Starlo should be Clover's dad
Why? Because ↓
1) Both dress into cowboy-themed attire to feel braver/more important than they are
2) Clover, instead of a regular kid, wants to feel like a hero; Star, instead of a regular farmer, also wants to feel like a hero
In reality, Star is not the tough guy he pretends to be. His optimism, protectiveness and caring nature make him a hero though.
In reality, Clover started off as a scared kid who became more confident and skilled thanks to Flowey's resets. Their heroism comes from their forgiving and selfless nature and the hidden courage they got the chance to explore.
2) Both acted childish during a dangerous situation
Clover came down the mountain with a toy gun so that it would bring them comfort/they'd feel more in control of the situation (if you remember, Frisk refused to play with Asriel's toys in UT, saying how they're "too old," and I assume Frisk and Clover are the same age).
Starlo brought a fake gun before confronting Clover in genocide, just to feel cool.
3) Both not only value justice, but base it on compassion
Clover's entire mission was to bring justice (avenge the kids), but along the way changed that mindset (in pacifist). Star says how him and his posse aren't bandits, tests Clover's sense of justice and morality with the trolley problem, and wants to give Ceroba a second chance despite her actions.
4) Starlo's got protective fatherly instincts
5) fatherly pride
8) a lot of monsters associate Clover with the Dunes/Wild East
9) oh and... Starlo referred to the Wild East as Clover's.... home. Twice.
he could have easily said 'Wild East'
... get the adoption papers.
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TPN 181 - WSJ Release vs Volume Release Differences
#wait what they changed the last few pages? have to look it up in my volume o.o (via @officersnickers on this post)
Yeah I've talked about it a bit before in this post, but the volume version adds nine pages on to the WSJ release of chapter 181 and tweaks some of the frames starting around page 17, besides the inclusion of this incredibly poignant side scene at the beginning of the chapter:
The first is an expansion of Emma's speech to the demon god that spreads one panel's dialogue across multiple panels and adds on a bit of new text.
Pages 17-20, WSJ release:
Pages 17-22, volume release:
Pages 19-25 of the WSJ release and 21-27 of the volume release remain the same.
Pages 25-28, WSJ release:
In the volume release, page 27 is the same as WSJ's 25, but page 28-29 adds a dream sequence/vision of Norman and Ray finding Emma on the shore they washed up on two years ago, as if she was always there, waiting for them to turn around and find her like in the chapter title art:
Page 30 expands WSJ's page 26 dialogue out across more panels:
Page 31 removes the "screw destiny" text in the panel next to Alex in WSJ's 27 and replaces it with a panel of Zack, Thoma, Gilda, Lanni, Rossi, Mark, and Jemima (the rest is the same):
The "screw destiny" text is moved to the bottom of page 32 while the top is a mix of flashback panels that include a straight-up lifted one of the trio hug from chapter 27, a new panel of Emma and Ray running after they remove the trackers in chapter 33 but before Anna tends to their wounds, a new spread of some of the kids in the bunker during the Cuvitidala arc, and a tweaked version of Emma and Ray extending their hands to Norman in chapters 153 and 154; Emma wears a slightly different smile while Ray wears a more relieved smile on his face as opposed to his stern frown in the originals:
The page 33-34 spread expands the scene on WSJ's page 28 to include more characters as well as alter the expressions of the characters who were on the original page. Notably, Don, Gilda, and Jemima can be seen crying now, Ray's smile is less intense and now softer and more fond, Norman is sporting a blush with tears pricking his eyes, and Emma's hint of a blush is stronger as tears prick her eyes as well, both in the group shot and in the panel of her by herself.
Page 35-36 is an extended spread I've talked about before:
This spread legit made me catch my breath for the briefest of seconds seeing it for the first time. Such a powerful statement conveyed in such simple concept: how after centuries of suffering on the grounds of Grace Field, that chapter of history closes as life blooms anew.
Page 37 shows what life is like for Mujika and Sonju as they lead the demon world into a new era (since Leuvis dipped lol)
And the final page of the volume's version of the chapter shows Emma running off to join her family in front of Alex's home, now filled with plenty of laughter and life again:
The anniversary picture from WSJ #36/37 2020 hints at the kids building more around it:
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I knew teaching at a bigger school would be difficult but I didn't know I would be so affected by the kids...
I treat the 8th graders like high schoolers (I always have), like a LOT of them are already super tall and already looking the part. A few days ago when the teacher in charge of lunch detention came by, I gave the name of the noisiest kid. This kid, still being his noisy self, gets up and says 'oh its not fair' etc, but when he looks at me, he looks like he's abt to cry 🤡 and I immediately am like 'Or you can promise me not to disrupt class tomorrow and I won't send you' which he obviously accepts
Meanwhile, I'm also spending my days waiting for this one kid to smile at me again at some point or else I can't let go of my guilt of sending him to the principals office ;_; i feel like I betrayed him and he'll never smile at me again 😢 When he had come back from the office his face was red and his eyes were all watery and he was trying his best not to cry and like... I feel so gutted man to see that especially because they don't look like babies anymore.
I know they've just become teenagers and every emotion is so big and everything feels like the end of the world and I cannot bear to see these kids about to cry, especially not because of something I did. But at the same time they're the ones refusing to sit down and can't hear anything I'm trying to teach because the rest of the class is being so loud, and distracting. I can't just do nothing about that! Or else how will they pass the standardized exam at the end of the year? Sigh.
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I don't know why but this has been bouncing round my head for a few hours and I need answers. Does Rafael exist in the Children of the dust universe??? And if so, does he ever meet the step children his father loves more than him? Please and thank you!
Excellent question. Here is a little bit of history. While I was writing Children, and the first season of season 5 was released, I decided to be democratic and ask readers whether they'd prefer Rafael to exist in that universe or not. Not surprisingly, the unanimous vote was Andrés-core (they didn't want him), so I didn't mention or allude to him in the main verse.
But between us, I always was fond more of the idea that he exists in that universe, mainly just because it makes everything funnier.
There is an old snippet I have somewhere in a forgotten document where Rafael does meet the twins and it's killing him because Rafael's entire worldview is that his father doesn't love him not because of any personal reason but because he's just not a father material, so he sees the twins and all of that tumbles down and his misery is very funny to me.
The bottomline answer is he exists and he doesn't depending on what we want!
(Except that if I do write the sequel and the sequel's sequel I'll have to bring Rafael into existence because I wouldn't want to make any major changes to the heist trajectory itself. Tatiana is Gabriel's piano tutor in that verse btw.)
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This is about children/babies being in public spaces. Ummm, anyway, I went out to eat, and there was a baby yelling what sounded like "Yeah," and it was so funny. He also sounded like he was having a good time and just really excited about the food. I've also been to my little sister's school events and the babies in the crowd are always so fucking funny. When there is music, they get really excited. Also, kids have never bothered me in public. I think if you genuinely can't stand a child/baby existing in public, you have issues, and you should fix them
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