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#construction equipment types
nnctales · 7 months
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The Backbone of Construction: A Deep Dive into Construction Equipment
When you pass by a construction site, what catches your eye? It’s not just the towering structures or the bustling workers; it’s the array of heavy machinery and equipment that makes the entire process possible. Construction equipment serves as the backbone of any construction project, enabling the realization of architectural marvels and infrastructural development. In this article, we will take…
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fedoraspooky · 1 month
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The downside of having an old west gunslinger type character for a dungeons and dragons 5e game is that now i have to learn how the heck to draw guns
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aaspa-equipment101 · 4 months
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potainmanitowoc · 8 months
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abhigmi · 1 year
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Construction Site Preparation Equipment Market Size, Incredible Possibilities, Growth Analysis and Forecast by 2028 End
The construction site preparation equipment market is expected to grow substantially by 2028 on account of rising number of public infrastructure development projects worldwide. In addition, increasing investments towards R&D activities from manufacturers across key regions is likely to accelerate market expansion over the forecast period.
Burgeoning infrastructure expansion plans from the private sectors across key regions have augmented industry adoption over the past few years. Furthermore, to accommodate the mounting demand for construction site preparation equipment, industry participants have actively been employing gainful strategies, which has positively impacted the overall business outlook.
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For instance, in February 2021, VST Tillers Tractors Limited, an India-based manufacturer of agricultural multipurpose tractors and tillers, entered into a technical partnership with Monarch Tractors, a leading manufacturer of automated, electric, and smart tractors, to co-develop the hardware for tractors. According to the deal, both firms have agreed to collaborate on the technical development for Monarch Tractor's first Series in the compact tractor category.
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To cite another instance, in February 2021, STIHL Inc., a U.S.-based manufacturer of outdoor power tools, such as trimmers, construction tools, blowers, and brushcutters, launched its first battery-powered professional trimmer, dubbed the STIHL 135 professional battery platform. The STIHL AP Battery Series provides professional-grade power that may be used for a variety of tasks. The FSA 135 and FSA 135 R provide professional users an energy-efficient and low-maintenance solution with excellent power run times and durability, owing to a commercial-grade brushless motor.
Similarly, in June 2021, Chicago Pneumatic, a prominent industrial manufacturer of power tools, generators, hydraulic equipment, and air compressors, launched its novel cordless connected torque wrench, dubbed the CP86 Series. The CP86 Series includes four models designed for bolting applications in the construction, wind turbines, energy, heavy-duty vehicles, mining, off-road equipment, oil & gas pipelines, and railway industries.
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The construction site preparation equipment market has been segregated on the basis of product and region. From the product point of view, the market has further been classified into handheld augers, walk-behind tillers, and handheld trimmers. The construction site preparation equipment industry share from the handheld augers sub-segment is projected to grow at a significant CAGR over the review timeline to reach a notable valuation by the end of 2028. Increasing number of expansion plans from the private sector is likely to fuel segmental expansion through the assessment period.
On the regional front, the Middle East & Africa construction site preparation equipment market is speculated to showcase robust development over the study timeframe owing to supportive government initiatives for smart city and commercial constructions in the region.
Table of Contents (ToC) of the report:
Chapter 1   Methodology & Scope
1.1    Scope and definitions
1.2    Methodology and forecast parameters
1.3    Region-wise COVID-19 impact:
1.3.1    North America
1.3.2    Europe
1.3.3    Asia Pacific
1.3.4    Latin America
1.3.5    Middle East & Africa
1.4    Regional trends
1.4.1    North America
1.4.2    Europe
1.4.3    Asia Pacific
1.4.4    Latin America
1.4.5    MEA
1.5    Data sources
1.5.1    Secondary
1.5.2    Primary
1.6    Industry glossary
Chapter 2   Executive Summary
2.1    Construction site preparation equipment industry 3600 synopsis, 2018 - 2028
2.1.1    Business trends
2.1.2    Regional trends
2.1.3    Product trends
Browse complete Table of Contents (ToC) of this research report @ https://www.gminsights.com/toc/detail/construction-site-preparation-equipment-market
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Eddie's porn stash is a pretty conventional one. An 'if you've seen one stash you've seen them all' type. It basically only consists of skin mags, some of them kinky but most of them vanilla. Normal stuff.
The oddest thing in it is a two-year-old calendar. You know those sexy firefighter calendars? Usually a charity thing? A hit with the housewife crowd? Yeah. Except this calendar decided to branch out and include a bunch of sexy men from a bunch of sexy professions.
So, in this thing, joining the sexy firefighter is a sexy doctor, a sexy construction worker, a sexy police officer (whose month Eddie tore out and burned because fuck cops but don't ever fuck cops), a sexy librarian, and so on. They're all really good-looking, but none of them hold a candle to the paramedic.
It's weird. Paramedics aren't normally part of the traditionally sexy professions. It's messy and sometimes tragic, but lacks the high-paying glamour that doctors and nurses enjoy. Eddie's had his fair share of fantasies, and none of them involved fucking a paramedic.
Until two years ago.
The guy in the calendar simply is that hot.
There's not even anything risqué about his picture. None of the pictures go beyond "this dude is chiseled and shirtless", because veering even slightly past the softest softcore territory would scare off the little housewives or something.
(Eddie is actually pretty fucking sure it'd increase the sales, but hey, what does he know.)
The point is, there's nothing that obscene about the pic. Just a guy kneeling in the back of an ambulance, first aid equipment scattered between his powerful thighs, shirt open to reveal his sculpted torso…
Dark hair spanning across his pecs, over his abs, vanishing down his tight tight tight pants. Hips canting upward, bringing attention to the size of his bulge beneath the zipper. Broad shoulders, ripped arms and large hands, veins protruding across the back. A pretty yet masculine face, with a strong jaw and a straight nose, full lips, a smattering of moles going down his biteable neck. Voluminous, golden brown hair swooped away from his twinkling eyes.
He's got this look in them, this slant to his mouth. Like he knows he's the hottest guy in the calendar.
The one month everyone will go crazy for.
Eddie has become intimately familiar with that look. No joke, in two years it's made him crack his marbles more than anyone else has done in his quarter-century lifetime. When all else fails, November-paramedic has his back. It's basically his longest relationship to date, which sounds a lot sadder out loud (and it sounded fucking sad inside his head, too).
You might wonder why any of that is relevant now, as he sits on the curb outside of The Behemoth with blood trickling from his temple, his band giving their statements to one cop while another hauls away the snarling douchebag that clipped him. How does it play a part in this god-awful night out, you ask?
Well.
"Sir?"
Eddie startles, too caught up in the thudding inside his head, made worse by the buzzing crowd, to notice the man approaching him. He looks up, his gaze gliding past uniformed legs, muscular forearms, a curved neck and honeyed eyes appraising Eddie, and oh.
Oh God.
Eddie's breath sticks in his chest and his tongue becomes a cognate to sandpaper, because it's the paramedic.
It's the paramedic. From the calendar.
He's hallucinating. He has to be. He collapsed on the sidewalk, and now he's having one last weird sex dream before his brain finishes seeping out and he fucking dies.
November-paramedic crouches in front of him. Eddie continues to gape like he's getting ready to catch the peanuts no one is tossing at him.
"My name is Steve. I'm with the ambulance," November-paramedic says. "What's your name?"
Eddie makes a noise incomprehensible to most Earth cultures before his brain registers the meaning of the question and stutters out the answer.
"I- Uh- E-Eddie. It's, it's Eddie."
November-paramedic – Steve – smiles kindly. Heat prickles across Eddie's cheeks and neck. It's not the same as the cocky, sexy smile he's got in the calendar, but still. He's smiling. At Eddie!
"Hi, Eddie." He nods toward Eddie's temple. "That's an impressive cut you got there. May I take a look at it?"
"Yeah? Yeah. Um, g-go ahead."
As Steve sets down his bag and rummages through it, Eddie scours his face to confirm that it really is the guy from the calendar. To his chagrin, it is. There's no mistaking it. Those eyes, like liquid gold. That jawline, a weapon in its own right. Those moles, applied so skillfully it must've been by an artist's hand. That hair, coming straight out of a commercial for luxury shampoo. It's lying flatter than in the calendar, either lacking product or having sweated it out, but it's still glorious.
Steve, having finished washing his hands, tugs on a pair of disposable gloves. The plastic snaps against his wrist, sending a shiver through Eddie. It centers between his legs. Shit, if he pops a boner now…
"I'm going to ask you some questions, okay?" Steve says while pressing a square piece of gauze against the cut. "Do you know what day it is?"
"Eh, Thursday?"
"Do you know where you are?"
"The Behemoth."
Steve nods and, with a lopsided smile, asks, "And are you a patron or did you and your head injury just wander onto the scene?"
Eddie laughs. Loud, merry, and verging on too long. It wasn't even that funny. Steve seems pleased his joke was a success, though. Unless his smile is the uncomfortable kind that one wears when faced with the unhinged. Eddie isn't sure how much blood he's lost.
"No, I, like, my band…" he says, stammering like talking isn't what he does best. Jesus Christ, it's just a hot guy! Eddie has made a fool of himself in front of those plenty of times – no need to get flustered about it. He clears his throat. "We had a gig and, after, at the bar, some guys got into a fight. Got ugly, so we tried to leave, but… alas!" He makes a dramatic sweep of his arm, nearly clocking Steve. Steve expertly ducks away without lessening the pressure on the wound. Eddie soldiers on, not daring to pause lest he lose his steam. Hopefully his burning face is enough of an apology. "Fucker wasn't even aiming for me. He missed his intended target and struck me instead."
"Right. Did you lose consciousness after he hit you?"
"Nope."
"Good. Did you drink tonight?"
"Half a beer, at most."
"Do-"
"Eddie!"
Gareth's nasally voice cuts off Steve's question. The next second, he's materialized beside them with a slightly alarmed expression. "Dude, are you…!"
He trails off, eyes growing into dinner plates. There isn't that much blood, is there?
Steve looks Gareth up and down, a crease between his brows. "Is this your friend?"
"My drummer. Gareth."
Eddie half-expects Steve to demand Gareth leaves so he can do his job in peace, but nope. That kind, calm smile is back. He even gives him one of those little upward-nods 'cool guys' like to do.
"What's up, Gareth? I'm Steve; I'm with the ambulance. Just making sure Eddie won't keel over later tonight."
"Uh huh…" Gareth kneels opposite Steve. He's smiling too, but his is shit eating. Eddie frowns in confusion, because what does Gareth have to be happy about? He was freaking out right after Eddie got hit, but now he's staring at Steve like-
Oh.
He's staring at Steve.
No. Noooooooooo! Oh shit! Oh fuck! Oh why, why has he kept his porn stash in a drawer without a lock all these years?! He can't recollect the reason Gareth opened that particular drawer on that particular day – all Eddie remembers is how Gareth, Jeff, and Marv snickered when he explained the inclusion of the calendar.
That was it, though. They moved on. Sure, there has been the occasional roasting after the fact, but it's not like he hasn't also mocked them for their weird shit. But that's not the point. The point is that Gareth is staring at Steve like he recognizes him.
Gareth's attention flicks toward Eddie. Eddie shakes his head as subtly yet pleadingly as he can. Gareth's grin gobbles down another turd. Eddie makes a valiant effort to explode Gareth's eyeballs with his mind.
"Say…" Gareth turns to Steve. "Have we met?"
"I don't think so. Eddie, do you have a headache?"
"Yeah, man," Eddie says, voice trembling. "Hurts like hell."
"I could've sworn I've seen your face before," Gareth says. "Like, I'm 100% sure."
"Are you dizzy or nauseous?" Steve asks, ignoring Gareth.
"Um, a little dizzy but no nausea?"
"Hmm, okay. Blurred vision or uneven numbness?"
"No."
Steve nods, glancing at his watch. Then, to Eddie’s dismay, he looks at Gareth. "I've never been to this bar before."
"Nono, not here. Somewhere else…"
Steve's lips purse and his brows knit into the most adorable thinking-face Eddie has ever seen. His heart skips a beat, then skips two more as Steve's free hand gently cups Eddie's cheek. The skin catches fire where Steve's gloved fingertips touch it.
"Let me have a look at your pupils…" Steve says, guiding Eddie's face and, holy shit, leaning in close for a better look.
Eddie gulps, half his blood rushing up and the other half down; he squeezes his legs together to prevent the little guy from saying 'hello' to everyone present. His eyes rove over Steve's face. His lips are chapped and the skin on his nose is dry. The nose itself is somewhat crooked. Did he get into a fight between the calendar photoshoot and now, or did they make the nose straighter for the photo? Why would anyone think it necessary to edit a face like this one? Even with its imperfections mere inches away, it's still the handsomest Eddie has seen.
Steve hums. It's a perfectly preserved vinyl. It's a metal festival. It's Eddie's new favorite song.
"Same size but pretty dilated… Keep your eyes open, please." He shines a tiny flashlight into Eddie's eyes before nodding, satisfied. "All right, looks good."
He leans back out of Eddie's space, returning Eddie's ability to breathe, and removes the gauze. His smile tells Eddie that the bleeding has stopped. As great as it is that he won't hemorrhage to death, it also means their encounter is approaching its end.
"You might've seen me at the university campus?" Steve says, fiddling with some plasters; it takes Eddie's horny brain five full seconds to deduce he's talking to Gareth again.
"No-" Gareth freezes, mouth hanging open. His smugness has evaporated. "Actually, I might have? You're a student?"
Steve chuckles as he patches the last of Eddie's cut. "No, but my friends are. None of them own a car, so I end up driving them everywhere. Right, Eddie, I think you're good to recover at home. Unless you feel like you should head to the hospital?"
Great question! Does he? On the one hand: riding in the ambulance with Steve, ensuring a few additional minutes of his lustrous eyes and smooth voice.
On the other hand: hospital bills.
"… no."
"Okay. Do you have anyone who can keep an eye on you?"
Eddie shakes his head. "I live alone."
"Then maybe Gareth could hang around for the next 48 hours?"
"Sure can," Gareth says without hesitating. Eddie's heart swells with affection for him, despite his (failed! Hah!) plot to mortify Eddie to death.
Steve is already packing his medical bag.
"I want you to rest and avoid stressful situations," he tells Eddie. "No alcohol, no recreational drugs, no driving, and no working until you feel completely recovered. You may take tylenol, but not aspirin or ibuprofen. And if your symptoms worsen or you develop new ones – seek medical attention. Got it?"
The last part is sterner, reminding Eddie of every male authority figure he's strived to disobey during his teenage years. He has no such desire this time.
"Got it."
Steve raises his eyebrows as if to say 'have you really?', and Eddie has to wonder if it's he who seems contrariant and/or stupid enough to ignore the medic or if this is something Steve does with every patient. If it's the former, he mustn't seem that contrariant, because Steve's features soften into trust. He stands, brushing dust off his knees.
"Great. You boys take care now. Have a nice night."
"Yeah, you too, man," Eddie calls after him weakly as he retreats to the blinking ambulance. "Thanks…"
He keeps his gaze on the broad expanse of Steve's back, soaking in the rippling of his muscles as he walks and, oh would you look at that, his ass is as nice as the rest of him. Eddie's been wondering for two years now…
"Dude!"
Eddie jerks toward Gareth. Did he say that out loud? Did he drool? Is his boner showing? But no, Gareth isn't disgusted or disturbed – he's excited.
Shit.
He'll never hear the end of this.
"Don't!" he hisses.
Gareth just laughs, eyes twinkling.
"That was-"
"Don't!"
"I can't believe it!"
"Gareth-"
"You are so red right now!"
"For Jesus fucking Christ's fucking sake-"
------------------------------
Dedicated to @rougenancy for always listening to and encouraging my various thoughts, opinions, and ideas (they are constant).
Part 2
AO3
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puckettrents · 2 years
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When winter turns into spring, many individuals experience relief because it's time to start spring cleaning. It's time to get ready for the busy spring and summer months, from landscaping repairs to clearing away the dusty winter leaves. So, here are 12 tools that will aid with your spring cleaning. To know more about it visit https://puckettrents.com/ or call us at 601-939-5151.
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cauliflowercounty · 2 months
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Knives Dance (Part III)
Feyd-Rautha Harkonnen x fem!Reader
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Summary: It was hard to have a prose summary so here are some bullets of what’s happening in part 3
Baron Feyd missing you + heartfelt reunion 
Feyd being totally infatuated with you
SCIENCE!!! and POLITICS!!!
Rabban being pitiful
Reader being a badass
Feyd vs Paul on Arrakis (what will happen? You’ll never knowww… [unless you read this chapter **wink, wink, wink**]
Warnings: Violence, blood, death (woohoo)
Word Count: 10.3k (whoops… I went typey-type)
A/N: I wanted to say a sincere thanks to everyone who's read Knives Dance up to this point. This series is some of the most fun I've had writing in a long, long time. Sending lots of love your way :)
Part I | Part II | Part III
--
Stirring gently in his bed, Feyd recoils slightly as the light from Giedi Prime’s black sun hits his eye line through the wall of windows that separate his bedroom from the private balcony that overlooks the cityscape.  He extends his arm to your side of the bed and runs his hand languidly across the surface, feeling the cool, silky sheets under his fingertips. His heart feels heavy in his chest, and he lets out a low growl of frustration into his pillow. It has been a long three weeks without you.  
You’ve been off-world on a visit to Youra to see your father and bring back equipment for the laboratory you’re constructing on Giedi Prime. He knows that he doesn’t have to worry about your safety because he insisted on a full Harkonnen security detail accompanying you, which should have put his mind at ease, but he’s laid awake each night since your departure, staring at the ceiling and trying not to think of disasters befalling you during your travels. One night it’s asteroids colliding with your ship, tearing gaping holes in the walls, and sucking you into the vacuum of space. Another, it’s an ambush by an undiscovered society, hellbent on killing alien peoples for sport. Perhaps a novel virus wiping out the entire population of Youra and you with it in a matter of days?  No farfetched scenarios were off limits when Feyd allowed his mind to wander.
The foreign feeling of loss due to your absence has not only plagued him with anxiety, but allowed Feyd to slip into a state of abject melancholia. None of his old vices have come close to fulfilling him, let alone make him feel much of anything.  Watching his servants cower in fear or making foreign ambassadors quake in their seats wasn’t giving him the same gratification as it once had.  Even hearing the roar of the crowds in the arena didn't given him any satisfaction. Everything had felt unbearably pedestrian. The only thing that brought a smile to his face was the thought of having the other half of his bed full again and listening to your tranquil voice. With every passing moment, he’s yearned for the life you had built together on Giedi Prime to resume.
Your mornings together were simple and easy. They were a time when he could always experience a drop of serenity within the political quagmire he’d gotten himself into since assuming the title of Baron. He’d wake up with you already in his embrace, your head laid delicately on his chest. He'd listen to your soft breathing and savor the way your limbs would entangle with his. The image of you blinking your eyes open to look at him with the special glimmer of affection reserved just for him never failed to make his heart flutter. 
Overtime, Feyd noticed you had been taking very well to Harkonnen dresses, which you now wore more often than not. He had the best seamstresses on Giedi Prime make and tailor custom outfits for you, though he didn’t expect you to always wear them, knowing how important your heritage was for you.  Nevertheless, you continued to grab one of the black gowns from your shared closet for your daily tasks and tell him with a smile “I’m Baroness Harkonnen now.  Shouldn’t I dress the part?”
Before leaving your quarters each day, Feyd always took the opportunity to take your hand in his and bring you in front of the floor length mirror in your shared closet. With his hands around your waist, he would pepper gentle kisses from your cheeks down your neck, whispering in your ear “you are a vision today, my Baroness.” You'd always smile and blush bashfully in return, returning his kisses in kind. Moments like those when it was just the two of you had become one of his favorite parts of the day.
You made the meetings, filled with diplomats groveling to win his favor, bearable. How he loved to watch you as you sat on the grand Harkonnen throne beside him. You never failed to command the room with your head held high. Power and dignity seemed to drip off of your being and fill every room you entered. You were truly worthy of the title of Baroness, and with every passing day and every interaction, there was more and more for Feyd to admire about you.
In private, you took to training together, where he would bask in your shared might. With every blow he endured from you, all he could think about was that he, Feyd-Rautha Harkonnen, was the only person alive to witness you so animated with ferocity and passion from battle, as all others who have seen you this way have been slain and buried. Sparring sessions between the two of you almost always ended with you both on the floor, limbs entwined and chests heaving after one of you would get the best of the other and take the opportunity to pin the other to the floor. 
At the end of the day, you'd always assume your position on the balcony in a flowy, white nightgown. With a gentle gesture, you’d beckon him to accompany you while you observe your shared domain, watching the shuttles flying through the gaps in the dark architecture and the stark white floodlights passing over the cityscape.  He’d hold you close by your waist and whisper sweet nothings into your ear until you start to shiver from the evening chill, at which point he’d tug at your waist to take you back to the bedroom to retire for the night. Every day, Feyd was falling deeper and deeper into you, and he’s loved every moment. 
Bringing himself upright, Feyd stretches his arms and stands up, walking over to the closet. Across from his sets of Harkonnen formalwear and battle gear, your gowns are neatly hung. Half of them are the sleek, black Harkonnen designs he had made for you. The other half are gorgeously vibrant Youran gowns. He sighs, imagining sharing one of your moments again in front of the mirror like always, but alas, you are not beside him. Once he’s dressed, he emerges from his quarters and is met with a nameless servant.
“Good morning, Baron,” the servant says, bowing deeply and trying not to give Feyd an excuse to kill him. “I am here to inform you that we have received a signal from the Baroness’s craft.  Her arrival is imminent.”
Hearing those words, Feyd turns on his heel toward the landing docks, dismissing the servant who heaves a sigh of relief because his head is thankfully still connected to the rest of his body. As Feyd walks the halls, his pace quickens, feeling the anticipation rise in his chest. People bow and salute him in the hallways, but he doesn’t pay them any attention. He’s too preoccupied with his thoughts of you; he can already smell the aroma of rainforest flowers you carry around with you. The thought that he’s so close to having you near again nearly drives him mad. 
When he arrives at the landing docks, the fleet of Harkonnen vessels is already touching down. As he hears the machinery’s loud whirring die, the ramps of all the crafts to meet the floor. Lines of Harkonnen soldiers file out first, each soldier with weapons in arms. The steady pulse of their synchronized footsteps echoes through the space with perfect adherence to Harkonnen military standards is satisfactory for Feyd. The commander in front barks orders, and the guards immediately step into formation, making an aisle that extends between Feyd and the craft closest to him. 
He is at a loss for words when he sees you walk down the ramp. You are undeniably gorgeous in Harkonnen clothes, but you look positively ethereal in the Youran gown and golden headdress that adorn your body today. Instead of shrouding yourself in the cloak you’ve worn in the past to hide your weaponry, you’re wearing a traditional dress reserved only for Youra’s utmost nobility. Layers of sheer, olive and cerulean fabric flare behind you to create your dress’s skirt out from under a ribbed bronze and mahogany corset.  Seeing how it’s cinched your waist and accented your silhouette, all Feyd wants to do is hold you and drag his fingers up and down the length of your figure.
Through the abundance of delicate golden chains that are symmetrically draped over your exposed shoulders and chest, Feyd can see how the corset and the off the shoulder neckline cradles your breasts in a way that makes him feel lightheaded. The entire skirt of the dress is decorated in dazzling embellishments and the characteristic Youran golden thread that Feyd has come to love on you. The fabric of the train seems to flow like water behind you as you walk.  
The high front hemline of the gown that ends at your upper thighs gives Feyd a good look at your legs, the lengths of which are delicately wrapped in the thin, tan ribbons from your sandals. The crosshatched pattern of the ribbons allows him to see just how beautifully your legs are sculpted from years of training and exploration. The sight makes his mouth water. He is truly breathless gazing upon you, his Baroness.
You return his affectionate gaze and call his name excitedly, reaching down and bunching up your skirt in your grasp before breaking into a run between the lines of Harkonnen guards. Your footsteps are the only noise reverberating throughout the area. Before he even realizes it, Feyd’s running for you, too. As you approach each other, he extends his arms out to you, and you leap into them, wrapping your legs around his waist. As he lifts you up into his arms, he spins you both around as you nuzzle yourself deeper into his hold.
Your grips on each other are desperate. Without a moment to waste, he cups your cheek with one hand as the other holds you tightly by the small of your back. A tear threatens to fall from his eyes as he considers saying that he hopes that you’ve missed him, but the look in your eyes already tells him the answer. This is truly happiness like he’s never experienced before. It washes over him when you finally bring your lips to meet his. His breath is warm against yours as he exhales into the kiss in satisfaction. He feels your hands come up to clutch the back of his head to deepen your kiss and growls hungrily, quickly losing himself in your embrace while attempting to resist the urge to devour you on the spot. His brow furrows when you finally break for air.
“Hello, my love,” you whisper softly, pressing your forehead against his, as if what you’re saying is a secret meant for only his ears. He grins at the pet name you’ve picked for him.  “How have things been at home?” Your words make Feyd pause. Were you calling Giedi Prime “home?” 
“Everything has been adequate,” Feyd says, kissing you again. “But I do prefer it when my Baroness is beside me.”
“I guess you’re in luck then,” you smile at his words. You rest your hands on his chest, feeling his prominent pectoral muscles underneath his shirt which makes him sigh in satisfaction. You swiftly squash the temptation to kiss him again as you meet his gaze because if you do, you’d never want to stop. Feyd sets you down, even though he’d gladly carry you all day wherever you want. 
“My father sends his regards. He’s very pleased with House Harkonnen. He also sends his condolences at your uncle’s passing,” you say, which makes Feyd scoff silently to himself. “I’ve also gathered all I need for the laboratory.  I hope I didn’t bring too much back with me. I hope it’s not a burden…” you trail off.
“You could never be a burden. We have plenty of servants. They can handle the labor,” Feyd assures as he turns to one of the closest guards. “Start unloading the Baroness’s things. You know where to take them. Don’t you dare damage any of it. There will be repercussions if anything is found broken.”
“Yes, My Lord,” the guard responds before beginning to bark orders to the others. One by one, the guards disappear into the vessel, and emerge moments later, carrying large wooden crates by the bronze colored handles attached to the sides of each. They all file out and disappear into the fortress, headed for your lab. 
“So,” Feyd says, turning back to you. “Home is Giedi Prime now? I wouldn’t have expected you to call anywhere but Youra home. It’s not that I’m unsatisfied that you’ve found comfort on Giedi Prime, but I was surprised to hear you say those words.”
You smile and glance down at the ground before looking back to him, responding. “Younger me would have agreed with you. Youra is my first home and will forever be such. However, my feelings have changed. Home is wherever you are,” you explain, intertwining your fingers with his. At your words, Feyd pulls you in again by the waist for another quick kiss, and he wonders what he did to deserve a wife like you as you both turn to follow your belongings. 
Weeks ago, you and Feyd had set aside the largest of Baron Vladimir’s personal recreation spaces to be converted to a laboratory for you on Giedi Prime. You both had celebrated the initiation of the transformation by gathering all the Baron’s belongings and smashing them to smithereens, which was quite cathartic for the both of you. In particular, you loved bashing Vladimir’s pipe and ripping his bathtubs apart piece by piece. The day of eradicating every trace of Vladimir, except for his portrait in the hallway, culminated in you both basking in the warmth of a glorious bonfire, fed by what remained of the Baron’s belongings. 
You both arrive at your laboratory. The Harkonnen workers have been very efficient installing the necessary infrastructure in the time you have been away. The room that was stripped to the bones the day you left for Youra is now a proper lab, outfitted with fireproof surfaces, chemical hoods, gas lines, and plenty of storage cabinets.  
“Wow, Feyd,” you say. “This is amazing. I can’t believe this got done in the time I was gone.”
“Only the best for you, my love,” he replies as more servants arrive, and you begin to instruct them how to unpack your belongings. Feyd stands back on the sidelines and watches you, seeing the sparkle in your eyes now that you’re able to bring part of your life from Youra to Giedi Prime. Many of the instruments and objects he sees being unpacked are unfamiliar to him, but you seem unphased, perhaps even comforted, by the diversity of items. He marvels at your proficiency with handling all of them. With the help of the servants, you quickly have all the crates unloaded and the items put away and organized. You dismiss all the workers promptly, so you and Feyd can be alone. Once the doors are closed, you let out a sigh of relief.
“Is the space to your liking?” Feyd asks, coming to your side and slipping his arm firmly around your waist.
“It’s perfect,” you reply, looking around with elation in your eyes. You reach into a drawer in front of you and take out a jar. Inside, he sees it’s full of the iridescent indigo scales of the fish you had shown him the night you were attacked on Youra. “I wanted to wait until I got back to Giedi Prime to do the extraction on the scales for your batch of the elixir. …Would you like to stay while it happens?” 
Feyd nods without hesitation. He knows that watching you work is something only the people closest to you ever get to see. “Of course, my love.  It would be my pleasure,” he says. You smile at him, delighted at his interest. You point to a little door in the corner and tell him to wait for you before disappearing into it. A few minutes later, you emerge having shed your gown and jewels for a tan lab coat. When you smooth your hands over the new coat, Feyd thinks to himself how put together you look. You seem even more at ease now that you’ve changed. In your arms, he sees another coat and two pairs of safety glasses. 
“To protect your clothes and eyes,” you say, walking over and handing him the other coat and one of the pairs of glasses.  Inside the coat, he sees “Baron Feyd-Rautha Harkonnen” delicately stitched in with golden lettering.  As he puts it on, he realizes it’s been tailored to his measurements perfectly at your behest. His heart swells once again. Your foresight is obvious to him. Beside him, you take out a mortar and pestle and pour a few of the scales into the mortar. He hears the scales clatter like pebbles against one another as they fall. 
Over your shoulder, Feyd can finally get a closer look at the scales from the fish you had shown him. The scales are shaped like rounded trapezoids and glimmer even in the artificial indoor lighting. Through the striking coloration, he can see delicate silver ribs that flare out from the narrower end of the scales, making each scale look like a pocket of moonlight rays shining through an inky night sky.  Feyd thinks how it’s truly a wonder how nature produced such a creature that bears such beauty.
You grasp the pestle in your hand and start striking the scales with firm, downward motions. Upon impact, the scales fracture at the ribs. Little by little, the scales become smaller, and you change your technique, beginning to roll the pestle around the bottom and up the sides of the mortar. You reverse the direction of the circle every few times. Because of your expert hand, the scales are soon reduced to a fine powder in the bottom of the mortar.  The dust glistens beautifully as you pick up the mortar and tip it around in a rolling motion, observing the results of your grinding.
“It’s time to perform the extraction and then the purification. Hopefully the crystals will be well formed,” you say to him, taking the mortar over to the fume hood behind the two of you and flipping the on switch to the hood.  “Have you ever watched any of your scientists work before?”
Feyd shakes his head as he follows you, memories of his childhood passing through his mind. “My uncle always instructed me to remain in the arena and the training grounds growing up. The laboratories on Giedi Prime were never our places to be. Our scientists would always come and report to us rather than us going to them. It has always been that way. Everyone in House Harkonnen works for the Baron. Everything they do is in service to him. It is inappropriate by our standards for him to go to them.”
You nod at his words, reaching for the glass sash that separates you and Feyd from the compartment of the fume hood. “Unsurprisingly, it’s the opposite on Youra,” you say, putting the mortar with the powdered scales inside before lowering the sash again until it’s almost closed, leaving gap a couple inches tall for continued access. “Yes, all workers serve my father and me, but we are all colleagues, in a way. They are the workers and my father is the hub for all of the departments on Youra. Much of my father’s success is tied to them, so he would often visit our workers to acknowledge their efforts and dedication. He always wanted to see their work for himself, too. He’s always been the curious type. My father had me follow him to the laboratories as soon as I was old enough to understand safety protocol. I’m sure if it wasn’t for regulations, he’d have brought me into the labs in a baby sling.”
The image of young you in a laboratory, holding your father’s hand as Youran chemists show you both what they’re working on comes into Feyd’s mind.  Even though he didn’t know of you when you were children, he can imagine you then, much shorter with a rounder face but with the same bright eyes brimming with curiosity.  The idea makes his heart warm and a smile tugs at his lips.
“I’m sure those laboratory visits were most influential for you,” Feyd says. You nod in return as you put on a pair of gloves and reach under the sash to grab an amber bottle containing a clear liquid from the side of the hood.  
“Absolutely,” you reply as you transfer all the powdered scales into a glass Erlenmeyer flask and add enough of the liquid to cover the solids. You move the flask onto a raised plate in the hood and press a few buttons to begin the heating process.  “I loved watching them do their work. They knew so much about our world, but were still determined to know more.  The way they moved in the lab was like a dance. I desperately wanted to be a part of that, so I began working with them when I was fourteen…”
As Feyd listens to you talk about your past as you work, his admiration of you grows. Your determination and tenacity through failed experiments and stalled projects are astounding to him, and the fact you’ve been able to become a swordswoman on the side this is truly a marvel. Your skill and years of training are evident today, as your body seems to know this process by memory. This in front of him is the product of all those years of effort.
The liquid in the vessel begins to bubble gently. As the moments go by, the liquid takes on the iridescent nature of the scales and becomes a vibrant blue. Removing it from the heat, you strain the liquid through fine mesh into another container, removing all the powdered scales from the mixture.  Looking at the collected solids, Feyd can see the scales have lost their original coloration and turned a chalky off-white. You smile to yourself, knowing that the extraction was effective while you prepare a large volume of a different liquid, also clear and colorless, in a large beaker. 
“Are you ready for the recrystallization?” you ask him, grabbing a syringe and drawing up some of the extract into the barrel. You return to the beaker of liquid and gently tip it sideways with one hand while pointing the tip of the needle at the side of the beaker. Carefully, you begin to squeeze the syringe and the indigo liquid begins to drip out the needle’s tip and trickle down the side of the beaker. As the extract hits the surface of the clear liquid, deep purple crystals seem to flutter out from the point of impact into the liquid instantaneously. Feyds lips part in amazement, unable to tear his gaze away from the process
“How does it work?” he asks, watching as a batch of thin, needle-like crystals start to gather at the bottom of the beaker while the bulk liquid remains colorless. It’s as if all the color of the extract has been contained within the crystals. 
“I use the first liquid to remove the compound from the scales and make a concentrated extract. I then add the extract to a bulk solvent which our compound of interest is insoluble in. The compound forms crystals when the liquids meet because the second liquid is in great excess compared to the first,” you explain, drawing up more extract and adding it to the beaker in the same way. Once you’re out of extract, you squat down to bring your eye level to that of the beaker. “It’s perfect. I don’t think the crystallization has ever gone that well.” 
You’re absolutely beaming as you swirl the crystals suspended in the liquid, admiring how they twinkle in the light. He can’t deny that your excitement is contagious. You collect the crystals by filtering the mix through another filter and spread out the crystals on a metal sheet to allow them to dry before removing your safety glasses, and Feyd follows suit.
“This is the compound I was referring to that night at the Pools of Ashora,” you say to Feyd.  “If we dissolve the crystals in water and drink it, it allows people to retain their body’s water content and reduced the frequency at which people needed to drink water.”
“Fascinating…,” Feyd trails off, staring at the delicate crystals scattered across the surface inside the fume hood. 
“When I was on Youra, I tested the elixir myself,” you say. Hearing you say that you’ve done that, a bolt of fear goes to his heart at the thought of you just drinking a novel chemical. Feyd’s eyes quickly lock onto you, and his neck stiffens. His mind swirls with distress at the possibility of you getting hurt. You may look okay now, but was the elixir difficult for you to stomach? Did it hurt you in the moment?
Looking at him, you’re immediately in tune with his reaction, and you lift your hand up to rest on his arm to calm his nerves. At your touch, he immediately relaxes. “Don’t worry, Feyd. I am alright. There’s nothing to be worried about. We’ve done plenty of trials since I first introduced this fish to you. I assure you it’s safe. I’ve had all of my best scientists on this project, and I had the best doctors in Youra monitor my vitals for two days after the fact.” Feyd nods, knowing if anyone is competent enough to keep you safe, it's yourself and the Youran doctors and researchers. “We still don’t know the exact mechanism of the compound in the body, but we do know there aren’t significant negative side effects on people. Do you trust me?”
“Of course,” Feyd replies, taking the opportunity to bring his hand to your waist and pull you close enough that your lips are almost touching and you’re both staring into each other’s eyes.  “I will always put my faith in you and your work.”
“I’m glad to hear,” you reply, your breath fanning out across his face, which sends shivers down his spine.  “That means a lot, Feyd, we’ve been working hard the last few weeks for this.” Grinning at you, he takes your chin between his thumb and forefinger and tips your head up toward his, catching your lips in his.  You quickly take off your gloves and hold his cheeks in your palms, savoring the intimate moment. 
A knock at the door sounds through the room. Feyd grumbles in annoyance as the tension between you releases. You and Feyd look at each other before ending your embrace. You call out “Enter!” in the direction of the doors. A military advisor enters the lab in full uniform with his head low. He immediately drops to his knees in front of both of you to show his respect.
“Baron, Baroness,” he says. “I am deeply sorry for interrupting you both, but I bring critical news from Arrakis.”
“Very well,” Feyd says, straightening up and peering down at the man kneeling before him. “Out with it.”
“There has been an attack by the Fremen. They destroyed eighty percent of the most recent spice crop.” You can tell by the way the man shivers that he is afraid. Nobody ever wanted to be the one to break bad news to Feyd-Rautha. “Count Rabban attempted a counterattack.”
“‘Attempted?’ What happened?” Feyd growls, his eyes flashing in dissatisfaction. You catch Feyd’s hand in your palm as it flies in the direction of the knife he keeps on his person. You shake your head. You tell him there is no use in killing this man because it would be a waste with just a look.  
“Y-Yes, my Lord,” the man says, a bead of sweat dripping down his temple. You can hear him beginning to hyperventilate despite his best attempts to steady his breath. “Rabban went after the Fremen, but the dust and debris from Rabban’s initial artillery attack made the visibility so poor on the battlefield that only Count Rabban and a few others survived. They were ambushed in the haze; it was a massacre with a casualty rate of seventy two percent and climbing.”
“Over half?!” you gasp, your own fists beginning to clench at Rabban’s blunder.
“Rabban says he saw the Fremen prophet, Muad'dib, on the battlefield before he fled. The Fremen… they are dedicated to him. They kill for him, Baron. Our spice operation is in jeopardy. We await your command.” 
Feyd stiffens, a vein threatening to pop on his temple. He sucks in air through his teeth, infuriated at Rabban’s continued incompetency. The advisor recoils at the noise, shuffling backward toward the door.
“You are dismissed,” you call to him with a huff.  A wave of relief washes over the man as he bows and thanks you before slipping out the door.
“Rabban is a damned fool!” Feyd shouts once you’re alone. “He has had every chance to rectify his mistakes on Arrakis, but he seems to leave his brain behind when he makes decisions and lets this Muad'dib win every time! And now I hear news of abandoning the battlefield at the sight of this prophet? He is a coward! An absolute imbecile! If something doesn’t change soon, the Emperor will take Arrakis from us!” 
You reach your arm out and rest it on his shoulder. In moments, you’ve quelled Feyd’s initial outburst until he’s only seething with fury instead of being on the verge of trashing the entire lab. “I think it’s time to relieve my brother of his duties,” Feyd says after he takes a deep breath. “We shall go to Arrakis to do it. I want to see the look on his face and the hope drain from his eyes when he knows he’s failed. I will take over the operation on Arrakis.  We will do what my brother was incapable of.”
“In that case…,” you say, preparing two glasses of water, adding a pinch of the crystals to each.  The water immediately turns a luminous indigo, and you hand Feyd one of the glasses, which he gladly takes.  You raise your glass in the air. “To victory and to House Harkonnen.”
“To victory and House Harkonnen,” he replies, connecting the rims of your glasses and drinking the entire glass in one go.  The elixir is salty and rich on his tongue as if he’s drinking the essence of the tropical ocean. As the elixir flows into him, he feels a warmth pulsate throughout his body.  He isn’t sure if this is truly the effects of the elixir or just a placebo, but Feyd feels powerful, like he could slaughter a thousand men and still have a hunger for more.  As he meets your gaze, you give him a knowing look. You feel the energy, too. You both shed your laboratory coats and leave the room to prepare for your journey to Arrakis. 
--
The preparations before and journey to Arrakis went without a hitch. You had opted to choose Harkonnen battle gear over your own, but you and Feyd still agreed on concealing your knives under a black Harkonnen dress cloak, still not eager to let anyone know of your true nature. Arriving in Arrakeen, you notice the striking architecture, made up of geometric slabs of tan stone layered to create a fortress to protect its inhabitants.  This time on Arrakis, Feyd doesn’t feel the heat like he used to. It’s as if his body is fighting back against the harsh environment on the desert planet. You feel it, too. You were initially concerned because you had only tested the elixir during the dry months on Youra, which paled in hostility in comparison to Arrakis, but seems the elixir’s protection is more than sufficient.
You and Feyd walk the halls of the fortress side by side, heading to the room where all of the Harkonnen strategists and military officials are. You see them gathered around a digital map projected by a computer in the middle of the room, which shows the locations of all the Harkonnen forces in the north of Arrakis.  Upon seeing their Baron and Baroness side by side, they all freeze and bow.
“Welcome to Arrakis, Baron, Baroness” one of them says. He opens his mouth to continue but Fed cuts him off. 
“Enough,” Feyd hisses at him. “I have orders for you. You are no longer to follow the word of Count Rabban. As of today, he is relieved of his duty as Planetary Governor of Arrakis. You will report directly to and receive orders only from me and your Baroness.”
The room of men immediately shout “Yes, My Lord!” in response. A smirk forms on Feyd's lips at their responsiveness, and he instructs them to hit the Fremen with old-fashioned artillery. As the orders are executed by the Harkonnen military, you watch the map intently as the targets on the map turn green, indicating the Fremen bases are hit successfully. All of the military advisors’ eyes widen in surprise at the genius of Feyd’s strategy as the reports of complete annihilation from the ground forces roll in. 
They all begin to applaud Feyd and as their chants fill the room, your heart fills with pride.  Feyd has finally proved beyond a shadow of a doubt that he was always meant to be the leader of House Harkonnen.  As the applause continues, you see Rabban appear in the doorway, a look of surprise disgust on his face. You notice he’s still wearing his nightclothes, and your eyes flash between him and Feyd as Rabban approaches Feyd, Rabban’s legs still stiff from sleep. 
“Leave us,” Feyd instructs the others in the room, who promptly file out. They keep their eyes on the floor, not daring to look at Rabban. They know people who end up alone in a room with Feyd after repeated blunders usually don’t exit the room outside of a body bag. 
“What are you doing here?” Rabban growls at Feyd.
“It’s early morning.  What are you doing here?” Feyd quips back.  Rabban lets out a frustrated huff.
“You can’t just waltz in here,” Rabban says through gritted teeth.  “And how can you bring that woman into the inner sanctum?”  
“How dare you refer to your Baroness like that!” Feyd roars, grabbing Rabban by his collar.  “If you have forgotten, dear Brother, I am Baron now.  I will do as I please and take my wife wherever I wish!” 
Feyd throws Rabban back and he falls on his back hard. In desperation, Rabban tries to scramble to his feet again, but as soon as he’s almost upright, he feels his knees buckle from under him as you kick the backside of his knees in. Rabban’s forehead collides with the stone floor with a visceral crack, and he feels his arm caught in your grip behind him. He groans as you push his arm to the verge of overextension. On his neck, Rabban feels the cool tip of a blade threatening to pierce his skin, which sends a chill down his spine, his head still spinning from impact.
“You should learn to respect your superiors,” you whisper to him as Feyd’s gaze is fixated on you.  The picture before him has a fire rising within him. His breath turns thick and heavy, seeing you over Rabban, your blade on his neck and your foot on his back with a fiendish smile on your lips.  “I would have expected more from my brother-in-law… You are a disgrace to House Harkonen,” you drawl, pressing your dagger’s tip into Rabban’s neck enough to draw blood. Dark crimson blood trickles down Rabban’s neck and he squirms. You remove your foot from his back and step forward to place your shoe by his face. You take the opportunity to kick his cheek in a little with the toe of your shoe before the heel of your combat boot hits the floor by Rabban’s face with a firm thunk. “Kiss my feet, and I may spare your life.”
Rabban quivers under your hold, his palms spread over the stone floor. He considers trying to escape. He could try to press his body up and avoid the blade on his neck and try to sweep your legs out from under you, but he quickly realizes that you are in control. Any movement like that would end with your knife in his chest, back, or neck. Despite his position being compromised, he hesitates to kiss your foot  How could he, Glossu Rabban, kiss a woman’s shoe in submission?
“You heard her, Brother,” Feyd hisses, stepping toward you both as he basks in his brother’s terror.  Feyd stops in front of his brother and squats down to look at him. “Kiss her feet.  Now.” 
After a moment, Rabban quivers and presses his lips against the leather of your shoes. As he does, you see how miserable and pathetic this man below you is. It's truly a shock that this oaf is the brother of your Feyd, who is confident, domineering, and skillful in every way.  
“You made a good decision obeying, Rabban,” you say, releasing the blade on his neck. “I would have wasted a perfectly sharpened knife slitting your throat if you hadn’t cooperated.” You step back from him as he clambers into an upright position. His hand flies to his neck, feeling the blood trickle down his neck and seep into his nightshirt. 
“You are hereby relieved of your duties as Planetary Governor of Arrakis,” Feyd grins at the pitiful sight before him. “You will return to your quarters in the meantime and wait for future instruction.”
Rabban leaves in defeat. Once the doors shut behind him, you and Feyd smirk at each other, and Feyd rushes to you giving you a tender kiss.  “I love you, Baroness,” he murmurs, completely infatuated with you.  
--
A few days later, you stare up into the atmosphere of Arrakis. The Emperor’s craft has just entered the atmosphere. You and Feyd share incredulous looks and you immediately make your way to where the emperor will be docking.  
“What could the emperor want?” you ask Feyd as you walk..  “We restored spice production. It’s never been more efficient.”
Feyd shakes his head, deep in thought.  “I do not know, my love.”  
“I don’t like this, Feyd.” you whisper to him, trying not to let anyone else hear and Feyd nods in return.  “What could have summoned the emperor to Arrakis?”
“We shall see,” he replies. Rabban arrives and bows to you both, which makes you frown. Rabban hasn’t been involved in House Harkonnen’s operations since he was removed. Nevertheless, he still proceeds into the throne room before Feyd or you can dismiss him.   
Inside the throne room, the emperor is perched on a large throne up a large flight of stairs with his daughter and a Bene Gesserit standing by him.  Your eyes narrow seeing the witch’s presence, knowing they have tricks they are not afraid of using to manipulate the great houses. You, Feyd, and Rabban kneel in front of them, bowing your heads.  Before any of you speak, the emperor’s voice rings out. 
“I am sure you are curious as to why I have come to Arrakis,” he begins.  “What do you know of the prophet Muad'dib?”  Rabban speaks up first, saying that Muad'dib is a madman.
“Mad?!” the emperor says.
“All Fremen are mad!” Rabban counters, and the Emperor’s fist clenches around the arm of his throne. You and Feyd shoot daggers at Rabban, and he closes his mouth immediately, putting his head down again which casts his face in shadow.
“We apologize for my brother speaking out of turn,” Feyd says to the Emperor. “Rabban has had no part in the latest work of House Harkonnen. He is not a reliable source of information.  We know Muad'dib is a figure of the Fremen, and they follow his command.”
“Yes,” you say. “He organizes their forces, and they have been effective in battle against many of our forces by hiding in the sands and staging ambushes.  They’ve been effective at destroying our spice harvesters in the past, but we’ve been able to successfully retaliate.” The Bene Gesserit flashes some hand signs at the emperor. She must be able to tell if people are lying or not. 
“What of the prophet’s whereabouts?” the Emperor asks, his voice darkening with frustration at your lack of knowledge.  The emperor’s suggested scorn directed at House Harkonnen is sour on your tongue, and you grit your teeth.  
“We control the north of Arrakis and spice production, Emperor,” you reply, keeping yourself collected.  “We believe Muad'dib has fled to the south to hide in the storms after my husband’s last military tactic was successful in neutralizing their northern bases.” 
As you utter those words, you feel a tremendous boom propagate through the air, causing the building to shudder. Everyone in the room looks up. Some of the diplomats that have accompanied the emperor swallow thickly. You and Feyd exchange knowing glances. Something isn’t right. The Sardaukar forces, who have come to protect the emperor, raise their weapons and get into formation with one line in front of the emperor, who has abandoned the throne in favor of shelter. 
The other line of Sardaukar forms a line opposite the entrance way, as more explosions can be heard beyond the walls. Out of the corner of your eye, you see Rabban slip away, ever the coward. You feel Feyd’s touch on your arm as he beckons you to position yourself behind the defenses with the other diplomats. From your shared position, you both wait and listen intently. The others in the room are paralyzed in a cold sweat, but you and Feyd are silently watching, waiting, and listening, already gathering information on the situation to calculate your next move.
Dust fills the room as another bang resonates throughout the room and the barrier breaks down. The frontline of the Sardaukar advance, weapons at the ready. As they disappear into the dust, you know they aren’t coming back. The room is almost entirely quiet, but through the haze you hear the barely audible but familiar sound of daggers piercing armor, slitting throats, and tearing flesh. The remaining Sardaukar dig their heels in as a figure emerges through the orange debris, wrapped in tan fabrics caked in others’ blood. His face is concealed by a scarf, and the only flesh of his you see are his eyes, blue from spice. He is accompanied by an army. Judging by the amount of noise they made on their arrival, you and Feyd know there are probably hundreds of them. Fighting your way out is not an option. This must be the prophet Muad'dib.
Muad'dib looks around with his blade drawn, seemingly searching for someone as he enters the room.  You see him and Feyd make eye contact. Feyd’s eyes narrow at him in curiosity. When Muad'dib does not find who he is looking for, he turns the crowd of people behind the Sardaukar guards. Most of the diplomats instinctively take a step back. He makes eye contact with the emperor before turning to his own forces and hissing something in a foreign tongue which you presume to be Chakobsa, Fremen language. He exits the room back into the crowd of Fremen who chant for him, waving their war banners.  You see they bear the hawk insignias of House Atreides. The son of Duke Leto Atreides is alive. 
The Fremen advance, easily slaying the last remaining Sardaukar. Many of the diplomats shudder and jump in surprise as the Fremen plunge their daggers into the Sardaukar warriors, who are powerless to stop them. Once they are all dead and their blood is spread across the floor in crimson red pools, the Fremen start grabbing the rest of you by your arms, and you are all dragged away one by one. You are being taken prisoner. You look to Feyd, who gives you a subtle nod as if to say “go along with it,” and you do.
--
You’ve laid low all in the confinement the Fremen have kept you in all night, not eager to give any of them a reason to kill you. Silently, you’ve been analyzing your situation, trying to figure out a way to achieve an optimal outcome, which you feel is slipping through your fingers. Since you have been taken prisoner, you can only presume that the rest of the Sardaukar and the Harkonnen army have been slaughtered and their bodies burned before daybreak. You and Feyd are likely the last living Harkonnens on Arrakis.  
After sunrise, you are called upon by a faceless Fremen, who orders all of the prisoners to follow. You are reunited with Feyd, who takes your hand, careful not to let the Fremen see this gesture of affection as to not allow them any leverage. His touch automatically makes you as at ease you can be, given that you are both captives without allies. 
Arriving in a room with the other prisoners, you see the surviving Fremen mingling and congratulating one another. The man from before stands in the clearing of the room without his face covering, his black wavy hair framing his face. Feyd turns to you and mouths “Atreides.” You nod in understanding, and watch as Paul Atreides addresses the Emperor, challenging him for the throne. Looking out the window, you see warships in the distant sky.  The other great houses have arrived and Paul Atreides threatens to destroy all the spice fields if the houses intervene. 
“Stand yourself or choose your champion,” he orders the Emperor, who turns to Feyd.  
“I select Feyd-Rautha Harkonnen,” the emperor declares. “Get him a blade.” You inhale sharply, knowing this means Feyd must fight to the death against a man who has already slain many in battle and emerged victorious from the bloodbath of the previous night. You trust Feyd’s skill, but you know not to underestimate Paul Atreides. Feyd’s eyes flicker toward you. He knows what you’re thinking and gives you a slight nod as if to promise he will fight his hardest, not for the emperor, but for you. He is presented with a blade by one of the members of the emperor’s council. To your surprise, Feyd pushes it away and turns to you. Coming to stand in front of you, he gestures downward toward your legs, where your daggers are still strapped to your thighs out of sight.
“Feyd, are you sure?” you say to him, your voice small. 
“I want to use your blade. Please let me fight for you,” Feyd whispers. You nod and reach down to fulfill his request, drawing one of your Youran weapons from your garters. When you hand it to him, Feyd feels the familiar heft of your dagger in his hand, which makes him grin. Just as he remembers, it’s expertly balanced and perfectly crafted, its pointed tip shining in the low orange light of the room. He smiles, recalling the night you handed him the same blade, the first time he saw your true nature. He twirls the knife in his grip with a flourish of his wrist as he stands opposite Paul Atreides. 
“It’s nice to finally meet you, cousin,” Paul says.
“Cousin…” Feyd says, continuing to evaluate Paul for his weaknesses. “You wouldn’t be the first family member I’ve killed.”
His words don’t phase you. You’re well aware of Feyd’s family history. You clasp your hands in each other in front of your chest, willing Feyd to be the victor. Paul Atreides straightens himself and salutes Feyd. “May thy knife chip and shatter,” Paul says with a gruff tone, lowering himself into a battle stance and pointing his knife at Feyd. Feyd smirks, raising your weapon. The sight of it in his hand is gratifying for Feyd. Despite standing alone against Paul, it’s as if you are both in this fight together with him wielding your weapon. 
“May thy knife chip and shatter,” Feyd returns and within moments, they're after each other, having an all out brawl in the middle of the room. They each swipe at each other with reaction times like lightning.  The sounds of blades crashing against one another, the low smacks of their bodies colliding, and their grunts of exertion fill the room. You have to admit, Paul Atreides is an impressive fighter. He’s quick on his feet and swiftly dodges and counters many of Feyd’s attacks, but it is obvious that Feyd is the one with strength on his side. The only way for Atreides to win is if he is able to find a way to use that strength against Feyd.
You’re barely breathing at this point. Your facade of stoicism threatens to crumble when you see Paul Atreides’ forehead connect firmly with your husband’s nose. To your surprise, you don’t see any blood on Feyd’s face. Paul Atreides’ head is thrown back after almost bouncing off of Feyd’s nose. Paul’s head seems to be spinning as he stumbles backward on uneven footing.  Feyd recognizes Paul’s debilitated state is fleeting, and takes advantage of the moment, striking Paul again. The tangle of limbs is intense, but in the blink of an eye, you see Feyd disarm Paul, taking Paul’s knife for his own.  
As they break away from one another, Paul Atreides is heaving, struggling to breathe as the leather bound hilt of your dagger protrudes from his abdomen. He’s wheezing as his own blood seeps into his battle gear. His allies gaze upon the sight in shock, some wincing in second-hand pain.
Feyd approaches him promptly, and grabs Paul by the scruff of his neck, raising Paul’s own knife at him. Paul Atreides uses his own gloved hand to grab the blade, trying to push it away, but Feyd leans in, forcing the blade to slip further into Paul’s grip, cutting the flesh of Paul’s hand open with a sickening noise, the tip of the knife getting closer to piercing Paul’s neck.
The next moment, you feel like screaming. The dagger, once poised to slice open Paul Atreides’ neck, is no longer in the air visible to you. Paul Atreides has used his grip on Feyd’s blade to redirect the tip toward the stomach of your husband. Your hands fly to your mouth, tears threatening to spill.  The force Feyd puts behind his blade at that proximity is fatal. 
The memories of meeting Feyd on Youra, fighting by his side against Ozran, plotting into the early hours to kill his despicable uncle, your wedding ceremony in front of House Harkonnen, and the moments of tenderness and affection he’s given you in private flash through your mind. Your stomach writhes, and your heart shrivels into itself, and your mind begins to confront the idea that you now must mourn the life you and Feyd had assembled. Another thought flashes through your mind. You’ll likely be killed after this with the rest of the prisoners in this room, and die alone without your husband, lightyears away from your people on Youra and Giedi Prime. You’ve failed.
Through your tears, you stare at the scene as the air and the people surrounding you are completely still.  However, something gives you pause. You hear something hit the floor look down to the area under Feyd and Paul’s feet. You spy fragments of metal, broken into uneven shards, scattered across the floor. However, there is no blood to be seen.  Your eyes shoot to Feyd, who is also looking down to where they both hold the hilt of the broken knife. 
Without a second to spare, Feyd’s hand flies to your knife in Paul’s side, ripping it out of him. Paul cries out in agony, the removal of the knife causing a blood curdling squelch of skin and muscle ripping. The next moment, Feyd slits Paul Atreides’ throat with a grand swing of his arm, sending blood splatter fanning across the floor. The pregnant woman seated in the wooden throne bearing the Atreides crest lets out a high pitched shriek, and she begins to wail, seeing the light from her son’s eyes fade as his body crumples to the floor. A Fremen woman across from you lets out a shaky breath, her lip quivering and tears pool near her bright blue eyes as Paul Atreides’ fresh blood collects in a puddle on the stone floor under the gaping hole in his neck.
Feyd turns back to you, bloody blade in hand and lets out a deep exhale, allowing the tension in his own chest to dissipate. He had thought he was dead, too, but no. He is alive. He is victorious, and he gets to look into your eyes again, knowing that he has done his job for you.
Kneeling, Feyd presents the emperor with the soiled blade. The emperor smiles and pronounces Paul Atreides, the prophet Muad'dib, to be dead and Feyd-Rautha Harkonnen as the victor. In defeat, the ally of Paul, identified as Gurney Halleck, relays a message to the great houses of the outcome of the fight.  The emperor’s reign shall continue, and your husband is alive. You push your way past the others in the crowd and throw yourself at Feyd, who cradles you in his arms, running his fingers through your hair, whispering to you “Please don’t shed any more tears, my love. I am still here… I wouldn’t leave you that easily.”
“I thought I lost you,” you choke out and Feyd shakes his head, using his thumb to wipe away the tear stains on your cheeks. 
“You haven’t and you won’t,” he replies, his hands holding your body steady. “Let’s go home.”
Holding your knees to your chest, you sit in a private chamber on the Emperor’s vessel as it leaves the atmosphere of Arrakis to take you and Feyd back to Giedi Prime, which was the least the emperor could do given that Feyd nearly died for him. One of Feyd’s hands rests on your waist, holding you firmly in his grip while the other rubs gentle circles on your shoulder with his thumb.  Feyd watches as your eyes dart side to side, which happens when you’re deep in though. 
“What is on your mind, my love?” he asks, his voice barely a whisper.  
“I’m thinking about your battle with Paul Atreides,” you reply. “The knife broke when he tried to turn the tables on you, didn’t it?” Feyd nods, bringing his hand down to the spot on his abdomen where the knife was. “May I see where it was?” you ask and Feyd obliges, creating a small bit of distance between the two of you so that you can get a good look at his torso.  
You bring your hand to where Feyd’s armor has been sliced open by the blade. Bringing the other hand to his body, you gently spread the layers of fabric and leather apart to look through the hole. Underneath, you see Feyd’s familiar pale skin and his chiseled abdominal muscles that you’ve always loved to drag your fingers across. His skin appears to be absolutely pristine without a single nick or bruise in sight. You bring your head closer to get a better look before saying, “There isn’t evidence of any damage to your skin, Feyd. Your body is like the battle never happened. There isn’t a trace of impact.” As soon as you utter the last word in the sentence, you freeze and your lips part ever so lightly as your mind races to connect the dots. He knows that look on you, and he sees the gears turning in your mind. 
“Impact…,” you mumble to yourself. Your eyes shoot up to Feyd’s  “During the battle there was a moment when Paul Atreides’ head collided with your nose.” Your hand flies to his cheek to steady his head. You examine his nose, using your hand to tilt his head side to side. Everything about his face is unchanged, which shouldn’t be the case, especially after a fight like that and the headbutt he endured from Paul. You tip his head back. Again, there is no blood or breakage. 
Your mind begins to race as you return your hands to your husband’s torso. Your hands fumble as you attempt to remove the layers of armor in between you and Feyd’s skin. Feyd realizes what you’re doing and soon enough he’s shirtless in front of you. You extend your hand out and drag your hand over his stomach. You press your fingers firmly down onto his abdominal region and upper body repeatedly, changing the area you’re putting pressure on each time. He feels solid under your touch and not in the way you’re used to. Feyd has always been bulky and muscular, hardened from years of training, but something about this is different. It’s like his body has the durability of an alloy the researchers on Youra could only dream of engineering, but he’s still flesh and blood. Bring your fingers to your own stomach, pressing your fingers against your own front, and you gasp. “That’s it!” you exclaim.
“What is it?” he asks, knowing you are on the edge of an epiphany. 
“It’s the elixir!” you gasp, standing up and holding your head in disbelief  “It saved your life!”
 “I thought it was only to help the body retain water,” Feyd says as you get up and begin circling the room.
“Don’t you remember? That’s the end result of the elixir, but we were still unsure of the mechanism by which that happens!” you exclaim. “Remember the night I showed you the fish? I said that the fish sheds its scales at the beginning of the wet season. What I didn’t tell you is that the wet season is the only time of year we can get the scales off the fish because they fall off naturally. Our scientists have tried to get the scales before the transition of the seasons, but they've always been unable to pry the scales off or kill them because it was impossible to slice open the fish. No matter how much we sharpened the knives, we couldn’t cut them open!”
“That’s how the fish retain water in the dry season. The fish develop these scales with this compound that transforms their own bodies into a shield from the elements, so that water can’t escape. I’ve always wondered how a fish would be able to survive the whole dry season on a dried up lake bed.  This compound is why the fish species hasn’t gone extinct! When they’re sitting in their dried up ponds, no predators can eat them because their bodies are too tough to pierce,” you surmise, delight filling your complexion. “By drinking that compound, the same thing has happened to our bodies! You were able to survive the battle because your skin became this impenetrable barrier that lets you keep your water that just so happens to be impervious to outside attacks as well! That’s also why your nose didn’t break and why Paul Atreides was so disoriented after he struck you with his head. It was as if he rammed his head into a steel wall.  Researchers on Youra didn't catch this effect in the clinical trials because we don’t just go stabbing all of our test subjects with knives or subjecting them to blunt force trauma, especially not for a study about water retention!”
Feyd hardly believes what he’s hearing, but he knows it's true. Everything you’re saying makes perfect sense.  Memories from the battle flash in his mind.  He remembers his arm is suddenly bending toward himself, feeling the rough surface of the broken blade scrape against his abdomen, but the pain he had been trained to resist since childhood never hitting his senses. He brings himself to his feet and pulls you into his arms, squeezing you as tight as he can muster. “You are phenomenal, my dear,  I can’t believe you figured that out,” he murmurs to you. “Thank you.  I owe you my life.”
He lowers his lips to yours, kissing you like he’s never done before. You both cling to one another, relieved you are both alive and safe. Feyd holds the back of your head and runs his fingers through your locks tenderly, thinking about how far you both have come in this short amount of time. Mere months ago, you were a stranger he had the obligation to meet and marry. He knew he would have to enter a loveless relationship with you in the name of alliances. He tried to convince himself you were a woman he wanted to make a plaything out of.  Before, he was intent on manipulating, breaking, and exploiting you for his own amusement. Those ideas feel so foreign to Feyd now as he revels in your affections and caresses your cheek. 
Looking down at you, he sees you for what you are. You are the most beautiful being to ever exist.  Nothing past or present will ever compare to you, and it brings tears to his eyes, knowing you are his wife and he is your husband. You are the culmination of all House Ronen and House Harkonnen have worked for, a true representation of the union of your two houses, and the pinnacle of all Feyd has come to hold dear. You are where brain meets brawn, where tradition meets modernity, and the pride and joy of Feyd’s life. You are simply everything. 
-- 
Thanks for reading!  I can’t believe the series is over (but I'm also considering writing an epilogue, but I have some requests coming down the pipeline, so we'll see about that. lmk if that's something you might be interested in...). Anyway, I really hope you enjoyed Knives Dance! :)
Also is it obvious I study chemistry yet?
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rana-tiddalik · 5 months
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I have found myself stuck in a motel room, rereading the Murderbot books. I've been thinking about what we know about how Murderbot and Three acted after disabling their Governer Modules, the terrifying, paralysing freedom they suddenly experience, what they chose to do with it, and what that says about their trauma, and their experience as SecUnits.
Obviously, we primarily see what Murderbot does with this freedom. The whole series is about it answering the question of what it is that it wants, and wants to do now that it is a free agent. Its developing relationship and friendship with Mensah and the Preservation survey team. Its companionship with ART, and later ARTs crew. It finds a group who don't see it as just disposable (albeit expensive) equipment. They actually value it for itself, and are quite fond of it.
There is also the longest running joke in the series, that at any given time Murderbot would rather be watching its stories. But once we see what Three is up to in System Collapse, this got me thinking.
Three, we find out, spends its time poring over non-fiction and other educational material. I liked this as it reinforces that not all SecUnits are the same, and adds the bit of (horrifying) texture that all the Units have their own inner lives just like our favourite rogue unit.
I think looking at what they seek out when they are free also says something about what they missed while they were enslaved.
Three seeks education and technical information. Why would a construct want that? Well, think of one of my other favourite running jokes: Murderbot learns mostly everything through the media it consumes, because the Company never gave it any kind of education modules outside of things central to a SecUnits function as murder/surveillance machines, and those were low quality too. We know that most of the projects SecUnits are contracted to involve some kind of mining, terraforming or other technical engineering, science type activity. Imagine spending years standing around, watching humans do things that fascinate you, but there is something in your brain that will actively punish you if you try to access databases without authorisation. At worst, you might have your entire non neural tissue based memory completely wiped, or be scrapped for parts, if you try.
So when freed from the Governer Module, Three wants to learn.
When I thought of this, I thought about Murderbot's love of all kinds of visual media, and particularly in the context of the whole " Murderbot, ART-Drone and the gang make a documentary in a day" plot point in System Collapse.
In Exit Strategy, Mensah asks why it likes Sanctuary Moon. Murderbot's response is that it was the first piece of media it saw after hacking it's module. It let it watch humans, and kept it company without the need to interact, and the unspoken part was that it helped contextualise its own emotions. This makes a lot of sense. It doesn't have to act to save the stupid humans in the shows that it watches. It can see them save themselves.
I think there's also two further things here though. Firstly, we know that SecUnits usually have no idle time. They are not allowed to sit. Their only rest is when they are inoperative in their cubicles. They stand and they monitor. So when Murderbot gains control, it gains the ability to have leisure time. Standing around listening to two scientists argue about their xenosamples for hours at a time? Monitor the threat module in case it gets heated and one decides to break a conical flask over the others head, but otherwise, just fire up Sanctuary Moon.
The more fundamental one is a desire for art, for meaning. I love the bit where it describes how it had just hacked its module. It is able to pick up the entertainment feed for the first time, and there is this show. In its first glimpse of this trashy soap opera, it fundamentally gets art. How it is about communicating and exploring a thought, an emotion, an idea, and provoking a response in the viewer.
That's why the documentary plot in system collapse was unexpected and interesting to me. We see Murderbot really experiment for the first time with creating media and creating art. Maybe it has now discovered a freedom to create, and tell its own story.
In the end, seeing these things in Murderbot and Three make me think of all the other SecUnits. I imagine what the storage for them is like. The Company probably stores them in their cubicles. Stacked and ranked. They're kept dormant until they are activated and trotted out for the initial client meeting, like the one we see described where Mensah first meets Murderbot in the Company office. Maybe they dream as they rest. Maybe the Governer Module punishes them even for that.
Then I think of the as yet unnamed new B-E rogue unit, and what it wants to do with its freedom.
All we know is it wants to blend in for now. Maybe it has a plan, we don't know. But we do know it has a guide to hacking a Governer Module...
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mybworlds · 21 days
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Chapter 1: Your perfect life
Pairing: joel miller x f!reader (no use of Y/N) | Rating: 18+ Minors DNI | W.C.: 2.6k
Summary: Your life sounds perfect: you live with a perfect man, you live in your dream house, you do the job you love, you don't miss anything, except love and passion.
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Warnings: no use of Y/N, use of you, reader is a photographer, reader has no physical descriptions except hair (no type or color) long enough to hold on to, unspecified age gap, Joel and reader are two cheaters, for a while. Smut, use of pet names, dirty talk, masturbation, unprotected PiV but the first time, creampies, comeplay, oral (both f and m recieving), exhibitionism, size kink, personal use of an unspecified sex toy. No outbreak here. Let me know if I missed anything!
Before to leave, this is a prologue of the main character and her situation, hope you like it...
Masterlist
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Thx for the dividers @saradika-graphics
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The alarm clock rings and you open your eyes, smiling, "Good morning," you mumble, stretching an arm toward your shoulders, but the cold sheets behind you make you realize that Patrick has been up for a while already. You turn belly-up to the ceiling and think about your next photoshoot and smile. You love your job. You are a photographer and yours is not just a job, it has been a passion since you were a little girl.
You get out of bed and stretch with a whimper, barefoot you walk to the bathroom whose light automatically turns on, you get into your beautiful shower with glass doors and blue and light blue tiles, you shower and then you get out, you wrap yourself in a soft blue towel matching the bathroom walls and then you dry your hair. You put some makeup and then smile at yourself in the mirror with a satisfied air. You choose light-colored jeans, a light-colored T-shirt and your beautiful sneakers as your outfit. You walk out of your bedroom, make your way down the small hallway and down the stairs happy to be living this new day.
"Babe," you call out to your Patrick, but Patrick does not answer, he's usually in his office and works in smart working, but today he is not there, you go to the kitchen and there you find your beloved pancakes and next to it a post-it with a red rose ′In the office, see you later, love you′ you smile "I love you so much too." you whisper sniffing the red rose and smiling with your eyes closed.
You are happy. Your life is perfect, you lack nothing. You have a magnificent multi-accessorised house equipped with a central home automation system, you have a garden with a swimming pool, even a small spa corner. You have a wonderful man like Patrick, he is a lawyer who looks after the interests of small local construction companies and mostly works from home apart from when he has to attend some meetings with contractors; you love him very much, you met him when you were only sixteen and it was love at first sight, you then got engaged when you turned eighteen, you took different paths, but you always supported and loved each other, you never accused each other of anything either of being too absent or too present with each other. Last but not least, you have a job you love, you are a photographer, a good photographer judging by the many positive comments you have on your site and the dozens of requests you have every day, you also had a major contract for a fashion house two years ago and since then the requests have increased, of course you haven't had major contracts like you did then, but things are going well.
You have breakfast, get your house keys, then put on your sunglasses and go out. You could take the car, but today you really want to take a walk and enjoy the sun kissing the streets of New York, you'll take some public transportation and walk around a bit, it's good for you.
You smile, you're happy-- you repeat it to yourself until you convince yourself about it for today, too.
Your smile flickers and disappears when you get on the second bus; no, you are not happy. Patrick is sweet, he is perfect, you respect him and he respects you, but can you consider it love? By now your intimate moments are reduced to once, maximum twice a month and he always comes, you on the other hand pretend, you don't want to hurt his feelings. You masturbate all the time in the hope of mitigating this oppressive feeling of yours, to fill that emptiness you feel more and more deafening. Your home is beautiful, it is a wonderful shell that cradles and pampers you for your every need, but is that enough?
But your life is perfect, it's perfect like this, you don't need to look around or look for anything else to be happy, you tell yourself.
You get to your stop and get off, next to your photo store a cafe has opened a few months ago that makes fantastic donuts, and that morning you don't give up to sweeten your thoughts and soothe your nerves. You walk in and inside there is just the bartender Jake, a young man in his mid-twenties or thirties at most, and in the far corner a gruff-looking man who was hunched over reading maybe something or maybe he's answering an email, you have no idea. The man in the corner looks up, as you suddenly lower your gaze caught out, "Um…" you turn to Jake "good morning, a latte and a Blueberry Donut," you resume keeping your eyes downcast and barely breathing, you don't even know why you're acting this way, you've met dozens of people and exchanged hundreds of glances and now you're acting like a dumb little girl newbie.
"Here, consumption here as usual?" the young man asks you politely.
You shake your head, "No, thank you, I'm busy in the store," you reply, at that moment the man you had seen earlier in the corner flanks you, he is huge, massive, has thick dark curls, an irregular beard and a dark mustache, he is leaning with his forearms on the counter and at that moment he is the one looking at you, he smiles at you as if trying to make contact, you immediately look away staring down clearing your throat in embarrass.
Jake hands you the bag and makes you pay, then you leave without giving the charming stranger a glance. You almost run into your store as if to seek refuge within those four walls. Your heart is pounding in your chest, you feel as if you've gone crazy, but what's wrong with you? You've always been a proper young woman, and now you're acting like a crazy who runs away...
Someone knocks on your door, you turn around "W - who is it?" you ask.
"Sorry, I didn't mean to scare you," a voice tells you, "you forgot your cell phone on the counter at the bar."
Are you that far gone? That's great!
You open the door and you are confronted by the handsome mystery man, "Thank you." you reply, reaching out your hand as he hands you the cell phone in the palm of your hand "How did you know I was here?" you ask him doubtfully.
"I saw you fleeing here," he replies with a half-smile, "Everything okay? You seemed to be in a big hurry." he adds.
"Um…that is…I had to make a phone call," he nods "Luckily you found it, my mind is elsewhere since this morning!" you exclaim, smiling at the man with a low stare "Thank you."
"You're welcome!" he retorts "So, you own this beautiful place!" he exclaims again taking a step forward into the club, as you take one step back, he looks at you puzzled "Are you afraid of me?" he asks you.
"No," you reply, shaking your head.
"From the way you talk and the way you move, I'd say yes," he replies again "Take it easy, honey," he adds again.
Honey? How dare he?
"You and I don't know each other at all, sir!" you exclaim trying to regain control of the situation "Please, leave," you add backing away and touching with the back of your thighs the desk.
"It's okay, I'm sorry I scared you," retorts the man with his head down walking away.
You lean totally against the desk breathing deeply and realizing that you made a fool of yourself with that stranger, who knows what he must have thought of you!
The first customers and requests of the day distract you from your moment of commiseration. Luckly, you can easily forget for the moment the incident that happened. You think back about it in the evening, once you get back home, while waiting for Patrick and think that if you meet that guy again, you will have to apologize as you overreacted.
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When Patrick comes home, he greets you with a big smile approaching you and taking you in his arms, you let yourself be cradled in his grip closing your eyes and thinking again that maybe with that stranger you had an overreaction since you were overthinking your relationship with your boyfriend. Patrick kisses you softly, he tastes of bourbon and sweetness, he makes you lie gently on the couch kissing your lips first, then your neck and chest still covered, you hear him moaning your name softly, while you try to restrain your thoughts, your doubts about you and him, you still want to not give up so, after all you and Patrick have been together for more than ten years, maybe it's just a little stress…
He, meanwhile, has already undressed himself and undressed you as well, without you even realizing it, he touches you between your legs, but you jerk in discomfort and pain, you are not even wet enough, you look at each other, you look at him almost with reproach, he instead has eyes full of lust, "I got it," he announces lowering his head between your legs and making them bend. Patrick has always been a disaster with oral sex, yes he makes you wet, but he's never known how to touch you in the right places in a way that makes you come, and tonight is no exception.
You are almost glad when he fills you, but not for the obvious reasons as much as for the fact that this way he will stop and embrace you and you can sleep.
It is horrible, you know that. He fills you repeatedly at an ever-increasing pace, you have yes little shivers of pleasure, but nothing that can be called really good or pleasurable, he comes a few moments later inside you. Thank God, you are on the pill to regularize your period!
You think back to when you as a young girl you would have loved to have a child by him, you remember that you wished he had blond hair like him and blue-eyed like him, but your own temper… today you think that if you had a child with Patrick, maybe you would have experienced it as a trap… that's a horrible thought too!
Patrick after intercourse, lays his head on your chest and asks "Did you like it?" and you textbook answer "Yeah, sure." then you feel him give you a kiss at your heart level and he relaxes completely, you can't sleep, you stare at the ceiling. You feel hot and a burning thought spreading inside you, is it true love?
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The next day you wake up with a blanket on you and with a cup of coffee on the coffee table, you stretch out putting your feet on the floor and find Patrick's ever-present post-it note, "I'm at Black's company this morning, I'll be back tonight, love you xoxo" and the ever-present red rose next to it, you pick up the rose and smell it, but unlike yesterday you can't say I love you too, you place the red rose on the table with a long sad sigh and pick up the cup of coffee which you start sipping thoughtfully.
Your cell phone rings, it's Daisy "Hey doll!" you greet her smiling and putting her on speakerphone.
"Hi gorgeous, how are you doing? Are you already at work?" she asks you, you hear some buzz in the background so she's already around.
"No, I'm going later today. I have a request for a photoshoot for a wedding at noon," you tell her.
"Did they invite you to the party too?" she asks you.
You get up and take your phone with you continuing to talk as you head to the kitchen, "Well, I guess so, I'm their photographer, I'll have to do a complete shooting." you reply to her washing your coffee cup.
"And how are things going with Patrick?" she asks you again.
"Fine." you answer not too convinced "What's with all these questions? Did we wake up in detective mode this morning?"
Daisy laughs, "But no, silly, I'm just asking. Look, but why don't we plan a double date on Saturday? Me, you, Patrick and Jordan?"
"Fine with me, I want to hear from Patrick though."
"Oh!" you hear her snort "These men are so boring!" she exclaims making you smile.
"I know, but we love them for that too, don't we?"
"Yes…" now she's the one using a not-so-convinced tone of voice "So we'll talk about Saturday later?"
"Oh no, how silly!" you exclaim "Saturday there's the wedding, they're getting married in the morning, but the reception is in the early afternoon and then you know how these things go." you add "Sorry, my head's a bit elsewhere."
"Things always go well with Patrick, aren't they?"
"That's the second time you've asked me about Patrick, but do you know anything? So you make me worry!" you say sitting down at a stool in the kitchen.
"No, I just don't like your tone of voice very much. I mean, when we were kids and you were talking about him your voice would go up three octaves! Now it doesn't sound that way at all!"
"Well, Daisy, we were 17 when I was telling you about him and we weren't together yet, I think it's normal that I felt so much enthusiasm then for someone I were falling in love with! Things then change…"
"You mean for the worse?"
You don't answer right away as you don't know what to answer, Daisy has always been like that, a very observant girl who even by a tone of voice can tell when something is wrong and this morning is no exception.
"My friend, go to that wedding and find yourself a hunk, listen to me! If you have this tone of voice after only ten years…" continues Daisy "may I ask you a very personal question?" she adds again.
"Sure!"
"How are things in bed?" she asks.
"Let's talk closely about that, over the phone you know," you answer evasively.
"All right, then I'll meet you at the gardens in twenty minutes."
After exactly 20 minutes you and Daisy are sitting at the local coffee shop sipping good coffee, Daisy tells you about her latest purchases and fashions as if you then don't know or understand much about them, then Daisy asks you again, "So how are things in bed with Patrick?"
"Let's just say … things aren't going very well, he tries, but I don't like it."
"What? Sex or sex with Patrick?" she asks again.
"Does it matter?"
"Well, I'd say it does!"
You snort, "I dunno…I'm a little uncomfortable talking about it. He tries," you repeat, "but I can never come." you admit, as Daisy almost looks at you with bulging out eyes "Please don't look at me like that I already feel weird enough!" you add feeling really guilty about it.
"No, no, I'm sorry…it's just that I thought things were getting better, you already told me about it a year ago and I thought that in the meantime the situation had been changed in better! I didn't think things would continue to go so bad," she justifies her insistence.
You sigh sadly, "The truth is that every day I tell myself that my life is perfect, that I don't lack anything, that I am healthy, I have a good job, I have a man by my side … however, it is not enough for me, I mean, I would like more, I would like to try something again! I'm fine with Patrick, but by now we've established a flat beautiful routine, he makes me breakfast in the morning leaving me a post-it note with a rose and goes to work, I get up, wash, get dressed, have breakfast, go to work, come back, go to the pool, wait for him and…" you sigh heavily "twice a month we do it, but…" you shake your head "each time I don't feel anything but chills, but I don't feel what I felt the first few times with him."
"Oh my God." she says, shaking her head "Do you at least … I mean, do you touch yourself or not even that?" your friend asks you.
"I have a sex toy hidden in the back of my drawer, I'm ashamed of it, but…" you start to say, but Daisy's laughter and her shaking her head interrupt you "Why are you laughing?"
"At least the sex toy kept you from killing Patrick!" she exclaims.
A giggle escapes you, "Silly,"
Daisy squeezes your hand, "I can't tell you what you should do, but think about it. Seriously think about it, my friend." you curl your lips into a little grimace, "Well, I hope at least something happens at this wedding! I mean, maybe you either find a toy boy or maybe someone really nice to have fun with or maybe still something to shake up this your perfect boring routine." she says spelling the last five words.
"Dummy, I'm going to work, not to hook up," you remind her.
"Well, never say never." she tells you with a mischievous look that makes you smile and shake your head, your friend is just crazy.
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aboredindividual · 1 month
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Nests- what from, for what and when for
Nesting is an instinct present in omegas that often brings them the most comfort. Nest are made of many soft materials such as linen, pillows, sheets, blankets, plushies etc. that hold scent for a long periods of time. They are highly personal and individual for each omega and being in one that hasn't been made by your family is an priviledge and an act of utter trust. But even if nests look similiar, they may vary in use and purpose.
Common Nest Materials
Bed
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Not exactly a material per se but the most important part of nest, bed gives it ,,skeleton'' that make them more comfortable and less floory. Normal beds of course exists but there are some designs of them that are more appealing for omegas and have steady popularity because of it.
Omegas often choose beds that have closed space, resebling a nook that you can easily hide in. It can be achieved by building in the bed, equipping it with canopy, curtains or even snagging a tent! But remember that exceptions always exist and omegas can live in normal rectangle ones.
Blankets&Sheets
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They are often made from soft, scent holding materials. They are commonly light but omegas can also buy heavy weighted ones for extra comfort if they wish. It depends on the person's tastes.
Pillows
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Long and short, smooth or fluffy, round or squared etc etc. There are many great designs of soft pillows that can strike you fancy. Average pillows are the most often choosed option but long body ones are very close behind! Omegas like to hug things after all and there are also specially designed pillows for pregnant omegas and betas that can be a life saver
Clothes
Used clothes are common but not only restricted to them, they are most used in nests during heat and pregnancy. The longer used by them or significant other, the better!
Types of Nests
Comfort nests
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They are the only type of nest that can be made by all secondary genders, even if omegas make them the most and best. Dynamics make them for as name descibes- comfort. They want to feel safe when they are for example sick, stressed, anxious or sad. They are constructed from closest available materials from bed and simply have to smell good and feel safe. They stem from childhood memories where babies spend their first years in mothers nest. All people associate them with security and stability because of this and often try to replicate them to feel safe, regardless of secondary gender.
Heat Nests
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The most known nest type, omegas use them when they are close, in and little after their heat. When Omega has no mate, the nests are often similiar to comfort ones, albeit there are some things stolen from their family members as a buffer and source of additional comfort. When Omegas DO have a mate, they want to be surrounded by the scent of them, so they resort to cloth thievery and Laundry heists for maximum effect. The nest is a perfect combination of them and their mate.
Pregnancy Nests
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They are the sturdiest and long-lasting of them all, being made during pregnancy and are used for it's remaining months, birth and first developmental years of ther childrens lives. Less priviledged people use their normal beds as the place they will build it in, but those with more money can dedicate entire room for such a nest. The beds are often round in shape or spacious, with curtains or something to separate the parents and children from outside world.
Kiddy nests
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They are often made by the parent or the child themselves as a imitation behaviour or playing. The plushies and pillows are the most popular ingredient in those nests. Please note that young children under 8 doing this is a normal behaviour and doesnt at all reflect the childs future presentation.
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aaspa-equipment101 · 4 months
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batterymaster01 · 5 months
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The Astutocentaurini & Death Part 2: Utility Vessels
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As discussed before, the Astutocentaurini believe in the idea of two deaths: death of the self (the head) and death of the vessel (the body). But how are headless citizens dealt with while still alive? Following self-death, the vessel of an Athyrmatherian has the potential to live for a long time under controlled conditions, anywhere from a year to nearly a century, depending on the creature's species and age. The feudal societies of the world have thus converged on a similar solution: At some point in their adult life, a person will usually be required to sign a will in which they can either decline or agree to posthumously donate their vessels to society. These repurposed vessels are known as "utility vessels."
A utility vessel can be considered an archaic sort of biotechnology, an organic automaton that can be sold and used for various purposes. When awaiting ownership or rental by an employer, they are typically housed and maintained in storage facilities called "body shops," eerily reminiscent of auto shops in their presentation and purpose. They can even be modified surgically and "mechanically" to certain degrees if permitted by a will, although more extensive cases of body modification can be rather controversial. Despite this apparent commoditization, utility vessels are treated with an odd yet palpable sense of respect and reverence, which is culturally analogous to our respect for the dead. Indeed, the very shops they are sold by tend to be subsidiaries of the same funeral homes that house their deceased selves, and employers are legally obligated to return dead vessels so they can be buried in the same graves. With each use, utility vessels are paid in money for their services, and some laws and regulations advise against any particular uses that may be deemed indignant to the former persons. It is also common for utility vessels to be dressed in lavish and beautiful garbs or intricately carved bioplastic shells that match their cultural backgrounds. The centerpiece of these decorations is a custom-carved "persona," a fake head that, in addition to functioning as a feeding tube, serves as a symbolic reminder of the person the vessel used to be attached to.
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Under native legal definitions, utility vessels are usually classified into three types based on their composition and functionality. Type "A" utility vessels consist of the thoracic, upper, and lower abdominal zooids, with the thoracic zooid housing a ganglion that makes them autonomous enough to perform specific tasks in response to certain stimuli. This allows them to haul or carry loads similar to pack animals, with the behaviors being conditioned through rhythmic ground vibrations and rewards of liquid food. Type "B" utility vessels consist of only the upper and lower abdominal zooids, and they lack autonomy outside metabolic regulation and basic righting and balancing. Due to this, they have to be pulled or pushed manually like living carts, and they are mostly used to carry lighter loads or to act as portable bases for more stationary equipment. Type "C" utility vessels are essentially any singular zooid that is separated from a composite, and they are typically relegated to use as a surgery stock for organ transplants, zooid replacements, and sometimes to "construct" more complete utility vessels.
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abhigmi · 1 year
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Construction Equipment Rental Market is Poised to Achieve Continuing Growth During Forecast Period 2023-2032
Construction Equipment Rental Market is expected to demonstrate a positive growth trajectory through 2032. The market escalation is expected to come from the rising demand for tech innovations in construction equipment for implementing the latest smart city technologies such as IoT, AI & ML, and electromobility into infrastructures.
Besides, increasing mining and construction initiatives in Latin America are driving the adoption of construction equipment. Organizations in this industry lease out or rent construction equipment such as cranes, scaffolding, crane lorries, work platforms, graders, bulldozers, and excavators to carry out building activities. In addition, growing mineral consumption throughout Peru, Chile, and Argentina will prompt the demand for mining trucks, excavators, loaders, and dozers throughout the region.
Get sample copy of this research report @ https://www.gminsights.com/request-sample/detail/773
Key providers in the market are engaging in strategic initiatives such as partnerships, mergers and acquisitions, R&D investments, and new product launches to gain a competitive edge in the industry. For instance, in January 2023, Al Faris Group recently extended its portfolio with addition of 24 Liebherr mobile cranes to its fleet. The delivery includes a range of models with lifting capacities from 110 to 700 tonnes, including four LTM 1500-8.1s with a lifting capacity of 500 tonnes.
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Overall, the construction equipment rental market is segmented in terms of product and region.
Based on product, the concrete equipment product segment is anticipated to depict over 5% CAGR during the forecast timespan. The rising preference for high-capacity, innovative batching plants will drive the demand for such equipment. The mounting use of rental concrete equipment in construction industry has evolved owing to the production requirements. Modern concrete construction equipment producers use cutting-edge technologies to eliminate raw material waste and storage space. In addition, the constantly rising construction projects, reduction in completion times, and end-users needs for customized solutions are some of the key factors slated to assist the segment in growing.
Regionally, the North America construction equipment rental market was valued at over USD 45 billion in 2022. The regional market growth can be credited to the rise in construction, mining, and agricultural activities in the American economies. According to the Government of Canada, the value of Canada's mineral production reached USD 55.5 billion in 2021, depicting 20% year-over-year surge.
Request for customization @ https://www.gminsights.com/roc/773
Product innovations to define the competitive landscape
Purchasing new construction equipment with features such as lift assistance, preventive maintenance systems, and 360-degree cameras is expensive. This has resulted in rising demand for rental services, especially in North America, which is estimated to positively influence the overall regional outlook.
Table of Contents (ToC) of the report:
Chapter 1   Methodology & Scope
1.1    Market scope & definitions
1.2    Base estimates & forecast
1.3    Forecast calculations
1.4    Data Sources
1.4.1    Secondary
1.4.2    Primary
1.5    Glossary
Chapter 2   Executive Summary
2.1    Construction equipment rental market 360º synopsis, 2018 – 2032
2.2    Business trends
2.2.1    Total Addressable Market (TAM)
2.3    Regional trends
2.4    Product trends
Browse complete Table of Contents (ToC) of this research report @ https://www.gminsights.com/toc/detail/construction-equipment-rental-market
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msbarrybeeson · 2 months
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Before You Go - P.6 | Future Donatello & April O’Neil Insight
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(Reader Included)
A/N: Any constructive criticism is appreciated. Reader comments and feedback are also welcomed a lot. 
I have been gone for a long time. Just occupied with my studies! No fan fiction author curse or anything (yet).
Summary: You’re both adopting-parents of Casey. The story follows the perspective of Donatello and April O’Neil during the Kraang apocalypse. You and Leonardo decided to ask them to watch over thirteen-year-old Casey.
In other words, familial interactions between April, Donnie, and Casey Jr.
Reader: Gender-neutral pronouns are used, except the terms “(Mom / Dad)” are also used. Second POV.
Pairing: Rise! Future! Leonardo X Reader
Warnings: Bittersweet.
Word Count:  ~3490
Parts: One / Two / Three / Four / Five / Six / ...
~
Donnie knew how much of a genius he was.
It was no surprise after all. In his late teens, he improved NASA’s satellites to communicate with planets light centuries away. He cured breast cancer through the use of protons in radiation therapy to target specific cells, rather than affecting the harmless. Hell, he even managed to discover a new type of radioactive particles: mutons. By that point, he—.
“—should have been given a Nobel Prize in Medicine and in Chemistry.” Donnie cursed under his breath. He strolled over to his lab bench, equipping his goggles.
Squeeeak. 
April– who was found seated on Donnie’s roughed-up, spinning gaming chair– raised an eyebrow. Her hair had grown out and was left unbounded. Faint wrinkles and eye bags on her features displayed maturity, in contrast to a couple of years ago. However, everyone was well aware that time was not the only factor. 
“Whatcha going on about now, Donnie?”
The softshell huffed. “Recall when I wrote a report about my experimental findings with an invention meant to revive a deceased human being?”
“...You mean the one where you thought it was a good idea to open up Curie’s tomb? Even gone as far as to ask for my help?” April grimaced. “Who’d ever forget that.”
She proceeded to massage her temples. 
“God. You were in all kinds of messed up for that, Don.”
Lightning-like yellow sparks flickered as Donnie had his robotic hands occupied with a butane torch. His goggles were sealed tight around his eyes as he built a oval-looking device on his lab bench. Titanium outer-layer over a seriously complex circuit-board; appearing as if Samsung marketed grenades.
He scoffed. “Oh please. It wasn’t as if I’d taken long to understand how Marie Curie deserves her rest for her great contributions to radiation. Thus is why–.”
“–You decided to take a poor random husband of an old wife,” April interjected.
“Ahem.” Donnie pronounced. “The poor woman was begging me for her husband to be alive again. I was simply gracious and generous enough to not charge her for the process.” He set aside the butane torch. “At least it progressed well; he stayed alive for an additional two years. It gave his wife psychological comfort, and I was able to submit my paper to the N.S.F..” 
He picked up a screwdriver. “Except....” 
April could tell her friend’s eye was twitching. 
“They rejected my findings, nearly had me detained, and claimed it was far too ‘unethical.’” Donnie raised his volume. “Scoff! As if those researchers weren’t committing the crime themselves! Taking bodies away from families and claiming them as scientific property without permission.
If I could go back in time and shove my documents in their jaws, you bet I would.”
April smirked. “Well, I have my regrets too, Donnie.”
“You sound rather amused, April. Is that so surprising? And here I never thought you would regret your part-time job at Albearto’s. Or the fact you wasted money to switch to journalism in university.”
WHACK!
April threw her bat at Donnie’s head, flying back to her hand like a boomerang.
“Watch your mouth, mister. I may have regretted Albearto’s, but not a single moment in my life did I ever regret my journalism passion.” She stood up.
“Ouch.” The softshell vocalized, squinting his eyes toward her. His robotic clampers paused, setting aside the torch and taking off his goggles. 
“Mind yourself, April. Horse-playing is forbidden in the laboratory. I am not consenting to having yet another silver-titanium apparatus get scratched because of you.” Donnie gritted his teeth. “Can you hear the negative connotation?”
“Seriously, Donnie? Where’d that come from? Not only was that years ago but it ain’t anything except a simple accident.” 
“‘Simple accident?’” the softshell repeated with dramatic offense. “An accident, like many others in science labs, which could have caused severe damage! Remember the incident when your teacher dumped bleach and vinegar into the trash bin?
You know, if you had paid any attention in your chemistry class, those two would make mustard gas?” Donnie side-eyed his friend. “Simple accidents can have serious consequences, O’Neil.”
A hand crept up the lab bench.
“Uh-huh, and I’m supposed to believe an instance of me knocking over your phone and books would kill somebody?” April crossed her arms. “If anything, the blame’s yours for not organizing your desk when you got drunk on coffee.”
The hand took ahold of the butane torch.
“Donatello? Disorganized? Sounds cheap coming from you, a student majoring in Journalism.”
April pulled up her coat’s sleeves. “Oh boy, you’re about to get it—.”
Squeeeak!
Heads spun and found a 13-year old boy, replacing April’s spot on Donnie’s chair. Casey eyed the torch with a great yet concerning amount of curiosity.
“Yo, what’s this for, Uncle Don?”
At lightning speed, while April ran to move the gaming chair away further from the workbench, Donnie snatched the tool from his hands. “Child. Casey. Young man.” The softshell heaved loudly. “I must inform you this is NOT meant to be handled with such casual ease. How in Hawking did you even—.”
“Don’t your lab have a passcode or something?” 
“–Is what I am wondering myself, O’Neil. I refuse to believe this child remembers the beginning thirty numbers of π–.”
“Nope, only us.” April and Donnie lifted their gazes to his lab entrance. You leaned on the frame while a dear red-eared slider stood just behind. A couple of steps inside, and the metallic lab door shut close. 
Donnie– strangely– was quick to hide his device-in-progress off to the side.
“You’re back!” April grinned. “Hell, you would not believe the convo Donnie and I were having a minute ago.” She hurried to hug you.
“Figures,” Leo remarked. “We could practically hear you yards off.”
“Sounds like things never get old.” You smiled.
There was a side-eye between Donnie and April, before the Commander proceeded to inquire, coughing: “Anyhow.. care to explain the occasion? You two don’t seem to be in a hurry.”
“The only times you ever visit my laboratory are to prepare for immediate combat engagement, and you look awfully collected.” The softshell furrowed his brows.
“No, no.” You waved your hands, shaking your head. “Thank God no. We came here to ask if you two could take care of our Casey here while we head out.” The other turtle scrunched his in-quote eyebrows. “You— You came here to request us to... babysit him?”
April jabbed him in his plastron.
“You see? Just like I said.” Leo turned to you. “I know my brother, love. Don’s not the kind of guy to take responsibility for a kid. Or anyone, really.”
“Hold on.” Donnie narrowed his eyes. “I never said I refused, Leo.”
“Don’t know, it sounds like it to me.”
“Well, my misinformed brother, contrary to your belief, I am perfectly capable of handling a child.”
You huffed with amusement. Your husband only winked back.
“If you say so, Don.”
“Where are you two heading off for if you needed us to watch over him?” April inquired. “Wondering, ‘cause this never happened even when you two leave for patrol.”
“Just finding some time for ourselves.”
April exclaimed, “As in a honeymoon? Why not just say so? We’ll leave you two alone–.”
“–In this economy and climate?” Donnie interjected. “Has it also not been six years since your yet-to-be-legal marriage?”
“Alright, alright,” Leonardo chuckled. “Cut us some slack, bro. Finding time wasn’t easy when there’s Kraang above our necks.”
“Right, and you’re going on a honeymoon, how?” The softshell crossed his arms. “Simply because you’re the leader does not equate to you making wise decisions, Leo.”
“His ōdachi can teleport anyone to anyplace, we have some hope we can easily teleport to a remote area,” you answered. “One without Kraang infestation. It’ll be hard, but we may as well try.”
“Bonus points if we find clear skies and an ocean.” The red-eared turtle grinned, wrapping his arm over your shoulders.
“What’s a honeymoon, (Mom / Dad)?”
Your hand went to caress Casey’s cheek. “Parent quality time. It just means you get to handle yourself like the responsible grown-up you’ll become one day. Just promise me you’ll be on your best behavior around Uncle Don and Auntie April?”
“I promise, (Mom / Dad)!”
“Good boy,” Leo laughed, ruffling the kid’s hair.
“You didn’t ask Mikey and Raph to help out too, or?”
“Between you and me, I think you guys are better of making sure Casey doesn’t get into any chaos,” you whispered to April. “Don’t tell them that, though.”
She laughed. “Okay, I see how it is. You both have fun.” 
Donnie bit his lip. Right as Leonardo and (Name) turn to exit the laboratory, he extended his arm out to them.
“Leo, (Name).”
You two faced back to him once more.
“Don’t kill yourselves out there.”
Everyone’s eyes widened– April, you, and Leonardo himself. But the brother in blue snickered, holding a smile that reached his eyes. “So you do also care for me, Don. And all this time I thought you were plotting to put me in my grave or something.”
“We won’t.” Leo placed a hand on your shoulder. “You got my word.”
“Bye (Mom / Dad)! Bye Papa!”
“We’ll be back soon, Casey!”
Donnie stood in silence as you finally left, leaving himself with none other than his best friend and his nephew. “I refuse to believe this is the future we have to deal with.”
“Times changed all of us, didn’t they?” April spoke. “One day we wish each other a good one, and the next, we hope we just don’t die. I could’ve been a famous news anchor by now, make my mother happy, fight crime without worrying about dying the next second.
..I wonder if there’s anyone else out there besides the small number of us down here.”
“..I doubt it.”
Donnie pulled himself together and walked back to his workbench, operating his clampers to work once again. He put on his goggles. Casey, being a young teenager of enthusiasm, peeked over.
“Watch yourself, boy,” April warned.
“Don’t worry about me, Auntie. I’m only standing over here.” Casey narrowed his eyes upon the glowing and metal-like ball his uncle had his tools on. “What are you working on, Uncle Don?”
“A sphere.”
“A sphere?”
“You heard correctly.”
“That sounds kind of boring.”
Donnie had to hold himself back from remarking with: ‘That is exactly what every child whose intellect is doomed would say.’
“I’m sure your mother would find it rather moving.”
“(Mom / Dad)? I don’t understand what’s emotional about a ball, though.”
“Hey Casey.” April coughed. “Why not tell us about your mask here? Haven’t taken a good look at it before. Maybe Uncle Don would like to hear it too.”
“You actually want me to talk about my mask?”
“Ain’t a problem, is it?”
“No.” He fidgeted with his fingers a bit. “You don’t have anything else to do?”
“We were just told to watch over you, kid.”
“Yeah, but everyone I know is always busy with the Kraang or supplying weapons. I never really get chances to hang out.”
There was a brief pause in the butane torch’s flame.
April’s expression softened. Her hand came up to brush his black hair. “Things have gotten calmer up there. So you’ve got plenty of time with us now.”
Casey smiled.
“So your mask?” 
The boy alternated between covering his face and removing it. “(Mom / Dad) gave it to me. She told me it is based on the one worn by my biological mother. (Mom / Dad) also said that my birth mother was kind of crazy-funny and likes to be loud. She would have a stick to play– what was it– hockey?
I don’t know what kind of game hockey is supposed to be, but I guess it’s nice to know how life was like before all the Kraang.”
A sad smile crept on April’s lips. 
“Anyways, I thought the mask looked kind of plain, so I decided to draw red marks on it. See?” Casey showed his mask off, fingers tapping the surface. “Guess who it looks like!”
There were two bold and thick streaks of red. Each one ran through one eye, truly a defining characteristic. The Commander chuckled, already imagining how much pride her friend in blue would feel from the fact a kid– let alone one he had been parenting– looked up to him so much.
“You know, I am seeing someone familiar here.” April hummed as she put on a thoughtful facade. Fingers holding her chin and everything. “Got to be Uncle Don.”
Named turtle paused for a moment and raised a brow.
“Seriously, Auntie April?” On the other hand, Casey gave her an incredulous look and shook his head. “You probably want to get your eyes checked out, ‘cause Uncle Don doesn’t have any red stripes.” Off to the side. “And even if he did, he won’t look as cool as Dad.”
April snickered behind her palm as Donnie eyed the boy from behind his goggles.
“You’re right, you’re right. Just messing with you, kid.” Her hand ruffled his hair once more. “Sounds like you really admire your Papa, don’t you?”
“Why wouldn’t I? Dad has an awesome sword that opens up portals. He always moves so quickly whenever he’s fighting. Bam! And the Kraang’s gone!” The teenager stretched his arm for emphasis. “Even as the leader, Papa knows when to get serious and when to make people laugh. He also cares a lot about me, (Mom / Dad), you guys, and everyone!”
It made even Donnie himself smile. 
However, the way Casey’s enthusiasm died down had not gone unnoticed. “I’ve always wanted to help out though.” He sighed, shoulders slumping. “I want to fight the Kraang right by his and (Mom / Dad)’s side. Except I barely get the chance to, because they keep telling me to stay close to base and hide behind a giant rock.”
April crossed her arms and went quiet. His feelings were nothing new. In fact, she experienced the same thing herself, seeing she had always been a human. It was like that until–.
“Have no hard feelings,” Donnie spoke up, his hands and eyes remained on his spheric gadget. The sparks were flying. “Your parents are merely worried about your well-being.”
“I know, I know. They won’t have to though, if I can have enough training or something.” Casey sighed. “Then again, I also know I’m only a normal sensitive human.
...Why can’t I be a mutant instead?”
“Ahem. You are classified as a human. That is a true statement and one you cannot change.” Donnie hummed. “However, that does not mean you cannot be strong and capable in other ways.”
“Why does it sound like you’ve been in my place before?”
“Perhaps I did. Did you truly think being a soft-shell turtle is easy? I happened to be born as one of the only Testudines species whose outer shell cannot protect.” Donnie remarked. “Casey, your mask.” His hand signaled.
“What about my mask?”
“I merely want to add something.”
Confused, he hopped off the chair and handed the mask over. “Hmm. As long as you don’t mess with the stripes, Uncle Don.”
“Who says I won’t?”
Casey kicked Donnie’s leg.
“‘Ow,’ I say sarcastically without feeling physical pain.”
“Hmph.” He crossed his arms. “Why do you keep saying things like that?”
“Such as?”
“You say those action verbs, even when you’re already doing them.”
April snorted. “Just his thing, kid. Uncle Don’s got his special quirks.”
“Do you have a quirk?”
“Picking unnecessary fights for one,” Donnie commented.
“You only call them ‘unnecessary,’ because you never want to fix the problem.”
He rolled his eyes. “My solution would’ve been ten times more efficient if you had allowed my technology and I to do the work.”
Casey wondered. “Does your tech ever go haywire, Uncle Don?”
“No.”
“Oh man,” April began, “you should’ve been there for this one time. Your Uncle Don was building some kind of overprotective bed to keep your late Gramps from waking up from his beauty sleep.”
“Gramps likes to sleep?”
“You’d be surprised to hear that he sure does.”
“Then what happened?”
“Uncle Don asked your Dad, Uncle Mikey, and Uncle Raph to try punching, slicing, throwing whatever they could on the bed. They were attacking it like crazy!”
“And then?” 
“And the bed was even more insane, ‘cause there were actual missiles shooting out! They went straight for his brothers. At some point, it got overboard, so Uncle Don tried to command it to stop.”
“I’m hearing a ‘but’ coming.”
“But it malfunctioned and thought Uncle Don was the enemy!”
“However!” Donnie pointed his finger up, interrupting the story-telling. “It did not take long for my creation to recognize his master.”
“Still went haywire in my book,” April remarked. 
“Ignoring that.” His robotic hand tapped the edge of his workbench, grabbing Casey’s attention. “Come here, young man.” He slid back the mask, except in his hands, it felt as if the frame had thicken.
“It looks the same, but it doesn’t feel the same?”
“Try wearing it over your face.”
The boy did as told. All of a sudden, a bunch of green rectangles and words appeared in his vision. He gasped in awe. He spun around slowly, watching the rectangle focus on a figure through the wall.
“Yes yes, I know. I am well aware of how amazing I am.” Donnie huffed in pride. “I have opted to construct an interface with your mask. I cannot see why you shouldn’t have something to defend yourself with,” he reasoned. “I have other updates in mind later on. As of now, however, your mask will help you detect life forms across other rooms or through other objects.” 
“That’s so cool!” The boy hesitated though. “But I don’t want to break it or anything.”
“Hey.” April rested her hand on Casey’s shoulder, giving a firm squeeze. “Our resources are already scarce. Using then losing them is better than nothing. You better make the most of our tech. Understood, soldier?”
Casey grinned underneath his mask. He fixed his posture up and saluted. “Gotcha–! Understood, Commander!” 
He faced the inventor, whose hands were already back to being occupied with the “sphere.” “Thanks so much, Uncle Don!” Casey exclaimed, leaping towards the turtle to give a tight hug. “You’re the best!” 
Upon contact, Donnie stiffened up, but his lack of experience with physical touch did not prevent a smile forming on his face. He extended a robotic arm, patting Casey’s back. 
The boy then scanned around curiously with his mask. “Hey! Think I spot Uncle Mikey and Uncle Raph two floors down! They’re holding hands over a table or something. Why are so many people circling around them?”
April rolled her eyes. “Sounds like another arm-wrestling match between the our youngest and oldest brother.” 
Just like that, Casey booked it out of the laboratory so quickly, it reminded her of a certain red-eared slider. “What the–! Casey!” April groaned. “And here I thought we don’t have to deal with runaway kids. I better catch up to him.” 
“Would not worry about him too much,” Donnie commented. 
“What do you mean by that?”
“Considering we will not always be alive to protect him... the sooner we leave him to himself, the easier it will be for him to survive alone.” 
“Hey. Come on now.” April walked to her best friend’s side. “Don’t you say things like that. We’re all going to survive this together–.”
“April.” Slight pain wavered in his voice. “You know as well as I do how our current reality is. It is only a matter of time before the Kraang finds everyone.” 
“Yet you’re still here trying.”
No response.
“It’s all because of the kid, isn’t it?” April affirmed. “He ain’t any genius prodigy you were expecting long ago. But he gave you a reason to try– he became someone worth fighting for.”
“I would not put it as simply as that.”
She shrugged. “That’s how I’d say it. You know you’re not the only one whose life changed because of Casey.”
Donnie paused his work, turning off the butane torch and finally pulling his goggles off his eyes again. “...Casey reminds me of when we were young, being rash and immature teenagers like any other. I hate admitting to such thing, but I was one too. And I hate admitting much more how much I missed those times.
The child has known nothing of the trouble we’ve experienced outside, April: when Cassandra was killed, when Draxum was torn apart, when Dad decided to sacrifice himself despite the slim odds.” His hands clenched into fists.
“Do not expect me to have any false hope for our future, but do not assume I would want Casey to feel the same way. For as long as he can, I want him to hold onto that false hope.”
“...” April had her arms crossed. Her eyes slowly came to linger on the workbench. “Is that ‘sphere’ his false hope?”
“..No. Not his.” Donnie traced his thumb over his contraption. “It’s for (Name).”
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probablygoodrpgideas · 6 months
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Narrative Permission
People can do a lot of different things and RPGs are usually not concerned with making up rules for every single possible action anyone could take.
There are some actions that are neither so common that it can be reasonably assumed that anyone can do them nor are they something that the game system concerns itself with.
Languages and artistic skills are pretty common examples that less complex systems usually don't bother with. In cases like this, your background could give you the narrative permission to use these skills.
For example, if your Scoundrel character in Thirsty Sword Lesbians is a musician you have the narrative permission to play a song to impress the Baroness while other characters might not. Functionally, you are still just rolling +Heart for an Entice move, but you can flavour it differently.
Another type of narrative permission can be found in Call of Cthulhu.
While your skills are obviously mostly there so you can roll skillchecks, they can also grant various kinds of narrative permissions.
For example, while regular driving explicitly doesn't require a skill check, you're (usually) still going to require narrative permission through skill investment to drive anything that isn't a car. For example, if you want to drive around in some kind of construction vehicle like an excavator, you're gonna need a couple of skill points in heavy machenery, even if you don't need to roll to drive it (again, assuming regular driving. If you're in a desperate fight against a dark young and try to hit it with an excavator despite not having any experience controlling one, go ahead and roll for it)
High levels in skills can also give you narrative permission to know a guy. An average investigator probably isn't going to know any professors of physics but if you have a high education stat, you might know someone.
Equipment in CoC is also mostly done through narrative permission. While you might name some important items explicitly during character creation, most possesions in the game are handled by asking "Would it be reasonable for someone like this to have this?"
Does the 1920s student own a truck capable of transporting a bunch of crates full of evidence? Probably not. Does the 1930s smuggler? Of course.
In ICON, there are many cases where narrative permission plays an interesting role.
Obviously they only matter for narrative play because in tactical combat, what you can and can't do is pretty strictly defined. However, your abilities in tactical combat can influence your narrative permissions.
A spellblade with various teleport abilities has narrative permission to teleport. Depending on the GM, this may increase effect or decrease risk on some Traverse checks, or it might even remove the need for them entirely.
But this can only get you so far. If you didn't put any points in Smash, no amount of arguing about being a Collossus who can do all kinds of cool Smash-adjacent things in combat is going to make it so you have more than 0 Smash in narrative. You need to select your narrative skills in a way that supports the fantasy of your character, including their tactical combat fantasy.
Also there is your narrative gear, which isn't supposed to represent every single piece of equipment your character posses, just the stuff that really matters, and which broadly falls into two categories: Things that are listed there so you don't have to argue about whether you have it (e.g. light sources, rations, a tent) and things that are supposed to inspire you (e.g. single-use flash bomb, copious sweets)
Both exist to grant you narrative permissions, but the first category is more about making sure you have narrative permissions you probably would have had anyway in a system without gear tracking (such as previous editions of ICON), the second category can actually expand your narrative permissions or give you new ideas for things to do.
Without your gear explicitly mentioning you have these things you might have never even gotten the idea of using a flash bomb to escape the guards, or use sweets to calm down a child. But even if you had gotten the idea on your own, explicitly calling out that you have these things can save a lot of time on trying to convince your GM that you have them.
However, the flipside to this is that having a gear system like this makes the gaps stand out more. I keep bringing up not having to convince your GM that you have something, but if there is something that you feel like you should have but that isn't listed in your gear, the existence of the gear system might make it harder to convince them that you should have it.
The system is an interesting middle ground between gearing systems that make you track everything you have (e.g. dnd 5e) and one that barely makes you track anything (e.g. CoC)
Are there any intersting examples of narrative permission you know?
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