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#eating raoul
trash-fuckyou · 5 months
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Eating Raoul (1982)
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Facts about crappy "live laugh love" style house decorations??
I'm always trying to find the DVD of movie called "Eat the Rich" from the late 80s. Every time I check the section, I inevitably find the two films that go beside it, Eating Raoul to its right (a rather fun movie) and Eat Pray Love to its left. Eat Pray Love of course reminds me of those Live Laugh Love decorations.
In any case, I enjoy living, laughing, loving and eating, but none of this is relevant to the decorations which were sadly designed as a dog whistle for members of the Cult of the Rotting Elder, whose members know it as a euphemism for the murder, agony and hatred they hope to spread in the name of their decrepit demon lord.
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bitter69uk · 5 months
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“Mary Woronov burned herself into my brain when, as a college student in 1966, I first saw her smoldering, imperious performance in Andy Warhol’s epic film Chelsea Girls. She was one of the most original, stylish and articulate sexual personae of the royal House of Warhol. I never forgot her, and I followed her subsequent movie career with great fascination … Warholism, which is my philosophy as a critic, merged the visual and performing arts and closed the gap between high and popular culture. Thirty years later, it can be clearly seen that the Warhol Factory, with all its riveting decadent excesses, was as seminal an avant-garde circle as that of the Dadaists and Surrealists after World War I in Paris.”
/ Camille Paglia from the back cover blurb on Mary Woronov’s 1995 autobiography Swimming Underground: My Years in the Warhol Factory /
Born on this day 80 years ago (8 December 1943): insolent Warhol Superstar turned queen of cult movies, actress, writer, visual artist and recovered amphetamine enthusiast … Mary Woronov! I love the strikingly angular Woronov’s deadpan performances, resting bitch face and witheringly contemptuous voice in Silent Night, Bloody Night (1972) (which is recommended Christmas viewing by the way), Death Race 2000 (1975), Rock’n’Roll High School (1979) and Eating Raoul (1982). But hell, Woronov is even great value doing guest spots on episodes of Charlie’s Angels (1976) and Murder, She Wrote (1985). One of the best things she ever did was play the mother in punk band Suicidal Tendencies’ 1983 video “Institutionalized” (“All I wanted was a Pepsi, just one Pepsi, and she wouldn't give it to me”). Pictured: sullen young Woronov as Hanoi Hannah in Chelsea Girls (1966).
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oldshowbiz · 10 months
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The Reputation of Hollywood Boulevard in 1982.
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clintcatalyst · 4 months
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Mary Woronov and Robert Beltran In Eating Raoul (1982) Dir. Paul Bartel
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catgirlmadi · 7 months
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"now i know why mother told me to be true, she meant me for someone exactly like you."
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commiegoth · 3 months
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Eating Raoul promotional comic by Kim Deitch and Carol Lay (Heavy Metal magazine - February 1983)
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yetihideout · 8 months
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File under “What Could Have Been” -
Paul Bartel’s lost sequel to Eating Raoul: “Bland Ambition”.
From the 3/9/1986 issue of the Los Angeles Times. 🍳🍽️
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iforgottohitplay · 2 years
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Eating Raoul (1982)
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brokehorrorfan · 1 year
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Private Parts will be released on Blu-ray on June 6 via Scream Factory. The 1972 horror-comedy marks the feature directorial debut of Paul Bartel (Death Race 2000, Eating Raoul).
Ayn Ruymen, Lucille Benson, John Ventantonio, and Laurie Main star. Philip Kearney and Les Rendelstein wrote the script. Gene Corman, brother of Roger Corman, produces.
Special features will be announced at a later date.
In the sleaziest corner of Los Angeles, the King Edward Hotel has a new arrival in the form of Cheryl, a runaway teen. She's hoping to put her life back together – but somewhere in the musty halls of the King Edward lurks another guest who just loves to chop people apart.
Pre-order Private Parts.
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second round: witches & occult vs. comedy horror
witches & occult: films that feature witches or cults tend to play on the tropes that have been given to the characters long ago in history. some movies depict a hierarchy with other lesser magical beings, but the goal of the cults and witches tends to be the same—serve a higher being.
examples: the craft, the witch, silent hill
comedy horror: comedy horror plays in both the comedy and the horror genres, which thrive well together. comedy often comes from watching someone else suffer in amusing ways, and the set-up for a joke is often the same setup for a satisfying kill. the creatures can be cute or playful more than frightening, yet they are maleficent creatures who cannot be trusted.
examples: shaun of the dead, jennifer's body, eating raoul
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rabidhiss · 2 years
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Mary Woronov in Eating Raoul (1982) The rule always is if Mary is in it, it’s destined for cult classic status.
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schlock-luster-video · 7 months
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introspect-la · 5 months
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EATING RAOUL SPANISH POSTER (1982)
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oldshowbiz · 10 months
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Hollywood street scenes in Eating Raoul (1982)
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duinlam · 11 months
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“He was a man. Now he's just a bag of garbage.”
Eating Raoul (1982).
Directed by Paul Bartel.
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Mary Woronov - Robert Beltran
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