And no I don’t think love ever leaves because it’s been eight years since my dad died and he is in every thought and hope and dream. and when I think I can’t fix the computer he is here. and when I eat chocolate cake he is here. and when the sun glows at 3pm he is here. and he will always be here because his life made mine, and my life will be his epilogue
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I love headcanoning that the whole Triceraton mind device severely messed with Don’s memory abilities but I also think he’s the type of person to be so hyperfocused on the present and future that he doesn’t even notice at first. Like it’s not until weeks later where he completely blanked out on a request Leo asked of him that morning or when he realises he can’t recall what their old home looked like anymore that he goes
“Uh. Well that’s not good…”
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someone make a fic about eddie not trusting that steve is actually a good guy who wants to be friends (and more) and keeps being a dick to steve out of self preservation and no one noticing how much steve is hurting and how he’s slowly pulling away from them and retreating into himself bc he knew it he knew he wasn’t good enough he knew he’d never be good enough for anyone not his parents not nancy not his stupid high school friends and definitely not eddie fucking munson who looks at steve like he’s the scum at the bottom of his boot and calls him King Steve, and Your Highness in the most derogatory way he can manage but it’s never Just Steve and it makes steve feel so so small and he’s just so tired and emotionally rung bc he really liked eddie and he really thought they could’ve had something amazing and soft and sweet and he’s just so heartbroken that this amazing man hates him so goddamn much
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I was wondering if you had thoughts about how Ice and Mav's politics don't fully align with their actions? There was a post where you said Ice's politics are more socially liberal than Mav's but Mav is also the one who goes out to La Jolla to hit on guys before Ice, and later again when he's broken up with Ice, but Ice only goes out with women out of fear for his honor or whatever. Same with their respective thoughts on feminism, with Mav's mild respect for Charlie (telling Ice not all women fit the stereotype) but later Ice is the one who sends Juno to Mav's Top Gun class without telling him she's a woman and Ice has a respectful friendship with Juno. I think you said Ice is vaguely on the ace-aro spectrum (demi-homoromantic) which is a sort of fascinating irony that he doesn't have the words for it whereas Mav is the one with the theories about Ice's sexuality. Though with their hypocrisies and inconsistencies this all just feeds into their characterizations of the fact that they keep divorcing their actions from their spoken words from their identities.
okay going to take this point by point
1. yes i have addressed their politics in relation to their actions before, so maybe read this post and this post before you read this one, just to see where my other thoughts line up
2. gay republicans and conservatives do exist (at the very least certainly republicans and conservatives who have gay sex in secret)
3. before maverick is a political actor he is a human being, and the characterization that we are primarily given for him is that he is impulsive and reckless and doesn’t think through his actions. As ive written about many times before—from a story construction standpoint, his thoughtlessness is his number one most important character trait. He is both thoughtlessly dangerous (his hero’s “fatal flaw;” he can’t stop himself from making bad decisions) and thoughtlessly brilliant (the navy’s best and most daring and heroic pilot). He does what he wants without thinking about it; and he makes excuses and hollow promises whenever that plan doesn’t work out (“I know better than that. It will never ever happen again;” [it happens again] “I’m not gonna let you down. I promise.” [goose dies shortly thereafter]). His thoughtless impulsiveness overrides everything else. Maybe the act of having gay sex (to address your “he gets fucked in La Jolla before ice” point) is politically subversive, but for Maverick’s thoughtless character that we are shown in Top Gun, the most subversive possible thing would be to LABEL the gay sex and think through the consequences of it. To call a spade a spade and call himself gay or bi or queer or whatever. That would be the most subversive (and with mav, entirely unbelievable imo) possible thing. That takes conscious effort of thought, something maverick is near-incapable of doing. As long as he can get away with it without thinking about it, he’s politically in the clear, with regards to his character & character arc. If that makes sense. “Don’t think. Just do.” That’s literally his motto lmfao. He represents thoughtless action as an archetype; his politics come secondary to his desires
4. Their “respective thoughts on feminism” are divided into two camps: 1. “Professional as required by the law” and 2. “Sex pest mode.” They’re naval officers in the 1980s. Whether republican or democrat, that’s kind of par for the course. How men treat women can be a performance to other men. Any respect i made them show towards women had broader, more metatextual “need to move the conversation/story from A to B” reasoning behind it. See the first post I linked for much more on that.
5. i never said ice was on the ace/aro spectrum, or if i did i DEFINITELY meant it sarcastically. That could not be further from what i believe. This isn’t something I’ve ever discussed on this blog before, but a MASSIVE part of the philosophical discussion I’ve been trying to moderate within this project over the last year is the question— “do labels even work with characters under these very specific and extraordinarily extreme conditions and societal pressures?” It’s a question I took from my time studying early American history—the contexts of certain environments, and I would definitely count the elite officer ranks of the navy in the 90s and 2000s as one of these certain environments, simply Are Not Conducive to the easier (path of least resistance maybe) ways we civilians handle sexuality and friendship and trauma. There are so many variables and external and internal pressures within an environment like the upper ranks of career navy officers that sexual orientation labels lose all nuance and accuracy. I don’t think Ice (as i have written him) is gay. I don’t think he’s straight. I don’t think he’s bi. I think he’s an unlabelable product of too many variables for labels to have any effect on how he is perceived. Which, in our society built around labels and categories, is admittedly difficult to wrestle with. But doesn’t make it any less worth wrestling with.
6. Yes, ice and mav’s hypocrisy is the linchpin of the entire story.
They’re both trying to have their cake (“honor” and moral superiority based on the harmful traditional subjective morals arbitrated by elite navy officership) and eat it too (a fulfilling relationship with the love of their lives). & the point is that they cant. they have to settle for one.
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dude I was looking through clips for a reference image and it literally makes me sick with anger that Genndy chose to portray Africa like That. Literally racist caricatures like come onnnn man. The worst part is that I really want to LIKE that episode aside from the art direction. His mentor is a very sweet guy and I like Jack’s little rivalry with the other kid. I dislike that Jack has to save everyone and the other tribe is portrayed even worse, but at least Jack isn’t fighting by his fucking self the whole scene. there was so much potential in this episode if Genndy hadn’t been so fucking racist with his character designs. I do not fucking understand why he chose to make them absolutely pitch black in color. That’s not what humans look like. It’s like how he colors Jack straight up yellow sometimes. I know during the time this came out it was not very likely for bigotry to get called out but that had to have made some people uncomfortable. Jeeeeesus Christ. The guy portrayed China more respectfully than he portrayed literally any other culture including Japan lmao. Actually I take that back he gave quite a few Chinese characters racist accents. The man wanted a ‘multiethnic’ feel to his show but could not fucking stop being white and racist for it
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So are any of you bumfucks on this godforsaken app gonna talk about how Brazil (Declan McKenna) was written By and For Ronan Lynch or am I gonna have to do it myself let’s do this bitches
Fair warning I’m sorta really bad at analysis according to every English teacher I’ve ever had so this is a lot of me freaking out but I think it turned out ok (this took half a year)
Starting off strong with Cars and Animals (Ronan’s favourite) !! Anyway the vibe I’m getting from this is like. The barns and then the He’s got eyes talks like an angel looks like me part is about the like. Greywaren vs Ronan Lynch dream vs human stuff we see in Greywaren (not super spoilery but it kinda doesn’t make sense unless u read the book lmao)
I could write a whole second post as long as this one just about this line but let me unpack this because ohhh my god. First up the use of religion is so perfect for mister Lynch over here and then. IM THE FACE OF GOD IM MY FATHERS SON IS INSANE FOR HIM IM GOING SO FERAL OVER THIS HE LITERALLY IS GOD AND HES HIS FATHERS SON (“and Ronan was everything that was left: molten eyes and a smile made for war” and also The Scene in TRK where Adam goes into Ronan’s room and thinks Niall is sitting on the bed) THIS IS CANON
He’s Not what u think u see he looks so mean but he just wants his little farm and for his husband to get into heaven when he dies (he’s worried about his agnostic tendencies) jk but this is 100% ab stereotypes and how Ronan doesn’t rly fit into what anyone thinks he is (the whole thing about Adam wanting to be unknowable and realizing Ronan Is Unknowable [poetry chefs kiss])
Can’t eat leather is so self explanatory. The bracelets are RIGHT THERE you can’t fool me Mr mckenna
I’m done. I’m done. I don’t even need to keep explaining this it’s RIGHT THERE AGH
And onto the ecoterrorism
I’m kidding (not really) bc this part always makes me think of literally the Entire Plot of TDT when Ronan is going around destroying capitalism to save dreamers. This IS the servers scene and the underwater pipeline and the Mirrors lady and also the way all of TDT is about self discovery and learning who you are and how to deal with that in a society made to destroy you and how isolating and sad that is (it gets him down 😞) and I can KEEP GOING
And just the way the song is so melancholy and also happy at once hits me so hard cause it feels like what the Barns does when you read the book like it SOUNDS like something Aurora would sing to kid Ronan it’s so homey and sweet but also sad and perfect
And obviously I don’t go through the whole song here but I feel that I’ve made my case sufficiently enough thanks for reading this far I love u mwah
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