I was lowkey excited for world hijab day but I just check the tag on tumblr and it’s awful
I have no words for the amount of Islamaphobic things I saw
But yeah ummm Happy world hijab day ig
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something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.
“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”
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So David making the show gayer and listening to his collaborators... is a bad thing. Even if you weren't twisting his words, you're not making the point you think you are.
I did never say anything like that, what I sad is that the show was never supposed to be so queer in the beginning and that pretty much all of the queer details about the characters came from the queer actors. My conclusion was not “David Jenkins bad because he didn’t want to make a queer show”, my conclusion was “it is beautiful that these queer people poured their hearts into it and created something with a lot of meaning for other queer people”.
Yes I also used phrases like “we were never even supposed to have what we got” and “This show was NEVER supposed to give us beautiful things and treat it’s queer characters with “kindness”! It was NEVER supposed to be for queer people!”, implying that I personally felt like s2 made some choices that I, with my personal experience as a queer person was disappointed in (such as cutting all the poly scenes and killing of the older queer characters right after giving him a coming out arc, in doing so removing an actor who is very vocally supportive of trans people which I, as a trans person appreciate and used the opportunity on convention panels to talk about queer rights and removing the only of the three most central characters in s2 actually played by a queer person, etc.).
But that was just a tiny and implied undertone in an overwhelmingly positive post, in which I praise the cast of the show. And for the record, I DO think that it is great that DJ made these adjustments, I work in theater and occasionally in film and know that it is also not uncommon or bad to make changes as the project evolves and actors flesh out the roles more. I simply pointed out that he is not the one who originally had the ideas to make it this queer and that he originally didn’t plan to let the main queer love story end with a happy ending.
Firstly this is not a bad thing, there are a lot of shows out there that aren’t queer, no body is “required” to make queer shows. Secondly where the hell am I twisting his words, he LITERALLY said all of the things I listed as changes towards a more queer show himself and you can find all the interviews linked in the source I gave in my post!
Again the over all tone of my post was “oh my god, look what crazy info I stumbled upon and isn’t it fucking fantastic that these gorgeous queers have turned this regular show into something that means so much to us”. And that you manage to take that positive post and read something sooooo negative into it, just because someone dares to say that maybe David isn’t this amazing queer rights activist that some fans make him out to be and didn’t plan on making a revolutionary queer show, is honestly baffling to me.
I am also not “trying to make any point”, this is my personal block with barely 30 followers where I described my personal feelings towards factually true information and my personal feelings are:
I fucking love Vico, I fucking love Con, I fucking love Kristian (also Nathan and every queer person who worked on this behind the scenes) but I’m not gonna kiss David Jenkins feet for something that wasn’t even his idea, I don’t “owe” a cis straight guy who dosnt understand half of why the things his queer cast came up with are so important, gratitude. I gladly and freely extend a big fucking chunk of gratitude to queer actors who put their heart and soul into their queer roles way more then they are required to.
Hope this helps.
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am getting a lot of character inspo for shri’iia from amy gone girl. I don’t think she’s as smart nor calculated but she is similar to some degree in that she’s hyper aware of the current persona she’s presenting and how she’s appealing to the people. the masks and the mjndgames, that’s basically how shri’iia operated while she was still serving under her matriarch in menzoberranzan. she needed to play the roles the matriarch required of her and it was only when she was with her matriarch that she can be ‘Real Shri’iia’, and that’s how I imagined shri’iia to be esp in act 1 when she is so new and scared in the surface. she needed to work out who these people are (her companions) and what they liked, so her first persona - her blank one - the charming helpful paladin who got tadpoled and wants to go back home just like the rest of them (which was half true). she didn’t really argue and she generally agreed to what the group wanted. she was helpful and co-operative, ask her about her past and she will tell you something bland and generic- interesting enough to be ooh-ing about but not too interesting that they’ll delve deeper into it. then, when she got to know them a little more, she started crafting little personas adjacent to her first one ; she’s the girl who’s curious about magic but never had the chance to learn with gale, she’s a cool girl who likes mischief as debauchery with astarion, she’s the one who likes to take risks and live in the moment with karlach, the knight in silver armor who’s willing to help the tieflings with wyll, a disciplined fighter with lae’zel, someone who understands the depths of devotion with shadowheart - but none are really her, not really. ofc her own personality might slip in here and there but for the most part she’s appealing to them and what they’d like her to be but none of it is really genuine. shri’iia just needs to be on their good side to minimise the chances of them turning on her, and if they let her guard down it’ll be easier for her to get rid of them should the need arise. taking up all these different masks, collecting all these intel abt them to be used for later, slithering and making a place in their minds - it’s really how she operated back in menzoberranzan. I think the only one who catches on to her game is astarion but that’s bc he’s doing the same thing too, so it’s very game recognises game lmfao
it’s only when she breaks her oath and goes through her existential crisis that all of her masks drop and her real self comes out. she was never that kind of person lmfao ^, she’s greedy, selfish, paranoid and rather obsessive. she doesn’t care about a lot of things that doesn’t concern her, she has a cruel streak that she hasn’t shown before, and she hates doing anything that won’t really benefit her. but she’s fiercely loyal to anyone she likes, like a dog. and severely she craves validation and approval - also like a dog.
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Things I’m missing about you today:
- when you would sing while cleaning the house
- the sound your bracelets made on the kitchen table when you would help me with my homework
- the way you would pet your goldfish on the head with one finger when he swam to the top of the tank to greet you
- your lipstick smudged on my cheek when you gave me a kiss to annoy me (I was never, ever annoyed)
- sitting between your legs while you braided my hair
- watching you paint your nails
- the way you knew which ultraman episodes would have the theme song in English and which would be in Japanese
- sitting next to you on the couch and watching inuyasha in the dark
- the fact that you let me be the weirdest version of myself that I could be and the only thing you ever said about it was “which character is your boyfriend in this show?”
- the smell of your perfume
- your very sparse grey hairs
- when you’d make up some arbitrary monetary value for every basic task (using your bathroom cost $5 dollars. I say this to my students, too. It makes them laugh like it made me laugh)
- when you would become a vampire and bite me on the cheek, not enough to hurt. Just enough to make me laugh and tell you to go away
- your collection of little trinkets. So many little glass trinkets
- so so so many episodes of gunsmoke and bonanza
- when you’d tell me no, I couldn’t keep a blue crab for a pet. Put it in the pot.
- the way you always tucked my blankets in way too tight
- unlacing your shoes for you because you swore you just couldn’t reach
- dancing in the living room with you
- you, before you weren’t you anymore
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