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#and all of their offscreen interactions
thefarminggoblin · 2 years
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Another Elucien theory: what if Lucien isn’t just choosing gifts that he knows Elain would like, but also choosing them to help her keep her connection to her human life? He knows how important that connection is to her, how much she loved her human life. It’s almost like an apology of sorts.
But it also backfires: I feel like her reactions are more to do with being reminded of what happened rather than towards Lucien himself. She doesn’t look at him during these moments, but rather she looks at the gifts.
It may be an unhinged theory but I feel there’s more to it than “she would like this”. Lucien is much more thoughtful than that.
There’s so much miscommunication between them UGH just talk already.
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hilsoncrater · 1 year
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screenshot by @tomlinfonda
that right there is the lighting and shot composition. now let's talk about the lighting and shot composition. can we talk about the lighting and shot composition, please? i've been dying to talk about the lighting and shot composition with you all day, okay?
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good-beanswrites · 9 months
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I talked about my Milgram actors theory earlier, but @amugoffandoms reminded me I also have a little emotional support au version of the idea I’ve been meaning to chat about! It's actually not a typical actors au -- the canon events still happen, but are staged by the in-universe Milgram organization.
(Edit, now with a fic!)
Just like in canon, the organization has a mysterious/supernatural ability to identify and track down ten specific people at their breaking point. In this au, though, it's ten people who could have committed crimes soon. They discreetly reach out to these individuals, requesting for them to be actors in their experiment. They say there will be someone playing a prison guard, and explain the premise. With a bit of coaxing or bribing for a few, they all accept.
Milgram ensures these newfound “prisoners” don’t need to change many details about their lives – the less lies to keep track of, the easier it would be for these ordinary people to pull off such an extensive con. 
Some of them are exactly as they were right before their murders, such as Yuno, Fuuta, Muu, and Kotoko. Haruka, his sister, and Amane did go through traumatic abuse, but it was Milgram that pulled them out of the situation before they resorted to murder. Mikoto is/has been aware of his alters for a while at this point.
Some of the others are taken from their lives after things that could have ended fatally turned out alright: Shidou’s family got into an accident but all recovered; Milgram picked up on his private realization that he would have done anything to save them, were the damage worse. Mahiru and Kazui’s partners attempted/considered suicide, but did not succeed. In Mahiru’s case, they reached a friendship despite breaking up. I still don’t know enough about Kazui’s wife, but I like to think they’re pretty separate now. 
The ten prisoners weren’t allowed to meet beforehand, but they individually collaborated with the Milgram team to write the lyrics for their t1 songs and film their videos. I'll mention more about the other actors later, but the filming process is a lot of fun. Though the topics confront them with some unsavory thoughts about themselves, it's a good time singing and acting and getting the giggles on set and everything.
Milgram pulls Es from wherever they were for whatever reason, wipes their memory, and drops them into the prison. The prisoners are unaware that Es didn't come willingly, as they all did.
Once the experiment begins, everyone’s interactions that we’ve seen to this point are genuine. The prisoners get to know each other, while they come to terms with the fact that themselves and these others all had murderous potential. Their personalities, behaviors, and stories from their lives are all true. In the interrogations, they speak honestly to Es about their values and choices. The only faked things are the actual references to the murders, and the “invisible force” that they pretend to hit when acting in violence. Mikoto is instructed to use a bit of violence during his interrogation, though Kotoko sneaking in wasn’t scripted – she genuinely had her concerns about his character and acted accordingly. 
While Es sleeps after T1, the prisoners are treated the same regardless of verdict. They provide the team with their genuine thoughts about one another to decide what the staged incidents should be. Kotoko doesn’t actually hate the guilty prisoners, but she recognizes she would’ve wanted to take justice into her own hands in a real situation. Amane is very upset but Es' verdict, but the team helps her dramatize her transformation a bit. Haruka and Muu genuinely get that close. Yuno does wish to be left alone.
They film their second trial videos, now allowed to be around the other prisoners as they do so. They also invite people in their life to come in and play their victims. Yes, it’s just as awkward as it sounds. This is where the prisoners do their real reflection – they think about Es’ verdict for them and what they could have been capable of. There’s a bit of relief from both parties knowing that things will turn out alright now that Milgram intervened (ironic, I know, but this is my fix-it hehe). Shidou’s kids are excited to be filmed, not really understanding the context. Haruka once again works with an actor playing his younger self, a bit put off by how similar they look and the memories he bring back. Haruka’s mother, Rei, and Amane’s cult members (if they appear) are some of the only characters played by strangers, though they do look strikingly similar to the real people. Fuuta’s victim is also played by a stranger. Things are still tense with Hinako, but she agrees to appear. 
The team helps the prisoners fake injuries with lots bandages and slings. Then they wake Es. The same is repeated for T2/T3.
Now, I’ve played out a few different paths depending on my angst tolerance at the moment – sometimes Es goes through with the third trial verdicts and is forced to watch the executions (not realizing they're cleverly staged). Sometimes they refuse, finding a way to stop the whole experiment. Sometimes the prisoners realize that Es has been an unwilling participant, and bring the experiment to a stop themselves. Sometimes someone jams a wrench in the mv machine and try to blow it up in order for everything to end before final verdicts.
Because of limited details, the ending can play out however one wants. But my go-to is that Es wake up sometime afterwards in a clean facility filled with scientists. They’re brought to an interrogation room – this time on the other side of the questioning. They’re asked about their motivations, actions, emotions, choices, verdicts (or the reason they rebelled at the very end). A few doors down, the prisoners are being asked similar questions of self-reflection and morality. 
Es demands to know what’s going on, while the team tries to assure them that the prisoners are all fine. Es doesn’t buy this, though. They know what kind of mind games the experiment has tried to pull, and can’t tell what’s truth or lie anymore. Things get heated as they demand to see the prisoners. Meanwhile, the prisoners are getting worked up asking about Es. If they haven't already, this is when they learn that Es was an actual prisoner there the whole time. The last time they were together the situation was very intense, and they’re all incredibly worried about them. 
In the end, they manage to break out of their rooms and reunite in the middle of the facility, and Es is shocked. All ten are alive and well, even those they may have seen die. No eyes or limbs are missing. They’re all laughing and getting along, no matter what kinds of fights they got into between trials. Even more shocking is when the victims join them later – also all alive and happy. 
The ending has a bit of unavoidable angst since Es would be pretty fucked up by the whole experiment. They’d struggle with trust issues and knowing what’s reality. However, it’s still an overwhelmingly happy ending. They get to befriend the prisoners and their families outside of the painful context they met in. Regretting their ignorance of the situation, the prisoners decide to make up for lost time and spend a lot of positive, quality time with Es. The kids are finally allowed to play, and the they finally let the adults act a bit protective over them. This is when the found family completely kicks in lol. Es gets to sleep easy knowing they are all alive and happy, they receive all their memories again, and they get to return home to their own family.
I added it to a reblog but editing with @/qrevo's tags because this is what I was looking for but couldn't quite pin down to make it healing for Es too:
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#milgram#haruka sakurai#yuno kashiki#fuuta kajiyama#muu kusunoki#shidou kirisaki#mahiru shiina#kazui mukuhara#amane momose#mikoto kayano#kotoko yuzuriha#es#its not 'the prisoners leave milgram and get therapy' its 'milgram itself is the therapy for the prisoners'#i know the typical actors au would be more of a fix-it but i liked still having a small taste of the canon drama and interactions#its also nice to relate to es' relief -- after ive gone through the angst of canon its nice to imagine everything is okay#so in the au they also go through the angst of canon only to be relieved finding out it was fake and everyone is okay#it also keeps the prisoners lives/personalities the same!#as fun as it is to see actors aus give them whole new personalities offscreen im incredibly attached to these characters and this let me#keep them exactly the same lmao#on days i need the most fluff i picture the prisoners all together filming the t2 mvs -- getting giggly and silly on set#making bloopers and cheering each other on and interacting happily with their 'victims'#when i want intense but good emotions i love thinking of that reunion scene. es exclaiming that fuutas eye is okay and theyre all alright#lots of hugs and tears#(the only details i cant quite work out is how jackalope can talk in this fairly-realistic setting asdfd#that and the undercover mv wouldnt make any sense because es wouldnt have filmed it but ah well)#anyway if anyone has any thoughts or anything lmk! ive been really vibin with this au#analysis/thoughts#lights camera sing your sins
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goldenkid · 5 months
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ok now that wild blue yonder was actually good i can be honest and say i didn't like the star beast
#it just felt messy and badly paced and i didn't like side characters acting#and i didn't like the way they did the metacrisis#AND honestly biggest one of all i didn't like the way they wrote donna's life. like sure she's happy now she has a family who loves her#her mum especially has changed a lot and you could argue that has had a knockon effect on her overall self esteem and relationships#but the point of donna originially was that her self esteem was shit! and nerys didn't really like her but donna settled for a shit friend#and her mum was mean and lance was horrible but she thought that was the best she was gonna get#and then the tragedy of her ending was that she loses all the growth and confidence she got with the doctor and goes back to being shallow-#-because she doesn't think she deserves anything more than that. because that's all she thinks her life is ever gonna be.#gossip and hangovers and the first bloke who's 'quite sweet' are as good as her life is ever gonna get#and tbh i really really needed to see her growth and change EXPLICITLY. like her mum being better to her -> that having an effect#her having rose -> that having an effect#the doctor's subconscious -> that having an effect on her self esteem specifically#etc etc#i just feel like rtd kind of ignored the tragic ending was like look her husband is a himbo who loves her how cute!#like ok. good that she's had character development OFFSCREEN that goes UNREMARKED ON.#also her + the doctor didn't have enough interaction + the metacrisis ending felt cheap#i liked rose and the scene with donna dying and i liked the meep a lot and the trans conversations when they didn't feel shoehorned in#i thought binary binary nonbinary was stupid but fun and very doctor who#but that was mostly it#but yeah. wild blue yonder was good. solid. felt like a proper rtd episode aka well written and acted and paced. lovely lovely stuff#doctor who
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gothamcityneedsme · 4 months
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also im soooo mad that belle, standing across from polendina, is like. 'im going to live to honor his death'. they are polar opposites and im sad about it
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lovenpeace-pkmn · 9 months
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🕯️ for @wingsofachampion and @goldenrodchef
[C: Tropius is such a sweet child. I hope she is enjoying the library. I hope the world does not tear down her purity and innocence like it did for the rest of us.
...Can she still speak to other Pokémon?]
[C: Gen...poor kid. I wish I could do more for him, but...his are problems I do not know how to solve.]
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bahoreal · 11 months
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EPISODE NINE AND TED KNOWS??? TRENTS DAUGHTER?????
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borbealis · 2 years
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byler poetry
Plagues Upon My Beloved
desist, spirits!
begone and remain in your ill hovel
return no more
to plague
my love
with your malicious, hateful visions
intended for harm
of the most cruel kind
relinquish your hold
give up to me
bone of my bone
flesh of my flesh
soul that i would know even in death
release him to me
at once
else prepare yourselves
my wrath will not be soothed
my rage will steep to a high flame
a blazing firestorm
it will come upon you
in the daylight
you will see it afar off
—it matters not.
you will not be ready.
i will have him.
your clutching fingers will reveal him to me
i will make it so
and you cannot stand against me
This could honestly work for either Mike or Will from either perspective. Both are traumatized and both are extremely protective of the people they love/are in love with. It gives paladin and cleric vibes too thanks to the language and the talk of spirits and souls.
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kirinda-ondo · 2 years
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Reason #47266284764828 Aneas is legally not allowed to become Tall
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Bonus:
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I've wanted to draw these idiots doing the trench coat bit for years but my artistic skills were simply not up to the task
Until today
Anyhoo, as always, Bragi and Aneas are mine
Coulie belongs to @emizel
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doctordonovan-a · 2 years
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 ❀    ||   incorrect quotes:   feat.   @cptnpike​
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borrelia · 3 months
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i am once again thinking about how the 2010 book decided to have all the important character decisions offscreen (????) and then the movie changed the characters involved and had it be. a critical scene. at the climax. and it was waaaay better
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unproduciblesmackdown · 4 months
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billions sure seemed to settle on the people with Less Power who have in-universe supporting roles to the more powerful players ultimately doing better than the central men do (and not quoting hitler & raring to launch nuclear attacks as much, so nice job) & deserving to walk away, but where then it's like okay & so what about the people with less power than Them who had supporting roles to Them. so the pyramid scheme here crumbles as each more burdened tier may fall alway, is the extension. & billions is like oh no no it isn't. because the people in a lower tier than These [better than the central men] parties have less power b/c that's what they Deserve, of course. then you can turn to all the instances of billions, with the central men it knows are shit & refuse to change, having those central men express "other people have less power than me b/c that's what they Deserve, of course," and billions like "oh god. sickos. not true, & we're freeing those people these guys wrongly think are inferior" like okay and whoosh lightning fast swap that [central men / their support network] juxtaposition with [that support network / the Lower Ranking people who work with Them] and nope billions is just going "no yeah This power imbalance is objective & righteous. the Winners deserve to do whatever they want" like you do see how it falls apart (they do not, presumably)
and that as always the pyramid scheme is also a sierpiński triangle b/c you look at any point & zoom in & as always when [well a hierarchy is objective] is thee way, as soon as you have multiple people in a situation there must be an establishing of the hierarchy in that situation. and there we go in the finale where it's like the [s1 yay axe wags wendy sooo cool even if i guess don't let people die] continues and like taylor in s2 did get in in time with enough thought & with enough intention that the character be in Juxtaposition with everything s1ly, and they belong to the adequately deserving group of characters in the end and certainly with Any effort at giving them some focus, but they cannot disrupt their Deservingness by disrupting the Deserved Hierarchy and i.e. Not deferring to wags, wendy, axe. taylor & sacker (& philip) team would've had this wrapped up in two to four episodes; instead we have way too much focus on wags & wendy not doing anything except getting in the way, or being sooo cool, & at least taylor interacting w/axe was more characterful material for taylor, but they don't even really get to criticize anyone for getting in the way or being sooo cool terrible now or prior, like, okay look just ask axe why he's not being as totally epic as you know he truly is, and don't be helming this shit that's always Actually been most relevant to this once-newcomer character who was written to inherently contrast with all the s1 epicness, wonder why that relevance is. step aside and let our hero wendy through please while we all kneel & clap & think about our inferiority to her
then just bonus mentions like that i guess rian was supposed to also be contrasting but she just turns out yet another bog standard axe cap bully who happens to so totally be a woman, we remind you, yet different from bonnie in that she also is less overtly aggressive, despite this she's So deserving but not so much that they ever made room for something besides [if you removed her from the series it'd be so easy to make it so that pretty much nothing changes] despite that she was supposed to be like, relevant. even better we have our beloved ben kim who billions cared to have in every episode (if some eps cut post production?) and who was here in s1 but to first illustrate like where my 50something fellas at these damn young whippersnappers think they're sooo smart but NO only axe. which is why he deserves to be epic boss boy. and later on it's like well yes he's lower tier than these other characters but it's because he's Too nice. to truly become a winner you simply need to Believe you are one & act accordingly confident (i.e. it's still Deserved, his fault, he needs to step up & stop acting Like he belongs in loserdom) and we like get any material for him here & there & eventually tuk (zoom in on Multiple People, tuk is lower tier than ben, presumably billions considers that once again this is indeed Deserved) and in the end well he's still here, hooray, still so Unstrategic and An Pussy so we all see that, though we may pity him, his lower tier status is still brought upon himself, and hey also we need people to fill in the ranks for epic boss boy again so come stand over here okay thanks byeee
#winston billions#after years of Paying Attention like yeah will forever have some shit to say huh#also its Failures here re: its own themes + what it ends up prioritizing & evidently believing the whole time is like; miserable awful yea#obviously winston is given like [We pity disabled people amidst the contempt for Them] status similarly to a degree#but they didn't consider him a character / do place him entirely in Deserved Inferior Status / give him a lil extra He Deserves Abuse#and that's all they used him for in the end; Loser Fodder for [oh wags is so cool we love to see this Manifested in how he acts out#against someone else. like how rian was towards winston the whole time; that showed us she's also so cool & deserving. cue also wags like#godawful bizarre patronizing no boundaries comments towards her sometimes?? that was just Fun & Fine for billions i suppose]#(also that presumably around here if being like patronizing misogynist etc happens well just ignore it / be unfazed. checkmate!)#at the same time taylor who's hired & kept on this guy & Needs him back actually now has no relevant character details in an ep ft winston#except that they live for allistic supremacy & beyond that: wags supremacy. like yeah wow another [give taylor some material??] win in s7#nope it's the final ep & we have precious screentime given to wags n scooter chat who haven't like talked all season & always had an duo#that underwhelms / is so much less important to anything going on ever than the taylor & philip duo. who do not get to interact#so [thinking emoji] that say it's when scooter & wags march up to quants like OK SNOWFLAKE MILLENNIALS here's ur PARTICIPATION TROPHIES#it's an instance of quant duo working together....offscreen! after rian insults winston out of nowhere! & we clap for the 50smthng epicry
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suppermariobroth · 2 months
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In Super Mario World, an object is considered as being offscreen if the leftmost edge of it is offscreen, regardless of how much of it is still onscreen. This causes all of the object's interactions with Mario to be turned off.
Most of the time this is not relevant or noticeable as Mario is usually near the center of the screen and most objects are so small that if their left edge is offscreen, the object would likely fully leave or fully enter the screen in the following frames anyway.
However, there is ironically a situation at the very beginning of the game where this oversight can be experienced in a way that is very noticeable. Immediately at the beginning of the first level, Yoshi's Island 1, a Banzai Bill comes flying in from the right. If Mario follows it to the left edge of the screen, he will be able to jump through it unharmed as soon as even a single pixel of it leaves the screen, as seen in the footage.
Main Blog | Twitter | Patreon | Small Findings | Source: SMW (NA, SNES)
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dnalt-d2 · 2 months
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Not related to much of anything, but I love seeing YD's posts over on twitter. She's being so positive, and seeing all that excitement is downright adorable
Like when she saw a clip of Phil running over to pick her up after she got downed on her first day
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That's so freaking cute
Not to mention all the fanart she's been retweeting, even asking at one point if retweeting or quote-retweeting was better because she wanted to start sharing the fanart that people were making
And of course this post she made today after doing some offscreen digging
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And some iconic responses as a bonus
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I also wanna say that I really liked Jyungreok's (Let me know if I spelled that wrong) energy too when he joined, he was absolutely hilarious. Though he hasn't been on as much to see. Same with Acau and Kong (Again, let me know if I'm spelling these wrong)
It's just nice to see this kind of positivity again and remember the great things that this server can bring to people all around the world. I'm really excited to see more of them once the server gets back up and running at 100% again (I also cannot WAIT to see how YD and Kong interact with Chunsik)
(Edit)
Ohh and now I just saw her reply to Tubbo lmao!
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torturedpoetemotions · 8 months
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People miss the point about Dean's interaction with Marta the post office lady in 14x13 so hard and it's FRUSTRATING.
No, it's not a reversal of the running gag about older women finding Sam attractive (which is gross anyway because it usually involves playing his obvious discomfort at being touched without consent for laughs). It is also not just Dean trading on his looks and flirting to get what he wants.
The point is to illustrate a significant difference between the brothers!
Specifically how they interact with the community of Lebanon, and what that says about their characters.
At this point in the show, Sam and Dean have now lived in Lebanon for like, six and a half years. And yet Sam approaches this woman like he would approach any stranger or witness in any random town in the country. And she reacts to him like any witness would to a strange man asking questions--with caution and some level of suspicion. It is incredibly clear that they don't know each other at all, despite how long they've been living in the same community.
But Dean knows her! And not just by sight and in passing. He's on a first name basis with her! He asks about her grandson and she readily answers! She knows his first name, too! They very clearly have an established report and have talked many times, enough times for her to have complained to him about her "spoiled little jerk" of a grandson!
This scene establishes that Dean is a known entity to at least some of the people of Lebanon. A known and LIKED entity. Trusted, even! He has truly put down roots there in a way that Sam has not, despite them living there for the same amount of time. He's bonded with people he sees regularly. He has little interactions with them offscreen all the time. That tells us something about Dean as a character!
And if it's a reversal or play off of anything, it's 1x11 (Scarecrow) when Dean fails to convince a couple who is in danger to let him fix their car so they can leave town sooner. Dean assumes (incorrectly IMO) that it's because HE specifically comes off to "normal people" as abnormal and dangerous, whereas Sam would be able to convince them with just a sincere look. In reality, of course, it probably has more to do with Dean being a total stranger, with no obvious credentials for car-fixing other than his word, in an unfamiliar place, than it does any inherent quality of Dean himself.
Because the key is, Dean isn't putting in any special effort in either scene. The way he approaches the couple is a contrast to how he usually handles cases. There's no costume, no subterfuge, and no alias. He isn't trying to fool either the couple in 1x11 or Marta in 14x13 into liking and trusting him. He's just being himself and telling the truth in both scenes (maybe not ALL the truth, but the essential basics). It works on Marta because she already knows and likes him. It doesn't work on the couple because he's a stranger to them.
So in 14x13 (and at other times in the show too) we see that Sam is not any better with people than Dean, especially when he makes no effort. He in fact gives off somewhat alarming vibes to strangers when he doesn't present with some kind of subterfuge that engenders immediate trust (i.e. being an FBI or insurance agent). (Think of Amelia's initial reaction to him in season 8 for example.) And this is true even for people who have almost certainly seen him around before, in the town he's lived in for over half a decade.
And the fact that he has made no effort to get to know his neighbors is telling in itself. Sam isn't any more automatically trustworthy to regular people than Dean unless he puts in specific effort to be. Costumes and aliases, fake credentials, even that specific face and voice he uses to talk to witnesses are all effort he has to put in. And that effort is not something that comes naturally to him or occurs to him outside of the context of a case. (I think we also see in season 6 exactly how much conscious effort those things require of him, given that without a soul he not only lacks personability but is downright impatient with and insulting to people.)
It's actually Dean who's good at building bonds, establishing casual report, and eliciting trust from people. And moreover, it's Dean who thinks to make the effort to do so. Sam is better at leading hunters specifically, but that's a whole different story and meta.
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little-pondhead · 1 year
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Some fic because I love your au, Fenton is gender brainrot, and little baby dan cracks me up. Full disclosure, my only familiarity with DC is DP crossover fanfic, and a Batman movie I fell asleep during. (If I had a better grasp on the characters I would totally write more :(( i love interactions) also sorry for the weird spacing. Idk why tumblr did that
~~~~~~~~
There was an empty cardboard box on the table of the Justice League’s main conference room. Taped on the top flap, next to a doodle of Fenton’s logo, was a jump drive.
Heaving a sigh, Batman plugged it in and pulled up his screen on the projector. The drive, which was named “little baby dan’s evil playtime”, contained two files; WATCH_ME_FIRST.mp4 and its-a-secreeeet.pdf. He clicked on the video file, and immediately the projector filled with a blurry close-up of Fenton’s goggles.
After a moment of fiddling with the camera, Fenton stepped back, giving a cheery wave. His lab coat and goggles were a pastel pink, which was new. “Heeeeya, Bats! Whoever else is there! If you’re watching this, you probably weren’t there when I dropped the box off, aaand it’s probably empty.”
He clapped his hands together gleefully. “And Connie, if you’re there, this is payback for cussing around my daughter.” Batman was instantly relieved that Constantine wasn’t on base. Hopefully the situation wouldn’t require Constantine’s expertise. (Or any of the Justice League Dark. Fenton seemed determined to drive them all to an early grave with his casual refusal to acknowledge the supernatural air around him.)
“Now, as you’re all heroes, I’m sure you’re all familiar with the whole,” Fenton paused for a moment, as if searching for the proper words. “”You ate a burger on a Tuesday or something equally inane, and it kickstarted a series of events that led to you going insane and evil and murdering 95% of the Earth’s population and now you must fight your evil alternate self, because your time-controlling cryptid Peepaw said so,” shtick, so I’ll skip the backstory. Say hi to Dan!” Fenton grabbed the camera, and Batman quickly jotted down several notes about the concerning number of things the boy had just said.
The camera swiveled around to show Nightingale, holding a strange beast in a manner that reminded Batman of an “elongated cat meme” Nightwing had shown him when he was still a Robin. The creature bared a maw full of razor sharp fangs at the camera. Nightingale adjusted her grip to hold the creature’s paw and make it wave, which evoked a deep growl.
“Haha, he’d kill me if I did that. Dan likes Nightingale much more than he likes me.”
“Because the worst she has ever done is attempt to shoot me.”
The camera had moved, so Batman couldn’t visually confirm that the deep voice had come from the creature, but the voice didn’t match any of Fenton’s previously revealed companions. “Yeah yeah, her aim sucked back then.” Fenton gave the camera a toothy grin that was only slightly less unnerving than the creature’s. “Dan’s not technically me, he’s much more like Dani, actually, but the world would probably end again if we left him with his other... What did you call him?” Fenton glanced offscreen.
“Bane of my accursed existence.”
Fenton chucked. “The other half responsible for his existence.” Batman added more notes to his file. “So, yeah, Clocky left him with us for a bit to help along his rehab. But a certain psychologist-in-training I know says that repressing rage isn’t healthy, and even without a lot of his powers, he can wipe out most of a city in- what, an hour? We tested it. It was around an hour.”
Everyone present shared a look of deep concern. As if able to see their reaction, Fenton quickly held up his hands in surrender. “Don’t worry! Clocky reset it. Approximately zero people have died from Dan in this timeline.”
“Yet.” Came a furious rumble from off-screen.
“Yes, you’re very scary.” They heard Nightingale coo.
Fenton laughed. “Yeah, we need him- and all of you, -out of our hair for a bit while we concoct more evil plans, and you’re all the least likely to die to him, so you get to babysit! Thanks!”
He reached to shut off the camera before pausing and turning away. “Foley! Which of the furries is the one who really likes animals?”
“Man, do you realize how that sounds out of context?” Foley laughed. “I think Tim said it’s the little one. Damian?”
Fenton nodded and turned back to the camera. “Don’t let Damian try to adopt Dan. Or anyone. Dan will bite their hands off. I mean it!” To emphasize his point, he removed one of his hands.
Batman sighed and added “ability to remove limbs” to a list of Fenton’s powers.
“I’ll include a list of “tasks”” Fenton’s disembodied hand made finger quotes, “we gave Dan to keep him occupied. There’s some at the bottom for you guys. They’re mostly just blatant abuse of his powers for the sake of fun and science. I’d appreciate it if you’d let him mark things off the list and add notes on how it goes. Or you can do it. Or I can steal your cameras. Your choice.”
He thought for a second. “I think you’re supposed to leave, like, pizza money or something, but I don’t think you can get pizza delivered to space. Anyway, thanks for letting me blab your ears off while Dan’s probably committing war crimes for twelve minutes. For your sake, I hope he inherited my interest in space. Good luck! Thanks for babysitting!”
Waving with his still detached hand, Fenton ended the video. Batman closed it and opened the PDF as the few other members present murmured amongst themselves. Most of the pages were filled with a curling script Batman didn’t recognize. The fourth page had a huge, bolded header, reading JP TASKS.
The door opened and shut in half a second as the Flash burst in. “Superman!” The speedster wailed. “I can’t get this thing off of me!”
The Flash waved his arm around, sending small droplets of blood flying as he tried to dislodge the creature sinking his teeth into the speedster’s arm. Batman raised an eyebrow beneath his cowl as Superman quickly lent his super strength in attempt to pry the creature’s jaw open. Dan didn’t budge.
Well, he could certainly see the family resemblance been Fenton, Dani, and Dan. Shaking his head, he turned back to the list.
Task 1: Find Dan. He’s probably attacking someone.
He highlighted the text and crossed it out. This was going to be a long shift.
[Anon, this is me crying over the wonderful gift you have given me. You bastard.]
---
"Do you think Fenton's regeneration powers extend to his..." Green Lantern frowned, trying to remember the word the kid had used but coming up blank. "I dunno. But do you think if we cut off little Dan here, he'll heal back up with no problem?" He gestured helplessly to the scene in front of him. Flash was still screeching about the beast on his arm, and now Superman and Wonder Woman were trying to pry him off. Batman was standing to the side, silently bemoaning the lack of quiet. He just wanted one peaceful shift. Just one. Please.
"I'd like to see you try, hero. And I'm not little." Dan spoke, startling all of them. His grip on Flash's arm tightened, making the speedster squeal before releasing the man and spitting out a mouthful of his blood. Batman noticed that his mouth didn't move despite the clearly spoken words. In fact, when Dan closed his mouth, it was like he didn't have one at all.
"So you do speak!" Superman marveled.
"Of course I do. I am not unintelligent, unlike you lot."
Despite his pain, Flash still made sounds of protest that everyone promptly ignored.
Superman flushed. "I just wasn't sure. It was hard to tell in the video."
"Ah, yes. The video that the Fenton menace sent you. Was there a note for me in the flash drive?"
"Uh, no." In one of his less finer moments, Green Lantern stuttered over his words and moved in front of Batman, obviously lying. Dan merely growled and flew through both men, heading straight for the giant monitor. Batman barely suppressed a shiver. Density shifting? Might as well add it to the list. He could see Martian Manhunter, who was in the back of the room, tilt his head at the display.
Dan ignored the room as he used his entire body to manipulate the computer mouse and scrolled back up to the top of the page. Staring intently at the scribbles no one could make out, the heroes could do nothing but shoot each other nervous and confused glances. More than a few of them jumped when Dan chuckled deeply. Honestly, his tiny body was at complete odds with his baritone voice.
"Maybe rehab will be fun if he's letting me do this." Dan sneered, flashing their reflections a sharp fang. No one wanted to ask what exactly he was in rehab for. The little beast turned his gaze to Batman. "You are the one called Batman, who rules the cursed city, correct?" The dark hero nodded, not trusting himself to say anything. "Excellent. You will be my chaperone for now, just as Fenton decreed it. Good luck, mortal man. Pray, I do not destroy your home a second time."
Without any time to unpack that conversation, Dan promptly disappeared from view. Some blinking text caught his attention, and Batman scrolled back down to the English text, glancing at the next few items on the list.
Task 2: Do not let Dan read his portion of this letter until you have a way to track him. There is no containing him.
Task 3: Keep him with a chaperone at all times. (If you can)
Task 4: Do not let Dan back into Gotham unless you're fine with a sudden decrease in the clown population.
Task 5: Take him for a walk in Death Valley. He likes hunting lizards.
Task 6: Make sure he goes down for his 2pm nap every day.
Task 7: He'll ask for it, but do not give him any burgers for mealtime. It upsets his stomach.
Task 8: Dan gets ONE(1) sweet after dinner before brushing his teeth. Those green pop rocks Batman always carries will do fine; he likes those. :)
A sudden alarm blared from his wristwatch, making Batman tear his eyes away from the screen, indicating an emergency at Arkham. This time, Batman actually sighed out loud. There was more to the list, but right now, he really needed to find their new charge before he killed the Joker, from the sound of it.
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