hearing about gale from tara is always such a treat because she's known him for so, so long, ever since he was just a boy and has watched him grow into who he is now:
Player: Excruciatingly awkward. On my side, at least.
Tara the Tressym: Don't be too hard on yourself, sir. You've been like that all your life.
Player: It's very unsettling how you can tell what I've been up to just by looking at me...
Tara the Tressym: Tressyms are exceptionally intuitive. And also, you wear your emotions like a very garish cravat.
Tara the Tressym: If that's all, then what comes after is for you to decide, Mr Dekarios. Think well on all that's happened, and stay true to that heart of yours. It's a good one.
which also sort of ties into this:
Player: I'd never want to lose you, Tara. I'll return the Crown to Mystra.
Tara the Tressym: There's a good humanoid. You had me scared for a moment here. But you're wise - and wiser all the time.
Player: That's just my boyish charm.
Tara the Tressym: Boyish charm and knees that creak like rusted hinges! Quite the combination.
Player: I'm honestly not sure. But don't worry - it's nothing I can't handle.
Tara the Tressym: Very tough.
Player: Must be the beard.
Tara the Tressym: Don't be silly. What is it really?
she's absolutely not averse to teasing him. however, it's never cruel and always light-hearted, just like she's not afraid to call him out on evading questions or making him reflect on the choices he takes if she does disagree with him. it really speaks of how long they have been at each other's side.
Tara the Tressym: Mr Dekarios. Gale. You are the finest mind - the finest wizard - I have ever had the pleasure to know. If anyone can beat this thing, it is you.
When you tried to control the Weave - when it all went, pardon my language, belly up - I was terrified. Scared you'd be hurt. Scared Mystra would punish you for your transgression. But do you know what never crossed my mind?
That you wouldn't figure a way out of it. My clever friend never leaves a knot knotted. This parasite is one more knot, so get to tugging threads. And - Mr Dekarios - please. The beard. I'd cut it down myself if I could hold a razor.
so from tara's pov, gale's always been awkward and obvious with his emotions.
she's convinced he has a genuinely good heart, one that she hopes he'll stay true to.
tara thinks he's wise, and growing wiser (condition: gale rejects to take the crown for himself).
she also thinks he's clever and brilliant.
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A little crowlyon dawning comic wheee i finished it please clap
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I have lots more written on this but idk if i will do another comic or write part of it as a fic or some mix of both. im just very normal about them right now 🙂
ID/transcript below cut
Panel 1: Crow is walking down a path outside of the dreaming city with a brown cross-body messenger bag slung over his shoulder. Crow is holding the strap of the messenger bag and looking up in exasperation as he talks to Glint, who is floating beside him and speaking emphatically.
Crow: “There's still time to turn back…”
Glint: “Don't!”
Crow: “But -”
Glint: “You said you wanted to go through with this!”
Crow: “I know but -”
Panel 2: Close up of Crow’s eyes as he spots something off-screen. He looks startled.
Crow: “!-”
Panel 3: Jolyon is standing next to a natural stone wall, looking away from the viewer. He is resting one hand on the wall and staring out at the Dreaming City watchtower and buildings in the distance, which are overtaken with taken corruption and several taken orbs hang in the air around the city. Crow is standing in the foreground, looking at Jolyon with one hand resting on his messenger bag.
Crow: “Jolyon.”
Panel 4: Close shot of Jolyon turning towards the viewer, he is only visible from his shoulder to his nose so his expression is neutral and unreadable.
Panel 5: Camera is looking over Jolyon’s shoulder as he looks at crow. Crow looks at Jolyon with determination. He is holding the strap of his bag with one hand where it falls across his chest. Glint is transmatting away with an enthusiastic expression. Jolyon’s face is not visible.
Crow: “Thanks for meeting me”
Glint: “ok good luck bye”
Panel 6: Close shot of Crow’s face. He is looking down and to his left, blushing lightly. He looks uncertain and slightly embarrassed.
Crow: “I’m sorry if you… didn’t want to hear from me.”
Jolyon (offscreen): “It’s fine.”
Panel 7: Close shot of Jolyon’s face. He is staring down at Crow with a distant, slightly pained expression.
Jolyon: “What do you want?”
Panel 8: Close shot of Crow’s hands gripping the strap of the messenger bag. He is twisting it with both hands, clearly fidgeting due to nervousness.
Crow: “I’m…”
Panel 9: Side shot of Crow and Jolyon looking at each other. Crow is leaning slightly forward, while Jolyon looks entirely neutral.
Crow: “I’m trying to make amends.”
Jolyon: “Amends. For what?”
Panel 10: Close shot of Crow’s face. He looks confused but determined, and is looking up at Jolyon with a furrowed brow.
Crow: “For-... For Uldren, for everything-”
Panel 11: Extreme closeup of Jolyon’s eyes. He looks angry and his eyes are suddenly glowing with intensity as he glares down at Crow.
Jolyon: “No. What specifically?”
Panel 12: Low angle looking up at Jolyon, who is glaring down at Crow with an intense, angry expression, bordering on hatred.
Jolyon: “Tell me. What exactly do you remember?”
Panel 13: Extreme closeup of Jolyon’s mouth as he sneers, speaking through gritted teeth.
Jolyon: “Crow.”
Panel 14: Shot of Crow’s face, he looks startled and distraught as he stares at Jolyon.
Crow: “...”
Panel 15: Crow looks away to his right, looking ashamed.
Crow: “I remember enough. I remember when things were good between us. And when they were… less good.”
Panel 16: Extreme close up of Jolyon’s left eye, he is looking down at Crow and looks alarmed.
Crow: “I remember the garden.”
Panel 17: Wide shot from behind Crow. Crow is looking up at Jolyon. Jolyon is flinching and looking swiftly away from Crow to his left.
Crow: “After that… things start to get confused. Honestly, I don’t understand everything that happened between us at the end… But I know it wasn’t what he wanted.”
Panel 18: Shot of Jolyon looking away, looking extremely upset as Crow talks.
Crow: “So… I’m sorry. For all of it.”
Panel 19: Extreme close up of Jolyon’s eyes, he is squeezing his eyes shut and still looks emotional.
Crow: “And so is he.”
Jolyon: “...”
Panel 20: Wide shot from behind Jolyon. Jolyon turns back to look down at crow, his face is not visible. Crow is still looking up at him.
Jolyon: “Okay. Is that all?”
Panel 21: Shot of Crow’s face, turning down to look at the messenger bag at his hip. Crow looks nervous and is blushing with embarrassment.
Crow: “Um…”
Panel 22: Close shot of Crow’s hand as he opens the messenger bag and reaches inside. A purple box is visible inside the bag.
Crow: “No.”
Panel 23: Wide shot of Crow. He has pulled the purple box out of the bag, and is looking down at it, blushing slightly. In an inset panel, Jolyon is looking at him suspiciously.
Crow: “Do you know about the dawning?”
Jolyon: “Yes… The Awoken don’t celebrate it.”
Crow: “I know.”
Panel 24: Close shot of Crow’s face as he looks down at the box. He is smiling wistfully, and blushing.
Crow: “But… in the city, we give each other sweets, to say thanks. And… I don’t know. Now, it always reminds me of this time…”
The background shifts to a black backdrop, with white snowflakes falling quickly.
Panel 25: Extreme close up of Uldren Sov’s face in a flashback. It is dark, and snowing. Uldren is wearing a hood and is hunched over while looking straight ahead at the viewer. His hair is obscuring his right eye, and he looks serious and intense.
Crow: “It was centuries ago. Back when the last city was just a tiny settlement.”
Panel 26: Close up of Uldren holding a pair of dark gray-purple binoculars, with glowing magenta lenses. He is resting his hand with the binoculars on one knee in the air. Uldren is wearing a dark blue shirt and black gloves with burnt orange detailing, and a long black cloak.
Crow: “I… He was doing surveillance on earth. Keeping tabs on the people trying to build a sanctuary beneath the traveler.”
Panel 27: A wide shot from behind Uldren, who is sitting on top of a dilapidated building on earth. He is looking down on a festive nighttime scene. There are several buildings that have been partially destroyed and reclaimed by time, but dark silhouettes of people have made a home in them. The windows are all glowing with firelight, and the buildings have been decorated with glowing garlands and colorful flags. Between the buildings, many people are visible, holding hands, hugging, and waving at each other. It is snowing very hard, and snow is piled up around Uldren and the village.
Four inset panels show closer views of people within the village.
The first shows a woman hugging a man from behind. The man is holding a steaming hot cake inside a baking tray, and is wearing baking gloves. The woman is pressing her face against his neck, and the man is turning towards her and laughing.
The second panel shows a human man throwing his arm over the shoulder of a blue exo. The Exo is waving at somebody to the left, and the man is looking the other direction and lifting a tankard of beer in cheers.
The third panel shows an Awoken person and a human woman sitting at a table. The Awoken is holding a warm mug of tea, and is smiling lightly at the human woman. The human woman is turned towards the Awoken and is leaning close to them. She has placed one hand on their arm tenderly.
The fourth panel shows a closeup of two people, one with dark hair and one with light hair. The light haired person is cupping the dark haired person with one hand, and is leaning in to kiss their other cheek. The dark haired person is blushign and laughing with their eyes closed.
Crow: “They had almost nothing. But they were celebrating. Sharing, and laughing.”
Panel 28: Another closeup of Uldren’s eye as he watches the scenes below him, he now looks sad and distant.
Crow: “It was snowing, nonstop. It was so cold. And he was so lonely…”
Panel 29: Uldren is walking away from the viewer, through a dark pine forest covered in snow. His cloak is blowing in the wind.
Panel 30: Uldren’s ship is flying towards the Dreaming city in the distance, weaving between two cliffs in the reef. Snow is blowing in the ships glowing purple trail.
Panel 31: Wide, side view of Uldren as he walks through the snow-covered dreaming city. In the background, ornate arches and pillars can be seen, along with an awoken statue. Snow is falling hard, and it looks windy.
Panel 32: Shot over Uldren’s shoulder as he bangs loudly on a wooden door. His hood is up and his face is not visible.
Panel 33: Waist-high shot of Jolyon opening the door. Jolyon is wearing a green sweater with the sleeves rolled up, and gray sweatpants.
Jolyon: “Hello?”
Panel 34: Side shot of Uldren rushing inside, tackling Jolyon with a hug. Jolyon looks startled, and is stumbling back inside the doorway as the snow blows inside.
Jolyon: “Wha-”
Panel 35: Side shot of Jolyon and Uldren embracing. Uldren has buried his face in Jolyon’s shoulder, and Jolyon is cupping the back of his head tenderly with one hand while his other arm drapes around Uldren’s shoulder. Uldren is clutching Jolyon’s sweater with one hand.
Jolyon: “Aren’t you supposed to be on earth? Why are you back so soon?”
Uldren: “Why do you think? I was freezing my ass off.”
Panel 36: Close shot of Uldren’s face pressed into Jolyon’s sweater, he is smiling wide and blushing slightly. His hair is falling over his face and his eyes are not visible.
Uldren: “Listen- this is kind of stupid, but… Do you want to bake something with me? Something sweet?”
Panel 37: Shot of Jolyon’s hands in present day, holding the purple box that Crow has given him. The lid has been removed, revealing that it is full of cookies. They look like italian almond cookes, covered in powdered sugar and slivered almonds.
Jolyon: “Hah… you remember that?”
Panel 38: Crow glances away, smiling nostalgically and blushing lightly.
Crow: “Yeah. We made… well, I guess they were kind of like almond cookes? There were almonds in them, at least…”
Flashback Panel 1: In the background, a memory from the flashback is visible. It shows Uldren and Jolyon standing in a kitchen. Jolyon is standing behind Uldren and holding his waist affectionately. Uldren is holding a mixing bowl on the kitchen counter with one hand, and is pouring something into the bowl with his other hand. Several ingredients are visible strewn all over the counter, along with piles of spilled dough.
Jolyon: “Haha, what are you doing? You’ve got to measure.”
Uldren: “Following my royal intuition.”
Jolyon: “Your intuition kind of looks like cat puke.”
Flashback Panel 2: View of Jolyon and Uldren from the front. Uldren is mixing the dough with a wooden spoon, and looking down at the bowl with a soft smile. Jolyon is behind him, with one arm wrapped around his waist. His other hand is holding Uldren’s arm tenderly. Jolyon is leaning down to kiss Uldren’s cheek.
Jolyon: “You’re making a mess of my kitchen, Sov.”
Uldren: “I’ll clean it up.”
Jolyon: “Will you?”
Uldren: “For you? Probably.”
Panel 39: In present day, Jolyon is staring down at the tin of cookies, smiling faintly.
Crow (offscreen): “We didn’t really have much of a plan…”
Jolyon: “Uldren wasn’t big on plans. Or recipes.”
Panel 40:
Jolyon says from offscreen, above the rest of the panel: “Whatever they were, they didn’t turn out very good.”
In the panel, Crow is blushing furiously, looking nervously at a thought bubble to his left with a shaky smile. Within his thought bubble another memory is visible, of Jolyon and Uldren kissing passionately on a couch. In the background of the memory, several “BEEP” sound effects are visible. Jolyon is on top of Uldren, holding Uldren’s head in one hand while kissing his neck. Uldren is smirking, while pulling Jolyon’s shirt off with both hands.
Jolyon (flashback): “Oven’s going off. We should probably get that.”
Uldren (flashback): “I don’t give a shit.”
Crow (present day): “Um. Yeah. They were kind of… burnt…”
Panel 41: In present day, Jolyon is smiling faintly, looking at one of the cookies as he holds it up in front of his face.
Crow (offscreen): “These are better, I hope.”
Jolyon: “Seems like it.”
Panel 42:
Close up of Jolyon taking a bite of the cookie.
Panel 43: Crow is smiling enthusiastically up at Jolyon.
Jolyon (offscreen): “They’re good.”
Crow: “Good!”
Panel 44: Close up of Jolyon. His smile is falling, he looks seems distant and emotional as he looks down at Crow. His eyes are glistening with the first signs of tears.
Jolyon: “I uh…”
Panel 45: Jolyon turning to his right, digging the heel of his hand into his right eye as his tears start to fall. He looks distraught, squeezing his eyes shut.
Jolyon: “I should go.”
Panel 46: Shot over Crow’s shoulder, Jolyon is walking swiftly away, holding one hand over his face. Crow is looking after him, with one hand reaching awkwardly towards Jolyon.
Crow: “Wait…”
Jolyon: “Thank you.”
Panel 47: Shot of Crow’s face as he watches Jolyon leave. He looks startled and upset.
Crow: “...”
Panel 48: Crow facepalms, looking frustrated and embarrassed.
Crow: AUGH.
Panel 49: Crow is sitting on a rock on the cliffside, he is hunched over and propping up his face on one hand. He looks defeated and is sighing. Glint has re-appeared next to him, and looks enthusiastic.
Glint: “That could have gone worse! He said they were good! How do you feel?”
Crow. “Fantastic. Why did I let you talk me into this?”
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This is everything the Stranger Things writers have posted publicly about the WGA strike:
TIMELINE
May 3rd:
Stranger Things writer Caitlin Schneiderhan tweets picture from personal Twitter account of sign from the strike that reads 'Pay us or Steve Harrington is toast'
May 6th:
Official Stranger Writers Twitter account makes post on behalf of the Duffers Brothers. They have since pinned this tweet to their profile.
"Duffers here. Writing does not stop when filming begins. While we're excited to start production with our amazing cast and crew, it is not possible during this strike. We hope a fair deal is reached soon so we can all get back to work. Until then -- over and out. #wgastrong
Bonus:
May 12th:
Stranger Things writer Kate Trefry posts picture from personal Tumblr account of sign that reads, 'Byler won’t write itself'
As far as I know, the two writers that posted on their personal socials are the only writers from ST that even have personal accounts that are public, whereas the rest of the writers do not.
What does make me take a pause though, is that, while yes they did post these pictures from their personal accounts, which is about as official as it gets, they also cryptically did not include themselves in said pictures...
This just got me thinking about how Stranger Things is quite literally Netflix and vise versa. They are practically one in the same, where one without the other just doesn't make sense.
While this conflict of interest might run deep for many writers out there fearing to speak out against their employer, for us, the consumers, the fans, we as a collective have so much more power than we realize.
In contrast to the writers, streamers can't just fire their consumer base sometime down the line, out of spite for speaking out. Without consumers, neither Stranger Things nor Netflix would be what it is today.
We have the affordance of being able to speak up the loudest of anyone. And so why wouldn't we take advantage of that?
There are so many people out there protesting: writers, actors, others in the industry and even outside of it who are also taking a stand, many who need support so that they can continue to fight in the upcoming days, weeks, months, without being deterred by corporations that are making them feel greedy for demanding a contract that at most, asks that they be paid fairly.
And so I want to encourage anyone that is reading this, but fellow fans of Stranger Things especially, who have so much power in this strike when it comes to getting Netflix's attention, to consider taking the time to do whatever you can individually + with the masses as a community in order to best support the strike.
Follow the Strike! If you're active on various social media already, please be sure to follow the official accounts advocating for the strike via Instagram (@writersguildwest/@wgaeast), via Twitter (@WGAWest/@WGAEast). Engage with posts from folks that are out there daily, many with whom you can find by following tags like #WGAStrong, #WGAStrike and #WritersStrike. Although most fans are not able to join in picketing themselves, we can at least recognize all of those out there's individual efforts and do our best to show that we're paying attention and listening!
Spread the word! Show support any way you can by sharing posts and articles about the strike, or even fun memes to inform others in a more engaging way. This is the official site for the WGA strike if you want to learn more about what’s going on before diving in! And make sure to stay up-to-date here as things continue to unfold!
Donate! The Entertainment Community Fund is endorsed by the WGA for anyone that wants to support those affected by the strike financially. And this thread on Twitter is an incredible resourse, as it provides an ‘easy, one-click, stress-free, accessible-to-all-budgets’ ways you can support folks on the front lines.
Also! Consider donating through this link for the Entertainment Community Fund, where the money donated still goes directly to that fund, this is just an organizing page for Stranger Things fans specifically! By allowing fans to see how much of an impact we make as a collective, in real time, this could encourage even more ST fans to want to contribute. In a best case scenario, if this GoFundMe were to reach impressive proportions of donations from fans, that could lead to news outlets reporting on it, which could allow an opportunity for even more eyes on the strike, while also even more importantly being able to provide financial support to those that need it.
Trend! On social media, use #StrangerFansforWGA to trend or even just to reach other fans also looking to come together to support the strike!
While I know this post probably wont reach anywhere outside of Tumblr, I want to make a point to encourage those of you that are on other platforms to inform fans in those spaces about the strike and what they can do to help!
We might not all agree on everything, but I think we can agree on at least one thing... @Netflix & all major streamers and networks out there, who are still refusing to make a fair deal: PAY YOUR WRITERS!
In the mean time, if you're interested in working on different ideas for initiates we can carry out as a fandom, please reach out to me! I might only one person and I might not have all the answers and solutions, but I do know that with more of us working together, our odds of making an impact are much greater!
Over and out!
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Disco Elysium has a lot of fascinating fictional technology but I have been rotating the radiocomputer in my mind for months now. From what I can gather, they operate in a way very similar to modern cloud computing. It doesn't seem like the mainframes we interact with have any processing capability. Instead, they use antennas to process "on air":
SOONA, THE PROGRAMMER - "Alright, well... All radiocomputers perform operations up on air, so in order to gain more processing power you need to invest in a *good antenna*."
The only information we get about what "on air" really means is from the same conversation with Soona:
YOU - "Wait, what's 'on air'?"
SOONA, THE PROGRAMMER - "On the *front*. The unified front of radiowaves, licensed and controlled by Lintel in the East-Insulindic region."
SOONA, THE PROGRAMMER - "It's all around us," she waves her hand, "that's what 'on air' means."
The nonspecific language used here really invokes cloud computing to me. I think there are two main possibilities for how this could work, one being much more likely than the other.
The more likely answer is that information is sent to and from the in-game equivalent of data centers, which would host massive computers with processing capabilities. I'm not sure what their processors would look like, but they'd almost certainly be analog (the lost Feld tape computers are most likely the in-game equivalent of early digital computers).
The significantly less likely (but more interesting) answer is that in-game radio waves are somehow capable of processing information on their own. I have no idea how this would work, and as far as I know there's no real-world analog. But it's clear the world of Disco Elysium has some crazy things happening with radio waves (see how they interact with the pale), so I'm not ruling it out entirely.
The filament memories are like hard drives, but my guess is they would function more similarly to an optical disc (CDs, DVDs), which use patterns in the disc to encode information that's read using lasers or light. The filaments glow inside the mainframe, so it's not a huge leap to assume they're read using light.
The amount of thought put into radiocomputers is so fascinating. As far as I can tell, their version of the internet has been wireless from the get-go, which makes perfect sense! Antennas and other wireless radio technologies would have to be pretty damn powerful to communicate across and force dimensions on the pale. And you have to assume huge amounts of government money has gone into funding their research and development for those purposes. The technology of radiocomputers is so tailored to the world of Disco Elysium, and it's been a lot of fun trying to untangle how exactly they would work.
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