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gryfflepuffinthetardis · 5 months

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Gryfflepuff in the Tardis' Masterlist

All my Works, characters are colored by which Hogwarts House I think they're in. I am a Primary Hufflepuff, Secondary Gryffindor and I genuinely think Hufflepuff is the best and most underrated house.

Ninth Doctor - Brooding Time Lord Who Tries To Hide His Light with Darkness

Supernova Series/Season One Masterlist (Ninth Doctor/Tenth Doctor) (Delilah "Lillie" Tyler/Princess Supernova played by Katherine Langford)

Tenth Doctor - Hyperactive Time Lord Who Is Always Being Slapped Born From His Love For a Human Who Tries To Hide His Darkness and Trauma With Light

Campbell Bain - Bipolar Nineteen-Year-Old Walking Ray of Sunshine That Somehow Doesn't Do Well With Girls

Sweet Jane Masterlist (19-year-old Campbell Bain x 18-year-old Traumatized Reader)

Metacrisis Doctor/TenToo (My Headcanon is that he chose the surname "Noble")

Fourteenth Doctor - The Face That Returned, now arguably more Hyperactive and Traumatized

Alec Hardy (Broadchurch) - Grumpy and Broody Scottish Detective With a Heart Condition yet a Heart of Gold (Doesn't Know He's a DILF)

Emmet Carver (Gracepoint) - The American Version of Alec

Crowley (Good Omens) - A Hyperactive Drama Queen "Vaguely Sauntered Downward" Angel Turned Only Demon with an Imagination

Barty Crouch Junior - The (Possibly Bipolar) Misunderstood Boy Who Never Got His Father's Love and Was Manipulated By Voldemort (I think I read that he was actually a Ravenclaw but I do see a lot of Hufflepuff in him, his insistence of a fair fight and honesty and loyalty)

Peter Vincent (Fright Night) - Hyperactive Alcoholic Magician/Vampire Hunter with a Heart of Gold

Dave Tiler (Single Dad) — The sweetheart dad with too many children with so much love in his heart who fate was so cruel to.

Kilgrave (I've never seen Jessica Jones, I just feel like with him having the same accent and looks the same, it might ruin David Tennant's Doctor for me, and I love David Tennant as the Doctor.)

Cale Erendreich (Bad Samarian; Haven't Seen This Either)

Steve Harrington (Stranger Things) - The Hair; Nomenee for Mother of the Year

Embers In the Sky (Domnique "Nico" Henderson played Georgie Henley; Alex Henderson played by David Tennant)

Killer Queen (Cassandra "Cassie Dare" Henderson played by Zoey Deutch; Pan Henderson played by David Tennant)

Trauma (Emilie Henderson played by Hailee Steinfeld)

Devil Town (Imogen Henderson played by Katherine Langford)

Isaac Lahey (Teen Wolf) - The Abused Puppy With a Heart of Gold Who Only Wanted the Power to Defend Himself and To Not Be Scared

Embers in the Sky Season One (Milo Stilinski played by Katherine Langford)

Embers in the Sky Season Two

Embers in the Sky Season Three

Embers in the Sky Season Four

Embers in the Sky Season Five

Embers in the Sky Season Six

Spencer Reid (Criminal Minds) - The Genius Pretty Boy

Valentía (Zoe Noble-Valdez played by Selena Gomez)

Braveheart (OFC played by Karen Gillan)

Raymond Wadsworth

Chip Taylor

Kyle Orfman

Lesley Juniment-Smith

Fred Weasley

(All of these are Potter!sister!OCs, most of them are of Harry Potter's twin sister)

The Girl Who Lived (Sadie Sink as OC) (Need of a rewrite. Her name was Violet but since then my cousin had a baby daughter who he named Violet so I'm changing this character's name. I just can't write original characters with names of people I know. It's a rule of mine.)

North Star/Falling Star (Metamorphmagus!Cassiopea Potter played by Katherine Langford) (May change the name to Vega Potter)

The Twins Who Lived (Georgie Henley as Currently Unnamed OC)

Embers in the Sky (Emberly "Ember" Potter Played by Caitlin Blackwood/Karen Gillan) She is also the face claim I maintain of Lily Evans/Potter. (Caitlin Blackwood played young Amelia Pond in Doctor Who and is Karen Gillan's real life cousin.)

Yes, there are a lot of David Tennant characters. I don't want to write for the actor himself, I just feel a little creepy doing that. In my numerous Steve Harrington fics, the more recent ones (The OC is always Dustin's older sister, except in one) I think he is the best Doctor and I think he should officially be titled as the biggest Doctor Who Fan ever. (He became an actor because of Doctor Who, he says he thinks he underplays how much he loved Doctor Who, he became the first regenerated Doctor and the first one to last more than one season on the revived Doctor Who, he met his future father-in-law, like a year before he met his wife, Ty Tennant, Georgia's oldest son and David's now adopted son, in 2008, considered the Tenth to be his favorite, and hilariously, his grandfather was nowhere on the five-year-old's list--then David Tennant met Georgia (at the time) Moffat on the set of Doctor Who as she, the daughter of the Fifth Doctor, played the daughter of the Tenth Doctor, I heard that David Tennant met Ty on the set, and according the Peter Davidson, Georgia didn't even realize that he liked her when they started going out (apparently he was offended when she said she hadn't seen any Shakespeare), then David Tennant counts as the unofficial twelfth regeneration (there was the War Doctor who the Doctors deem as not worthy of having the name of the Doctor), then he adopted Ty Tennant and married Georgia; he returned for the 50th and 60th anniversary (and I hope he never stops returning), now is the Fourteenth Doctor, that's three official regenerations, and Good Omens is full of Doctor Who references. I don't think anyone can beat him for the biggest Doctor Who fan. His life like revolves around Doctor Who in a way that every fanboy/fangirl dreams of.

I have created an OC to be the Henderson!OC and Dustin's father and I always choose David Tennant, he just really gives off protective I-will-kill-anyone-who-hurts-you dad vibe and I have a soft spot for an overprotective dad for his daughter (I never had that. My dad wanted a boy--granted the disapproval that's implied is possibly because my mom told me this--and he is ADHD and was always sleeping and then he moved two towns over which was an hour's drive but seemed longer in my ADHD mind but so he could sleep and I could play video games on the Xbox that's memory wouldn't save the game so I continuously had to start over. Oh, and also, there's the fact that a TV fell on me when I was five/six because I didn't understand gravity and I locked myself in the dryer when I was seven/eight. What, is that not normal? 🙄) I'm not a big crier but a father that's willing to do anything for his daughter is your best bet. Sorry for this rant.

*(Can't pinpoint what house Alec Hardy and therefore Emmet Carver would be in, the only blog I've found on it, discussed how he may be a burnt Hufflepuff (just google it, it'll send you to the tumble immediately) but hiscusses his desperation in season two suggests Gryffindor, also implying his ignoring of his heart condition but he's aware that he has it, so he's gone to the hospital and he takes pills, he's just aware that the doctors told him that he may not survive his surgery to have the pacemaker put in and he feels like he owes it to the families to get the closure they deserve, so it doesn't strike me as impulsive but more dedicated, determined, and "unafraid of toil". Then the blog argues that his need to protect people he views as in his care and how he related to the Sandbrooke case as Slytherin but I don't see that. I think perhaps a "Burned Hufflepuff" is accurate.*

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theeminentlyimpractical · 7 months

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Michael Sheen playing Aziraphale so much more markedly effervescent in GO2 is delightful, and campy, and perfect in the narrative arc, but damn, it’s also a very cruel way to set up the contrast of how stiff and restrained he will have to be in GO3, like putting a geode back together to hide all its color.

#Aziraphale’s demeanor after going to the great conversion camp in the sky is going to be deliciously brutal to watch #Crowley sneaking up behind him with a hammer WHERE’S MY ANGEL WHAT HAVE YOU DONE WITH HIM YOU’RE NOT AZIRAPHALE YOU’RE SOME GREY-SUITED LIAR #Aziraphale can't help it my man has unmedicated angel ADHD #michael sheen is good omens’ only true fan we are all laughingstocks compared to him #michael sheen will devour the whole set #good omens #aziraphaaaaaale #aziraphale

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robinratt · 3 months

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Good omens au where they are both artists

Crowley makes very modern and abstracy art. He isnt happy with anything he makes and is constantly looking for change in his works. He pays the bills with winning prices and getting a place in art galaries.

Aziraphale make hyperrealistic art and while he happy with what he makes. (He paint portrets of rich people that pay a lot, he earns more then crowley this way) he is verry envyous of crowley because he know he will never be able to paint that freely

Crowleys loves aziraphales steadyness and thinks his work is impressive

Aziraphale loves how crowleys work is always something new and loves it even if crowley doesnt

When they meet crowley learns from aziraphale to love his work and that he doesnt need to invent something new every day

Aziraphale learns from crowley how to let go of the specific style he works in and paint freely

#Also crowley totally had ADHD #and aziraphale has the tism #OMG Aziraphale would find crowley so scary bc he looks up to him so much #and bc crowley would have the best fasion full of paint slashes #but secretly crowley is really insecure about his work #FJFJFJDJSK #crowley #good omens #good omens 2 #good omens au #aziraphale #aziracrow #aziraphale loves crowley #crowley loves aziraphale #ineffeble husbands #sorry about spelling mistakes😔

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eyesandwingson · 7 months

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some people might have already thought of this, but i just had this revelation, that so many non-human but human-presenting characters are neurodivergent-coded not (only) because neurotipicals tend to see us as "aliens", but (also) because they are constantly faking the human experience.

like you know this feeling that you just have to pretend all the time in order to fit in, etc. etc. (i as an autistic individual—with a strong possibility of adhd—certainly experience this a lot, and i know many others who do, too)

#like aziraphale and crowley #the doctor #ive only seen 3 seasons so far but based on that and what ive seen in the fandom #CASTIEL!!!#and also other angels in spn #wwdits #i mean they were humans once #but since then the world has changed a lot #and they arent “naturals” in it anymore #idk guys i dont watch that many shows #good omens #doctor who #spn #supernatural #neurodivergent #autism #adhd

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petalblizzardz · 10 months

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aziraphale is the patron saint of autism... i feel like this is divine and canon

#autistic people worship our lord and saviour aziraphale #good omens #crowley has autism too. just bcz i said so #crowley adhd too #the a in aziraphale stands for autism

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ziggyandleo · 6 months

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I've started making ChatGPT come up with practice law school exam questions using my favorite characters so I can focus enough to keep studying.

It gives me the scenarios and I use my own work to answer the question and legally analyze the situation.

#crowley has been held liable for so much in tort damages #law student #ADHD hacks

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paulrevereshorse · 5 months

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fun fact my adhd is so bad that while watching good omens s2 ep6, i almost missed the confession scene because i did not care at all about ineffable bureaucracy being cannon so i zoned out. and when i zoned back in crowley was at the "group of a two of us" bit and i did not bother to rewind until the episode was over

#i was kinda so confused i watched it like three times #adhd things #good omens #good omens 2 #ineffable bureaucracy #i just hate gabriel idk why #jim is okay he has some good moments #crowley #aziraphale

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cha-mij · 8 months

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#give me knightly or give me spinster hood #spinster #adhd things #neurodivergency #neurodiverse stuff #crowley has me feeling things #utterly lost for Crowley

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robinwithay · 4 months

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you guys ever have a headcanon about a character that you don't really realize you have until something makes it more obvious? like a subconcious headcanon

#this happened to me with autistic aziraphale and adhd crowley #and has just happened to me again #in building and decorating the south downs cottage i realized i think aziraphale has hoarding tendencies #he keeps every single item he's ever been gifted or bought or found #so the collection is super eclectic #robyn noises

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bones4thecats · 3 months

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I haven't done these in a while so...

At A Staff Meeting... ~ Divus Crewel: I was voted “friendliest classmate” in high school. Mozus Trein: I was voted “most likely to become a clown”… Dire Crowley: You think that’s bad? HA! I was voted “most likely to get rabies”!

When Grim Goes To The ADeuce Duo For Help... ~ Grim: Yuu's mad at me, and I'm not sure why. Deuce Spade: Okay, did you talk before they got upset? Grim: …yes? Ace Trappola: That's probably it.

This Is What Happens When You Marry the Cater Diamond... ~ Cater Diamond: Hey, babe, remember how I had to go to the pharmacy to pick up my ADHD meds? Y/N - Reader: Yes? Cater Diamond: Well, it turns out they're all out for the next five days. Y/N - Reader: ... Cater Diamond: It's gonna be a fun week! Y/N - Reader: I'm going to Trey's house. Cater Diamond: Nuh-uh. Through sickness and health, motherfucker.

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actual-changeling · 5 months

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Welcome back to Alex's unhinged meta corner, and today I have something surprisingly not kiss-related—though it is still about the final fifteen because hey, gotta keep the brand image.

I read this post by @goodoldfashionednightingale and began typing a small response. Then I made the mistake of drinking half a litre of coffee on an empty stomach right after taking my adhd meds and my brain began vibrating at the speed of light.

But oh, have I discovered parallels. This, my friends, is about the nightingale, where it comes from, what it means, and what the fuck happened in part 3 of 1941.

Ready? Let's go.

Now, as OP said in her post, s1e3 is important. In the script book, Neil himself says that these flashbacks are where the producers would tell him to cut scenes to save money. They suggested every single one—except for the one he ended up taking out, which was the bookshop opening scene set in 1800. The others are building blocks, you need them to see how their relationship progressed and what kind of important milestones they had.

(side note: author is very miffed that english does not have a separate subjunctive form like german which makes quoting lines way more confusing than it has to be)

The one I want to mention is neither 1941 nor 1967. No, what I want to talk about is 1601. This might be about to get a bit rambly but I will do my best to keep it tidy.

The focus of that flashback is on the Arrangement, yes, but it gives us a lot more information than that.

they both see Shakespeare's plays regularly, maybe even meet in the crowd

Crowley prefers the comedies

Aziraphale does not seem to have a preference, he enjoys the tragedies and presumably the comedies too

there is an oyster woman selling food -> reference to their meeting in Rome when Aziraphale tempted him to try some oysters

Aziraphale reflexively denies their relationship

Crowley might say he is not worried but circles Aziraphale the entire time, keeping watch

they both ask favours of each other and both agree to do them

What stands out to me in relation to what I am about to expand on is the line that Crowley delivers after Aziraphale's little 'buck up'—which Crowley finds adorable btw but that's a post for another time.

"Age does not wither nor custom stale his infinite variety."

Why would he say that? What exactly is prompting this? WHY say that specific line?

At first I thought it might be to tempt Shakespeare because he does commit art theft by just copying that line down, BUT I think there is more to that. So much more, in fact. I am wiggling now because I am very excited about this and my adhd meds are kicking in anyway.

First things first: the line itself.

It appears in Shakespeare's play Antony and Cleopatra, a romantic tragedy, which was first performed in 1607 aka six years after this meeting. Enobarbus is talking about Cleopatra and describing why Antony won't leave her. Her.

Ccrowley uses his—again, who is he even talking about? Hamlet? Shakespeare? Random poetic quote?

No, I think this line is about Aziraphale and it's a code. Right after, the next line from Aziraphale is "What do you want?", meaning that this is their code phrase for 'I have a favour to ask of you'.

Age does not wither nor custom stale his infinite variety

Age will not affect his appearance nor will he ever become boring to Antony. Crowley, who later chooses the name Anthony for himself, tells Aziraphale, an immortal, that he will never age and that he will never grow bored of him.

It's flattery, pure and simple, and it's code at the same time. This establishes the important fact that they might use more of Shakespeare's work as code/already have a system in place (even though he steals Crowley's line for later).

They play their little morality game of back and forth, Aziraphale agrees, Crowley probably manipulates the coin toss, and THEN we find out that the oyster woman is called Juliet.

Why? What is the meaning of that? Why give her a name and that name in particular? Why bring the sexy oysters back into it?

Romeo and Juliet premiered in 1597, so it is safe to assume they have both seen it by 1601, but this is mostly for the audience, not for us-or is it?

Aziraphale gives Crowley puppy eyes until he agrees to make Hamlet popular, and while I don't think Juliet itself is a code word, although it's very interesting that the OYSTER woman is the one with that name (especially adding what we now know about Job), Romeo and Juliet might be.

Yes, the Nightingale song came out in 1940 but the bird has been around for much, much longer, and, as many probably know by now, also shows up in Romeo and Juliet.

This is where I am starting to vibrate at the speed of light because listen to me. Listen.

Crowley is Juliet. Anthony J. Crowley. Antony Juliet Crowley.

(side note: I'm not saying that Crowley chose it based on that—though I am not not saying that—but that it is a clue for us at the audience.)

Why do I think that? In the play, Romeo spends the night with Juliet and then goes to leave as the night begins to end. Juliet tries to stop him and tells him that the birds they are hearing aren't larks, which sing at dawn, but nightingales, which sing at night.

Who is the one always pushing for more? Crowley. He is the one trying to convince Aziraphale it's safe, they're safe to spend time together.

Romeo disagrees with Juliet and says 'I must be gone and live, or stay and die'.

Leave and stay alive, or stay and hell/heaven will punish us. It gets even better though.

We all know how Romeo and Juliet ends: Romeo thinks Juliet is dead, kills himself, Juliet finds him and then kills herself too.

Hey, do you know how Antony and Cleopatra ends?

Antony thinks Cleopatra is dead, kills himself and dies in her arms, then Cleopatra also kills herself—by snake poison; Romeo also died by poison.

The parallels are THERE. They are jumping down our throats! Two tragedies, two sides, several familiar names and phrases, same fear, same ending.

I think by now you can guess how this ties back to 1941.

We do not see how that night ends, but we know it ends. One of them wants to stretch it out, maybe even quotes Romeo and Juliet because look at the setting!

Candlelight, wonderful night they spend together, the threat of Crowley's early demise, and, to quote the play once more, this time Romeo: I have more care to stay than will to go.

Crowley thought it was his last night on earth and went with Aziraphale to his bookshop, to be with him, because he cares more about that than the fact that he will be dragged to hell come morning. Do you remember?

"Expect a legion to come for you first thing tomorrow" THAT is the threat. They have until dawn, just like Romeo and Juliet, which is why she is so desperate for the birds to be nightingales. Fortunately for them, Aziraphale saves the day, BUT there is NO SECURITY. They do not KNOW if a legion will still show up or not. If dawn is a deadline and they will need to fight.

Sure, they improved their chances, but who knows? Maybe they will come for him anyway, it's not like hell is all fair and square.

The best part: it gets even better.

Juliet eventually panics and tells him to go, and Romeo drops a line that huh, sounds oddly familiar, doesn't it?

'More light and light, more dark and dark our woes!'

Remind me, what does Aziraphale say again? Ah, yes. Perhaps there is something to be said for shades of grey.

There is more. Yes, even more. We know the whole rescue relies on a magic trick, a switch. Guess what Juliet yearns for while telling Romeo to go save himself?

Oh, now I would they had changed voices too. While they did not for Romeo and Juliet—they kiss and part—they did for our two. One fabulous switch and we're good.

(side note: Toads? Associated with hell. Larks? Associated with the dawn, yes, but also heaven since Romeo says 'Nor that is not the lark, whose notes do beat the vaulty heaven so high above our heads.')

So, this was a whole lot of information, let's see if I can summarize my thoughts.

I believe the nightingale is a code word that has existed even before 1941 and gained a lot of importance over the years. In 1941, the song is added to the meaning and whatever happened between the two that we have not seen yet, it fundamentally changed their relationship. Maybe they kissed, maybe one of them tried to convince the other to prolong the night but they parted on not-great terms.

The nightingale and the song become a symbol of hope, a goal to achieve, another uninterrupted night, maybe, or an uninterrupted life.

When they part in the final fifteen, it's morning. Crowley points at the sky and says "no nightingales", which at that point has several different layers to it.

No nightingales because their night is over, just like with Romeo and Juliet, and please, please allow me to add another detail, because I am frothing at the mouth over this. The scene I quoted, known as balcony scene, do you know what it is preceded by?

A ball.

Star-crossed lovers defying their sides, falling in love at a ball, getting a hurried, wonderful night together but torn apart by danger of punishment, the nightingale as a dream, as a wish for unhurried time together. Family rejection, torn apart by parents, willing to die for each other so they can reunite in death.

No nightingales. The ball, the romance, is over, their dancing is over, heaven is tearing them apart, and Aziraphale returns to heaven while they are both stuck in a pit of misunderstanding and miscommunication, all bound together by fear for each other.

The thing is, Crowley hates tragedies, he never liked the "gloomy ones", and he does not want them to end in one—luckily, this isn't the end. Yes, they kiss and part, but the play keeps going. We have an entire act 3 to fix what Romeo and Juliet couldn't, to ensure that this is a COMEDY, not a tragedy.

Both Antony & Cleopatra and Romeo & Juliet died out of fear, hurried into making bad decisions because they knew what would happen if their sides were to catch up with them.

Crowley and Aziraphale can reunite heaven and hell with love, not death. This is THEIR story and they are writing the ending. No more day and night, no more deadlines, no more hiding and sneaking about, no more fear of larks and sunshine.

Good Omens will end the way it began: In a garden with two no-longer-star-crossed lovers embracing the song of a lark as well as that of the nightingale.

I hope this made sense to everyone who was no present while my mind started to vibrate itself into a puddle because the thing is I can see Neil doing all of this completely on purpose.

Thoughts? Questions? Additions? Come and join me in my insanity and until next time I have a mental breakdown over this show (probably in like two hours).

#alex talks good omens #good omens #good omens meta #ineffable husbands #crowley #aziraphale #good omens season 2 #go2 #aziracrow #crowley x aziraphale #no nightingales #ineffable divorce #the final fifteen #a nightingale sang in berkeley square

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theeminentlyimpractical · 8 months

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The funniest overlooked bit of Crowley drinking about his feelings is that this bougie bitch gets a 1938 vintage to entice Aziraphale, but Aziraphale is too hyperfixated on ✨the ball✨to be tempted.

#Aziraphale wont listen to his feelings so instead he gets drunk on a £500 bottle of wine and tells Gabriel to jump out a window what an icon #Aziraphale can't help it my man has unmedicated angel ADHD #idiots in love #good omens #Crowley listening to the Unthanks Brontë album over 6 bottles of wine

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createserenity · 6 months

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I won’t leave you on your own.

Right, this might be controversial, or I might be the only one who sees this moment in this way, but I need to talk about this now. It’s really sweet when Crowley says this, except what happens afterwards isn’t sweet at all. And can I just add right now that I love both Azirpahale and Crowley, they’re both wonderful and also brillianty flawed, I don’t hate either of them. But as far as I’m concerned Crowley behaves really stupidly here.

GIF by ladybokatankryze

C: I’m going to get the humans out of here and then I’m coming back. I won’t leave you on your own. A: I know.

Oh dear, Crowley. Why did you leave him on his own after saying this? Why did you let Aziraphale down? Why does no one talk about the fact that you did? You walked out that bookshop and Aziraphale was so confident you would come back that he expressed this confidence to the humans and then defended his reliance on you, “Crowley will have a plan,” “Rescuing me makes him so happy.”

But you didn’t come back, Crowley! Why? You left the bookshop, spotted Muriel and then in some super weird ADHD* move just left Aziraphale to sort out the demon problem on his own whilst you went off to heaven. Whyyyyy?

Now okay. I admit, Crowley was working towards the ultimate goal of finding out what the heck had happened to Gabriel, which was something that needed to be done. He spotted the opportunity, knew it probably wouldn’t come up again and so took it. He did what probably needed to be done. He also did it expecting that the demons wouldn’t ever be able to enter the bookshop because Aziraphale was never going to say they could come in. It’s not his fault Maggie is an idiot. I still love him and so does Aziraphale. Also Aziraphale is perfectly capable of defending himself in some ways and we see this after Crowley leaves…

BUT. What a mistake.

He basically left Aziraphale on his own to fight the demons. An Aziraphale who trusted so absolutely that Crowley would come back, and that Crowley would know what to do, that he hadn’t bothered to come up with the whole plan himself. He didn’t have to. Aziraphale and Crowley are a team, they work together and they don’t let each other down.

Except this time Crowley did.

It’s unclear exactly how long Crowley spent in heaven watching the trial etc but since the ball starts at 6.30pm and the demons seem to turn up not that long into the evening, we can assume it’s a really long time. By the time he comes back it’s very clearly morning again, the entire night has passed. Maybe Crowley didn’t intend to be away that long, maybe he expected his jaunt to heaven to be quicker, or maybe this is because time passes differently in heaven and Crowley had no way of knowing exactly what time he’d return to earth, but whatever the reason, he leaves Aziraphale alone for a really long time, after explicitly stating that he won’t leave him on his own.

By the time he does turn up it’s long after the battle is over and long after Aziraphale has been forced to take an action he really didn’t want to take in order to defend himself and the bookshop.

Just look at Aziraphale’s face when Crowley returns, he isn’t super delighted to see him, he's sort of happy, but more looks like he can’t believe Crowley is actually there.

When he says, “You came back!” he sounds kind of surprised and also perhaps relieved. Why? Because he’s given up on Crowley coming back by that point. He has no idea what has happened to him or why he let him down so badly.

I think we can fairly safely assume that Aziraphale and Crowley can sense at least to some extent where the other one is when they are both on earth if they try to do so, and it’s probable that at some point after sorting out the demon problem Aziraphale had wondered where Crowley had gone and tried to sense him, so likely he knows Crowley has been away from the earth. What he doesn’t know is where he’s been or whether he went there willingly (at least until he turns up with a bunch of angels, at which point he’s intelligent enough to work it out).**

So now he knows where Crowley went, but he doesn’t know why or what he discovered. He’s still in the “Crowley let me down,” space at this point. Then Crowley asks what happened to the demons and Aziraphale has to tell him he blew up his halo. Crowley finds this delightful and he laughs, but for once they aren’t laughing together. This is only the second time that we have seen Crowley laugh at Aziraphale (the first is when he mocks him about thinking he’s a demon after the Job thing, which he quickly stops doing and switches to being kind when he realises how upset Aziraphale is). When he laughs about the halo he doesn’t mean it to be mocking, it’s actually the same disbelieving reaction that he does on the walls of Eden about the flaming sword, except magnified, he doesn’t just do a single “you what?” of disbelief and amusement as he does in Eden, he properly laughs because he knows Aziraphale better and thinks their relationship can take the laughter.

Usually he’d be right, but the problem is he’s just let Aziraphale down. So while he isn’t really mocking Aziraphale, because he loves that Aziraphale does these unexpected and wonderful things, Aziraphale doesn’t like the laugh at all. Look at his face. He glares at Crowley and his look very much is one of, “if you’d come back like you said you would, if you hadn’t let me down, I probably wouldn’t have had to do it at all.”

Then since Crowley rather stupidly doesn’t read the reaction and stop laughing the look changes more to, “I’m really upset about all this, please, please don’t laugh at me, you’re hurting me.”*** It's only shown briefly so it's difficult to capture, but you can just catch this in his expression before the camera cuts back to Crowley, and then again for a second when it recuts to Aziraphale, just before he reacts to the arrival of the demons.

Basically, Aziraphale is really fucking pissed off and upset with Crowley at this point. (Side note, Maggie and Nina look less than impressed by the laughter too – even they know it’s not the right reaction.)

If you need anymore evidence of how annoyed he is, look at how far away he stays from Crowley whilst he’s laughing. Aziraphale never stands that far away from him!

Luckily for Crowley Aziraphale is very good at forgiveness, and also very much likes it when Crowley takes charge of a situation and thankfully Crowley finally steps up. Whilst Aziraphale worries about what he’s done (look at the tension in his hands) Crowley categorically declares there will be no war and the demons react by listening to him. You can see Aziraphale start to reconnect with Crowley, his eyes flick back to him and then once Shax is up and awake his hands relax and he closes the distance between him and Crowley, angling his body towards him and standing close to him again.

Crowley is going to sort things out and Aziraphale’s faith in him is easily restored, although without doubt it’s suffered some damage underneath.

So what does this all mean? Well, firstly Crowley hurts Aziraphale deeply here and doesn’t realise he’s done it (and this is the second hurt he’s caused him within the space of a few days). Aziraphale forgives him pretty quickly, because Crowley unknowingly repairs things and Aziraphale is so full of love that it will take more than this one transgression to break their bond.

What it does mean though is that Aziraphale has just had a reminder of the demonic nature of demons shoved in his face. Crowley has just hurt him in several different ways in the space of a very short time. I doubt he consciously sees this as demonic because by this point I don’t think he really even thinks of Crowley as a demon on a day to day basis, but I do think he is responding to that hurt in a very human way.

Look, if your partner left you in a sticky situation and told you they would be back immediately and then didn’t turn back up for hours wouldn’t you be pissed off? Even if nothing happened (if Maggie had never let the demons in for example) you’d still have a few things to say about your partner’s hours of absence – yes, even if they had just unveiled a huge clue about why the whole situation was happening in the first place. That wouldn’t undo all your thoughts about how they let you down really badly and left you on your own in a terrible situation.

Another issue is Shax’s demonic nature – specifically how Shax has hurt him during the attack on the bookshop. If Crowley had been there there’s no way Shax would have had even half a second to get in her jibes to Aziraphale, but he’s not there and Shax gets her chance. What she does is play on Aziraphale’s fears about Crowley’s feelings for him (right at a time when Crowley is letting him down) and also remind Aziraphale of some of the ways in which he is a less-than-stella angel (as a side note I find it really interesting that Shax seems to have this ability to look at people and see their worst fears about themselves – do all demons have that or does every demon have a slightly different ‘power’?) So now Aziraphale has been let down by Crowley, which has directly led to Shax hurting him, and had his worst fears about his own nature brought to the forefront of his mind.

He’s been let down, mocked and emotionally wounded, and he goes into the conversation with the Metatron carrying that hurt, only to hear the Metatron singing his praises and telling him he’s, “the perfect angel for the job”. The Metatron deliberately soothes Aziraphale’s worst fears about himself in order to manipulate him. I’m not saying Aziraphale doesn’t see through it or that he is completely taken in by it or that this is his motivation for accepting the job, I think there’s more to it than that, but well… something to think about?

Mainly though, Crowley acts in a bit of a daft way here. His jaunt to heaven is funny and useful for moving the mystery along, but in terms of his relationship with Aziraphale it's an absolute disaster of a move. I'd want the "I was wrong" dance as an apology for that one if it was me. Just saying.

#good omens 2 #good omens meta #ineffable husbands #good omens #final 15 #aziraphale #crowley

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youryurigoddess · 16 days

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The biggest Easter egg yet

I’ve been meaning to address this for a while now, but @camdenleisurepirates gave me the final push after reading my piece on Gabriel’s cross. Huge thanks for that morsel of motivation, my ADHD brain loves you.

This is going to be yet another long read, although not as extensive as my bookshop statues meta. Still, better get yourself some hot chocolate or another drink of your choice and make sure you’re comfortable!

Now, remember the X-Ray interview with Peter Anderson on Easter Eggs in the opening animation he created for the second season? Forget red herrings, apparently our fandom has a literal red phone box! I’m convinced that this whole scene is a one big — the biggest, actually — Easter Egg, and I’ll explain why step-by-step.

The red phone box Crowley used to warn Aziraphale about the Antichrist and the following Armageddon in S1, the exact one where he left change for an emergency call, seems important enough in terms of the future S3 plot, but there’s so much more going on in this frame. Not only the lift.

The angels

At the very start of this sequence we can see a fragment of an elaborate bridge guarded by cherubs sitting on two columns, maybe globes, leading to a distant structure built over a literal mountain of trash — all elements of the S1 and S2 openings which were consciously picked out by the animators and put together in a very ominous pile.

Ready for some scavenging?

In the Gabriel’s cross meta, I already mentioned the importance of Ponte Sant’Angelo in relation to the ex-Archangel’s statue. Now it’s time to widen our perspective and focus on the full picture — quite literally. Apparently the bridge from the opening sequence has ten statues of angels, exactly as the Italian historical monument.

First things first though: the two big cherubs guarding the entry to the bridge might seem familiar to some of you. While they’re obviously not copies of the same statue, a very similar pair of brass cherubs is placed in Aziraphale’s bookshop to symbolize Aziraphale and Crowley. And looking at the screenshot above and the way they sleep or sulk with their backs turned on each other, they are most certainly not talking. The addition of more than one set of eyes is a lovely reference to biblically accurate angel memes though.

If we assume the traditional left-right positioning of the characters, Aziraphale is on the left and Crowley is on the right. Directly behind Aziraphale we can see a ship named “Good Traits”, but in reverse — kinda sorta confirmed by the animator Peter Anderson to be connected to the concept of the seven deadly sins on Twitter. Same that was mentioned recently by Neil in one of his asks.

The presence of Gabriel — a renegade Archangel wielding a broken cross — on the right, Crowley’s side, seems to match this theory. It could also support one of the possible interpretations of the very last bookshop shot in the S2 finale.

Out of all ten statues, Angel Carrying the Cross by Ercole Ferrata is considered inferior to the others on the bridge in that it appears to be a two-dimensional relief sculpture rather than an unbounded three-dimensional artwork, which seems to match Gabriel’s first impression as a character.

The inscription on the statue reads, “Dominion rests on his shoulders" — that is the weight of the cross that Christ was forced to carry through Jerusalem before being crucified. Even though Gabriel’s burden partially disappeared, the whole bridge and its environment is covered with crosses. It’s clear that we’re looking at a direct parallel of Via Crucis, the Way of Sorrows.

Towering over the Italian bridge, at the very top of Castel Sant’Angelo, is a statue of Archangel Michael, seen as the golden angel on the top left part of the trash pile. Aziraphale’s side, perhaps as his assistant, perhaps a rival? Legends of the Jews mention Michael as the chief of a band of angels who questioned God's decision to create man on Earth. The entire band of angels, except for Michael, was condemned to Fall — which could explain why they have such a good access to the Grapevine That Obviously Doesn’t Exist. And whatever’s going on between Michael and Dagon, perhaps.

In Roman Catholic teachings, Michael has four main roles or offices. Their first role is the leader of the Army of God and the leader of Heaven's forces in the final triumph over the powers of Hell. Viewed as the angelic model for the virtues of the spiritual warrior, their conflict with evil taken as the battle within. The second and third roles of Michael deal with death. Their second role is that of an angel of death, carrying the souls of Christians to Heaven. Michael descends at the hour of death and gives each soul the chance to redeem itself before passing; thus throwing the devil and his minions into consternation. In their third role, Michael weights souls on perfectly balanced scales they are often depicted with as their attribute. In their fourth role, Michael appears as the guardian of the Church. Might be the reason why they’re the closest to the building on top of the mountain.

It looks like Michael lost their sword though, just like Gabriel lost a part of the cross he was supposed to carry. The sword in question was supposed to be used to slay the dragon — Satan, the Adversary — according to John of Patmos and his Book of Revelations.

Speak of the devil: interestingly, there are two copies of an anonymous variation of the Angel of Light statue appearing twice on both sides of the bridge. Both the title as well as the statue itself seem like obvious references to one (former) angel literally called the Lightbringer, Lucifer. Perhaps one of them is representing his son, the Antichrist, instead, with the both of them helping out the Ineffables on two opposing — or perhaps only parallel — sides of the bridge?

The light carried by Lucifer appears to be green, a color used in the series as a visual representation of Hell, but on the intertextual level might also serve as a reference to F. Scott Fitzgerald’s classic novel The Great Gatsby and the green light at the end of the Daisy’s dock symbolizing the undying love, desperation, and longing for an unattainable dream. In the story, the color represents the limitations of power and money. Not surprisingly, the novel appears on Jim’s bookshelf and is part of the Good Omens book club — a list of personal recommendations from Neil Gaiman and Douglas Mackinnon for the fans to catch up on before the next series.

Last but not least, the possible connection to Libertas as the inspiration for the Statue of Liberty, shown multiple times in S2 as a foreshadowing of our character’s trip to America in S3. The related quote of Patrick Henry “Give me liberty or give me death” becomes even more relevant if we consider how the motto of the French Revolution was sometimes written as Liberté, égalité, fraternité ou la mort (“Liberty, equality, fraternity or death”). A lesson surely learnt by a certain angel back in 1793, when he was held prisoner for the last time before being forcefully taken Upstairs in the Final Fifteen.

The bridge and the castle

Okay, these are the basic observations. Now a brief historical overview and we will reach the fun bit in a jiffy.

Have you ever wondered about the meaning of this whole complex? It wasn’t always angelic, but named after a Roman noble dynasty. The Aelian bridge was built by the Emperor Hadrian in 134 AD to span River Tiber from the city center to his mausoleum. With time, the remains of more emperors were put to rest in there, until it was plundered and destroyed in a war. Then the remaining structure was transformed into a military fortress and a castle serving as the papal residence in times of war.

The Papal State also used Sant'Angelo as a prison; the Renaissance philosopher Giordano Bruno was imprisoned there for six years. Executions of the inmates were performed in the small inner courtyard, but they weren’t the only deaths in the area. On the other side of the bridge, in the adjoining Piazza del Ponte, under the watchful eyes of the stone likenesses of two saints, the public executions were held, and the heads of the criminals were brought onto the bridge and exposed to public view there.

As a prison, the former mausoleum is also the setting for the third act of Giacomo Puccini's 1900 opera Tosca. Long story short, the eponymous heroine convinces her lover to feign death so that they can flee together. Unfortunately, they are betrayed and the firing squad shoots at him with real bullets instead of blanks. Tosca believes in the quality of his acting performance rather than the truth, and when the realization hits her, she leaps to her death from the Castel’s ramparts.

After Nero’s bridge was destroyed, the travelers were forced to cross this bridge as the only direct route to the Vatican and St Peter’s Basilica, earning it the nickname “the bridge of Saint Peter”. That’s why in the 16th century Pope Clement VII erected statues of Saints Peter and Paul at the ends of the bridge, guarding it as they are supposed to protect the entry to Heaven.

In 1688 the bridge was embellished with ten angel statues, five on each side of the bridge, carrying Arma Christi, the Instruments of the Passion. The Good Omens characters represented by those statues in the opening sequence might be other instruments of Christ’s suffering as parts of the system that needs to be overthrown or replaced.

One angel appears particularly important in the context of both the bridge and the Second Coming — Saint Michael the Archangel.

Legend holds that the Archangel Michael appeared atop Hadrian’s mausoleum, sheathing their sword as a sign of the end of the plague of 590, thus lending the castle its present name. A less charitable yet more apt elaboration of the legend, given the militant disposition of this particular Archangel, was heard by the 15th-century traveler who saw an angel statue on the castle roof. He recounts that during a prolonged season of the plague, Pope Gregory I heard that the populace, even Christians, had begun revering a pagan idol at the church of Santa Agata in Suburra. A vision urged the Pope to lead a procession to the church. Upon arriving, the idol miraculously fell apart with a clap of thunder. Returning to St Peter's by the Aelian Bridge, the Pope had another vision of an angel atop the castle, wiping the blood from his sword on his mantle, and then sheathing it. While the Pope interpreted this as a sign that God was appeased, this did not prevent Gregory from destroying more sites of pagan worship in Rome. In honor of the vision and Michael, the bridge was renamed in their name.

What if the procession from the opening sequence was meant to imitate the procession led by the Pope from the legend? What if Aziraphale, now officially a Supreme Archangel, Commander of the Heavenly Host, is the one actually leading it, with Crowley finally at his side as his partner and second in command, just like it was proposed by him in the Final Fifteen?*

What if by some reason, maybe personal ambition, maybe just a tragic coincidence or situational necessity, there really was an impostor in Heaven, and Metatron — the so called Voice of God who seemingly doesn’t speak up for Herself since Job’s test — has been playing a winged version of the Wizard of Oz all along?

It would make just the perfect sense if not for one tiny detail. The procession we see on the bridge is actually led by Crowley, which doesn’t fit the parallel at all — unless it’s actually a proof of an ongoing body swap, as the mismatched names of the actors could also suggest?

The mountain of trash and the bookshop

The symbolic mountain of trash we can see Aziraphale and Crowley climb is a reference in itself. To an actual mount called Zion, believed to be the place where Yahweh, the God of Israel, dwells (Isaiah 8:18; Psalm 74:2), the place where God is king (Isaiah 24:23) and where God has installed king David on his throne (Psalm 2:6).

In a literal sense, it’s a hill in Jerusalem, although the sources refer to three different locations in different contexts — although for the purpose of this meta the Upper Eastern Hill (Temple Mount) makes the most sense. Its highest part became the site of Solomon's Temple. The same King Solomon the rituals in Freemasonry refer to. Masonic buildings, where lodges and their members meet, are sometimes called "temples" specifically as an allegoric reference to King Solomon's Temple, not actual places of worship. And Aziraphale’s bookshop is built around Solomon’s Magic Circle.

In a metaphysical sense, and especially in the context of the Christian New Testament, it is also believed to be a part of Heaven — the heavenly Jerusalem, God's Holy, eternal city. Christians are said to have “(…) come to Mount Zion and to the city of the living God, the heavenly Jerusalem, to an innumerable company of angels, to the general assembly and church of the firstborn who are registered in heaven” (Hebrews 12:22-23 cf. Revelation 14:1). Just like the procession were following in the opening sequence.

There’s been some speculation whether the lift on top of the mountain could symbolize Aziraphale’s bookshop, or, more specifically, the oculus in its centre. If you look closely at the enhanced screenshot, you can see that the dome isn’t made of glass and that it looks like a tower (a church’s bell tower, perhaps) more than a whole building.

And there is an actual doorway in there — not like the modern lift doors — opening up towards the source of that white, heavenly light. And what kind of enlightenment can you usually find up in the skies or heavens?

We’re welcomed to crack open the doors to the Heavenly Sanctuary — the Most Holy place, Sanctum Sanctorum, the Holy of Holies — to undraw the final curtain and finally stand eye to eye with God. Who knows, maybe even ask some questions or listen to some answers.

Or, at the very least, to meet one of Her forms known as Jesus Christ. Because that’s precisely where he serves as our (humanity’s) Mediator and the Holy Priest after his Ascension to Heaven. The structure at the top reminds of some temple architecture seen in Antiquity and Christianity.

The Catholic Church considers the Church tabernacle or its location (traditionally at the rear of the sanctuary) as the symbolic equivalent of the Holy of Holies, due to the storage of consecrated hosts in that vessel and their meaning as the Body of Christ. Tabernacle is commonly marked with a red light turned on and off depending on His presence or lack if it.

Looks like He’s already in the area, one way or another, keeping eye on some things.

Are we following a procession of believers happy to embrace their one and true Savior? Or are they actually protesters on their way to dethrone the authority and the system?

Guess we will have to wait and see.

#the good omens crew is unhinged #everything has a meaning #title sequence #angels everywhere #archangel fucking gabriel #gabriel’s statue #bookshop statues #statues update #ponte sant’angelo #let there be light #good omens analysis #good omens meta #bible fanfiction #yuri is doing her thing

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