for me?” Scar asks, tilting his head. “How can they have a plan for me when I probably won’t even grow up?”

“Everyone has a role to play,” the King says. “The gods give us these roles. Nothing happens when nothing is done- we cannot stand idly by and wait for it to change. We must act to make the change and fulfill the plan.” He pauses, studying Scar from behind the shadows in his face, and Scar can’t bring himself to ask about his own role. “There are no mistakes in this world. Everything that happens has always been planned. Your birth, your existence is neither accident nor mistake. You have a role to play in this world. It is the role of your family to see you grow, safe and strong, to take on your role. One day, everything will be made clear.”

The King turns away, towards the horizon again. Scar glances over, seeing the suns lowering towards the sea. They cast the world in orange and gold, glimmering and burning.

“Regardless what any person might say to you,” the King says softly, “you are Fae. You are a Prince. You are Human. You are all of these things, and one day you shall be even more.” He looks back at Scar, and for one brief moment Scar sees fire. “All you have to do is wait.”

“Wait?” Scar frowns. “But didn’t you just say...”

The King tilts his head. His smile is cool and distant, but it settles something in Scar’s chest- like comfort, like love, like everything will be just fine.

“One day your waiting will come to an end,” he says. “One day will come the time to stop waiting. Just watch for the signs. You’ll find your place when the time is right. Until then...”

He moves his hand from Scar’s shoulder and stands, gaze back on the horizon and the everything beyond. “Be patient and learn. The answers will present themselves, but you must look for them. Watch and wait until you know your next step, and then...”

“... Act.”

#Midnight Series #Tumblr Exclusive #I so want to write more with Fae King Grandpa #but he won't show up again for a couple more fics #he'll be there for Tubbo's Debut and Scar's birthday tho #so #more is coming #if Stitch tells you to beware one of the King's appearances don't listen to them #I am sick and my brain will not write Tubbo's birthday #I know what I want but my brain will not comply #I think I shall nap #also just saying if you haven't figured out the pantheons are religions... yeah they're basically religions #only they're all real and true at the same time #everyone knows every Pantheon is real and they choose their Pantheon based on their own morals wants and/or needs #or in some cases they just take up their family's Pantheon #unless they're Supernatural in which case they're generally born into a Pantheon #(or Turned to one)#also totally possible to follow more than one Pantheon ex. BDubs and the Vex following the Fae and Death Pantheons #why am I rambling about the Pantheons in the tags #HEY FUN FACT I'm atheist but I find religions absolutely FASCINATING especially with how they had shaped entire civilizations #thus why the cultures in Midnight are so heavily influenced by their Pantheons/gods #anyway I need to stop I am. sleby

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