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#and basically no one else in the whole world
eastbubble · 1 day
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you and 09!ghost were never really on good terms, things were always frosty and cold between you two. missions kind of connected you guys but that was notning special, it was the same with everyone else on the team so you wouldn’t really consider that extraordinary.. until something happened.
the location was already bad enough — georgian - russian border, what a blessing. a part of the task force was supposed to clear the house hidden in the woods in hopes of finding makarov as this was one of his possible hiding places. you could only hope for the best.
the mission didn’t turn out to be a success, though. the area was cleared and you shot what felt like hundreds of soliders, yet there was no sign nor trace of the man that the whole world was looking for — vladimir makarov. roach was downstairs copying the files from the central computer he found there, but it was taking extremely long and you just couldn’t help but start exploring the house out of boredom.
your heavy gear was sticking to your body like a soaked towel, your body sweaty from all the stress that was put on you. the wooden floor was creaking under your military-issue boots that were so uncomfortable on your feet after such a long day. however, after a while, you heard the sound of another pair of boots knocking against the probably rotten wood, making you turn your head and look up. ghost. it’s ghost.
“impressive. you did really good,” he mumbled under his breath, though he didn’t seem like he was actually serious. to be honest, you didn’t even know what he sounded like when he was dead serious. the balaclava on his face always somehow filtered the tone of his voice and you couldn’t guess what could be going on in his mind.
and the next thing you remember is him pushing you against the wall and slamming his lips against yours, the fabric of the skull-print balaclava obviously being in the way. both of your saliva made a little spot on the soft cotton, and what a funny touch because you imagined your panties looking the same — with a silly little wet spot on it. he held you tightly under your butt with one arm, your back against the wall so it would be easier for him to keep you up in the air.
just like that, he was already reaching down to your panties. unzipping your pants with shaky, gloved fingers as he seemed incredibly desperate. he circled the wet spot on your undies, outlining it with the tip of his finger as a horrible excuse of foreplay. just moments later he was in his pants too, needily taking his rock-hard cock out of his boxer briefs and not wasting any time to pull the fabric covering your pretty cunt aside, almost immediately sliding into you.
it was really weird that he didn’t say anything. it all just happened and it was weird. you laid you head into the crook of his neck, fingers gripping the gray wool-ish texture of his pullover. at first he only slid in with his flared tip but then seconds later he pushed more of his length in, letting you feel the raw veins on his slightly curved length. he was huge and you were sure that he would hit your cervix the moment he bottomed out inside you — and that was why you began protesting with soft little sounds coming out of your mouth, tiny and silent moans of his rank slipping out. not ghost nor simon, not even riley. you felt ashamed that the only thing coming out of your mouth was just “lieutenant, please..”
“ssh, we don’t want roach to hear you downstairs, do we?” he asked almost silently, but you could tell that he was holding back a few gruff grunts too, judging from the way he breathed. “do we, sergeant?”
“no. no, no. but it’s so-“ and you had to swallow the rest of your sentence down because of how you could almost feel his tip leaking inside you with every word you painfully uttered out. it was messy and sticky, the lewd sounds your pussy kept making were basically reverbating off the walls. and it was all dripping down into your panties, small droplets sliding along your slit and soaking into the thin fabric. “nasty..”
“fuck..”
and as soon as he mumbled that curse out, you heard a pair of boots againts the wooden floor — one that sounded identical to your and ghost’s ones. shit. shit!
looking over ghost’s shoulder you had to blink thrice to confirm that what you saw was indeed real. roach stood there in the doorway like a deer in the headlights, his goggles pushed atop of his tactical helmet as you could physically see his adam’s apple bob from how hard he gulped. he held a few papers and an usb memory stick in his hands, fingers shaking as he slightly raised it up in to the air. “it’s- it’s done, sir-“
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f4nd0m-fun · 2 days
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DPxDC - Mafia Ties
Good parents Fenton and redeemed Vlad escaping to another universe with Danny, Jordan, Ellie, Jazz, Tucker, and Sam because of GIW chaos getting so bad they literally need to go to another world to get help, only for the portal to close, and they can't open it from this side. Jordan is Jazz's age maybe a year older and Ellie accidentally got deaged to her actual age give or take which is probably about a year and a half old. Yes it's the Family Breakfast ship.
@hallowsden
Cue Vlad doing his whole possession stuff to not only get them new identities but carefully accumulate a small amount of wealth, not enough to be suspicious in his opinion but still.
The Fenton parents start looking to see if/where this world has ectoplasm because the kids, and maybe Vlad, need it. Hel, maybe the parents accidentally need it too after all those years of exposure.
I know everyone chooses Gotham for this stuff, but also that's about the most I know about DC and it has a Lazarus pit underground so we're using it.
Vlad doesn't get back into the proper businessman profile, too many eyes for him to feel safe after the GIW disaster, but he does end up a Mafia boss, or at least tries. Also, Hood becomes a new 'son' obsession for him, yeah he has Danny and Jordan and Ellie but this kid is also ghosty and probably hungry or something, right?
Hood doesn't get what's up with this weird older man who always has a baby with him, let alone why he'd even bring a baby along to mafia stuff.
Vlad thinks it's safer to have Ellie in mafia meetings than be left with the Fentons during their research obsession periods because they will literally not pay attention to anything else unless it's an emergency, it's not their fault, they're learning to manage it though.
Speaking of Fentons, they work on clean energy manufacturing topside, but underground they deal with weapons. Mostly they supply them to Vlad's crew, since that's basically their testing grounds, but they also don't make anything that's actually lethal. Vlad isn't a fan of guns though but he isn't about to bring out his plasma blasts if there isn't a good reason. (He pretends anyone who sees him cackling like a maniac hit their head, he did say he hates using guns after all).
Jordan and Jazz are probably about 17/18 now. Jazz is going to college, while Jordan slips his way into the kid's mafia (yes he knows he's a kid now too, shut up, he used to be 24). This is half to annoy Vlad and half because he's curious. Jazz, of course, with a little help from both Vlad and Tucker in getting her grades moved between universes, is in college soon, and manages a full scholarship (not that Vlad wouldn't have paid if he still had his old money, in fact he might even be a little jealous that he wasn't the one to pay for her schooling).
Jordan looks a little more like Vlad than he does Jack, due to the way the ghost half fusion effects everything, but he also looks more like Jack than Maddie because Jack is what Danny would have grown into anyway.
Ellie of course just looks like a nearly carbon copy of Danny of course, just baby and female.
Danny, Sam, and Tucker are all going to Gotham Prep, if Vlad can't pay for Jazz's schooling then he's paying at just some for theirs (they might have partial scholarships but not full ride). Danny still sneaks out at night because he can't stand sitting still after an hour time being a vigilante and ends up running into the Bat. He promptly apologizes for invading his haunt and flees.
If any ships, I'm thinking Jazz/Jason and Jordan/Dick, but I'm a sucker for everlasting Trio and Tim also has a trio of his own.
Back to Ellie and Vlad. He of course is trying to keep any 'Meta' rumors on the downlow, but she's just a baby. The harness she's in is ghost proof mostly so she can't just phase out of it, but you try changing a baby's diaper and they just turn intangible, or put then down to nap when they start floating. Hel, imagine setting her down for two seconds, she accidentally makes a shield, and now she's crying because she wants to be held. Sure, Vlad and Danny both, Jordan and Ellie too, can go through shields in human form, but that doesn't mean it doesn't sting or something. Eventually it gets figured out though.
I wonder how long it takes Jason to figure out that this Jordan fellow is related to Vlad. 😂
I also wonder what it would take for Vlad to actually use his ghost form outright, what kind of threat he'd expose himself to for the sake of his family. Just, shoving the kids at Jack - "Darling your aim is iced tea, let Maddie and myself handle this" - and doing what he has to.
And, yes, even as a Mafia boss he refuses to actually swear. Also, he probably still goes by Plasmius, the way his other form looks does NOT help the vampire rumors. Let alone the- well, I read a post on here a while ago where Ellie Danny and Jordan were deaged and needed his ectoplasm to survive. Imagine being a Plasmius goon in a meeting while he's trying to rock his baby to sleep and she's just sucking on his hand. You don't think much of it until you see he's bleeding and, even though it's technically red, your pretty sure it's glowing green and you're not sure if you want to ask (you won't but still). Plus, he's not even reacting to what must be a fair bit of pain, right?
Honestly, there's probably a betting pool about the whole weird family.
And of course I'm bringing in my Alfred Clockwork storyline. Flashpoint Thomas is Frighty, dead Thomas is Pariah, and Gotham is Martha. The moment Vlad finds out that Jason's grandparents are some of the most powerful ghosts in the realms (or at least this side of them in Gotham's case) he's like "okay I won't interfere, but maybe he'd like a friend? He doesn't seem to know a lot of ghosts.' (he tries to figure out which kid would be a better fit and that's when he finds out Jordan's been working for Hood this whole time. "You didn't tell me?" "You didn't know?!") 😂
Basically, give me a Mafia family who's major story plot isn't even the bats outright, it's just trying to survive after fleeing a world that may as well be destroyed at this point. Sure, they interact with the bats, cross paths, maybe even a couple relationships, but, overall, the Fenton-Masters are just outsiders in Gotham, learning to adjust to this new life.
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It happens by chance, and while Harry wishes it hadn’t, this will at least clear up any lingering uncertainty for him.
There’s a skirmish between Harry and some friends from the Order and Voldemort and his Death Eaters, and a couple stray curses happen to catch him – one slices shallowly into his upper arm, the other sends him rolling across the ground. The upshot of this is that the left shoulder of Harry’s shirt is now in ribbons and hanging down around his waist, leaving his chest – and soul mark – bare to the world. Including Voldemort.
Who looks like he’s having one doozy of an emotion.
And that basically confirms the dark wizard hadn’t known, but right now Harry’s bleeding sluggishly and wants to go home and have a drink and pass out for at least a few hours, so Voldemort can rage on his own time. Everyone else from his side has already buggered off, so he’s not abandoning anyone if he does the same.
Unfortunately, the blood loss – while not severe – is enough to slow his reaction time, which leads to him apparating himself and the Dark Lord latched onto him to his flat. Not ideal.
There are a tense few moments of staring at the snake man, waiting to see if he’ll attack or start destroying Harry’s home, but when he doesn’t take advantage – when he just stares and frowns and stares some more – Harry decides he’s too tired for this shit.
“You are just impossible to ward out, aren’t you?” he sighs. The curse of being so physically and magically intertwined with the other man. (Well. And at the soul level, too, but he tries not to think of that.)
Voldemort yanks him by his uninjured arm towards the kitchen light that comes on automatically and stares at Harry’s chest, and the elegantly written Tom Marvolo Riddle thereupon.
Harry scowls when the staring drags on. “Oi, could you quit perving on me and piss off already?”
“You were never going to tell me?” Voldemort demands, ignoring Harry’s half-arsed attempt at distraction.
“Of course not,” he scoffs. “Why the Hel would I? Either you already knew and it didn’t matter to you, or you didn’t – and I wasn’t about to risk baring my soul to someone who has a history of wanting me dead.” He shrugs. “I’m reckless, not suicidal.”
Voldemort opens his mouth with an angrily indignant look, and Harry looks to the ceiling for patience before pulling out of the other man’s grip and opening his emergency bottle of firewhiskey, hidden in the pantry, because this conversation needs alcohol. He pours two glasses (his to the brim) because he tries to be a good host, even to the bane of his existence. And if Voldemort doesn’t want it, well, it’ll save Harry getting the bottle out again.
All throughout this, Voldemort is ranting at him. Harry tunes most of it out – he’s had to hear enough of the man’s monologues to know he doesn’t need to listen to the preamble; the meat of his diatribe won’t come until a couple minutes in, at least.
After he casts a quick episkey on the cut on his arm, Harry leans against the counter, watching Voldemort pace around his modest kitchen. He takes a long, slow drink, welcoming the fire flowing down his throat and warming his belly. And either the other man is taking even longer than usual to get to the point or Harry’s more exhausted and irritable than he’d thought, because he’s suddenly completely out of patience with this situation.
He cuts in boredly, “It’s not like it changes anything. It doesn’t matter.”
Voldemort is immediately before him, looming and enraged. “It matters to me!”
“Why?”
“I’ve waited decades for you,” he says vehemently, leaning closer in an attempt to physically intimidate or pin Harry in place.
Harry barks a harsh laugh. “You waited for a fantasy. You’ve spent my whole life killing and hurting the people most important to me. Some silly mark doesn’t change that – it doesn’t make it better, it won’t make me love you.” He takes a sip and rasps through the burn. “It won’t change who you are.”
“I never received a mark–”
“And that’s unfortunate. Clearly it affected you. But plenty of people don’t get soul marks and they don’t commit mass murder and incite civil wars.” He gives Voldemort a dismissive look, standing up straight and slipping out from between the dark wizard and the counter. He can almost hear the other man grinding his teeth. 
“You have no idea what it’s like, not having a mark,” Voldemort hisses caustically, face contorted in a furious snarl. “The contempt, the ridicule I had to endure. I was denied one of Magic's basic gifts and they took it as proof they were better than me, those worthless fools.”
It’s difficult to know how he would’ve reacted to not having a mark. His burden has been to have the mark of the worst possible person, and he thinks he’s handled it far better than anyone could’ve expected of him. Having no mark would’ve confirmed that he’s meant to be alone, that there’s no one out there meant just for him, but having Voldemort’s mark as Harry Potter essentially means the same thing.
“Maybe you mutilated your soul too much to deserve a mark,” Harry says in a fit of cruelty. Behind the wrath crackling in the other man’s eyes, he can see the misery bloom. As good as it feels to score a hit against Voldemort, he regrets it even more. And isn’t that the exact reason why this damn war has dragged on for so long?
(Harry pushes that thought away wearily.)
“You had choices, Voldemort, and you made yours,” he says quietly but firmly. “I’m making mine, and it’s that I don’t want anything to do with you.”
“This is not a unilateral decision,” Voldemort says, the frustration in his tone edging close to desperation. “Do my wants mean nothing?”
"Your wants." Harry slams his almost empty glass down on the table; his voice comes out dangerously even. “Alright then. Can you bring my parents back to life? No? How about Cedric, or Sirius, or any of the dozens of others whose lives you’ve cut short?”
Voldemort’s mouth is pinched shut, a thunderous frown on his face.
“Hel, let’s start small. Stop this war, swear to never harm another person and get your followers to do the same. You want me to care about what you want? Start by addressing all of that.”
“You ask this of me and promise nothing in return?” Voldemort says bitterly.
“That’s the bare minimum it would take for me to see you as anything more than a murderous, blood-supremacist monster. And I honestly don’t think you can do it, but feel free to prove me wrong.”
That puts an unsettling gleam in the other man’s eyes. Harry thinks back on what he might’ve said to cause that reaction and feels his stomach drop. Oh bother. He’d challenged Voldemort. Harry knows exactly how he'd react to someone saying that; apparently Voldemort is equally competitive (and motivated by spite – he should’ve guessed that).
“...If I am able to–”
“You won’t–”
“When I fulfill your requirements,” Voldemort arrogantly says, face intense. “You and I will explore our connection, and you will meet with me frequently to do so.”
And now Harry is in a quandary. If Voldemort does what he’s been asked, Harry will have achieved what he’s been fighting for all six years of his adult life; if Voldemort doesn’t, Harry’s no worse off than he was before. And he knows the dark wizard won’t give up his cause simply because his soulmate asked, but if Voldemort does…
“You do realise that your soulmate is me, yeah?” Harry clarifies, unnerved by the shift in the other man's demeanour. “You don’t like me. At all.”
“Nonsense,” Voldemort says, waving off Harry’s really very logical point. “We simply haven’t had a chance to become properly acquainted.”
“...Because you’re always trying to kill me.”
“Details, details.” 
Harry would very much like to strangle the megalomaniac who is still in his apartment. “...Uh-huh. Sure, you become a completely different person and we’ll talk.”
He sometimes forgets that magic occasionally disregards sarcasm. This appears to be one of those times, as the heaviness in the air snaps tight around them, signifying Harry’s flippant “sure” just turned this discussion into a magically binding agreement. Merlin’s pierced nipples. So much for intent over phrasing.
Catching sight of Voldemort’s smug smirk, Harry suddenly feels genuinely homicidal for the first time in his life. Sensing his non-existent welcome is well and truly worn out, Voldemort says, “I look forward to it,” and apparates away. Harry pitches a cushion through the space the dark wizard just occupied. It helps settle his irritation a little.
He drops onto his couch with a deep, bone-tired sigh and tosses back Voldemort’s untouched glass of firewhiskey. 
He wonders if he’ll feel disappointed or relieved when Voldemort realises he’d rather keep trying to subjugate Magical Britain than have Harry as his soulmate.
Three days later, the war ends.
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dross-the-fish · 12 hours
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On a scale of 1-10 how does Erik rate the rest of the Crew’s singing voices? (Regular singing, not opera) How would Erik describe the others voices? 
Henry Jekyll-The kind of pleasant and unambitious baritone one would find suitable for the parlor at Christmas and perhaps even the occasional solo in a church choir. It is fit for the entertainment of close friends and family and should not aspire to be heard anywhere else. The very definition of mediocrity in all aspects 5/10 Edward Hyde - More emotive than Jekyll but sings exclusively filth and has no interest in staying on key. One senses he plays up the roughness in his voice more than is natural 3/10 Adam Frankenstein - Bass, marred by a harsh graveled rasp, he has plenty by way of depth and power but no skill and he hasn't the range or tunefulness for even the most basic of schoolyard jingles. 1/10 stick to reading poetry and giving tedious monologues. John Watson - Surprisingly nice, the voice itself is a pleasant and flexible tenor but it is his sincerity and expressiveness that lend his singing a favorable quality 7/10 Selma Morris - Bouncy soprano, good enough, one supposes, for a jaunty tune around the campfire and tolerable when accompanied by drinks and guitar music, crippled by an annoying twang and the woman selects only to sing raunchy bar songs befitting a seedy saloon 5/10
Theodora Kipp - Contralto, difficult to gauge her actual skill level since she never challenges herself. Had consumption when she was alive and the damage to her lungs is obvious in a lingering huskiness and limited vocal range. Compensates a lack of confidence in her singing ability with her acting skills which is more effective in covering her weaknesses than I initially gave it credit for. Entertaining performer on the whole but her vaudeville sensibilities hold her back from true success. 6/10 Quincey Harker - the less said about his off-key shower warbling the better, obnoxious vibrato, 2/10 Lawrence Talbot - countertenor, despite being in his twenties he still sounds like he's going through puberty, croaking and cracking every time he strays to high or to low outside of his extremely limited range, could be used to torture our enemies. 0/10 I am, myself, a legendary vocalist and needn't flaunt my own considerable skill. I advise those of you who scored lower than a 5 to cease singing in all capacities, you are doing the world no favors when you open your mouths. To Lawrence in particular, if you utter anything resembling a musical sound in my presence again I will destroy you. To Dr Watson and Dr Watson only, please consider seeing me for vocal lessons, I believe yours is an instrument that could be polished into something far greater. The rest of you are free to continue on with your bland mediocrity but please do so out of earshot and in the privacy of your own small social circles. - OG
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fishhjuice · 5 hours
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An In-depth C-Side Characterization Guide/Cheatsheet by Dottie Fishjuice
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Greetings! I am very autistic and therefore knowledgable/cursed about C-Side, and i hope to curse you too. I at least to my knowledge has read thorugh everything provided to us and pondered on it, and now i will be sharing.
This was very much inspired by the analysis provided by @/arogustus and @/evil-urchin.
Everything I will say I will point (at the very least try) to point the source of, because i minored in Comparative Literature so this is how I do literary analysis. The smaller text inside parathesis will be my thoughts and speculations, and I will try to keep these at a minimum, trying to stay as factual as possible.
C-Side as a Whole
C-side is the representative band of the Splatlands region. In fact, it is said that "No band reps harder for the Splatlands than this trio" in Splatbase, not even Deep Cut. They are, aside from Riot Act (which is like C-Side 2), the sole splatband to be from Splatlands.
They have at least been active for 8~ years, being active at the same time as Squid Squad (from Beika's tweets).
In the words of Big Man, "C-side has been making great music for a long time", and has served as one of the musical influences to Deep Cut. [X]
In the tweet presenting Paintscraper [by SplatoonJP, for this bit was lost in translation], they are characterized as a "tight-knit trio". This fondness is also portrayed in several of Beika's tweets.
Who else but Kiki would come back to a band they quit once? Well, I'm pretty sure that the guys who let 'em back in probs would too.
Paintscraper is based on a demo that Walter made. I heard that he played the guitar himself too. It's very silly and ridiculous, but it has a unique charm to it. If I get the chance, I'd like to share it.
(I believe this to be also evident in their music, with Beika and Kikura dueting in all of C-side songs, even Splattack which is originally a solo, speaking into their cohesion as a band and whatnot. Not to mention with Splattack, Uotora and Kikura basically enabled Beika's revenge quest. With the vocalists shouting "C-Side" in Headhammer and Paintscraper, they seem pretty proud of themselves too (which they are and ill talk about it), but this is more speculation than fact. I will get into things more in individual character sections.)
One of the only bits of characterization given by Nintendo to C-side is the fact they have 1) the ambition and 2) the attitude. [X] (I find their ambition to be underrepresented in fandom)
In their introductory tweet [by SplatoonJP, this part again not being translated to English] , they are said to have come from lower economic backgrounds and have no formal music education, making up for this with the said ambition.
As for their attitude, Inue himself has said "The members of C-Side aren’t a well-behaved bunch.". C-side has also been called rowdy, and rebellious.
The combination of their ambition and attitude seems to manifest itself in the form of insolence. It is said that "These three don't doubt for a second that they're the greatest band alive." (And I would like to emphasize "These Three", not only Beika)
That isn't to say their confidence is totally misplaced. They are said to have the most momentum to become the most popular band of Inkfish world [X] out of all, to the point they might have even inspired a counter-movement in the form of H2Whoa ("An Inkopolitan retort to the wild "Splatlands sound" folks were used to"). This is also supported by how the exact word Beika uses to describe Inkopolis is repeatedly used to describe H2Whoa both in their introduction and their Splatbase page, pretentious.
Not only that, Bait and Click (normal and mutation) could also speak into the recognition they get as artists, since the W-3 Cellist is said to recognize only the most radical of works [X]
They also seem to be very well loved within Splatsville. Despite having no billboards or posters in Splatsville unlike Wet Floor and Squid Squad, the statuettes of their shrimpets are all over Splatsville, in a food stand during Splatfest and in Grizzco office. (It seems to me more like they don't need to advertise in Splatsville at all, people already know who they are, whereas they have posters in Inkopolis)
Speaking of these shrimps, they are implied to be the kind of animal that spooks easily by Frye in her boss dialouge, talking about how "[Neo3] can't treat her eels like shrimp"
Murch's suitcase features an older version of the C-side logo, indicating he is probably a fan.
Although SplatoonNA calls them grungy in their introductory tweet, it is pretty obvious from the tempo of their music, their characterization and the fact they are self taught that C-side is supposed to be less of a grunge band and more of a punk band. For us who are unfamiliar with the difference between genres, grunge is more dark, nihilistic, wretched, angst-filled and anguished, whereas Punk is more rebellious and filled with fighting-spirit. Inue also calls their music "bright, easy to groove to, but still heavy". (I would personally love to see them being characterized as such)
The fact they have no sad defeat theme also probably plays into how C-side is supposed to be bright. The name "Learning Curve" also is a bit more hopeful/positive, possibly giving a glance to how their lyrics could be. (This could speak into their attitude towards their fame, which came after years)
Again playing into their ego, "Rinse/Repeat" seems to be imply something about how effortless winning is to them.
Their music is supposed to be intentionally (by developers) reminiscent of Squid Squad's. In the words of Inue, "We’ve also been keeping in mind the feelings of  "primary colors" and "impulses felt when starting something" from the first game." and in the words of Minegishi, "What was at the forefront of music in the first game was a fast, playful and summery feel using just a few notes. For C-Side, which plays a central role in the third game's music, we made the deep bass and upbeat melody stand out in their music while reminding the audience of the sound from the first game."
Interestingly, their music is also supposed to "counter" Wet Floor's.[X].
It is said that "They don't ask permission to cover other artists' tracks, and they claim their versions are better.". Although this brings up the question if they frequently cover other artists' songs, it is most likely refers to Splattack and Splattack only, as Beika feels the need to clarify why they covered Splattack.
And this is the end of the band section.
I will be getting into the very little we know of their individual characterization under Read More. This part will be a bit more speculative, and cannot be as factual due to the nature of how character analysis works. Your interpretation of these facts is just as valid. If you skimmed or scrolled this far, thank you so much for your time.
I will be going in the order of how much we know of these characters. Unfortunately because most we know about these characters come from Beika, in a way at times they are characterized by their interractions with Beika. I hope to not sound biased. Here we go.
Uotora
Uotora is a long spine porcupinefish.
One thing that jumps out from the album art itself is that Uotora has their spikes out. Spikes of porcupinefish, which Uotora is, only stick out when they are are inflated and otherwise is supposed to lay flat against their body. You already probably know that these fish inflate themselves when they are frightened/threatened. Given this fact, it is very likely Uotora has an anxious personality. (This could be also be playing into Uotora's name in an ironic manner. Uotora, which means tiger fish, could be a play on the scary fish being scared themselves)
They must have a bit of an ego though, considering "These three don't doubt they are the greatest band alive."
They, along with Kikura, seem to support/enable Beika's conflict with Ichiya, from the wording "In the case of Squid Squad's Now or Never!, they [as a group] even claim to be the originators."
They play the guitar and the drums in the Uotora demo. Listening closely, you can seemingly vaguely hear Beika singing along, which speaks to their bond.
Speaking of bonds, the phrasing of Beika's tweet characterizes them as just as willing to welcome Kikura back as Beika was.
Who else but Kiki would come back to a band they quit once? Well, I'm pretty sure that the guys who let 'em back in probs would too.
Best guitarist in C-side. Sorry Kiku.
Kikura
Kikura is a peacock bass.
Peacock bass are said to be aggressive and "downright belligerent" (pointing this out since it would probably affect them the same way Finn being a betta affects Finn)
Apperantly there is still an ambiguity about this, Kikura is the owner of the high-pitched voice without any doubt. In the music for Splatoon that has multiple vocalists, the vocals are panned to only play in one ear and which vocals play for which side line up with the album art for these groups, which makes Kikura who is in the right lined up with the high-pitched voice. We are also able to infer this from Clickbait, in the call and response part of the song, the high-pitched voice only sings when the guitar is playing.
They are stated to be often late to the studio.
According to Beika, they at some point left the band but came back. Beika speaks fondly of this, implying a level of trust between the two.
Who else but Kiki would come back to a band they quit once?
The relationship between the two seems to go beyond this. Despite Beika writing the Triple Dip, they are barely in it, propping Kikura in the song. This also happens in Splattack, which is not only turned into a duet, but also is more guitar heavy, at times removing the bass sections [X]. (It seems to me that Beika likes to show off Kikura)
They, along with Uotora, seem to support/enable Beika's conflict with Ichiya, from the wording "In the case of Squid Squad's Now or Never!, they [as a group] even claim to be the originators."
Again, they are implied to have a bit of an ego, "greatest band alive" yada yada yada.
The tweet about leaving is not about Riot Act, since Riot Act is said to be "Hot on the indie scene", implying it is a new development.
Riot Act is a side project, which in popular music, is a project undertaken by one or more people already known for their involvement in another band, which SplatoonNA also points towards. So no, Kiki didn't leave C-side for Riot Act (but did steal Finn from Beika).
Beika
Beika is an inkling. Shocker.
Despite their vague similarities the idea Beika is Frye's brother is contradicted by canon, as Beika implied from their tweets (and the fact that C-side acted as a musical influence to Deep Cut) is older than Frye, not younger. (I made a chart for this)
They are the lower voice for the same reasons I stated for Kiku.
From their first tweets, they come off as friendly/cool or at the very least make the effort to come off as friendly/cool (I use cool very loosely)
They seem to be very invested in the music making process, as their first tweets are entirely about their music.
They seem to have the potential to be overdramatic sometimes, as they start their rant with the words "I'm typing this in a drunken stupor". Then again, they are drunk so take this with a grain of salt. (You know C-side lyrics probably go hard)
THIS IS ACTUALLY SO IMPORTANT: Beika does not make the accusation that Ichiya stole the song while drunk!! Please look at the wording!!
I've said this half a billion times this year alone, but Now or Never is a C-Side original.
"I've said this a million times this year alone" clearly shows Beika has made this accusation before.
Other than being very funny, the fact Beika can't seem to even remember Squid Squad's name seems to imply they are indifferent to it. The fact Ichiya is the only Squid Squad member called by name in their tweets goes to show it is Ichiya and Ichiya alone that drives Beika's ire. This is also supported by Beika's, although backhanded, compliment.
The tweet Beika makes before revealing Ichiya was their middle schoolmate is "If there's anything better than a late night meal alone, let me know.". This could very well be interpreted as Beika associating that feeling of loneliness with Ichiya.
It is also important to point out Ichiya did contact Beika.
He decided he was going to go to Inkopolis, and then after a little while, he told me that he had debuted with a band. I tried listening to them just to find out that their sound was so soft that it made my ink churn.
Along with "The Secrets of Front Roe" pointing out Ichiya is avoiding Splatsville "for some reason", it is more than reasonable Beika is not making up the fact Ichiya and them know of each other, and it is not a fit of baseless jelaousy.
While dissing Ichiya, they make time to talk about how they think their fans are cool and talented.
... Any of you guys would be able to make a song that's just as cool.
While doing so they also flaunt their talent, showing the extent of their ego.
I mean our song is this one 300 times better, right? Just wanted to make it clear that we're not trying to pay homage to it or anything like that.
The "You have some nerve to come crawling back home." is said in a very, very harsh tone in Japanese.
While Beika is a loser, they aren't seemingly the type to back down from a fight. Rather than apologizing, they simply say "I rambled too much last night." and go on with their lives.
--
And this is the end of it.
NOW. For a complete speculation,
From wording of "Who else would come back to a band they left" and their need to prop up and show off Kikura,
The fact Ichiya is self taught much like C-Side,
The fact Ichiya is avoiding Splatsville,
The fact Beika seems too proud of their work and very involved in the music making process
The fact C-side is characterized through their ambition
makes me think Ichiya more likely than not did steal Now or Never. It seems to me Beika's pride and ambition would not allow them to lie about a thing they didn't do. If i were to guess, from the fact C-side's Now or Never is a duet, it is likely song was written together before Ichiya took off.
Thank you so much for reading if you actually read this far. See you when Side Order Art Book demolishes all of this!!
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gutterfuuck · 6 hours
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ok all i can think of is super pervy & creepy incel mark w a reader who lowk knows he’s super weird and creepy with her but is like…into it. like he steals her underwear and gets off on the smell of her and she knows and is just like 🤷‍♀️😊 like maybe she finds a fucking box of her underwear under his bed while they’re hanging out and he’s like oh fuck i swear it’s not what it looks like and she’s like :0 okay but do you want another pair? 😊😊
“ and in addition to my other ask; what would be even better is a reader who is so like fucked up mentally over being into it (bc uhhh she doesn't think she should be so into her best friend being a fucking creep) and mark can tell and he's like ok so ur just a little pervert like me!— ☆ “
this is so good anon omggg—- it would also be an interesting idea to have a reader who’s kind of a bully/mean girl towards mark + he retaliates (😉) but that is a whole other concept that i am not focusing on rn haha 😅
MDNI, 18+ CONTENT
you were accustomed to it by now; mark’s calloused finger tips brushing past your neck, hands wrapping around your waist or pulling you almost into his lap at times. he was just a touchy guy, you were his best friend, he’d never look at you like that!! mark just loved playing with your hair, he was just affectionate!
you knew why his hugs would linger just for a bit too long, you weren’t stupid. that’s why you weren’t the least bit shocked when you had found out where your underwear had ran off to. you weren’t shocked, weren’t exactly disappointed either. you knew what had been going on, you damn near set him up by just leaving your clothes thrown onto his bathroom floor after you would use his shower and purposely wearing short skirts and low tops whenever you would hang out with him. you’d picked up on his behaviour for a while now, so had everyone else. everyone around you could see how often mark would touch and let you walk up the stairs first so he could see up your skirt, “well i’m not gonna look up there, you know that.” “if you fall or slip, i’ll be there to catch you, y’know?” “c’mon y/n, don’t you trust me? wouldn’t you rather me accidentally see up there?” “you already walk around my house basically naked sometimes.” he justified, eventually winning you over and getting the chance to pull out his phone while distracting you with talk, taking a video from underneath your skirt.
you’d found them when you had dropped your phone down the side of his bed, going to get it before mark could protest and offer himself to grab it, he hadn’t moved that one pair of cotton white panties, the ones he had pressed up to his nose the night before, getting off to the scent of your pussy still on them. mark almost died when his fear came to fruition, you holding up your own pair of underwear that you had left your phone for.
mark’s face turned red, hand shooting forward to grab at the pair of underwear; you snatching your hand away. “i-it isn’t what you think it is!” he shouted, your eyes locked onto his. the corners of your lips turned upwards, glancing at the panties and then back to mark, “i think these are my panties. no, i’m sure.” you spoke, mark’s hands flew to your shoulders. “they must’ve g-gotten there by accident…-you’re always here, you never know, you might’ve left them here-” he stuttered, fingers digging into your skin gently, moving up to hold your face so he could give you a look of sincerity, hoping that you would believe his lies.
“d’you want more?”
he swear he heard ringing in his ears. the world seemed to slow down, his vision blurry. did you really just say that or was he actually going crazy this time? a beat, two. “what?” he breathed out, voice quiet and getting lost somewhere on the way out. “i’m wearing pink. white polkadots, lace i think.” you wondered, fingers playing with the hem of your skirt, inching it towards your upper thighs. further, further. “wanna see?” and mark feels like he’s going to explode. he was already nodding before you had even asked him if he wanted to look at your underwear, you got off of the bed, standing in front of him and lifted your skirt up. lace, just like you had promised. crimson red trickled out of mark’s nose, dick throbbing in his pants.
he looked so disheveled, half lidded puppy eyes focused on your clothed cunt, blood slowly dripping down his nose and past his chin, red staining his shirt. “can.. c-can i…” he almost drooled, hand reaching towards your thigh, needing to hold you, needing to confirm that this was real and happening. “you’re gonna let me touch you here, yeah?” his hands stuck to your waist, pulling you closer as he moved to kneel in front of you, pressing his face into your cunt and sniffing feverishly, tongue lolling out to lick you through the cloth.
“s’good… smell so f-fuckin’ good, y/n..” he groaned, you giggled. you were so perfect for him, so fucking perfect. he slid one of his hands into his pants, wasting no time in stroking his cock, jerking himself off while he sniffed around under your skirt and put his mouth around your still covered pussy, wetting the fabric and licking up your juices as soon as they secreted from your heat and soaked into your panties that mark would definitely be keeping. your hands stroked through his hair, gasping lightly when he pulled your panties to the side and instantly began sucking harshly on your clit, rubbing circles into it with his hot tongue.
this was sooo fucked up. were you taking advantage of him? would it even matter seeing as he’s obviously been taking advantage of you, stealing your underwear while you weren’t looking? you didn’t care, neither did mark. you especially didn’t care when his fingers found their way into your warm cunt, pumping in and out while he gently grazed your sensitive bud with his teeth, your fingers tightening in his hair and your chest heaving, a low growl rumbling in the back of his throat as he held you still with both hands now, teeth biting down just right enough for it to make you almost jump backwards, a light squeal leaving your lips.
“taste so good… so wet f’me, getting my fingers all sticky..” he talked into your clit, tongue flicking back and forth. mark pulled away, looking up at you with lust glazed eyes, putting his fingers into his mouth and sucking your slick off of his digits. he turned you around, mouth open while he panted, hands spreading your asscheeks as his tongue began licking circles around your asshole, making you almost jump at the unexpected action. “j-just wanna touch you everywhere…” mark told you, tongue pushing past your tight little back opening, your ass clenching around his tongue as you nearly fell over onto your knees, mark steadying you.
you were always teasing him, always. he pulled his tongue out, pulling you down onto the floor with him, positioning you onto your back, hands attacking your zipped up jacket and almost tearing the clean off. no shirt. no bra. fuck, you’d done this on purpose. “so fucking hot…” he said before sucking on your now exposed nipples, other hand squeezing as if he had no idea on how to handle tits gently. oh, that was because he didn’t. he was inexperienced, but it wasn’t something that made you upset. no, quite the opposite, you liked it; the hungriness of it. the greediness, selfishness.
“no bra… practically naked under there…-“ he huffed tapping your leg so you would wrap your legs around his waist. he bent down to lick your cheek, smiling when you gave him a look of confusion, “p-perv..!” you joked, laughing at him. his cock strained, his cheeks went pink. “again… fuck, call me that again.” mark muttered, humping against you on the floor, trapping you in with his teeth tight on your shoulder. you complied, gasping and nodding, “pervert..”
he lost it, getting to his feet and keeping his hand on your head so you knew not to stand up along with him, his hand anchored in the back of your hair, using it to pull you forward so he could rub your face in his bulge, throwing his head back when you opened your mouth, sliding your lips up and down the side of his cock through his pants.
in reality, maybe you were the pervert. you couldn’t care less, your hot best friend was trying to force his fat cock all the way down your throat with his gorgeous face all ruined and flustered with your lacey-pink-and-white panties held up to his nose, your scent drove him fucking crazy, your own face streaking of mascara and your lipstick smudged around the corners of your lips. you were beautiful to him, his hips unrelenting with his messy thrusts. “nghh aaaahh.. so warm… ‘s this what pussy feels like too?” he asked, gripping your hair even tighter. “b-bet you’re tighter in there… in your cunt-“ he continued to let his tip bully the back of your neck, your throat bulging ever so slightly with each harsh thrust, catching a rhythm that made his balls slap against your chin. “c-callin’ me the perv… you’re all soaked and sicky down there…” your eyes watered, nails digging into the meat of this thighs, your cunt gushing. this was so wrong, you should know better than to let your best friend throat fuck you after finding out that he had been getting away with stealing your items of clothing for so long. “you’re the real pervert, hah..- you look so messy, f-fuck, i-i’m gonna cumdownyourthroat—“ he choked out, dick pulsing as his head rolled back, his vision blanking and hips stuttering, thick ropes of cum filling your mouth.
he was right, you were the perv. only a perv would swallow their best friend’s load and beg him to shoot the next one into your guts.
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loiutrdxfyuio · 2 days
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emphasizing different things
both noel and liam have spoken about the more... 'unconventional' side of their relationship. but they differ in what they choose to emphasize.
noel almost always emphasizes the ‘illegal’ aspect of it. he’s basically letting everyone know he can break the rules and get away with it. liam is a mere accessory in this situation. he’s the coke in the ‘coke in my cereal’ joke, a mere tool noel uses to convey edginess. noel is like a teenager who’s bragging about getting hammered or doing drugs for the first time.
"Liam's gotten all religious. It''s quite disturbing. He thinks he''s Abel for some weird reason. He wrote a new song called ''Guess God Thinks I'm Abel.'' And I thought, "Right, so you think you're Abel. That must make me Cain. Doesn't Cain kill Abel?" "But then the first line of the song is “You could be my lover.” I’m not too sure about that. That’s illegal, innit? It’s kind of illegal for two brothers to make love. It’s certainly frowned upon.”
"Oh me and Liam are head over heels in love at the moment. In some countries it's illegal but when you're on the road it's fine."
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paul gallagher said in his book that noel ‘thrived on doing the wrong thing’:
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liam’s appearance/physical desirability is another thing noel often mentions.
liam chooses to focus on other things. 1995, earls court:
youtube
he says twice that they *love* each other, the 'had sex last night' line follows as proof/reinforcement of that love. 
years later:
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early days - undying love, 'how much he loves me':
"Without a doubt. I don’t need to show my undying love for my brother. Listen, I adore that geezer. And I know he adores me. What do people want, me to fucking impregnate him or summat? [fondles huge imaginary bump] He’s only gone an’ got me up the fucking duff! To prove how much he loves me! Twins!"
'need his LOVE':
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"I love him, I adore him, more than anyone else in the fuckin' whole wide world."
"I always thought that when he messed with me he was joking, that he really loved me. But I have the feeling that it is true that he does not like me. It is a pity. I love him"
noel looking at the masses vs liam looking at The One:
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leam1983 · 3 days
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Lisan al-Ghaib
The Hellsite has a thing against White Savior narratives, and for good reason. The idea that general-purpose Natives have some elixir for mindfulness, mental health or even sociopolitical stability is nothing new. It's as tokenistic as you think if you take it at face value, but I think the more classic examples in the genre like Dances With Wolves or, God forbid, Avatar (a revised copy of the previous title, in many ways) tend to focus on something that's a smidge more positive - namely in that the Other - not the Noble Savage, so much as someone with an entirely external perspective - has the power to help us progress. A very debatable posture.
In effect, the classic examples in the genre contend that it's not really about "saving the Natives" or even becoming their saviour, but rather about the unformed or troubled protagonist finding themselves thanks to the Natives' input. I've always thought that Wolves' Sioux never needed Dubar, Dunbar needed them. The Na'vi never needed Jake Sully, some other member of the people would've eventually filled in the blanks and become Toruk Makto. Instead, Jake Sully needed the Na'vi to fix himself. There's nothing magical there, despite the First Nations spiritualism that mostly coats the genre, ripped out of its context and sort of propped up the same way mindfulness is now pulled out of its own context and served up to the masses, as if living with a little anxiety or stress were somehow a symptom for something more insidious. The world forgot Herbert's object lesson, and suggested that for some people, especially damaged goods, the only way to find purpose is to subsume yourself in another culture. You emerge as the saviour, kill the monster, and fulfill your role in the story.
Taking up someone else's problems to fix yourself isn't an actual solution; I think any two-bit psychologist could tell you that. Even if Dunbar and Sully emerge whole and healed from their own tales, they're behavioural abnormalities. Power doesn't allow you to stay humble. Power corrupts.
Ask Shaddad. Ask the Bene Gesserit. Ask the Harkonnens, who never saw their end coming.
Back when Frank Herbert first wrote Dune, Eastern mysticism was taking off much in the same way we're seeing meditation and yoga. He pulled an interesting bait-and-switch in showing us a protagonist who seemed set to go from a mostly nameless aristocrat to your typical conquering hero - but he realized that some faiths can be noxious. Some currents can twist the mind. After all, Paul Atreides' own stories addresses the fact that he comes to align with fundamentalists, and does so willingly.
In many ways, George Lucas tried to play the same melody with Anakin Skywalker being set up as the Force's hero, only for the will of the Galaxy to be made manifest through his son, instead. The problem is, unlike Herbert, Lucas lacks subtlety. The danger of messianic thinking more or less deserves a dream-state vignette on Dagobah, where Luke beheads Vader and sees his own face in the depths of his father's mask. Herbert, in comparison, makes those fears concrete. Paul was on shaky ground the moment he embraced the moniker of Muad'Dib, and slipped into something I might as well call psychosis, after drinking the Waters of Life.
Chani lost the man she fell in love with. Paul Atreides lost himself.
White Savior narratives aren't meant to be seen as the Civilized Man saving the day. They're meant to be seen as an outsider protagonist needing an external point of view to face the abyss, more or less.
If you're an optimist, the protagonist is thankful for the wisdom he's received and plays his part, not for prophecy or for Ego - but for basic care and consideration. Consider Shogun's Blackthorne, by the end of the series. He wasn't one to calculate his next move - he's clearly a man of passion. Japan gave him something to hold onto - and then squeezed around him like a vice made up of niceties and political manoeuvring. Yoshii Toranaga, on the other hand, is the chess player. Blackthorne's fate is the grimmest of the brighter ends of the White Savior genre. He didn't save anyone or anything; he merely proved useful.
If you're a pessimist, you turn to Dune or to any of your local Fire-and-Brimstone preachers.
Considering, when I hear the Hellsite dismiss Dune as just another story written by a White guy about some other White guy saving some vaguely Middle-Eastern-coded people; that tells me a lot of armchair critics haven't picked up the books or watched the movies.
If anything, Dune's very premise gives reason to those of you who decry Colonialist rhetoric. Dune isn't just a seminal science-fiction classic; it's also a warning about what happens when faith goes haywire, and of what happens when the balance of power tips in the worst direction possible.
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tciddaemina · 1 day
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FUCK ME ALRIGHT SO
i was walking home and this idea hit my like a sack full of bricks and i am now dying. bc okay, fuck, just listen
moshang transformers!au
Shang Qinghua is a depressed millennial on the verge of poverty barely scraping by with two minimum wage jobs, who has a rocky relationship with his parents (separated with new families, neither of whom want him around), with no friends to speak of, who takes pottery making classes in an attempt to have some sort of human connection. He writes in his free time, with the face hopeless aspiration that he could maybe make something of it (it isn't working), struggling every day with the thought of whether or not the world would be better off if he just ended things
Mobei Jun is a high-ranking decepticon general who's crashed on earth and is injured and in hiding, which Shang Qinghua stumbles across in the middle of the night and who (basically) holds Shang Qinghua hostage - threatening to kill him and coercing him into giving him a hiding place
which ends up with broke!freaked out!Shang Qinghua hiring a private garage last second at great cost, to hide this killer robot and him getting threatened/kidnapped/coerced into hiding him and playing lacky, going out and buying extremely suspicious quantities of industrial grade motor oil and shit like that, as he gets even more freaked out about how much money this is chewing through and how he's going to pay rent.
and its basically just suicidal!desperate!millennial v. giant!homocidal!robot
Mobei-Jun: mentions something about being part of an empire of evil robots, with enemies looking for him
Shang Qinghua: wait what do you mean you're the bad guy??? (thinks: oh, actually, maybe all the threatening and murderousness should have tipped him off, whoops)
and ends up with situations with Shang Qinghua accidentally claiming to be king of earth and having to stick to the lie bc-
Mobei-Jun: something something we're going to conqeur this planet-
Shang Qinghua: what? you can't! it's my planet
Mobei-Jun, suspicious: it's yours? the planet belongs to you
Shang Qinghua, sweating, thinking quickly: I- Uh. Yeah. Yeah it's my planet. It belongs to me. You can't conquer it. I- That's the price of me helping you. If you want me to keep doing things for you, then the price is that you have to agree not to mess with my planet.
and Mobei-Jun, who knows enough about humans to know things like monarchies exist, and who comes from a plant once governed by one single planetary body is like- okay, makes sense, and doesn't think on it more.
and basically it's half crack of Shang Qinghua hiding a giant robot fugitive, and complaining that he's getting broke, and Mobei-Jun breaking open an ATM for him, and Shang Qinghua freaking out even more, as Shang Qinghua has to make up increasingly more intricate lies about why nobody else acts like he's king (it's part of our culture, we have, uh- uh, indomitable free will. nobody can tell anyone else what to do, so it would be rude if they acted like i was special) and Mobei-Jun nods along, and then transmits them back to the rest of the decepticons as part of his intel about the planet, which leads to them also thinking Shang Qinghua is king of the planet and-
and it all spirals to Shang Qinghua getting fucked by Mobei-Jun who's decided that actually maybe he's going to keep Shang Qinghua around, and when the whole Decepticon-Autobot (Demon v cultivator) war reaches point as Autobots arrive to try defend the earth, only for there to be a great deal of confusion as Mobei-Jun tells them there isn't an invasion, and actually the Decepticons have parleyed with the local ruler and are here on treaty, so there's no fighting at all
(how was Shang Qinghua supposed to know that an offhanded comment about inaccessible minerals deep below the earth's crust when Mobei-Junw as talking about destroying cities to mine for some rare thing was like, an agreement-)
anyway, it ends with the Autobots very confused, but not able to fight bc technically no one is in danger, and the Decepticons being very smug, and Shang Qinghua stuck in the middle of it just sweating because this all hinges on a truly insane lie that literally any human would be able to tell was total bullshit, and somehow it works
(and also maybe as an aside in a companion fic, Luo Binghe is super head honcho decepticon commander, who absolutely doesn't get Mobei-Jun's weird fetish attraction to this one flesh-bag, except then he sees one too bc enter stage right Shen Yuan, and Luo Binghe goes head over heels, and then there's desperately awkward interactions as Luo Binghe tries to ask Mobei-Jun for details on how one actually goes about fucking a human, which. its just too funny.)
anyway yeah, that's the idea i had while standing there in the street, waiting for the lights
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notbecauseofvictories · 3 months
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work.
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atomicpirateperson · 5 days
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so I realized that around this time of the year is already past my 1 year anniversary of being hyperfixated on Rob?? time flies
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this is the timeline of how it happened according to some vague memories:
1. i happen to see some random video of The Rerun on like, YouTube I think
2. me: hmm i think that one eyed guy is giving some real gender envy– wait. oh no. its happening. he's the new Chosen One, isn't he
3. im not hyperfixated im not hyperfixated im not–
4. I AM SO FUCKING HYPERFIXATED I LOVE ROB FROM TAWOG HE MEANS EVERYTHING TO ME!!!!!!
5. rob is a major part of my life and my headspace now. i couldn't stop if I tried, because some part of my brain views him as an actual close friend, and therefore abandoning this hyperfixation would feel extremely cruel. i would never do that to him and therefore he will be my imaginary bestie/adoptive son forever. i will never grow out of it. i am perfectly okay with that
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transmasccofee · 8 months
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another theory i have is that Saiki doesn’t exactly have a protective “spirit”. instead he has nendou. nendou is basically his protective spirit. Canon supports this and i am weirdly passionate about this theory. like it is basically canon to me.
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peppermintpegis · 5 months
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netflix one piece live action feels a little like fanfic in that it makes sure it hits all the important notes but doesnt do all the work to make them hit which works in fic where the reader is supposed to bring all the emotional story investment from the original but doesnt work in a multi million adaptation that is supposed to be able to stand on its own or even serve as an intro to the series. it even does this in service to have more koby and helmeppo gay moments in this essay i w
#one piece#opla#the fleshing out of koby and helmeppo is like honestly good its a beacon of light its truly really fun#and all the actors are great it is just what they are given .#they didnt let nami do any real betraying. they didnt even have her steal the merry!! she just stole the map that they added in!!!!#ddont get me started on the gutting of sanjis intro. i dont give a shit about if don krieg appears or not i need to see this guy fuckin#feed the hand thats about to kill him im going to start shaking like a dog.#im almost madder krieg appeared for just a little id rather have that time be used for. anything else really.#like have one of arlongs guys starved half to death when they get to arlong park!or idk anything! no gin appears look its gin! you know him#sanji doesnt even get to beat the shit out of a shitty guest. like i guess he does a little but it feels so blink and you miss it#+the first like two eps were good!! buggys great hes scary and weird and fun. i dont mind that he sticks around longer in theory#but the way he is comedic relief instead of basically every character having funny bits is like. ahghhhgggg. its a symptom of this really#mean and edgy feeling the whole thing has. like the removal of people missing usopps pirate calling :( and how cocoyashi didnt know#nami was working to help them. like p. please. can we have caring and bonds in this world?? trust and love???#anyway. sorry for having expectations of a netflix show im so close to putting this into a more proper form rather than tags. just to get i#all out of my system cause fuck man.#anyway solid 7/10 not as bad as it couldve been
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astarlightmonbebe · 8 months
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episode 5 has left me considering the different - and similar - ways taeyoung and kwonsook think about themselves, and how they respond to pain/violence.
kwonsook calls herself a monster, someone who goes crazy in the boxing ring. that monster, she says, was created by her father, and her father used abuse, violence, and emotional manipulation to create that monster. he didn’t treat her like human, so it’s no surprise that the way she talks about herself when she boxes is as if she’s discussing an animal: she gets cornered, gets scared for her life, and lashes out to kill. she calls herself a monster with resignation; it’s not what she wanted to be, but she knows it’s what she was. she ran away to escape that monstrosity, to live as a human, doing good things, but that part of her never really died.
taeyoung, too, calls himself a monster. he’s a SOB, he does thing no one with an ounce of humanity would do. he seemingly has no qualms about what he does, perhaps because he can always justify it to himself, always has an exit prepared for when things really get bad (until, i’m sure, he doesn’t). like kwonsook, taeyoung accepts the label of monster, accepts his own inhumanity, even if they are inhuman in very different ways. whereas kwonsook wants to break away from that monstrous part of her - she’s only returned so she can free herself from that part of herself permanently (and if she finds a way to box without a monster, then...) - taeyoung embraces it. it’s through being a monster that he’s found success, how he secures futures for his athletes, and how he’s able to ‘solve’ their (and his) issues. monstrosity was not imposed on taeyoung, but (due to what we know so far) is something he chose for himself (although the factors surrounding this part of his past are decidedly murky).
in this episode, taeyoung and kwonsook also demonstrate similar responses to violence and (emotional) pain. when taeyoung upsets kwonsook by working with her father behind her back, he offers her an outlet for her anger by punching him. later on, after ahreum has already slapped kwonsook, instead of lashing out, kwonsook offers to let ahreum hit her again if it will make her feel better. in parallel responses, both ahreum and kwonsook debate taking that opportunity to hurt, but decide not to (kwonsook because she’s taking a chance on taeyoung, or moreso giving him another one, and ahreum because she decides that she doesn’t owe kwonsook that, that kwonsook is beneath her in terms of boxing, no longer on her level). 
kwonsook learned to respond to pain at a young age. in boxing, you can’t flinch from the hit - you have to learn how to take the pain, absorb it, and get back up to hit again. outside of the rink, kwonsook absorbs the pain, but she doesn’t hit again. she’s experienced firsthand what her hits can do to people, and that terrified her. after all, she only boxed so that she could protect her mother. so when confronted with violence and pain, she takes the hit, because pain is what she knows and understands. it’s the emotions behind it that are hard for her. pain is easy for kwonsook, because she’s used to living through it, surviving it; beneath it, she’s always empty. she’s never really cared about boxing; it was what she had to do. the lee kwonsook that was a boxing genius was a monster she ran from, after all. but in order to break away from that monster, she has to come to understand the emotional investment of her fellow female boxers. before, they were just her opponents, never her friends, but now she has to face their own feelings about the sport, the passion they have for boxing that she never felt. like ara said, she didn’t feel happiness about winning, and kwonsook has never lost, so she’s never had to live with that humiliation, either. how her feelings will change in relation to boxing will likely be a reckoning for her.
taeyoung, on the other hand, is confronting his fair share of non-boxing sanctioned boxing. even though kwonsook is the boxer, it’s taeyoung who’s been touched by ‘true’ violence in this present timeline. his life is quite literally on the line, which has been shown again and again. he’s been ambushed by her father, threatened, blackmailed, and beaten up by chairman nam’s guys. he lives on the edge, anxious at every shadow, which is chewing him alive. to him, kwonsook’s anger is much easier to deal with. he knows she might hurt him, but his potential to hurt her is so much more (and if he does, in that case he’d find her anger justified, and probably let her beat him to death or something if what we’ve seen of his feelings for her is an indication of anything), and she might hurt him, but she’d never hurt him as much as other people in his life at the moment would (i.e. by killing him, or hurting the people he cares about). taeyoung is used to weathering the storm of other people’s dislike; he’s the scumbag, and he does bad things, deserves other people’s anger when it’s directed at him. 
both taeyoung and kwonsook want to resolve things through violence. i think it’s telling that despite being two emotionally aware people, they both consider other people’s feelings to be so easily taken care of. they want the quick, instant pain, and then they want to get it over with. because the violence is what they’re used to, and to a degree it’s what they both think they deserve. however, what lies beneath that, what doesn’t go away with a single hit, is much harder for them to confront and understand. 
#star stumbles#my lovely boxer#kdrama#my thoughts#in boxing you get hit and you hit someone else and whoever is still standing wins#and it's basically that way in the whole world of (physical) sports#and it's going to be so so good when they both end up embroiled in the very emotional situation that they both want to avoid at all costs#ie their feelings for each other / betrayal / broken trust / fear#i think i ended this poorly i kind of got distracted and honestly...honestly i don't KNOW what their response to violence really says#or how it's going to be played with throughout the drama#this text is the bare bones of what i can understand through what i've seen#and oh yes even though i know some people might argue that they're not emotionally aware i think they are...#both very emotionally mature. despite their actions they both know what's up in their hearts#and they're very adept at reading one another (or at least taeyoung is towards kwonsook i think she's getting there but she's also trying to#distance herself from him so. i do think she's ignoring some of what she'll probably reinterpret later on#nobody made taeyoung a monster he chose that path vs kwonsook left the path as soon as she was able to#and her getting punished for his bad deeds...even though at the end she admits they're both scumbags for going through with this deal#because she's understood that she'll hurt boxing whether good things come out of it or not#because she'll be disrespecting ahreum and everyone else by rigging the match and losing on purpose#which will probably add to her conflict later on#and taeyoung simultaneously struggles with not wanting to string her along vs stringing her along#because he's been upfront with her about how he's a bad person and she sees it too but ALSO#he can't bring himself to tell her some of the worst things because he wants her to see him differently#like he wants to act like a good person for her but also knows he needs her#honestly their relationship dynamic reminds me so much of my liberation notes#it's the ahjussi / disenchanted two people approaching each other and something ending up growing there where they thought nothing would#again
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wild-at-mind · 5 days
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Now that I'm taking part in an actual organised boycott, I'm even more frustrated with those 'campaigns' that are just like 'to boycott this thing just stop buying it and idk maybe fill in this form or something'.
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chryzure · 28 days
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whew, people get heated over their fav booktok book.
#memorie.txt#once you’ve read more you’re more willing to admit that you love a kinda poorly written book#by god i love jackaby. the writing style is a solid 3/5 and the plot stuff is cheesy as hell.#you get a better frame of reference for ‘this book requires an award’ style of good#and a ‘god this is so my dumb little niche that scratches all those weird little itches nobody else has’ style of good#one of my fav series is the ghost and the goth!! is it good?? i don’t know if i’d go that far!!#is it fun and does it make me think of trysi / chryzure stuff??? yes :)#i’m beginning to wonder abt ppl rabid abt their fav books. anyway this one person was losing their shit over ppl liking apollo#and aurora and i’m an aurora shooter but i digress#they were foaming at the mouth and im like Well. its a little not that serious .#he is letters on a page. and also mostly irrelevant to the story as a whole so im kinda confused as to why ppl feel so strongly abt him#it’s funny because most of my complaints stem from an outside pov#where i critique the worldbuilding / plot work / character writing and its inconsistencies#whereas ppl assume im encouraging villainy irl. it is quite seriously more that the villainy is unmotivated#or otherwise poorly done. i love to hate a good villain if the proper legwork is put into it#because i like observing how others work their craft!!!#but my irritation with stephanie is that she doesn’t work her craft well. it’s shoddy craftsmanship full of retcons or#convenience required for plot that otherwise hold no reasoning in the story#and i can admit that i find the series unsatisfying because it’s marketed as a romance (the romance had little chemistry that could be#understood by anyone that’s not straight. straight romances are always laziest because it’s the ‘norm’ so that equates to chem)#and also it was marketed as having plot when rlly the ‘plot’ was trying to put these characters in weird chemistry-less situations together#so yeah i’ll complain abt the villains being jealous shallow archetypes when it could’ve had depth.#i’ll complain abt a lot. but in the end it’s a silly basic ya romance series that isn’t anything unique#most unique stories will not be found on booktok. i’m sorry#i can show you the beautiful world of horror novels though!#or weird lil 80s fantasy novels that are actually quite long that my dad likes showing me#truly no romance novel will be better than the darkangel trilogy though.. that is what stephanie wanted to write.#but that’s lightning in a bottle ithink.#okay anyway. good night. i worked a long day and i have appts in the morning
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