#b★rs

[animepopheart]

★ 【komiya】「 B★RS 」 ☆ ✔ republished w/permission ⊳ ⊳ follow me on twitter

#black rock shooter #b★rs #anime art #fantasy art #anime girl #artist: komiya

[rennebright]

B★RS by 海饼干 ※Illustration shared with permission from the artist. If you like this artwork please support the artist by visiting the source.

#vocaloid #black rock shooter #ブラック★ロックシューター #B★RS #海饼干 #posted art

[arctic-blade]

松浦健人@お仕事募集中 on Twitter: "B★RS #ブラックロックシューター  #BRS https://t.co/N9vj4GN0e3" / Twitter

#black rock shooter #matsukenmanga

[sol-lar-bink]

OH SHIZ PUFFE BUSINESS SUIT REAL???

Been working on a suit for her for aaages... and with her new look, i suddenly had an idea for the mech! It's literally her dress, but BIGGER! A lil bit of B★RS inspiration for the canons too.

Still working on a spaceship design...! Its hard-

#myart #puffe #kirby #kirbyocs #kirby ocs #kirby oc #kirbyoc #kirby art #kirby fanart #haltmann

[colorfulstage-en]

Celebrate the anniversary of the release for Black★Rock Shooter's song in the JP version with us! 🎶

Starting tomorrow, log in to receive a B★RS Virtual Avatar~ ⭐

#project sekai

[yarakami-meiosei]

B★RS

#black rock shooter #BRS

[scootarooni]

B★RS !!!

#some proper fanart of she #black rock shooter #BRS #vocaloid

[transsunwukong]

i still dont really care about ice queendom but i wanna point out 1 thing because i havent seen anyone else mention it:

ruby is a B★RS fan. thats literally so perfect for her

#SHE WOULD BE. i'm so glad they added this it made me giggle #leo.txt #text #photo #iceq #ice queendom #rwby #black rock shooter #brs

[aryshacore]

B★RS × text posts: a collection

#black rock shooter #brs #mato kuroi #kuroi mato #insane black rock shooter #ibrs #dead master #kagari izuriha #izuriha kagari #huke #lunatic #brs dawn fall #black rock shooter dawn fall #anime #meme #black rock shooter the game #brs the game

[infinitestaging]

during the returning episode of BEYOND INFINITE, twenty-nine contestants train in a workshop on rap skills before having all of them once again face off with rap performances in front of a new panel of judges who will be guiding the contestants through the rest of the competition. don’t forget to track your favorite competitors on your ENCORE app!

after three weeks, the contestants of BEYOND INFINITE return to the screen stronger than ever. MCs Sohee and Jackson inform viewers that, during the brief hiatus, the contestants have been given the time to practice and train their skills at ISE, and viewers can expect them to perform even better than before. 

the contestants have spent the past week honing their rap skills, being trained by two professional ISE rappers; B♡YFRIENDZs Kai and SUG★Rs Ari. the contestants practiced their rhythm and flow, as well as their ability to write their own rap to a beat. they practice their rhythm alongside Ari, who teaches them her iconic verse in HIP by SUG★R. unlike last week, Haneul seems to excel at this challenge, earning her praise from Ari during their first day of the workshop. along with her, Lee Yoonah and Hwang Chaewon are named as two of Ari's favorite contestants. two contestants who have a significantly harder time are Lim Suhwa and Nam Soobin, who both admit that rapping is their weakest skill.

on the third day of the workshop, the contestants are introduced to idol Kai, who will guide them in writing their own rap to the beat of HMU by B♡YFRIENDZ. some of the contestants admit to being very starstruck by seeing Kai, and Ji Sooyoung even admits that he is her bias. during the writing workshop, Ahn Yoori shows off strong writing skills. Park Jiwoo also shows that she is a good writer, with Kai commenting that she has a great rhyming ability. by the end of the week, it’s become clear to both Kai and Ari that the three best rappers of the group are Haneul, Jiwoo, and Yoonah.

When the time comes for the participants to demonstrate their skills by performing an original rap written to the beat of 'Sweet Lies' by Mythos. behind the scenes, the nerves are once again palpable. Suhwa especially seems extremely nervous, while Haneul tries to assist her in warming up for the performance.

it is time to meet the new panel of ISE judges as MC Jackson introduces us to CEO Sun Jihoon, creative director Jenny Lee, and returning jury member and former ISE idol Sang Minji, as well as this week’s guest judge Kai. all jury members briefly address the audience and thank them for watching, before it is time for the contestants to perform their raps. 

all girls take their turn performing their original rap verse. the first contestant to perform is Ahn Yoori, who, while clearly not being a skilled rapper, shows off her solid song-writing skills that Eunwoo compliments her on. she’s followed by the performances of Yijun, Emiyo, and Sori, who all perform perfectly fine. the contestants that stood out in a positive light were Yoonah and Haneul, who both perform exceptionally well, as well as showing off real skill when it comes to writing a rap. after performances from Aeri, Jiwoo, and Eunchae, it is Suhwa’s turn to perform. while she starts off relatively strong, she suddenly stumbles over her words, and has a hard time picking the performances back up. 

after a few more performances it is time for the full critiques from the judges. it becomes clear that new CEO Jihoon has no problem expressing his opinion in a kind but professional manner, making clear to all of the contestants where he feels they can still improve their skills. after this, the voting for the week is closed, and it is shown that Yoonah is the top ranked contestant of the week, with Haruka still close behind her. Suhwa is the lowest ranked competitor this week, and is the contestant who will be leaving the show this week.

TOP TEN RANKING

Suhwa thanks the jury, viewers, and the other contestants who helped her this week in her final goodbye. MC Jackson once more thanks the jury and the viewers for their presence, and reminds the viewers at home that they can participate in the voting through their ENCORE app, as well as keep an eye on the rankings throughout the weeks.

What did the viewers think of this episode? be sure to leave your thoughts here, and don’t forget to tune in again next week to see which of the contestants remain in the running!

#fictional idol community #fictional kpop company #*BEYOND INFINITE

[animepopheart]

★ 【ちょん＊】 「 B★RS 」 ☆ ✔ republished w/permission ⊳ ⊳ follow me on twitter

#brs fragment #black rock shooter #brs #anime girl #anime art #artist: ちょん＊🕊 #artist: ちょん＊

[tupiperiodico]

Brasil em 2022

Para aprender uma língua, uma boa dica é acompanhar assuntos que te interessam e assuntos atuais nessa língua. Infelizmente, não temos jornais em tupi. Também faltam palavras para coisas que são problemas atuais no brasil, como o desemprego, corte de verba para educação e saúde, intolerância religiosa, etc. Mas consegui fazer um texto breve usando palavras dos dicionários de antes do séc. XVIII.

Marãpe oîkó îandé retama? Como está nosso país?

Îaîkotebẽ ka'a rarõmo. Itaîuberapotara oporoîuká nhẽ. Precisamos cuidas das florestas. A ganância mata.

Aqui, vemos o verbo ekotebẽ, que é "afligir-se", mas podemos usar com o sentido de necessidade. A ganância ficou como itaîuberapotara (vontade de ouro/dinheiro). Existe também tekoate'yma (vida preguiçosa) para "avareza" nos dicionários.

Ndopoporabykypotarangaî; pe ate'ymeté, e'i gûá orébo. Vocês não querem trabalhar; são preguiçoses, nos dizem.

Tem uma palavra bem longa aí. Vamos desconstruí-la: porabyky significa trabalhar; opoporabyky seria vocês trabalham; opoporabykypotar é vocês querem trabalhar; e ndoporabykypotarangaî é vocês absolutamente não querem trabalhar. Veja também a partícula gûá, que indica sujeito indeterminado do verbo. Quem nos dizem? Não mencionei. Disse apenas que nos dizem isso.

Kó yby xe mba'e, e'i oré îukábo oré sýkeme tembi'urama tyma. Esta terra é minha, diz quando chegamos para plantar nossa comida.

Aqui estou mencionando o MST, claro; um dos maiores produtores de alimentos orgânicos da América Latina.

Abaetepitîaretá osapyapy ka'a komandá "soja" séryba'e kakuapa abati abé. Genocidas ficam queimando a floresta pra plantar soja e milho.

Aqui, usei abaeté como indígena; assim, abaetepitîara é quem mata indígenas. Para esclarecer o que é a soja, a associei ao feijão: komandá soja séryba'e — o feijão que se chama soja. O verbo kakuab significa criar planta ou bicho.

Nda ambyasybora poîtara ruã. Oîopoî tapi'irusu re'ĩ. Não para para alimentar as pessoas famintas. É para alimentar o gado.

Um jeito de falar de gado em tupi é tapi'irusu, isto é, anta grande.

Aîpó so'o ndîandé rembi'urama ruã bé. Oîmondó mamõygûara supé. Essa carne não é nossa comida. Mandam para o exterior.

Abaetá i ambyasy. Ndokaruî be'ĩ o ekoagûera îabé. Muitas pessoas estão com fome. Não comem como antigamente.

Fiquei um tempo pensando em como dizem "como antigamente". Antigamente ou outrora pode ser raka'e, erimba'e, kûesenhe'ym ou mesmo akûeîme. Mas não são substantivos para eu usar o îabé. Então fiz (trs)ekoagûera, o costume antigo.

Abaetá ndoporabykyî. Ndi ate'ými. Muitas pessoas não trabalham. Não são preguiçosas.

Aqui está o jeito que decidi falar do desemprego.

Ndobasemangaî morabyky supé oporabykypotar îepé. Não encontram trabalho nenhum mesmo que queiram trabalhar.

Aqui aparece o -angá de novo, que seria absolutamente.

Itaîuberabekasara abá oîukapab sendaba mondyka. Garimpeiros causam genocídio indígena destruindo aldeias.

Aqui eu chamei garimpeiro de procurador de ouro/pedra amarela brilhante: itá-îu(b)-berab-(rs)eka(r)-s-ara. Para dizem genocídio, eu me inspirei no guarani paraguaio jukapa e fiz îukapab, isto é, matar todes.

Itaîuberaba rekáreme, 'ygetá i motuîúki. Procurando ouro, poluem muitos rios.

Aqui é um caso em que usamos o indicativo circunstancial; quanto o advérbio vem antes do verbo.

Emonãnamo, anametá se'õû nhẽ. Assim, muitas famílias morrem.

Igualmente aparece o indicativo circunstancial; desta vez com um verbo irregular manõ/(rs)e'õ.

Marãpe îa'ekatu îandé retama pysyrõmo? Como podemos salvar nosso país?

Tîaîmoin tembi'u abá nha'ẽme? Vamos por comida no prato das pessoas?

Tîasarõngatu ka'a 'y abé? Vamos proteger as florestas e os rios?

Tîarekokatu îandé retama morombo'esaba? Vamos cuidar bem das escolas do nosso país?

Îandé anama rorypape, Îasytatapytanga i berábi benhẽne! Para a alegria de nossa nação, a Estrela Vermelha ★ vai brilhar de novo!

#Lula2022 #Brasil #Pindorama #Brazil #Tupi #indígena #poliglota

[salmankhanholics]

★ ECONOMICS: Salman Khan Films makes a profit of around 40 cr. on Kisi Ka Bhai Kisi Ki Jaan excluding Salman’s remuneration!

May 26, 2023 

Last month we saw the release of the Salman Khan starrer Kisi Ka Bhai Kisi Ki Jaan. The film, which hit screens around Eid, came with immense hopes and expectations attached. Despite unfavourable reviews and audience feedback, the film opened on a decent note. In fact, the business of Kisi Ka Bhai Kisi Ki Jaan managed to cross the Rs. 100 cr. mark at the box office. In this special report, we look at the cost involved in making the film, and how much profit the makers of the film stood to make.

Made on a budget of Rs. 125 cr, which includes Print and Advertising, and a further Rs. 7.37 cr. as Distributor commission, Kisi Ka Bhai Kisi Ki Jaan was made on a total investment of Rs. 132.5 cr. Interestingly, Kisi Ka Bhai Kisi Ki Jaan opened to rather unfavourable reviews from critics. In fact, with mixed feedback from the audience as well, the Salman Khan starrer witnessed an average box office performance. However, despite this, the film drew in Rs. 110 cr. at the domestic box office, from which the distributor share came to Rs. 49.73 cr, and a further Rs. 50.86 cr. from the overseas markets, garnering the distributors another Rs. 22.88 cr. This coupled with a further Rs. 100 cr. coming in from the sale of digital, in film, music, and satellite rights; saw the makers of Kisi Ka Bhai Kisi Ki Jaan walking away with a collection of Rs. 172.61 cr.

Adjusting the initial cost of investment of Rs. 132.37 cr. from the final recoveries, the makers of Kisi Ka Bhai Kisi Ki Jaan made a profit of Rs. 40.24 cr. However Salman’s usual remuneration [of around 100 cr. plus] has not been accounted for towards the costs and therefore in spite of the balance sheet being in green, it has been a dismal economic return for both Salman Khan Films as well as Salman Khan.

Economics of Kisi Ka Bhai Kisi Ki Jaan

Cost of Production and P&A - 125 cr. Commission to Zee Studios for Worldwide Release (approx.) – 7.37 cr. TOTAL COST – 132.37 Cr. India Theatrical Box Office – 110.53 cr. India box office Distributor share (A) – 49.73 cr. Overseas Theatrical Box Office - 50.86 cr. Overseas box office Distributor share (B) – 22.88 cr. Revenues from In Film, Music, Satellite Rights, and Digital (C) - 100 cr. TOTAL RECOVERIES (A+B+C) – 172.61 cr.

Profit 40 cr 

#salman khan #kkbkkj #40 cr profit #profit #kkbkkj made 40 cr profitt

[yarakami-meiosei]

persona B★RS

#black rock shooter

[tailing-sun]

Characters based on B★RS illustrations by huke.

#ink drawing #blue ink #red ink #character sketch

[kari3622-blog]

Bobby Timmons Trio "Born To Be Blue!" ティモンズで私がMP4で最も愛聴していた作品、ティモンズ本人も自ら生涯最高傑作と評したのが本作です。代表的名盤"This Here Is Bobby Timmons"だけがティモンズではないんです！ 1963年8月12日、9月10日録音。 Riverside Records ‎– RS 9468 迷いなく★私的名盤No. 89！チャンネル・セパレーションと楽器の音色が素晴らしいです。ティモンズのピアノは右から、ベースとドラムスは左から。時代か、若干軽めの音質です。 ｢ファンキー｣なジャズ・ピアニストと問われれば、まずホレス・シルバー、そして次にボビー・ティモンズでしょうか。ですが、そんなティモンズを期待すると良い意味で裏切られます。 本作は、アート･ブレイキー&ジャズ・メッセンジャースで、コテコテのファンキー･ピアノを弾きまくっていたボビー・ティモンズが、そのファンキーさを抑えた実に趣味の良いピアノ・トリオ盤なんです。 実は私の場合、先入観の全くないジャズ聴き初めの頃、DLしてこのアルバムを先に聴いていたので、ティモンズのイメージは"This Here Is Bobby Timmons"のファンキーな感じよりこちら。 本作、とにかく全編聴き易く、気品に満ちたソウルフルな面とファンキーさに裏打ちされた明るい雰囲気で、とてもリラックスさせてくれるのです。ティモンズのピアノタッチが実に美しく響きます。ハイセンスでカッコいい洒落た粋なBGMです。そういう力の要らないジャズも真骨頂のひとつではないでしょうか。 ジャズの俗っぽさを排除しつつ、コテコテのファンキー･ピアノを趣味の良い、アーティスティックなファンキー&ソウルフルなピアノに昇華させていった、ティモンズの研鑽に敬意を表したいとの評も。 #BobbyTimmons (p) #RonCarter (b, tracks: A3, A4, B2) #SamJones (b, tracks: A1, A2, B1, B3) #ConnieKay (ds) Producer - #OrrinKeepnews Recording Engineer - #RayFowler Liner Notes - #DavidAHimmelstein Album Design - #KenDeardoff Photo - #PeterOliver Back Liner Photo - #SteveSchapiro ちなみに、本作録音の1963年頃、ジャズの流れはファンキー・ジャズからソウル・ジャズが主流に、またアーティスティックな面ではモード・ジャズが主流に。そしてボサノバが上陸、ボサノバ・ジャズが当時の流行の最先端。そんな時代背景から察すれば、本作の実に趣味の良い｢アーティスティックなファンキー&ソウルフル｣なティモンズのピアノは、イージーリスニング系ポップ・ミュージックだったかも知れません。だから、ジャズ・マニアやティモンズ愛好家からは、評価が低いのではないのでしょうか。 #jazz #fuzey #vinyl #jazzvinyl #vinylcollection #ジャズ #スイングジャーナル #レコード #ビニールレコード *作品を知るとジャズはもっと輝きます。情報くださる先輩諸氏に感謝。 https://www.instagram.com/p/CfQwAkSvdb3/?igshid=NGJjMDIxMWI=

#bobbytimmons #roncarter #samjones #conniekay #orrinkeepnews #rayfowler #davidahimmelstein #kendeardoff #peteroliver #steveschapiro #jazz #fuzey #vinyl #jazzvinyl #vinylcollection #ジャズ #スイングジャーナル #レコード #ビニールレコード