I think I might have a 'Lena in Camelot' prompt somewhere in my inbox so I'll probably get around to actually doing something with this idea, but imagine Lena gets dropped in the Camelot world at a time when Morgana is missing. Lena is "found" and assumed to be Morgana, and is thereby brought back home to Morgause (in this reality Morgana and Morgause are ruling Camelot while Arthur & Co are in hiding).
At first Lena is like-- wow Morgana has a sister, I've always wanted a sister, but soon realizes that Morgause is basically a female version of Lex ("jesus I can't get a breakin any reality, can I?") and discovers all the bad things the sisters have planned.
Like executing a bunch of Arthur's knights. Lena halts the execution in the nick of time, adlibbing something about actually serving penance for their crimes against the crown, "death is to kind a punishment" type of thing. It's the first clue for Morgause that something is hinky.
After that, Morgause keeps a close eye on Lena, and finds her trying to subvert many of Morgause's more sinister plans. Lena also rules with her characteristic kindness, slowly winning the people over-- even the knights, since Lena has ordered them to be treated well as prisoners, and has even managed to sneak in a couple of secret conversations with them, telling them 'hey I'm working on something but I promise I'll get you out of here, just give me some time.' And then actually following through on it.
Morgause continues to train "Morgana", and thereby gives Lena the knowledge and practice she needs to master her magic. Unwittingly, she gives Lena the ability to defend herself and strike back when Morgause has finally had enough and confronts her, attacking her in the main hall.
Meanwhile, Arthur & Co have found the real Morgana, and start mending fences. Things are still tense when they arrive at the castle mid-Morgause confrontation, but when Morgana sees how easily Morgause attacks her doppelganger (maybe even still assuming Lena is still Morgana but that Morgana is losing loyalty), Morgana realizes that she was never more than a pawn to her sister. In an instant, her allegience switches back to Arthur and Gwen.
She joins the magical fight against Morgause, and Arthur battles Morgause's henchmen alongside his reclaimed knights, who all hold a flame of loyalty for the doppelganger who helped them escape the dungeons and flee Camelot.
After Morgause is defeated, Arthur reclaims his throne and his sister. They plan to rule together and build a brighter future for Camelot. But first they have to figure out who Lena is and what she's doing here-- which she gladly tells them, using terms and ideas they'd understand. With Morgana's help, Lena manages to open rift between worlds for her to get home.
Before she leaves, Lena takes a moment to speak with her counterpart-- "you may have lost a sister, but you still have a family. Be certain you don't lose them again-- it's not worth it to be alone, trust me."
Morgana nods, taking her words to heart. When Lena steps through the portal to go home, Morgana rejoins her family.
Together, they make their first steps towards a better world.
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top 5 dihua moments
HELLO ohhh goddd if i really really really have to pick... I'LL TRY (in tears)
in chronological order of the episodes:
(1) “你这个人最大的弱点就是喜欢当英雄。一个剑客不该有弱点。” your greatest weakness is that you like being a hero. a swordsman should be without weaknesses. (ep 1)
i'm as in love with the entire donghai scene as much as the next person but this dialogue is particularly special to me. so it was the first one i pinned down for this list. no hesitation. :)
it's a cornerstone of dihua's relationship; the thesis of lxy/llh's and their joint narrative. it prompts the deconstruction of the staple wuxia ideas of 侠 xia and heroism - which is what i really love lhl for. and dfs being the one to deliver this incredibly crucial and significant line is 10/10. he knew lxy even better than lxy did. he is the bearer and catalyst of lhl's story, lxy/llh's story.
"your greatest weakness is that you like being a hero. a swordsman should be without weaknesses." so what does it even mean to be a hero. is it more important to be a hero than being human. and i will become human. i am human and always have been. and i have weaknesses - i cannot win against fate, i am dying. but what ever is even wrong with being weak? being human is to have weaknesses. so i guess it's no wonder for the narrative to come in a full circle with dfs coming in possession of a weakness and be trapped in it. no longer the killer of di fortress. he's just a human being.
and llh bringing this up again in ep 11 feels to me that he had been carrying these words with him over the past 10 years. bicha and the battle have transformed him physically. but i like to think that dfs's words had an important role to play in an even deeper level of change.
all it took was this one scene to sell to me that this would probably be the kind of narrative i love.
(2) reunion in the woods (ep 8)
it's just so fucking good like literally every dihua scene. who doesn't love a good post-divorce first meeting scene. there's just a lot to chew on. most of all, llh just had to keep reminding dfs how well he knew dfs. we know the moon has always been this bright, alright. AND they were threatening each other. very sexy of them.
(3) whatever the heck was going between them in cailianzhuang arc (ep 11)
truly nothing brings out old married couple + parents vibes better than an inquisitive boy accusing you two of being up to something secretive behind his back. both their guilty expressions. :3 also dfs being the first person huahua goes to when he doesn't want to be alone. huahua being exceptionally chatty around dfs and dfs has no problem entertaining him. :3 they're totally on the same wavelength without having to say anything to each other and this arc brings it out so well.
(4) 腊月二十七 donghai anniversary wedding night (ep 38)
this is the last one i came up for the list after fighting a whole war in my mind over which 5 of the 100000 beloved scenes to pick. hate being predictable but. you just HAVE to give it to it. how do you NOT pick this for a top 5. all the 10 million other top 5 dihua scenes just had to make space for the anniversary scene. :'(
if i had to be even more specific, i think the scene of them in bed most likely takes the cake for me. llh literally saved dfs's life and helped him to become the stronger person he has always wanted to be. and perhaps no other moment exhibits the complementary yin and yang nature of their powers/energies in a more illustrative and palpable way. undershirts in bed just hits different from being fully clothed and one person literally having to keep the other person alive by touch...and this time it's llh for dfs despite the whole time it's dfs who was dedicated to keep llh alive. they have no lack of scenes that exhibit how in sync they are intellectually, and this is peak physical intimacy and tenderness, added with a brush with death/mortality yeah...
(5) llh/lxy's farewell to dfs (ep 40)
playing cheat here by combining two different moments :) but they are essentially connected. llh/lxy had to leave. and since it really had to be that way, i'm glad dfs was on his mind until the very end. what more can one ask for. there is really nothing more dear and tender in the world to be thought of
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tl;dr: /blows kisses to every dihua moment
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Did you know that spiders can send out a strand of their silk and ride it on the wind en masse? They look like little balloons in the air, and their flight is called ballooning. Now imagine Miles putting it to the test. He scales up to the top of Spider Society's building on a windy day and uses his web-shooters to shoot web skyward until he launches.
Good news, he's floating, and his web balloon is riding the warm breeze, giving him a glorious view of Nueva York. This is awesome!
Bad news, he doesn't know how or where to land, and he winds up using his watch to call Miguel on the brink of tears because he's going higher and higher with no landing in sight or a safe spot to jump down.
Miguel is racing through HQ, screaming orders at the other Spiders to find a fucking helicopter or a plane because, goddamn it, the kid is slowly becoming a speck in the sky, and they need to get him down now. Miles is crying, Miguel is using his watch to talk to him and calm him down, Peter B. is panicking, and Hobie is attempting to spin a web balloon to go after Miles while Gwen, Pav, and Jess are frantically searching for a suitable aircraft because Miguel definitely has one tucked away somewhere in case of an emergency.
It's a mess.
Fortunately, they fly a small plane up to Miles' location and get in just close enough for Miguel to gently grab the kid by the ankles and pull him inside. Miles is trembling and scared and latching onto Miguel, who is too relieved to scold the kid for damn near giving him a stroke.
Needless to say, the Ballooning experiment was a "success," and Spider-Men are now Ballooning to silently ambush their enemies from the skies.
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Thinking about:
The two moments in ep 1 (6:08) and ep 2 (32:37) when Jihyun is seen in the background between Jaewon and Tae Hyung/Eun Ji respectively.
The way Jaewon's taller shadow engulfs Jihyun's smaller shadow as Jaewon walks towards Jihyun on the beach in ep 2.
Yoon Won singing on the beach.
Just how fantastic Yoon Won, Ae Ri, and Jihyun's boss are.
How it looks like Jaewon drew himself and his younger brother and maybe a young Jihyun in the landscape of the Han river in ep 4.
The way Jaewon tugs Jihyun into him after putting the rucksack on Jihyun in ep 4 (7:03).
The tale of the country mouse who ran back home (ep 4)...and me wondering if it's foreshadowing a separation and/or time skip in future eps.
Jihyun keeping Jaewon's art in case he becomes famous...and me wondering if that will come back if there's a time skip/separation at the end.
The fact that the therapist is always in the same top, which might indicate that the therapy scenes are all from the same session...maybe meaning everything else that's happening are flashbacks from the time of the session...which ends in ep 5. There are no scenes of the therapy session in ep 6.
The bust on the shelf in the therapists room, with hands over its eyes...
Jihyun's dream of going to the Hanson Tower with a lover and putting a lock up there...and me hoping he'll do that with Jaewon.
The "traffic won't stop for you" sign behind Jaewon as he gets drunk in ep 5 and talks about siblings. If it turns out his brother died because he ran into the road I will throw fists.
The way Jaewon's little brother is dressed in a light blue t-shirt with something cream over the top in the flashback and then Jihyun is also wearing light blue/grey under a cream jacket in the next scene.
Jaewon's "We are always living in other's frameworks in this world". And "Don't try to get out of the box".
The silence as the credits roll at the end of ep 6.
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I felt like they were making fun of us a little with the "underlying sexual tension" line, like..nothing to see here, just two guy friends (lie! 🥺)
yall: is this queer show with main queer couples and queer writers and who have always treated queerness and any other sensitive topic with the uttermost love and respect throwing out a perfect example of internalized bi/homophobia to make fun of a small section of their audience?
gtfo
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