What did/do you like about Pharah?
Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.
Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).
But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.
There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.
Now Mercy? Mercy is a real complex character.
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Song quiery/request: Starstruck and Meta? o:
starstruck and meta knight (gen... ish?) ; liar by the Arcadian Wild
i sense deception to come,
honestly, truth and i are never one
coz i am the lying man,
and i have made you my next victim
oh, i need you to see through my act,
to tell me i'm wrong, to take off the mask
or else i'll be left in the lie,
and i'll deceive my way straight to demise
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tommy loves horses of course, and there's a lot going on there (re trauma), but he has a pretty utilitarian view on them most of the time; it's not as much of an affectionate relationship to the animals as i think fandom seems to believe. there's also rather a greater symbolic meaning in general to him than bonding himself emotionally to a single horse, the way it tends to be with most horsey narratives
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more and more it's feeling like we just...don't have room for people trying anymore. it's all or nothing; get it right the first time, or be crucified by a jury you can never fully see or convince. and this isn't new, isn't born of current events. it's become more and more prevalent over the last ten years thanks to social media putting every little thought on blast, but i'd put money on the idea that it's actually been brewing much longer than that. and, for me, it goes beyond being tiring or upsetting. it feels bleak. it feels downright fucking broken that we're all so busy trying not to condone anything remotely problematic that we don't leave room for good faith learning. watching people trying to suss out their own identity--something literally ONLY they can fully understand or explain--be vilified for trying to fit words around their own experience sucks. watching people misunderstand something and try to apologize for it later, only to be told they should have known all along, sucks. seeing people who once held truly toxic beliefs actually grow and learn and apologize and still be told to fuck themselves as if they're a lost cause--it sucks. just. does that not fill you with despair for the state of things? does that not break something in you, to think that if you one day don't understand something, or misuse a word, or grapple with complicated feelings, it will forever stain you in the eyes of perfect strangers?
dude the world is fucked, and we all see it, but like. it doesn't feel like it helps to be so goddamn reactive. it doesn't feel like it helps anyone to demand perfection out the gate. it's exhausting. there are enough people out there who don't want to learn, who aren't trying, who actively revel in cruelty. looking for malice in every little fuck-up from people who seem to be genuinely striving to live their lives with kindness strikes me as lending strength to an army that already glories in suffering. and makes the world look more fucked than ever. and i really don't know that that energy is what we need when there's already so much to set right.
maybe it's just me. maybe this last decade just shattered something in me. but i really, really hate the idea--reject the idea, frankly--that people can't learn and change and grow. that people can't be better than a bad day or a failure of understanding. i reject the idea that people are something to be thrown out because they fucked up. it just seems...yeah. bleak. really fuckin' bleak.
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I see your cryptid nightmare Merlin and raise you, cryptid-by-association Hunith. Like, it's canon that other magic beings have an innate ability to sense Emrys, and she's spent almost 20 years being surrounded by his magic, so now she just has this unseen aura of Not To Be Fucked With, By Order Of Emrys. On market days, she takes a shortcut to the next town through a Very Haunted Forest and it's like:
Dryad 1: Bro, there's a human in our forest, the fuck?
Dryad 2: Bite your fucking tongue, Carl, that's Hunith.
Dryad 1: Whoa, Emrys's mom?
Dryad 2: Emrys's mom. So put your fucking roots down and be nice.
Dryad 1: Oh, shit, yeah, totally, my bad.
Dryad 2: She's really nice, too. Watch. Hi, Hunith!
......
Hunith: *hears the trees rustling without a breeze*
Hunith: *raised a child that regularly spoke to plants, bodies of water, and animals*
Hunith: Good afternoon, lovely day, isn't it?
........
Dryad 1: Oh, she is nice!
Dryad 2: Told you.
A sorcerer in the market town sees Hunith come strolling idly out of a forest that has a Known history of trying to Actively Murder Trespassers and is just like, "What the actual fuck?"
i moved my queue 2 hours later because i didn't want this to get drowned out because YES
we've now seen cryptid eldritch horror that is emrys aka merlin, but anon is asking the right questions. who does the cryptid horror better? who started it first? who is ignorant to the abject terror they insight on magical people because of how they surround themself with???
why hunith of course!
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finished chapter 4 of dangan ronpa v3 by the way. i wanted to mention that i think both case 3 and 4 are real solid, very good line of reasoning and satisfaction of like. going through the logic. i *am* suspicious of the two new rules that they've set up through both of these chapters though. They really need a mass murder to happen. may happen next chapter i suppose.
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HSR verse Kaeya ideas:
Path of Nihility, Element Ice
Fell in stride with that path due to his depression after his conflict with Diluc and belief his fate due to his family's ties to the Abyss Order may be to bring his new homeworld's doom ( in part because of his Father's final words to him ), maintained in growing to find amusement in the impossible and working towards it regardless of the fact
Has every intention to try and defy his so-called fate even still, even knowing all that effort may be for naught in the end. But at least he would like to say he tried
Tends to help people on a whim, without desiring credit for his actions or if it may help them in the long run
His abilities sap the vitality of his enemies, but consume his own when he uses his strongest ability
Due to his family's contract with the Abyss Order, his lifespan is longer than most humanoids, spanning centuries. Though not quite that of a Xianzhou native, like them, his people do still face a terrible curse to become monsters after a time, like many of the Abyss Order.
He is glad his loved ones will never live to see him succumb to it. One way or another.
Though he also secretly harbors the strongest desire to force the Abyss's immortality on them to ensure they can stay with him, and face the same fate. He has to wonder if the slumbering monster in him is to blame for that, or his own attachments
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tbh i understand that character deaths have to happen occasionally, but sometimes a creator will go and kill a character prior to using them to their full potential?? and it won't even hit hard bc it's not a purposeful decision. it's not " it's so tragic that gary died before his time and this arc/story examines that tragedy and how it could have been avoided. " it's " it's so tragic gary died. woulda been more tragic if i put in more work. " like i'm not gonna be sad that you killed gary if you don't do the groundwork before/after. i'm gonna be mad bc you killed a character, and it was a wasted death bc nothing interesting or meaningful happened as a result, or it didn't even need to happen.
i dunno?? maybe people will disagree with me, but i feel like so many series and movies will fall into killing characters for shock value -- or maybe there's a reason, but they poorly execute it by rushing the story or failing to ever tell the story beyond " oh these two mean a lot to each other " without much detail. and that's so frustrating when you get attached to those characters and i'm sorry to rant all of a sudden asdfg i'm just feeling salty as heck over this rn (。•́︿•̀。)
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