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justanotherwriter140 · 2 months
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Kung Fu Panda 4 - The Movie
The last really, really long discussion post (for now).
Major spoilers ahead!
This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.
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Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.
I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.
I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.
With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.
I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.
Here are my main points:
The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.
Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.
Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.
The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.
The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.
I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.
The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.
With my main points established, I do believe it's ranting time. Strap in, folks.
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Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.
The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.
The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.
Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.
I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.
For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.
That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.
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Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!
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The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.
As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.
Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.
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I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.
As I stated in my first discussion post:
Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.
When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.
While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.
We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.
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A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.
The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.
Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.
The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.
Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.
Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.
Now, onto the Chameleon!
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The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.
Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.
Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.
An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:
I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.
While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.
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The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.
It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.
Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.
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I have to talk about the pacing. I have to. I'm sorry, bear with me.
To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.
KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.
A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.
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As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.
In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.
"If you only do what you can do, you will never be more than you are now."
"I don't want to be anything more, I like who I am!"
In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.
Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.
With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.
Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.
In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.
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I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.
The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.
Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.
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Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.
I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.
As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).
Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.
Until next time!
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crow-posting · 1 month
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Awoken Headcanons
note: this is mostly based on my own audacity rather than actual lore. 🤫
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Earthborn and Awoken Guardians are like the book versions of LotR elves, while Reefborn are like the movie versions. They're actually similar, but to outsiders, Earthborn are friendly and full of life while Reefborn are aloof and elegant like their queen. This perception, though frustrating to people like Petra, generally works in Mara's favor so she allows it to continue.
Awoken Speech sounds more like creole than a separate language. This is due to the multitude of languages spoken aboard the Yang Liwei, which then carried over into the dialects in the Distributary. Although some argue Speech is a mixed language rather than creole, consensus from both the Gensym Scribes and Last City's Cryptarchy has not yet been reached.
Portmanteau examples:
daatma (ดาว/"dāw" + आत्मा/"ātman"): Awoken [older gen]
tulatma (tulay + आत्मा/"ātman"): Awoken [younger gen]
luxïn (luz + 星/"xīng"): starlight
noyam (noyer + يوم/"yawm"): Darkness
Traditional Awoken names usually sound "soft," with palatalized consonants and several vowels. The most common ending letters are "A" (Mara, Petra, Amrita) and "N" (Uldren, Jolyon, Nasan), while the most uncommon letter is "K" (Tulnik).
Most Reefborn are highly superstitious, due to the environment they grew up in. However they don't consider themselves superstitious, as it is only "practical" to refer to The Dreaming using epithets instead of names, or to look for omens in dreams, or to treat water and reflections as near-sacred, and so on.
Promises and vows / oaths are generally a life-long ordeal for Awoken, especially for Reefborn and especially if they are made to Mara. This is partly influenced by the post-Distributary riots, partly influenced by contracts with Ahamkara, and partly influenced by Mara's own charisma, which has created an almost religious devotion* amongst her followers.
*(Embarrassingly, when Calus sought to imitate this sense of devotion to lure Awoken Guardians to the Menagerie, he was partially successful.)
Balance is an important part of Awoken culture. Past and future and life and death are strongly emphasized by Reefborn, while Earthborn have integrated Old Earth philosophies like yin-yang and wabi-sabi. While Awoken Guardians tend to be less ardent about balance and/or a desire for it, there are noticeably less Awoken within the Praxic Order than in other Vanguard-affiliated organizations.
The Awoken don't believe in a physical afterlife, only the Unreal. This makes the existence of Awoken Guardians egregious to other Awoken, as they do not "return" from death, but rather "take form" of people who no longer exist. Even so, Guardians (or "Noble Dead") are still treated with respect - out of love for the ones they look like, and fear of the entities they are.
(Awoken don't believe in reincarnation either, as The Awakening is considered an "extraordinary" circumstance.)
Contrary to popular belief, male Awoken aren't ostracized in Reefborn society, and they aren't considered second-class citizens either. Even so, due to the 70/30 split [which has persisted since the Distributary], it is rare to see male Reefborn in high-level positions or as Techeuns. The perceived lack of opportunity has led to an increase in Reefborn emigrants in recent years, especially after the Battle of Saturn.
Due to the loss of resources and difficulties of growing food in the Reef, Reefborn dishes are "bland" compared to Earthborn ones. The most common seasonings are salt, cold-hardy herbs like mint, and corasteri (a star-shaped culinary variant of asphodelia). However, Reefborn food is both warming and filling, which is suited to a life in deep space.
The Dreaming City is surprisingly bare in terms of flora and fauna. Aside from pink asphodelia, queensfoil, baryon bough and memorial trees - most of which are cultivated - there are very few plants to be found. Spectral butterflies and non-native jewel bugs can be found in gardens and lost sectors, and starcats have free rein of the buildings, but there is no urban wildlife like in the Last City and Earth's metropolitan ruins. The vibrance is an illusion; it is as empty as the Reef's biodomes.
Earthborn do not live as long as their Reefborn counterparts; higher oxygen levels, increased gravity, and larger amounts of pollution make life more difficult for people adapted to space. Ironically, this is the inverse issue the Awoken faced when leaving the Distributary.
Awoken anatomy is uncanny if you look closely enough. Most traits fall within expectations (eg resistance to radiation, increased reaction time) but adaptations like tapetum lucidum can still startle people who aren't used to seeing them. Experimental traits, which are common in later-generation Reefborn, make some seem entirely inhuman. And the ability to track Guardians by their Light will never not be creepy.
Experimental traits include but aren't limited to: pointed ears; nictitating membranes (i.e. "third eyelids"); and genital slits [for Awoken specifically created for deep space missions].
Due to a history of bio-engineering, cybernetic augments are seen as unnecessary and rarely utilized outside of eutechs, and later, Techeuns. Fully robotic components, such as exo frames, are practically unheard of and often met with pity or revulsion.
The 891 are forbidden from seeking information about their lives from The Time Before (aka pre-Collapse lives), as it is considered a "distraction" from Mara's plan. Descendant Awoken are also discouraged from pursuing such info unless it is considered pertinent to their mission.
Queenslaw has been partially lifted in the Reef, due to the influx of Guardians after the Battle of Saturn. Many things once considered illegal or taboo are now acceptable, and some things are even encouraged. Unfortunately, not everyone agrees with these "sudden" changes and it has done little to reduce tensions between factions, most notably the Gensym Scribes and the Last City's Cryptarchy.
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Reefborn sobriquets often refer to relationships (Uldren "Queensbrother," Taranis "Rivensmate," Petra "Covensdaughter"). Earthborn nicknames are often more individualized but still invoke a sense of interconnectedness (eg "Swornsister" Takara, Avraam "Firstborn").
Although the Awoken are known for their music (for ceremonies, parties, mourning, etc.) Earth-derived music seems just as violent to them as the Guardians who enjoy it. Knowing this, RZ-3 intentionally made a playlist to "scare" Petra on missions, and has successfully startled several Corsairs by belting out the lyrics to "Teenagers" while doing patrols.
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[official grimoire / lore books: The Maraid (D1); Marasenna, The Awoken of the Reef, The Dreaming City (D2, general); The Forsaken Prince, A Tangled Web, Ripples (D2, Uldren/Crow), Ecdysis (D2, the Emissary)]
[specific lore that Tickles My Brain: "Holdfast Bond," "The Supremacy", "Third Gift"; "Crow's Best Night"]
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[see also: "Things I Think About: Awoken Edition"; "Awoken Phrases & Exclamations"; "Last City Lingo"; timeline in the Distributary; Awoken amethyst]
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tsams-confessions · 3 months
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i saw the post about the show artists being "bootlickers" and maybe you shouldnt post mean things about real life people just doing what they love and drawing? i can tell you for certain they are seeing that and are upset by the mean accusations
they have thoughts and opinions and ive seen them disapprove of actions in the show and actions of other team members.
all in all theyre real life people that this confessor was being horrible about and these may be confessions but you gotta remember to enforce your own rules. the third rule of dont be a dick needlessly and i can tell you that post was dickish.
hi, you're referring to this post yes?
we both looked at that post and reread it and, no, we agree it doesn't break the rule. there are plenty of posts about real people on this blog and in fact one in the queue that mentions two by name. if the people mentioned by that anon approach us themselves and ask for it to be removed, it will be, and if they're facing any sort of harassment due to it we'll address it, but as things stand we do not see an issue with keeping it
also, the "enforce your own rules" part was unnecessary imo, because it's not as if we don't. you dont see the filtering process behind the scenes, we dont just let anything in. that rule more refers to things such as "this unstable 15 year old system that had an episode once is responsible for all the ableism systems face in this community" (real thing we got submitted once) than the post in question. people are allowed to be harsh in their criticisms here, that rule is primarily about crossing the line
thank you though for reaching out about it. if you'd like to discuss further, feel free to send another ask
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brown-little-robin · 5 months
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krys-loves-otome · 1 month
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Stolen from Scummy's reblog because I wanted to do it too!
Note that most half-filled squares are ones that are technically true, but it's under specific circumstances and rules, will explain below
So, for now, some Blorbos from me:
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-Intense in loves and passions (for Nobunaga, for MC once they get together, for trying to get Mitsuhide to take better care of himself, in his care for others, dude is just passionate for his loved ones!) -His love for Nobu and his interactions with Mitsuhide can get a little fruity, not gonna lie. -Technically orphan since we don't really hear much about his family aside from his poor upbringing and having to be a bum to get by until Nobu came into his life. Agas in discord has also told us about RL Hideyoshi and how much his mom loved Kennyo and I think that's funny to think about sometimes. -Frequently violent but only when it comes to protecting his loved ones. He thinks one of them is in trouble and the man will go feral trying to find a way to help them. Overall speaking, he's not particularly violent, I don't think though.
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-Nothing anyone says is gonna make me change my mind about this man being bisexual. Nope, not happening. -Technically a tragic backstory as he frequently does Team Oda's dirty work of spying and torture, but his tragic backstory is not quite to the extent that some other characters go through, like poverty, figure-headness, and killing a loved one.
-Technically frequently violent, but it's mostly in the pranks he pulls. Not ferally violent, in a sense. He's sneaky about his violent tendencies. You don't want to mess with his wife, after all. -Divorced? He's a double agent that always goes back to his ex (Team Oda).
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-Being an immortal vampire means you must have some complexities and that doesn't excuse you being fruity, monsieur. -Technically an orphan as I don't think we hear much about his birth family as we do Leonardo and Vlad. They're mentioned sometimes but no word on their current status as he tends to focus more on his found family. Until I get confirmed status, he's orphan status to me, thus why the creation of his found one. -Divorced from Vlad, duh.
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-Listen. Listen. Devon/batteryrose was onto something with shipping Nokto and Slivio. Plus, been thinking of finding ways of shipping my OC and him with Rio. Just something about Nokto and the Bentonite princes does something to my mind, okay?
-Technically an orphan after what happened to his and Licht's mom, plus the whole reason for the Belle procedure is because his dad died. Maybe it doesn't count because he was an adult when his dad died, but, technically speaking, both his parents are dead, so... -Murderer by technicality because of Blood-stained Roses Day (all the princes at the time were said to have participated, so, technically speaking). He also tried to poison some merchants for a business deal, so attempted murderer too, technically?
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-Have you seen this demon when his family is in danger (actual, perceived, or otherwise)? He will go absolutely bat-shit feral when his family is in danger! Once you're under his wings, nothing will stop him from going to the absolute limit and beyond for you.
-Technically divorced from the Celestial Realm because of Circumstances™️, not from a specific person.
-Also on a technicality, because of that... whole war with the Celestial Realm, so some angels were more than likely killed, right?
#krys talks#meme thingys#ikemen sengoku#ikemen vampire#ikemen prince#obey me#hideyoshi toyotomi#mitsuhide akechi#comte de saint germain (ikevamp)#nokto klein#lucifer (obey me)#some other things I didn't get around to talking about above#hideyoshi and mitsuhide are murderers by trade bc both are warlords so that's why that's colored in for both#hideyoshi may also be a frequent rule enforcer but he does soften up around some of them so technically a rule changer than a breaker#nokto having no friends is technically true as he has brothers and his faction isn't all buddy buddy like his twin's faction is#plus he does more business dealings while socializing but we don't really see anyone he really talks to about deep personal things until-#MC comes along#maybe to licht on occasion but they're more estranged currently so Nokto doesn't really have any close personal friends methinks#about Lucifer he is technically an enemy of god (who is his creator) and he went against him for his little sister#turning him back into his angel form and his dream back in NB 38 still sits wrong with me and I hope that gets addressed in future lessons#if it'd had just been bc of his ring reacting to him or something that would have been one thing but... still sits wrong with me#and thinking on it now still thinking if Lucifer is more of a rule breaker or a rule changer#his downfall was bc of rule breaking in the first place#and he's a rule enforcer bc of his brothers and their antics#but there are times he does soften up if he sees the rules are actually hurting his family#and change them because he knows first-hand what breaking hard rules does to a person#so as of nowadays#despite his rule-enforcer ways he does bend sometimes if the situation calls for it#those are my thoughts for this#feel free to discuss if you wanna
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lyonface · 8 months
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My boyfriend and I were chatting about BG3 last night and we agreed on the least realistic interpersonal aspect in the game so far: your companions are WAY too functional specifically when it comes to respecting the romantic boundaries of others and are WAY too nice if Tav chooses someone over them. I was in between Shadowheart and Astarion, and ended up doing certain quests in one order and, realizing I didn't like that order for side-quest reasons, loaded an old save to reverse them. In the first order, the dialogue to solidify Shadowheart's romance came up first, in the second Astarion's came up first. If you agree to the romance and talk to the other in both instances, they are supportive of you (to varying extents) and, if you ask why you can't court both of them, they site the emotional experience/tolerance of the other as why Tav shouldn't do it and why they're not interested in getting involved regardless of they're own feelings.
Larean Studios really said no romantically messy queers /j
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iguessitsjustme · 4 months
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Last Twilight - Music
I wanted to do a music analysis of Last Twilight for a long time and I thought about it quite a lot. Every week I was blown away by the music and every week I thought, “I need to talk about the music or I’ll explode.” The problem is that I do not have time, nor do I really have the skill, to talk in depth about the music in this show. The show’s soundtrack is so good that I genuinely do not think I can do it justice. Maybe one day I will have time to go back and go episode by episode, scene by scene, and do the research and everything that I would need to do in order to fully analyze what the show has done. So I will not do a full music analysis (also my mental health right now isn’t really in a space to do all of that but catch me probably months from now down some rabbit hole to do it properly), but I did say I will explode if I don’t at least talk about the music so this is going to be just a rambly mess of my thoughts about the soundtrack in this show.
I will say that this is the same team of composers that did A Tale of A Thousand Stars and truly they do good work together and I hope we get more from them. They’ve both worked separately and done good work, but both times (that I am aware of) that they’ve worked together has been truly phenomenal. I think the choices they made really tie the story together and enhance the feeling we are supposed to be feeling in each. and. every. scene. Would each scene still have the emotional impact it does without the music? Maybe, these actors are all absolutely killing it. But the music is just bringing home what they’re doing. 
The music is setting the tone so beautifully. And it’s not the kind of soundtrack that hides in the background and does its work subtly behind the scenes. There are moments when the music is loud and in your face. But never, not once, is it overpowering. It never distracts from the scene or the story or the actors or the visual elements. It works cohesively with everything there. Every element is working in harmony (ha) with each other and that’s part of the magic of this show. 
But there is something else that this show is doing beautifully that a lot of other shows fail to do and that is utilize silence. It’s never a silence that takes you out of the show. It’s never a silence that’s so loud that you’re left wondering what happened to the background noise. The silence is there and it is purposeful. It typically reflects pauses. Pauses in conversation. Pauses in thoughts. Pauses in feelings. But it’s always brought back and we’re eased into the sound once more. Never once has a musical transition not worked. I said I wasn’t going to get specific but this is still on my mind from episode 10, so I’ll mention it, in part one when Day’s mother (do NOT get me started) is confronting Mhok with Day, the music seamlessly transitions throughout the scene. As the charged emotions ebb and flow throughout the scene, so does the music. A lot of shows struggle with this (thinking of a recent show that had so many soundtrack choices, all strange, in one scene that my soul yeeted itself into the stratosphere but I shall not name names). But Last Twilight transitions. It doesn’t just plop a song down and go “that’s it time for the next song in the next scene.” There is thought there. There is intent. How are we supposed to feel when watching this scene? Does the music add to that feeling? Does it take that feeling away? Does it do nothing? What should the music be doing? Should there even be music here? These emotions changed during the scene, how should the music reflect that? Those are all questions that I ask myself when I’m doing any sort of analysis of a scene, music or otherwise. Because all of those questions are important to figure out what the scene is telling us. They’re all important to what the show is telling us.
The last thing I want to mention is the theme song. I love it first of all. Now, it’s not my favorite opening and there are definitely other theme songs that I think are better BUT and this is a huge: in ten episodes, not once have I felt like I was slammed in the face by a sudden theme song. The music has transitions smoothly into the opening in every single episode. Like it’s a natural progression to the story. Like “of course it’s opening time. Take a breather before we settle in.” I can think of one show specifically that was the worst at that and I felt slapped in the face by the opening each week because it was such a sudden and sharp turn in the music. But not Last Twilight. 
The soundtrack here takes you by the hand and gently leads you to where the show wants to take us. It will hold you carefully and safely in its arms and keep you warm while your heart is being torn to pieces by Mhok and Day and Day and Night and Night and Porjai and all of the love between all of these people. It will even hold your hand as Day’s mother refuses to accept the reality in front of her. I’m not sure where this story is going. I’m not sure how I feel about that ending and preview. But one thing I do know: no matter how the story turns out, the music will carry us there as gently as it can.
Bonus thought: I would like to thank Last Twilight for being the only BL show to use Christmas background Christmas music appropriately. During their little date. On Christmas. Praise bless.
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shellthakrit · 6 months
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I was just looking for gifs
but all I found was the rich kids are the bad guys and I don’t feel sorry for them
😮‍💨
I think the only thing that bothered me the whole episode is that I thought Teena was just a regular alumni that found interest in the weird kid who got a boner from him being naked. I knew I was wrong the instance Teena turned away and his whole demeanor changed, but he pulled it back on like an invisibility cloak and left Zouey with a kiss.
The whole “using the naïve rich kids for their money” trope isn’t new, but I guess I really hadn’t expected it.
The part I am a bit confused on, however, is that the summary claimed nant would team up with zouey and first to find out what happened to nont. So I’m assuming there’s a point when Nant realizes he can trust Zouey and First, but currently it seems he doesn’t trust anyone. I honestly don’t believe he leaves his room much.
I could have the twins’ names backwards. 🤷‍♀️
The other thing is assuming characters will have chemistry right off the bat. You need to remember, the playboyys are using the rich kids for money. They’re not trying to catch feelings. They’re there to get the job done and leave; if it gets messy, then bad things will happen for the playboyys. They can fabricate what the rich boys expect to get paid, but to believe there’s chemistry from the get-go is wild.
The only couple with pseudo-chemistry seems to be TeenaZouey and that’s because Teena is so good at manipulating his situation once he realizes that Zouey is attracted to him.
Also, when Teena says he thinks he caught a rich kid, it’s because Teena knows that the rich boy school accepts scholarship students as he was probably one of them. He’s not going to assume anything about Zouey, even if he seems to live in a bachelor apartment/home with some of his friends.
But I also feel that Teena approached Zouey because when the rich boys were walking, Zouey had assumed the “leader” role of their pack. Teena didn’t even look at anyone but Zouey when he asked to be shown a building. As an alumni, however, Teena should have known where things were 🤔 so he definitely approach Zouey for a purpose. Maybe he saw how Zouey was eye balling him, but Teena definitely had a reason to only approach Zouey.
I agree with the person who said that the ending scene was normal. The playboyys were braggy because they were around their friends. This is pretty normal “guy culture”. Complaining about busts and boasting about successes— guys try to one-up each other in friendly competition.
The boys that bother me are the two rich kids that seem to encourage Zouey and First to have sex without having any background into their lives. They’re there to listen to First talk about the pizza boy eating pizza off First (or the other way around) and they’re ecstatic when Zouey invites “the model” over and encourages Zouey to use the opportunity to not be a virgin anymore. BUT where do they stand in all this?
Maybe that’s why the one twin teams up with Zouey and First 🤔 idk
Also, First not actively living with the rich boy squad seems a bit important— but not life changing information. I could be reading too much into it 🤪
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cannotfly · 3 months
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@nanlanmo sent: [ silence ] sender lays a finger over their lips, telling receiver to stay quiet
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fingers absent-mindedly playing at her curls, she can't hardly hear herself rambling. if she is rambling at all ( by this point in her life, she assumes every sentences that exceeds three words is a ramble ). partner projects aren't exactly her forte, nor is talking among her classmates. her position at this school is simply a girl in the crowd. the girl in the crowd doesn't get in trouble. girl in the crowd gets her homework done on time and wistfully looks at the posters for every dance, despite knowing she hates dancing and no boy in a million years would ask her to one. if her guardian would even approve of her going to any teenaged event.
eyes widen as she notices her partner's finger over her lips. oh, dear. how long had she been in that stance? is the teacher talking? was she talking and stopped to look at johanna with a shake of her head? is she going to sent her to the principal's office? or worse, call her guardian? but as she glances around the class, everyone is either busy getting to work or letting their partners do the work for them.
❝ sorry, ❞ she whispers, hoping that's alright. ❝ sorry. ❞ she shouldn't have spoken. oh, goodness. oh, dear. ❝ i didn't meant to start talking after you---sorry! i'll just stop! ❞
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hella1975 · 10 months
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so it turns out it was actually never that serious
#the exam literally went fine what the fuck just happened i feel like i just hallucinated that#like im not one of those people that go 'omg i did soooo badly :(' just to come out with top grades if i say it's going to shit#then it's becuase i genuinely wholeheartedly believe it#and my headspace before this exam was the worst it's been in MONTHS like i havent felt that bad for an exam since first year#and i sat down opened the paper and. remembered everything. like i literally just Knew the answers#im not saying ive passed bc am i fuck about to jinx it and i was still riding mainly blind bc i have NO idea where that knowledge came from#but at the very least there was a 35 marker that i KNOW i aced like i could picture the exact lecture slides it wanted me to discuss#and i had all of them memorised so at the very least ive got like. 30 marks. which is enough for me to pass the module#bc this exam is only weighted 75% and with my marks from the other 25% i only needed like 20 marks to pass this exam#which... makes it even more embarrassing that i failed it the first time but whatever!!!!#oh my god im so glad that's done im so happy IM FREE#just been in the kitchen dancing around to my little tunes and texting my friends <3#im meeting up with one of them when she gets off work at 5 and we're going for drinks#so ive got until then to nap and chill and then ill go to the shop and get us some food and wine#and she's gonna come here for a bit & then we'll go. like actually look at me. im having people over at MY HOUSE im going out to buy us WIN#im literally a functioning adult living independently who IS she a misty memory#alas i do only have £23 in my account so this is gonna be such a slay seeing how i make that stretch for a night out#i acc could budget for england when it comes to alcohol i think like the way i manage to have a good funky time with MINIMAL funds#is downright impressive. it's a skill idc what you say#hella goes to uni
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championdaigo · 5 months
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free space to say anything you want about steven im so interested in your thoughts
This ask has been sitting in my inbox for a while now because I've been unsure about how I want to go about attacking it (you've given me such a gift, anon)
But I think I'll use this as an opportunity to publicly share a long line of characterization thoughts I discussed one day in the steven stone appreciation discord server (compiled below the cut, it's going to be kinda messy)
Personally i like to see Steven as someone who has everything to lose. He’s smart, rich, educated, handsome, a skilled battler, and a regional darling. This is going to be controversial but I think he had a loving family and a fulfilling (albeit very sheltered) upbringing. He seems like the kind of guy who could very easily get anything he wanted. But i also see him as someone who’s aware of that and puts in genuine effort to see reality outside of his bubble.
I see him as someone who never really experienced personal tragedy growing up, and as someone who a few members of the general public could get frustrated with for “privilege-blindness”. Like he’s someone who was basically placed on a high rung at birth but still needed to climb upwards. Most people love him (rightfully so) but others are more than ready to have a reason to throw rocks at him. I think I take this approach mainly because I'm really fascinated by IRL celebrity culture from an outsider's perspective
But, in his core, he's a good guy with healthy morals who has much to learn about the world around him.
and now for some shitpost headcanons
beldum was a devon corp invention originally intended to be a smart can opener. it accidentally gained sentience and became the president's young son's best friend
steven's mother isn't dead or even absent. she just happened to be visiting kalos during the events of the hoenn games and had the shock of her life finding out about the weather crisis through buzznav's emergency alerts (steven had twenty-seven missed calls from mom during this time)
steven's perception of money is very much the "it's one banana what could it cost 10 dollars" meme. this is both a positive and a negative
steven has a relatively sharp sense of style except when it comes to casual wear (that summer outfit is divorcecore)
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crenna · 6 months
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hi lovely people and especially my mutuals!! today i would like to inform you of three things:
i appreciare you so much, thank you for being here!! i hope you’re having a lovely day, and if not, i hope that something nice will happen to you. this stranger is wishing the best for you 💗
sorry about being so inactive, stress + not enough time to rest + not enough sleep is not a good combination and it got overwhelming so i just,, didn’t have the energy to post or do anything
i’m not going anywhere!! i’ve been trying to like you all’s posts when tumblr wants to show them to me and i’m hoping to get back to posting especially on my side blog (@onceuponaneverafter) as soon as possible 💗 i know i’ve been promising a lot of posts on there and i’m sorry about the delay!!
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gentlemanbutch · 7 months
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I know many of us are feeling incredibly helpless right now in relation to Palestine/watching a genocide…I had a thought and I want to share it, especially for my fellow white American followers who probably also are trying to unpack the white supremacy we grew up in and look at the world from a more decolonized lens. These are ideas I have learned over the past several years mainly from following Black and brown creators but haven’t seen many white leftists discussing.
There isn’t a quick, easy solution to get those in power to listen and stop a genocide. But there ARE everyday things you can do to help the communities around you. Maybe those are things that will directly help Palestinians, maybe they’re not. But they matter, and I think now is a good opportunity to recognize areas where we could be doing more.
I don’t really have answers, just suggestions I can make based on my experiences as a disabled and trans person, and from listening to queer, disabled Black and brown people. Wearing masks and taking steps to mitigate COVID is something simple you can do (COVID disproportionately affects BIPOC communities, as well as the LGBTQ community, all of which struggle to access health care…it also has a higher chance of killing/further disabling people who are already disabled). Join mutual aid networks, or maybe start them at protests. My area is so, so very red but some of the most help I’ve seen happen has been through mutual aid. And I feel like this has been said a million times but learn to be quiet and listen to Black and brown people. That is often the most valuable thing we can do.
Someone has probably said this more eloquently, but I think we need to realize that what’s happening in Palestine — and the other genocide happening right now — are based in white supremacy. We can’t just “fix”/stop one issue and be done with it; we have to look at the root of the problem.
Again, I don’t have all the answers; more than anything, I just have a lot of thoughts that I haven’t seen expressed specifically among white leftists, so I just felt like putting this out there.
Please feel free to add suggestions for actions we can take. Anyone perpetuating any forms of bigotry will be blocked.
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gideonisms · 1 year
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to the many people who saw my router modem griddlehark yesterday and said "yes you are crazy," you will be happy to note that I spoke to multiple people in person today and it DID make me less insane, unfortunately
To the people who said "abi, you're absolutely right," I am baking you bread. It's not MY locked tomb brain rot it's OUR locked tomb brain rot
To the one person whose only comment was that my modem and router should be farther away from each other, I'm obsessed with you. However I can't separate them! That's griddlehark
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I come as bidden to ask for angsty fic recs! :D (Especially if they end good though, I just watched a TV show from which I am a little physically ill of Bad Things Left Hanging) 💛
ohoho yes good you've come to the right place!!! angst with a happy ending is one of my favorite tropes ever tbh, especially including lots of hurt/comfort!!! without further ado~
protective dad Bruce
family-wide angst with a side of character study
Jason and Bruce have very different ideas of remembrance
very angsty Cass fic for the Cass mutual ft. hope and healing
Damian and Jason have met before
the passing down of warmth from fathers to sons not quite their own
pretty heavy Babs character study (this author is REALLY GOOD)
getting shot is a great way to end a family feud (and Tim is a little bit feral for a hot second)
baby Dickie and a field trip gone bad
Damian thinks he's going to die (he's wrong) and Tim won't let that happen
Tim and Bruce and healing
Steph and Bruce get yoinked back in time and they are not having fun
Bruce just needs to see his kid alive
Steph telling Bruce "I think I'm bad" will stick with me forever
a little bit vague and a lot bit sad but everything is okay at the end, for the whole family
Dick and Jason being brothers
this one made me ache a little bit and then healed the bruises (B and the kids and the finite nature of human life)
I feel like this has probably been recced to you already but OUGGHHHH the family feels from Dami's POV... it's so good
this one is actually pretty soft and has a really cool concept (and ten bucks says you can probably guess why the title caught my eye) with Tim and Bruce
Dick is hallucinating his kid and it just might break him
SAD SAD SAD ANGSTY HOWEVER read the endnotes bc everything's gonna be okay
I KNOW this one's already been recced to you but honestly it fundamentally changed something in me. in the back of my mind I'm always on some level thinking about it. I cannot adequately explain just how much this fic wrecked me and how important it is to me. I'm just gonna say again what I told @called-kept after she first sent it to me: for middle children in the Wayne clan, sometimes dying (and coming back) is what it takes to realize how loved they are. (Kept actually pitched this to me with, essentially, "hey you like fics where the others are comforted in near-death experiences by the fact that Jason's already been through it, right?" though not in those exact words. and if i let myself I'm going to write a hecking epistle to you about this so I'm just gonna uh... stop talking now)
so ya know how I'm really emotional about Dick being a parent to Damian?
Jason is having panic attacks
Jim Gordon is SUCH a good dude.
Jason stress cooks/bakes
growing up is hard when you're a bird-themed vigilante
I don't usually go for soulmate AUs but this is a REALLY GOOD platonic soulmate AU (it made me cry)
ANOTHER fic that's made me cry and also the one that made me realize how deeply bittersweet I feel about Dick Grayson
Timberly dealing with being immunocompromised (a word which my phone apparently does not like smh)
brothers grieving together — sad but has a happy ending!!!!!
INCREDIBLY long oneshot (with a sequel that I also greatly recommend!!) with a lot of angst but!!! it does not stay there!!! as is a theme in this list there's also healing!!!! (Tim needs help to feel again. that's ok bc he has brothers.)
dare I say it THE Batfam angst (presumably with a happy ending) fic? I'm slowly making my way through it and AAAAGHJHHH it's SO GOOD the characterizations and relationships and struggles and fears and never giving up... so so good
basically anything by @envysparkler but I have like 90% of her fics bookmarked and this list is already super long so I'm just going to gesture wildly and excitedly toward Envy's AO3 and leave it at that
and last but not least one of the first Batfam fics I read and really really loved. a bird gets a bird of his own and Damian gets a new understanding and deeper relationship with his next-oldest brother
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cruelprincae · 7 months
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❛ Near immortality is an unbelievable and fascinating gift. You come back to life at unpredictable intervals outside of your control with the reflexes of a wet noodle, thus making you unable to defend either yourself or your team. Somehow, as you always do, you have turned your one asset into a liability. ❜
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❛ It is not that I care about your dead opinion, father. ❜
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