#but the stupid tva probably wouldn’t allow that would they

[klariwitch]

personally, my headcannon for mobius is that he’s one of those funky tie guys. the ones that just have tie after tie in random prints and patterns

#just imagine #he would have so many weird ties #but the stupid tva probably wouldn’t allow that would they #maybe loki would be a funky SOCK guy #mobius m mobius #loki #loki and mobius #loki show #lokius #moki #woki #time husbands #timefrost #loki laufeyson #agent mobius #lobius #loki 2021 #loki x mobius

[lokitvsource]

You came into the show with the idea of Loki clashing with the TVA already in place. How exactly does this kind of arrangement work at Marvel? Michael Waldron: There was a creative brief that was 20 pages or so that basically said: “We want to do something about Loki running up against the TVA. Here’s some different avenues that might be cool to explore.” It was really serving it up for writers as a jumping off point for us to put together our pitches. Then I went off and really worked on the idea of Loki being brought in to hunt another Loki, and that becoming the heart of the show, and the Loki/Sylvie relationship. The big thing that I did in my pitch — even as early as pitching it to Kevin [Feige] — I really walked through the six episodes, kind of similar to what they were. I knew I wanted Episode 3, for instance, to be a little bit of a Before Sunrise, with Loki and this character walking across this apocalyptic moon. But Marvel had the initial, probably the most important spark of genius, which was just Loki and the TVA.

Where did the idea of the variant being a female Loki come from? That was one of my ideas, that we then confirmed in the writers room. Yeah, we knew from the get-go that it was going to be Loki falling for another version of himself.

Why was that appealing to you? I love writing any romance; it’s fun. Especially, it hasn’t been done a ton in the MCU. There’s an obviously self-reflective quality to it. And a show that’s quite literally about self-love; it is Loki getting to see parts of himself. At the start of the show, he kind of hates himself. He assesses himself to Mobius as a villain. And then he meets Sylvie, and he sees her as someone on a heroic crusade. He sees the good in her, and is able to see the good in himself.

Mobius suggests that, of course, Loki fell in love with his own variant, because he’s a narcissist. Do you think he’d be capable of falling in love with someone who is not a version of himself? [Laughs] I don’t know if he didn’t fall in love with himself first. Maybe after that, but the first time he falls, maybe this is what it had to be.

What’s the key to telling a time travel story that takes advantage of the concept without confusing the audience? I think it’s doing a lot of work that the audience never sees. It’s really understanding the logic of this thing, building out the TVA as a real organization that actually exists in our minds. Our writers room, we had a TVA handbook, encyclopedia, what they do and why they do it, a glossary of terms. And then you want to only give the audience the absolute bare minimum to understand the story, and to just get swept up in the emotional stakes of everything. If the sci-fi of it all, if the time travel logic of this show did not hold up week to week, then that would have distracted from the emotional journeys of the characters. So I’m glad that even though everyone had to take their medicine a little bit, along with Loki, in episode one, I’m glad it didn’t distract from the story we were telling. And we had the benefit of Loki being the audience’s eyes in. The audience is learning as he is.

There’s a funny scene in Avengers: Endgame where the Avengers start arguing about exactly how time travel works in the MCU. How much did you have to study what other Marvel movies had done with the idea to make sure your rules were consistent? Fortunately, Endgame was the main one, and that’s how they understand it. The TVA is an organization that understands time travel on a deeper level, probably more comprehensively than the Avengers do in Endgame. We wanted to make sure we were staying true to any rules that they laid out, but sort of establishing our own rules. It’s a time travel show. What was I thinking? A movie’s one thing, but a show is hard.

How many Loki variants did you have on the writers room whiteboard at various points? Hundreds. So many different Lokis. There was one Loki, actually maybe it was a version of Mobius that took off his glasses, and he just had really tiny eagle eyes, like he could see everything. There was stuff like that all over the white board. Tom Kauffman, who wrote that fifth episode, he’s an amazing comedy writer, and was on the first three seasons of Rick and Morty. His first draft of that episode was just bananas.

Was there a variant, or a crazy idea in general, that you really loved but couldn’t ultimately do? There was so much different stuff that we wanted to do in the Void. But the truth is, I don’t want to say any of it, because you never know. The ideas that I want to do the most may pop up elsewhere.

Okay, so let’s stick with a variant we did see. Was Alligator Loki actually a Loki, or just an alligator that happened to be wearing a Loki’s crown? A magician can’t reveal his tricks, man. That’s the great debate. Let it rage.

What was Alligator Loki‘s origin story on your side of things? Who pitched him and how was that initially received? That was maybe my very first meeting with the producers at Marvel, Kevin Wright and Stephen Broussard, talking about the show, and me saying, “When we’re doing this, you can encounter lots of different Lokis. You could have an alligator Loki. Why? Cause he’s green.” And us all laughing about how stupid that was. I think I made the point that it’s that energy of what we can do with the show. We can have something like that, but let’s play it straight. Alligator Loki, you get a laugh out of it, but by and large you try and play it straight. That was the fun tonal balance that we tried to strike in the show.

There’s been some conflicting information out there about whether the big bad was originally just going to be He Who Remains, who’s a different comics character altogether from Kang, and whether the casting of Jonathan Majors changed the plan. From your point of view, what happened? The character was always written as a version of Kang, as early as the first draft of the script, we knew in the writers room, relatively early on. He Who Remains, that’s the guy behind the curtain with the TVA, and we saw an opportunity to fuse that mythology with the Immortus mythology. And that was just really compelling. It was a way to elevate, it just felt right for Loki, because Loki was there in the first Avengers, he’s the one who brought the Avengers together, and here is directly related to the exploding of the multiverse, this event that will drive the events of Phase Four. Certainly, when Jonathan came in, it allowed us to step on the gas of just how eccentric and charismatic this character could be. I was inspired in the writing of He Who Remains by Tom Cruise’s character in Magnolia, trying to give it that Frank TJ Mackey energy a little bit. He captures that and then elevates it to something else that’s different and weird.

You just said how important the multiverse is going to be to Phase Four of the MCU. How challenging is it to have to set up this big thing for the larger Marvel endeavor while also serving the needs of the particular story you’re telling on this show? It’s a challenge in the sense that it’s all a relay race, and you’ve got the baton on this thing, and you want to do a great job. The name of the game over at Marvel is with each movie or TV show, make it the best it can possibly be. And they’re really supportive of that, and trust that it will organically fit into the larger blueprint of everything. We were excited about introducing a version of Kang, because yeah, to introduce this new big bad was cool for our show. I was aware, and cautious, of the thing I read in your review, that it might not be the most sound storytelling to introduce a new character at the very end that we’ve never seen before as the big bad of this thing. Obviously, we had the benefit that people know who Kang is, and there’s a meta thing where a portion of the audience knows Jonathan Majors is going to be playing Kang in Phase Four. But the finale was only ever going to work if He Who Remains, in a compelling way, serviced the Loki and Sylvie emotional story. That was the most important job that that character did in the finale: he laid out a very compelling conflict that ultimately drove the two of them apart.

There has also been some confusion as to exactly when you knew that there would be a second season, as opposed to you just making a limited series. Initially, in the writers room, we were not operating as though there would be a second season. And the whole way through was, this should be a story that should stand on its own. I referenced The Leftovers and Mad Men all the time. I think about those seasons, they pushed the overall stories forward, but you can pull any one of those seasons and look at it on its own as an individual story. I wanted that to be the case here, whether we did a second season or not. I think we always felt that we would want to propel Loki forward into the MCU after the conclusion of our season. The only question was, would that be in an appearance in a movie, or would that be in a second season. And it was only over the course of development that the stars aligned to make a second season.

But that end scene, where Mobius no longer recognizes Loki and the TVA is filled with Kang statues, wouldn’t have been a satisfying conclusion to a limited series. That is an ending that only works if there’s going to be a second season. So there is another conclusion to the story that I wrote that exists out there, that I guess is just for me. My own little play, that I perform with my action figures.

What was Sylvie’s original plan, before Loki hijacked her to that dying moon? It was to empty out the TVA. The entire bombing of the Sacred Timeline was to create a diversion. She’s not going to be able to create a multiverse from doing that. Ultimately, the TVA has the manpower to get out and take care of these events, but they’re going to have to scramble a lot of their minutemen teams, and it leaves the Time-Keepers significantly less guarded than they would have been otherwise. That was her plan.

You didn’t come into this as a big comic book nerd. So was there someone on staff who could tell you, “Well, there’s this giant cloud called Alioth that eats time,” or, “Well, one time Thanos had a helicopter,” or maybe someone assigned to you by Marvel? I’m constantly reading the comics but trying to not be so beholden to the and do our own thing. I charged our writers assistant, Ryan Kohler, with, “You’ve got to become the authority on all things TVA, all things Kang, and all that.” So he and my assistant, Sophie Miller, became a support staff who read a ton of these comics and became a wealth of knowledge for the writers to turn to. And then the Marvel producers, obviously are very well versed in the comics. It was Kevin Wright who came in one day and was like somebody throwing down a blueprint in an asteroid movie, going, “Alioth! Look at this!” And we were like, “Ohmigod, this is perfect!” The best thing about working on these comic book shows is that if it’s from the comics, it doesn’t matter how much of a deus ex machina it is, it’s just cool, like, “I can’t believe you pulled that from the comics.” Alioth, that was a big breakthrough that unlocked the last two episodes for us.

That is not a famous comic book that introduces Alioth. It’s an obscure Nineties miniseries, with really ugly art. But you look at it and see what it could be. You say, “If we do this, and it feels like Twister, it’s going to be really cool.”

Was Mobius’ love of jet skis there simply to illustrate his character, or did you have a grander idea in mind? I will come clean: I’m a jet ski guy. I’ve spent a good amount of time on jet skis in my day. I used to tow a jet ski to a lake and ride it in college. So it probably was me. Loki, I was just becoming a steward of that character. Mobius was a character I really felt I got to create from nothing. There’s not really anything to that character in the comics. So bits and pieces of me found their way in. I just think there’s something so poignant — here Mobius is, a guy who is literally fighting to preserve all of time in the multiverse, and yet his interests are maybe the most humble, human, terrestrial, unremarkable thing you can think of. Just a jet ski. And when you’ve got Owen Wilson playing him and it’s just that much better.

Will you be back in some capacity for Season Two? [long pause] Time will tell.

‘Loki’ Head Writer Michael Waldron — and ‘Rick and Morty’ Alum — on MCU, ‘Heels’ and More

#loki tv #loki series #michael waldron #interview

[andguesswhat]

The fool on the hill - Chapter 7

Yeah, well… Probably not what you’ve expected…  But for me this is them as well…

The Clown and the Circus Bear

*

So everything had been perfect. 

Owen had felt genuinely happy. He thought Tom was fucking adorable, he wanted to kiss him, wanted to fuck him. 

The moment on the hill with him was definitely something he would always cherish, always remember. This deep feeling of affection combined with this immense tension, the thrill, this feeling that yes, the other felt the same, wanted the same…

And as fucking frustrating as it was that they were interrupted and didn’t kiss, he had loved that, too. It was like being in a cheesy movie where the tension was ramped up yet again with a cheap director’s trick.

He took a deep breath. 

But now this. 

It had been like this before. 

Sometimes when he was genuinely happy, he would suddenly get this fear of losing everything. Like he wasn’t allowed to be this happy. So the happier he got, the more likely he was to crash. 

And this morning he had crashed, and crashed hard. 

A dark cloud of thick cotton already surrounded him, numbing and suffocating him. And there was nothing he could do about it. 

He had managed to get through the day and pretend everything was fine. But now he was on set at this birthday party of Natasha's and he felt completely out of place, like he didn’t belong here. Everyone around him was laughing too loud, talking too loud and he just wanted to get away from it all. 

Of course, after yesterday on the hill, everything was pointing towards him and Tom kissing tonight. Because why not. They should have fun at this party and then at some point.... kiss... right?

And it was that very expectation that caused Owen to crash. 

The excitement that he had felt yesterday was gone. Instead there was this fear of somehow not meeting the expectations, of doing something wrong that would destroy everything.

He hated it. 

Knowing that this was just some kind of sick mechanism in his head and he wasn’t able to do anything about it. He hated feeling like shit when this happened, but he bit his tongue and just smiled through the pain.

He saw Tom talking to people, saw him searching for eye contact with him, beaming at him, winking at him but Owen avoided him, always went somewhere else, far away from him. He felt a twinge in his chest at each smile sent his way and he finally couldn't do it anymore, so he disappeared behind some backdrops and got to the areas that were only illuminated with emergency lights. 

He had always loved that. Wandering through abandoned, dimly lit sets. He loved the atmosphere it created. But now he was just enjoying the darkness and a break away from all these laughing people. 

With a big sigh he sat down on the steps in the TVA interrogation room, resting his arms on his drawn knees, and closed his eyes. 

Why the fuck…!

He didn’t want this. 

He just wanted to be happy. 

He had been happy. 

So what was wrong with him?

Why had he to be like that?

He really hated himself. 

He wanted to drown this feeling in alcohol but he couldn’t risk falling even deeper.  

To think about his kids in these situations sometimes helped. Sometimes it made it worse, made him think he was the worst dad of all. 

Since he had come to Atlanta to work on `Loki´ everything had been so good this far. 

Even his current sleeping problems had stopped. He had felt calm. Content. Confident. 

Meeting Tom was one of the best things that had happened to him lately. He felt good in his presence. Safe. It was something he hadn’t expected. So he had cherished the time he had spent with Tom on and off set as something really special. 

And working on `Loki´ had been a blessing, too. The script was crap if he was honest. But due to that they had so much fun, so much freedom to try things out, to improvise, to just see what they came up with and it gave him the urge to write again. If it was for him, he would already do prequels, sequels and spin-offs with Mobius. He just loved it. He loved playing Mobius.

It really had done him so damn good. 

Owen contorted his face. 

So why?

Just why the fuck had it to be like this?

He heard someone coming. 

Saw Tom looking for him…  

With a bottle of beer in his hand. With a concerned look on his face.

“Hey…” 

With his fucking soft voice that Owen loved so much. 

“Everything alright? I don’t… I don’t want to bother you when you want to be alone. I was just… worried.” 

Being as sweet and caring and polite as always.

And it hurt Owen deep down in his chest. 

“No.. no, you don’t. I just… “ He didn’t know what to say.  

He just knew that he didn’t want Tom to leave.

“Can I sit down?” Tom asked carefully. 

Yes, please. “Sure.”

So Tom sat down next to him, looking at him with big questioning eyes. 

Yeah.. he should probably explain something. 

“I’m sorry… Tom.” Owen began. “I…”

He hated it. “I’m a mess...”

But Tom just looked at him compassionately and waited, so Owen continued. 

“I… have problems… sometimes.. mental problems… So I get sad sometimes… when I’m supposed to be… happy… when I am happy… It is some kind of dysfunction in my head. Like.. Well, like the happy clown gets sad…”

He sighed.

“And I’m really sorry… Because I guess.. you have expected something else… tonight… But I’m not good for you… I guess, I’m not good for anybody when I’m like this…” 

Tom squinted his eyes and pressed his lips together as if he was disagreeing but trying not to say anything. So Owen emphasized his point.

“I just can’t… give you what you want. I wish I could. But I just can’t.” 

He shook his head and looked down at the floor because he just didn’t know why he actually couldn’t.  

“I know this is hard to understand…” He knew how fucking stupid this all sounded. Why don’t you just do it if you want to? What’s the problem? They always say… 

He closed his eyes, feeling ashamed of himself.

“I do understand…” he heard Tom say softly.

Owen lifted his head to look at him. He was looking right back at him, with so much compassion in his eyes, and he continued speaking. Quietly. 

“Well, I don’t know… I mean everybody feels different, everybody has different… problems.. challenges… I don’t get sad when I’m happy.. But I do know what the sad side of a clown feels like… or actually more the sad side of a circus bear… which I am… Or was… I don’t know…”

Owen had to laugh a little at that. “Tom, the circus bear… Sounds like a cute children’s book.”

Tom smiled. “Yeah… .  I don’t know. Maybe it’s some kind of ADHD,” he shrugged his shoulders, “… but I’ve always done what people wanted me to do. And people wanted me to do really stupid things… . And I just did them. I loved the attention, I loved being liked… and to be loved… so I did more and more without really knowing why… And it really took me a long time to realize that…" he looked at the ceiling lost in thoughts, "I have worked constantly for 6 years in a row… I’ve sort of done every movie they offered me.. I have no idea how many interviews I gave during that time… how many stupid things I did… and all that just to not sit in that bear cage after the show…. And feel lonely and redundant…”

Owen felt his heart ache hearing all this. He didn't dare to breathe, didn't want to break this fragile bubble that they had somehow built here.

“And at some point I really lost it, I got so tired of it all… But you’re stuck in this wheel … " Tom’s hand made a circle," and you don’t know how to get out of it… I didn’t know who I am or what I wanted…” he sighed and nibbled at the label of his bottle. “I think I’m better now. Know how to take all this. But this doesn’t make me immune, you know. It will always be there…”

He took a deep breath, straightening up his back and looking directly at Owen.

“I’m sorry… I don’t want to be whining here.. I just want you to know that I know how it feels to be sad… when from the outside looking in... it seems that you don’t have any reason to.” 

Owen was deeply touched.

“Thank you…” he whispered. “Thank you for telling me…”

Tom gave him a reassuring look.

And then he got this Hang-on-I-have-to-think-about-something look on his face. 

Owen loved thinking-Tom. 

Watching Tom think always made Owen feel like a little kid at Christmas that couldn’t wait to see what was in the box. A quote? An adorable metaphor? 

“So… If you’re unhappy because you were happy…” Tom began. 

And Owen immediately loved how Tom had changed his voice to a more chatty and juvenile tone. 

“It’s sounds quite awful when I have to think that I am the one making you unhappy, so I’m going to reverse it: You being unhappy … does it mean that you like me… ” he gave Owen a challenging look. “…a little more… than a little?” 

Owen laughed. He shrugged his shoulders mockingly and showed a little space between his thumb and his index finger. “Yeah.. maybe a little more.”

But Tom didn’t seem to mind the mockery because he looked at Owen severely and said -  in his soft voice again -, “I can wait then.”

Owen didn’t know what to feel, he smiled a small smile but it came from deep in his heart and he hoped Tom would notice. 

“Thank you.”

Somehow he wished Tom would just grab him and kiss him. 

But it wouldn’t be Tom if he crossed the line. It wouldn’t be Tom if he didn’t respect him and his condition. 

And as much as Owen wished he would cross it, it showed him two things. 

One, that Tom was even more damn lovable. 

And two, that he himself was the one who needed to free himself out of there. Nobody else could. 

But he was determined to do it.  

He had to get better soon, if for no other reason than he could finally kiss Tom. His favorite Brit with his nonexistent lips. 

And now, now he leaned forward and wrapped his arms around Tom. Held him close. And he was fucking glad that he could do it.  

“I’m sorry…” he whispered. 

“Don’t feel bad about it…,” Tom whispered back. “I want you to know that I don’t expect anything... And just as you are, you are good for me.” 

Tom’s word were soothing, his voice was soothing, Tom was soothing. Like he had been from the start.

“Thank you,” Owen said again and because he couldn’t resist, he added, “my little circus bear.”

Tom snorted. “Don’t! Just don’t!”

Owen grinned. “Yeah, I thought you are more of a pussycat anyway.”

And even he knew it would take some time before he felt right again, before he felt carefree again, he was fucking glad. 

That Tom had somehow turned this fucking sad situation in something lighter and beautiful. 

And that Tom had shown him a spark at the end of a hopefully not so long tunnel.

*

#hiddlewow #widdlewow #tom hiddleston/owen wilson #rpf #the fool on the hill #chapter 7

[lightsupinthenorth]

It’s the little things

Summary: Instead of giving up on trying to convince Mobius that the TVA agents are variants during their conversation in episode 4, Loki comes up with a new tactic to help him see the light.

Excerpt: "He interrupts Mobius’ rant by slamming both his hands on the table and shouting, seemingly out of the blue: 'you’re left-handed!'"

Read on AO3

Loki’s just blurted out to Mobius that the TVA agents are all variants, in a last-ditch attempt at convincing him they’re on the same side. And also in the hope it will make him shut up about Sylvie and what he thinks Loki feels for her.

Loki goes on, expanding on the bomb he just dropped, talking about Mobius’ hypothetical past and family, hoping it will be enough to make the walls Mobius built around himself crumble.

Once Loki’s said his piece, Mobius keeps silent for a beat. Long enough for Loki to believe it might work out.

Mobius looks rattled. So much so that Loki thinks he actually got through to him.

However, Loki’s hopes are annihilated with two little words:

“Nice try”.

These aren’t the kind of words Loki would ever react well to. Because “nice try”, despite posing as praise, is always thrown at you to point out you failed. Coming from Mobius, it hurts worse than being stabbed. Because, it doesn’t only mean “you failed”. It also means “you lied so many times before that I think everything that comes out of your mouth is just another lie”. It means “I don’t trust you”.

And, really, can Loki blame Mobius for that? He’s been trying his hardest to appear ten steps ahead of everyone ever since he arrived at the TVA, and now his pride and arrogance have turned against him. It’s not the first time it’s happened, but there’s no getting used to it.

As cracks are slowly forming in Loki’s cold black heart, getting it closer and closer to shattering, Mobius starts going off about Loki and Sylvie again.

Loki’s failed on both counts, then: Mobius doesn’t believe him, and he still won’t stop ranting. And he had the nerves to complain about Loki’s yacking!

Loki considers giving up and letting Mobius do whatever he wants with him. However, as he watches Mobius reach for the TemPad with his dominant hand, he’s suddenly hit by a ridiculous – and probably bound to fail – idea. Loki might have a lot of flaws (not that he’d admit to many, if any, of them), but he’s nothing if not resourceful. He thought telling Mobius he was a variant was a last ditch-attempt, but he apparently has another dagger up his sleeve. Its blade is not very sharp, to the point it might as well be made of rubber. Still, Loki will try to make something out of it. He has to try.

He interrupts Mobius’ rant by slamming both his hands on the table and shouting, seemingly out of the blue: “you’re left-handed!”

*

Mobius stops mid-sentence, thrown out of his depth. He sighs, trying to convey exasperation instead of the surprise he really feels. He shouldn’t be surprised by anything Loki comes up with, at this point. It’s not his fault this mad man (god, whatever) still manages to be unpredictable once in a while.

“What’s that got to do with any of it?”

“I… It’s just… Hear me out. I know you don’t trust me, but think about it… really think about it. What the TVA told you about the agents being created by the Time-Keepers doesn’t make sense.”

“You lost me.”

Mobius has no idea how Loki had gone from him being left-handed to “the Time-Keepers didn’t create the TVA agents”. He’s going to need a step-by-step explanation of the process.

Loki briefly looks down, takes a deep breath and then goes back to looking at Mobius, as if bracing himself for something.

“You’re left-handed-“

Mobius opens his mouth to interrupt Loki, because, really, this is becoming ridiculous and they’re running in circles. Loki is probably just stalling for time in order to concoct a new ploy that will get him out of the hole he dug himself. He doesn’t have time to say any of this, though. Loki notices he’s not on board and cuts himself off to say:

“Please, let me get this out. Please.”

His hands are now joined in supplication and his bright blue eyes are desperate and suspiciously shiny. Mobius has seen a lot of Loki’s life, which has included its fair share of tears. That’s how he knows he couldn’t take it if Loki started crying.

So, instead of protesting as he first intended to, he just nods, allowing Loki to resume.

“Thank you. The ‘left-handed’ thing is only the first one on a list of things corroborating my main point. If the Time-Keepers had really created you, why would they have bothered to make you left-handed even though it’s not the norm? Why would you have a sweet-tooth? Why would you be weirdly fascinated by jetskis? When you look at the TVA and the way it’s organised, would you peg the Time-Keepers as beings who would care about giving their agents any type of particularities? The way I see it, if you had been created by them, you’d all be robots passing as human beings, not people with their own personalities… Besides, have your seen your nose? It’s obviously been broken before. Probably several times. Do you even remember that happening?”

Mobius instinctively raises a hand to his nose, tracing the jagged shape of it. He’s still trying to process everything Loki said, and it’s a lot.

His thoughts, as soon as he manages to gather them, jump to the possible reason why Loki’s noticed and remembered all these little things about him. It doesn’t mean Loki cares. Of course it doesn’t. he was probably only gathering intel. Besides, isn’t it absurd that Mobius would focus on this instead of focusing on the point Loki is making?

Because, he is making a point. Isn’t he?

No matter how little is known about the Time-Keepers, Mobius can admit it indeed seems out-of-character for them to have bothered with making their agents have quirks. And he indeed does not remember breaking his nose. Why would the Time-Keepers have made him look this way voluntarily? It serves no purpose.

“Say something, please.”

Mobius regains focus after having lost himself in his thoughts, and he stares into Loki’s eyes. He decides to indulge Loki and speaks, not because Loki asked nicely – after all, the god is more often than not very polite despite his numerous less than pleasant personality traits –, but because everything in his posture suggests he’s on the verge of falling apart:

“Okay… I can see where you’re coming from.”

The effect of his words are instantaneous: Loki’s entire body sags from the relief.

“I’m gonna need more proof than that before I really buy your theory, though.” Mobius says. He’s got to keep Loki on his toes. He can’t have him believe he’s got Mobius wrapped around his little finger (even though he does).

“Proof… well, Sylvie can give you proof. As I said she can access your memories and-“

“Nope, nope, nope. There ain’t no way I’m letting her anywhere near my head to access so-called memories that might not even exist.” Mobius might have admitted to himself that Loki had a point. However, he’s going to pretend there’s still a chance he’s entirely wrong about all this, because if he’s right it means Mobius’s whole life is a lie and Mobius doesn’t have the faintest idea of how he’d deal with that.

“Can’t you do it?” He adds. Apparently, he’s lost every ounce of self-preservation instinct he’s ever possessed. He’s expecting a barb from Loki, something along the lines of “So you do trust me, Mobius, I’m touched”.

He gets none of that. Loki has really decided to catch him off guard today.

Loki doesn’t say anything. He stares at Mobius as if he’d grown a second head. After barely two seconds, though, he snaps out of it, and answers calmly:

“I don’t know how. But… maybe I could learn.”

“Okay… I suppose you’ll need your demented alter-ego for that?”

Loki cringes, which is answer enough.

Mobius sighs. He does that far too often around Loki.

“Right, let’s go get her, then.”

Loki goes back to staring at him as if he’d grown a second head, then. Eyes wide, mouth agape. Mobius would find it funny if the situation wasn’t so dire.

“Don’t look at me like that. I don’t trust her. And I don’t trust you, either… But I can’t go on with my life as if you fuckers hadn’t just upended it with your crazy variant theory… So I guess I’ll take my chances.”

Mobius gets up and Loki imitates him. Mobius is already moving in the direction of the door when Loki stops him by grabbing his forearm. Mobius turns back toward him and arches an eyebrow in question.

“I know it won’t mean much to you but…  I have your back. I promise I won’t stab it… again. And I’ll make sure Sylvie doesn’t either.”

Mobius doesn’t trust Loki right now. He has no guarantee that he can. Most of Loki’s past suggests he cannot. But, stupidly, Mobius wants to. He really wants to trust him. It wouldn’t take a lot from Loki to make him. He won’t let it show, though. He’s stupid, but not this stupid.

“Right. Time will tell, I suppose.”

Loki is thoroughly unimpressed by Mobius’ time-related pun. It’s fine, though. Mobius is amused enough for the both of them. He smiles at Loki’s grumpy expression.

“Oh come on, it was funny!”

“A dagger through the heart would be funnier.”

Mobius rolls his eyes. Loki is such a drama-queen. It would be annoying if it wasn’t so endearing.  

“Come on, you buzzkill. Let’s go before someone decides to prune your evil twin sister for real.”

Loki groans. “I really hate you sometimes.”

“Sure, you keep telling yourself that.”

*

Loki will keep telling himself that: he’s a skilled liar, especially when it comes to lying to himself, and he cannot cope with the truth right now (the truth being that he’s far too fond of Mobius for his own good). He’ll deal with it after they deal with the giant pile of their current problems.

First step: go to Sylvie. Second step: hightail it out of here

#Loki #Loki fanfiction #Mobius M. Mobius #Lokius #Loki spoilers #Canon divergence #takes place in episode 4 #light angst #a bit of fluff

[popculturebuffet]

Goof Week: Goof Troop: Forever Goof Review (Everything’s Coming Up Goofy, Good Neighbor Goof, Gotta Be Gettin Goofy) (Commission for WeirdKev27)

Yahhahhooooeeeey all you happy people!  WELCOME TO GOOF WEEK! Now normally when a character who got their start in theatrical shorts has a birthday, I do a marathon of them. I have since last year with Donald and it’s one of my favorite things: it allows me to explore Disney’s rich history of them I was largely unaware of till Disney+, and allows me to revisit the shorts I grew up with in the case of The Looney Tunes or Tom and Jerry while discovering new favorites. SO naturally with Goofy’s birthday in two days I intended to do the same for him, especially since I’d covered Donald and Mickey the same way.

But fate had other ideas. Not thinking about this tradition, Kev, my patreon, friend and the guy who commissions a LOT of reviews from me ($5 an episode if your curious and I WILL make room on the schedule so your commission gets done as soon as possible), suggested reviewing the Goof Troop pilot movie Forever Goofy, later split into the episode Everything’s Coming Up Goofy and Good Neighbor. I loved the idea since I genuinely loved Goof Troop, and decided to do both that week.

It’s then I got a great idea.. why limit myself to JUST doing two things? I hit my 15 dollar patreon stretch goal, so a review of the Goofy Movie was on the Horizon anyway, and for it’s anniversary year Kev has been commissioning House of Mouse Episodes, so it wouldn’t be THAT much of an ask (and it wasn’t) to simply randomly select from a pool of Goofy-Centric episodes instead of all the episodes. 

Thus GOOF WEEK was born, and Kev once again proved vital to all this by suggesting the special Sports Goof from the 80′s. I’d like to give him special thanks as outside of the Shorts Special, which as a patreon he still got to pick one and if you’d like to pick one for Donald’s special, sign on up even one dollar patreons get the honor. , this week is either entirely paid for by him or in the case of A Goofy Movie, is partly thanks to him. I wouldn’t be able to do NEARLY as many reviews nor make money off this without you bud, so thank you. 

So naturally given the idea to do this two parter gave me the idea for this week and that Goofy Movie makes a logical finale for said week, it only made sense to start the week with Goof Troop. Bop-dop-da-da-do-bop, YEAH. 

Goof Troop is the first Disney Afternoon show I ever watched and the only one I watched when I was younger, as Disney Channel used to play it ocasinally when I was younger and Toon Disney would do the same and I even got to Marthoon it when Disney XD did a weekend marathon. Given it starred my faviorite Disney Character, Donald hadn’t worked his way up to tying with him quite yet, I loved what I could grab of it. And as an adult.. it still holds up. It has problems i’ll get into, but it is a real good time so I was exastic to get an excuse to watch some of it and much like with Darkwing wish I had sooner. 

Before I can h-h-h-hit it though, I have to talk about the series history. I ALMOST didn’t find anything: much like the other Disney Afternoon shows there really wasn’t much on the Disney wiki nor wikipedia, google turned up nothing... it wasn’t till I went to the Tv Tropes Trivia Page for the series, where i’d remembered reading about some early versions of the show, that I hit gold: A two part behind the scenes blog post by series co-creator Michael Peraza. You can find part one HERE and part two HERE. It’s a short but fascinating read. 

Speaking of fascenating Peraza himself is someone i’d never heard of till reading this article but damn if he isn’t a legend. Seriously the guy’s career is as an unsung hero, starting work under the Legendary Nine Old Men, and working on some of disney’s greatest films: The Great Mouse Detective, Aladdin, The LIttle Mermaid, and Beauty and the Beast, along with live action cult classics Tron and Return to Oz via concept art. And concept art is where he’d hit his stride: he did conceptual work for all the big Disney Afternoon shows apart from Gargoyles, being one of the key guys in the early days of Disney Television animation. He didn’t stop at just designing things either as he worked as Art Director for Ducktales, The Proud Family and of course given how vital he was to it’s creation, Goof Troop, and to this days gives lectures with his wife to aspiring animators. He even did some guest work for the 2017 Ducktales Episode “Treasure of the Found Lamp!”. So yeah dude’s awesome

So how did he come to be a key part of this show’s creation? Well he’d just finished up some concept work on some other Disney Afternoon shows, and being a company man was glad to report to the Goof Troop..ers to help as the show was having trouble getting off the ground. The reason for this was the creative exec, who Peraza didn’t name out of kindness as the guy wasn’t a BAD person.. just a clueless one, this being his first job in film and tv.  As such rather than work hard to develop around goofy or focus on his strengths the kid threw out one concept after another: The series got it’s name from a pitch that had Goofy as a scoutmaster, something I was glad to finally know. To quote Peraza

“ Although while I was doodling versions of the show that were destined to never see the light of the TV screen,  the pitch date remained etched in stone and kept creeping closer. Various versions would find their way to the surface only to sink again into the wasteland known as the roundfile (trashcan). One moment Goofy was the Captain of the Fire Department, the next day a detective out of the Maltese Falcon mold, or a swash buckling hero fighting The Flying Dutchman. 

The supporting cast he came up with really wasn't very supportive when you consider they sometimes included alien dragon babies with wings along with a large gorilla. Somebody at Walt Disney Television Animation must have really had a thing for giant gorillas around this time as they were plugged into almost every concept we  assembled.”

It was clear that while Goofy COULD fit into just about anything, this exec was just throwing everything at the wall, nothing was sticking, and rather than try to refine his supporting cast, they kept having to throw them out and start over. And dont’ get me wrong, cartoons go through a lot of development and changes as they go.. but it’s usually born from a concept and usually by this point, they at least have what the show will be ABOUT in stone. While i’ve had the same creative changes and what not when coming up with projects that ultimately never saw the light of day, and currentlly some I hope to but might not, I’m not being paid by a studio to do this nor had a hard deadline. I was just spitballing trying to get something anything off the ground before reviewing gave me a steady outlet for my creativity and thus ballanced me to take my time with stuff. Peraza WAS turning out amazing art, like this concept art for the fireman pitch that honeslty makes me want to see it as a series. Who DOSEN’T want to see 9-11 with Goofy as the main character? Throw in Donald and grown up versions of Max, PJ and PIstol (And even not THAT much for the former two, as they did go off to college and all), don’t forget Roxanne this time out and you have a worthy goofy movie sequel. 

So yeah this wasn’t working and the latest pitch was not great: Putting Goofy in ToonTown as a cabbie driving the Cab from Who Framed Roger Rabbit. As Peraza TRIED to point out to the exec, putting Goofy in a naturally goofy setting didn’t really play to the characters strength, his whole shtick being a goofus in a normal world. Enough of an every man to root for but also a slapstick joly weirdo. 

The executive’s INCREDIBLY douchey response, especially since Peraza was a Disney Vetran at this point and had spent quite a lot of time on Ducktales, so he knew what he was talking about was “Do it anyway and leave the “Visionary” part to me”

As you can tell by MR. OOC there, this might be one of the most punchable sentences i’ve ever read. 

So Peraza wasn’t in a great place and was naturally terrified when he got a call from Gary Krisel, president of Disney TVA, asking about the show and to see him about it. 

Turns out though Krisel was a nice guy who already had a great working relatinship with Peraza, and genuinely wanted to know what was going on there and wanted his honest opinion. It’s why i’m not AGAINST executives in animation as sometimes they can come in when somethings clearly not working or allow a smooth transition of power if a propelmatic creator has to be booted off their own show so the show and i’ts crew don’t suffer as a result. It’s just more often than not they cause headaches or cancel shows for entirley stupid or self motivated reasons. But I will give credit where it’s do and point out times where there NOT stupid or homophobic or what have you and this is indeed one of those times. 

Peraza was indeed straight with him: pointing out all the concepts they’d gone through, and like with the other guy honestly gave his opinon the ToonTown Pitch wasn’t working.. and he not only agreed but asked Peraza himself, actually respecting his experince instead of yelling at him that he has a vision that wouldn’t last the end of the day probably. 

Peraza was HOPING this was where this was going and gladly gave him a far less high concept pitch and one truer to the character, quoted in full bellow:

“ My spiel went as follows, "Goofy is a recognized star of Disney animation, so why re-invent the wheel? His son is an average kid dealing with many of the usual issues they face: peer pressure, young love, grades, school bullies, and so on. On top of all that, he has the zaniest, wackiest GOOFIEST dad to live down. No matter how insane the situations get though, they will always love each other. They're a family." Gary asked how I would pitch it and I replied, "It's ONE day in  the life of Goofy and son. From getting up in the morning to fixing breakfast, we see their difference side by side as his son tries to distance himself. No matter what though he knows deep inside that his father will always be there for him, whether he likes it or not."

If your wondering if Peraza noticed that that original pitch line is basically the peremise and emotioinal core of The Goofy Movie down pat.. your extremley correct and he notes that the film was based on said pitch even if he had no involvment with it that I could tell. The series would still use this but the whole embarasment aspect was toned down, and honestly fit a teenager better than an 11 year old.. 

So the exec loved it and Peraza shaped the core of the series: the idea of having Pete as his nemisis, pete having a nuclear family including a gorgeous wife, and the show being more slice of life and what not. He made some great sketches, got roaring approval and then pitched it to rousing success and the rest is history. Goof Troop was a moderate success and The Goofy Movie after it is a classic beloved by all. We have this wonderful man to thank for all that and I also thank him , on the offchance he ever sees this, for bringing Goofy into modern times in a way that did the man-dog justice.  It’s thank to you we got this fun series, two great movies, and a goofy the way he is today: the best of everything about him rolled into one. Thanks man, free review.. not htat you NEED It since you’ve worked on things i’ve covered and what not, but I feel like I should offer.  Outside of Peraza, I found one last bit of making of stuff before I get to the premiere proper. These two early concept shots:

The first has Max who both looks older and has red hair like he did in the shorts. Honestly I see a lot of his Goofy Movie self in thiis design, the only diffrence obviously being the red hair which was wisely changed to make the boy look more like goofy, something kept for the movie. 

The more intresting one is this shot of the Pete’s. Starting with Pete he’s more athletic and has a perfectly tacky outfit. While changing him to be a bit more slovenly honestly fit this version of the character better, I do wish they’d kept hte outfit as the tacky gold and green jacket, the gold chain, the open ollar.. it all fits this version of pete so well, as well as his illusion of being a big shot when he is in fact a medium one. Peg is both slightly younger looking and far more doting and is so different I swear this picture looks like Pete remarried after the divorce and got some lipo. Pistol has about the same design but with a vastly different, more Isabella-ish outfit. Finally we have PJ who looks the same, but has a diffrent outfit and a far more sour demeanor, probably meant to be a bully. My best guess is sthis stuff comes from the pitch, and was likely made to simply get the basic premise across before fine tuning the characters for series

So with all of that out of the way i’m calling eveyrone to join in the fun under the cut and report to the Goof Troop. 

Everything’s Coming Up Goofy:

Our first episode opens in a small but cozy trailer, where Goofy’s cooking up lunch as only goofy could: by making osme meatballs then serving them to his son over a game of table tennis, with Max doing the same. It’s really freaking adorable, and a dynamic i’m not used to since i’m more familiar with Teen Max. Seeing Max genuinely get into his dad’s hyjinks and enjoy them.. it just warms the heart and adds weight to The Goofy Movie by knowing there was a time the two really were thick is thieves before the stygian hole that is high school drained all that out of him. 

So the two are like buddies and pals until the Mailman arrives, not even phased at this point. Turns out it’s a Diploma, and with this Goofy can get a job he’s been up for in Spoonerville and plans to move immediately. Max is devisated he’ll loose his friends and runs away to use a magical mystery box to keep them together only to end up in a land full of frogs with an old man who sounds like his dad minus the drawl and two other tinier frogs and ... I may have the wrong show. In fairness you try dislodging a finale where Keith David runs a 13 year old through with laser sword and then talk to me. 

Goofy is sympathetic though: While he seems a tad oblivous to Max’s worries, it’s very clear he’s jumping on this job and this move so far to give his son a better life. Sure he runs through all the cartoon moving away talking points that don’t work in real life or most other cartoons such as there being a nice lake and that max can make new friends, and Max accepts it weirdly fast because this episode is only 22 minutes and they don’t have time for that subplot... but it’s clear the idea of a better paying job, a secure home not in an alleyway, and some stablility for his son is the real reason Goofy’s doing this, and he probably wants to simply give the boy the childhood he had growing up. 

Meanwhile in Spoonerville, we meet Pete. To my shock this is where Jim Cummings took over the roll he was born for and has played since and with good reasons as Cummings is just amazing with Pete no matter the incarnation and excels here  his penchant for playing jerks, hams and gravely voiced guys all coalesicing. Pete is planning on building what modern toxicly masculine weirdos such as himself would call a Man Cave on his lawn, because Pete is a very SPECIAL kind of douchebag. He also plans to stretch it into the neighboring property, tear down the house there and set it up. 

This is news to his wife Peg, played by fellow voice acting Legend whose stillg ot it, April Winchell in her star making role. Peg is Pete’s strong willed wife who dosen’t put up with her husbands crap.. you know that trope that infected sitcoms for kids and adults of the doofy husband whose either a manchild , a skeevy self serving quipy asshole or some horrible combination of the two. The kind that has still been so prevealant the wife from one of said sitcoms helped produce a show about the wife finally doing the logical thing and plotting to kill the bastard. No really.. that’s an actual thing that’s happening. It’s even got a Little Bit of Alexis as Anne Murphy plays the poor, poor wife. 

And why yes the series is called Kevin Can Fuck Himself. And why yes said former sitcom wife was the same one on a sitcom called Kevin Can Wait who was fired because they wanted to retool the show with the wife from Kevin James other sitcom. That also is very really a thing that happened. Payback is a bitch aint it? Fun too. 

But yeah from minute one Pete is a terrible husband: Peg is a realtor and thus is trying to sell the house because it’s her fucking job instead of letting her husband throw their family deep in debt to very likely illegally demolish a house so he has a giant yard to play in. I mean even if this is all played for jokes i’ts just not funny enough to not make him an utter bastard. The fact his response to her VERY valid criticism and subtextual worry he doesn’t’t take her career seriously is to fake a panic attack, from a very REAL tendency he turns out to have giant breakdowns under stress, to try and guilt her into letting him have his giant public man cave just backs this up.. as does the fact she simply glares at the camera as he’s clearly DONE this before. 

Since I have to put up with this version of him for the rest of this episode, the next, AND a portion of the movie, i’m proudly introducing the Pete Sucks Counter. This will carry over to any other appearances of the guy from here on out. So that’s one for his insane plan, one for disrespecting his wife’s career and one for faking a panic attack to try and win an argument Pete Sucks Counter: 3

So because this episode ran short Peg caves and compromises: He can have the property if it isn’t sold by 9. So Pete does what ANY husband would do: uses his spy camera and booby traps he’s set up in the other house to try and scare away prospective buyers. 

Yeah.. while the show TRIES to have Pete not as his old-timey villian self.. they traded in for him being fucking MODOK. I mean he is a grotesque monstrosity who has a nuclear family and spends all his time in a chair thing and can barely function as a Husband or Father. Though at least I can belivie MODOK LOVES his family which not so much with Pete. 

To prove this Pete tries using a fake spider to scare some buyers then CALLS THEM TELLING THEM PEG IS A CON ARITST. I.e. something that if they mention to her bosses could get her FIRED. He respects his wife’s autonomy, what she wants and what she’s asked him for, which is a fair shot to sell the place before he tries to wreck the place, as well as likely what his neighbors want. I mean I can accept breaks from reality for comedy, snakebird is my boy. 

So I can accept pete has this stuff.. I just can’t find it funny when these shenanignas very transparently show that while he surface level loves his wife he dosen’t respect her or actually listen to her except when she gets angry. He IS the villian so he’s still a slight step among monst sitcom dads but i’ts not great. I can find it funny that his den also functions as a super villian lair though. That shit will never not be great. Also Pete Sucks Counter: 6 For the record: one for the spider itself, one for having traps set up in a property hat both isn’t his and his wife is trying to sell and another for threatening her job and her self esteem as she is baffled at what she possibly did wrong. 

So Goofy and Max get on the road, leaving moving the rest of their stuff to an old coot whose a friend of theres. So it’s goodbye Duckburg, Hello Spoonerville! And yes I headcanon this as Duckburg. Goof Troop is one of two shows that very clearly happened in SOME form, the other being Tailspin, the only difference being the time period (Goof Troop taking place in the 90′s and Tailspin in the 30′s or 40′s) and any adjustments for clashes with the 2017 verse. So going off that, we also know Donald and the boys KNOW goofy and didn’t remotely question his presence, as did the rest of the cast. 

So figuring out the timeline, Goofy likely met Donald in college, even if he never finished college as per an Extremley Goofy Movie, which may not happen the same exact way given Goofy still has his old job and may not loose it in this timeline, though i’d like to think he still meets Sylvia. But point is he drops out, possibly to marry Max’s mom, they end up moving to Duckburg for her work, she sadly dies, and Goofy is left raising Max alone. Donald and Goofy likely bonded as single parents struggling in low paying 9-5 jobs. Goofy left here, likely said goodbye to Donald and the 5 or so year old boys offscreen , and left. As for how anyone else knows him that’s simple: he probably visits whenever he can.  He’s a good friend, genuinely loves Donald like a brother in all continuities, and of course would show up with a progressively more then less grumpy Max every time. As for what I think the rest of the cast would think of him: Scrooge would hate him for his disaster area ways, but at least respect him as a hard worker, he just wouldn’t personally hire him which is.. it’s fair. Beakley would be aggravated by him. Webby would of course like him because she’s essentially him but competent and gay, and Launchpad and him .. god that’d be a joy to see. And drive up Scrooge’s insurance. Della would also like him obviously. I”m really disappointed we didn’t get a season 4 if for nothing else the fact we probably would’ve got another Goofy episode. It also feels weird he’s not in the finale in any way shape or form you know? Why have such a big guest spot for him and then just not bring him or Max back? GIVE ME MORE MAX DISNEY DAMN YOUUUUU So they move right along with Goofy excited to get back to where he once belonged, and to call Pete with the good news on his 90′s cell phone. Pete is utterly TERRIFIED finding out Goofy Comin and tries to send him off course to prevent it. Naturally despite nearly running into a truck, Goofy makes it to Spoonerville by evening anyway and we get a delightful bit that shows off BilL Farmer’s comedy skills as he rapidly lists off all the things in town while driving Max through town. It’s so damn smooth. This also is notable since before this farmer had just played the character in some DTV music videos, which stands for Disney not Denton but god I now want Shock Treatment with the Disney Crew. I mean who wouldn’t want Donald as Brad, Daisy as Janet, and Gladstone as Farley Flavors I ask you. Not sure who every one else would be i’m sorting that out. And if you don’t know what Shock Treatment is, here have this trailer with a nightmarish opening. 

Dammit now I want to watch Shock Treatment again... so I am. Found it in full on YouTube, and I feel no shame in sharing that as it’s not on VOD, nor any streaming service, the DVD, which I own, is out of print, and the Blu Ray is a UK exclusive. This film both needs to be seen more and needs another proper US release damn it!

So naturally Goofy somehow finds Pete’s house.. I dunno maybe Peg’s been sending him letters. Can’t blame her for having a wondering eye long as she dosen’t act on it. She’s married to a walking lump of ego, selfishness and cholesterol and likely only held on as long as she did for the kids. Which for the record Peg as a child of divorce whose parents got divorced rather than keep up a sham marriage or anything.. it’s not worth it. I was MUCH happier that way in the long term. 

Anyways Peg and Goofy happily reunited while they awkardly try to get the kids to meet, with Goofy and PJ not warming up to each other at first, likely because Max just lost all his friends, and PJ clearly had none going into the series from context we’ll get later in the pilot. We also get a hilarious bit where Peg alternates between warmly greeting the goof’s and hilaroiusly shouting at Pistol to not play with worms.. in what honestly sounds like a protype for Miss Finster’s voice. 

Meanwhile the kids try to hide a small crack in Pete’s boat.. which he notices as he’s just about to steamroll the house despite NOT having asked Peg if she sold it yet and just assuming, possibly opening himself and her to a lawsuit

Pete Sucks Counter: 7

Discovering his boat is trashed, he has a comical panic attack, which I can forgive since this was 1992 and they weren’t as well known as a serious problem. Seriously while pete is a bastard man.. the animation on him is GORGEOUS as it is HILARIOUS, while Jim Cummings brings the hell out of it. He’s kept the roll for three decades as of next year for a reason. Goofy ends up accidently destroying his boat in the process of trying to help him as you’d expect. 

So Pete reluctantly lets the goofs sup with them.... and by reluctantly I mean he don’t wanna but Peg’s forcing him, which is pretty much the other half of their relationship in a nutshell: When pete isn’t lying and betraying her, Peg is forcing him to do stuff. As you can probably guess by how harsh i’ve been this aspect has aged INCREDIBLY poorly for me. This is your standard sitcom setup: asshole or dumbass or both dad, put upon wife who has to keep him in line.. but it’s just not how a GOOD marriage works and got so damn draining over time. Again and again we got things saying marriage is awful, comitting sucks unless your young, again and again. It’s why i’m REALLY happy we’ve been getting far better sitcom dad’s and marraiges lately. Bob’s Burgers is naturally the example, with the wife being the less sane one but both having their quriks and neither being so entirely dysfunctional you ever question the marriage. The Louds are another good example: Lynn Sr. And Rita NEVER right with each other that i’ve seen, have a perfectly happy relationship despite 11 kids, and wholly support each other, with Rita happily giving her husband the go ahead to quit his soul draining desk job so he could pursue his deream as a chef, and later letting him take a massive fincial gamble and open up a restraunt, purely because she belivied in him. Finally we have the Williams from Craig of the Creek who are easily one of the best married couples i’ve seen in western animation and one of them’s played by Terry Crews so that shoudln’t be a shock. I could prabobly find more but my points made: this trope REALLY ages the show poorly, more than any of hte 90′s specific tech or swinging theme song I just realized I forgot to talk about. Eh i’ll save it for the next episode. 

I have NEVER liked this trope anyway: only simpsons has really made it work for me and Family Guy did until they just stretched it too far, and with Simpsons at least they freqeuently have episodes pointing out how unehalthy it is. It dosen’t help this trope somehow STILL isn’t dead, as evidenced by the fact Rick and Morty has it in spades and for SOME damn reason got them back together.. I mean they don’t fight anymore but it dose’nt fix the problem. So yeah while I’m not holding against the show TERRRIBLY as this trope wasn’t as widespread at the time, it still dosen’t make it GOOD even at it’s core. 

Things get worse for Pete though as while Goofy praises him (And the Pete Kids rightfly wonder if Goofy is from space given the logic of ANYONE being that fond of pete. ) Pete finds out GOOFY bought the house he was going to demolish and will be staying with them till they move in. I have only one response to his misery....

Max also futzes with the tv which you THINK would lead to Peg finding out her husband is the antagonist of a Blumhouse movie but instead just does nothing. 

So then we have Dinner where we find out SUPRISINGLY, Pete actually has a somewhat valid reason for resenting Goofy: Goofy cost him the big game in high school as Goofy and Peg were on the cheerleading squad together and Goofy accidently kicked pete in the face at a crucial moment, which Pete got the blame for. Granted I did say SOMEWHAT: Goofy is genuinely apologetic and says Pete shouldn’t of been blamed and Pete’s apparently been hiding the truth from his kids this whole time. I do call bullshit on that as while admittedly i don’t get into local football or any sportsball, Pete works at a dealership. At least one asshole would bring it up to either rile him up or out of genuine rage at something that happened at the very least a decade and a half ago. Pete hasn’t let go of this footbullshit DESPITE owning a successful dealership, having two wonderful children, an even more wonderful wife, and a friggin nice boat.  But really.. it speaks to Pete’s character in any version: His ultimate undoing is his greed, his tendency to keep going and never settle. It’s something he oddly shares with Donald but Pete lacks Donald’s’s heart or redeeming moments. Pete just wants and wants and wants no matter who gets hurt because he’s inehently selfish and will simply TAKE It if he can’t get it. But it’s why he’s miserable, and ultimately ends up divorced: He can’t be satisfised so he often looses what he has. 

So with Pete on the rampage Peg sends the boys upstairs. It’s here we get PJ’s first Woobie Moment: He has a room FULL of cool toys, comics and what not but his dad is such a greedy asshole he refuses to let the kid actually use them. He even knows this isn’t normal but is just resigned to it. Rob Paulsen is phenomenal as PJ, being funny and energetic, snarky and off to the side or depressed and fearful all with grace and ease and all making this all feel like the same sweet kid. 

I mention this because Paulsen’s action is so good it highlights an issue with PJ: the writers lean way too hard into how much a hardass Pete is, to the point the series, likely intentionally, HEAVILY implies he physically abuses pete and the stuff on screen isn’t over the top enough, at least for tehse episodes, to get away with how he emotionally abuses him either. He talks down to him, doesn’t let him play toys and as seen by various episode synopsis and the next episode, uses mind games to keep him in line. THIS is why I can’t stand this version of Pete. He’s an abusive monster to this poor boy and I won’t stands for it, nor it being played off as a joke, especially since they try to ping pong between using it for comedy and using it seriously which just.. doesn’t work. 

So Max earns his future best pals’ friendship by trying to help him.. and succeeding by pointing out that while he said not to use the Tank anywhere on the ground.. he didn’t mention the celling or walls and has the tank going up the walls. And clearly by the fact PJ is seen sleeping with it later, despite Petes’ss anger at this, Peg presumably ripped him a new one once she found out about the toys thing. 

So that night Pete can’t sleep with Goofy tromping around the house and tries to whack him with a Golf Club. I’d give him another sucks count.. 

But given my brother lives in the basement and I sometimes accidently wake him by tromping overhead without meaning too, I DO get getting a bit fed up with someone clomping around and waking you up, and it is a slapstick cartoon so trying to physically assault someone is less of a crime here and more a setup for a punchline. 

So get an UTTERLY hilarious scene as teh combination fo tripping on golf balls and Goofy singing his family lullabye, camptown races with lyrics

So Pete proceeds to have another freak out this time RUNNING ALL THE WAY TO DUCKBURG, THROWING THE OLD MAN OUT OF THE CAR AND THEN BRINGING IN THE GOOF’S BEDS AND BOXES BEFORE TOSSING THEM IN THE HOUSE. It is truly an amazing combination of Jim’s utter talent as he babbles hialriously and the animators as they just make it sing. It’s a great climax to part one. So with that the goofs are home and Pete semeingly gets to go to sleep.. until they start working on unpacking. 

Final Thoughts On Good Neighbor Goof:

This is an excellent start to the series. The jokes are really well paced, the characters well introduced and the humor top notch> I had my complaints obviously.. but i’ts more systemic issues with the series, and stuff that honestly it dosen’t hamper my viewing experience for the most part. The PJ stuff does, but it’s not as big a deal this episode as he barely interacts with his Dad, but otherwise it’s stuff that just hasn’t aged well and they can’t be faulted for not seeing a deluge of terrible sitcoms a comin. The cast is top notch: I didn’t get to them in the proper review so Dana HIll deserves praise as Max, giving just the right amount of 90′s TV Kid mixed with real honest emotion and i’ts a tragedy she’s gone. She would’ve been right up there with the rest of this amazing cast in history. Though at least she got a worthy succesor.. but that’s not for now. For now we’re taking an interlude to look at the wonderfully 90′s music video that was aired along with this special:

Gotta Be Gettin Goofy:

This was my raw reaction to this video. Now is it bad? No the song has great flow it somehow manages to scratch Bill Farmer’s goofy vocals with the beat, the rapper makes the cheesy lyrics work, and the chorus of “gotta be getting goofy” backs a great bit. It’s not a bad SONG.. but the video is a hilariously insane mess. We have two of the poor dancers forced to wear just.. HORRIFYING looking Goofy costumes that look like the Dog based sequel to cats that thankfully only exists in my nightmares

I pityt hose poor dancers. Meanwhile the rest of the dancers are wearing Goofy Baseball uniforms and letterman jackets for some reason. is it beause Goofy likes sportsball. I thoguth they just had them lying around but now I see the g’s on the uniform. They CHOOSE to do this. Max also does a shredding guitar solo, not the max up there the animated max. Combine that with LOTS OF random clips from the show and you get this thing.. and i’ts worth a watch> it’s just hilarously what the shit.. not the most hilariously what the shit thing i’ve seen.. not even this week... that would be this thing from the Eurovision Song contest...

Your welcome. So moving on because this is already badly behind. 

Good Neighbor Goof:

So our second episode opens with the Goof’s trying to move in and pete being upset their being loud. Now being upset your neighbors are being loud is one thing: Mine set off fireworks all week around fourth of July. Granted Pete would probably be the one doing such nonsense but still, I get it.. but it’s fair to have a lot of noise when your moving in and in Goofy’s case also trying to patch up a massive hole in the place. 

So he does what any reasonable man would do and activates the earthquake machine he hid in the basement. 

I wasn’t kidding about the MODOK comparisons. Granted the thing uses a belt to somehow do this.. but it’s designed to SIMULATE AN EARTHQUAKE AN DDOES SO WELL. The only reason Goofy’s not dead is that pete uses a low setting that instead ends up unpacking everything. IT’s a neat gag but again... PETE HAS AN EARTHQUAKE MACHINE.

Which Goofy accidently destroys his boat with. Meanwhile the boys try to talk over tin can phones only for Pete to notice and try to stop it because he’s a dick and doesn’t want his son to be happy because he hates Goofy. So Pete’s idea of a punishment is for PJ to wear the family shoes to go crush cans while wearing a helmet and given Pete mutters to himself about this keeping PJ away from Max i’ts likely something that he made up to torture his son soooo..

Pete Sucks Counter: 8 Max being a good pal agrees to help his friend crush the cans down to recycle for money and comes up with a zany scheme to do so

Meanwhile we get a few scenes of Pete trying to eff with Goofy’s day: Peg is making food for Goofy like a good neighbor/someone planning for their eventual divorce, so Pete makes him some too with tons of hot sauce. By the laws of classic cartoons, naturally Goofy loves it and wonders if Pete has hot sauce, while Pete trying it explodes his head Scanner’s style. 

He then tries giving Goofy a chainsaw loaded with some kind of explosive or something... so yes he’s esclated to MURDER over.. Goofy annoying him a bunch as he’s apparently given up on the whole taking over that lot thing. 

Pete Sucks Counter: 9 But it is hilariously petty and naturally backfires again by cartoon law as Pete ends up starting it for Goofy who can’t get it going. 

Meanwhile PJ and Max inact the plan which is to drop a bolder with a rope on the cans, but end up having to ride the cans down when PJ lets it go too early and it ends up sweeping both boys on top of the box. They have fun though, with PJ actually getting to enjoy life for once and loving having a new friend.

So as his lot in life Pete has to ruin it by yelling at PJ for getting diryt, then for hanging out with max as he can SMELL the goof on him.. which means he’s either exaggerating or he knows what goofy smells like. 

So he forbids PJ to see him insluting max.. while Max is hanging out the window and ends up crying. Oh and Peg never gets involved in any of this across both parts, likely because she dosen’t know.. which makes it even MORE horrifying as it gives off the implication Pete gets away with his abuse of his son because he hides it, like a real world abuser. But even then some things like trying to break up his and Max’s friendship or the toys thing you’d THINK she’d notice. 

So we get more untetionally telling stuff as PJ says he’ll treasure this day and the only time he was happy.

Pete Sucks Count: 14 2 for the last scene, 3 for ALLL this one implies. But Max won’t give up the ghost no he won’t give it up. They haven’t the strength to hold on for long but if they both hold on together they can make each other strong. So he has a plan: have Goofy throw a Luau and invite the petes.

Peg naturally forces him to attend and Pete is a dick about it at first, but eventually enjoys himself when they do a conga line. The pets, Waffles and Chainsaw get into some antics. I do love Waffles because I love a kitty. Chainsaw is okay even though I love me a good doggo. Especially this one.

You are a Good Boy, Good Boy. But eventually while playing a party game about passing coconuts, Pete considers the coconut and considers the trees but dosen’t consider Goofy kicking him in the face AGAIN

So Pete is naturally a dick about this despite it being you know, an accident. But he takes it a step further by insulting Max Pete Sucks Count: 15 So Goofy gets mad. But here’s where a rather sizeable flaw shows up in the episode as Goofy.. acts exactly like Pete does about the insuing feud. He forbids Max to see PJ makes up rules and is generally petty and vindictive. And look Goofy could be in the shorts. He’s endlessly adaptable.. but here nothing about his character has shown he’d sink to this and it feels forced to bring abotu the climax. 

Thankfully said finale salvages thing: That night Max pulls PJ into his room via the cans, and comes up with a plan.. weirdly asking PJ to hit him with a muffin to save their friendship... but it’s not random it turns out. His plan.. is brilliant. While I really don’t like these types of feud between neighbors make our kids suffer by making them not be able to be friends because we’re being petty children plots, this one has a REALLY clever solution to that: Max and PJ FAKE an oversclated fued similar to their parents, starting with insutls and throwing mulch and escalting to taking down each others fences and then throwing food at each other, before injuring their dads with planks and stuff, nothing serious just slapstick stuff, all to get both to settle down and try and get the boys to stop fighting.. it works like a charm, it’s full of great bits like Peg offering the boys pie only for Max to use it as amuination and i’ts just a great way to end one of these episodes. Not that I WANT more of these episodes but if your going to do this stock plot you might as well be creative with it.

So we end on the Petes and Goofs having a BBQ, all friends again, with Pete having his marina and Goofy nearly burning Pete’s house down and us getting a photo to end the episode.

Final Thoughts:

This one was a step down. Pete’s abuse is REALLY highlighted here and the plot is very paint by numbers and forces Goofy to be out of character for the last act for it to work at all. He just strikes me as too genuine and noble to hold onto a grudge this easily. Peg is also reduced from her usual feisty self to being oddly useless, not stepping in at ANY point to stop any of this depsite it being grossly otu of character. There’s a few great gags and a great climax, but the whole product is just okay

Later Today: Goof Week and Goofy’s birthday continue as I complete the trilogy of Shortstaculars with one about my boy! Featuring Goofy’s first apperance, his first short and the first apperance of what would eventually become Max! 

If you liked this review, follow me for more and consider joining my Patreon which you can find RIGHT HERE. Even a buck a month helps me keep doing these and more gets me to my stretch goals, the next one up being the two remaining ducktales mini series, a darkwing duck episode a month and a reivew of the danny phantom film the ultimate enemy. And even a buck a month gets you access to exclusvie reviews, my patreon exclusive discord and to pick a short any time I do one of my shortstaculars. My next one is for Donald’s birthday next montha nd there’s only 6 days left to get on that pay cycle so if that sounds good to you get on in NOW while you still can and i’ll see you at the next rainbow. 

#goofy goof #goofy #goof troop #max goof #P.J. Pete #PJ Pete #Pete Pete #Peg Pete #Pistol Pete #Sponerville #Gotta Be Getting Goofy #disney channel #the disney afternoon #disney afternoon #disney xd #disney plus

[diaryofabeautyfiend]

Small Time Witch (28)

The TVA or Time Variance Authority is an organization who monitors time lines and the multi-verse. Since you created a minor disturbance, Mobius was sent to set the timeline back on track. Their methods were harsh yet effective ranging from working for them for several hundred years to erasing you completely using the Retroactive Cannon. Mobius was not here to bring you in. In fact, you have now screwed things up so badly that he was charging you to correct your mistakes.

“I would love a drink. Thank you Y/N. May I call you Y/N?”

“You can start by telling me who you are.”

“Of course.” He drained his glass and set it down. You poured him another. “Mobius M. Mobius. I’m here representing the TVA. We monitor the multi-verse. You have made a mess of things and we want you to fix it.”

“I’m sure I don’t know what you mean.”

He sighed heavily letting his head fall back onto the chair. “Yes, you do. Wife of Loki, witch from Earth here to save her husband from his certain doom. Am I leaving anything out?”

“Nope. Sounds about right. So are you here to arrest me?”

“Arrest you? Heavens no. We want to recruit you. Contract employee. 1099 you at the end of the month for tax purposes. Listen, we love that you’re going after Thanos. You’ll save so many lives except one. Tony Stark. He has to die.”

The floor fell out from under you. The whole purpose of this was to save your friends. You hadn’t even wanted the Avengers to be involved.

“I can’t do that.”

“Here’s the thing, you have to. He has already created civilization destroying weapons. He was supposed to be snapped. Thanos went rogue from the plan.”

“Wait! You sent Thanos?!”

“No. We merely offered him something to kill Stark. Instead, he thought it would be more poetic to let him suffer for five years. And to top it off, he had a child. She’ll continue with his work creating the worst weapon yet. If you take him out now, there will be no Ultron. Sakovia will be safe.”

“But no Vision.”

“Wanda is young. She’ll meet someone else. Good for her though, her brother will still be alive! Good news for everyone. If you succeed, as a thank you, we will restore your husband’s memory. If you refuse, I’ll erase you from existence.”

You couldn’t hurt your friends. You wanted to say no but Mobius M. Mobius was a smooth talker and knew just how to play to your weaknesses. “Tony Stark didn’t have a problem attempting to kill you when he thought you were a threat. Didn’t he poison you? Am I getting that right?”

Your face heated at the memory. You didn’t answer. You both knew he was right. But Tony was also given incomplete and downright false information. “How can I trust what you’re telling me?”

“Have I been wrong about anything else? You don’t have to trust me. In fact, you shouldn’t be so trusting. Thanos already knows what you’re doing. He has spies everywhere. Even on Vanaheim and Asgard. I wouldn’t trust the man who was under Thanos’ thumb just days ago. He’s already betrayed you once. The chamber maid?”

You were heated. Fact was he was right. Loki wasn’t healed from the affects of the stone yet he already knew your plan. Thanos could have still been listening.

“As a sign of good faith, Princess, I present to you the power stone. The Nova Corps is entrusting you with it. You will save Xandar from certain doom. Fun fact, you can expel any of the stones at any time. That should be helpful when you meet with the Ancient One. Be careful with this stone. It bites.”

You cast a protective bubble around you. When you crushed the stone in your palm the pieces crawled under your skin to your core. Once again the light spilled from you holding you in suspension for several minutes then dropping you. You let down the barrier to Mobius clapping. “Three down, three to go. Here’s your plane ticket to Russia. The Maximoff twins already had their brush with the mind stone. You won’t be robbing them of anything. Oh and remember to bring yourself a buddy on Vormir. I’ll be waiting for your call.”

He left a card in the credenza and vanished. You called down to the desk to have more scotch sent up and to extend your stay. You also called up to Heimdall to let him know you do not wish for the princes to disturb you for the next few days.

——————————————————————

Loki awoke the next morning excited to hear of your experience with the reality stone. When he arrived to breakfast you weren’t there. In fact, no one had seen you since you left the previous morning. He didn’t see Thor either. Maybe you had not yet returned.

When Thor came strolling in alone around dinner time Loki was concerned. “Brother, I trust everything went to plan on Midgard.”

“It did! I was able to spend the night with Jane. I should thank your wife for that. Will she be joining us for dinner?”

Now Loki was panicked. “She didn’t return with you?”

“No. She sent Jane and I off. I left her with Erik Selvig and Darcy. She healed him by the way.”

Loki looked away ashamed. His concern for you outweighed his embarrassment. “I haven’t seen her all day.”

“Perhaps she’s still angry over the chamber maid.”

Loki’s face blanched. How on earth did you know about that? “Nothing happened really. Just a flirtation. Who told her?”

“Brother the young lady answered your bedroom door when Y/N went to say goodbye. She is not an idiot. She was able to figure it out.”

Loki was mortified. Old habits truly died hard. You could not blame him. He had only known you to be his wife for a week. You couldn’t really expect him to give up everything. He felt like a fool. You were risking life and limb on his behalf, on behalf of his people and this is how he treats you. A cad and a scoundrel indeed.

He had to see you to apologize. He would throw himself at your feet and vow never again to stray. Beg for you to forgive him. Plead for mercy. And if none of that worked he would buy you something pretty. Though, if he knew anything at all, he would bring you snacks.

Thor called for Heimdall. Unless you cloaked yourself he would be able to find you.

“I know why you are here. The Princess has demanded that she not be disturbed, and I quote, ‘by those two fools’. You see you are the fools.”

Loki sighed in exasperation. “I believe I’ve cracked it. Thank you, Heimdall. Do you know where she is?”

“Yes, your grace.”

Loki closed his eyes and pinched the bridge of his nose, “And where is she?”

“London. At a hotel where she wishes for quiet before she flies to Russia to retrieve another stone.”

“Brother, we should be with her. She already absorbed two stones....”

Heimdall cleared his throat, “Three. She took in the power stone last night.” He stopped speaking for a moment and Loki realized he was listening to you. “Please, Princess. I do not wish to repeat...yes, ma’am. The Princess says, again I quote, ‘I’m stronger than both of you. Leave me alone or it’s over for you bitches when I get back. Also leave Heimdall alone.’ Please forgive, your highnesses.” He twisted the sword and sent Thor and Loki back to Vanaheim.

Loki was furious. Fuck groveling. Loki wanted to march right into your hotel room and demand you apologize. How entirely rude of you to just pop off without a single care for him. And over what? A smack on the bottom of a nameless servant? How actually dare you treat him this way? You won’t see him? He is a prince and your husband. You don’t have the right to refuse his company.

Thor, on the other hand, was terrified. Leave it to Loki to pick a fight with the most powerful witch in the known universe. He thought it best not to antagonize the pissed off witch possessing the power of three infinity stones. He came up with a possible solution. He proposed Valkyrie accompany you to Russia just in case something happened. You were powerful enough to level Midgard. Best have someone who can keep you in check.

At first Valkyrie refused. It wasn’t her job to babysit the princess. When Thor promised she could use Midgardian weapons she was in. Heimdall refused to send her at first. Loki promised you probably wouldn’t kill him. Very reluctantly he complied. Little did Loki know, Hilde was just the girl to make you all better.

——————————————————————

Hilde knocked politely so she would not scare you. You were operating on a hair trigger as of late. She really didn’t want to die. To her surprise, when you saw her in the hall, you began to giggle uncontrollably. “They sent you to bring me back? Idiots.”

“Actually, they asked that I accompany you to Russia. Just in case.”

“Fun! First drinks though.”

After several shots of tequila and one failed margarita attempt, the two of you were pretty sloshed. It had been a really long time since she had this much fun. Equally as long since she allowed anyone to call her Hilde. Only her sisters called her that. You made her laugh with your drunken college stories. When you told her about your emo college boyfriend having a chronic twitch she damn near peed herself.

After polishing off some snacks from room service the two of you collapsed into bed together still giggling. You finally worked up the courage to tell her about your affair.

“You know, in the future, you and I are really close. Like super close.”

“How so?”

“Well I know you have that heart shaped birthmark on your left thigh and when I kiss it it makes you stupid. I also know you like being called daddy in bed.”

She belly laughed at the notion that you two were together. “Does Loki know?!”

“Nope.” You both lost it.

“Norns! Can I be the one who tells him?!”

“Future you asked that I take a picture of his face when he finds out. I’m glad you’ll get to see it in person.”

“Oh hi Prince Loki! In the future I bed your wife.” she mocked.

“Hilde. Would it be weird if I asked you to spoon me? It’s been a while since I shared a bed with someone who actually wants to be around me.” Without hesitation she pulled you close to her body and nuzzled your hair.

The next morning you left for Russia. Normally a whole team would be required to infiltrate a Hydra base. You didn’t really need the back up. Hilde watched your six while you dismantled their security system. You could feel the stone pulling you in its direction. No alarms sounded so you got to the stone and slipped it in your pocket. You heard shuffling from some corner of the room and pulled Hilde closer to you. Wanda’s magic illuminated the darkened room.

“Give back the stone and your friend lives.” Pietro had Hilde by the throat. She had her hand on the hilt of her sword but you singled her to wait.

“Wanda, I know you don’t know me but, in the future, we are great friends. Closer to sisters. I’m not here to hurt you. I’m going to free you. I know a place where you can go.”

“That’s funny. You must not really know my sister.”

“I can prove it, Wanda. Please?”

She was behind you now. When she placed her hands on the side of your temples she showed you your worst fears. All of your friends and family were dead at your feet. Your hands glowed with power. Your skin spattered with their blood. The stones had overpowered you. Where they ended and you began was unclear. You felt yourself sinking but not for long. You regained control and maneuvered to grab her.

You held her with little effort and showed her your friendship. She still didn’t trust you completely but she relaxed some and told Pietro to let Hilde go.

“How did you break free of my magic?”

“Because I’ve practiced with you. Studied your magic. We did it together. I can help you. Please.”

“You can take us out of here?”

“Yes. To a safe place in New York. We don’t have much time. I can take you there right now. No planes. I can open up a portal and we’re all there. What do you say?”

“Pietro? What do you think?”

“Anywhere is better than here.”

“Good. Take my hand.”

You jumped to Charles Xavier’s School for Gifted Youngsters. If there was ever a safe space, it was here. The Professor greeted you all.

“Hello, Y/N. But you are not our Y/N. This much I can tell.”

“Do I look old?”

He laughed, “Nonsense. You look powerful. Come in. All of you. We can have some tea and Wanda and Pietro can show me their talents.”

The twins felt immediately at ease there. Ororo showed them around and helped them get settled. You introduced Hilde to the faculty. She insisted on staying by your side when it was time to take in the next stone.

You went to the medical unit with Jean and the professor. They hooked you up to some electrodes and put you in a padded fire proof space. While you did your thing, they waited far behind a glass.

Just as before the pieces of the jewel cut through your body. Light spills from the open wounds and you fall to the floor writhing in pain. “Don’t let it control you, Y/N. You are stronger than the stone!” The Professor calls out to you. Finally you are calm. All of the monitors attached to you are flashing and ringing. Xavier and Jean come in to examine you. They are extremely concerned. You raise your hand to heal yourself but he stops you.

“Y/N, you understand that every time you take in a stone you are irradiating yourself with gamma rays? You are doing irreversible damage to yourself. There is a reason mortals cannot wield all six of the stones. You have taken in four. I’m not sure you can survive two more.”

“I can. I have to, Professor.”

“Or what, Y/N?” Jean asked.

“Or the time police guys are going to erase me and Tony Stark’s kid will make a weapon capable of destroying planets. Please. I have to finish my mission.”

The Professor and Jean order you to rest for a few days while they figure out how to treat you. You sent Hilde back to Vanaheim to let everyone know you were ok and being cared for. You stayed in the medical ward and the Professor put you into a medically induced coma. He monitored your brain activity to ensure you wouldn’t be a danger to anyone in your unconscious state.

You dreamt in vivid colors. What Wanda put in your head, you couldn’t shake. The stones were possessive of you. They fed off of you draining away all that you were. Eventually you would become the power. Everything seemed to be more alive. Even in suspended animation your muscles ached. They were growing and changing just as every other cell in your body mutated. On the outside you remain unchanged save for your hair color. You kept hearing Mobius’ voice reminding you that you could expel the stones at any time. The stones made you feel bound to them. You would be nothing without them. Wandering around your psyche you fought them for control.

When Hank brought you out of your coma you took a breath and your lungs burned. You coughed and sputtered grabbing at the air for anything to hold. To connect with something. Your vision was too blurry to see who was on the other side of the hand who held yours. Wanda’s soft voice filled your ears, “Open your eyes, Y/N. We’re here.” You nearly jumped out of your skin when you saw Hanks sharp toothed grin.

“There she is.” Hank said softly.

You pulled Wanda closer to you and embraced her. You were unsure if you could trust what you were seeing to be real. You fought a battle for control of your mind, your body, your energy, your perception. Four down and you didn’t know if you had the strength to take the last two.

Once everyone was satisfied with your recovery you asked for a meeting. You explained your journey and what Thanos planned to do. They would support you. For the next stone, you had to go back to Manhattan to meet with the Ancient One. You purposely saved the soul stone for last. You couldn’t comprehend whom you would even sacrifice. It had to be a sacrifice though. Someone you loved. Someone you cherished. You set it aside for now and headed to 177 A Bleeker.

#loki laufeyson #loki x reader #marvel #marvel witches #mcu x reader #loki angst