For that unwritten/unpublished fics thing - #11. I don't even care what fandom, I just like it when people are excited about what they're writing/thinking about writing.
11. Is there any scene you can't wait for people to react to when reading? Why?
For the few people who will read it when I eventually publish it, I hope they can experience how deeply intense the character's realization of his reincarnated past actually is. I hope they get sucked into the mind of this minor character as the walls of reality twist and bend like they did for me while imagining how that character would breath through that moment. Trying to find space for the weight of yet another unimaginable thing on top of all their current traumas. I love the big reveal and how it feels like he is standing on the edge of this yawning, terrifying precipice that he can't escape from. But if he could, would he? Because the truth that is starting to spread through him like the way blood flow returns to a limb after pins and needles is enticing and real and he can't help wanting to reach out and grab at that big, fat unknown.
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Erik Eidsvoll is relatable to me as a high school teacher. Like, he has no clue that any of his students are immortal giants and gods but he is mildly aware that his students are just really weird people. It doesn’t seem to bother him, though, because he rationalizes that teenagers are just weird and that’s that. Then he approaches most conversations with them calmly and encouragingly no matter how uncomfortable or strange they are because sometimes teachers are the only people they can reach out to. Magne’s having a fit over his project (because he’s actually battling with the moral dilemma of accepting the role of a god)? Erik is like “That’s a great idea for your project, Magne. Go with that” Laurits is asking specific questions about Loki being trans and giving birth to the Midgard Serpent (because he is Loki and the serpent is currently swimming in his guts) and Erik is like “Yeah, I suppose you could say Loki was trans.” You may think Erik is completely oblivious to what’s really going on with his students, but trust me teachers just do not always wanna know. It is blissful ignorance. We wanna be supportive but also we are trying to maintain our sanity lmao
Also... I did have a student who had a tapeworm once... SO THERE’S THAT???
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Ragnarök S2
Magne has to accept that now that he’s ready for battle, his enemies are too many and too strong. Is there anyone else who, like him, has supernatural powers? And will he be able to find these people in time? And what happens when it turns out that his little brother, Laurits, is also quite exceptional, but that he views the world very differently from Magne? In the second season of Ragnarok, the conflict gets tougher, evil gets more focused, and the choices ever more desperate. In the midst of all this, Magne is faced with the fundamental question: How far are you willing to go in order to save your family?
No. Episodes: 6
Cast
Main
David Stakston as Magne Seier / Thor
Danu Sunth as Iman Reza
Jonas Strand Gravli as Laurits Seier
Herman Tømmeraas as Fjor Jutul
Theresa Frostad Eggesbø as Saxa Jutul
Emma Bones as Gry Isungset
Tani Dibasey as Oscar Bjørnholt
Billie Barker as Signy
Henriette Steenstrup as Turid Seier
Odd-Magnus Williamson as Erik Eidsvoll
Synnøve Macody Lund as Ran Jutul
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Artists: Martin Sæther, Clemence de La Tour du Pin, Mikael Øye Hegnar, Jennie Hagevik Bringaker
Venue: Femtensesse, Oslo
Exhibition Title: Upstairs
Date: June 6 – August 29, 2020
Click here to view slideshow
Full gallery of images, press release and link available after the jump.
Images:
Images courtesy of Femtensesse, Oslo
Press Release:
In December 1938 you would find the menu from the popular restaurant Tranen in Waldemar Thranes gate 70 in Oslo when flipping through the newspaper Aftenposten: Excelsior soup, a portion of merling, crackly ham with turnip and plum porridge, followed by information on the Dining hall for women on the second floor. This building, where Tranen still occupies the ground floor, was purpose-built as a home for self-supporting women in 1921 and apparently, a food lift brought dishes ordered from the restaurant to the lady’s dining room upstairs.
In June 2020, enlarged posters of Clémence de La Tour du Pins’ watercolor series, Window Studies, are displayed on advertising boards outside Tranen. From here, her works serve as small gestures to anyone who meanders the streets of the city and, as the plum porridge in the Tranen menu, they are a temptation to enter the building. Femtensesse is proud to present its inaugural exhibition Upstairs in Ila Pens- jonat featuring works by Jennie Hagevik Bringaker, Mikael Øye Hegnar, Clémence de La Tour du Pin and Martin Sæther.
And now in the heat of summer the wind sent its spies about the house again. Flies wove a web in the sunny room; weeds that had grown close to the glass in the night tapped methodically at the window pane.
— Virginia Woolf, To the Lighthouse, 1927
In Woolf’s novel plants, birds and mold find their way into an abandoned summer house. This fertile and ruthless nature, seemingly unstoppable in its cold pursuit to claim the house, has inspired this exhibition to establish its place within the historical building.
De La Tour du Pins’ window studies, inspired by Brooklyn Brownstone houses from the 1920s, reappear in actual size and in multiple versions within the neo-baroque interiors of the building. The papier mâché castings by Sæther are climbing the walls of the same room. The uneven surface of his large relief reflects the wallpaper of the interiors it inhabits, which was glued on to the walls in the 1980’s when burlap was in vogue. Higher up, above the lilac chair rail that runs through the room in the former ladies dining hall, Hegnar’s wax monotypes are framed in tailored marbled passepartout, through which captivating landscapes come into view. Across the floor of the dining hall, Bringaker’s series of female clay figures coated in car paint are spread out, divinely inhabiting the space, except for one firmly placed under the summer sky in the secluded back yard of Ila Pensjonat.
Jennie Hagevik Bringaker (born 1978, Oslo) lives and works in Strømmen. She received her MFA in Studio Art from New York University. Recent exhibitions include «Human Touch», Tegnetriennalen, Kunstnernes Hus; «Rostockgata Skulptur- park», Kunsthall Oslo, Oslo; «Pillow talk Bestiary», Norsk Billedhoggerforening, Oslo; «GRIPP», Tenthaus, Oslo; «Pattern Drill», Hacienda, Zurich. As part of the artist duo Trollkrem she developed several collaborative projects with Tor Erik Bøe spanning over a five-year period, including; «Soppen» in Ekebergparken, Oslo, «TROLLKREM // FLESHY» at Fotogal- leriet, Oslo and «Alienation» at Momentum 9, Moss. Upcoming projects by Bringaker includes a public sculpture to be temporarily placed at Eidsvoll plass, in front of the Parliament building in Oslo, this summer, a two person exhibition with Ingrid Eggen at Sandefjord Kunstforening in the fall, and a solo exhibition at Akershus Kunstsenter, Lillestrøm next year.
Mikael Øye Hegnar (born 1984, Oslo) lives and works in Oslo and is a graduate of Oslo National Academy of the Arts. Recent exhibitions include «Old Tree», Hordaland Kunstnersenter, Bergen; «On Graftage», 1857 in Solvang Allotment Gardens, Oslo; «Selflessness», 1857 at Kunstnernes Hus, Oslo; «Garderoben, Kristiansand Kunsthall, Kristiansand; «MNi- kael ∞ benspenn», Kunstnerforbundet, Oslo; «Tegnebiennalen 2016: SKISSEN», LNM, Oslo; «Neolithic Graffiti», QB Gallery, Oslo; «Blotto» Galleri BOA, Oslo. Upcoming exhibitions include a solo exhibition at Elephant Kunsthall, Lille- hammer.
Clémence de La Tour du Pin (born 1986, Roanne) lives and works in Paris and Rotterdam. She is a previous participant of De Ateliers, Amsterdam and MSA^ The Mountain School of Arts, Los Angeles. Recent solo exhibitions include «Once a Closely Guarded Secret», De Ateliers, Amsterdam; «Gridded Whiff», In Extenso, Clermont-Ferrand; «Architecture of Tess», 1857, Oslo. Recent group- and two person exhibitions include «Hinkypunk», Billytown, The Hague; «Digital Gothik», CAC – Synagogue de Delme; «HUNGER», Dortmunder Kunstverein, Germany; and «Co-Workers – Artist as Network», Musée d’Art Moderne de Paris, Paris. Later this year she will be a resident at Cité Internationale des Arts in Paris.
Martin Sæther (born 1986, Lillehammer) lives and works in Oslo. Sæther completed his MFA at Oslo National Academy of the Arts, which included a one-year exchange at Akademie der Bildenden Künste, Wienna. Current and recent exhibi- tions include «Rute» at Oppland Kunstsenter, Lillehammer; «herfra» at Galleri Opdahl, Stavanger; «Toile» at UKS, Oslo; «Hydra Sparkling» at AGGIS, Wienna; «Post» at Destiny’s Atelier, Oslo; «Maleriets letthet» at Kunstnerforbundet, Oslo; «(b. 1986)» at Archipelago/Hordaland Kunstsenter, Bergen; «Blickkontakt», Spreez, München. Upcoming exhibitions include the opening exhibition of the National Museum in Oslo.
Link: “Upstairs” at Femtensesse
from Contemporary Art Daily https://bit.ly/2ZjQ4HJ
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Gender, Sexuality and Romantic Attraction Headcanons for Ragnarok
Magne Seier: straight
Laurits Seier: genderfluid gay
Turid Seier: bi
Isolde Eidsvoll: non-binary lesbian
Erik Eidsvoll: heteroromantic asexual
Saxa Jutul: demiromantic bisexual
Fjor Jutul: demiromantic heterosexual
Ran Jutul: pan
Vidar Jutul: straight
Oscar Bjørnholt: bi
Yngvild Bjørnholt: lesbian
Gry Isungset: straight
Bjørg Isungset: straight
Jan Isungset: straight
Wenche: biromantic asexual
Wotan Wagner: straight
Iman Reza: pan
Harry: straight
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