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#everyone has different personalized interpretations of the source material and some of them align with my own or make me go 'oh huh i never
cemeterything · 1 year
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tmsnetwork · 1 month
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In case anyone has questions about the BradleyLaura Week themes and what some of the chosen ones mean, we’ve come here to clarify some of them. I do want to remind everyone of something I always have as a rule of thumb: YOU’RE FREE TO INTERPRET ANY THEME AS YOU WISH! So feel free to go wild. Now, without further ado, to the themes.
DAY 1: Fake Dating/Marriage
Characters pretend to be dating or married for some specific reason, which could range from needing to solve a problem, fulfill a condition, or to achieve a particular goal. This trope explores the tension, comedic situations, and romantic development that arises from maintaining this facade, often leading to genuine feelings between the characters involved.
DAY 2: Canon Compliant
These stories adhere closely to the established universe, characters, and events as they are presented in the original work. Fanworks in this category aim to expand upon or delve deeper into the canonical narrative, exploring untold stories, hidden perspectives, or further character development that aligns with what's officially recognized in the source material.
DAY 3: Jealousy
Focuses on the emotion of jealousy within relationships, whether they be romantic, platonic, or somewhere in between. This trope can drive the plot by creating conflict, misunderstandings, or realizations of deeper feelings. It's about how characters navigate and resolve these intense emotions and what it reveals about their relationships.
DAY 4: Domestic
Centers on the everyday lives, routines, and intimate moments of characters living together or spending a lot of time in each other's personal spaces. This trope highlights the comfort, challenges, and humor found in domesticity, offering a closer look at how characters interact in private, mundane settings away from larger conflicts or adventures.
DAY 5: Enemies to Lovers
This trope explores the journey from animosity and conflict to understanding, respect, and romantic love. It's about the development of the relationship between characters who start as adversaries, showcasing their growth, the breakdown of barriers, and how they come to see each other in a new light.
DAY 6: Headcanons
Fics or content based on fans' personal interpretations, beliefs, or theories about characters, relationships, or events that may not be explicitly stated in the source material. These can range from character backstories to hidden motivations, exploring areas not covered or specified by the original work.
DAY 7: Weddings
Revolves around the planning, lead-up to, or the event of a wedding. This trope can explore themes of love, commitment, family dynamics, and the stress and joy of organizing or being a part of such a significant event. Stories might focus on the couple getting married, the perspectives of their friends and family, or the aftermath of the wedding. It can also involve other people's weddings, outside the main ship.
BONUS DAY: Any AU (Alternate Universe)
Fanfics set in alternate universes reimagine characters in different settings, timelines, or realities from their original context. This could include modern AUs, historical settings, fantasy worlds, or completely unique universes with different rules and structures. AUs allow for creative freedom in exploring how characters might interact or develop outside their canonical environment.
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mismashedsocks · 4 years
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 so riordan made a half assed lame excuse on his lazy/racist writing on piper yesterday and on top of that he made another one on samirah and i’m muslim so i am going to talk about it
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damn i’m so sorry these people have been pushing you past your comfort zone about your wildly popular racist caricatures of minorities that have great impact on your young, impressionable target audience. while its fine that if he takes a break for his mental health he still needs to deal with these problems you can’t just take a break and hope they go away.
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why does he think everyone is bullying him. if they talked in all caps, cussed at you, or didn’t stop bothering you, i’m sorry they’re just trying to get you to realize how racist your books are, which you keep refusing to believe. i can believe that a few of them were doing it for attention, but it couldn’t be the majority. and my god, god forbid people want you to write your books the way you preferred, without racist stereotypes. 🙈
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you can set your boundaries but you keep ignoring the people, you don’t listen. like you put yourself out there as a writer you are open to criticism
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why does he keep doing this to seem like the good guy. you give excuses and don’t do anything and just say that its up to you, you can think whatever you want 🥰🥰. like its such an obvious excuse not to take any action.
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i’m sorry but no matter how many muslims you’ve interacted with you haven’t gotten the full experience and last time i checked teachers aren’t the kids best friends soo uhm. anyways the rest of it is just him telling his experience with muslimah students so its just there.
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so uhm you just said your students ‘unwillingly’ become an ambassador to everyone she knew’. and then you went to talk to them about islam to make sure you were TEACHING THEM YOUR SOURCE MATERIAL CORRECTLY. i’m sorry imagine. these are kids not some scholars you go to consult. there are so many muslims all over the internet and youtube sharing their experiences for you to access on how to ‘represent their experience’ correctly. you’re the teacher here. picture this:as a muslilm, i teach at a public school and while teaching about Christianity in class, no i would double check or some dumb shit with the students. like educate yourself i’m sorry. anyways apparently he blames his mistakes on himself then goes on to deny he ever made any mistakes i can’t.
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so this is a blatant lie. 99% of muslims i’ve met have never read all of sahih bukhari and sahih muslim. usually only scholars do that when they are studying islam for YEARS. and FIVE different interpretations of the quran on top of that. ok so sahih bukhari is 9 books that are over 300 pages each and sahih musilm is 7 volumes with also about 300+ pages each. and then the english versions of the quran are 600 pages. and he claims he read five of them. i’m so sorry but no he didn’t. he writes books so fast and he released mcga around the time toa was being released almost one book per year so he did not have a lot of spare time. the rest ig i can let slide. also and if he did do all of that why does he make so many mistakes in writing samirah. and even IF you accept his excuses reading ALL of this source material is great for teaching your class or whatever but not for writing a modern day muslim. you don’t need to lie to us rick ❤️
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most of this is just describing what she’s like but his writing did also add in the model minority, smart kid trope. like no they don’t have to be a terrorist or a A+ student who is the best at everything. there is a middle ground to their personality. 
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i actually used to love his rep in sam. that’s how i got into the series. i saw a hijabi girl on his website. i got excited and read all of his books. i loved piper, leo, hazel, percy, annabeth, sadie, carter, nico, everyone. now that i look back i was younger and didn’t see anything wrong with it back then. its great that he tried to portray minorities but he did it so badly and now is just denying the faults that his now older readers are trying to tell him.
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hey, uhm didn’t you read all of sahih bukhari and muslim? hmm i didn’t think so. anyways the way he dealt with it honestly wasn’t that bad. but the whole ‘whoops’. like why does he keep portraying himself as the innocent old white man just trying his best.
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honestly how he wrote samirah as a hijabi was the dumbest thing i’ve ever read. its is totally fine if she wasn’t hijabi, many muslim girls aren’t, and that is their choice. but he decided to make her like a weird middle ground. it was so lazy and inconsistent. in the first book she says she wears it when she needs to, like in situations like going to the masjid. this was fine, since many muslim girls do that. then in the next books she wears it all the time except when she’s in valhalla for some reason. hijabi girls take of their scarves when they’re at home or with family, but making her claim the entirety of vallhalla as her family. that was just demeaning and stupid to me. it takes away its value. and i fucking hated that last sentence. for hijabis, their hijab is important and not a toy or weapon or a MAGIC ITEM. and then on top of that she would have to take it of to hide. he could’ve made it anything else. her hijab isn’t some token item istg.
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i love how he admits that they are a big problem and abusive and usually engage with child marriages. i’m relatively he doesn’t understand what the people even meant by it. the practice is a problem that isn’t supposed to be seen in a nice light. the only possible way it could be slightly ok is that if ADULTS agree they 100% do not want to choose who they want to get married to and let their parents choose, and both sides agree. samirah was a child and he decided to make her wedding life decided since the age of 12. and it was ok because amir was conventionally attractive and she loved him. WHAT IF SHE DIDNT. this literally is a dangerous arranged marriage. and arranged marriages are not ok, and mostly perpetuated by victims of it who will end up passing it down their family lines. my parents got an arranged marriage and I HAVE NEVER SEEN THEM DISPLAY ANY SIGNS OF AFFECTION. arranged marriages are not a trope that your can turn around to be a quirky personality trait for your characters.
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i’m sorry that’s not how arranged marriages work. most likely if she said something her grandparents would have shut her done and continued with the marriage, as that is what you usually happens. do not portray the small amount of consented, ‘happy’ arranged marriages as the majority. it is a huge problem that many desi/middle eastern cultures are trying to erase. even on top of that he writes situations where she’s going to be in trouble for acting up and ‘jeopardizing the marriage agreement’ and that her grandparents think she’s ‘lucky that she could get the fadlan family to agree to marry their son to her’. these statements are often used in forced and dangerous marriages, so don’t try and justify your actions. if you wanted to show traditional customs in a positive light, there are so many richer parts of samirah’s culture you could’ve focused on and you chose arranged marriage. 😻 all you’ve done is given parents and authority figures a westernized resource to justify arranged and forced marriages, especially with the minimal explanation on how the marriage isn’t forced in the actual books. and yes, your books do condone child marriage samirah is clearly deemed into this marriage ever since the young age of 12. she lived her life knowing she would marry amir. no one has only one crush throughout their life. imagine how she would’ve grown up. sorry you only consider opinions that align with those in you mind.
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i’m going to be honest i did like that one scene it was written nicely and accurately but the explanation he gives just ruins the entire thing. the way he just if this strikes you as islamophobic, or samirah as a hurtful, uhm no explanation i just disagree 😽. the way you wrote her is a hurtful stereotype sorry you can’t see it.
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oops, you did. too bad you don’t want to do anything about it.
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why do you think people are painting you in a negative light, so many of your characters are written on hurtful and negative stereotypes. people aren’t painting it that way, you need to calm down w your ego and listen. dang i’m sorry your best is giving half-assed excuses and not actually doing anything. i’m even more sorry people are mad that a highly privileged author that has a lot of influence is done talking about his racist depictions of minorities in his books. 
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dang must be lucky to take a break from the social media, imagine what all the minorities you wrote about have to go with everyday weather they are on social media or not. people aren’t bullying you this is valid criticism you refuse to listen to.
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fuck you
obviously these are my opinions do not judge every muslim based on what i’ve said come to me if you have a problem with it
anyways support jewish, muslim, black, brown, asian, hispanic, indigenous, lgbtq+, disabled, and other minority authors and creators.
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think-thonkin · 3 years
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Some thoughts about canon vs fanon
Canon ship fandoms tend to feel entitled to the imaginary rank of "most valid" because "the creators approved it" and oftentimes attack or act mean towards fanon ones that include one of their own ship's characters with claims like "you lost!!!/Give up!!!/You're disrespecting canon!!!" etc., insulting their ships and overall act as if those ships are lesser somehow.
So in turn, non-canon ships retaliate and get defensive, trying to defend their opinions in any and every way they can... Until the canon ships fight back bc now they feel insultef and try to devaluate the others further.... Usually resulting in the two fractions fighting each other relentlessly and continuously.
... Both sides entirely forgetting that they're fighting about something as mundane as the conceptual romantic potential between nonexistent people.
Hurting each other, insulting one another and trying to invalidate each other's opinions... Over virtually nothing. Ships are after all still all imaginary and so very, very subjective. There's no right or wrong when it comes to opinions after all.
Of course, some ships are better written than others or portray a conceptually more healthy relationship than the other, but that's the brilliant thing about fiction: it's just hypothetical concepts, you can change whatever you don't like and twist and interpret or rewrite it in your favor! It's fun to poke around the source material for inspiration and make up AUs!
The result of that is what I've come to understood "fanon" refers to - transformative fiction that has been adjusted to fit the consumer's preferences.
Canon really mostly means the same, only reduced to the creator's preferences. Some people though have made it mean something else, they made it mean "creator approved/validated" and use it as a reason to put down others (which is something I personally greatly dislike about shipping culture, there's just no need for you to be so mean and aggressive about it?).
However, I think the two terms can and should coexist, neither is more or less valid than the other, it's (imo) just a matter of who the credit of the concept and resulting content goes to.
Calling fanon ships "canon" solely to spite haters and make yourself feel better is (imo) doing the plethora of creators that made the ship what it is a disservice and invalidates their work more than it elevates them and in turn makes you seem ignorant and in denial to the source material, thus exposing yourself to more hate and negativity since it's easy to misinterpret your well-intended claim as an attempt to provocate more beef.
You're just adding to the imaginary rift between canon and fanon... because there really is none, there shouldn't be one, ships are ships, whether the creator approves or not, they'll continue to exist either way and calling something fanon does not mean that it's any less valid or "doesn't exist". It merely means that the ship in question grew from and flourished through the fandom instead of the source material and I personally think that that's one of the most beautiful things about shipping culture.
We worked hard and made them our own thing and we deserve the credit for it. Fanon is not a bad word. Quite the opposite. It shows how much our communities are capable of creating and adapting.
Don't let the negativity and hate get to you, let the haters seethe behind a neat wall of "block this user" if they love wasting their energy on getting angry about nonexistent people so much. Let them power themselves out and move on in the knowledge that it's not your problem to deal with. Engaging with these people only gives them more leverage.
Likewise, everyone should know better than to try and put down other people for having a different opinion from their own. We all just want to have fun, if you go out of your way to invalidate someone else because you simply don't like their preferences, you're part of the problem.
In the end we're still all just nerds that want to see our favorite nonexistent people happy and in love, whether our preferences align with the creator's vision or not, you shouldn't need anyone's approval to like what you like as long as it harms nobody else.
Note:
I made this post vaguely in response to some more fandom specific posts I've seen that are dealing with this topic in a way that I personally see as bit unhealthy and figured it couldn't hurt to offer a more neutral stance on the subject matter. I'm very sorry though if I ended up offending anyone, you're free to hit me up in dms or my ask box to confront me about it. I really do not mean harm.
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x0401x · 4 years
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Why do you think the writers of the Tsurune anime decided to tone down masamina and outright cut out kaisei while pushing for sei/mina instead? It's just so baffling to me why they would alter the canon content from the novels so much. Like, what was even the point?
I’ve answered this question quite a few times before, but I’m not sure if I’ve ever made the point entirely clear, so here we go one last time. Sorry that it turned out so long.
So, in novels and manga or any written medium, creators normally have more freedom to do what they want, but when it comes to TV series, animators have been developing the habit of toning down whatever they can. Most of them have this conviction that the viewers only want to watch calm and relaxing stuff nowadays. Other than this, we get adaptations of popular works that basically exist to promote the source material, most of which rush up towards the end like crazy. It does seem like the Japanese audience has an obsession with comfort animes now, since life in Japan gets more and more stressful with each passing year, but it’s not like they’ve abandoned other genres. This general belief that creators should water down the contents however they can is pretty much destroying the industry, and it’s probably what the animators of Tsurune had in mind when changing the novel’s events into a much less dramatic versions or just cutting them off. That’s issue number 1 with the anime.
Issue number 2 is that animators of adaptations tend to ignore the reader demographic in favor of making the series neutral to please all audiences lately. But that’s only when the majority of the readers are women and girls. If it’s guys, you’d rarely see alterations. It feels like the general conception is that making the contents less “cringy” for men means more people will be watching it and having a positive opinion. It seems to completely slip the staff’s minds that the fans they disappoint mostly won’t feel willing to buy the DVDs or merchandise. This is where most of these adaptations fall flat, by the way. It’s kind of really obvious to me that these series are more prone to succeeding if the studios animate what the readers fell in love with, because the originals are popular for a reason, and it’s that people liked them the way they were. I think it’s only the expected when readers are disappointed not to see animes live up to the expectations, and that whoever picks the source material will feel the difference as well. Still, if the anime isn’t a BL, there’s this unsaid rule that you can’t show too much gay between male characters unless you have an excuse for it. Normally, nakama power and rivalry is what does the trick. I don’t think I need to mention that this is the standard in sports animes.
In the Tsurune novel, most of the gay doesn’t have an excuse. Of course, it’s not officially gay unless canon states it, but the books not only don’t give any justification for it, they get rid of possible justifications, so while you can’t say it’s not fanservice, you can’t label it as just fanservice, either. For a studio that banks off fanservice like KyoAni, that’s a problem, especially since the novel is packed with heavy scenes and even heavier quotes.
I mean, in Masaki and Minato’s case, they don’t have the nakama power or rivalry elements, so one possible excuse for them being so close would be that they’re master and disciple. But Minato makes it clear quite early in the story that Masaki doesn’t have to be his master because just having Masaki’s company is enough for him, and all in all, the two of them have a much more affectionate relationship than the other teacher-student ones from the books. Another excuse would be the found family dynamics, but Masaki already shares that with Kaito, who canonically sees Masaki as the older brother he never had, and their relationship is unlike Masaki and Minato’s as well. Kaito also has a monologue in volume 2 about Masaki treating Minato differently from everyone else in the club, and the way he describes it denotes that Minato is Masaki’s favorite, and that Masaki doesn’t bother hiding it. Just as a cherry on top, Minato often loses his rationality when it comes to Masaki despite being a serious kid, and he’s very verbal about wanting to monopolize Masaki. Add fate to the mix and you have the perfect recipe for anything except an ordinary mentor-pupil relationship.
As for Kaito and Seiya, there was a lot going on between them since the beginning, but the nakama power excuse only starts applying late in volume 1, because they didn’t get along very well at first. And even then the nakama stuff hardly applies to their interactions, where Seiya often acts like Kaito has a thing for him, for no reason other than Kaito’s reactions being amusing. Their relationship also does some big strides in the middle of volume 1, and Seiya literally migrates to Kaito’s side at some point. They don’t seem to have a friendship as strong as the one between Seiya, Minato and Ryouhei, but it’s Kaito who Seiya interacts with the most in volume 2 and he’s also the one that Seiya leans on whenever he needs any sort of assistance. There’s other unexplainable things here and there, such as Seiya taking a peek at Kaito’s sleeping face when it’s just the two of them in the room, or him implying that Kaito is jealous of the motherly attention he gives Minato. It goes on as far as the novel does. There’s literally no scene with the two of them that doesn’t make it look like Kaito is really into Seiya and that Seiya owns his ass but he’s the last one to know.
Back to the main point, it’s really hard to animate all of this without giving people “ideas”. For KyoAni, any gay exists ultimately for the sake of fetishization, and they often follow the “ship whatever you want, even yourself with the characters” model. If being gay is canonically a character trait in the original, it’s out (Violet Evergarden is probably the best example of that one), and if the gay can’t be interpreted as something else, it’s either out or downplayed. In Seiya and Minato’s case, that’s perfectly feasible. Not only are they best friends, they also have a familial relationship where Seiya treats Minato like a son. Minato has sworn eternal friendship to Seiya in the novel, and both he and Kaito describe Seiya as something like a helicopter parent. There’s more than enough counter-argument to remind the viewers that, whatever happens between Minato and Seiya, it’s all a product of their childhood friend bond. Anyone is free to interpret it differently in fanon, but the viewers (at least the Japanese ones) are ultimately aware that the anime is in its “safe zone”, portraying a friendship. Nobody on the Japanese side of the fandom actually believed that there was romance going on in it. On the other hand, if you search in Japanese for people’s impressions of MasaMina, you’ll notice people often saying that the novel makes you wonder if Minato and Masaki aren’t actually dating, or if Minato doesn’t have a puppy crush on Masaki, at the very least. Basically, everyone seems to agree that what goes on between those two is hard to define, but whatever it is, there’s this very particular, “special” air about them that differs from the rest of the characters, which normally manifests when they’re alone together.
As you can tell, this overall view is the opposite of the animators’ ideal. If the novel had been animated the way it is, it would’ve probably felt like a BL for the people watching. Not only does it come with practically set ships, it also doesn’t give much space for the proverbial “ship even yourself with the characters” option. To put it bluntly, the animation went through those changes so that it could fit the mold. It gave us SeiMina and even some NanaKai (the latter being honestly disturbing, since they’re cousins), while either toning down or erasing the rest of the duo and trio interactions. It made Minato’s accident with his mom actually seem like Seiya’s fault and didn’t really take the burden off his shoulders but instead swept it under the rug. It also made Masaki seem like a two-faced bastard who only became a coach for the sake of revenge, which means he was using his students (actual 15/16-year-olds) for his own personal gains. Shuu and Minato’s friendship went down the drain, Ryouhei was pushed aside as if Seiya was Minato’s only childhood friend, Nanao was never depicted as his own person, and the girls didn’t even exist 90% of the time. So yeah, none of the changes served any good purpose for the characters’ images. All it did was (try to) fill a quota.
Personally, this whole thing feels like we’re being told to the face, “we’ve given you what you want, now give us your money”. It brings me back to interviews I’ve read featuring Stars Align director Akane Kazuki and his statements about the anime industry being in a pinch, specifically because animators nowadays keep trying to make a fool out of the audience for monetary ends. Seems clear to me that the staff thought the female viewers would latch onto anything as long as it looked remotely gay, and that’s why I was so angry back then. Being looked down on like this by people who expect us to consume their media is pretty offensive, in my opinion. I’m glad there’s at least one creator speaking up about this matter and using the exact same arguments as I have been for more than two years now.
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anonymoustalks · 4 years
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You cant just oppress me for having different views, that's Fascism!!!!
(6-14-20) You both like politics.
You: heya
Stranger: Hello
You: anything on your mind today?
Stranger: No
You: fair enough ^^
You: any issues that you care about?
Stranger: Not really
You: is there a reason why you like this tag then?
Stranger: To talk about Politics
You: mhm anything particular about it?
Stranger: Anything
You: mhm do you have a particular political leaning?
Stranger: Fascist
You: ohh interesting
You: why fascism, btw?
You: I never really understood it
Stranger: Because it aligns with my values
You: your values being... strength? authority...?
Stranger: Strength, Honor, Spirituality, Race, Masculinity
You: I didn't realize spirituality was a big part of fascism
Stranger: Most people don't know anything about Fascism beyond something about the holocaust
You: fair enough
You: how did you learn about fascism?
Stranger: I read the Doctrine of Fascism
You: who is that by?
Stranger: Benito Mussolini and Gentile
You: oh is it good?
Stranger: It explains Fascism, it serves it's purpose
You: I guess so
You: are there like fascist communities out there?
Stranger: Not really
You: so it's mostly just you and yourself?
Stranger: I've known many other Fascists, but most of them are dead or in prison, so for now yes
You: ...how old are you?
Stranger: 29
You: I didn't realize that fascists end up in prison so easily
Stranger: Well we're Fascists living in a mostly liberal world
You: I guess so
You: I had a question about fascism actually
You: so... with many different fascist cultures... liking different racists... do you hate each other?
You: or do you get along because you're all kinda similar politically?
You: *liking different races
Stranger: Well this is a fundamental misunderstanding of our worldview
You: do you mind explaining more?
Stranger: So
Stranger: We don't hate each other even though we understand at some point we will have to kill each other
You: (wow that's dramatic...)
Stranger: To us that is simply reality, hatred is not necessary to accomplish this reality
Stranger: So why have any
You: I see
You: for me it's kind of difficult why so many cultures are transfixed with...
You: jewish people
You: idk
You: idk why the hate, in other words
You: *difficult to understand
Stranger: I don't hate jews
Stranger: The hatred towards jews came from the fact that many of them were Marxists
You: ah... I didn't know that
Stranger: Yeah I'm not surprised, most people don't know anything about Fascism but hate it anyways
You: what's your opinion of North Korea
You: are they more fascist or communist?
Stranger: They're just totalitarian. I wouldn't say they're either
You: so totalitarian =/= fascist
Stranger: Are you joking
You: idk, I really don't know much
You: I think of a long of strong personality figures who grabbed for lots of power in many fascist regimes
Stranger: Lol
You: sorry if I don't understand much
Stranger: It's not that you don't understand much you don't seem to know anything about it
You: yeah
You: so are there any countries today that are close to fascist?
Stranger: No
You: so what does a fascist state entail?
Stranger: That depends on the spiritual teachings in that particular race
You: hm...
You: I feel like I'm thinking about those religious states like iran
Stranger: What about it
You: idk just the wording of "spiritual teachings"
You: I think I'm just lost on what fascism means
You: like I think there are a bunch of countries that are fairly ethnocentric -- like I think Japan is pretty ethnocentric, right?
You: and other countries that have a powerful spiritual component
You: and others that emphasize a strong state power
Stranger: What's your point
You: do you mix them together and you get fascism?
Stranger: That's just right-wing populism
You: so what's the different between that and fascism?
Stranger: Fascism is not right-wing populism
You: So Wikipedia's definition is this: "Fascism is a form of far-right, authoritarian ultranationalism characterized by dictatorial power, forcible suppression of opposition, as well as strong regimentation of society and of the economy which came to prominence in early 20th-century Europe." which is why I'm a little lost
Stranger: That looks like it was written by a liberal college student
You: ^^ so how would you describe it then?
Stranger: Fascism is the syncretic blend of the Super-World and the Material world
You: umm, I'm a little lost by that ^^
Stranger: You're going to have to be more specific
You: I have no idea what "syncretic blend" and "super-world" and "material world" mean
Stranger: Syncretism is a union or attempted fusion of different religions, cultures, or philosophies — like Halloween, which has both Christian and pagan roots, or the combination of Aristotelian philosophy with the belief system of the early punk rock practitioners.
Stranger: Picture that, but with the union of a spiritual belief with a lifestyle and society
You: what kinds of spiritual belief?
Stranger: That obviously depends on your religious beliefs
You: I'm just a little bit confused about how that's different from an authoritarian theocracy?
Stranger: The Super-World is the metaphysical source of the material world, like Heaven
Stranger: Because not all religions are authoritarian in nature
You: interesting
You: it's quite a lot for me to wrap my head around
You: so if they're not authoritarian... how do they maintain a strong regimented state/economy?
Stranger: Why would they need to
You: well, I thought fascism wasn't very tolerant of per say democratic discourse
You: so something needs to enforce the ruling law?
Stranger: As I said, not all religions are authoritarian
Stranger: That is their problem
Stranger: They will figure it out
You: I see... do you mind if I ask about your faith?
Stranger: I am a Christian
You: is Christianity authoritarian?
Stranger: Yes
You: why is it authoritarian if you don't mind me asking?
Stranger: We can start with the most obvious
Stranger: Jesus Christ is meant to rule forever as King over heaven
Stranger: When the Hebrews asked God for a King, he gave them one
You: okay I see
Stranger: Here of course we see a strong condemnation of rebellious behavior:
Stranger: Romans 13:1-7 New International Version (NIV) Submission to Governing Authorities 13 Let everyone be subject to the governing authorities, for there is no authority except that which God has established. The authorities that exist have been established by God. 2 Consequently, whoever rebels against the authority is rebelling against what God has instituted, and those who do so will bring judgment on themselves. 3 For rulers hold no terror for those who do right, but for those who do wrong. Do you want to be free from fear of the one in authority? Then do what is right and you will be commended. 4 For the one in authority is God’s servant for your good. But if you do wrong, be afraid, for rulers do not bear the sword for no reason. They are God’s servants, agents of wrath to bring punishment on the wrongdoer. 5 Therefore, it is necessary to submit to the authorities, not only because of possible punishment but also as a matter of conscience.
Stranger: This, is naturally and clearly authoritarian
You: thanks
You: how do you handle the many denominations of Christianity?
Stranger: Well if it was up to me I would have all of their churches destroyed
Stranger: Infact I would have all churches destroyed
You: I see... what denomination is your church?
Stranger: I do not go to church
You: okay so definitely not Catholic XD
Stranger: No, I am a Christian
Stranger: I follow the teachings of Christ, not the teachings of a church
You: mhm okay
You: so what happens if you have a lot of people who resist... your interpretation?
Stranger: That depends on the level of resistance
You: idk people who disagree on teachings that obviously I'm not knowledgeable enough to speak about?
Stranger: Is English not your first language
You: mhm it is
Stranger: What do you think "level of resistance" means
You: open rebellion?
You: protests?
Stranger: Are you a woman
You: uhhh why does that matter?
Stranger: This seems above your ability to fully grasp so it makes me think you are a woman
You: oh okay ^^;;
Stranger: Are you
You: so if I'm not, then it is okay for me to grasp?
Stranger: If you are not then you are just a very stupid male
You: sure let's go with that
Stranger: Answer the question
You: I'm trying to understand
You: I'll decline to answer your question
You: does that qualify as open rebellion?
Stranger: Yes
You: I see... it's not very an aggressive form of resistance though?
You: it's kind of petty, actually
Stranger: And
Stranger: "You cant just oppress me for having different views, that's Fascism!!!!"
Stranger: Exactly
You: hm?
Stranger: Are you autistic or something
You: sure
Stranger: You seem incapable of understanding basic things
You: It's not a subject I hear a lot about, so I'm asking a lot questions so I understand
Stranger: Good Lord
Stranger: I am not even talking about Fascism
Stranger: That is what I mean
Stranger: Your ability to communicate with other humans seems to be handicapped
You: maybe, it's omegle though so it's fairly low stakes
Stranger: Lol
You: I mean I don't think I'm wrong lol
Stranger: How could you even if you were
You: tell if I'm wrong?
You: I have no idea
You: I feel like it's hard to tell without other people telling you
You: and then you reflect based on what others tell you
Stranger: I have never relied on others telling me I am wrong to decide if I am
You: I'm not sure if "reliance" is the right word
You: I guess I would call it "feedback"
Stranger: I will be back
You: and then "reflect" on a day?
You: okay
Stranger: I am back
You: ok
You: can't find my laptop charger
Stranger: Let us talk about being stupid
You: sure
Stranger: Do you know why you are stupid
You: why don't you tell me what you think?
Stranger: Because you were not born to be a grand leader
Stranger: You are a simple person meant to lead a simple life
Stranger: In the modern world, because everyone is full of themselves and feed their ego incessently this is an insult
You: an insult huh?
You: so how can you tell if someone is destined for greatness?
Stranger: Yes, because everyone wants to be special
Stranger: A person that is destined for greatness is marked by 5 signs
You: I think Western culture is heavily individualistic
Stranger: 1. Ability to endure any amount of humiliation
Stranger: 2. Can see the bigger picture of things, and is not limited by the perspective of their life
Stranger: 3. Understands people well and can make them work together
Stranger: 4. Has the will and strength to endure all tragedies of life
Stranger: 5. Is not enslaved by their own personal nature
You: That's a very interesting list
You: where did you get it from?
Stranger: I just came up with it
You: oh, that's cool
You: the suffering and humiliation is notable to me
You: have you experienced a lot of it?
Stranger: Yes
You: can you tell me more?
Stranger: The list is too long
You: is there something that stands out?
Stranger: And most of it is not worth mentioning
Stranger: Because I have grown out of all of it
You: I imagine that it's not a bunch of small things?
You: it should be a big thing, right?
Stranger: The point is, I have moved on, it is in the past and that is where it will stay
You: I see
You: What do you mean by not enslaved by their own personal nature?
Stranger: "I'm tired"
Stranger: "this is too hard"
Stranger: "I want to have sex"
You: mhm okay
Stranger: "I'm hungry"
Stranger: "I want more"
Stranger: "I want less"
Stranger: If you are able to conquer your nature then you will master your body
Stranger: Think about Kings and Emperors in history
You: I guess that's good
Stranger: The worst ones are always depicted as the ones who only cared about pleasure
You: right
Stranger: The ones that only cared about expensive clothing
Stranger: Things like that
Stranger: A King cannot be a master of his people if he has not mastered himself
Stranger: This is why Jesus Christ went through all the temptations of sin, and the physical torture
Stranger: Why he gave up all his things and lived as a nomad
Stranger: In order to conquer His body
You: mhm
You: what is your life like right now?
Stranger: In what context
You: idk, just in general
You: it sounds like you live a very disciplined life
Stranger: I try to
Stranger: I am closer than I ever have been, at least
You: that's good!
You: so it sounds like you've been through difficult times, and things are heading upwards?
Stranger: Something like that
You: mhm that's great
Stranger: Well
Stranger: If I end up homeless it is still better than having a home without discipline
Stranger: So I don't think we have the same definition of upwards
You: homeless?
Stranger: You don't know what that means
Stranger: ?
You: well yeah I do, but how would you end up homeless?
Stranger: How am I supposed to know? Anything can happen
You: I guess that's true
You: you just seemed worried about bad things in the future
Stranger: Bad things?
You: You said "I don't think we have the same definition of upwards"
You: meaning that from my point of view, I may not think you are heading upwards?
Stranger: My soul belongs to Jesus Christ, what could possibly be a 'bad thing' when I already have everything
You: mhm right
You: do you ever get lonely?
You: without a congregation or anything?
Stranger: No I do not
You: why did you stop going to church?
Stranger: I had no purpose there except to see a girl, and I considered that to be a wrong reason
You: Ah, okay
You: what kind of changed your views suddenly?
Stranger: It is never sudden, everyday (if you are trying) a person becomes more and more aware of life and pays more attention. You eventually start learning and changing accordingly
You: mhm okay
You: it sounds like it's been a long journey for you then
You: and an isolated road to?
Stranger: I am isolated now, for good reason
You: coronavirus?
Stranger: No
You: because?
Stranger: Because
Stranger: It is easy to be a Christian when your friends are Christians
Stranger: It is easy to be a Christian when you hear teachings from the bible every sunday
Stranger: It is easy to be a Christian when all the events you go to are by other Christians
Stranger: I do not want to lead this life because of the people around me, I want to be a Christian because I choose to be
Stranger: I can only do this alone
You: it sounds sad to push away everyone close to you though
Stranger: I will give you a hint, there was barely any pushing
You: is there a way to choose to be Christian yet still be close to others?
You: oh
You: was it always that way or did something happen?
Stranger: Yes
Stranger: You just need to pick Christ first, and friends second
Stranger: I grew up with a lot of friends, so it was the opposite for me
Stranger: I am not rectifying this
You: Ah...
You: well, if you are happy now, I guess that's fine
Stranger: Happy?
Stranger: Happiness has never really been important to me, I don't really care about it
You: fulfillment then?
Stranger: Sure
You: okay
You: how old are you?
Stranger: 29
You: you live alone?
Stranger: No, I live with my mother
You: mhm is she well?
Stranger: She is fine
You: that's good
You: can I ask why you think the way you do about women?
Stranger: Because women are not suited to be leaders
You: I mean you seemed to think women weren't able to comprehend the things you were talking about?
Stranger: Yes
You: why is that?
Stranger: Because women are not suited to be leaders
You: I mean comprehending doesn't have to do with leading, does it?
You: They're different skill sets
Stranger: ...
Stranger: If you cannot comprehend it, it is because it is beyond your station
You: ...
You: I mean, comprehending a book is entirely different than leading an army
Stranger: This is exactly what I am talking about
Stranger: You are not even on the same page as me
Stranger: What I just said went completely over your head
You: Yeah it did
You: Are you suggesting that comprehension is essential to being a leader? That makes sense
You: But the inverse seems like a stretch to me
You: that being a leader is necessary to read books?
Stranger: No
Stranger: I am saying if you cannot understand what is being said, that is because you do not need to
You: oh, okay...
You: for some reason I had interpreted that as "unable to" versus "do not need to"
Stranger: Okay
You: so basically you believe people are destined for certain things?
Stranger: Yes
You: and there are certain signs that indicate you are destined for greatness?
Stranger: Yes
You: how does greatness manifest in different lifetimes and times?
You: I mean, you said for yourself that this isn't really a time for fascism
Stranger: When did I say that
You: well that western society isn't very kind to it
You: so it's a little hard to imagine a fascist society popping up in America in our lifetime
Stranger: So I'm here waiting for you to make a point
You: I don't really have a point?
You: I was hoping to understand how you view greatness
You: in a culture and society that doesn't appreciate your views?
Stranger: What does American culture and society have to do with how I view greatness
You: I sounded like you implied that you were destined for greatness, but I may have misread your meaning
Stranger: I am
You: so how will you be great?
You: I guess that's my question
Stranger: That remains to be seen
You: Do you have a sense of what direction it will be?
Stranger: It is more important to focus on the day and hour you are living in
You: that's fair
You: I guess it's true it's important not to get ahead of ourselves
You: I was wondering you had any specific goals or dreams
Stranger: Follow God, that is all I need to do
You: mhm
You: So it's kind of like God will show you the way when it's the right time?
Stranger: He always does
You: right
You: Do you come on Omegle a lot?
Stranger: When I have nothing else to do
You: Do you have any other hobbies?
Stranger: Training
You: working out or something more specific?
Stranger: Working out
You: Mhm I think that's good
You: does your mom still work?
Stranger: No
You: and yourself?
Stranger: I was employed, but I realized I was there for the wrong reasons and left
You: Ah... what kind wrong reasons?
Stranger: I was only going because I wanted to see a girl
You: ...Were there multiple girls?
You: The church one and also the work one?
Stranger: Yes
You: oh
You: And dating is sort of incompatible with your faith?
Stranger: No
You: It's a little bit harder for me to understand going to work for the wrong reasons
You: like I can understand going to church for the wrong reasons
You: but work I'm not sure if I understand
Stranger: How is it any different
You: Mhm, I feel like faith is different?
Stranger: It has nothing to do with faith
You: I mean I feel like you should go to church for your faith, not for romance
You: on the other hand, I don't really see anything wrong with liking someone at work
You: (or school or something else similar)
Stranger: I cant believe this has to be explained
You: sorry
Stranger: There was a girl at church
Stranger: I liked her
Stranger: I was only going to see her
Stranger: So I stopped
Stranger: There was a girl at work
Stranger: I liked her
Stranger: I was only there to see her
Stranger: So I stopped
Stranger: How is this confusing to you
You: I think I'm just not understand why you decided to stop seeing the girl at work
You: if you're able to keep working, that is
Stranger: Because I was not working
You: oh okay
Stranger: I spent most of my time talking to her
You: right
Stranger: And would regularly tell my manager to mind his business if he ever mentioned it
You: right
You: are you looking to get another job?
Stranger: No, I need to set myself right first before getting back into the world
You: mhm
You: I guess that's understandable
You: how does your mother feel?
Stranger: She is fine
You: it's good if you have a good relationship with her
Stranger: Yes
You: what kind of work did you do?
You: before?
Stranger: Industrial Labor
You: Will you be okay financially?
Stranger: Yes
You: That's good
You: I wonder what the coronavirus was like in your area
Stranger: I don't pay attention
You: how do you normally spend your day these days?
Stranger: Training and reading
You: What kind of reading?
Stranger: The bible and military history
You: Why military history?
Stranger: Because I like it
You: Ah okay
You: have you always liked it?
Stranger: Yes
You: favorite period?
Stranger: I don't have a favorite period
You: oh I thought a lot of people had a favorite battle or a favorite country/nation
Stranger: Okay
You: okay
You: well, if the conversation seems to be dying down, thank you for explaining things
Stranger: For all the good it will do
You: who knows, it was an experience for me, I guess?
You: in either case, I wish you the best!
Stranger: Lol
You: is it that funny?
Stranger: Yes
You: >.>
You: Why? Are you used to getting tons of hate or something?
Stranger: Because I am a Fascist. You hoping "the best" for me would most likely work against you
You: Mhm, I guess I'm taking my chances lol
You: to me you're still a person
You: living somewhere in America
Stranger: What does that have to do with anything
You: idk, I think our worldviews don't really align -- I kind of wish for everyone to find happiness
Stranger: Why
You: call me a pacifist or something idk
You: I dunno, do I need a reason?
Stranger: It just seems arbitrary to me
You: I'm not sure why I have the values that I do
You: they are somewhat important to me though
Stranger: They are strange to me
You: I guess
You: I suppose I don't have the strongest sense of self-preservation
You: I was slightly suicidal years ago
You: although I'm better now
Stranger: I consider people that commit suicide to be pathetic, depending on the reasoning
You: I didn't have strong reasoning, probably just generic mental health issues
You: in either case, having greater purpose of some kind makes me feel better
You: for me, being able to spread something positive is meaningful
Stranger: For me the only appropriate time to kill oneself is if you are about to be captured by an enemy
Stranger: If you are paralyzed
Stranger: If you can no longer walk
Stranger: If you lose your reproductive organs
You: These seem heavily honor-focused
Stranger: That is the kind of person I am
You: I seems like your honor means a lot to you, which I guess is honorable too
You: (my goodness the pun lol)
Stranger: Well
You: although I mean not sure if all of those things are worth a life, at least in my view
Stranger: I am a man, if I cannot protect the women in my life then I have no reason to live
You: I'm not really sure how to respond to that
Stranger: If a man cannot defend his people, then what is the point of his existence
Stranger: Seems pointless to me, better off just killing yourself
You: I think people can find things important to them over time
You: and I think we all experience loss
Stranger: It doesn't matter if they find something important to them
Stranger: They are useless if they cannot defend women
You: ^^ maybe some women don't want to be defended?
Stranger: What kind of woman would not want to be defended from an attacker
You: It is figurative in multiple different ways
Stranger: What?
Stranger: Why would a woman not want someone to defend her from an attacker?
You: I think some women don't want to be defended from unspecified "threats", if they have't asked for help
Stranger: So if someone is breaking into my home an tries to attack my mother, I need to wait for her to ask me for help?
You: nope, depends on the person
Stranger: It depends on the person?
Stranger: There are women out there that would get angry if you stopped a rapist from raping her?
You: I think I'm referring to less literal things than that, but I feel like this is a difficult conversation to have
Stranger: I do not find it difficult
Stranger: Again
Stranger: There are women out there that would get angry if you stopped a rapist from raping her because you did not ask her first?
You: I think I was somewhat reacting to this link: "If a man cannot defend his people, then what is the point of his existence"
You: If you failed do defend someone you love, I don't think they would want you to commit suicide
Stranger: You misunderstand me, yet again
You: likewise, I don't think that people always hold those expectations that men will defend women anymore
Stranger: A wife does not expect her husband to protect her?
Stranger: A mother does not expect her son to protect her?
Stranger: A daughter does not expect her father to protect her?
Stranger: A sister does not expect a brother to protect her?
You: I think there are circumstances that a husband can misunderstand what constitutes "protecting" his wife
Stranger: We are not talking about those circumstances
You: Someone more conservatively minded may consider that a a certain male friend that daughter has is a threat
Stranger: I do not care about that
Stranger: I know what I am talking about
Stranger: And that is all that matters
You: okay
Stranger: I am not interested in how others interpret it
Stranger: I am talking about what I am talking about
Stranger: Not how others would perceive that
You: okay
Stranger: So why are you bringing that up?
You: I dunno, it didn't sit very well with me for some reason
Stranger: You are against protecting the women you care about from attackers?
You: No, I think I had a different interpretation of your statement than you meant it
Stranger: What I said was very straight forward
You: I was just thinking of times when other people wanted things for me that I didn't want for myself
Stranger: You were thinking of a time someone broke into your home or raped you, and got angry at someone intervening?
You: Nope, we are thinking of different things
Stranger: What I said was straight forward
Stranger: How could you misinterpret it?
You: I think the mentality was similar to something else that I recognized
Stranger: So you accused me of something instead of asking me to clarify
You: Sorry; I think we just took "defended" to mean different things
You: Like for me I was thinking of the more figurative instances like: "I am defending your interests" "This is good for you" "That's bad for you"
Stranger: I never said anything like that
You: You didn't
Stranger: The exampled I gave were of paralyzed men or missing limbs or unable to walk
Stranger: It should have been obvious that when I said defending I was talking about something physical
You: Yeah, sorry, I think my own experiences just got in the way
Stranger: But instead your pathetic biases lead you into a conclusion that was erroneous
Stranger: Because you have a preconceived notion of what certain people are like
Stranger: Nothing to say?
You: Yeah, not really, sorry
Stranger: So what are you waiting around for?
You: I tabbed away briefly
You: I'm not sure what I'm waiting for
You: what about you?
Stranger: I am waiting for a response
You: I admit that I have baggage
You: I think a lot of people have baggage, and it leads to numerous misunderstandings
Stranger: I have absconded with mine. Why haven't you?
You: Hm? I don't always perceive it as a weakness though
You: I think we are the sum of our experiences
You: the good ones and the bad ones
Stranger: You are making me angry
You: sorry
Stranger: I cant stand when people blame their past for their behavior
You: what should I say instead?
Stranger: How about nothing
Stranger: How about you instead let go of the past and not let it dictate who you are
You: I don't exactly have a bad relationship with my past though
You: I like the way that my past has shaped the current me
Stranger: Why were you hesitant to tell me you are a woman
You: well let me scroll up
You: "This seems above your ability to fully grasp so it makes me think you are a woman"
You: ^ How would somebody not react negatively to that?
Stranger: Why would you hide it
You: Because I was annoyed for a moment and decided to be annoying in a brief moment
Stranger: Typical female behavior
Stranger: Passive aggressiveness and pettiness
Stranger: Did that annoy you too?
You: No, I'm not really that surprised anymore
Stranger: How old are you
You: 26
Stranger: I thought I was talking to a teenager
You: mhm, I've been told similar before
Stranger: Are you married
You: no
Stranger: Why not
You: why should I?
Stranger: Are you ugly
You: lol does it matter to you?
Stranger: Yes
You: sure, let's say I'm ugly then
Stranger: What do you look like
You: I don't feel any need to continue this conversation down this path
Stranger: Lol
Stranger: Alright then
Stranger: Does it make you uncomfortable
You: yes and no, but mostly no
Stranger: So what is the issue
You: I have my own moral standards too
Stranger: Do your moral standards prohibit you from talking about your face
You: pretty much
You: you can think of it as a high bar that makes it easy to define something black and white
Stranger: What is your race
You: loool
You: why do you suddenly care now?
Stranger: You said 'black and white' and it reminded me of something I forgot to ask earlier
You: lol
You: do you normally ask early on?
Stranger: Yes, it is important to know
You: lol I guess it's your fault for forgetting to ask
Stranger: Yes, so what is your race
You: I'm skipping this question and leaving it to you to interpret it in the worst way possible ^^
You: seems fun to me
Stranger: You are Asian
You: why would you think that?
Stranger: I am a racist. Determining race is inherent
You: it's kind of amusing to me that you picked asian
Stranger: Well if you must know
Stranger: You tend to take things a little literally, and you have a formal tone, and that is typical for Asians
Stranger: The way you respond to certain things suggests a very foreign cultural background
Stranger: All of that to me says Asian
Stranger: Oriental, rather
You: Fine, helpful of you to put it into words I guess
Stranger: Is it still amusing
You: Maybe?
You: I thought certain things were just me though
Stranger: So can you tell me your race
Stranger: If you are worried that I will make fun of you for it, I do not mock people anymore
You: nah, I won't share details
You: I'm a little stubborn in the sense that once I've decided something, I'm pretty adamant about it
You: but you are welcome to believe what you believe
Stranger: What is the purpose of not sharing that detail
You: it's an emotional defense mechanism for myself
You: there are certain lines that I do not cross on omegle
Stranger: I already said I will not mock you or use it against you
You: it is a rule that I hold myself to
You: that's not really the point
Stranger: Alright then
Stranger: Let us talk outside of omegle
You: lol and that is one of my rules lol
Stranger: Unfortunate
You: is it?
Stranger: I will not insist
Stranger: Yes
Stranger: I was starting to like you
You: I'm flattered, but I'm not interested in using omegle for those purposes
Stranger: What purpose are you referring to
You: mhm, getting to know people in the many ways that it means
Stranger: That is disappointing
You: I am actually rather distrusting and antisocial to some regards
You: in either case, I'm not interested in friends
Stranger: I understand
You: In either case, thank you for spending this time with me, and I feel like I was able to hear a lot
Stranger: Alright
You: best wishes to you and your mom!
Stranger: Lol
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courteternal-rp · 4 years
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→ general details
name ; sol
age ; appears 35 || actually ancient
gender & sexuality ; identifies as male, heterosexual
race ; ancient
do they hold a position or title? ; he was once called the sunfyre, but has not held a title in thousands of years.
loyalty ; previously held loyalty to the night court due to the binding tattoo received in a bargain made with the former High Lord. Since his release, he hold loyalty only to himself, though there is undoubtedly interest in those who have been Made, and the one who looks like his former lover
face claim ; Ben Barnes
→ in depth
→ aesthetics
the sound of thunder cracking, the smell of a smoking fire, indulging in your deepest desires, a fall from grace, glowing eyes in the darkness, preying on the weak, dangerous knowledge, smiles mingled with wrath, more sensitive then their tough shell would have you think, broad shoulders, quick wit, doing things out of spite, a devil may care smile, fingers dancing across their lovers skin, maintainer of order
→ headcanons
one. since his release from the Prison, Sol has been asked to fight (or has simply done so out of sheer desire) several times. his weapons of choice are a short handled scythe like weapon and a long dagger. they materialize at his beckoning. bone white in color, they are stronger then most metals. the only people to ever touch them are those destined to die at his hands. rumors have whirled around the night court that they were made from the bones of his original body, but in truth they are so old that he has no recollection of how they came into being - just that he’s always had them.
two. like most ancients who were trapped (or bound), some pieces of his power has remained visible. with eyes of swirling silver (often displaying flecks or flashes of gold when he experiences strong, unexpected emotion), and slightly sharper canines, the ancient doesn’t try to hide how different he is.
three. while capable of consuming food, Sol typically doesn’t, as it lacks the sustenance he needs or desires. during his time in the Night Court, he had hot chalices of blood readily available on a nightly basis, but since leaving and wandering the courts, he’s had to be more conspicuous. it’s proved to be a bit more of a struggle to not simply have a go-to source, so he’s since made a habit of hunting. draining the game of their blood for his own consumption, he sells’ the meat and furs at local markets to earn enough coin to continue on his way.
→ powers
Powers. Mirage.
Explanation. Sol once wielded a power that might have razed worlds - but upon being trapped in the body of a fae, much of that power was suppressed. Visible in the swirling silver of his eyes, the man can now only release a fraction of what he is capable of.
Still considered a Death God by many, he has maintained his finesse on the battlefield. Moving with a graceful stealth, his blades seamlessly slide through enemies - something made endlessly easier with one of the abilities he maintained from his former state. Sol has retained the ability to create a mirage personal to each and every enemy. They are detailed illusions which begin seemingly harmless. The effect blinds his enemies to what is truly before them and allows for quick and easy annihilation. It is only something he can maintain with great focus, and the number with which he can inflict the ability is limited to those within his direct sight and surroundings. Should he grow distracted enough, the mirage will falter and those previously captivated under the security he wove will become privy to the distraction and no longer will they be as easily fooled.
Because he is trapped inside of the body of a fae, he grows physically and mentally tired just as everyone else. The only real difference is that his power reserve is typically a lot larger and can last a lot longer then most others.
→ personality
positives. powerful, passionate, determined, sensual
negatives. domineering, arrogant, relentless, selfish
explanation. Sol was once a God (or at least a Godlike being). Deep emotion was an entirely foreign concept to him until he entered this realm, and until he met his fae lover. Originally, he was a being of primal needs and desires. Feeding off power, he ruled over those beneath him with a relentless force. But like all things, consistency can often grow boring and he never wished to be something easily figured out - which was why he so readily toys with emotion (and later how he came to truly understand and grow curious about it). He doesn’t lie, he just emits pieces of the truth and weaves them in ways which can easily be interpreted differently.
Because of his past experience with fae (first with the betrayal and murder of his lover, and later  being bound to the will of a High Lord), he doesn’t trust easily and instead tries to have an outcome of all situations that appear most beneficial to him.
Overall, you won’t really get much emotion out of him (or see passed the surface) unless he cares about you. If you’re just another person, he comes off as an arrogant prick.
→ biography
Sol does not remember how he came into existence - he just knows that one day, he was. He had siblings and parents - ones with memorable names and even greater historical feats, but even they have been nearly erased from his memory with the passage of time.
His earliest, most vivid memory, was a tear in the fabric of time and space. One moment, he was home - a world seemingly devoid of color - and the next he was dumped into a land swarmed with it. He was a beast turned God. Worshiped by lesser beings who eventually came to call themselves fae, he greedily soaked in their sacrifice and prayer - satisfied that he had left behind what had once been an insignificant existence.
Taking what was offered (and that which he believed himself entitled to), Sol spent many years simply watching - ruling over those beneath him. But repetition and the passage of time left him wanting for more. Before he knew it, he had grown attached to one of the Priestesses who oversaw his temples. It was love - at least that was how she explained it to him. An emotion of a weaker species, not a God - at least that was what he tried to convince himself.
Greed and arrogance left him blind. Believing himself to wield enough power to raze the world should it please him, he did not see the trap that was carefully laid for him. Society had grown - the fae had advanced. And while he had fallen in love ( a sentiment returned ), his followers saw the emotion as a weakness. Their God was powerful, but now to easily injured should something happen to his lover. So they lured him into his temples (a messenger having sworn he was bringing word from his lover to meet him) and once he was within the walls, the veil was ripped away. Held before him with a knife to her throat was his lover, and when the God refused to give her up, her blood drenched the floors.
Shocked and angry, he’d hardly heard the chanting of several Priestesses as they moved into the temple (entombing him inside and them along with him). His hands ripped through flesh and bone - the blood of his treacherous followers spilling alongside that of his lover. But try as he might, whatever spell they had woven left him disoriented, and for the first time in his existence, he fell to his knees before another - his eyes shutting unwillingly.
When he woke, he was in the confines of the Prison. Try as he might, he found himself incapable of releasing the power that had once so readily been at his finger tips. With no where to go, he sat in wait - knowing full well that his once loyal followers would need him again (and then he would get his revenge).
Centuries passed and his prediction proved wrong. By the time he was first visited, those who had betrayed him (as well as their families) had long since perished - their names all but wiped from history. It was instead a High Lord of Night who appeared at his cell door - offering a bargain he could not refuse. Fight for the Night Court and be free. Sol had hardly hesitated before he agreed.
Stepping onto a battlefield was like breathing fresh air for the first time - refreshing - and each one that followed was easier. He did as the Night Lord asked, but when the war ended and the soldiers were sent home, his freedom did not come. Trapped in a fae body and bound to the Night Court by the tattoo on his arm, Sol found himself unable to do as he wished.
For years, he stood at the side of the Night Lord (a man foolishly leading himself into believing them friends). With each day, the strength of the binding tattoo on his arm deteriorated - but before the opportunity presented itself for the former God to free himself and completely destroy the man that had dared to enslave him, he died. Having felt the binding of his soul snap away suddenly, the ancient had flashed those surrounding him a predatory grin before disappearing with the wind.
He has spent the past fifty years wandering the Prythian courts - weaving himself in and out of society. A majority of his time has been spent within the depths of the Day Court libraries - pouring over ancient texts in hopes of finding a way to free himself from his fae form.
Having years upon most all in existence, he easily predicted the path that would follow in Hyberns wake - though he offered no warning to any. With the High Lords powers depleted, Sol sees the gathering of the Courts as an opportunity of betterment. Willing to set foot Under the Mountain to strike a bargain (one that will undoubtedly go in his favor this time around), it is likely he will align with one of the weakened High Lords or a newly Made.
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unladylikc · 5 years
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☆☆☆ dabs
【 👓 ;; Livi’s special review corner 】
MEME: Send me a ☆☆☆ and I will tell you… / Selectively Accepting !!
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How I rate your blog:
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 |
How I rate your URL:
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 |
How I rate your blog theme:
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 |
( tbh, i would rate it higher if the links on your blog was a lighter shade of white, purple, or grey and your pop up pages seem to be done, but other than that, i feel like the overall colour theme works well with your blog. plus, unlike other container themes, the container itself isn’t too small to warrant much eye strain… which i feel is underrated, as an aesthetic choice. )
How you play your muse:
Don’t know your muse | Not my cup of tea | meh | OK | good | wow | EXCELLENT | I would like to keep you forever.
( seeing as though you’re a multimuse, this really just refers to all of them in general. plus, even if i don’t know some of the characters you play, i definitely enjoy seeing your portrayal of them on the dash, because in terms of writing, you have a clear and concise style that is easy to follow but descriptive enough to prove you have a good grasp on english. in fact, i like that your writing is not full blown purple prose. ALSO, as someone who also plays a fankid oc on a different blog, i really enjoy your concept of a selena fankid, ngl.
from what i’ve seen too, you stick close to the localized versions of your canon muses, which makes your interpretation seem entirely believable when you compare it to the english source material, especially during dash commentaries. oh, and considering how often people make asexual characters out to be people who are not interested in sex, it’s refreshing to see how you represent asexual characters as being sex positive. )
Thoughts/opinion on the mun:
( BLUE… my pal, my buddy, my partner in arms! of course, you’re already aware of my first impression of you, so i’ll just skip to discussing what i haven’t disclosed yet, lmfao.
for starters, i always feel like we click, since we seem to be very like-minded individuals who agree on a lot of things. why, with how our irl views align almost perfectly with each other, i’ve come to the conclusion that you’re a highly agreeable person, but then again, i also happen to be biased af, meaning others might not view you the same way i do. of course, i don’t give two fucks, because i still stan a legend who has the best takes known to mankind… or uh, tumblr, at least.
speaking of ‘stanning’, i still find it amusing we both are fairly passionate about niles as a character. )
How much I ship our muses:
Are you out of your mind?! | NO | prefer not to | I need some convincing | MAYBE | let’s do our best for chemistry | what a good idea | YES | I’ve been hoping for this! | oh gods yes | LETS MAKE A NEW OTP | shipping hell!!
( ngl, i’m kinda partial to vivian/niles and vivian/stahl myself because i once roleplayed them as ships before, but considering how everyone else’s portrayal is different, i’m hesitant to express more enthusiasm about shipping our muses together, cause it’s possible it might not work.
chances are, though, if you do so much as suggest a pairing to me, it’s likely i would be all for it! plus, i do like you a lot, so i wouldn’t mind shipping our babs together… provided that’s something you want, of course. )
How attractive my muse finds yours:
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 |
( i can’t give a single rating for all of your muses because they all differ, but let’s be real… because vivi’s a pan disaster, i think we can come to an agreement she finds a majority of them to be appealing, though just because she personally finds them attractive doesn’t mean she’ll act on those feelings of attraction if that makes sense. )
Platonic attraction:
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 |
( fffff… i’ll come back to you on this, once we actually start interacting. )
Sexual attraction:
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 |
( SAME REASONING AS ABOVE. )
A situation or starter sentence for our muses:
( when it comes to interactions, i only thought about possibly utilizing my fates or heroes verse… but anything having to do with aesort resorts sounds  hella cute. )
A scene I would want to write with you:
Meeting | Cooking | Kiss | Fight | Bed-share | Shopping | World domination | Solve crimes | Stranded | Distant friends | None of these but PM ME |
If we would write, my mood is:
fluff | angst | horror | romance | humor | hurt / comfort | action | slice of life | crack | dark threads | light threads | any genre |
       ↬ @divinebetrayed┆blue & fe muses┆
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And because tumblr is going to destroy this post: the full image Please be kind to my terrible Paint skills, I wasn’t about to bust out an old tablet to make this super fancy. Please know that this is one possible interpretation of the final year, year and a half of Overwatch given what we currently have available to us right now.
Sources and more information under the cut:
To start off with, our baseline point is Recall.
Recall is when both the game and the main plot begin - the Recall animation and Winston’s “Are You With Us” recall message are initiated, and this “coincides” with the game’s release in 2016.  To make things easier for everyone, my math here is simply to project: 2016 + 60 years forward = Recall initiated in 2076
Fairly straightforward and makes following game updates a bit easier.
From here, forward-progressing events move roughly at the same time as the game has been released.  For example:
Summer of 2016 || Summer of 2076: Ana is released || “Old Soldiers” comic occurs
November of 2016 || November of 2076: The Sombra ARG concludes || Sombra leaks LumériCo’s secrets
November of 2016 || November of 2076: “Infiltration” is released || Talon attempts to assassinate Katya Volskaya
November 2076: Volskaya asks Zarya for assistance in finding Sombra
Holidays of 2016 || Holidays of 2076: the “Reflections comic” occurs
Now we’ve entered 2017 || 2077.  Things shift slightly here.
On-going throughout 2077: Zarya searches for Sombra
Late February 2017 || Late February 2077: Interview with Efi Oladele is released
July 2017 || Late February 2077: “Masquerade” comic is released || Doomfist breaks out of prison and returns to Talon
March 2017 || March 2077: Orisa is released || Efi builds Orisa
Sometime after Orisa is built, 2077: Zarya meets Lynx in Numbani
April 2017 || April 2077: the “Uprising” event is released || files on the Strike Team’s mission against Null Sector are declassified
July 2017: Doomfist is released
August 2017 || (likely) August 2077: Junkertown map is released || Junkrat and Roadhog initiate “The Plan”
September 2017 || (likely) September 2077: “Searching” is released || Zarya finally finds Sombra
This is why the “Uprising” content all says “seven years ago” - because the game and the overall plot since Recall has moved forward one year, but the actual event of Null Sector’s Uprising did not change in time. So, with the “Recall” event and the “Uprising” information, I have two anchor points of reference for the general, final year of Overwatch: 2076 - 6 years = 2070 2077 - 7 years = 2070
Michael’s GDC talk also gives us a third anchor point: the Halloween party where Reinhardt tells the story of “Junkenstein’s Revenge.”  This is actually set during Halloween the year before, so 31st October, 2069 (nice).
I’m breaking this up by section to help make this a bit easier.
Introduction
1. “Six Years Ago:” “Fading Glory: On the Trail of Jack Morrison,” in-universe article (https://playoverwatch.com/en-us/blog/19809396/) 2. Michael Chu’s timeline: “Thinking Globally: Building the Optimistic Future of Overwatch,” a GDC talk given by Michael Chu (Timestamp: 49:12 - clip starts at discussion of materials: https://youtu.be/bj56ejM5EcU?t=2952)
Late 2069/Early 2070
1. “Halloween party:” “Junkenstein’s Revenge,” a comic in which Reinhardt narrates a “scary” story to some of the Overwatch members (https://comic.playoverwatch.com/en-us/junkrat-junkenstein).  What is important to note here is that Michael actually puts this in the “Fall of Overwatch” era of his timeline.  It is also important to note that several major Overwatch characters - Lena, Winston, and Genji - are either not yet a part of Overwatch, or were not permitted to join the “core members’” Halloween party.  I have personally chosen to interpret this as the first option.  You may view things differently.
2. Tracer disappears from the timeline (not shown): “I was missing for months” - quote from her Origin video (https://www.youtube.com/watch?v=27LPGldyY7M).  “[Tracer] reappeared months later, but her ordeal had greatly changed her: her molecules had been desynchronized from the flow of time.” - quote from her Hero profile (https://playoverwatch.com/en-us/heroes/tracer/).  “Months” here, as I understand it, probably means fewer than 12 months (a full year) but more than “a couple” (2 months).  It’s difficult to say when exactly Lena disappeared and when she returned, but we know she had returned by April of 2070 (at the very latest).
3. The Shimada brothers’ duel: alright.  Full disclosure inbound.  I got a handful of people countering me on this issue in my Moira discussion and here’s my response: we have a number of conflicting pieces of information and many of them could be possible.  I’d like to run through my reasoning for why I’m placing this event in the final year of Overwatch, as well as other possible places it could go.
3.1 “Nearly ten years ago:” a few people brought up that the 2014 Blizzcon Overwatch reveal panel described Hanzo (a then-playable character) as having left his home “nearly ten years ago.”  You can find this quote on this transcript here (http://overwatch.blizzplanet.com/blog/comments/blizzcon-2014-overwatch-unveiled-panel-transcript/3).  Reason why I disagree with this assessment: this line never made it to either of Hanzo or Genji’s final Hero profiles (Hanzo: https://playoverwatch.com/en-us/heroes/hanzo/) (Genji: https://playoverwatch.com/en-us/heroes/genji/). 
That said, this does not mean the line is incorrect, nor that it is not part of whatever internal timeline Blizzard is using.  I personally do not think it’s wise to specific details from the 2014 Blizzcon panel because of how old it is and how much changed between 2014 and the game’s release in 2016.  Remember - Blizzard was still rethinking its own plot well past the game’s release (when they canceled “First Strike”).  But in all fairness, if you want to make your own version of the timeline and use that, then feel free.
3.2 Late March/Early April: I had someone else note the fact that the “Dragons” animation shows several koinobori, or the Japanese koi windsocks traditionally flown on Children’s Day on May 5th.  There are a couple of issues with this: one, it does not particularly coincide with the blooming of the cherry blossoms in the Tokyo region (source: http://www.jnto.go.jp/sakura/eng/index.php), which is where Hanamura is “set,” and two, the idea kinda trusts that Blizzard did research on koinobori and when they are supposed to be used.  In an effort to be fair to Blizzard, technically, koinobori can begin appearing as decorations as early as April, and be flown all the way through to Children’s Day.
3.3 Genji in training: a related issue to 3.2 and the upcoming 5th event in the timeline is that Genji appears to be testing out his cyborg body in a sparring match against Lena/Tracer.  The “Art of Overwatch” book also provides a description that appears to imply that this skin is him when he is still recovering:
“Much like the Origins Edition skins, the designs released for the Uprising event offered a glimpse into a pivotal period of the characters’ lives.  One of the most extreme designs belong to Genji.  After his brother, Hanzo, nearly killed him, he was taken in by Overwatch and given a new body (below).  The experience left the hero embittered and angry, constantly at war with the cybernetics that were now a part of him.
“When designing a skin for this part of Genji’s story, the developers used his outfit to mirror his turbulent state of mind.  They made his armor feel like a mishmash of parts, symbolizing the hero’s struggle to accept what he has becomd.  The use of red throughout the skin also helped ot emphasize his uncontrollable rage.” - The Art of Overwatch, page 233
No date is given, hence why I feel the idea is only implied, but it is not stated.  Again, if you wish to create your own interpretation of this, you are free to do so.
4. Winston crash lands on Earth (no exact date given): this one is very difficult and admittedly extremely loosely incorporated into the final year of Overwatch.  You may interpret it differently.  My reasoning here is that Winston is not present in the Halloween comic, and no specific details are given in the ironically-named “New Details Emerge About Possible Fate of Horizon Lunar Colony” article (https://playoverwatch.com/en-us/blog/20812209).  However, Winston needs to be “present” and part of Overwatch when Tracer returns to the timeline from her accident, so this potentially puts Winston’s landing sometime around the Shimadas’ duel.
5. Uprising: As I described above, I’ve extrapolated that the time since release and the canon-events revealed have some parallels running between them.  Obviously, this is not set 100% in stone.  However, with Uprising, we do know a few things: 
it is Lena’s first mission, so it has to come after her return to the timeline
it features Winston, so he’s either a part of Overwatch now or taking a more active role
it features Winston testing Lena’s chronal accelerator, so it is relatively recent after her return and stabilization
it features Genji before he gets his normal cyborg “skin” 
it features Angela who appears to be testing Genji’s cybernetics
Reinhardt has not yet retired
Jesse is still present and part of Blackwatch
Ana is still present
Gabriel is still present
Overwatch is already under public scrutiny
Director Petras has already suspended Blackwatch activities
It takes place “seven years ago” from 2077.
These are a lot of constraints to place on Uprising, but they do limit us to what is likely the final year of Overwatch.  The teaser tweet for the event can be found here (https://twitter.com/playoverwatch/status/848958308643885056?lang=en) and the blog post can be found here (https://playoverwatch.com/en-us/blog/20696534).   Mid-to-Late 2070 (exact dates unknown) This is where things get very difficult to align, and the majority of events could be effectively rearranged to come before or after each other. 1. Moira recruited to Blackwatch: main source - Moira Origin Story (https://www.youtube.com/watch?v=6ETybQd4uRE)   The newest event at the time of this writing, Moira’s recruitment is constrained by two major things - it must come after Genji joins, and it must happen before Genji and Jesse leave Blackwatch.  Again, if you see Genji’s fight with Hanzo as happening a couple of years before 2070, then yes, this event could come much earlier. The second “part” of this (which I’ve placed several months after her recruitment in the timeline) is that whatever Moira does or “tests” on Gabriel must come after Ana has “died” and separated from the Overwatch team.  Hypothetically, Moira’s “tests” are likely conducted over a period of time, but no matter what, Gabriel’s “final, unmasked appearance” (whatever it is) was never seen by Ana (but hypothetically has been seen by Jack/Soldier: 76).
For the quote that I provided, you can check here (http://segadores-y-soldados.tumblr.com/post/167111711575/moira-preview-new-hero-overwatch-panel) or you can watch the source video yourself:
“Moira Reveal Panel” - quote from Michael Chu (Timestamp: 3:47 https://youtu.be/HsJU3PEk9JY?t=227)
Source for the “Soldier: 24 folder” - http://segadores-y-soldados.tumblr.com/post/167127031445/new-details-on-the-university-map-of-oasis-found
2. Doomfist’s arrest: main source - Doomfist Origin Story (https://youtu.be/vaZfZFNuOpI) Again, no exact date has been given, but there are number of constraints that put this after Uprising:
Tracer is part of the team that arrested him
Winston is part of the team that arrested him (this may come after Winston passes whatever certification test is in the photo in Recall)
Genji appears to have his new cybernetics and may have transferred to Overwatch
Other key members of Overwatch, such as Reinhardt and Torbjörn, are not present and may have retired.
This may come before Moira’s recruitment.  Talon activities at this time period are difficult to suss out correctly.  As Moira’s hero profile implies:
“After Overwatch was disbanded, O'Deorain was forced to turn to unconventional sources of funding. This time, she was invited to join the scientific collective that had founded the city of Oasis. Yet some have whispered that the shadowy Talon organization had already been supporting her for years, aiding her experiments in exchange for utilizing the results for their own purposes.” Moira may have already been working for Talon at this time.  The “organization had already been supporting her for years” overlaps with her recruitment into Blackwatch (no matter where you put it), meaning she may have entered Blackwatch and Overwatch as a Talon agent.  It is also possible that she was approached by Talon AFTER becoming a Blackwatch agent.
This is important - and unfortunately very vague - because our next two points rely on knowing when and how Talon began infiltrating Blackwatch and Overwatch. 3. Amélie’s transformation into Widowmaker (no exact date given): main sources - Widowmaker’s Hero profile (https://playoverwatch.com/en-us/heroes/widowmaker/) and “Legacy” comic (https://comic.playoverwatch.com/en-us/legacy)
The exact timeline of Amélie’s transformation is hard to pin down because so much of it is simply unknown.  We have a few constraints but don’t know the exact time or nature of them:
Her skin and heartrate have been affected by whatever chemicals Talon put in her, turning her blue/purple (and yes, that’s canon and not just “aesthetics” - “then her physiology was altered, drastically slowing her heart, which turned her skin cold and blue and numbed her ability to experience human emotion.”)
However, her Talon skin does not have the blue/purple tint yet, so it’s possible this is a representation of her shortly after she killed Gérard (I suspect Overwatch would’ve been much less casual about letting her return to her husband if she had been, well, literally blue/purple).
It is not known if this process was started before or after Moira joined Blackwatch, but it is incredibly suspicious that a “possibly Talon-affiliated” scientist with knowledge of altering genetics and physiology who is literally shown testing chemicals on her own arm which later turns blue/purple appears in the exact timeframe that Amélie’s transformation begins. The Fall of Overwatch: Late (?) 2070 1. Ana’s “death:” main sources - Ana Origin Story (https://youtu.be/yzFWIw7wV8Q) and “Legacy” comic. For my original discussion on this, check here: http://segadores-y-soldados.tumblr.com/post/159512959195/alright-so-the-subject-of-ana-being-the-source-of Ana’s death was likely a major, major turning point for both Overwatch and Talon.  Again, it’s hard to place because it appears to come after the majority of Amélie’s transformation into Widowmaker, but again, the exact date to place this is unknown.  Many fans originally believed that Ana had “died” much, much earlier in the timeline, like, several years earlier.  However, after Uprising was released and it was revealed that Ana was still present early in the final year, fan theories had to be changed.
It also makes a lot more sense if Ana’s “shoot-off” with Widowmaker occurs very close to the Fall of Overwatch - so close that she was not able to recover in time and return to the organization to help repair any rifts her “death” may have caused.  However, it also has to come before Gabriel’s final transformation or shift into “Reaper,” because Ana does not recognize “what has happened” to him.
It is also a little difficult to sort out, but a major “potential” cause for a rift between Jack and Gabriel could stem from discussions about Ana disobeying orders.  It’s a small detail to catch, but in the “Legacy” comic, Ana deliberately defies orders to evacuate and turns off her communications device, possibly leaving the Strike Team unable to find her location.  However, in the “Old Soldiers” comic, Reaper says that Overwatch “left [Ana] to die,” which seems to contradict the point that she disobeyed evac orders.  I know many fans don’t like the idea of the fallout between Gabriel/Reaper and Jack/Soldier: 76 being over a miscommunication, but it seems entirely plausible that Jack returned from the mission without Ana, claiming she had ignored his orders, and that Gabriel had accused him of abandoning her. Again, this is my interpretation of the events presented.  Reading between the lines, especially with such large gaps in the plot, is a difficult task and you may choose to interpret things differently. 2. Events with unknown dates: there are three events that have no set dates but occur near or close to the Fall of Overwatch, or at least must occur after certain other points.  These are: 2.1 Genji leaves Overwatch: this must occur after he participates in the arrest of Doomfist. 2.2 Jesse leaves Blackwatch: this must occur after Uprising and Moira’s recruitment (bare minimum), and must occur after “the infighting” within Blackwatch had begun (McCree’s Hero profile: https://playoverwatch.com/en-us/heroes/mccree/).  Direct quote: “McCree appreciated the flexibility afforded to the clandestine Blackwatch, unhindered by bureaucracy and red tape. But as Overwatch's influence waned, rogue elements within Blackwatch sought to bring down the organization and turn it to their own ends. Wanting no part of the infighting, McCree set off alone and went underground.” 2.3 The “Venice incident:” an unknown event alluded to in Moira’s Hero profile, in which her presence in Blackwatch is revealed (Moira’s Hero profile: https://playoverwatch.com/en-us/heroes/moira/).  Direct quote: “Her employment was a closely kept secret, until it was uncovered during inquiries following the Venice incident. Many high-ranking Overwatch officials disavowed all knowledge of her affiliation with them.”  This is significant because a major Talon leader - Vialli - works in Venice and appears (briefly and much later) during the events of the “Masquerade” comic.
These events have no set dates and no particular order.  Michael Chu has stated that McCree and Genji kept in touch after leaving Blackwatch separately, but no dates are given for that.   3. “What happened to you?”/“It was a conspiracy:” Main sources:
Reaper’s Hero profile: https://playoverwatch.com/en-us/heroes/reaper/
Soldier: 76′s Hero profile: https://playoverwatch.com/en-us/heroes/soldier-76/
Soldier: 76 Origin Story: https://www.youtube.com/watch?v=byhvUmpAA9c
“Fading Glory: On the Trail of Jack Morrison”: https://playoverwatch.com/en-us/blog/19809396/
Moira Origin Story: https://www.youtube.com/watch?v=6ETybQd4uRE
Nesskain’s (the artist of the Moira Origin Story video) response to how Gabriel is feeling about the shadows: https://twitter.com/nesskain/status/926674887615188992
Moira Reveal Panel at 2017 Blizzcon: https://www.youtube.com/watch?v=HsJU3PEk9JY
“Old Soldiers” comic: https://comic.playoverwatch.com/en-us/ana-old-soldiers
“Are you with us?” Recall message: https://www.youtube.com/watch?v=pwFu8kEsUW4
And now Here we are. I’ve put these two events side-by-side because it’s incredibly likely that they’re linked in some way.  The exact nature of their connections are still unknown, as are their dates. Hypothetically, by the time Genji and Jesse leave, “whatever happened” to Gabriel has not yet occurred.  That said, Michael Chu has stated that Jesse McCree has not seen Gabriel/Reaper in the current plotline, but that, if they were to meet, McCree “would known [sic] that Reaper was Reyes if he encountered him” (https://www.reddit.com/r/Overwatch/comments/6b63j3/ama_request_michael_chu/dhlepud/).  In other places, Michael has stated that the only people who recognize that Gabriel is Reaper are Jack, Ana, and Sombra (this is prior to the release of Doomfist and Moira).  Direct quote: “So far: Ana and Jack (when they encountered him in Old Soldiers) and Sombra (because she Knows Things). “Even with everything that's happened to Reyes, Ana and Jack would be able to recognize him immediately, given all their close experience serving together over the years. “(To make it extra confusing: it gets a little more complicated in-game because we chose to have some non-canon interactions because I think it's more interesting to have Reinhardt take out Reaper and say, "Traitor!" than to accurately reflect that he doesn't know Reaper's true identity. But as I've said before, events in game shouldn't be considered strictly canon.)” - Michael Chu (https://us.battle.net/forums/en/overwatch/topic/20753735625#post-13) So we’ve come to a few constraints on Gabriel’s “appearance:”
Jack/Soldier: 76 knows that Gabriel is Reaper by the time of “Old Soldiers,” if not beforehand.
Ana recognizes him by demeanor and personality, but is horrified by his appearance when she unmasks him in “Old Soldiers.”
Despite having worked with him for the same amount of time as Ana, Reinhardt canonically does not know who “Reaper” is, but would recognize him if he encountered him.
Jesse McCree canonically does not know who “Reaper” is, but would recognize him if he encountered him.
Interestingly, Widowmaker does not know who “Reaper” is.
Winston does not appear to know who “Reaper” is.
Genji may or may not know who “Reaper” is.
It is important to note that, by the time of the explosion at the Swiss Watchpoint, the majority of these characters are not present in Overwatch anymore.  Ana, Reinhardt, Jesse, Amélie (if she ever was close to the Overwatch agents), and Genji have all left.  Winston, presumably, is at Watchpoint: Gibraltar.  The locations of characters like Torbjörn, Angela, and Lena are unknown.
That leaves three possible “major characters” at the Swiss Watchpoint at the time of the explosion: Gabriel Reyes, Jack Morrison, and potentially Moira O’Deorain.  Her direct involvement in this event is unknown. According to the “Fading Glory” article, both Gabriel and Jack were seen by witnesses as being present in the Watchpoint before the explosion.  Soldier: 76 confirms this in his Origin Story.  Reaper confirms that he too was present at the base in the “Old Soldiers” comic.
What is significant is that Nesskain has confirmed that Gabriel is “scared” when what appears to be his final transformation is occurring (in the presence of Moira), yet for some reason, he specifically blames Jack and Overwatch for “what happened to him.”
Ana: “What happened to you...?”
Reaper: “He did this to me, Ana.  They left me to become this thing...”
Ana: “Gabriel...”
Reaper: “They left you to die.  They left me to suffer...”
Reaper: “...Never forget that.”
Reaper’s explanation in “Old Soldiers” is fascinating because it appears to be in direct contrast with information given to us in “Legacy” (Ana chose to turn off her comms) and the Moira Origin Story (Gabriel approached her for recruitment, Moira either created or enhanced his genetic mutations, resulting in his “Reaper” powers and/or current appearance/state of existence). It’s incredibly difficult to say how closely together Gabriel’s shift and the Swiss Watchpoint explosion occurred, or how much they are directly related, but it seems likely they are linked in some way.  At the very least, Reaper links “being left behind (to suffer)” by Jack/Soldier: 76 and Overwatch with the explanation for his current (2076) state of existence.
Again, I will leave you to formulate whatever interpretation or conclusion you want. Conclusion You don’t have to use this timeline. I’ve provided every major source that I have for this “final year of Overwatch” - watch them, read them, form your own interpretations, do whatever you want.  If your biggest issue is where I’ve placed things, go ahead and rearrange your own puzzle pieces. However, you should keep in mind an important quote from Michael Chu: “One of the things that we really like doing with Overwatch is playing with perspective.  We utilize perspective when we tell stories about what characters are thinking, what their goals are - and we have a lot of unreliable narrators.  We want people to pay careful attention to what characters think about in particular situations.  We want them to use their judgement and knowlege of a character’s thoughts to come up with their own ideas about the universe.” - Thinking Globally (Timestamp: 34:35 https://youtu.be/bj56ejM5EcU?t=2075) Not only are many of the points in the timeline effectively “freefloating” (aka, they have no exact dates, or hell, not even exact months or years), they are also complicated by the matter of unreliable narrators and biased perspectives.  The Moira Origin Story gives us a crucial clue to Gabriel/Reaper’s story, but the narration in the video is all told to us by Moira.  I am personally infinitely grateful for the Moira Reveal Panel and Nesskain’s comments on his own art because they provide us with very significant clues that are from outsiders looking in.  That is, they are not tinted with biases or unreliability.  
After going through the new clues on Oasis, as well as listening to the Moira Reveal Panel and seeing Nesskain’s comments, I have revised a lot of my initial ideas on her, Gabriel, and Jack.  At the moment, I’m waiting to see if we get any in-game interactions between her and Reaper when she is released to the PTR later. For now, this my interpretation of the Fall of Overwatch.
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Cheesy Martial Arts
There is some kind of phrase that says that because humans generally have the same arrangement of body parts that there are only so many ways to do certain things in a combative context.
This is usually used to justify the application of one technique from one martial art or discipline into another for various reasons. Which could be that one art doesn’t have a solution for the particular situation that the other reference art does.  Or the imported technique is added in favor of a technique that is not understood, or doesn’t work as well or any other reason. This is the whole frog dna Jurassic Park problem. Though context is a little different here with HEMA. Sorry context(s) can be different in HEMA.
One person might have no problem combining modern combatives with historical weapons and call it HEMA. Other people might. One person might stay as true to the source material as possible, as they see it, ignoring evidence to the contrary because it doesn’t align with their own interpretation and invested effort. And they might even have people that agree with them. These are two points, and not even the endpoints, on gradations of interpolating sources of arts martial. 
So what’s the point of this little janky train of thought if everyone has already seen Jurassic Park? The point and part of the reason ‘Cheesy’ was included in the title is that sometimes these elements that can exist in the arts are purposefully chosen not to be represented. The example being cheese and east asian cuisine. Google the reason for cheese not being represented in east asian cuisine, it is interesting.  But the output of this is that it is a matter of choice.  
Frog DNA is one thing to play with.  You still get a dinosaur in the end.  But add cheese to asian food and you get things like crab rangoon.  
So be careful what you decide to cook up in your HEMA pot.  
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tipsycad147 · 5 years
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8 Safety Rules for Casting Spells Smoothly
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1. Remember the Wiccan Rede
This statement, though, can have as many interpretations as there are practitioners. What exactly is to “harm”? And who is “anyone”? The bottom line is to encourage the spellcaster to take personal responsibility for his or her actions. If you are not sure, keep your intentions clean and simple.
2. Do not cast spells that try to manipulate others
This emerges from Rule 1, and it tells us that even though sometimes we don’t realise it, by wanting to change someone’s behaviour we might actually be causing them harm. Your spells should not be used to try to change people’s minds, behaviours, or influence their decisions.
If you are dealing with a toxic person, someone that harasses or abuses you in any way, you can always wish for them to fully understand the consequences of their actions, or to find success and realisation far away from you. It’s better to seek for justice instead of revenge, and let the Universe provide their due punishment.
A good way to make sure your spell won’t have any negative effects is to say “For the greater good of everyone involved” at the very end of the incantation. Another variation is: “And harm no one!”3. Do not cast spells on behalf of others without their consent
It’s very noble that you want to use your Witchcraft to help others, but in order to do it responsibly, you must let them know exactly what you are going to do before starting, and get their permission to do so. Do not try to impose your beliefs and practices on other people. It’s always better to let the interested party come to you and ask you for help before attempting any spiritual work on someone.
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4. Keep your spellworks private
“If you tell a wish, it won’t come true”. This ancient superstition has some real meaning behind it. For many centuries, Witches couldn’t openly talk about their spirituality for fear of being persecuted and punished. Today, we are free to talk openly about our beliefs, but we still must be respectful towards others and try not to boast about our peculiar spiritual practices, especially when they haven’t asked about it.
More importantly, if you tell someone about a spellwork you’re doing, their own feelings and thoughts might interfere directly or indirectly on the outcome of your work. Always perform your Magic in a private and safe place.
Within a coven or circle of trust, one or more practitioners could be aligned towards the same goal and intentions, effectively sharing their energy for a spell. Share your spells with Witches you love and trust! ❤️
5. Protect Nature and the Environment
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Try to use biodegradable materials and tools for your spellcasting works. In this way, you help minimise your footprint on the planet. Always be conscious about how you dispose of your ritual remains and clean after yourself whenever you practice Magic outdoors or in Nature.
A good practice is to check labels for “Fair trade” or “Ethically sourced” ingredients. Try to buy from a local supplier whenever you can, grow your own herbs and create your own tinctures at home.
6. Practice fire safety
If you are going to cast candle spells, always place candles in a sturdy candle holder. Avoid placing them in windows with blinds or curtains that may catch fire. Do not leave candles burn unattended. If a candle must burn continuously, be sure it is enclosed in a glass container and placed in a sink, on a metal tray, or in a deep basin filled with water.
Read more about Candle Safety here
7. Perform cleanses and stay protected
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Anytime you feel disturbances or energy blockages in or around you, it’s a good idea to re-gain your balance by performing a spiritual cleanse or a bath spell. By regularly clearing your personal spaces (home, workplace) and also your body, you will stay protected from psychic attacks and avoid picking up negative energies from everyday interactions.
8. Take care of your body
A healthy mind will thrive in a healthy body. Always be careful if you’re experimenting with potions, infusions, essential oils or other products. Keep in mind that no amount of magical practice is a substitute for proper medical care. If you believe you have a serious health problem, or if you have any questions regarding your health or a medical condition, you should promptly consult your physician or other healthcare provider. Use the WebMD Symptom Checker for a quick online diagnosis.
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How to Protect Yourself Before a Ritual
A good way to clear any pre-existing energies is with a simple ritual bath like the one we described in lesson 2 of this course. Another common way to protect yourself when working with real spells of Magic is by creating a circle of protection ⭕. What this circle does is create a high energy space where spells and Magic can be performed without interruptions. This prevents the interference of disruptive energies and concentrates your intentions in one place.
Usually, circles of protection are created before invoking spirits or external forces. If you are a beginner, don’t worry about casting a circle of protection every time you cast a spell. Do it when you need extra focus, control, or protection. Especially when you know you will be working with forces that are beyond your control, the circle will channel and enhance the energy that is generated within itself.
Circles of Protection
Circles of Protection come in different shapes and sizes. Some Witches visualise their circle as flat, others as a big sphere. Some of them cast a square inside of it, and others a five-pointed star. Casting a circle of protection is a great way to start a ritual and to induce the perfect mindset before casting a spell.
The way you cast your circle has a lot to do with your personal beliefs, experience, and you personal preferences. For the majority of practitioners though, it’s just about visualising a circle.
https://spells8.com/lessons/protection-safety-casting-spells/#circles-of-protection
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Date Night!: Death Note (17, F)
I think part of the reason it’s so much harder to really analyze a perfect film than a perfectly shitty one is that a great film leaves you wondering how they did it. What geniuses had the decision to write that score, to edit in this style, to write that character in such a way, to interpret them so fully? I can’t imagine how much time I’ve spent wringing my hands at Annette Bening in 20th Century Women, trying to understand Dorothea Fields as a creation, as a conscious work of art by way of multiple collaborators as well as the actress playing her, amidst a film that feels utterly human and alive, and without seams in any way. I bring up this film here because I had this thought watching Adam Wingard’s disgusting, dull take on Death Note only a few nights ago. You may be asking “Why is it that both of your Date Night pieces have been centered around demonstrably monstrous acts of garbage?” and I say wait a minute, we’ve seen good things. One day I’ll talk about Shin Godzilla. But that’s just me postponing the inevitable. Tommy and I, and our very good friend David, sat down on the first of September and decided to watch a train wreck that was even worse than we could have imagined. It hasn’t just been whitewashed, but striped of all the source material’s morality and mythology, about as far removed as one could be from anything in the original series while vaguely needing to use certain character names and still actually having a death note, and Americanized in the worst possible way. But it steals baldly from other films and makes it central character completely unbearable while everyone else is vaguely more interesting and doomed to the sidelines of the story. No one wanted this film, necessarily, but is it too much to ask that it be good?
The first immediate example we get of the film’s selective pilfering of its Japanese source material is that our central character is named Light Turner. It’s not in any way a typical American name, especially for white boys with dye-blond hair, but because the source material starred a dude named Light, why not? They couldn’t let that central character stay Japanese, though, because this is America, so it has to be about a white dude and his white girlfriend trying to dodge the world’s greatest detective, a young black man who is still called “L”. The white soon-to-be girlfriend is named Mia, and we know that she is Serious and Not Like Other Girls Or Whatever because we see her looking Hardcore and Bored and Over It during cheerleading practice, a brunette in a sea of blondes, who finally just starts smoking rather than letting the Other Girls catapult her in the air. This is probably because they wouldn’t hurl her into the sun itself, which is the only thing Hardcore enough for her to join. And we know Light is Hardcore and Over It but Still Has Morals because we see him doing another student’s homework and later trying to save another student from the most college-graduate-looking motherfuckers who ever decided to teleport from the 90’s to now and bully someone.
It’s almost too easy to tear down this shambling mess of a film. Wingard shoots Ryuk as though the filmmakers either couldn’t afford to make him look presentable or were just embarrassed to look at him. Light is a terribly bland protagonist, made even blander by the far more interesting sociopathic tendencies of said soon-to-be girlfriend Mia and the truly bizarre spectacle of Wingard’s remodeled L. This version of L is at least someone interesting to watch, even if it’s in such a conventional way as to have almost no resemblance to the original version of the character. Mia, on the other hand, is only altered insofar as her obsession with Light is really just an obsession with the death note itself, and a desire to kill off people more indiscriminately than he does. There’s something deeply uncomfortable about how Mia and Ryuk are eventually aligned as the villains of the piece for lacking a moral compass, especially when Light’s feels superficially arbitrary and utterly dull, and even moreso given that Mia’s eventual betrayal of Light feels like some version of “bitches be crazy”, but both are still the most captivating characters on the screen. If Ryuk has almost no real reason to be there after his introduction, Willem Dafoe’s self-satisfied line readings make the character a welcome presence. That this character egs on Light to commit his first killings was perhaps the biggest sticking point to David early on, given the manga version’s role as an excited but impartial audience surrogate more than anything else, but his presence is still entertaining. Dafoe’s reading of the line “Humans are so interesting!”, one of the few moments where Ryuk got an actual close-up, was also the only actual chill I got during the whole 100 minutes, though credit must partially be given to my shock that any line from the manga - let alone one of its best, in the early going - even made it into the film.
My previous interactions with the Death Note media empire is having gotten partway through the manga and the anime dub in early high school, losing interest a little while after the death of a major character, though not necessarily because that character died. Maybe it felt like the end of the series, or maybe I just straight up lost interest, or moved on to a different property. That being said, I still remember Death Note and its characters fairly well, and certainly well enough to know how butchered this abominable film was. It’s astonishing how much Wingard tries to alter these characters away from any resemblance to their source material, but it brings up what strikes me as the largest question I have about this film, and all the grossest politics and connotations I can think of surrounding the terms “whitewashing” and “Americanizing”. Of course America’s version of Death Note had to star a white boy in the lead role, because Hollywood can’t just have a leading character of color for no reason at all. Of course he had to be saddled with a faux, crummy version of “morals” with a faux-tragic backstory behind his killings while his girlfriend is giving the depravity that made the original so noteworthy and framed as the eventual Big Bad for it. Mia Sutton is perhaps the only character Death Note has going for itself, a genuine female sociopath on film who barely seems motivated by her hubby-in-crime and is more than willing to ditch him once he gets cold feet. Apparently Wingard credits Mia as having more of Original Light’s traits instead of Misa Amane’s, which makes sense to think about but speaks plenty about Wingard’s seeming disinterest in actually adapting his source material. I kept thinking about The Hateful Eight’s Daisy Domergue, featuring another case of villainous characters whose only point of agreement is that the lone lady of the bunch is the worst of them all, though there her crimes are left mainly vague, her threats treated like bluffs once she has the room to say them rather than getting smacked around by her walrus-moustached captor. It’s the film’s most toxic element, one that I’m not convinced Jennifer Jason Leigh’s performance makes the right decisions about in portraying her. The Hateful Eight is also a much better film than Death Note - what film isn’t? - albeit with its own, significant flaws, but in Death Note Mia’s crimes and the crimes of her allies and enemies are all equally defined, because the film is so awful it needs her amorality if only to give the viewer someone compelling to root for, as my squad saw it, because Margaret Qualley commits to her character and makes us sad to see her go. I don’t mean to imply that Qualley is a better actress than Leigh, nor is her performance necessarily stronger in these respective films. But sometimes mere competence in a shitty film is easier to like than a commendable misfire in an uneven one, and Qualley’s work is one of the few umbrellas we can run under in this heaving shitstorm of a film.
I truly don’t know how to engage with L, who seems like the most conspicuous victim of Wingard’s rewrites. LaKeith Stanfield is clearly giving his all to the performance, and if you told me he was the only person on set who’d ever read the manga I’d believe you in a heartbeat. But all the intrigue of his work, the intensity it achieves in certain moments, is drowned out in how overly mannered this character is. Repeatedly L is seen sloppily eating gummy bears ascribed with ingredients that enhance thinking capabilities, rather than strawberry shortcake because it’s fucking delicious, that’s why. Twitchy behaviors are augmented by the character’s complete lack of chill, rather than the naturally super-intelligent, laid-back L the manga gave us, one in terrible physical shape and complete physically incompetence. Here, L gets a chase scene by car and by foot, and brandishes a firearm. Here, L gets a traveling Victorian set to be imported into the middle of the San Diego Police Department’s office area. At least he still gets to keep his own brand of amorality, perfectly content as he is to use some criminals as bait to see where “Kira” is based, but he’s not the savvy liar and manipulator detective of yore. This character is conventionally compelling, but perhaps the most emblematic case of Wingard’s seeming desire to write a Death Note film that doesn’t actually resemble any previous Death Note property. Who knows why this character was cast with a black actor in a shocking white version of San Diego - or even if there was a “reason”, and Wingard just liked Stanfield’s ideas about the character - but the spectacle of him being placed in a chokehold by SDPD chief Light’s Dad was easily the grossest thing Death Note had in store. I can’t help but wonder what Stanfield really saw in this opportunity, how much he got out of it, and what the disparity is for having highlight roles in the best and worst horror films of 2017.
And then there’s Light, remixed from a type-A, grade A model student into an angsty loner who has literally nothing going for him but a wonky dye job and being lucky enough to get a handheld killing machine. Putting a hat on the guy makes him instantly the blandest man alive, and he as much as anyone else is shorn of the traits that made the character such an interesting protagonist. Yes, Mia gets so many of Light Yagami’s traits, but can Light Turner have anything going for him? Can he not nearly shit himself once Ryuk (in such a bitchy spectacle of an arrival) storms onto the scene? Can he not have a motivation so forgettably stitched on the film all but abandons it twenty minutes in, and can his morals actually be interestingly complicated instead of bland, Americanly contrived? Nat Wolff’s Light, possibly the worst performance of the year, is such a guileless goon that his last-act transformation into a criminal who’s actually capable of planning out a long con to save his own life and kill one of his enemies is easily the least believable part of the film. It’s astonishing how much the want of having Evan Peters and Emma Roberts in the lead roles is present in how Light is styled and in how much Margaret Qualley just fucking looks like a less actively bitchy version of Emma Roberts. There’s even a little card that says “Normal People Scare Me” in the American Horror Story font in Light’s locker, like some emo kid in 2011, which gets to the heart of this character’s deep mischaracterization. Why make this kid into a Tate Langdon-type who’s so blatantly angry at the world it’s honestly shocking his father takes as long as he does to realize his son is a fucking mass murderer? How is it in any way a bold, difficult statement that the valedictorian can be a sociopath, that kids with ostensibly no real problems can also want to end the world themselves? There’s a lot I didn’t like about the fourth season of AHS but at least it gave us an emblem of corrupted white, heterosexual male privilege and prejudice that this film just can’t recognize, or won’t.
A funny, somewhat poignant, and very quick moment in Okja sees a character flash a newly made tattoo on his arm that says “Translation is Sacred”. Death Note is not just an abominable act of translation, but of adaptation, of fidelity to a source material’s characters and themes. Outside of its vaguely compelling supporting cast, a lot of Death Note feels haphazardly cobbled together from a multitude of sources and bad ideas all meant on making the film more palatable to an audience that only wanted this film because the source material was so rich, most notably that killings in the Death Note seem to be primarily carried out by Final Destination, Rube Goldberg spectacle-type accidents, rather than simple, mundane accidents. Why make a Death Note film if you’re not going to make it resemble Death Note at all? It feels late in the game to say that I’m not fundamentally against molding source material to suit an adaptation, especially with something as dense as Death Note into a feature film under two hours. But there’s not a single alteration that this film makes to the material that helps it in any conceivable way, no small high point worth the heaps of garbage you have to sift through to get it. It’s not so much a misfire as a willful rejection of any sharp edges or idiosyncrasies that made the original property the hit that it became. It’s also, hopefully, the kind of misfire that kills a hoped-for sequel dead in its tracks. If there’s one thing we can do to reckon with the fact that this shambling corpse of a film exists, the best thing we as a viewing audience and as people who want adaptations of ambitious, international properties can shout from the rooftops that hypnotized FBI agents are leaping off of like synchronized divers. We liked them for a reason, and if you shear off that reason to be more appealing, all you’re left with is a boring white boy nattering on about his schemes in a hospital bed, outshone by a demon barely in focus, and failing in every way to live up to that demon’s last, great line. In the world of Adam Wingard’s Death Note, humans aren’t interesting. They’re cardboard cutouts of characters that aren’t tarnished by association, but shine a little brighter in comparison. You couldn’t ask for a less ambitious take on this property, no one did, but we got in anyways, and if no one will bother to learn from it, then all we can do with this maddening pile of shit is heave it straight into the sun and hope it burns into an even greater state of nothingness than the film has achieved just by existing in this neutered state.
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