#curious if it will translate well to mobile or not

[possibilistfanfiction]

Prompt for your little Hallmark AU: Christmas market (You know, those markets where there are booths who sell Glühwein and Punsch, Im not sure how to correctly translate it in English in Austria we call it Christkindlmarkt)

it’s grey outside, the clouds heavy but not quite snowing yet; it’s warmer than it’s been on clearer days, still cold but almost pleasant, and quiet.

you make sure to give yourself extra time to do your stretches in the morning after you go to camila’s to get breakfast. the atmospheric pressure of the incoming storm is, unsurprisingly, causing your back to ache, but that’s not new and it doesn’t really faze you at this point. if things get bad enough — and they do, sometimes — you just reschedule your plans and take pain meds and muscle relaxers from dr salvius after you do your physical therapy exercises. but your hands don’t ache and you don’t have any numbness in your feet, your temperature is normal, and so you go through your routine and feel better by the end of it.

beatrice picks you up at eleven on the dot, as she confirmed twice over text the evening before with perfect punctuation that made you feel a little bit like you were in trouble but was charming anyway. 

‘hey stranger,’ you say when she knocks on your door, and she blushes and smiles and you’re delighted by the effect you have on her, almost immediately — this exceedingly smart and competent person stumbling over herself the second you smile. it makes you feel powerful and it also makes you want to treat her kindly, to make her laugh.

‘good morning, ava.’ she fidgets, for a moment, and you’re curious why you’re not just going to her truck, but then she takes a hand out of the pocket of her peacoat and opens her palm. ‘i, uh, i noticed your cane was getting stuck in the snow.’

‘oh.’ your first instinct is to be embarrassed, eleven years of abuse rearing its ugly, awful head, but then you look at what she’s actually holding.

‘i already had it,’ she explains, slightly rushed like she’s trying to make sure you’re not upset, like it was just a thoughtful aside of hers. ‘i tore my acl a few years ago and used both on my crutches, and so, i just figured, well… if it doesn’t work, that’s fine, but maybe worth a try?’

you take the winter cane tip attachment from her outstretched hand and it really does feel like some kind of offering for a moment. it’s nice, the crampon itself retractable, and easy enough to put on your cane. when you try it outside the door on the way to her truck, you can’t help but smile, remember a little bit of the joy that first came with movement as you started receiving proper care and accessibility and mobility aids. you don’t take healing for granted, even now. ’thank you,’ you tell her as she unlocks her truck and goes around to the driver’s side. 

she nods. ‘like i said, i already had it sitting around. not a problem at all.’

‘still,’ you say, climbing up and twisting around to greet a suddenly very excited theo in her kennel strapped into the backseat. ‘not many people have been particularly thoughtful in my life, especially not at this.’

she frowns at your admission, her jaw clenching, her face stormy. she’s handsome in her rich maroon scarf and camel wool coat, careful hands on the wheel.

‘anyway,’ you say, a little overcome, ‘how’d you tear your acl?’

she immediately reddens, pulling out of the driveway and trying to act like she’s concentrating very hard on her turn signal to merge onto the completely empty road. 

‘bea, please.’

she sighs, refusing to look at you even at the red light. ‘i was training with theo,’ she says.

‘that’s not horribly embarrassing on its own.’ you grin. ‘there’s got to be more to it.’

‘fine,’ she says, mostly just to humor you, you’re pretty sure. ‘she was small, and we were both learning how to herd. i, well — i tripped over one of the sheep.’

you wait a beat to picture it and then laugh, not unkindly but without any remorse. ‘thank you truly so much for telling me.’

she rolls her eyes. ‘you’re so welcome,’ she says flatly, and you laugh again.

/

you’re confused if your little outing to the christmas market is a date or not for the two minutes it takes for beatrice to park the car, get the small pack holding treats that she carries around for theo buckled around her waist — a little nerdy and totally adorable — and then letting theo out of the kennel. she’s in a little green coat, the same as the other day, and it kind of makes you feel like you’re going to scream, she’s so cute. she greets you fully now, with happy little wiggles, and then situates herself at beatrice’s side. she has a leash connected to her harness, the other half slung over beatrice’s shoulder and across her chest so her hands are free; you think theo doesn’t need it at all, but beatrice explains, ‘in crowded public access areas, it’s appropriate.’ theo, for her part, is busy sniffing a few treats beatrice scattered around her feet in the snow, and then she smiles at you and gestures to head inside.

you’re confused no longer when you see camila’s booth, advertising hot chocolate, apple cider, and egg nog, and she whistles. ‘beatrice, you look so nice with your fancy jacket.’

beatrice glares. 

camila turns to face you fully, a smirk on her face. ‘she never wears that unless it’s a special occasion.’

you can’t help yourself: ‘well, i am a special occasion, if i do say so myself.’

’no one else is saying it,’ lilith grumbles from her seat behind camila, and beatrice fights a laugh while you pout.

‘you look nice too, ava,’ camila says, keeping the peace as you’ve quickly figured out she always does. 

you preen a little, just for the fun of it. ‘why thank you. i love your sweater.’

camila looks down at her jesus was palestinian sweater. ‘’tis the season and all that.’ she beams at you, then beatrice. ‘well, what can i get you both on this romantic outing?’

beatrice sighs in defeat but you grin and look at the menu. ‘well, i’m on vacation and bea picked me up—‘ camila perks up even more at this— ‘so i’m going to do your bailey’s hot chocolate.’

‘i’ll have a cider,’ bea says, and you shoo away her attempt to pay for things, which brings a blush back to her cheeks when you tap your card with a pointed flourish. 

you go through the market with your warm drinks, your cane not sinking into the snow as it had been the past few days, making everything easier, simpler, less nervous with every step. once you have half of your hot chocolate, you lean into beatrice with a smile, and she offers her arm, all clove and pine and her soft scarf. there are booths with ornaments, knitted coasters; you convince her to buy a pretty wreath for the front door of her cabin, which you kind of hope she’ll invite you to see.

it starts to snow when you’re about to leave, the sky darkening early, and she feed theo a few treats before she situates her in the kennel. 

it’s quiet when she starts the truck, and she seems nervous, her hands white knuckled around the steering wheel. ‘i apologize if i was presumptuous.’

you soften. ‘that was a really wonderful date, bea. you can be as presumptuous as you want.’

her smile is shy, bathed in the waning light. ‘well, in that case, would you like to come to my house for dinner?’

‘yes, obviously.’

 she laughs. ‘alright then.’

#hallmark au #avatrice #wn fic #avatrice fic #prompts #first date!!! #butch bea 🥺🫡

[utaprilovee]

How to Play the Uta no Prince-Sama Games in English!!

Disclaimer!! This method won't provide a completely accurate translation but after playing one route fully (around 8 hours), I can confirm that this method works well enough. You can understand the plot and even play the minigames (I recommend playing them on easy though since they can be quite challenging on hard)

This method also works on the official releases of the games so pirating or emulation isn't necessary. Obviously I can't stop anyone from pirating but if you can please consider buying a copy of the game. At the time of writing all of the games are on sale on the Nintendo eShop, with Repeat being 50% off and the rest of the games being 20% off. Just make sure to test this method before spending any money, I don't want anyone to spend the money and then realize this method is uncomfortable or anything of the sort.

1. Requirments!

You will need two devices. A mobile phone and the device you will be playing the game on.

2. Step One, Translator

I use the Google Translate app but any translator with similar features will work. For this method we will be using the camera feature.

3. Step Two, Using the Camera Feature

Using the camera feature is quite simple.

After you go to the camera you will be met with this screen (it's black for privacy reasons but that's what you will see with your camera).

Point the camera at the text you want to translate (in this case the text box in the game). It will automatically translate the text even if you don't take a photo. Just make sure to move your camera away from your screen when moving on to the next line because otherwise it won't translate the next line.

This method is quite tiring so make sure to take frequent breaks to let your hand rest. Personally I took breaks after every chapter or when I was raging at the rhythm minigame (I had the minigames on hard at first, don't repeat (pun not intended) my mistake).

If you try out this method please let me know how it went. I'm really curious to see if this method is bearable for most people or I am so obsessed with Utapri that I will do anything to consume content for it.

#uta no prince sama #utapri #uta no prince sama repeat #uta no prince sama amazing aria #uta no prince sama sweet serenade #uta no prince sama amazing aria & sweet serenade #uta no prince sama debut #uta no prince sama all star #uta no prince sama all star after secret

[weenwrites]

Heyo! Could I have some headcanons about TFP Ratchet with a younger cybertronain s/o who can’t go out on the field due to past injuries and feels useless/is dealing with depression? Maybe Ratchet could help the reader stretch or give them a massage so they could possibly move faster, and the reader doing the same in return? The writing would mean a lot to me, thank you!

✎A/N: Please let me know if I've gotten anything wrong, and I hope you enjoy it!

[ Please do not repost, plagiarize, or use my writing for AI! Translating my work with proper credit is acceptable, but please ask first! ]

Ratchet

Ratchet was there when you were first told that your injuries were too severe for you to continue going onto the field. He was there to comfort you, to listen to you, to keep you company, and to take care of you through your recovery. And the chances are that he was the doctor who fixed you up, which means he feels immense guilt that he wasn't able to treat you well enough so you'd make a full recovery.

While he knows that feeling guilty won't change anything, he can't help but feel horrible anyway whenever he sees that you're having a hard time. Still, he tries to use this guilt to motivate himself to help you do simple exercises or stretches to try and improve your mobility.

He'll take 50 minutes out of his day to do some wrist and ankle rolls, knee marches, torso twists, heel slides, calf raises, etc... Or if possible, he'll have you do some curls with some relatively light weights. And the moment you start feeling any discomfort or pain, he'll have you stop and try something else or sit and rest for a while.

He's told you before that you should do your stretches and exercises without him, but you've managed to convince him to join you anyway. Sometimes, other members of the team will join in on the exercising and stretching sessions just to keep you company and talk with you.

Since most of—if not all your time is spent at the base, he'll have you assist him with some of his work at times, just to give you something to do (he's started doing it ever since he learned that you felt useless). Though he won't have you doing any heavy lifting or rigorous physical activity, he'll have you help him with cleaning up his workspace, or perhaps bringing him light-weight tools. Or if you have some scientific or medicinal knowledge, then he'll have you help him perform regular checkups on the team, or simple patch-up jobs whenever they get injured. Or if your strengths lie elsewhere, in things such as military strategizing, mission coordination, or managing communications, then you can do that from the base as well.

He then learned about aquajogging online and performed some extensive research on its benefits and drawbacks. He was curious, and so using his connections with Fowler, he managed to find a massive indoor pool to use. Of course he tested it out himself to see if it would be beneficial for cybertronians before allowing you to try it out. Or if you don't like that, then he's taken the kid's advice and rigged an exercise video game set-up, if you want something more entertaining to motivate you to exercise.

At times whenever you feel down, upset, or mourn the loss of what you used to be able to do, he'll remind you that you've made much progress towards improving your mobility thus far. He'll point out things that used to be much more difficult, and how you're now able to do them easier after taking the time to exercise and stretch for however long it's been, and he'll place a lot of emphasis on how proud he is that you've made it so far.

Or if you're upset about being useless, he'll keep emphasizing that no matter what you think of the work you for the team from back in the base, it's still valuable and it helps them greatly. And depending on what you do, the team will be sure to back him up and tell you about how helpful your strategies were for winning a key battle, for example, or how your coordination during missions helps them work together better, so on and so forth.

#tfp imagines #tfp headcanons #tfp x reader #tfp ratchet #ratchet x reader #x reader #reader insert #self insert #weenwrites

[freevoidman]

The Pros and Cons of Silent Hill: Ascension

Hey there! Are you planning on sitting through Silent Hill Ascension, either because you're excited, want to build up hype/support for further Silent Hill projects, or maybe you're curious about what new shit show Konami's cooked up? Well, I've sat through the first two days, and let this post be a quick run-through on the good, the bad, and the very, very ugly about Silent Hill: Ascension!

Pros:

There's honestly very little, but I'll run through them nonetheless.

Voice Acting is, right now, okay. Some actors are clearly better than others. I have to give special shout-outs to Rachel Hernandez and Xavier Candless. They're both doing really well with their characters so far and I'm excited to hear how they'll act in more emotive scenes. Of course, we're only two days in so we'll see how that changes.

Silent Hill Ascension features minigames which average around "okay." I'll talk about it more in the 'Bad' section, but the good ones are fun little brain teasers that I find satisfying enough to solve. This is not across the board, but it's enough of a positive that I felt it okay to list.

The site is functional enough that the catch-up videos seemed to work without any hiccups (edit: so long as there isn't a livestream occurring at the same time. If you want to play catch-up 30 minutes before the new stuff is released, odds are the livestream will cut in and mess up your video). Plus, the grace period for decision making is very generous so far, ranging from a full 24 hours to multiple days, so they do give you enough time if you can't watch live.

Credit where credit is due: the monster/creature designs are genuinely well-made. You can clearly see where the budget went, and it was towards making these things look cool and be animated well enough to translate that creepy factor. While nothing is abundantly original right now (we've yet to see the flaming box head guy) I won't short-change the monster designers and animators here, they put effort into this.

There was a bit of misinformation spread around that you'd have to pay to participate. Thankfully, that's not true, you can "play" Ascension without paying a cent and I, personally, wouldn't call this a "pay-to-win" type of game with its set-up. In other words: DO NOT PAY, it's absolutely not worth it here.

Bad:

Animation quality shifts from middling to horrible. The main criticism I have for this "experimental idea" is that everything Ascension tries, the 2000s nailed long before. If you've ever seen one of those 3D straight-to-TV movies that airs on cartoon networks during the holidays, congrats, their animation is likely better and has more charm than Ascension. Characters in Ascension move stiffly, either emote too much or not enough, and lip syncing seems off no matter which language you pick. Animation in SH1 is easily better than this, so don't expect a visual spectacle.

As an addendum to this: Ascension is dark--no, not the content, it is literally hard to see. Going into a Silent Hill-adjacent media, you expect visibility to be impacted by fog. Ascension, on the other hand, skips the fog entirely and just makes everything dark. It is incredibly difficult to see anything that's happening (this includes QTEs which, hoo boy! look at the next segment for that). I don't want to be cynical, but I truly do believe that part of the reason why is to cover up the stiff animation. Until Dawn and other Dark Anthology games had some moments of animation weirdness, but Silent Hill Ascension is easily worse than that on a pure technical level.

App and website responsivity is baaad. Minigames are designed for both platforms with zero differences, but this means some minigames are better on desktop than on mobile and vice versa. Two minigames stand out as particularly mixed/bad: a find-the-object game and a guitar minigame. The find-the-object game was better on desktop because your hovering cursor could find clickable areas more easily than on mobile. The guitar minigame was just bad--it wasn't a rhythm game, it was a game where you had to click finger positions for chords on the guitar strings and, my god, it played horribly no matter which platform I picked (though mobile was noticeably worse) and actually hurt my ears.

As an addendum to that, the live QTE events (yes that's a thing) ALSO suffer from this lack of responsivity, with more destructive results. Live participants were abruptly thrust into QTEs with no warning, no tutorials, and no preparation. There were 4 types of QTEs: a quick button press, a hold-release button, a rapid-tap, and a quick swipe. Of these, only the hold-release and rapid-tap worked regularly. The quick press barely responded, and the swipe indicator is practically hidden due to it being borderline invisible.* While you can try the minigames over and over as much as you want, the QTEs are limited to the live showings and cannot be "replayed." In addition, they have been heavily implied to be a major determining factor as to whether or not characters survive, so if every character's fate is based on successful QTEs, every character is going to die in this show, no matter what you do. This is why I said it's not pay-to-win, you can't pay your way through live QTEs, and this set-up feeds into the unsatisfactory system the entire "game" perpetuates. Even if YOU do well, decisions are based on the community, so if they fail, tough nugs.

The story isn't shaping up to be anything remarkable. There's no major hook in the opening scene and even less of a hook for the three scenes that followed. I'm not intrigued by the "horror" being shown, the way this is being shot and told is more confusing than anything else and, while there are some 'good' actors in this, a majority of them are bad and lack any hutzpah to sell the continued experience. I'm going to hold out for the end of the week, when the first "episode" is done airing, but if nothing hooks me I'm not going to continue.

Ugly:

The "Battlepass." Oh dear god the Battlepass. By paying $20, you can get more "influence points," which you can use to determine actions in this game. You also get exclusive little emote stickers for the live chat (oof) that are, at best, a cringey nightmare and, at worst, absolutely stupid and useless. You also get accessories for your avatar (did I mention there's an avatar? it's so pointless I don't even know WHERE to put that tidbit). Why is this even here? You already have freemium options where you can buy influence points, what does a battlepass add?

The "live chat" just shouldn't be there. I'm sorry, it shouldn't. You can already see the community casting votes and helping with QTEs, having a live chat that is barely moderated with hundreds of thousands of people signing on at 9 to watch the stupidity unfold is a bad idea. It also contributes to the stupidity of the Battlepass system--I don't want emotes, I don't want a 3D avatar that can appear in the show if I give enough points--so nix the whole thing. EDIT 11/1/2023: I kinda got my wish! After the amazing lack of moderation on launch, they've either temporarily OR permanently disabled the live chat! Unfortunately, the video's dimensions to compensate FOR live chat have not been altered, so there's a big gap of black negative space where it should be. People can only reply with the dumb stickers the devs have shoved into this, BUT if you have the battlepass, you can apparently type messages! Ironically, this retroactively gives the battle pass an actual fucking purpose since it gives you a privilege, and the stickers serve a purpose since they're the only way for non-battlepassers to communicate in live chat. Fucking brilliant, they've stumbled backwards into an unintentional solution. EDIT 11/4/2023: Genvid's CEO, Jacob Navok, has made various claims on twitter that of course they tested they tested their AI moderation for basic slurs, it's just that the system got overwhelmed by day 1 traffic. Well, I absolutely DON'T believe that (the testing, not the overwhelmed thing, connection and stability were terrible day 1) seeing as people are getting around not being able to TYPE swearing and horrific racial slurs into chat by simply making their usernames swears and slurs without any letter substitution (a la leetspeak). Here is a link to a video of someone who was streaming Ascension and had the chat open, only to see have someone with the user name "Fuck_[n-word]s" in chat (I'm not typing the actual slur fuck that). When he goes to try and flag the user, he is given no ability to report the username. So, yeah, even if you see some incredibly racist/bigoted shit, you can't flag the user and report them to, y'know, assist with the absolutely real robot-powered moderation that totally exists! If there was the most BASIC moderation in the world to catch english swears and slurs, that username would not have been permitted under any circumstances, so I fully do not believe this fucker.

The decisions themselves shouldn't have labels. What I mean by that is that, so far, every option has three possible options. These options are labelled under three categories: redemption, suffering, and damnation. In other words, the watcher can literally see the paths leading towards the "good, neutral, and bad" endings for Ascension. This shouldn't be a thing, period, because it immediately introduces biases into your choices. Every option so far has been massively skewed towards the "redemption" path because people aren't blind, they can see the "good" ending on the horizon, and they want to go for it. The worst part is, the options on their on aren't explicitly good or bad, so if they got rid of that labeling it'd still work. idk, it just feels stupid. (NOTE: day 2 introduced ONE choice that doesn't have this same labeling system. No clue if that's a bug or if there are going to be decisions that don't have a label. Even then, it seems like a small decision in the overall scheme of things, so... :shrug:)

Yes, the decisions are permanent, thus denying you the ability to see 2/3s of whatever Genvids has worked on. I just think that's dumb and, though many in the community have criticized this already, it feels even dumber when watching the show play out live. There's no way that the money Ascension could possibly make would subsidize the effort put into this if you're effectively nixing 2/3s of anything you can see (and it does seem like major alterations to the characters and their routes so far, nothing minor, so... yeah, you're missing out on a LOT). This also means that because of the audience effectively being enticed to pick the clearly labelled "good path," if you put any effort into a different choice, odds are you wasted your time with minigames for the day. This means Ascension is set up to be as unsatisfying as possible for individuals, and only satiates half of the community engaging with it. There is no way this is going to last the entire scheduled 6 months this is intended to run for if this is the system they're operating under.

In conclusion: give this one a pass. If you're really curious, you can watch now and get a good idea of its future quality. This isn't remarkable at all and looks more like a time sink than anything "fun."

I still don't understand why this isn't a video game, other than Konami hoping some suckers will pay for the influence packs and get them more money than a $60 one-time-purchase. Quantic Dreams and Supermassive "Dark Anthology" games are really fun and well-liked because of the CYA angle they take. This could've made a decent amount of money if it were just, y'know, a normal game.

*MINOR EDIT: tested the QTEs on desktop instead of mobile and they were better overall: prompts respond easily to mouse clicks and aren't nearly as invisible on my phone screen compared to my desktop. If you are REALLY interested in trying it live and getting a feel of the "authentic, live experience", I'd recommend accessing the site on desktop over downloading a mobile app.

EDIT 11/2/2023

Yeah I know I keep editing this honestly BUT I do have a big-ass critique I just noticed relating, again, to the minigames.

Here is a screenshot of the rewards you can receive for your performance with the minigames. You are rated on a scale of 1-3 stars, with a failure being 0 stars. In return for your performance, you gain "Interactive Points" and EXP. Tell me, after looking at this screenshot, what the problem with these rewards might be:

Do you see it? Well, if you don't, let me point it out to you.

THE AMOUNT OF INTERACTIVE POINTS YOU RECEIVE, THE CURRENCY YOU USE TO ACTUALLY MAKE DECISIONS AND PROPERLY CONTRIBUTE TO THE STORY, GOES DOWN IF YOU DO WELL AT THE MINIGAMES. THE GAME ACTIVELY PUNISHES YOU FOR PLAYING WELL.***

100 interactive points, by the way, is not enough to vote on a decision! You need 200 minimum. You also cannot repeatedly play the minigames to farm IP or EXP so, once you get two stars, you can't get the rewards for three or vice versa. And remember, if you're not a battlepasser, you only get two of these minigames per day.

Why on earth is it scaled this way? The difference between two stars and three stars is the exact same, why does it not increase when you do the minigames well? 100 for one star, 200 for two, 300 for three, it's so god damn easy AND you can still keep the scummy interactive point packages they sell!

But, I here you asking, what does the EXP do? Well, ignoring that a 10 EXP difference is exceeding minimal, EXP gives you... nothing!

Yeah, not even kidding with this one. There does seem to be a leveling system attached to your profile, but I cannot see a single thing connecting it to rewards (which are across the board useless), giving you a power boost with your voting, or just giving you perks. As far as I'm aware, EXP doesn't grant you a god damn thing, and that's the only increased reward from doing well.

***CORRECTION (because nothing in my life can ever be simple): the minigames DO reward you better than the screenshot above. Just did today's minigames and I got 330 IP from a 2 star ranking. However, if that's the case, I GENUINELY do not understand why this is labelled incorrectly? This doesn't even add up correctly (the 1 star + 2 star ranking should equal 300, NOT 330).

So, at best, the site is poor at labelling things (which wouldn't surprise me, the UI is a mess most days on this) OR my view of the site/rewards are bugged! Who fuckin' knows at this point. Sorry for the long rant y'all but honestly? Considering I only noticed the labelling earlier today and couldn't test this until the reset happened, I could only go off the labelled point system above.

I WILL say that tonight was the first night the community succeeded at the endurance scenes! I'd be happier about that if the game itself gave a shit, because apparently, what we do does not matter (as this game seems rapt with telling us)

Yes folks, despite the community succeeding two (2!) of these long ass, repetitive QTE events, for some fucking reason, Karl's hope went down further! This is, again, despite the fact that the community AT LARGE succeeded for the first time since the premiere date, but we still lost! Fucking how.

#silent hill #silent hill ascension #went in with low expectations #ended up tripping over the bar on the floor #edited as of 11/2/2023 to include more stuff #because man they are continuing to absolutely fail at this

[whypolar]

Gundam Unicorn OVA 5: The Black Unicorn

This is the first time watching one of these where I came out of it unambiguously preferring the novel. I guess it's only fair, after OVA 4 was such an improvement on the source material.

There's nothing particularly objectionable about it, to be clear. It just didn't meet the high expectations the previous episodes had given me. I'd been very impressed by how they never left me disappointed when the credits rolled, and it's a shame to lose that streak.

This was probably inevitable. Unless the narrative is deliberately on a small scale— think War in the Pocket— I tend to prefer my Gundam in a longer format. Seven film-length OVAs were never going to be able to cover everything I would want.

It's hard holding off on researching the production until I finish all the episodes. I'm so curious about what limitations they were working under and the motivations behind various choices.

As always, novel excerpts in this post have been sourced from the English fan translation hosted on Baka-Tsuki, with my own (clearly marked) edits to smooth out grammar or correct any particularly obvious deviations from the Japanese text.

The fan translation is very rough, and I'm not any kind of expert. If you're interested in any of the quotes, I encourage you to do your own research and look at the original text!

(Previous posts: Day of the Unicorn, The Second Coming of Char, The Ghost of Laplace, At the Bottom of the Gravity Well)

Surprisingly, a significant part of what I found disappointing was the visuals. The production values up to this point have been incredibly high, so it just feels wrong for such an intense battle from the book to get scaled back.

Some of this is just a consequence of moving the attack on Torrington to Loni's episode, but not all of it. The fights on the Garuda could easily have played out more like they did in the novel, and it would have helped a lot.

Cool stuff still happens on screen— mobile suits are jumping around in the sky! The Banshee has big crazy claws!— but it's all very sterile in comparison to the original text, which is relentless and chaotic in its violence.

I'm not just complaining about missing out on eye candy; I genuinely think this stuff is important for the themes. The destruction reflects the emotional stakes of what's happening for the characters.

I wish brainwashed Marida had actually killed some people during her big dramatic episode.

A Change in Premise: Who Planned What?

Here's how the OVA plays out: Bright sets up everything beforehand. He makes sure both the Nahel Argama and the Garancieres know the plan and agree to it, and he gives Banagher direct instructions. While there are some unexpected complications, everything ultimately goes according to plan.

The situation in the novel is very different, in that it's a clusterfuck of many people making decisions on the fly as they learn new information. The different groups who ultimately end up working together have very little contact with each other before the attack begins.

This is the setup:

Zinnerman plans the attack on the Ra Cailum at Torrington, with the goal of rescuing Banagher and retrieving the Unicorn. He does not know Mineva is there.

Banagher knows that Mineva is on the Garuda and that Marida is piloting the Banshee. He does not know Zinnerman's team is coming to rescue him. He has a positive opinion of Captain Bright after their conversation in his cell, but does not speak to him after that. He refuses to get in the Unicorn to help the Vist Foundation people move it.

Bright is suspicious of the Vist Foundation and unhappy with their behaviour on his ship. Beltorchika gives him some intel on the Box and the conflict surrounding it, to get him caught up to speed with the audience. She also warns him that the Zeon remnants seem to be mobilizing in the area, so he has some advance warning of the attack. He is aware of the Nahel Argama's location.

The Argama is sitting in orbit, doing nothing. The entire crew is bored and anxious.

Zinnerman only learns where Mineva is after meeting up with Banagher, at which point he has to change the plan on the fly to include rescuing her and Marida. Bright only decides to contact the Argama and tell them to rendezvous with the Garancieres after the fight has already begun. He is not able to tell Banagher or Zinnerman. They learn about Bright's plan for the first time at the literal last minute, when the Argama appears to pick them up.

Zinnerman and his crew see a Federation ship approaching and assume they're being captured, even after being hailed and told otherwise. Ultimately, Banagher and Mineva convince them to stop fleeing and go along with the plan.

The new conceit for the anime is fine. I think the changes they made are clever as a way to streamline events, and I can appreciate that. They clearly put a lot of thought into how the original narrative is structured, and how some plot elements need to move to compensate for the removal of others.

It was probably necessary to fit with the time they were given. I just don't like it as much as the original, unfortunately.

I thought everyone coming together in an environment of total chaos was more interesting than a flawlessly executed plan. Characters had to choose whether or not to trust each other in the heat of the moment, with limited information. In comparison, this new version feels artificially clean.

I also just liked that Zinnerman cared enough about Banagher to rally these scattered Zeon remnant forces for a big battle, with no instruction of any kind from Frontal. He's part of the crew now. 🥺

We lose some specific action moments during the battle— not even counting any of the Torrington stuff that was in the last one instead:

Novel Banagher lays down in front of a truck and lets it drive over him during his escape attempt, before he even knows Zinnerman is coming to get him. Alberto tells his guards they're allowed to shoot Banagher when he's running away so long as he survives, yeesh— the book definitely has more human-scale gunfighting generally. Riddhe actually attacks Banagher, giving us a Delta Plus vs. Unicorn fight.

The consequence of moving Torrington that I care about most is that it means Marida didn't get to participate, so she only really gets to fight Banagher. Seeing her actually killing Zeon soldiers who should have been her comrades did a lot to emphasize both the threat she poses and the effectiveness of her reconditioning.

Reunited, Apart

The OVA opens with the Banshee getting the drop on Riddhe and Banagher. It plays out pretty much like the end of novel 6, barring accommodations for the change in setting.

It may be short, but I really like the visuals of this fight. It's fun watching the Delta Plus schmoove about, and I love the lighting at the end.

They kept Riddhe telling Banagher to run here, which was a pleasant surprise. His characterization in the first half of this episode feels significantly more recognizable than like... literally anything else we've seen from him up to this point.

After the fight, we're treated to a sequence of Banagher waking up in the cockpit of the Unicorn and gradually trying to get his bearings. I think it's a really cool framing, and it's another one that's wholly unique to the anime.

A lot of minor dialogue we hear directly in the book is instead silent and left to implication through body language. The meaning is still conveyed very clearly. I thought it was neat.

One example: we get to hear some of what's said to Banagher during the interrogation in the novel. The interrogator is clearly trying to scare him. He claims to be an ex-Titan who got kicked out for torturing too many suspects to death. It's not necessarily notable, just 'flavour'. The silent video feed we see in the OVA gives us the same general information.

The more important part of this scene, which we actually lose, is that Alberto sends the interrogator away so that he can speak with Banagher personally.

Most of the conversation is about their father. Alberto tells Banagher that Cardeas must have enhanced him as a child, making Banagher a Cyber-Newtype. Banagher strongly denies this, but hearing it does plant a seed of anxiety in him going forward:

“You’re really amazing. You have a strong will, [guts], and even the sense [to pilot] the “Unicorn” ... It seems that the Laplace Program’s data can’t be extracted without your neurowaves. Even if we tie you down to the cockpit, nobody else can read the data as long as you don’t agree. When did you learn how to operate it like that?” Banagher [wasn't sure himself]. When Alberto barged into the cockpit, his [immediate] thought was to [make it disappear], [it wasn't something he did by understanding the system]. “Seriously, you’re made too perfectly.” Alberto sighed as he put his elbows on the table. “You [look] like you don’t understand anything, but you’re always in the center of everything. The [situation changes] according to your will; you’re [like] a natural king ... so perfect [it's almost disgusting]. What was unsealed might not be the Laplace Program, but you.” [...] “Don’t you find it weird? You’re too perfect already. As expected of an enhanced human [created by Cardeas.]” “Enhanced…human?” Perhaps you’re the same kind as me.—Marida’s voice, which he heard some time before, suddenly awoke deep within his ears, and he felt goosebumps all over him. “Am I wrong?” Alberto said as his sneer intensified. “When you were in the Vist family, I was in a boarding school, so I don’t know how Cardeas raised you, but…you said before that you don’t have any memories of that time, right?”

Alberto's resentments are obvious. His feelings of inferiority to both Cardeas and Banagher are a major part of his character. The OVA hasn't really shown that side of him at all so far, instead presenting him more straightforwardly as bumbling comic relief.

(Remember, the last time these two spoke Alberto told Banagher that his entire existence is a curse and then tried to kill him. Really, they're both being remarkably civil.)

The family relationships in the OVA are generally less developed than they were in the novels, and I really wish that wasn't the case. The anime cares about family ties, unquestionably— we just had Loni's entire arc about that— but the actual intra-family dynamics between characters are less complicated and less interesting. I think that's a huge loss.

Unicorn is very much about family. The entire conceit hinges on it. The Vist Foundation and Laplace's Box are a pretty substantial bit of retroactive lore to add to the UC timeline, and the reason I'm content to buy into it is that the story does stuff with it, and clearly has things it wants to say. Again, the anime still explores those same themes, but the loss of detail and specificity makes the Vist and the Marcenas families feel more like nebulous plot devices than real groups of people, and I dislike that.

This conversation with Alberto also tells us more about the ideology behind the Box:

“What’s the so called “Laplace Box”? It’s an order. The world’s rules can [be maintained by belief] in this [hidden] “Box”. It’s like a common delusion, an existence that guards people from their selfishness. Once we lose it, the Vist Foundation will not be the only thing that can’t continue. The gears running the world up till now will lose control [as well]. The Dakar incident was [proof] of [that]. If Cardeas never [tried to open] the “Box”, that incident would never have happened. After the chaos of the One Year War, we [have learned] how to control war.” The shadow formed by the lamp caused the slightly arched back to look heinous. That’s the back of someone scared of something. [...] “[...] There is an instinct to fight within humans; as long as society continues to rely on the differences in hierarchy, wars will never disappear from the world. ... Gears to drive the economy, a catharsis that can purge the instinct to fight; without these two factors, humans will continue to start full-scale [wars]. This is a symptom of ill-management of humanity, and it’s impossible to cure [the disease]. We can only think of ways to live with our bad habits.”

The translation combines some sentences in that last paragraph in a way I'm almost certain is incorrect, but I'm not confident in my ability to render it more accurately. Sorry.

The gist is that by carefully managing tensions and allowing occasional smaller-scale conflicts, total annihilation can be avoided. The Box is a tool for this purpose.

Alberto is arguing that the Vist Foundation's goals are a moral imperative, not merely motivated by greed. I cut the paragraph where it comes up, but Banagher gets the impression that he's also trying to convince himself.

Banagher changes the subject to ask about Marida, which catches Alberto off guard. He dodges the question, telling Banagher he should be worrying about himself.

Banagher verbally reiterates his ideals, making it clear that abandoning them is not an option. He names all the people who're counting on him. There's a precursor to his conversation with Bright, where he thinks about the helplessness of the individual and the strength that comes from relationships and connection.

Alberto dismisses Banagher's conviction as Cyber-Newtype brainwashing— and it's clear that the idea had also occurred to Banagher. There's a discomfort taking root about the nature of identity, the self, and the way human beings are inherently shaped (and sometimes deliberately manipulated) by others. Connection with other people is vital, but also frightening.

My final note on this conversation: Banagher and Alberto both frequently describe each other as looking or acting like their father. They usually only compare themselves to him in the context of difference, generally with the subtext that these differences are something that makes them insufficient. Ouch.

There are more differences during this period of captivity. For one thing, Mineva is held on the Ra Cailum before they move her to the Garuda. There's a 'so close yet so far' dynamic where our three protagonists are finally all in the same location again, and they all know it, yet they are totally isolated from one another.

Banagher and Riddhe both get scenes where they chase after Mineva, and in both cases Marida intervenes and prevents their meeting. She almost chokes Banagher out, it's very dramatic.

Banagher and Riddhe manage to meet very briefly. They don't get the opportunity to talk for long; the scene takes place when Banagher has just escaped his room and is being chased by Vist Foundation goons. Riddhe deliberately creates a distraction to allow Banagher to pursue Mineva.

Compare this passage to the closest anime equivalent, where Banagher calls out to Riddhe and Riddhe just turns and walks away:

He ... turned right, and nearly knocked into someone else running [toward him]. “You’re…!” The young man dodged behind to avoid a head-on collision, and widened his eyes. “Mr Riddhe…” Banagher muttered, but the pursuers’ footsteps caused him to look back again. He immediately grabbed Riddhe’s uniform and pulled him over, “Ensign Riddhe. Audrey’s on this ship now. The Vist Foundation wants to use her as a hostage.” “Hostage…!?” Riddhe gasped, and lifted his [chin]. “Wait!” “Oi, get that guy!” the yells came from the corridor behind Banagher, and he gave a pleading stare at Riddhe. It’s all on you. If it’s you, you’ll definitely be able to understand. Banagher had relied on Riddhe when their mobile suits interacted with each [other. He] looked at [Riddhe's face and saw him gritting] his teeth. Riddhe lowered his brown eyes, and [turned away with] a bitter expression. “…Go,” he muttered with a barely audible voice, and took the fire extinguisher installed on the wall. “The mobile suit deck’s straight ahead. Hurry.” Riddhe informed Banagher, who did not have the time to thank [him] as he darted forward. The sound of the fire extinguisher being sprayed [overlapped with] the pursuers’ [approaching] footsteps. "Hurry up!" echoed down the hallway, breaking through the agitated voices of the guards. ...

I don't mind the anime scene, and I actually think it's still well within the bounds of things the original Riddhe could plausibly do. It's just another example of him clearly playing a different role in the adaptation than the original text.

Returning Characters and Cameos

The Bright-centric scene that I consider most thematically important is his talk with Banagher, which is essentially the same in both versions. The only real difference is that the novel shows the audience Banagher's internal thoughts, many of which are about things that aren't in the anime anyway (such as his conversation with Alberto, and specifically Alberto's claim that Banagher must be a Cyber Newtype).

I like this scene, and being unchanged means I don't have much to say about it. It was nice.

I'll be honest: I wish Bright was in this episode less. Making him the mastermind behind everything that goes down inflates his individual importance— and screentime— relative to other characters.

The bit where he came back and talked to Banagher a second time to tell him the plan was the tipping point for me, I think. I was sitting there thinking 'Again? Fucking again?'

I just don't think it's a good use of time, and it rubbed me the wrong way in the context of how much other stuff I thought was important didn't make the cut.

I love Bright— and when I want to see him, there are three other tv shows and a movie I can go rewatch to do just that. When time is clearly extremely limited, I think the priority should be developing the characters that originated in Unicorn.

Bright's scene with Beltorchika is quite different. Aside from her giving different information due to changes in premise, the conversation is very streamlined. I'm fine with it, but it does make her presence kind of... perfunctory?

The information Beltorchika provides is necessary for plot progression in both versions, but the actual character interactions that made it matter that she's the one delivering it have been removed in the anime.

Bright contacts Luio & Co. by private mail with the recipient listed as Hayato Kobayashi, seeking more information about the Box. Later, Beltorchika is the one who responds to deliver the results of the investigation, stating that she is acting in lieu of Stephanie.

Bright was not expecting her. While he obviously knows who she is, this is the first time they've actually met.

Instead of telling him about the General Revil, she warns him about the movements of the Zeon remnants and the possibility of an attack on Torrington base and the Ra Cailum. She makes it clear that she's telling him this unofficially, and not on behalf of Luio & Co.

The novel version of this scene is very much about the Amuro-shaped void in the room.

Beltorchika used her hand to tidy her blond hair that was cut short and gave a somewhat stiff smile. (Because of my relations with [Karaba], senior manager Stephanie has been taking care of me, and Mr Kai Shiden would often come by too.) “Oh…it sounds like there’s quite a few people both you and I [know]."

[...]

The reason why both sides could not show their honest smiles was probably because of the huge hollow they saw in each other, the man called Amuro Ray.

[...]

“What happened to Lieutenant Amuro was a pity.” ... This insensitive line would touch upon a person’s old wounds, but Bright believed if [it caused] Beltorchika to waver, he could be certain that it was best not to trust in her abilities. He realized that he was doing something cruel as he hid his sense of guilt ... with a nonchalant look. Beltorchika herself merely [looked him over carefully], then chuckled. (It’s Commander Amuro, right?) [...] “Ah, you’re right. Sorry.” (You don’t have to think for my sake. We used to be deeply in love with each other, and then we broke up. I heard he died in battle during “Char’s Counterattack”, and I was depressed for a while…but his body wasn’t discovered, right?) “Yes…” (Isn’t him being MIA after the battle against his arch-nemesis Char a suitable ending for a romantic like him? Up till now, I sometimes feel that he should be alive, somewhere. Even if we lose the shell of the human called Amuro, I do feel that his heart has merged with space…) Beltorchika looked like she was staring in the distance as she narrowed her eyes, and Bright felt that these words of her were not forced. The brat who’s always crying about on “White Base” had become a man who made a woman show this expression? Bright was suddenly overcome by grief as he too looked afar, and Beltorchika chuckled, saying, (You’re just like what Amuro said, always worrying.) ...

She also makes him feel old after he starts lamenting about how he thinks the world is getting worse because nobody believes in anything anymore.

(I do understand what you mean, but I can’t accept this way of thinking. Your words seem to imply that it’s alright to start wars as long as we have our own ideals.) On hearing this direct refute, he felt that someone just poked him in the head. (I’m sorry. I’m someone who speaks too much. Amuro used to remind me of this habit I have.) Beltorchika said, but the glance she shot through the monitor showed that she had no intent of retracting her words. Bright was shocked that he was unabashed in beautifying the past and criticizing the present, and that perhaps was the proof that he was advanced in age. “No, I was insensitive in my choice of words. My wife often reproves me regarding this too.”

lol

While he is briefly name-dropped by Beltorchika, Kai does not appear in the seventh novel, and he has no contact with the Garancieres. His big scene is in Volume 8, where he speaks to Ronan Marcenas. It's fairly substantial.

It begins with Kai arriving in Dakar, giving us a look at how things are on the ground in the aftermath of the attack. It's a nice, evocative bit of scene-setting. He sees the remains of the Shamblo being disassembled, still lying in the street. The destruction is so severe that it looks like areas the Shamblo passed through have been carpet bombed. Emergency rescue and clean-up teams are still searching for survivors buried under the rubble. Armed soldiers and mobile suits have a strong presence.

The Shamblo never made it to Parliament, but the building still sustained some indirect damage from tremors during the attack. Repair crews are present, coming and going while everyone else still works in the slightly fucked up building as usual. The phones are ringing off the hooks.

When Kai arrives, he is greeted by Patrick Marcenas (Cynthia's husband / Riddhe's brother-in-law).

Patrick is a fan of Kai as a member of the White Base and seems a little star-struck. He gets embarrassed when Kai wryly tells him not to believe everything he reads.

In his office, Ronan is watching a televised speech by Monaghan Bakharo, the Defense Minister of the Zeon Republic. Bakharo denounces the attack on Dakar and denies all involvement or association with Neo Zeon / Sleeves.

I'm not sure how the tone is meant to read in Japanese, but as rendered in English it comes off very insincere and backhanded. Like, he's denouncing Zeon's past misdeeds, but also simultaneously justifying them and complaining that it's unfair that everyone is still being mean about it.

Kai arrives during this. Ronan gives some political commentary, basically saying that Bakharo is full of shit, then turns off the tv so they can have their conversation. He makes it clear that he is offering information.

Kai acts politely disinterested until Ronan asks if he has heard of Laplace's Box, which manages to shake his composure. He doesn't know much, but he has heard rumours. One of his reporter acquaintances seemingly disappeared after attempting to publish a series of articles on the subject, and the magazine that published the first piece went out of business soon after.

Ronan says he has evidence that the Vist Foundation is interfering with the Senate Council. He explains their goal of preventing the release of the Box, and the connection between the Box and recent battles with Neo Zeon.

He offers to provide Kai with a list of Senate Council members involved with the Foundation. He assures Kai that he will do everything in his power to ensure Kai's personal safety.

Kai is keenly aware that Ronan isn't whistleblowing for principled reasons, but rather wants to use Kai's platform for his own benefit. Ronan tries to appeal to Kai's hatred of Zeon, and emphasizes the importance of ensuring stability and safety to prevent it rising again.

Ultimately, Kai is not interested in being used as a politician's propaganda tool, and he doesn't have much respect for Ronan. He tells Ronan that he researched his career beore he arrived, and proceeds to give him a scathing review— the gist being that Ronan was a left-liberal politician who flirted with big, radical ideas, then moved right over time after being elected.

When he goes to leave, Ronan namedrops Bright as a last-ditch effort, with an offer somewhere in the territory between a bribe and threat (basically, 'I can help him keep his position as Commander now that he's involved with the Box and causing trouble... but only if we root out the conspirators with the Foundation in the Senate.')

Kai is pissed. He tells Ronan that he's shameless and pathetic, and that this is probably why Riddhe ran away from home. Jesus, Kai, were you just keeping that one in your back pocket in case you needed to bully him?

Ronan is too stunned to respond, so Kai gets the last word. The scene ends with Ronan looking at a photo of Riddhe on the wall. It's not the one we see in the anime, but one that feels a little more sinister:

There was his wife, narrowing her eyes [as if to say] that the sunlight in Africa was too strong, Cynthia, who was in the vibrancy of her youth, and Riddhe, who was less than 10 years old. As Ronan stood there, unable to show a sincere smile once he started to understand the rule that this world could not change, Riddhe was showing a weird stiff smile beside him. At that time, he would mimic Ronan’s own actions which he somehow saw, and was often reprimanded by his mother. In fact, Riddhe, who seemed to be giving an adult-manufactured smile, looked just as pitiful as Ronan was. Right, that child understood. Ronan looked at the door and imagined Kai’s back on it, telling himself the words he could not say out. That child understood everything and accepted the destiny of the Marcenas family. I let that child bear the burden of the “Box”. I wanted to change everything in this generation, but I couldn’t do anything, and added the burden of my father and grandfather upon him. Ever since the battle of Torrington, there was no news of Riddhe. His “Delta Plus” was reclaimed safely, so he probably was not hurt. This news alone was enough for Ronan. No matter where Riddhe was, no matter what happened to him, he would not betray the Marcenas’ destiny. Even though others could not understand, he could firmly believe so.

Kai appears again very briefly in Novel 10, when he calls Bright and tells him about his conversation with Ronan.

Martha and Mineva: Negotiation

This line is important. Banagher thinks the same thing almost word for word about Frontal later. People generally seem very aware of how referential Unicorn is to previous Gundam media, but sometimes I wonder if it's obvious to anime-only watchers just how referential it is within itself? The whole narrative is a funhouse hall of mirrors. Everyone is always reflecting at least one other person, and usually more. Characters bleed into each other in other characters' perceptions, both implicitly and explicitly. I say Frontal is my favourite, because he is— but when I think about Unicorn, I'm usually thinking about the ensemble cast as a unit. They're deeply enmeshed. I think this is why the mangling of Riddhe threw me so badly before I had even fully realized that I cared about him and why— if you move one of the mirrors without compensating for it elsewhere, the illusion breaks.

Martha and Mineva's negotiations happen in the novel before they move to the Garuda. The scene takes place on the Ra Cailum, in the unused Commander's room.

One irrelevant but extremely funny detail is that Martha started a feud with Bright over her accommodations, because she originally wanted to stay in that room specifically:

[The VIP room] was the last arrangement Captain Bright made when Martha demanded to have the commander room. As the commander and captain, Bright was staying inside the captain’s room, and the commander’s room that was often kept empty should be okay for anyone’s use, but this was a serious problem to the military. The disputes between Martha and Bright had been becoming a common scene to the crew, but it could be said that this room was the start of the dispute between the two.

I'm not sure if this was meant to be implied in the anime or not, but Mineva is on a hunger strike and refuses to eat or drink anything but water while being held captive, so she's quite physically weak during this scene.

Martha tries harder to be "friendly" in the novel. She's playing fake nice in the anime, obviously, but there's a professional distance there. Novel Martha gets up in Mineva's space— whispering in her ear, putting an arm around her shoulder, saying some truly bizarre shit about wombs... the vibes of this conversation are rancid either way, but the over-familiarity is a slightly different genre of red flag.

I think these are good changes, especially since they've already changed the tone of Martha's character by choosing to omit her sexual abuse of Alberto. The original characterization might feel incongruent with New Martha, leaving aside all question of whether or not the way she was originally written was "good".

God, I still really love reading most of Martha's novel scenes, so long as she isn't directly alone in the same room as Alberto. She has just the right mix of traits for a petty, 'shit-stirrer' antagonist that I love to watch bounce off other people: highly perceptive but still unable to truly understand other people; deeply angry about being wronged but perfectly happy to take advantage of others; carefully manicured and put together until suddenly she's not.

She's a creep. She's morally repulsive. She's mean, and she knows exactly how to pinpoint a person's vulnerabilities, but she's also constantly letting her own bizarre preoccupations bleed into the conversation.

The way she's written and described is, unfortunately, almost always some level of misogynist in its framing— and her bizarre preoccupations as a person are arguably also Fukui's bizarre preoccupations as an author.

And yet.

Later, after Martha leaves, the OVA shows us a flashback of a champagne glass breaking, and we hear Martha chastising Mineva for rejecting her proposal. The implication is that Martha's facade eventually shattered, and she threw the glass in a fit of rage. The novel shows us this directly.

This means we get to hear the specific thing Mineva said that got under Martha's skin, which is, uh... maybe it's easier to just show you.

Martha is doing her spiel about the innate biological superiority of women and the importance of The Womb, and then we get this exchange:

“Miss Martha, do you have children?” The interrupting voice caused Martha’s fingers, resting on Mineva’s shoulder, to tremble. “Two of them. why?” Upon hearing the stiff tone, Mineva felt the reason by the chill in her heart, “Are they the children you bore?” she started to ask with a personal tone. “…What do you mean?” “I don’t understand what kind of person my mother is, and that’s because she [died] before I could remember. However, [I still remember the way she felt]. [A woman who has become a mother, or who has the qualities to become one,] will give off that sort of gentle presence. I can’t sense that maternal presence from you.” Martha’s expression immediately changed as she stumbled backwards. Mineva saw the suit that showed the other woman’s bodyline, realized that she obviously put in her utmost effort to maintain her skin so as to prevent people from realizing her age, ... [This woman played the role of] a clever tactician, [but there was something childish about her]. Her girlish ideals and grudges had [festered, rotting down to the root], and [she seemed to have] lost something as she [grew older]. She talked of her knowledge of humans, but she never understood people, and did not intend to understand them. Martha was a hypocrite of a reformer. Mineva stood up and looked in front, feeling that there was no need for her to be afraid. Martha wanted to maintain [her] footing, but could not do so, and stumbled backwards again as Mineva glared at her with her clearly hostile eyes. “You denied the logic of men, and yet used that to conquer Marida. It’s possible if you explained that it was the ruthlessness of women at work, but you’re acting just like a man when you’re using that excuse to rationalize your knowledge. You’re not the kind of woman you say. Of course, you’re not a man. You’re just using the tone of a man to exercise the cruelty of a woman, a conman who uses whatever indecent weapons—” Something grazed past Mineva’s face before she could finish, and a sharp sound glided past the sky as it entered her ears. The shrill sound of the glass breaking rang from behind, and the Foundation subordinates in black charged into the room, perhaps because they realized that there was something amiss in the situation. Mineva stared at Martha, not moving at all, ...

...There's a lot going on here.

I've gone back and forth on whether the implication is just that Martha is unwilling to actually go through the difficulties of pregnancy despite her posturing, or if we're supposed to assume her reaction implies some kind of complex about infertility.

I feel like the former makes more immediate sense and is the less weird option of the two, but the latter would have some interesting implications on a character level, in that it could be a reason for her to genuinely see herself in Marida.

Even if that were the case, it would be a false understanding. Martha considers the projection of her own desires onto Marida more important than Marida's actual personhood.

One last thing I want to mention is that the original version of Martha is extremely angry and resentful.

It was too cold to call them martyrs, the Zeon soldier that disappeared in the explosion, and Marida, who was mind-controlled to kill her comrade— “How impressive.” Martha, who unknowingly got behind her, had the color of fire reflected in her eyes [...] “The self-satisfaction men have will all—be severed by her sword.” Martha clenched her hand that was pressing against the window, seemingly wanting to [crush] something in her hand. At that moment, Mineva had a feeling that it was this vengeance that was driving Martha, and the rage within Marida’s heart was driven by this poison, ...

If anime Martha is meant to be bitter and vengeful like this, then she's much better at hiding it. Her greed and ambition are central, and whatever sincere emotion or vulnerability she might theoretically have is entirely concealed from us.

The Riddhe Section

As I've said previously: in the first half of this episode, Riddhe feels more like himself (and generally more interesting to me) than he did in the first four. Then, around the 30 minute mark, he has a single line of dialogue that implies a dramatically different ideological viewpoint and motivation. It's honestly kind of fascinating.

I'm not mad about it. At this point, I've resigned myself to the fact I'm dealing with a different character. I'm just surprised, and wondering about the reasoning behind the choice— they pretty much completely inverted the nature of Riddhe's hostility to Newtypes.

The breakdown Riddhe has after Mineva's jump from the Garuda is also different from its novel counterpart. I actually enjoyed it a lot, mostly because it's fucking silly. A character who is unhinged in a way that makes me laugh is an improvement over one who vacillates between being boring and making me angry.

Novel Riddhe doesn't necessarily have a clear over-the-top moment where he 'snaps' like this after Mineva's rejection. His instability becomes obvious long before this point, but he doesn't go violently out of control like this until the climax of his arc. It's a gradual but inescapable downward spiral, with fewer dramatic hard drops.

Riddhe, Alberto, and Marida

The Alberto-Marida-Riddhe dynamic is fascinating in the book, and there's much less of it in the anime. This scene here is still an important one for Riddhe, though.

The novel equivalent is told from Alberto's perspective, and it opens with him talking to Marida before Riddhe appears. It also happens a bit later than it does in the anime, after Banagher has already been interrogated and had his first escape attempt.

Since running into Banagher, Marida has been having a harder time connecting with the Banshee. Her physical symptoms have worsened, with more frequent headaches. Alberto is worried about her, and tries to tell her not to push herself too hard. The moment has a very different tone than the anime version, which mostly seemed to be played for laughs.

Novel Alberto is deeply disturbed and upset by Marida's blankness. There's a callback to an incredibly vile innuendo from Martha about "playing with dolls," and remembering it upsets him so much he yells at Marida, trying to make her understand the seriousness of what he's saying. She just responds with flat, uncomprehending obedience.

Riddhe enters, interrupting Alberto's one-sided argument. His reaction to Marida is interesting.

“It confounds me to think that this lady here is a Cyber-Newtype.” Riddhe said as he frowned and approached Alberto. Since when has that guy been standing there watching? Alberto resisted the urge to click his tongue and turned to face Riddhe, ostensibly trying to block Marida’s sights. “She’s most likely a kidnapped orphan, am I right? Does the Vist Foundation deal with human trafficking too?”

Riddhe asks to see Mineva, then Banagher when this is denied. This is when Alberto tells Riddhe that Banagher is his half-brother. He's deliberately trying to break Riddhe and Banagher's friendship, because he knows Riddhe tried to help Banagher escape.

Riddhe's reaction is more outwardly dramatic than in the OVA. He crumples, bracing himself against the wall so he doesn't collapse— he wasn't thrown by Marida, so he's still standing— and then starts laughing bitterly and saying cryptic things about the history of the Vist Foundation.

I think this would feel very weird and out of place in the context of the anime, so it's good they cut it, but I did like it as a scene in the book. It makes for a nice little chapter cliffhanger, where Alberto realizes that Riddhe seems to know what's in the Box.

Later, Riddhe meets Marida and Alberto a second time.

The scene takes place in the hangar bay while the Unicorn is being moved. As he watches, Riddhe thinks about Banagher— until he catches sight of Mineva, who is also being transported. Riddhe calls out and attempts to go to her, but Alberto and Marida get in his way.

The white frame of the “Unicorn” was lifted by the two “Jestas” and laid down horizontally on the trailer, [...] Unlike the “Banshee” that was moving into the “Medea” on its own, the “Unicorn” was dragged over by the trailer, and the reason for this was due to the only pilot, Banagher, refusing to work with the Vist Foundation. That’s his style alright… he thought, but [he] felt Alberto’s words appear in his mind again, and bit his lips [alone] in the [cockpit.] His rational side was telling himself that there was no reason for him to feel angry, but he could not [help but feel] cheated, and [an uncontrollable frustration] continued to swirl in his heart. That guy [seemed like an ordinary person who] simply got involved in this [by chance]—no, there was already an [unsual feeling] about him right from the beginning. If he really has the Vist bloodline, I can only describe my two battles alongside him as ironic. He’s supposed to belong to the other side, but I got fooled by him saying ‘you’re a man of your word’, and ended up [learning the truth about] my cursed family. I’m like a clown performing ...

[...]

... just when he wanted to shake [this] thought from his mind and [refocus] on the inspection, a [flash of] familiar chestnut-colored hair appeared in the corner of his [vision,] and he felt his [heart that had been pounding suddenly go] silent.

[...]

... Riddhe got down to the deck and yelled, “IT’S ME, AUDREY!” as he leapt off the gondola. Mineva’s eyes widened as she looked back, and she [tried] to break away from the ranks, [but she was] restrained by the subordinates in black suits. Riddhe [ignored] Martha’s piercing stare ... as he continued to dash down the mobile suit deck.

[...]

[Just] when Riddhe was about to see [Mineva's] face, [Alberto interrupted.] “How troublesome”, [he] said as he [stepped in front]. “I should have told you that you’re not to see her, Ensign Riddhe.”

I love this whole section, even through the garbled grammar. It hurt me to trim it down, but I can't justify all that text.

Alberto and Riddhe argue. Marida steps between them when Riddhe gets too close. He tries to push her out of his way, but she dodges and throws him to the ground. When he gets up and fights back, she starts trying to choke him like she did to Banagher earlier. However, the fight ends abruptly when something triggers one of Marida's headaches, and she collapses in pain.

Alberto rushes over to Marida's side and orders his subordinates to fetch Bentner, the Cyber-Newtype researcher who facilitated Marida's reconditioning. Alberto clearly wants to help her, but his only solution is asserting control and further reinforcing her brainwashing. He soothes Marida by walking her through her 'Gundam is the enemy' mantra. Riddhe is still there, watching this happen and getting increasingly creeped out.

It's heavily implied that what Marida is actually reacting to is Zinnerman's approach. The scene ends with an alarm going off, as the Neo Zeon attack finally begins.

Unlike the reader, Riddhe doesn't know what's happening yet— but he has a bad gut feeling. When the alarm rings, he books it straight for the Delta Plus, without even bothering to wait for Bright's announcement.

Newtypes, Cyber and Otherwise

Let's back up for a moment and get some more context on Riddhe and Marida, since what he thinks of her is relevant to his later interactions with both Banagher and Mineva.

What does Riddhe know about Cyber-Newtypes? Not necessarily a whole lot. He's heard what the crew of the Ra Cailum think, though, and their perception seems to be that getting enhanced may as well be a lobotomy.

“Cyber-Newtypes…” Daryl’s face suddenly turned pale as he muttered this. “With those guys from the Newtype research institute around, I guess you’re right.” “You mean that if we end up becoming this thing’s pilot, we might end up being enhanced…?” Watts whispered as he looked at the back of the pilot who disappeared behind the cockpit hatch. There was already a rumor amongst pilots that a Cyber-Newtype was a synonym of being a vegetable. Then what about Banagher? Riddhe pondered, and then shook off this question without an answer ...

This is Riddhe's starting point, before he ever interacts with Marida. It's a bad first impression, and it doesn't get better.

His narration compares her to a guard dog. He calls her a puppet. When he recognizes her as a person, it's generally in the context of a person who is being or has already been destroyed— a kidnapped orphan; a brief flash of emotion in the eyes that fades to nothing. Empathy is overridden by disgust for what was done to her.

Riddhe doesn't know much about Cyber-Newtypes, but he thinks the decision to make them was morally repulsive.

So, what about "natural" Newtypes?

Trick question.

Novel Riddhe doesn't think Newtypes are real.

He has an entire back and forth with Banagher about how fake they are. You can imagine my surprise when "the revelation that Newtypes really exist" came out of his mouth in the anime.

"Newtype" as a word has a lot of historical and political baggage in-universe. It refers to multiple different concepts that are loosely related but not identical, and they're often conflated.

Do you remember the first episode, when Banagher is in class? This is what we hear of the lecture:

They claim to desire autonomy for the Spacenoids, but at their heart you will still find the same ideas of the inherent superiority of the chosen elite found in the philosophy of Gihren Zabi. The concept of Zeonism proposed by Zeon Deikun, the so-called 'Newtype' ideology, was a dangerous belief that ultimately produced rebellious elements such as these.

This is Riddhe's position— Newtypes are just Zeon's equivalent of the Nazi Übermensch. It's an ideological concept, and only real insofar as humans have made it so through enhancement.

He isn't disturbed by the Box because he considers it proof of Newtypes being real; he's disturbed by it as a propaganda tool for Neo Zeon that would strengthen belief in a harmful myth.

Riddhe is terrified of Zeon. It doesn't matter if he's sympathetic to spacenoid rights and disdainful of his father's politics; Zeon is still the greater evil. He's able to make an exception for Mineva because she's acting against her own government on moral grounds, and her words moved him.

That's how Riddhe felt at the start of the series, when he still had an optimistic outlook. He's been thoroughly disillusioned by this point, and just recently spent half a novel watching people die at ground zero of a terrorist attack carried out by Neo Zeon.

This is how Riddhe describes Newtypes during his confrontation with Banagher:

(Zeon is the tumor born from twisted idealism of the Space Migration Issues. This Newtype thinking is just a fantasy they have, and a virus that divided humanity into two after humanity nearly united. If we don’t eradicate them, there won’t be peace…!)

"A fantasy." Not a real phenomenon.

It makes sense that Riddhe would think it's bullshit. We can assume this was probably also true in the anime at first, even if his political beliefs are less developed— we've already established that Newtypes being fake is a mainstream position that gets taught in schools.

The point of divergence is that OVA Riddhe is apparently convinced that Newtypes are real when he learns the truth about the contents of Laplace's Box.

... Why, exactly? Did Ronan tell him that's what it means? Did he come to that conclusion on his own?

I know characters can be fallible and believe things that are wrong, but I literally already know what the Box is, and it doesn't prove anything about Newtypes. Riddhe already has vested emotional interest in them being a myth, so it seems strange to me that he would change his mind without undeniable evidence.

It could be they were trying to make his motivation simpler, so that he wouldn't have to spend time explaining it? The concept of Earth society and "Oldtypes" feeling threatened by the emergence of "Newtypes" has already been raised by other characters, so the writers might have felt it would be self-explanatory.

It strikes me as a dubious choice from a storytelling perspective, even if they don't care about making Riddhe look a bit dim. Sure, we've already seen other characters speculate about the Box, but Riddhe is the first character who we know is aware of the contents to make a specific claim about what's in there. The audience is reasonably going to assume what he's saying is accurate, and I think setting up that kind of false expectation is a mistake.

I've always assumed learning about the contents of the Box is intentionally meant to be a bit underwhelming for the audience, because the ossified political structures around it were more important and dangerous than the thing itself. I just think this particular implication feels more like a bait-and-switch that could lead to disappointment, rather than realization. I dunno.

Anyway: Riddhe hates Zeon. Riddhe is traumatized after Neo Zeon's attack on Dakar. Now Neo Zeon is attacking again— and Banagher is co-operating with them.

(Banagher! Have you really become a Neo Zeon member…!?) The solid anger pierced through the armor of the machine and came right at Banagher. It was a stubborn will that was overly stiff, one that felt impossible to communicate it. ... [Banagher] could sense all warmth of the human called Riddhe disappear as he pulled the control stick in the moment of extreme stress. ... Now’s not the time for this. Banagher felt that the distance between both of them was very far, and gritted his teeth anxiously.

[...]

“You’re saying the same things as the people of the Vist Foundation, Ensign Riddhe. You courageously brought Audrey back to Earth, so why…!” (That Riddhe Marcenas is dead.) ... (I don’t have the power to save the world. Even if order is incomplete here, I’ll protect it if there’s no way to [change] it. That way, I can protect Mineva too…!)

[...]

The humanoid that leapt from the barren land instantly transformed into a wave rider and entered the clouds. If I let him go like this, he’ll really become an enemy. Banagher was driven by the anxiety in him, “Mr Riddhe, wait…!” and called out. (Are you alright, Banagher?) however, upon hearing this call from Zinnerman, he looked back at the sky again, and spotted the homebase-shaped machine of the “DO-DAI Kai” approach him.

I cut a lot here, both action and dialogue. I skipped over the parts where he talks about Newtypes and Zeon, since I already quoted them previously.

These are the details I think are most relevant:

Riddhe's belief— and anger— that Banagher has joined Neo Zeon

His loss of faith that the system can meaningfully be changed

His description of his previous self as dead

The official severance of his relationship with Banagher.

I do think what the anime did, having him catch on to what's happening and conclude "they're all working together," was a smart way to spur him into action. It fosters a similar sense of frustration, betrayal, and paranoia.

God, though, he just feels so much less connected to Banagher in the anime. I thought this was one of the more interesting episodes for their relationship, and the most direct interaction they had was Riddhe ignoring Banagher calling out to him and walking away.

After the fight with Banagher, Riddhe immediately heads for the Garuda, where he confronts Martha and Alberto. This scene plays out fairly similarly at first, with a few tweaks.

First: Riddhe pulls a gun on them immediately.

Second: Martha is not at all worried about the idea of killing Ronan Marcenas' son. It would be an easy cover-up. Soldiers die all the time during battles like this, no matter how important their daddies are.

She backs down when Riddhe tells her that he's recording the conversation, and that the Delta Plus would automatically transmit the contents of its black box if it was destroyed.

Third: Riddhe's paranoia about Zeon now extends to Mineva, even if his entire reason for doing this at all is supposedly to keep her safe. He snaps at her about her loyalties when she presses him for information about the box. When she pleads with him further and reminds him why he brought her to Earth in the first place, he reiterates his previous proposal— Join our family. Renounce Zeon. Prove I can trust you. He doesn't seem to actually expect her to agree, and she obviously doesn't.

I'm so glad he didn't do this in the anime, holy shit. I was sure it was coming and dreading it. After how they changed the first proposal scene to be so much more weird and aggressive, it would have pissed me off to hear it again.

Everything else he says during this scene is roughly the same, up until "the revelation that Newtypes really exist." I've already explained that novel Riddhe doesn't believe in Newtypes, but he definitely wouldn't have told Mineva about it right now if he did.

This scene is told from Mineva's perspective, as with most of the scenes with her and Riddhe. We get more insight into how she's feeling. Her actions and dialogue differ from the anime in several ways.

Points of interest:

Mineva still feels the general "Newtype pull" from Riddhe. She has to actively resist just automatically doing what he tells her, even now that his behaviour has changed to become closed off and aggressive.

Mineva is feeling genuinely angry toward Riddhe, which has never been the case until this scene.

Mineva specifically confronts Riddhe about how his idea of protecting her is just keeping her locked away in his family's house while he handles everything himself. He doesn't seem to understand why she needs to talk about this before she's willing to follow him.

Mineva doesn't just slip away during the commotion of Neo Zeon boarding the Garuda— first, she refuses to leave with Riddhe. Then she elbows him in the gut when he isn't expecting it, steals his gun, and tries to use it to get away from Martha and her goons. lol

And the big one, that I really wish had made it into the anime:

Riddhe's lack of empathy for Marida is the reason she ultimately decides not to go with him.

“Let’s go.” Mineva’s shoulder was grabbed unexpectedly, and Riddhe’s face appeared in the direction she was being pulled towards. He forgot to control his strength, and even if it may be caused by anxiety, this caused her to feel a little repulsed. “There’s no reason for you to be here. Come with me.” “But Banagher and Marida are still…” “Marida? Are you referring to that puppet?” Riddhe [said simply.] [Mineva’s body inadvertently tensed up, and at that moment there was] the sound of something breaking ... as the Medea transport carrier, fastened at the rear hatch, tilted drastically.

...

“It’s dangerous here, let’s go!” Mineva saw the growling Riddhe’s face as he grabbed her arm, and instinctively shook his hand away. “Audrey…?” “Ensign Riddhe, I understand your good intentions, but I can’t leave with you now.” Mineva understood very well that Riddhe did not have any malice, but he would choose to abandon Marida like a puppet without care, and that was [not] something the old him would do. This man who used to be so understanding ignored all that he could see in the past because he tried to kill his old self, but even with that factored in, the pull he had was not enough for Mineva to entrust her life to. ... ... If she went with him at this point, [they] would simply fall into the abyss together—no, that was not the reason. Perhaps it was the feminine aspect within her that gave her the instant conclusion [that] this man was not someone she was willing to go down with.

Mineva's Jump

This smile is the first time I felt convinced that OVA Mineva might have ever had a positive thought about Riddhe. That's kind of nuts, given this scene is supposed to be the culmination of her finally deciding that caring about him and believing he has good intentions is not enough. Still, it's... nice that they kept this line? A little humanizing moment for both of them? An actual hint that there was anything positive about this relationship for Mineva?

The way this scene is described in the novel is more harrowing, since we actually witness the moment the Garuda tears and Mineva gets stuck holding onto that steel frame. She's also wearing normal civilian clothes still, not a protective suit. The floor is warped and falling apart, so Riddhe getting over to her is more precarious.

Again the scene is told from Mineva's perspective, so we see her thoughts as she makes her decision.

She can feel the psychoframe resonance from the Unicorn and the Banshee fighting. She concludes that Banagher will definitely be able to hear her thoughts, because he's in a machine specifically designed for that purpose.

She also considers the jump to be a test, to prove to herself that she's following the right path.

I know that this choice [is] illogical, but the hand I want is in that light. Maybe nothing can be done, maybe we’ll just die with regret, but this is a test to me—a test to see whether [someone so small can affect the fate of] the world.

This is what romance is, to me.

After Mineva's jump, all of Riddhe's appearances for the rest of the episode are anime-original. The fixation on the Gundam as an object of hatred is new. They basically made him do the same thing Marida does, with the verbal repetition, which is interesting. I hope they play up that comparison more.

Novel Riddhe resents the Unicorn and the Banshee for their ties to the Box and the Vist Foundation, but he never responds to them with this kind of mindless rage. He actually doesn't get angry at all during the immediate aftermath of Mineva's rejection. Maybe he would have if he'd been left to his own devices long enough, who knows— he gets taken out of the equation fairly quickly.

Riddhe returns to the Delta Plus and begins searching for Mineva, apparently too addled by grief to accept that she would be dead if someone else hadn't already caught her.

Marida shoots him out of the sky, completely unprovoked. She can tell it's a friendly machine and everything, she just gets pissed that it looks too much like a Gundam. lmao

The thick grey streamlined body was looking towards the sea of clouds below it, completely ignoring the “Banshee” as it tilted its head around. The allied machine marker and the name “Delta Plus” were indicated on the enlarged window, but these details did not matter to Ple Twleve. That was because the visor on the main camera was sunk inwards, and the head looked like it had eyes on it; to her, it simply looked like a “Gundam” without the horns. “You’re a “Gundam” too…!?” Ple Twelve [shouted] as she aimed the beam rifle at [the machine.] The “Delta Plus” showed no signs of [dodging, continuing to stare down at] the clouds. The human thoughts inside the machine suddenly entered her head, causing her fingers on the trigger to numb. —Mineva, where did you go? Answer me. Don’t leave me alone, don’t leave me… That thought interfered with Ple Twelve’s consciousness like noise, and she could sense the owner of this thought crying. The pleading ‘voice’ became a discomforting particle bouncing around in her mind, and she felt nauseous as she exerted strength into the trigger. “If you’re just going to weep here, DON’T GET IN MY WAY!!” The beam rifle let out a flash, and the empty Magnum cartridge was ejected from the gun. The beam grazed the “Garuda” wing, brushed right by the engine block, and the right shoulder of the “Delta Plus” was devoured by the light. As it was deflected by the impact and falling, the engine block of the “Garuda” let out flames as it got hit by the scattered particles that exploded, and the large machine lost another support as it tilted heavily.

His suffering makes her angry. Her own empathy is overwhelming and repulsive...

When I first read this, I found it extremely funny, even if it's obviously tragic for the characters. This time around I was able to take it completely seriously, because it will never match the comedy of "Riddhe repeatedly shoots the Banshee with a handgun while chanting 'Gundam' until Marida psychically brain blasts him into unconsciousness."

I like OVA Riddhe so much more now that he's insane. I feel like I'm being stockholm-syndromed into enjoying him.

What caused Riddhe's heel turn?

Even though Riddhe's dialogue about the box is almost identical, it feels like it comes from a different place because of his previous portrayal.

Both versions of the character experience a disillusionment, but the things they've lost faith in are different.

OVA Riddhe's arc feels like he has been forced for the first time to think about what he believes. His sheltered worldview has been shattered, and he has to grapple with that. Because of his position, he naturally reaches for the comfort of the status quo.

Novel Riddhe's arc is about the destruction of the convictions he already had. It's about watching this guy get repeatedly emotionally brutalized until he no longer believes in the possibility of a better world. He's willing to kill himself for societal stability because he thinks that's the best he's ever going to get.

The thing that drags him down is isolation. Mineva and Banagher both go through similar moments of disillusionment, and they both are ultimately pulled out of despair when they are able to reaffirm their beliefs through connection with other people.

Mineva is the one out of the three who holds up the best under pressure, possibly because her childhood demanded she develop that kind of resilience. A friendly guy in a diner was enough to help her get her bearings.

Banagher is literally catatonic after crashing on Earth. He recovers because Zinnerman deliberately, aggressively pursues him, refusing to let him waste away.

Riddhe responds to emotional distress by withdrawing from other people and throwing himself into his responsibilities. He isn't going to go looking for a friendly man in a diner. He doesn’t have a Zinnerman. Bright and Nigel are something, but evidently not enough.

The people he knew and loved from the Nahel Argama all think he's dead. The two people he's closest to now, Banagher and Mineva, are immediately confined where he's not allowed to see them.

There’s no one he trusts enough left to help him reorient. By the time he finally gets a chance to see Banagher again, he believes he defected to Neo Zeon. Rational communication is impossible.

Then Mineva throws herself off an aircraft rather than take his hand, which. Like. She had her reasons. But lmao

(For anime Riddhe, Mineva's rejection is clearly the final straw. I think novel Riddhe was already over the edge by then. Banagher's perceived betrayal was the breaking point. Losing Mineva as well was just salt in the wound.)

I still don't know why they replaced his model airplanes with this thing.

I'm curious. What do you guys think of Riddhe's lucky charm as a piece of symbolism? Does it add anything for you? They put an incredible amount of effort into visually highlighting it. Obviously, he drops it during his final scene in this episode to represent some kind of significant change or loss. Aside from the charm being an anime-only addition, I think what throws me is that novel Riddhe had already lost all the things the charm would logically represent before this point. He already underwent his most significant emotional and ideological changes. "That Riddhe Marcenas is dead." It's why he can't make peace with Banagher, and it's why Mineva rejects him.

That's what novel Riddhe loses at Torrington: his two most important remaining relationships. I definitely don't think that's what the charm is meant to symbolize in the anime.

Since it's a charm for luck, I'm assuming it represents caring about his own well-being. That makes sense to me, when dropping it is being associated with choosing to pilot the Banshee. "Riddhi" is also a real name and word that means "prosperity" or "good fortune", which meshes well with that interpretation.

I'm assuming this means he's going to finally develop novel Riddhe's trait of deranged latent suicidality going forward. Beyond that, I'm not sure what to make of it— though I did like how it was used in "Return of the Lion".

Marida in the Banshee

The motion sensor showed a matching signal, and the word “RAS-96” appeared on the screen. That’s called the “Anksha”, right? Name and model number, Marida and Ple Twelve. ... What is a name? What significance does it bear? It’ll simply cause confusion to call the same thing two different names. [...] I just don’t have to think. I can continue to fight as long as I don’t think.

There are things I could criticize about Marida's portrayal in the novel— we'll get to that— but I still found the anime version of this arc to be the less compelling version of the two.

I think there are three key issues here.

I've mentioned before that the environment mirrors the conflict between characters. The combat in the anime version is more static and less visceral, failing to match the heightened emotions the characters are feeling.

Characters in Unicorn are very densely interconnected, and minor details are often carrying more emotional weight than it might appear. If something had to get cut, Alberto's scenes were a rational choice— but removing them also means removing meaningful character moments for Marida.

Marida's history of sexual abuse was weaponized as part of her brainwashing, so it is referenced often during this part of the original text. In the anime, this is elided.

I'm sure it's difficult to thread the needle regarding that last point, and I sympathize. I mentioned in my last post that I think Fukui's writing could probably benefit from an editor willing to rein him in, and the handling of Marida is one of the areas I cited. The anime reined him in— but in this case, I find myself wishing they left more of the original. Ah, well.

I don't think there's a perfect solution here. I'm not sure there's even a more correct decision. All I can do is explain my own feelings about each work.

I wish Banshee pilot Marida was scarier.

Novel Marida sees significantly more extensive— and effective— use as Martha and Alberto's weapon. While her kills are all minor players in the narrative, at least one of them is a named perspective character with an important role in Neo Zeon's offensive.

Unfortunately, moving Torrington unavoidably defanged her a little as a threat. Since she didn't fight in the battle, she never had the chance to engage with anyone other than Banagher and Riddhe, and they both came out of it alive and physically sound.

They also cut the moment during her rampage where Marida causes the gruesome (accidental?) death of novel-only character Bentner, the head Cyber-Newtype researcher from Augusta. As someone who directly contributed to Marida's suffering, his death is poetic, even if it wasn't a choice she made with intention.

I'm a fan of this claw weapon. It gives the Banshee something that makes it more than just a visual Unicorn redesign, and it's appropriate for the lion theming. It's new for the anime, so I appreciate the addition.

I'm glad they kept the detail of the robots "screaming," and I dig the Banshee's new unique loadout, but the fight on the Garuda left me really underwhelmed. It was so cool in the book, man. There has to be more they could have done.

If you're specifically invoking the Axis Shock, I want it to look crazy. A colour overlay on the robots absolutely does not cut it. Have the surface of the Garuda that they're standing on start peeling! Get some real psychic miasma going! Make it so I can't even tell the sky is blue when the camera pulls in close. Something.

Am I being unreasonable here? Is this an unfair expectation?

I'm aware of the difference between drawing an illustration and doing the same thing in animation, but maybe this gives you an idea of the kind of imagery I had in my head going in:

LOOK HOW SICK THIS IS.

Another thing about the novel's Banshee-Unicorn fight is that Zinnerman boards the Garuda while it's happening. He's literally an exposed human figure dangling on a wire while these metal giants are stomping around and swinging superheated beams at each other. Then the wire snaps, so Banagher has to catch him and cradle him to the Unicorn's chest while the Banshee attacks!

Zinnerman shoots the Banshee with a rocket launcher at one point. I swear to god, so much shit happens.

Marida tearing into the Delta Plus had more of the aggressive vibe I wanted, and it was definitely my favourite visual in the whole fight. The scene they placed it in, unfortunately, is still significantly less dramatic than the original scene that inspired it.

The anime version of the Garuda's hangar bay is essentially a big, empty arena for the mobile suits to fight in. In the novel, there's a ton of shit in there, and people are still present. Several small work vehicles explode, so the whole deck gets set on fire. There's human gore, because Marida unintentionally crushes Bentner with the Banshee's hand. It's a nightmarish scene, especially for someone like Zinnerman who isn't in a mobile suit.

Excerpt, for comparison:

The entire hatch was blown off, and [the air inside the plane was sucked out through a huge gash where the deck caved in]. The [wind roared in Zinnerman's ears] as he heard the frantic voices of the crew, “Retreat to the deck!” “We might have to evacuate everyone here. Get everyone to the escape pods!” He [could barely] distinguish the yells ...

[...]

He turned his [head sharply] and saw the black “Unicorn” with the thruster lights on its back, followed by the white frame of the “Unicorn Gundam” closing in on it. Both “Gundams” proceeded back and forth within the deck, [knocking down the hangar and releasing hot air from their verniers]. Zinnerman saw the black [“Unicorn's” hand fall, crushing an] old man in [a white coat.] Blood and flesh was splattered everywhere immediately, but [it was drowned out by] the impact and [sound] of ... these several ton machines [colliding, followed by] a hot wind [that blocked all vision] as it blew above his head. The workcar got knocked into the air, crashing right into the compressed gas cylinders, creating an explosion of flames. The energy of the explosion created a quake, causing Zinnerman, who was sprawled on the floor to feel a rumbling, and he lifted his head only when the heat wave passed by. Alberto had disappeared, and the two “Gundams” were in front of him, stepping on the floor and trying to get up. The black “Gundam” was lit by the flames, [making the likness of] the “Unicorn Gundam” it [opposed] in this mirage, and the [golden glow of the] Psycoframe [flickered] like it was breathing. [The heat of the beam saber erupting from the machine's sleeve made] the [catwalk railings] melt and bend like malt candy. “MARIDA!” Zinnerman covered his face as his skin was being burnt, but the black “Unicorn Gundam” did not care about what was below it as it continued to backtrack and knock over the work vehicles.

Like. Holy shit.

Sexual violence, gender, and "the light"

(Content warnings for this section: rape, csa, pregnancy and pregnancy loss, forced medical procedures, incest. I'm not getting graphic about it, but this is the primary subject of this section.)

I had a fairly negative opinion of how the sexual violence was handled in book 7 the first time around. It has the disadvantage of coming directly on the heels of book 6, which is the one that really pissed me off, so I wasn't feeling particularly charitable.

My feelings are more positive this time, now that I'm rereading with the context of the whole work. Paying more deliberate attention to Alberto and Martha has also paid off in that regard.

The screenshot I chose at the top of Marida's section has a very particular bit of dialogue in the subtitle:

"This is the light that will save me. I won't let anyone steal it from me!"

While it still makes sense with the overall imagery used in Unicorn— it calls back to the church scene, where Marida talks about how people need a light to keep living— they otherwise removed all references to "the light" from this episode.

"The light" refers to a lot of different ideas, but the way it's invoked by Marida in this arc specifically represents both a general desire to erase the violence that was done to her, and a more specific longing for a child.

I am instinctively predisposed to roll my eyes at "infertile female character with a strong secret driving motivation centred around the ability to become pregnant," especially when it's written by a cis male author, double especially when the story also involves a child conceived by rape.

While Marida is fixating on her past, Martha is constantly talking about wombs. We also just had Loni in book 6, who told us she wants to have ten kids. If you're already reading with a pessimistic outlook, it's easy to start feeling like every major female character except Mineva has suddenly had their characterization re-centred around how they relate to motherhood.

I'm sure that Fukui probably has different opinions about gender than I do, but I've ultimately warmed up a lot to these elements of Marida's story. It's more thoughtful than I was originally willing to trust it to be.

It helps that the repetition is very much not unique to female characters and motherhood. Marida strongly mirrors Banagher, Alberto, Angelo, and Full Frontal. When the paralellism is so consistent across the board, it becomes clear that the similarities between female characters are more than just the narrative assuming all women have the same basic neuroses and drives.

Marida is also brainwashed, obviously. Her priorities have been artificially altered, even if they contain traces of her genuine thoughts and emotions.

Moreover, her reconditioning was explicitly based on Martha. The similarity isn't just intentional on a meta level as a storytelling device, it was intentionally cultivated in-universe.

"Light" as a theme for Marida first appears during the church scene in volume 4. It's usage is roughly analagous to Banagher's "Inner God." It comes up again in that same book, during Marida's backstory flashback.

Light is a repeated visual element that connects every scene we see from her past. It's very much not presented as something with purely positive associations. In these brief moments, light is frequently something sinister.

Light is the first thing Marida sees when she wakes up for the first time, shining behind the silhouette of Glemy. Light is the explosive deaths of her sisters. Light is the neon signs of the red light district, and light is the surgical lamp of the abortionist. Light is her baby, already gone by the time she understands what it was.

Light is the open doorway when Zinnerman comes to take her away. Light is a reason to live. Light is the desire for purification by death, and the glow of a beam rifle shot that never comes.

However, the girl could recognize this warmth. A long time ago, a hand reached out to her from the water surface. The warmth of the human hand she touched when she was pulled out from the capsule was about the same as [this hand.] The girl focused all her consciousness on the thick and hard hand of the man. Warmth flowed out from there, and as she felt the cells within her shaking, the girl looked up at the man’s eyes. The [damp eyes] reflected her black and dirty face. Who are you? The girl tried to ask. I’m me. The her present in the eyes answered. You’re not the 12th sister, but a one and only existence granted the name of Marida Cruz. You have a real master, so you must live for master. Don’t live on because you’re created this way, but give your all to serve your master. This warmth is the real ‘light’, the one and only ‘light’ that reached into this darkness. Don’t let go of this ‘light’. Go do what master hopes for you to do, fight master’s enemies until this body of yours get burned one day, and all your sins and guilt return to nothingness— Marida’s thoughts were calling out within Zinnerman’s eyes. That’s just a curse on yourself! Banagher’s thoughts interrupted at this point. That’s just a curse you set on yourself. The Captain doesn’t want you to do that in the first place. I know. You’re right. But I said it before, didn’t I? Righteousness might not be the only thing that can save humanity… Marida’s retorting thoughts merged into the light, surrounding the girl that was standing blankly in the underground room. The white light covered the entire room [...] and Banagher saw the light transform into heat as it evaporated the tears. Light. A purifying light that burned all sins and guilt—

[...]

Since where is there this kind of redemption? Banagher yelled in his thoughts with all he hand as he tried to make the rioting machine stop. I understand you, whether dream-wise or illusion-wise. When our thoughts overlapped and resonance in that sensation, I saw your existence. Humans can understand each other—and that is the real ‘light’. What you want to redeem you is to reveal the possibility that’s dormant and release the inner god within you. However, you only looked at your past—

Basically, "the light" is introduced as the thread that connects all of Marida's suffering and hopes, and connects her to others. The way it's used while she's brainwashed is a departure, redefining it to represent only a small part of her past.

Consider that two extremely important associations that Marida had with light— Zinnerman and Banagher— have been deliberately removed from her memories. The shift in meaning makes sense.

But the thread is still there. The belief that "the Gundam stole my light" doesn't really make sense if we're only talking about her baby, does it? It only makes sense when we see the totality of her suffering: the loss of her child is the same as the sexual abuse that created it in the first place, which is the same as the death of her sisters.

Marida has never belonged to herself, but now the few things that made the world make sense have been taken away. Something is missing, and she wants it back.

(…The “Gundam”, is the enemy.) The armor on the machine expanded, and the huddled black shadow expanded. “Miss Marida…!?” The “Banshee” did not respond to Banagher’s call as it lifted its head that was looking down, and the exposed Psycoframe started to radiate a golden glow. (You’re the enemy that killed us. You’re the enemy that robbed the “light” from within me. You, you’re the “Gundam”…!)

Character parallels: sexual violence, non-consensual medical procedures, and textual comparisons thereof

I could write an entire essay just on this theme in Unicorn. Maybe I will, eventually.

I'm going to try to avoid getting too in depth for now, since there's a ton of relevant information that only comes up in later books. Still, I want to at least go over some general points.

There are many places in the text where the comparison is drawn, both implicitly and explicitly, between sexual abuse and other non-sexual violations of the body and mind— particularly in medical or experimental contexts. Marida is the point where this comparison is made at its clearest, because she has experienced both.

The sexual abuse, the forced abortion, the reconditioning, even her original creation as a Cyber-Newtype clone— these are all framed as similar kinds of violations.

Not every character has the framework to understand how these experiences are related, but Marida makes the connection instinctively, sometimes even collapsing them together in her thoughts as if they were a singular continuous event.

Is she wrong? They're even related on a causal level: the abortion happened as a direct result of the sexual abuse, and it was performed to allow it to continue. The reconditioning deliberately drew on memories of sexual abuse to alter her behaviour, and the woman who ordered it was herself a sexual abuser of children.

Martha is another obvious demonstration of the comparison: she's the point of overlap between both categories of perpetrator. Her sexual abuse of Alberto and her brainwashing of Marida function similarly, and both serve the same purpose of controlling the victim.

It's unclear exactly how much Alberto knows about Marida's past, but it's not a huge leap to assume he sees himself in her. If he isn't consciously recognizing her as another csa victim— or realizing the similarity between that experience and Cyber-Newtype conditioning— he at least understands that they are both Martha's puppets. The tragedy is his inability to admit that as long as he continues acting as Marida's "Master" he is actively complicit in harming her, not merely a witness.

I want to talk about Angelo and Frontal here so badly, but it's probably best that I hold off until at least the next episode. For now, I'll just say that Angelo is the most blatant Marida paralell in the whole series, and he has his own symbolic fixation akin to Marida's "light."

Gundam is the enemy

In the original work, the moment where Marida processes that the Banshee is a Gundam and concludes that she is herself "the enemy" does not involve Riddhe. She already shot him down earlier, so he isn't even on the Garuda at all anymore. Instead, the realization happens when she mistakes the Banshee's shadow on the wall for the Unicorn.

I guess they swapped the shadow for Riddhe because... there just isn't fire in the hangar to cast a strong shadow. But why? Why not put a fire in the hangar? Many inexplicable choices in this one.

Marida isn't just breaking the logic of her brainwashing by realizing a fact about the robot. When she makes this connection, she's also forced to acknowledge feelings of self-blame and guilt that she had been repressing. That's the sentiment that ultimately causes her to collapse: I failed to protect my master. I broke formation rather than dying with my sisters. I was too weak to protect myself, and too weak to protect my child. The person I want to punish and destroy is me.

She let go of the control sticks and touched her face with her hands. The flames lit the “Banshee” and the shadow of the “Gundam” was reflected on the wall. This means that I’m on a “Gundam” too? I’m inside the enemy, and the enemy’s inside me? The enemy that killed my sisters, robbed me of my ‘light’, and continues to remain in it no matter how I tried to chase it or catch it? I’m my own, enemy— A snake was wriggling inside her mind, causing the seeds of pain to erupt. Her body and mind were breaking apart. [The] ideals that were once connected to her heart were severed [and] the flesh and blood [flowing through] the machine [gradually converged into the helpless] body. I’m my own enemy. The one I hated [and] wanted to kill is [myself, the person] who can’t protect my own ‘light’.

(Mineva actually calls this very early. In one of her scenes with Martha, she thinks to herself that Marida is not actually being animated by revenge on others like Martha believes.)

Here's how the encounter concludes:

Marida falls out of the cockpit. Notably, she is still conscious. Her inner monologue immediately identifies Zinnerman as her father when he reaches out to her; it's very sweet.

Alberto is still in the hangar. He panics, and tries to tell Marida to get back in the cockpit again. She doesn't recognize his voice.

One of the Anksha mobile suits from the battle outside flies into the hangar through the open hatch. It takes aim at the Unicorn, and Marida immediately realizes Zinnerman is in danger and will not be able to get out of the way. She calls out to the Banshee and wills it to move, and it does— it raises its Beam Magnum and fires.

The Anksha is hit by the Beam Magnum and explodes. The shot it fires goes wide, hitting the side of the Banshee. Marida is thrown by the force of the blast, and burnt by the wave of heat.

Banagher gets out of the Unicorn and helps Zinnerman and Marida into the cockpit. They're both a mess. Zinnerman is covered in ash, furious and crying with bloodshot eyes. He tells Banagher not to waste time— "I won't forgive you if your blunder ends up killing her."

When they're about to leave, Alberto stumbles over to the Unicorn in a daze. Banagher is shocked, having assumed that he had already left on the shuttle. He re-opens the cockpit and tells Alberto to get in.

Shaken from his daze, Alberto is infuriated by this offer. He pulls out his gun and fires at Banagher until he is forced to close the cockpit and leave.

Alberto goes down with the ship.

The Fate of the Garuda: Who Goes Where?

In the OVA, we see Martha and Alberto leave on a little aircraft shuttle together, directly from the Garuda.

The Banshee is still on the Garuda, where it is found by Riddhe after he regains consciousness. Mineva, Zinnerman, and Marida all make it back to the Garancieres, which is successfully picked up by the Argama.

The General Revil shows up at the end, as well as Full Frontal and Angelo. Banagher is still in the Unicorn.

In the novel, Alberto and Martha are separated. Martha boards the shuttle, but Alberto stays, because he's worried about Marida.

Banagher offers Alberto a ride in the Unicorn, but this enrages him, and he shoots at Banagher with his handgun until he retreats into the cockpit and leaves.

The Garuda crashes, with the Banshee and Alberto still on it.

Riddhe was shot out of the sky by Marida, after which he fell unconscious. When he wakes up, he retrieves the Banshee and Alberto from the wreck of the Garuda.

Zinnerman and Marida are not able to be brought back to the Garancieres in time, so they are still in the cockpit of the Unicorn when Banagher connects the tether.

The Garancieres and the Nahel Argama escape successfully and are not immediately pursued. Angelo and Frontal show up several days later, at the start of the eighth book.

So, there are quite a few differences, but I think Alberto's scenes are the most obviously significant that I haven't already discussed. I've mentioned this a few times in previous sections, but Alberto is a different type of character in the novels than he is in the anime. The novel takes him significantly more seriously and gives him a larger role, while the anime has kept him within the realm of comic relief.

I'm going to include a bunch of excerpts here, sorry. I think they're more illustrative than just me summarizing or listing character traits. I've tried to shorten them and fix the worst of the grammar.

Alberto with Zinnerman, refusing to leave on the shuttle:

“She’s no long a member of Neo Zeon. Give up and leave this place. The “Garuda” won’t last for long.” This person is Marida’s current master. Is his name Alberto? the blood surged up Zinnerman’s head as he growled, “What nonsense are you [spouting?]” ... “You’re the one who should scram. I’ll take Marida back. She’s not the tool you people think she is.” The gun held in both hands trembled even more. This [guy] isn’t used to [this kind of] situation. Zinnerman understood that it was not wise to agitate the other man, but he still finished his words. [However, he was taken aback by Alberto's agitated reply—] “I KNOW THAT!” “SHE’S NOT A TOOL! SHE’S…” Alberto was at a loss of words. [His lips twisted, and a bitter expression appeared] on his face. What’s going on? Zinnerman frowned for a moment, [then heard a yell—] “Master Alberto! Hurry! The shuttle’s leaving!” [— as an old man in white clothing] appeared from the side, [completely covered] in ash. “Oi, someone’s calling you.” Zinnerman pointed his chin, and Alberto glared back at him as he exerted more strength into his hands holding the handgun. ...

Alberto witnessing the Unicorn vs. Banshee fight and finding Bentner's horrible crushed corpse. Again he refuses to abandon Marida, even when Martha directly contacts him and tells him they're leaving:

... [The] flying high-heat particles [were] scattered [and rained down] as [a] powder of light. [They] landed between Alberto’s [thighs] and [made a sound as they melted into the floor], [and he scrambled] back [in fear]. As [his hand reached behind him, it] touched another person’s arm, and he gasped as he turned around. The [arm, wrapped in the sleeve of a torn labcoat, clearly] belonged to Bentner, but [there was no proof.] [Just like the white coat,] there was no body beyond the [severed] shoulder, [only a pool of blood like splattered red paint] ... The scattered particles of the beams dropped into the [pool], and [white steam rose from the mixture of blood and solid matter]. The smell of cooked meat entered his nose, and [all Alberto could do was] remain seated, [unable to feel anything]. [...] (What are you doing, Alberto!?) It was only [upon hearing Martha's hysterical yell] that he finally thought of bringing the wireless communicator to his ears. (We’re leaving. Forget about [the] specimen. We just need to find a replacement, whether it’s the machine or the pilot.) Alberto’s numb senses were jolted awake by this voice, and he looked down at the communicator in his hands. She doesn’t understand. Aunt [Martha] doesn’t understand, and she has no intention of understanding—no, maybe to her, everyone else is just something that can be replaced ... (There’s no time. Hurry—) Alberto ignored Martha’s call as he switched the frequency of the communicator. “Ple Twelve, it’s me, your Master. Do you hear me?” [...] “There’s no need to reclaim the machine ... Wreck the “Unicorn”. Hurry up and beat that guy and escape me with. You and I are the only ones left here.”

Alberto thinking about Cardeas, Banagher, and his childhood. Very brief / vague mention of incest:

“If it’s you, you’ll definitely be able to beat the “Unicorn”. This guy’s the cause of everything. As long as you destroy it, the path leading to the “Box” will remain sealed, and aunt will only give up. Even my father…” Can only give up, right? Alberto could not help but ask himself, and shut his mouth as he answered himself. Wrong, that man will never stop. [In this kind of situation,] Cardeas Vist [would simply take a proactive approach and plan his next move]. [Using his own strength as the standard], [he determined] that [the weak] were simply [lazy]. That willful foolish man ignored his own son and left the “Unicorn” to the [child of his mistress]. Why did things end up like this? Who let the gears spin out of control first? [...] He recalled the expression his father had when he died, that look of despair and pity ... [and] the [sudden rush of] emotions [dampened] his vision. No, I’m not the one at fault here. It’s his fault. ... Banagher Links took [my] dad away, and even took the machine he built, [without] even [realizing] that he [had stolen anything] at all. That guy [is the reason everything was] thrown [into chaos]. Just looking at [him] makes me anxious. [...] I feel inferior, like I’m being taunted for being useless. It [would be] good if he [had never been born]. If I could be as strong as him, I [wouldn't] have [had] a complete breakdown in relation with dad, I [wouldn't have ended up in] an abnormal relationship with [my] aunt, and I [couldn't have] possibly [harmed] dad— Tears swelled in his eyes and slid down his cheeks; he wiped them away and brought the communicator to his mouth.

...

I won’t let you take anything else away from me. Marida will beat you. This [unique] life that’s strong-willed [and] gentle, [who feels ephemeral and fragile like my mother,] [she'll] defeat you and settle all our debts. I don’t need aunt [Martha], and I don’t need dad. I’ll just wait here, until ... the “Banshee” [slices] you apart and [chases] away the [inescapable darkness.]

Mother comparison. Of course.

I'll skip Alberto rejecting Banagher's offer of help, since I already described it.

That brings us to the final scene of the novel, where Alberto wakes up in the cockpit of the Delta Plus with Riddhe. Interesting that it can still fly despite falling out of the sky earlier— maybe the shot Marida fired knocked him unconscious immediately, or it can only stay airborne in waverider mode?

This ending makes me lose my fucking mind every time I read it. Riddhe saves Alberto's life and then they literally fly off into the sunset while Alberto thinks about how much they have in common.

Alberto opened his eyes. The light in reality was too sharp, and he closed his eyes before opening them slowly again. What he saw first was the sea surface from the sky. [...] Is this some mobile suit cockpit? he touched the curved monitor panel at his feet and intended to look up at the linear seat beside him, but at this moment, a shadow appeared in a corner of the all-view monitor, and his heart jolted, beating his chest. There was a mobile suit riding on the “Anksha,” ... gliding diagonally below ... He realized that it was the “Banshee”, ... Alberto looked down at the machine lit by the [light reflecting off] the sea, and [he] thought of the name Marida, [when a voice rang out from just beside him.] “We can’t seem to find the pilot.” ... [Alberto] lifted his [gaze] and looked [back] at the linear seat to find Riddhe [Marcenas] there. Riddhe looked at him for a moment, before turning his somewhat forsaken expression forward as he activated the display board. He opened the expanded window to show the “Banshee” [up close] as it laid down on the disc, but Alberto’s face remained unmoved. How did things end up like this? Why is this guy—no, where is this place? Alberto could not clear the doubts rising [in] his heart [as] he [stared at Riddhe's face]. ... Riddhe turned around in an annoyed manner [and] removed his helmet, [running his hand through his blond hair.] “Since you’re awake, pull out the assistance chair yourself,” [he said curtly.] “I’m already out of breath [just from pulling] your unconscious [body] on board. You’re an Anaheim employee, so you should know the [layout] of a mobile suit, right?” ... Alberto looked around the inner wall of the cockpit again. Since he could see the sea surface, it meant that this mobile suit was not on a Base Jabber, which meant that it could fly in atmosphere on its own. This means that I’m on Riddhe’s machine, the transformable “Delta Plus” in its wave rider form? Upon realizing this, Alberto calmed down slightly as he exhaled. He searched his tattered clothes, [confirmed] that he had no [real] injuries, and turned towards Riddhe again. “Why did you save me?” he asked... [Riddhe didn't even make eye contact.] “That’s [just] how things are going now,” He answered with a sigh. “I [passed out] after I was shot down by the “Banshee”. By the time I woke up and got back to the sinking “Garuda”, you and the empty “Banshee” were the only ones [left.]” Riddhe looked over at the “Banshee”, lifeless like a puppet as it laid on the “Anksha”, and narrowed his eyes. “The “Unicorn” has vanished.” And Mineva too… some heartfelt words could be heard right after this mutter, and Alberto did not intend to ask further [...] His love affair may have ended, this understanding landed upon the cavity in Alberto’s chest and created ripples in his hollow body. Both of them were descendants of those cursed by [“Laplace's Box”,] and both [had] lost their fleeting love—[with skepticism, a sense of loss, and a touch of empathy,] the “Delta Plus” [flew] through the [twilight] sky. [Unsure of] where they were going or where they should go, [Alberto] looked [out] at the [amber-coloured] sky and sea. The “Anksha”, ferrying the unmanned “Banshee”, turned with the sea surface behind it as it pivoted its way through the crimson sky, [leaving behind] an empty trail of jet cloud.

Alberto/Riddhe real...?

The Escape: RGB Gamer Mode

The original text description of this phenomenon is a little more blatantly rainbow and less dominated by green, but these visuals are still very pretty.

The ghosts of Daguza and Gilboa do not appear during this scene in the novel. I think they're a sensible addition. It foreshadows exposition about "lingering thoughts" that we should be getting next time.

The biggest change here is that in the novel, Marida and Zinnerman are still in the cockpit with Banagher. There was no time for them to be transferred to the Garancieres while shaking off their pursuers. The trigger for Banagher's renewed determination, the Unicorn's strange glow, and the resulting miracle is Marida regaining consciousness for a moment and taking his hand.

I would have really liked to keep that... I think it's a strong way to end a conflict that had Marida as such a central figure, and the imagery ties directly into her fixation on "the light". Marida does have an inner light, and none of the terrible things that were done to her can ever take it away.

The General Revil: What????

They introduced the General Revil this episode, when Bright talked to Beltorchika. I was still incredibly taken aback when it showed up at the end. Especially since it immediately engaged in combat? This was very much not what happened in the original.

Bemused as I've been about it, it's easy enough to figure out why this was done. Again, they're cutting things for time, by making the path between locations and plot points more direct. I just really wasn't expecting it!

In the novel, the crew of the Garancieres and the Nahel Argama get away successfully, and it takes some time before anyone catches on to where they actually went. I'll probably get more into the details of all that next time, since it's the start of book 8.

I will say that the Federation ship that Angelo and Frontal attack like this in the novel gets destroyed. Surely they're not going to sink the General Revil... ???

Speaking of which,

THE BOYS ARE BACK IN TOWN

Do you have any idea how happy I am to have an excuse to put pictures of Frontal and Angelo in one of these again? Do you?

The Rozen Zulu is one of my favourite mobile suits. Stiletto heels, big metal claws, INCOMs, and character-focused visual theming? She has it all.

This is exactly the problem: this part was the coolest robot stuff in the whole thing to me. An exciting hook is never a bad thing, but I think the coolest robot moments should always try to be the ones at the emotional core of the episode.

Yes, I know I get excited every time Angelo and Frontal show up. I can distinguish that from this. Did you see those ReZELs get melted? Did you see Frontal's totally unnecessary bazooka twirl? So good.

I'm glad he's having fun. :)

So that's the end. It looks like we have quite an exciting setup for next time— which may or may not be a bit of a fakeout, depending on whether they're keeping or skipping certain scenes.

I'm not even going to try to make predictions at this point.

Haro, play Broken Mirror by Boom Boom Satellites.

#remibloggue #gundam #gundam unicorn

[elviraaxen]

im new here, so im sorry if this is a question youve answered before but tumblr's search bar failed me in finding this to be previous answered but.. uhmmm

c... can we make ocs/personas for Felt World? or would you rather we not or we hold off until further in?? bc i would love to make a puppet give our cowboy a smooch before he is, i assume bc he is a fucking catch and a half, taken off the market in canon lol i assume he wont still be single by the end. im a tad bit too embarrassed to ever post such drawings, but i wanted to know in case i ever did become brave enough to make them public if such you would be welcome to be tagged in or if that would make you feel uncomfortable

and also, for that purpose: as someone with disabilities, im really curious how disabilities are translated into Felt World? obviously not all of them, that'd take forever. but i was curious if they use mobility aids just like ours or if they use ones we could not have (an example of what i mean could be like "seal-chairs" in "Witch Hat Atelier"? they are chairs with hooves that run and jump, as opposed to wheels). and i know you said music is really powerful in this world, in both singing and instruments, but i wanted to also ask how in a world with so much focus on sound are the deaf/hard of hearing accomadated? deaf/HoH people can still play instruments, obviously (the most famous example being Beethoven), but i meant other than that

(also, if i recall accurately you once said that "the puppets have to speak to be considered sentient beings"? i was wondering if in the future could that be amended to "have to be able to communicate"? because i assume nonverbal puppets would still exist, as well as puppets who just dont speak much (whether thats a facet of deafness or nonspeaking shutdown or just a quiet personality). or would that break Felt World's world-building's logic in some way? that's a genuine question. i wasnt sure how to word it in a way that would minimize the risk of one being put on their back-foot, but i tried my best, it really is a genuine question)

(also, because i never like to assume fluency in disability-knowledge: if you need a resource on media portrayals of disability at any point, i highly recommend the youtuber, Oakwyrm. they do a lot of really cool analysis videos on disability. i do apologize if i am overstepping, and you are already largely fluent in disabled portrayals in media and/or already aware of Oakwyrm's existence. i just like to shout at least one resource out because i know many people have no idea where to look to learn more about general disability representation advice and whatnot. you do not have to watch their videos if you do not want to ♡)

also a bit of a tangent, idk if this is just a "for now" aspect of Donna due to her adjusting or if this is a core pillar of her personality but... just, thank you for making a feminine character who cries a lot and is emotional with Big Feelings. ive always felt more connected to the Dorthy Gales, Cinderellas, Clarisse de Cagliostros kind of heroines who are a bit of a "damsel in distress" (tho i do think that term reduces a lot of their agency and bravery) and i feel a bit lonely that we dont see many emotional-vitality-driven heroines who need some help as much as badass heroines or sassy heroines, both of whom are fully capable of getting shit sone alone. makes my cry-baby disabled ass feel a little pathetic (im very physically weak because of my chronic health issues, and am the type of Autistic ADHDer who is very sensitive to getting big feelings), even tho i know those types of heroines are valid and needed. i resonate a lot with AJR's lyric about "But I'm weak. And what's wrong with that?" even though i know im taking it out of context

and im sure Donna will prove herself capable of being on her own and having her own agency, same as all the heroines ive listed, i dont assume she will be stagnant, but i just wanted to really thank you for making a character that i relate to. i dont get that often. it makes me feel a bit abnormal and strange, and i mean moreso than the "well youre neurodivergent and sickly" kind of abnormal that would be implied. like. Weird Kid sitting alone at lunch kind of strange. so its really cool to see Donna and feel less lonely, is what im saying. i wish there were more heroines like her for people like me nowadays, rather than the archetype being reduced to "archiac stereotypes" (which i both do and dont understand the logic of. it depends on context and the example given) and therefore shelving a type of heroine we dont see in a lot of contemporary media (in exchange for a heroine we didnt get to see often (if at all) in past media, the sassy and badass ones, i do get it, and im glad theyre being used more as they should have always been. there are a select few of both camps that feel like "women have to be as stereotypically masculine as possible to be worthy of being called 'a strong character'" when i think strong characters have less to do with personality and more to do with "do they direct the narrative's plot? do they have agency?". but i could be wrong about that and i am getting off-topic)

but yeah. just. overall: thank you for introducing Donna to be like she is. it means a lot to me to see a heroine like her in contemporary media. im really excited to see what youll do next ♡ but yeah, i know im babbling a lot here and you dont need to reply to this half, i just really wanted to stress my thanks and WHY you have my thanks ♡♡♡ i really appreciate having Donna sit at my metaphorical lunch-table with me, even if she has to go sit somewhere else later. its been really nice to be beside her

thank you ♡

ps. i wasnt sure how to format this Ask because i know some people like to have each section have their own Ask for compartmentalizing/tag-organization reasons, but others like it all to be together so they know its all from one person as opposed to the anxiety of "ahh why did i get so many Asks all at once, did i do something wrong, do people hate me-- oh. its fine. i went through that rollercoaster for nothing. dear lord, am i drained now". so i tend to rather assume the latter, just in case; but do feel free to screenshot and section these out into their own posts if you are the former, i wont mind if youd rather do that ♡ have a nice day!!

Oh my goodness what a long message!!! 0.0!!

I had to take a few hours to think about everything to make sure I answered everything. But I should start off by showing my gratitude for the amount of time and effort you put into formulating this! So thank you, this was a really cool ask to receive <3

As for OCs, absolutely you can! I've already had a few who've made theirs, and I have no rules at all when it comes to shipping or self inserts or anything, as long as everyone is being respectful towards each other ^^

As for the disability aspect, I have a few key points that I want to explore in regards to especially deafness and muteness (is it called that? muteness?), but that's further along the story and will be introduced later! Also how song vs instruments work in this world is a part of the lore itself that'll be explained further down the line too, so no need to worry about our fellow mute or deaf/hoh peeps!

I have of course thought about mobility aids and other disability accommodations (because they can be born with defect, illnesses, and be injured pretty much like us, their bodies are a bit more fantastical but there are still rules) but i must admit didn't think further other than to give them similar mobility aids that we use. But clearly it would make more sense to make something more fantastical! I'll give it a thought! That's probably gonna be a fun design exercise ^^

I'm not sure if I can answer the entire ask in a way that does it justice, it's quite frankly the coolest message I've gotten, I'm gonna try and not let it get to my head (lol),

but i'm so glad you and seemingly many others seem to like Donna and appreciate her specifically for being sensitive and reacting strongly. It shouldn't be but it's really daunting to write female leads because as we know people just don't like women in media generally, but I eventually just got over it because I realized I was starting to write a character that demanded the audience cared and respected, rather than showing a story that I had fun telling, in a world worth exploring.

And not to spoil but I've already decided I do not want Donna to go through an arc where she's forced to abandon her emotions or go through something physically traumatic in order to "become tough" to be respected, that's not only overdone but lame and harmful wish fulfillment. So no worries in that department!

But anyways, I don't think I can properly say how appreciative I am of this ask!!! It really warms my heart that you and other people are going out of your way to send me asks about my little story that I came up with on a whim!!! It's truly the best compliment as a creator.

<3

#long post #asks

[kindan-no-kanojo]

🌹| Scarlett Wakahisa Special! |🌹

༺ Character Sheet & Interview ༻

Original template by @inazuma-ryuu ! I edited the hue and language, and added stickers and effects myself. Translation + Special character interview below the cut!

「 “Run along. Okay? Unless you want me to eat your mind away.” 」

༺ Profile

« A hard-to-ignore Ghoul Lady seeks putting an end to the loop. »

༺ Scarlett Wakahisa

Species: Ghoul Age: 19 years old. Occupation: Ryotei Academy's 3rd Year Student Voice Actress: Tamura Yukari

📌 Memo #1

«Caution: Do not leave Experiment 11 unattended.»

༺ Further data

Blood Type: AB Height: 164 cm (5'5) Weight: 62 kg Favorite Food: Peaches Hobby: Music Birthdate: May 13th

📍 Memo #2

? ? «How long... has it really been?» ? ?

📎 Memo #3

«Even after death, flowers can keep blooming...»

Additional pictures include her Ghoul form with Maid uniform, Casual and Formal outfits!

༺ Scarlett Wakahisa || Character Interview ༻ What occupies the passionate Ghoul's mind?

[20 questions based on these and these interviews!]

1. What is your favorite thing right now?

“I recently found a mouse at home. It was really small and cute! As soon as it saw me, though, it ran away... Well, I cannot blame it. But I haven't seen such a tiny little visitor in a while, so it made my day a little better——

——Why are you making that face?”

2. What are your recent preferences in regards to fashion?

“If I think it looks good on me, that's all matters, no? I find it especially uncomfortable to wear pants or trousers, so I tend to pick skirts or dresses most of the time. Whatever makes me feel pretty, stays.”

3. Do you have any subconscious quirks?

“How would I know, if it is not a conscious habit?

...Hm. Thinking about it, I believe it's true that whenever I listen to some orchestra concerto I instinctively start air-conducting. I don't think about it too much when do it, it can be a little obnoxious to whoever is close to me... And to me, too, honestly, when they try to stop me or turn the music off.”

4. How do you spend your off days?

“I'm lucky enough to not have an exhausting routine like before, when I'd use my breaks to rest a few hours. Nowadays, I usually stay home and play music or visit someone to spend the day with.”

5. What does your sleepwear look like?

“You are so curious about that, aren't you? It is nothing out of the ordinary. I wear a simple white nightgown when I'm able to relax. Nothing fancy.

Although, if I don't have access to my sleepwear, I'd simply loose my corset and manage with my shirt and skirt only. But that isn't the usual...”

6. What’s one thing you always do before going to bed?

“Braid my hair loosely. Whenever I don't, I wake up with an entangled red mess.”

7. Which part of your own body do you like best?

“I take special care of my hair, so that would be my answer. It has given me issues a lot of times, but I can't bring myself to hate it...”

8. What do you like best about your own room?

“My room isn't too bright or too dark, it has one small window for natural light, so it goes easy on my eyes, which I appreciate.

I like the peace and quiet of my house overall, it is isolated from the city and the suburbs, so I mostly hear nature and animals. Contrasting, right? I don't like loud environments, believe it or not. Besides, if I'm going to deal with people all day, I need to recharge, so I need a peaceful place.”

9. Tell us your most vivid memory with Kino!

“All my memories are vivid, first of all... But, one that would stand out from the rest? Let's see...

Oh! I find it especially funny when there is something Kino cannot do. He once wanted to learn how to play some weird tune on the piano, from one of his games... He couldn't handle my lesson very well, though. How am I going to teach music to someone who doesn't want to learn the basics!? Theory is not boring, it's fascinating. Well, in the end, he lost his patience and challenged me to a duel of sorts with his mobile device, which he clearly won before I realized. He doesn't like to lose alone, huh...?”

10. How do you feel about Karl Heinz?

“It is pointless to ponder about that dead man.”

11. Where would you go on a date?  

“Oh, uh... hm. Anywhere? I don't have preferences.

If I'm asking someone out, I would choose a place where we could be by ourselves, and possibly do something together. I rarely get invited to dates myself, so when that happens... I'm a little too shocked. Or excited? It's weird, but I can't allow myself to complain, haha... It really won't matter.”

12. Which kind of gestures make your heart skip a beat?

“This may sound ridiculous but... anything kind-hearted and unprompted makes me feel a little silly.

Don't laugh! I'm not used to things like gifts or... acts of service? How am I supposed to react? A 'thank you' doesn't feel enough, so I'm at a loss with those things!

... Kisses make me feel somewhat similar, but at least I can do something about it. Or... try.”

13. What does blood taste like for you?

“Like danger. It's scary. There are equal chances for me to control myself than there are for me to completely lose it, one way or another. I can't risk it, I don't even like blood that much, no, I don't need it... I don't need it at all.”

14. Where would you like to be bitten?

“What do you mean 'where'!? Nowhere. Next question.”

15. Which body part do you like sucking blood from?

“You are playing with fire. Fine, I will humor your morbid curiosity...

Neck and shoulders. Those are my favorite places to bite. Not only it is a good blood source, but I can also hear their screams in pain from very up close and feel how the body tenses and reacts first hand. Besides, if they push me away, chances are that they end up getting more hurt than I. Those areas and very soft, therefore it is easily breakable, you know...?

I hope that is enough for you understand why it is something to avoid, now stop asking about it, will you? Feasting upon someone makes me stronger and crazier, so—— oh, unless you want a demonstration, too!?”

16. Do you believe in fate?

“...I choose not to. If my fate was written like this and it is truly incapable of bending, I will seriously lose my mind.”

17. Is there any good memories you keep with Rhiannon?

“Define 'good'...

Looking back, there is nothing good about that time. Perhaps it felt like home back then, but... even her death meant repercussions for me. I'm grateful to have learned a few tricks with her, that I can admit, but, overall? I don't want to live that life ever again.”

18. What do you think of Yuuri?

“Yuuri almost reminds me of myself in the past. Almost. I feel like there is more to him than what is shown. The way Yuuri keeps calm most of the time, no matter what, is admirable. Like nothing sets him off... but that can't be the case, right?”

19. What is your ideal type?

“Type... I don't have a type. Of course I won't choose someone who disrespects me or hurts me, if I wanted that I would still be a servant. But I won't put up several expectations either, unless I want to die alone.

Well... It's hard to pinpoint, but someone with whom I don't need to be alert at all times would be nice. I don't ask for much, do I?”

20. How do you realize you are in love?

“What a difficult question... I believe that it's already too late for me when I finally realize, but... hm.

The moment I find myself smiling like an idiot, like no one is watching me and I wouldn't mind if they do... maybe that moment means love for me. When I want to show off, do less things alone, and... not a single figure, but one alongside mine instead, fills my mind. No matter what they do, it will look beautiful in my eyes, and...

——I digress. Ah, how cheesy... Forget it, I am yet to get used to it. It is as frightening as it is addictive...”

#Scarlett Wakahisa #diabolik lovers oc #Chibilett <3 #she<3333 #i wanted to make the character sheet for a while 😩 #if you look close enough there are small crumbs of lore within the interview 💃🏻 #💄. Red Fury | Scarlett #👁‍🗨. About

[singular-yike]

Getting into Len'en Lore: Part 3

This'll be the end!

★ Spinoff Game: Book of the Cafe

Curious title screen, isn't it? You can't even see the game logo yet! JynX said that it'd be revealed one day, but until then, here's the 5th released game in the series, though officially it's the 0th game.

This is Len'en Cafe ~ Book of the Cafe (abbr. BotC), and is the mobile social network game that JynX is actively working on at the moment.

Story Reading Order

The game's story is separated into three sections, the Main Story, Sub-stories and Back Issue stories. There's no particular order between these three, so I'll only list the order within each of them:

Main Story

Opening

Tutorial

Chapter 1

Back Issue Revisit past games' stories, learning new information about them!

EE — Yabusame Houlen's Route

EE — Tsubakura Enraku's Route

Sub-stories None exist yet.

Additional Reading

There's a lot of non-plot, and even non-lore related text in this game, here I'll list the pages that have major flavour texts and such. Though feel free to explore the BotC pages to learn more.

Compared to the other 4 games, these aren't nearly as crucial, and are more just fun reads. maybe with the exception of the 1st item.

Skill Names and Flavour Text

Music and Music Comments — Trioid Toykeat — Len'en Cafe ~ Re:Boot — Trioid Toykeat (ONAIR-version) — Mnemonic => Extraction — Infinite Zero-Point Ego Eris

Cafe design item descriptions

In-game Notices (α Version, β Version & Full Version)

Memory Archives stage descriptions

Items Descriptions

Other Important Reading, Videos and Characters

And that concludes all the reading you would need to do for all the series' main entries. Now for other important reading to supplement the main series entries:

Video: Critical Point Bidding its Last Farewell

Critical Point Bidding its Last Farewell, full title Fumbling Dimensional Tour ~ Breaker and Pursuer /* B-P-B */ Protection against Breach ~ Request Colorful Dreams, Detest Empty Illusions (yes it's that long), is a music video uploaded onto Niconico back before Len'en was even released.

It was unclear if and how it related to Len'en, but with the release of AWTIF, it became clear that the characters depicted in the video are the main characters of the albums.

Additionally, it introduces the "Wings of Magritte", an interdimensional transcending limited express train that gets a brief mention in BPoHC.

As for reading, I can't really introduce much of an original source for it, but its page on the wiki and the Wings of Magritte's page is recommended.

Reading: Interviews with JynX

There has been 3 interviews with JynX so far, all overflowing with lore, of course. A 4th one is currently in the works too, so look forward to that!

2015 Interview

2017 Interview

2021 Interview

Not much else to say about this one, just go check them out!

Reading: Peing

Peing is a Q&A social media platform where fans could've sent JynX questions back in 2019. JynX has since abandoned its use, in fear that it'd make information too scattered, but what was answered has been documented.

April Questions

February Questions

Videos: YouTube Videos

Above: Thumbnail of the second video featuring the androids, depicting Rei.

JynX also has a YouTube channel, run by the "Vtuber androids" Rei and Zelo (and Lin too), more on these three later.

The channel has official soundtrack uploads, videos about the androids and videos where the androids announce Len'en-related news. They'd mostly be to get a grasp on the android's personalities, I'd say, though there are lore scraps in there as well.

They're all translated up on the wiki, so go check them out here.

Characters: Monochroids (Rei, Zelo and Lin)

Above: From right to left, Rei, Zelo and Lin, all in their chibi yukkuri forms.

Specifically speaking, these androids are actually called monochroids. Despite them mainly having appeared in videos and on Twitter only, there's a surprisingly amount of lore to them, especially on Rei.

It's a much deeper rabbit hole than one'd imagine, so go check it out!

Reading Materials

Wiki page on the Monochroids

Wiki pages for Rei, Zelo and Lin

Other Minor Sources of Information

Once all that's exhausted, you should already be quite the lore master, I would wager. Though if you really want to go the extra mile, here's just a bit more for you to chew into.

Art: Illustrations by JynX

Above: The first explicitly Len'en-related illustration JynX ever made, released even before the character's own appearance in-game.

JynX occasionally does illustrations for various occasions, be it seasonal events or the Len'en anniversary. They sometimes come with little comments, which you can read here.

Events: Len'en Anniversary

Above: The 2nd anniversary's celebratory art, which, while not canon at all, comes with a few pieces of dialogue.

The Len'en series celebrates its anniversary on 11th November, not the day the games became available to the public, but the day JynX finished work on the first two Len'en games.

Often, JynX will release a YouTube video on the day, which we've already covered up above, but sometimes it'd be just an illustration instead, with some text to go with it.

All the anniversaries and their related celebrations can be seen here.

Blog: Unreal Indolence Record

This is JynX's old blog, the only real lore-related piece of information you'd find here is when JynX changed the kanji for Len'en, and even that's only tangentially related.

Though if you're interested, the blog is translated here.

Blog: pixiv FANBOX

Technically speaking, pixiv FANBOX is a monetization platform first and foremost, allowing fans to donate to their favourite creators. You can do so to support JynX too, and in return you'd get a sneak peek into upcoming Len'en content.

Additionally, JynX also uses its posting system as their new blog these days, and there are actually quite a lot of lore-related and adjacent information here, like the music comments I linked to previously.

They are translated and available for reading here.

Vtuber: Kanae Tabinoki

Yep, JynX is also a Vtuber! Their Vtuber persona is called Kanae Tabinoki, and have near daily streams where they usually work, chat or game.

Strictly speaking, they're not really related to Len'en, though being played by JynX, it's rather inevitable that scraps of lore slip through their mouth.

All lore scraps are documented on the appropriate page on the wiki, though if you'd like you can also read their page and summaries of their streams to look into the details.

Social Media: Twitter

Finally, we come to the end. There are 5 twitter accounts that are relevant to the Len'en series in one way or another. They are:

@mugen_Jinx: JynX's own twitter account

@TN_Rei: Rei and Zelo's shared twitter account

Now these two are absolute gold-mines of lore, back when JynX didn't really realise how crazy fans will get about the lore, they would just drop random scraps onto twitter.

They don't do it much anymore, probably for the same reason Peing isn't used anymore, but I've started a project where I collect and translate all JynX and Rei/Zelo tweets, for future posterity.

The project isn't complete yet, but what is there can be found here. I've already found all lore scraps and documented them onto the wiki though, so there's no urgent need to read these at all.

@EnHaL03472833

@3DM5r5AOnKN9RPN

These two are accounts belong to in-universe characters, and so in fear of spoiling things, I've left their names out.

Being much more important tweets, part of the overall narrative of the series, they have their own dedicated wiki page to translating them here.

@Kanae_Tabinoki: Kanae's twitter account

To be completely honest, in terms of lore, Kanae's account is barely relevant. He mostly uses it to announce upcoming streams. I'm just listing it here for completion's sake.

Final Note: On the Len'en Wiki

Like I mentioned in part 1 your best friend really will be the Len'en wiki, the primary sources and their translations on the wiki are 100% trustworthy, be it game dialogue, associated files or even tweet quotes.

Pages where information needs to be synthesised on the other hand I would be slightly more careful with, there's not a lot of us wiki editors so many of those pages remain un-updated beyond the bare minimum. Misinformation should be kept to a minimum, though.

However, I will guarantee the quality of the Origin and Name sections! I've poured many hours into research for those, and I'm quite proud of them.

Also, there's a glossary navigation box that has a lot of pages for terms, key items and organizations listed there.

I mention this cause while the characters and location navboxes are probably easy to come across, this one might be a bit more obscure. The Youkai page is one example where it can be found.

Finally, the Len'en kanji change and what it signifies is detailed on the Len'en Project page, specifically under Name and Concept & Story Arcs, so there's also that to check out.

Ending

And that! Concludes everything you have to know to start fully immersing yourself into Len'en lore, to the point where you can drown in it like I have.

There are also announced but yet unreleased games and things of the like, but you can explore the wiki to find out about them, or even just ask other fans!

I must reiterate, I wouldn't be too worried about learning and reading up on whatever I've mentioned here in part 3. Part 1 and 2 are already a lot, after all and they're really the main basis you need to dig into the lore, getting immersed in all that does kinda snowballs into the obscure stuff naturally though, so you'll be back~ :)

And finally, to be completely shameless, I do some pretty neat Len'en related analyses and theories here that I feel aren't quite solid enough for the wiki. So if you somehow manage to consume all this and still hunger for more, come visit, yeah?

Anyways, I really, really hopes this helps. And happy lore-ing~!

#len'en project #len'en #len'en lore

[unfortunate--moth]

ok well now im curious what wolf game is I tried googling it and i dont know what to look for

ok ok so this is a japanese mobile game and I dont think it has an official english translation? This is the japanese name if you want to google more about it! 狼ゲーム

it's another one of those death games/escape games/puzzle solving games. Think of danganronpa or your turn to die for example!

a bunch of people are like gathered in a building. and each of them have to draw a card. You either get the wolf card or the sheep card. The person who draws the wolf card has to kill someone, and the rest of the sheep have to correctly identify the wolf and have them executed. It's basically the werewolf or mafia game (or like town of salem if you don't know what the other two are!)

The character designs are SO cool and I adore the art style. I actually played a bit of it but I had no idea what was happening since it's a japanese game but I did manage to somehow bullshit my way to the first execution. but I decided I would stop and wait for an english translation to actually appreciate it more. and that was a few years ago AGMHDSKFJMHSDF

there is a tumblr and a twitter for translating it but I'd also just like to play it for myself. so im making this hyperfixation harder for myself.

can YOU spot which character is the most popular and is the only one who gets fanart? (/lh /j)

jokes aside Rintarou and Chie are the characters that made me want to get into this game! i mean look at them...

so yeah. usually I would recommend the hell out of my favorite things but this is a harder one to get into because of the language barrier. I still think more people should know about it but I don't really know how to sell people on something they might not be able to understand. still I'm obsessed with these character designs and I wish I knew more about them other than their names

#狼ゲーム #狼ゲーム wolf game #wolf game #moth speaks #ask #anonymous #iida rintarou #komiya chie #thank you for asking about this #i love finding excuses to talk about things i like #wish i could learn more about this #maybe i should check out the translation tumblr #hmm

[paxesoterica]

Mobile Suit Gundam: The Witch from Mercury reminded me that I actually do enjoy watching anime, and since I have a bit of a backlog of ones I’ve either watched a few episodes or haven’t started at all, I was inspired by this post to make a scorecard of anime that I intend to watch over the course of this year.

My self-imposed rules are I will not start any other anime before I have finished these 16 (with the exception of Witch from Mercury, see below), I will be watching them with Japanese voice acting and subs, and that, gvien my experience with watching Witch from Mercury on a weekly basis, I won’t try to binge and instead watch an episode or two each day, since that will fit better into how busy life can get, and also give me more time to really think about what I just watched before moving on.

The shows above are listed in chronological order of release (1979-2023), but not the order I’ll necessarily watch them in (I like having the freedom to pick and choose), with additional notes below:

1.) Mobile Suit Gundam (1979; dir. Yoshiyuki Tomino): A more experienced Gundam fan who is also fond of Revolutionary Girl Utena recommended this and War in the Pocket (see below) if I was curious about other Gundam shows. Since I’ve been meaning to watch some older anime for awhile anyway, this seemed like a good series to start with, especially with its historical importance to the medium. I have previewed the first episode and I think it holds up well so far. I will only be watching the 43 episodes of the original anime at this time, so not the movie compilations or the sequel series like Zeta or ZZ (yet).

2.) Mobile Suit Gundam 0080: War in the Pocket (1989; dir. Fumihiko Takayama): I mentioned that I would permit myself freedom to choose the watch order, but since War in the Pocket is a side-story set around the same period as Mobile Suit Gundam, I feel it would be better to watch the former after the latter, so that I’ll have a better understanding of the setting.

3.) Goldfish Warning! (1991; dir. Junichi Sato): Goldfish Warning! has an interesting history, in that it’s something of a predecessor to Sailor Moon: the latter would reprise the former’s timeslot, much of its staff (including the director and his assistants, among which was a young Kunihiko Ikuhara), and a similar style of slapstick comdey. As a bonus, I’m 99% certain that one of the leads, Chitose Fujinomiya, would serve as inspiration for the Revolutionary Girl Utena character, Nanami Kiryuu. I will be watching both the 45 episode anime series and its accompanying film.

4.) Neon Genesis Evangelion (1995; dir. Hideaki Anno): The thing that piqued my interest in this show was a short review that I read years ago (don’t remember when or where), and that may have been translated from Japanese iirc. The review talked about how gender roles in Eva were inverted compared to mecha shows that came before it, such as how Shinji acted more like stereotypical female characters from such shows, while Asuka acted like what you’d expect from stereotypical male characters. I don’t know how true that observation is, but it stuck with me, and I’ll be keeping an eye out for that. I will be watching the original 26 episodes as well as the End of Evangelion film. I’m debating if I also want to include the Rebuild of Evangelion films, but I’m currently leaning towards watching those sometime later.

5.) FLCL (2000; dir. Kazuya Tsurumaki): I watched the first four episodes at a con, but never finished, so I’ll be doing a rewatch from the first episode. I’ll be watching the original OVA series, but leave the sequel seasons for another time.

*6.) Princess Tutu (2002; dir. Junichi Sato & Shogo Koumoto): I needed to watch this anime after watching an amv of it titled Dance of Death (it’s got spoilers, including for what I’m assuming are the last episodes, but if you don’t mind that or have already seen it, I highly recommend giving it a gander). I watched ‘til around episode 16~ until real life interrupted, so I’m starting over and watching it from the beginning. This is the first of the three shows I’m currently watching, and up next is Ep. 02.

7.) Michiko & Hatchin (2008; dir. Sayo Yamamoto): Multiple reviewers I trust said it was good, the setting and premise sound pretty different from anime norms, and I’m intrigued by the bit of trivia that apparently the director made it explicitly for office ladies to enjoy after coming home from their shift.

8.) Star Driver (2010; dir. Takuya Igarashi): Pretty sure I learned about Star Driver from this chart tracing the work of some of the members of Be-Papas (not *everything* anime-related comes back to Revolutionary Girl Utena, but a lot of it does, yeah  ¯\_(ツ)_/¯ ). I’ll be watching the series, but I’m not sure about the movie since apparently it’s a compilation film, so I’ll have to think about it.

9..) Penguindrum (2011; dir. Kunihiko Ikuhara & Shouko Nakamura): I’ve heard mixed opinions on this one, but it’s an Ikuhara-directed anime so I want to watch regardless, and form my own opinions about it. I’ll watch the 24 episodes, but I’m not sure about the Re:cycle films that came out recently.

10.) Mob Psycho 100 (2016; dir. Yuzuru Tachikawa, Takahiro Hasui): Someone made a vhs recording of the show’s first OP that ran on loop, and that was apparently enough to lodge itself in my brain. I watched the first season and a couple episodes of the second, until real life interrupted, so I’ll start fresh and watch all three seasons, plus the two OVAs that were apparently made.

11.) Sarazanmai (2019; dir. Nobuyuki Takeuchi & Kunihiko Ikuhara): Another Ikuhara-directed anime. I was halfway through before real life interruptions, but watching 11 episodes should be relatively easy.

12.) Sleepy Princess in the Demon Castle (2020; dir. Mitsue Yamazaki): In retrospect, I slept on this show, as I hadn’t realized it was another comedy by the director of Monthly Girls’ Nozaki-kun, not to mention that the premise is a nice subversion of a classic fantasy trope.

13.) Shadows House (2021; dir. Kazuki Ouhashi): I dug the gothic fantasy vibe I got from the review I read. I will be watching both seasons.

*14.) Bocchi the Rock! (2022; dir. Keiichirou Saitou): Repeatedly saw the protagonist compared to Suletta Mercury due to social anxiety, and am staying for the show’s willingness to experiment with animation. This is the second of the three shows I’m currently watching, and up next is Ep. 05.

*15.) Mobile Suit Gundam: The Witch from Mercury (2022; dir. Hiroshi Kobayashi & Ryou Andou): The whole reason I started watching this show was this post. And now I have brainrot am perfectly normal about this show. Starting with Ep. 02, I watched this show every Sunday it was out, and intend to resume doing so in April. It is possible that I might not be able to finish this show in 2023, since previous Gundam shows have run about ~50-ish episodes, and this show’s predecessor, Iron-Blooded Orphans, was initially slated to run only 25 episodes, only to reveal that the show length had been doubled in what would have been the last episode. So, I’ll finish Witch from Mercury in either 2023 or 2024.

*16.) The Magical Revolution of the Reincarnated Princess and the Genius Young Lady (2023; dir. Shingo Tamaki): Another lead compared to Suletta, this time due to rescuing a bride from her jerk fiance and being really gay. This is the third of the three shows I’m currently watching, and up next is Ep. 04.

#anime #mobile suit gundam #mobile suit gundam 0080: war in the pocket #goldfish warning! #kingyo chuuihou! #neon genesis evangelion #flcl #princess tutu #michiko & hatchin #star driver #penguindrum #mob psycho 100 #sarazanmai #sleepy princess in the demon castle #shadows house #bocchi the rock! #mobile suit gundam: the witch from mercury #the magical revolution of the reincarnated princess and the genius young lady #my writing

[uispeccoll]

#VoicesFromTheStacks

Images: Left, Photo of Creativity Explored community in front of entrance. Right, Creativity Explored artists Ruthie Freeland, Eddie Hippley, Michelle Kunard, and Vernon Streeter (counter clockwise from top left)

Creativity Explored

Founded in 1983 by Florence and Elias Katz, Creativity Explored, a studio-based collective in San Francisco, sought to create a space which fosters the creative expression of artists with disabilities. Creativity Explored has supported the careers of hundreds of artists since its foundation through means of training, offering supplies and resources as well as exhibition and sales opportunities. With the belief of centering the personhood and agency of the artists within the collective, the voice of disabled artists has come to the forefront through their work.  

Images: Cover, inside and zines from the Whipper Snapper Nerd first edition held in UIowa Special Collections.

In 1994, two volunteers at Creativity Explored – Harrell Fletcher and Elizabeth Meyer – began collaborating on a zine series titled Whipper Snapper Nerd. Each issue of the series has been devoted to the work of one artist from Creativity Explored and includes reproductions of their work and an interview. Here in the Ruth and Marvin Sackner Archive housed in Special Collections and Archives, we are fortunate to have the first copy of a limited edition set of Whipper Snapper Nerd. Included in the collection are the first four issues of the series centered on artists Barbara Doehrman, John Patrick McKenzie, Jimmy Miles, and Michael B. Loggins. Due to the relationship Ruth and Marvin Sackner had formed with Creativity Explored, this first edition of the collection also included additional pieces from artist John McKenzie and another zine from Michael B. Loggins.  

Images: Left, inside front cover of zine featuring the art and photo of Jimmy Miles. Right, inside front cover of zine featuring the art and photo of Michael Loggins.

A true highlight of each issue of Whipper Snapper Nerd are the interviews between each artist with either Fletcher or Meyer. Through these interviews readers get an insight into the interests, beliefs, and processes each artist has that translates into their work. Here the artists discuss their experience creating at Creativity Explored as well as any topic that should come up. The artists are honest, poignant, funny, and at times even blunt – it is fantastic. We learn that Barbara loves The Brady Bunch and cats. Jimmy doesn’t like questions, but he does love drawing planes. Michael loves hearing people laugh and has found the perfect jokes to tell his girlfriend Hope. John doesn’t like Linda Ronstadt or John Lennon but loves Curious George.  

Images: Left, inside front cover of zine featuring art and photo of John Patrick McKenzie. Right, inside front cover of zine featuring art and photo of Barbara Doehrman.

Outlets like Creativity Explored are invaluable to a community which has been underrepresented and invalidated. Art is a universal language and allows freedom of expression and creativity that holds special importance for those with intellectual or developmental disabilities. Creating a similar space for disabled artists locally, Systems Unlimited, developed an arts center to promote radical inclusion through art in Eastern Iowa. Here, artists are supported and empowered to contribute to a creative community not only in Iowa but beyond.  

Did you know? 

Up to 1 in 4 (27%) adults in the United States have some type of disability 

More than half of all adults with both cognitive and mobility disabilities reported mental destress 

Engaging with art has been found to increase psychological health, boost self-esteem, reduce PTSD symptoms, and enhance communication skills.  

At the University of Iowa, we also have services at the student level [UI Students for Disability Advocacy & Awareness (UISDAA)] and institutional level [Student Disability Services (SDS)]. 

-Kaylee S., Special Collections, Olson Graduate Assistant. 

#uiowa #special collections #uiowaspecialcollections #voicesfromthestacks #creativityexplored #disability awareness #disability rights

[dajaregambler]

HeliosR - Sing in the darkness - Chapter 3 - Part 5

Translation of Sing in the darkness from ‘Helios Rising Heroes’, a new side arc alongside the current main story arc Like the dawning light.

Bianchi: ----I’m here, sorry for the wait

Bianchi: My mother called me again and we ended up talking for a long time…. Oh, oh dear?

Jude: Welcome back, Bianchi

Bianchi: How rare, were you two having a chat? 

Bianchi: You both mind your own business and do whatever you like whenever it’s just the two of you, no? 

Nico: We got a message

Bianchi: A message?

Jude: It’s a directive from headquarters. Bianchi should’ve also gotten it

Bianchi: Let me see…

Jude: To put it simply, taking the city’s current state in account, heroes have to refrain from any activities for a while. 

Bianchi: What?

Jude: Well, it’s a reasonable judgment based on the current situations with the civilians. There’s still a large crowd of them swarming the Tower outside.

Nico: There also seems to be civilians who hound heroes on patrol and hurl insults at them.  

Bianchi: How could this happen… Might be a matter of time until it develops into riots… 

Jude: It’s obvious for patrols, but the latest LOM also seems to be postponed for the time being

Jude: Until things calm down, each of us have to be on stand-by at home or at the tower for now. Only time to dispatch is when headquarters notifies you to do so. 

Jude: What a pain this turned into. If it was substance or Eclipse, we’d have our work cut for us

Nico: And, don’t act independently when you get sent out.  

Jude: Well, won’t be a problem if the three of us act accordingly. It’s a dream come true if I can work together with Bianchi. 

Bianchi: This city took a turn for the worse, hasn’t it… 

Bianchi: Having our mobility restricted hurts, but we must do our best for Sei-chan. 

Bianchi: What do we start with first? 

Jude: Going off on what Sage said, there was something strange about Robin…  

Jude: It’s going to be bone-breakingly hard if it’s on a level he’s only capable of perceiving.  

Bianchi: Yes�� However this is why we have to believe in Sei-chan’s intuition. After all, he’s the one who knew Robin the best. 

Nico: I’m curious about how Sage mentioned Robin’s tablet while telling us everything

Bianchi: Ah, that tablet device handed out by Helios, yes? 

Jude: What happens to the supplied items of those that died in line of duty? 

Nico: Most likely that Helios takes it back

Bianchi: So it’s somewhere inside the Tower? 

Nico: I wanna see what’s on it….

Bianchi: It’s not like they’ll easily show it to us because we want to look into it… 

Bianchi: And if word gets out about everything Sei-chan told us, it’d be trouble… 

Jude: Why not lay it all out and then threaten them into silence? 

Bianchi: Why, just why can you only come up with unbeautiful ideas? 

Jude: Haha, ‘cuz I’ll never be more beautiful than Bianchi

Bianchi: Sigh~….

Nico: I’ll go for a sec

Bianchi: Eh, go where? 

Jude: Gonna threaten ‘em? Then leave that to m----

Nico: You two follow me

Jude: Ah, hey….!

-

Nico: You’re late

Bianchi: Follow me as you disappear into thin air, Nico-chan… What a horrid joke… 

Bianchi: At least tell us where we have to go… 

Jude: Gonna bust this place up now? 

Nico: No busting. 

Bianchi: This place is… a confidential vault, right?

Nico: Yes. If the confiscated tablet is being stored somewhere, then it’s probably here

Bianchi: What do you plan on doing coming this far? Going inside without a single care will get us in trouble

Nico: Yeah. Lockpicking and forcing the door will sound the alarm.

Nico: And making a hole in the ceiling or wall is out of the question due it being an act of destruction.

Nico: So then, best way to go about it is that

Bianchi: Nico-chan, don’t tell me you’re---

#helios rising heroes #heliosr #jude ares #bianchi law #nico #sing in the darkness

[fukuwatchesbl]

OFTS Ep1 - Stringed throughts

Let's just dwell in. It's long, so under a cut.

so we have: Mew as table keeper, Yo (❤ Jennie) as bar owner, Cheum the dancer, Sand the singer, Ray the drunkard (or maybe the burden from this translation note), Top as top tier (the translation pun is not lost on me), Boston the hunter

interestingly, Nick is not introduce in the context of the bar.

Ray is a moody drunker, not my favorite kind by far... also your jealousy is showing, sir

that wristband system intrigues me: white single, green free to hit on, red taken... any other colors? is it a special night thing?

Cheum was wearing red 👀 and Ray's color isn't visible

Boston, you're such a slut (affectionate)

love the opening sequence (was title kirati in the trailer? at all?)

they're never getting an A, or if they do it'll cost them their friendship (or both...)

the teacher pointing out how it won't work is incredible foreshadowing

one braincell, and Cheum holds it most of the time, right?

for a sec, I thought Nick would be the designer

Nick knows who is Boston. He seems pretty sure they're the same age. btw is it an inside joke that mark looks younger than neo, even though he's older?

Jojo's music choices are always on point

Mew doesn't drive and doesn't drink. I like that

Ray = designated drinker

Is Cheum family related to hotel industry? Top's is

Boston's plan of bringing in Top is gonna backfire so hard

do boston and ray not like each other much? that the second time I get this feeling

the pressure to lose one's virginity... sigh

i feel top has started to feel exhausted of one night stands, could explain why he got so into mew from the start

boston don't be such a snob about mew's music taste (honestly this attitude always rub me the wrong way, it's personal, sorry)

so who's the next guest who'll hook up with boston (hi drake!)

Sand, your conscientiousness will loose you

what's an airport taxi fare like in thailand? (I'm actually curious because it's regulated for paris airports)

did I already mention Jojo' musical choices?

also does that count as the belt trope?

give me khaotung's single now!

top: I love your room, it looks like you - mew: it's impersonal a fuck and you don't know me

mew may be a virgin, but he is not naive or a prude, he knows very well what's the implication of inviting top in his room

the only trouble is he doesn't want sex for sex

is it the first time someone said no to top? that must be the most surprising experience ever for him

nick... what you're doing is unethical, and also probably illegal

mew: i'm only red flags - top: i only see green

no but seriously, what mew describes is something top never had

wondering if ray's experience feels real to people who have had a blackout

"did we have sex?" -> Sand was so insulted, like who the fuck do you take him for Ray?

mew and top prolonging the night with a date at the library, that would be nice if not for all the mess to come

Ray being distressed because he didn't sleep home. is it just about waking up somewhere unknown?

why mew doesn't want to say who he is with?

also that belt-induced frustration... been there done that

who the hell owns that mobile phone shop? where are you? how did you not walk on your employee having sex with a client? so many questions

top inserting himself in all the groups activities, ew

I honestly had to google PM 2.5, I only know them as fine particles

does Ray know boston and top hook up? or at least suspect it?

and does boston know ray has feelings for mew?

honestly their dynamic is so screwed up, it's hard to think of them as friends, and it makes so much sense how it's going to become a mess

ray leaving right when top arrives. the only way he could be clearer is by actually saying he doesn't like him

sincere apology... that was an unexpected nice touch

Sand don't burn yourself

why is top giving me brian kinney's vibe? is it just me?

please don't sing... thank god... but also wtf, it's literally been a week.

See you next week

#only friends the series #fuku watches ofts

[spark-lapis]

Hi! Ritsu's propaganda submitter here. What would you say is the best way to get into kagepro? Your propaganda made me curious^_^

OH WOW THANK YOU !!! and for the kind tags on your reblog too!!

to be entirely honest kagepro is a bit of a Mess and I'm a pretty casual (and old) fan of it, I haven't even caught up at all since like 2017-- this post (embedded below) has a really good comprehensive explanation of the situation!

basically it started as a series of plot-linked vocaloid songs, which is what I'm most familiar with! then there's also a manga (Kagerou Daze) and anime (Mekakucity Actors) and apparently novels too???

the anime (in my opinion) is basically only supplementary to the rest of it; the real heart of the series is the songs, but I read the manga online on one of those free translation websites back in the day and I definitely enjoyed that at the time as well!!

I don't usually post with links on the tumblr app so I have no idea if tumblr is embedding everything correctly, but this is Kano's character song that i mentioned in the propaganda!! It's an absolute classic and I highly recommend it! (And, due to being a classic, there's tons and tons of interesting vocal covers and such as well!)

most fanmade guides I've seen tend to consistently recommend starting with the songs and, if you do watch the anime, to do it dead last (otherwise it's deeply confusing because they don't really. like. explain anything that's happening. in the anime. basically it doesn't work very well as a standalone), but past that it's kind of a free for all.

as for what songs to start with, searching "kagepro" on YouTube turns up plenty of playlists to take your pick from!! after looking over a few of them I think this is probably the closest to my original experience (embedded below again since apparently Tumblr mobile is weird about in-text links) but ultimately kagepro is a bit more like a Jumble of Characters and Ideas than an actual chronological Plotline, especially since a lot of these songs are actually new and I don't even recognize them! (from what I've heard there is a chronological plot but there's lots of canon time-fuckery and rewinds and loops and routes and it's a whole mess.)

the really Classic songs that I personally recommend the most and consider the heart of the series, in my recommended order (sorted so songs with related characters are grouped together, with my personal favorite songs in bold), are:

Kagerou Days (Hibiya), Konoha's State of The World (Konoha), Children Record (basically the whole main cast), Ayano's Happiness Theory (Ayano, Kido&Kano&Seto), Toumei Answer (Shintaro&Ayano), Lost Time Memory (Shintaro), Kisaragi Attention (Momo), Otsukimi Recital (Momo&Hibiya), Imagination Forest (Mary), Shounen Brave (Seto, Mary), Yobanashi Deceive (Kano), Mekakushi Code (Kido), Yuukei Yesterday (Takane, Haruka), Headphone Actor (Takane), Outer Science (Saeru&Mary), Summertime Record (also the whole main cast; this is the good end I think)

after spending so much time thinking about this and typing it up I actually just went and put together a playlist in this order! especially because the titles differ slightly by translation and there's SO MANY covers that it's really hard to figure out what's the original version if you aren't already familiar with it. this is the playlist I picked the videos from if you are interested in more than just the classics, too!

SPEAKING OF COVERS !! this is a playlist of english covers for most of the really classic songs, and this is a half hour long english cover for a guitar medley of a lot of those same songs!! and this is by far my favorite cover ever for Outer Science, which i just. love how it sounds so much.

SORRY IF THIS IS ALREADY OVERWHELMING i just like to be really thorough if possible!!!! thank you for your interest and best of luck to your blorbo in the competition as well !!!!!! and absolutely feel free to reach out if there's any more questions or curiosities!!

TLDR is basically that I recommend checking out playlists of the songs and fanmade pvs, and/or the manga (under the name Kagerou Daze)! unlike the anime, the manga DOES seem somewhat understandable on its own, but I found it much more fun to read after already knowing about the characters from the songs!!

#long post #really long post #spark speaks #asks ! #REALLY GENUINELY THIS MADE MY DAY i haven't actually gone back and listened to these songs in Years and it was really fun writing this up #nostalgia blast............ #kagepro #save

[a-regular-ol-pill]

can i get yin x reader? honestly yin makes me excite🚼

"Well... accidents happen a lot. Especially when you're frustrated."

Mobile Legends; Bang Bang

Pairing; Yin, You.

SFW

Requested? Yes.

Small note for requester; Yes. Our thoughts will only be about Yin for now.

Want to request? Click here.

Warning(s); Use of 'Bastard' once, Google translate.

Word Count; N/A

Second Person Perspective.

Pronouns used for reader; 'They', 'Them', etc...

Prompt;

"Training is hard, but not that hard. How did you even teleport on top of him?"

Training has been a usual routine for you. It's for you to fight alongside your brother; Xavier. Sure, he's only a former Arbiter of Light, but you know how much he cares and defends the city. That's even how he found two new friends— From defending the city!

You honestly could have guessed the irony of the relationship between you and Yin. It was obvious from the moment that you and Yin laid eyes on each other, that you'd already developed a crush on one another. Even Melissa could agree on your guess. She had read a lot of books after all. Poor Yin has to suffer from your overprotective brother, Xavier.

You swear, every moment that you and Yin spend together, Xavier will be there to be a huge cockblock. Not letting your relationship progress to be more than 'pals'. Although you and Yin think it was annoying, Melissa was more than amused to watch Yin awkwardly look away from you, after Xavier blocked you from his view. It was often when training though, so luckily, he doesn't always does that to Yin when all of you are hanging out.

When he doesn't, though. Yin always found a way to sneak up closer to you than he should've— Being able to hold your hand, handing you selected gifts that you'd always hide in your drawer, and flirting by whispering to each other. Unfortunately, Melissa would snitch on Xavier, she wouldn't even hide her laughter when Xavier started scolding Yin! She's evil, but she's your best friend. Well, everyone's best friend.

Melissa's the one that; Pairs you and Yin up, and gets you in trouble because of her doing. That's why you and Yin try to avoid both of them at the best of your abilities. But it's nearly impossible with her dolls following you teo around like a lost child. You concluded that Melissa convinced the doll that you and Yin were its parents, so now the doll was lost and needing guidance from the two of you. It even cried on one incident when Xavier pulled you and Yin apart.

In one word, you and Yin's relationship is hopeless. Well, hopeless at the time at least. If you devote yourself to training and finally have your brother's permission to take you in defending the city with him, and hopefully have a slim chance of Xavier letting you decide for yourself! Hopefully, at least.. You've been holding on to the hope of Xavier realizing that you've grown up already, ever since you've finished your education at a young age! You have every right to be hopeful..

Yin's perspective isn't any different from yours. He also felt like it was hopeless, but he still held his optimistic side. Waiting patiently for a chance of your love. Watching you from the sidelines whenever you have a mindless chat with Melissa and Xavier. And laughing off Xavier's complains for him to stop gazing at you. He knew how capable you were, and if he can't convince Xavier to let you date him, maybe you will instead.

You were reciting spells at the moment, trying to do what your brother was doing and skimming through the whole page four times. For some odd reason, your magic was weaker ever since you woke up. You wanted to ask your brother for help, but you couldn't find him in your house full of kittens. Surprising to say the least, considering you always found him being trampled over by the tsunami of kittens whenever he's free for the day. To which he told you before you went to bed.

Shaking the thought away, you came across a spell that was in greek. Of course— You being curious, you tried your best to cast it to the best of your abilities. Groaning out in frustration after your fifth, failed try. You slammed your fist on the table repeatedly and frustratedly cried out the spell once more. Thinking about how you wanted to succeed to be with Yin. Cliché, but can you really be blamed?

"κβαντική τηλεμεταφορά!"

After saying the last syllable, a foreign feeling ran over every atom in your body. And for a split second, you felt the air pass through your whole body, every color was suddenly blacked out from your vision. The second your senses came back to you, you found yourself on top of Yin. Where he was apparently; Hanging out with your brother. Yin's reaction was priceless, his whole face turned redder than the cloth on his clothes, and he immediately tried to get you off him. His strength was gone from the shock that you gave him.

"Oh! I'm- I'm so sorry!" You frantically began to apologize, and climbed off Yin. Xavier was frozen from the surprise and watched you two stumble up to your feet. Helping each other in standing up straight before immediately pulling away. You turned to your brother and bobbed your head repeatedly— An action you often do whenever you feel anxious, or in this case. Nervous.

Xavier's aura became increasingly scary as you stuttered over your words. Even though it immediately dropped the second you mentioned the spell you casted from your book. The suspicious look he gave you proved that he was gonna make sure you're telling the truth. You slumped your shoulders in defeat, as Melissa pulled Xavier away to try and lighten his mood. She sent a teasing wink to you and Yin before hopping away like nothing happened.

A moment of silence casted itself between you and Yin, before Yin's lighthearted laughter could be heard from your ears. "What's so funny? The fact that I casted a teleporting spell without knowing?" You asked, a pinch of frustration in your voice as you crossed your arms. Yin ran his fingers through his hair and smiled mindlessly at the adorable act you were putting on. "Not exactly. But that's one way to find a way to be with me."

Cocky bastard, he even nudged your cheek to mock you! Well... mocking isn't really a word you should use for what he did to you, but you're using it anyway. "Don't let your cockiness get ahead of you." You mumbled, bobbing your head lightly once more. Yin noticed the way you felt anxious, and took your chin to place a kiss on the corner of your lip. He couldn't even kiss you correctly!

He pulled away before you could say something, and did a small backflip before winking at you. Blood rushed to your head, and you chased him all around the city. Screaming out; "I'm gonna kill you myself before Xavier can!" Sure, a few people got weirded out from how vulgar your words were to Yin. But that's how pals work. Good pals, am I right?

One thing's for sure. Yin's truly glad that you caused that accident, because Xavier would be more strict if you didn't.

I hope you enjoyed reading this, as much as I enjoyed writing it! Take care of yourself! <3

#mobile legends bang bang #mobilelegendsbangbang #mlbb #mobile #mobilelegends #mobile legends x reader #x reader #mlbb fluff #yin #yin mlbb #mlbb yin #yin mobile legends #mobile legends yin

[fleecedragon]

A friend told me about some discussion about making an ENG patch for CoE (which sounded really cool) and then mentioned that the discussion started from my translation of the most recent guidelines, which said a patch would be 100% alright/approved...So I figured I’d clarify.

In short: That’s not how I read it at all when translating, and I apologize if I caused any misunderstandings.

Fukao has nothing against translation into other languages or the ENG community, and is pretty approving of subtitles on videos.

A (clearly-marked-as-unofficial) patch that you could apply to the game you downloaded from the official site might be better than uploading a full english version of a game, but would still require uploading edited assets because the menus, names, and certain other things aren’t stored as text strings, they’re stored as images. 

So it’s...kind of a gray area, at best, not 100% approved. (Please let me know if there are any other things you’d like me to clarify w/r/t the guidelines, I can...do my best to explain.)

(Under the cut is kind of an extended ramble about translation gray areas & my translations. It’s kind of related, but no real need to read it unless you’re super curious)

A lot of (mobile, unlocalized) games have rules about uploading all their text elsewhere. This is usually because they don’t want people to just read the text and ignore the game entirely.

However, they (mostly) don’t ban translations into other languages, and so a lot of translations fall into this sort of gray area.

The argument usually goes that translations by nature aren’t the exact same as the original text (true) so they’re a sort of fanwork (i guess so....) and thus aren’t the same as uploading all the text elsewhere (well...).

These companies usually are happy to have overseas fans supporting their work, so if that means more overseas fans supporting their work they’re willing to turn a blind eye and not issue takedowns but only if said access to the work doesn’t cause problems and people don’t force them to acknowledge the existence of the translations.

(For example, overseas fans spreading complete footage of paid concerts everywhere publically on twitter, emailing the company with problems they have about a story using screencaps from someone’s translation...things like that.)

Fukao and SharkTaleFactory aren’t the same as a big corporation (and of course, CoE isn’t a monetized mobile game) but I’ve been translating under the assumption my TLs/any TLs fall into that sort of grey zone.

This means: They’re unofficial, they aren’t intended to take away from the official material, and I don’t want SharkTaleFactory to be forced to acknowledge them.

I upload my translations to my own site (my dreamwidth) because, well, they’re unofficial.

However, I try to include links to the sources so that people can read them in japanese if they can, and so they can support the original material.

Like i said, my translations aren’t intended to take away from SharkTaleFactory- they’re only here because there’s no time and resources for an official english TL.

I can’t control what anyone else does with any tls they choose to do, or whether they choose to bring it to the attention of Fukao/SharkTaleFactory, but I will ask that everyone please be careful- I’ll take down my translations if they end up getting unwanted attention in order to avoid trouble. (I hope this doesn’t happen, but...)

That’s all. It’s a pretty long post but maybe...that clarifies something?

#cell of empireo #please god i hope this cut works in the tag