Tumgik
#don't stream on max
iamadequate1 · 2 days
Text
"Discomfort in a Married State" What does this mean?
In Discord, I jokingly said I'd do the Webster's Dictionary trope to start a post.
youtube
But... was I joking?
Webster's Dictionary defines marriage as "an intimate or close union," or closely, marry as "to unite in close and usually permanent relation." Taking about marriage is not just about a literal spousal union, and it is not just about romance. You have aspects and ideas in your life that you are married to even though you don't put the word to it. "Marriage of flavors", "married to your job", "marry academic disciplines,"... I had a teacher who said "I'm not married to this idea" when writing something in scratch work as a possibility.
The title "Discomfort in a Married State" is pulled from a quote from the real Stede Bonnet at his trial, and it's repurposed in the show, used at the start of Fictional Stede's pirate journey rather than the end. To me, I do not feel like the adjective is used in the episode as actually being about a spousal union. Stede is not a good fit with Mary, no, and the episode opens with both Stede and Mary both being pushed into the marriage by their parents because of societal expectations and goes on to show that their marriage doesn't work. However, Mary's not alone in Stede's horror dream, and it doesn't just feature his failures in their marriage: the "married state" title drop slides directly to his father mocking Stede's aversion to violence (and weakness, in his, the father's, eyes) and Smoke Blackbeard and Alma serving as a callback to his naive pirate dreams becoming more starkly real when he was stabbed. Mary wasn't what Stede left; unfortunate as it is, as a man, he had other less extreme options to make an unhappy marriage more comfortable for him. The "marriage" Stede has is the life that his father and role at birth pushed him into, and initially, Stede planned to take Mary with him in leaving it. Stede pushed out into what he viewed as a more idealized lifestyle, even though he's finding out its not the final destination in his journey.
On Ed's side, his parallel is not his relationship with Izzy. In his first big conversation with Stede (the one in the library), he says plainly what his "discomfort" is:
Ed: You ever feel trapped, like you're just treading water, waiting to drown? Stede: Yes, I very much have felt that way. Ed: Blackbeard always wins, that's the thing. He can't fail. It's not even a challenge anymore. People just see the flag, and they freak out, Blackbeard!, and they basically just give up, they surrender. What's the point? I don't even need to be on the boat. I'm a ghost. There's no chaos, there's no drama, there's no fucking life! Stede: Look, I can't believe I'm saying this, but have you ever considered retirement?
Ed's "marriage" is with the Blackbeard persona and the pirate life. He's not happy, and he is also looking for a way out. He's idly mentioning death as an alternative (e.g., the "I haven't died yet, have I?" outburst with Izzy, and "I'm thinking about packing it all in". It can be a bit of a grind"" to Stede before Stede introduces Ed to retirement). He then pivots to the brief identity theft escape, then the China plan with Stede. There is a parallel of the marriage -> finding escape pipeline. Ed and Stede were both intrinsically bound to lives they do not want, and they had to take dramatic steps to leave them.
Izzy narratively differs from Mary in that Mary isn't an antagonist (bless you, DJenks). This is a storytelling medium without monologuing voice overs or Shakespearean soliloquies, and something needs to be in story to represent that conflict. Izzy is the representation of the external antagonistic force that adds fuel to Ed's internal conflict, analogous to the function that the Badmintons (instead of Mary) have for Stede. This is what we mean when we say Izzy is a plot device for Ed's (and to a lesser extent, Stede's) story: most of his scenes (all in S1?) revolve around keeping Ed in a life he doesn't want while also functionally servicing as a conventional reaction to Stede's brand of captaincy (characters like Lucius or Frenchie have their own independent quirks, so that's why they don't get this same comparison). Izzy is in story as the obstacle that keeps pulling Ed into that life, into that marriage with that persona. The story is not literally saying Ed is married to Izzy or that they were former lovers, but as the representation in story, Izzy is going to act like a jilted spouse. (And Ed's not into him and views him as a father figure, so... not a literal spousal marriage.)
In the end, the "married state" is not literally about Mary or Izzy. Stede would still be unhappy with a different wife or as a bachelor in the same stagnating lifestyle. Ed would still be unhappy with a different first mate but still living as Blackbeard. Ed reacting strongly in 2x7 when he thought there would be a conflict of a possible deal breaking choice of staying with Stede and leaving piracy show that it isn't just about the right person but making sure that the two perfect people who found each other are both in a position to live a life that makes them both happy outside of their relationship. This is also a romcom very pointedly leading toward a climatic wedding of Ed and Stede, and the message is not that Stede and Ed don't like being married at all: they need to work together to reach a "married state" that satisfies all facets of their lives. They're so close!
We're joined to one another. Intertwined. We wrote our names on each other in permanent ink.
They're working together on their relationship ("the inn" at the end of 2x8 isn't literally about the inn), and they're finding the path to go on that takes them both to a place to where they want to be.
Also, "Comfort in a Married State", calling it as an episode title after WBD collapses and OFMD gets a pick up 🥰
16 notes · View notes
ibelieveinheadcanon · 28 days
Text
How did I just find out about this yesterday???
This is absolutely hilarious!
youtube
Even New Zealand managed to make better advertisements than Max
249 notes · View notes
thepersianslipper · 2 months
Text
I love how everyone is riding Max's ass on twt today. We're in our Kraken era and stand with our RapSh!t brothers to give Max hell.
A very quick downfall to you, Max, and take WB with you 🙏
The comments are delightful in this.
A taste:
Tumblr media
83 notes · View notes
virgo-79 · 2 months
Text
Tumblr media Tumblr media
69 notes · View notes
dallonismysavior · 2 months
Text
Absolutely heartbroken, queer people can't never win, ig.
I'm glad that there's more queer representation on media, but almost always is about kids (which is AMAZING!) but I feel that we also need more queer representation where they are adults/middle aged people. There are a lot of people in real life who are learning about themselves and exploring their identities later in life, people who were afraid or denied this freedom that connects with these characters that are going through the same journey.
Max not only butchered the show's budget and shortened the season — decision that affected the development of many characters and relationships, including the polycule — they never cared about the show: S1 had no marketing campaign whatsoever. I, and many others, only heard about the show through other people. S2 came in the middle of the strike. The actors, who so deeply adore the show, couldn't talk about it, and even though max did marketed the show this time, it was awfully done (for example spoiling episodes and memorable scenes, like the final ed & stede reunion even BEFORE the show premiered).
It is easy to say that max/warner never wanted this show to succeed — and ironically, despite their lack of effort, it became one of the most streamed shows from that platform. But apparently, it still wasn't enough.
I'm deeply grateful to David Jenkins and everyone involved in developing this show, so very deeply carefully made!
Thanks to Rhys and Taika for these characters, for every improv and gesture that made them come to life.
To the cast and crew who are in love with the show, just like the fans.
🏴‍☠️💕
30 notes · View notes
fruityedge05 · 3 months
Text
I'm sorry but the fact that David Zaslav didn't even WATCH "Coyote versus Acme" and then he still decided to delete it....
AND HE IS REFUSING TO LET OTHER SERVICES BUY THE FILM...
THIS MAN IS PRACTICALLY BEGGING TO GO BANKRUPT ATP BECAUSE WHAT THE ACTUAL FUCK???
24 notes · View notes
save-ofmd-pl · 2 months
Text
Nasza bandera znaczy śmierć - lektor PL
Tumblr media
Ahoj załogo!
Łapcie naszą miłość z polskim lektorem. Możecie teraz obejrzeć OFMD z mamą czy dziadkiem ;), możecie odpocząć, nie myśleć w dwóch językach naraz, pośmiać się i popłakać. Trzymajcie się piraci! <3
OFMD lektor PL sezon 1 i 2
6 notes · View notes
ughmyheart · 2 months
Text
Tumblr media
😭 Stupid Dav@% Zas*!%
5 notes · View notes
slowestlap · 5 months
Text
Max struggling to donate for Jimmy Broadbent's Mind Charity campaign during the 23h charity stream | via StanleyDeslandes_7 on twitch, 9 December 2023
↳ Includes Max being clueless and confused, boys tryna be helpful and Max just paypaling Bennett 1k€ to finish the donation on his behalf
+ Max's Bennett's donation message:
Tumblr media
112 notes · View notes
formulaonedirection · 10 months
Photo
Tumblr media Tumblr media Tumblr media Tumblr media
quadrant archives 1/?
Lando Norris takes a lie detector test
316 notes · View notes
rainymoodlet · 10 months
Text
Tumblr media Tumblr media Tumblr media
189 notes · View notes
iamadequate1 · 3 months
Text
Don't Stream on Max
Ragging on Max is fun, isn't it? This is going to be long since I brought tables. Here's a kiss GIF to get people's attention!
Tumblr media
Let's be real: if HBO/Max has a cancellation rate this high and is the only streamer with a cancellation rate approaching these numbers, we're long past the point where fingers can be pointed at the shows individually, trying to invent unique "failures" in each one separately... except for Zaslav's baby, The Idol, that show deserved it. If there is an oddity like this, deduce down the common factor, and the common factor here in all these "failures" is WBD/HBO/Max. WBD does not know how to run a streaming business, and yet, it is charging consumers the highest rates in the industry.
✨Cancel Max now✨
Remember that WBD sponsored article from Vulture? Remember?? Specifically...
And then there was the final strike against last month’s canceled trio of titles: their production costs. As noted earlier, all three series went into development circa 2019-2020, at a time when competition for hot new shows was beyond intense. Streamers were handing out ridiculous deals in order to land coveted projects and agreeing to license fees and production budgets that were usually only reserved for big, established blockbuster hits. So a series like Rap Sh!t, which had the feel of an indie production and used iPhones to tell its story, ended up costing Max twice as much to license as HBO’s critically loved, niche comedy Somebody Somewhere, per a source familiar with show budgets. Our Flag Means Death, the same sources say, had a license fee three times that of Somebody.
First of all, they picked the smallest show they could in order to justify ~scary~ words like "twice" and "three times" without any danger of being specific, but they also picked a show that was "renewed" and I can find no evidence it's being worked on anymore!
But 2019-2020, let's discuss that. The merger was finalized April 8, 2022, and Max, the illicit love baby between Discovery+ and HBO Max, launched on May 23, 2023. On its face, Max has the second largest sticker price of streamers, and that sticker price is mostly built from that HBO prestige, but I'll build to that...
Let's say Zaslav had to let 2022 roll, so let's look at 2023, shall we? HBO/Max had 11 shows debut in 2023.
Velma (Max - renewed + lol)
The Last of Us (HBO - renewed)
Fired on Mars (Max - Purgatory)
Gremlins: Secrets of the Mogwai (Max - Renewed)
Clone High (Max - Purgatory as new season is coming in)
The Idol (HBO - cancelled)
Warrior (Max - cancelled + moved to Netflix)
Adventure Time: Fionna and Cake (Max - renewed)
Young Love (Max - Purgatory)
Scavengers Reign (Max - Purgatory)
Bookie (Max - Renewed)
Wow! Not even half confirmed renewed, and one of the success stories is Velma. HBO also only debuted two series that year: TLOU was in development since 2020, but The Idol was still in early stages when Zaslav wandered in. Since he didn't put a stop to it, The Idol remains Zaslav's sole contribution to HBO, especially since according to Wikipedia, the show went under a "drastic" overhaul in April 2022, the month of the merger.
There is an article going around citing that Max has a 26.9% cancellation rate, and that seems.... off? It is still far higher than every other streamer, but it's still lower than what's expected from what we've seen of WBD/Max. If you look at Max's original programming list and HBO's original programming list, something's not adding up. I tried to follow the source back, but it wanted money, so I'll do it myself! I suspect that the glut of mindless reality shows, exploitative docuseries, and miniseries really brought that percentage down.
I'm just going to look at the cancellation of actual scripted shows, ignoring miniseries (that's just a big movie on purpose and no concern about #FinishOurStories), series that haven't aired an episode yet, non-English series (most don't have Wikipedia entries and are a messier thing to research), and co-productions (as Anne with an E showed, sometimes the partner can be responsible for cancellations -- this unfortunately leaves off series like Gentleman Jack). I also limited myself to series that had/about to have a season debut after the merger date (April 8, 2022).
(I've got the 'tism, and I enjoy making spreadsheets.)
Drama:
Tumblr media
Comedy:
Tumblr media
Anthology:
Tumblr media
Continuation:
Tumblr media
Adult Animation:
Tumblr media
Kid/Family:
Tumblr media
(Note: I used "ended" if I immediately saw that it was the creators who ended the show on purpose.)
HBO Breakdown:
Tumblr media
Max Breakdown:
Tumblr media
Combined:
Tumblr media
HBO/Max is hovering around a confirmed 50% cancellation rate. I don't expect shows like Tokyo Vice and The Sex Lives of College Girls to last past their seasons that are about to premiere, and I expect many of these other "renewed" or "pending" shows to disappear into the ether.
Let's talk money. What is the monthly cost to subscribe to streamers? To make my life easier, I'm not going to list out yearly costs.
Streamer | Cost/Month with Ads (USD) | Cost/Month without Ads (USD) Apple | n/a | 9.99 Disney | 7.99 | 13.99 Hulu | 7.99 | 17.99 Disney/Hulu Bundle | 9.99 | 19.99 Max | 9.99 | 15.99 Netflix | 6.99 | 15.49 Paramount | 5.99 | 11.99 Peacock | 5.99 | 11.99 Prime | 8.99 | 11.98 Starz | n/a | 9.99 Discovery+ (on debut) | 4.99 | 6.99
Disney and Hulu together without bundling would be 15.98 with ads and 31.98 without ads, so each bundle is 62.5% of what it would have been with a double charge. If Max would be a similar deal, the HBO and Discovery pieces separately would add to 15.98 (ads) and 25.58 (no ads), so assuming no Discovery inflation (and, lbr, the starting pricing was already too high), the HBO piece would be 10.99 (ads) and 18.59 (no ads), putting HBO as the most expensive streaming option.
It's hidden, but Max is a bundle. Discovery+ and HBO do not have overlapping shows or audiences; it's really like if ESPN and Disney tried to sell itself as one service without telling anyone.
Since I tossed out the reality pieces, the cancellation rates I have above are the HBO pieces. If you're paying for Max, you're paying for the most expensive TV option, while paying for the highest turnover in TV productions. If you're subbed to Max for one show, it would be cheaper to just buy it from a digital store or, you know, 🏴‍☠️
So, circling back to the initial quote: sobbing about being beholden to the wacky 2019-2020 greenlights, when those greenlights are the only reason people are subscribed to the service in the first place is certainly a choice! Especially since now that the only "originals" Max is offering up are on par with Velma and The Idol, and the prestige TV that were underway at the time of merger (ex, TLOU and that upcoming HP show) maybe justify a one month sub-and-binge per year. With this obscene cancellation rate and creator disrespect, they aren't going to nab any more big projects, but they sure want you to pay them like they are.
Look, I'm not getting into the labor and worker treatment parts of this, and I'm not getting into the media representation parts of this or how non-white/straight/male shows have to meet impossible standards. Both of those are also egregious and part of a much, much larger discussion. Just from a purely consumer point of view, Max is a bad product.
Cancel Max. It is not worth your time to care about anything they put out.
Anyway, some petitions for shows that this failed streamer dumped recently. Max won't pick any of them up again, but you can show other streamers that there is interest for them to pick up the shows!
Our Flag Means Death
Rap Sh!t
Julia
Winning Time
Warrior (S4 has not been confirmed with Netflix)
81 notes · View notes
thepersianslipper · 2 months
Text
The only explanation that makes sense to me is WB being fucking petty and making negotiations impossible like they did with Coyote vs ACME.
I hope they know they made another powerful enemy in us.
16 notes · View notes
virgo-79 · 2 months
Text
My answer as to why i was cancelling my subscription:
I subscribed to MAX for one show: Our Flag Means Death. I am profoundly angered and disappointed by the poor decision to cancel the show before its third season, particularly when MAX continues to use the show and its acclaim to market itself to potential subscribers. It reflects poorly on MAX to cancel a lauded and original queer show like OFMD, particularly while simultaneously retreading old material created by J.K Rowling, a known transphobe. I have no interest in exploring other shows on a platform that has proven it will end them early in favor of reboots of what's been done already. If MAX gets new leadership, continues Our Flag Means Death, and shows a genuine appreciation of and commitment to queer audiences and stories, and original material, I would consider supporting the platform again. Until then I have no use for this service, and will discourage others from subscribing.
10 notes · View notes
idkwidatp · 18 days
Text
i need (want) recommendations in a kinda specific way
i really like over the garden wall, coraline, jack stauber, the world of mr plant, all three tim burton stop-motion animated films, and heathers are there any other shows\movies similar to these that are definetly horror but also don't have *too many* jumpscares or gore, its more about tone or character designs? im also okay with gore if its just blood anything more than that and i will hate it.
12 notes · View notes
fruityedge05 · 3 months
Text
I can't wait for David Zaslav to see his ass after this whole thing. Please god it would be do funny. PLEASE.
6 notes · View notes