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#feel free to holler at me
solradguy · 3 months
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I made a Dreamwidth and have been tag hopping and reading whatever journals have icons that catch my eye, and it's sooooo different over there. It's like walking into the AC after being out in the hot, humid, summer all day. It's quiet and no one gives a fuck and just posts whatever, but it's a different kind of "whatever" than Tumblr or Twitter. It's strangely visceral and refreshingly articulate
I really like it over there
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rollforjackass · 10 months
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the three main versions of crowley in my mind are classified as
radio crowley: acts before he thinks. not really keen on the whole 'wait and see' bit. we are going full throttle with headlong blasting in the bentley and He Will Take You With Him book crowley: the one who says 'i'm gonna kms' in the deadest voice at the slightest inconvenience without moving a muscle to actually do anything of the sort. customer service brand sick of it all tv crowley: overthinks. overthinks about everything. visibly and always overthinking. overthinking currently as we speak. that's - okay can we just - THAT'S ENOUGH OVERTHINKING CROWLEY
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hauntingblue · 2 months
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Franky saving nami and her calling him big brother..... the connotations of this... big day for me especifically
#yamato shogun actually fits the oden theme akshakaj.... but momo.is the rightful heir and all that......#yamato just carrying luffy again ahsakanak#YAMATOS CHAINS MAKING AN EXPLOSION TO ENTER THE ARENA AJDHAHAAHSJ YEAAAHH!!! YOU TAKE CARE OF KAIDO!!!!#they are waiting for the samurais.... hell yes.... DAMN KINEMON!!!#THEY GOT HIM!!!!! kaido is so fucked up he is seeing oden and all.... wooow.....#talking tag#watching one piece#episode 995#BANGER MUSIC FROM THE JUMP!!! HELL HEAH#the oden isnt oden without being boiled theme its there too omg#nami and zeus akdjaksja together again......#kinemon reciting prophecy while they stab kaido...... banger#kinemon trusting luffy to bring the sunrise to wano and to be the king of the pirates.... hell yes#episode 996#what is law doing... searching for the poneglyph???#episode 997#<- not many thots#i feel like we've been trhu so much with the pink haired samurai.... if he dies i am crying#yamato is such a character.... strong and violent and hates his father and he LITERALLY IS kozuki oden... DO NOT GET IT TWISTED#SHINOBU!!!!! AND EVERYONE JUST STARING!!! DO SOMETHING!!!#OHHH MOMO IS FREE!!! TUNR UNTO A DRAGON!!!#oh his fear of heights.... WHATS THAT as queen said lmaoo#sanji??? protecting momo??? about time he arrived also#and sanji died cut in half.... so sad.....#'its only natural... he is my son' YAMATO ABOUT MOMO AJSKAHSKAJQKAJWKS#one ikoku for luffy killed 1898 samurais... goodbye brave soldiers ajdjsksb was that worth it luffy... the dodge...#nami saying she has never lied in her life ajdhsksjsk#FRANKY!!!!!!!!!! and he is singing and everything.... RUN OVER BIG MOM HELL YEAHHH NAMI CALLING FRANKY BIG BROTHER YEAAAAHHHHH YEAAAAAAHHHHH#you guys dont know what this means to me. i could cry. i am cheering and hollering. i am ripping my shirt off and swinging it.#episode 998
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firemedicdiaz · 1 year
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I love how my ship fics barely get any attention ever even though I’m super proud of some of them and yet my reader inserts get literally hundreds of notes and get kudos and likes almost daily in spite of how hard I’ve tried to get out from under them.  Like I’ve worked my ass off trying to rebuild myself as a canon writer but the reader insert legacy will never be dismantled.
Maybe I should just embrace it and go back to writing reader inserts.  Idek.  It is what it is.
If that’s how it’s going to be, that’s how it’s going to be.
I’m glad someone somewhere is enjoying my writing, at least.  That’s all that matters. 🥰🥰
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sageblogsthings · 1 year
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i finally finished watching exu: calamity and i’m being soooo brave about it
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unproduciblesmackdown · 10 months
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oh the broadway world review of summer stock (a) loved it as much or more than anyone (b) has as much or more info than anyone and (c) generally has the most vivacity thus far
Summer Stock made its world premiere at The Goodspeed Opera House to a most deserving enthusiastic standing ovation. Based on the 1950 MGM film starring Hollywood legends Judy Garland and Gene Kelly, Summer Stock is a spectacular production with phenomenal dancing, feel-good music, and a sweet story, all modernized for today’s audiences.
Audiences will recognize and love hearing classic songs by Irving Berlin and from The Great American Songbook, including “Happy Days are Here Again”, “Accentuate the Positive”, “I’m Always Chasing Rainbows”, “It’s Only a Paper Moon”, “Me and My Shadow”, “Red Hot Mamma”, “’Til We Meet Again", and “You Wonderful You”. Summer Stock’s writer, Cheri Steinkellner, takes the original film story to a whole new level that both contemporary and classic theater goers will absolutely adore. Steinkellner provides additional lyrics to upgrade the story to first class. It’s hard to believe that she “got the call” to write Summer Stock in October, completed the workshop draft by March, and had the rehearsal draft ready by June for a July opening. Steinkellner clearly works well under pressure - Summer Stock is a diamond.
In the Writer’s Notes, Steinkellner elaborates on the restrictions of bringing the film to stage (like how heavy farm machinery wouldn’t fit up on the Goodspeed stage) and how she tackled answering the many questions that the original film glossed over: “Why is a Shakespearean matinee idol starring in a musical in a barn? What happens when you make show-people wake up at sunrise to muck out the stalls?” and more. She repositioned and repurposed the film’s original songs like “Howdy Neighbor” and “Dig for Your Dinner”, so the classic elements that film fans are looking for are still there - only, frankly, much much better. Lastly, she addresses the challenge of “crafting a [contemporary] story to support a diverse cast of characters with intention, authenticity, and care.” Steinkellner rose to the challenge, knocked it out of the park, and created a great musical in record time.
The story is simple and sweet. Set just after World War II, we meet Jane Falbury (Danielle Wade), a doting daughter working the family farm with her father, Lt. Henry “Pop” Falbury (Stephen Lee Anderson). The Falbury Farm is in trouble thanks to the devious and ambitious Margaret Wingate (Veanne Cox), who has grand aims for a monopoly over the Connecticut River Valley. Scheming with her naive son, Orville (Will Roland), they will stop at nothing to own the farm. Meanwhile, Jane’s showgirl sister, Gloria (Arianna Rosario), has moved to The Big Apple to make it on Broadway. She wins a spot in the chorus line of Joe Ross’ (Corbin Bleu) brand new show. With his sidekick and music director, Phil Filmore (Gilbert L. Bailey II) in tow and a Shakespearean star, Montgomery Leach, ready to take center stage, they hit a snag when they lose their rehearsal space. Gloria suggests uprooting the show to rehearse in her family’s barn. Jane, who is fresh out of farm hands, reluctantly agrees to let the actors stay in exchange for earning their keep. The company’s tight harmonies might not charm Jane at first, but they certainly had us swooning. I won’t spoil the entire plot, but will say that hilarity ensues, hearts flutter, dreams are realized, and it’s wonderful.
When I first heard about Summer Stock, I cynically thought that it felt too familiar. The show is set on a Connecticut farm whose owners have fallen on hard times and risk losing their livelihood. They turn to their Broadway friends, who are amidst the usual uphill battle of making it big in show business, and agree to put on a brand new production in the barn to raise funds to save the farm. It’s based on the film of the same name, features music by Irving Berlin, and includes incredible tap numbers, and spotlights America’s sweetheart Corbin Bleu. Hearing that alone, I’d think this was a copy/paste of Tony Award-nominated Holiday Inn: The New Irving Berlin Musical, which opened at The Goodspeed in 2014 and went to Broadway in 2016. We’ve seen a number of Irving Berlin musicals, including White Christmas, and the most recent Broadway production Nice Work if You Can Get It, starring Kelli O’Hara and Matthew Broderick. So, what more is there to add to this Broadway subgenre? If you’d asked me before, I would argue there’s “Nothing More to Say”. I was very wrong. Summer Stock raises the bar with phenomenal choreography, clever storytelling and humor, beautiful orchestrations, and unparalleled performers.
Speaking of unparalleled performers, the cast is perfection. There’s not a single throwaway line or character. They’re all exquisite gems and I’m running out of words to compliment them all. The “city mice” dancers and ensemble features Erika Amato, Hannah Balagot, DeShawn Bowens, Ronnie S. Bowman Jr., Emily Kelly, Francesca Mancuso, Tommy Martinez, Corinne Munsch, Gregory North, Kaylee Olson, Jack Sippel, and Cayel Tregeagle. Danielle Wade sweetly croons just like Judy Garland and swept audiences off their feet. As I left the theater, I overheard two ladies praising Wade for her stupendous performance, saying it was perfect likeness of Garland, yet even more meaningful. Arianna Rosario, as the sugary sweet sister, is absolutely delightful. Stephen Lee Anderson, as  the veteran and father, tugs our heart strings. Gilbert L. Bailey II and Will Roland had the crowd roaring with laughter as the feisty music director and innocent corporate heir. Veanne Cox, as the melodramatic mother and CEO of Wingate Agricultural Corporate, had the crowd roaring with laughter from the moment she spoke her first line. Not to be outdone, J. Anthony Crane, as the over-the-top Shakespearean star, brought down the house with his entrance alone. Together, Cox and Crane generate instant heat, which is especially appropriate since they rock the stage with Red Hot Mamma. The cheeky, interspersed Shakespearean innuendo is fast-paced, clever, and had the audience hooting and hollering. I would see the show again for this duo.
Last, but far from least, Corbin Bleu, as the show’s director, gives the performance of a lifetime. Bleu radiates pure joy and leads with heart, inviting his scene partners to shine with him. Audiences instantly fell in love with his gorgeous, velvety voice, and, understandably, swooned. Bleu previously won the Chita Rivera Award for Outstanding Male Dancing in a Broadway Show for his portrayal in Irving Berlin’s Holiday Inn, and his transcendent tapping in Summer Stock shows he’s not stopping there. Bleu’s dancing is out of this world! You can’t miss his charming and virtuosic spin on Gene Kelly’s iconic solo dance, featuring the world’s most unexpected dance partner. Corbin Bleu is a national treasure.
The 8-piece orchestra, lead by Goodspeed’s resident music director Adam Souza, performs the remarkable orchestrations, by Doug Besterman, beautifully. The score is demanding, but the musicians don’t let us see them sweat. As much as I’m gushing, I would recommend shifting the show to one hour earlier and give it a little trim. Not a haircutter’s inch, but a discreet tidy-up. As it turns out, I was in slight agreement with the obnoxious subscribers behind me, who disrupted a precious moment to voice their complaints, “This is two hours and forty minutes? Way too long!” I nearly turned to fisticuffs in defense of this phenomenal cast, but chose to deliver an icy, yet effective, glare. I digress, but Goodspeed subscribers are truly spoiled with top-rate performers straight from the Broadway stage. In any case, we could use a couple more developmental scenes to fully flesh out the plot, and I’d be willing to sacrifice by shaving a bit off some of the longer dance numbers (“Everybody Step” and “Dig For Your Dinner”) and songs. (Not too much! Just an inch! And don’t dare recast any characters!)
That isn’t to say that the dance performances weren’t epic: Summer Stock has the best dancing I have ever seen, hands down. The virtuosic ensemble, lovingly called “city mice”, perfectly deliver wildly acrobatic displays all with impossibly high-energy and make it look easy. Director and choreographer, Donna Feore, has made an unforgettable, magnificent Goodspeed debut. Feore makes use of every inch of the stage, making it feel larger than life, and her attention to detail is unsurpassed. The choreography is out of this world! Wilson Chin, scenic designer, set the stage beautifully. The Technicolor New England farm-turned-theater is framed with classic red-sided barn, delicate florals climbing the walls, and hurricane lanterns lovingly displayed as accent pieces. Summer Stock is Goodspeed’s best original production ever. The 12, which opens next, has very big shoes to fill. Summer Stock has its eyes set on Broadway. Does Summer Stock deserve a Broadway run? Absolutely. In this critic’s opinion, it couldn’t get there soon enough.  Perhaps my favorite aspect of the production were the many comedic theater flourishes. Broadway audiences will cry with laughter when they watch the city mice (actors) learn how to play the part of farmhands: “What is the farmer’s motivation?” “E-I, E-I!” Frankly, I want an original cast album yesterday. Finally, when it opens on Broadway, you’ll wish you had seen it at The Goodspeed first.
#this is the full text; the Breaks in [indented format] are from organic ones for ads & stuff on the sitepage#since the way formatting works now has an unbroken [indented text] line as One Block even if there's line breaks & Character Limit applies#fixed up a few name typos i caught....reminds me that i did check goodspeed's site again & someone Did correct ''will reynolds'' lmao#shoutout to not only this review mentioning gilbert / phil but also effectively mentioning the phil / orville duo i know is real & true#also i love that gloria is in the chorus now and not the lead....seems fitting & that eliminates [jane must take gloria's role]#and suggests that mayhaps jane's role is wholly created by/for her which also seems more apropos; thematically anyways lol#i agree re: the charm of calling the ensemble dancers / roles the city mice lol#feel free to have spoiled more plot...loving the Reviewer's feistiness also fr. the fisticuffs & effective icy glares. hooting & hollering#everyone agrees on unshocking points like ''could use a lil polish / honing / tightening up sure'' & ''fewer songs maybe''#here like ''shorter dance sequences a couple of times maybe''....also do recall via that cheri steinkellner interview i quoted#(in a separate post weeks back) that she mentioned her experience in tv serving the need to Write Fast#heard similarly before re: other ppl who worked in tv production then wrangling Shorter Than Usual development periods in other mediums#call that other media....also sure does seem like they can do another run of this show in nyc#between (a) being like ''yeah we want to'' & (b) corbin bleu is there (& others; incl ppl who've been on bway) & (c) nyt critic's pick....#summer stock#will roland#orville wingate#(p.s. i don't get the ''what is a farmer's motivation'' ''e i e i'' lol i get One ref & feel i am missing another theatre related one)
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tired of doomscrolling not yet ready to doompost
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deranged-for-aliens · 2 years
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SLIDE INTO MY DMS AND TELL ME ABOUT YOUR OCS. Yautja ocs! Human ocs!! Whatever other kinds you might have!! I love hearing about characters and I'd like to chat with more ppl in this community!
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encontrole · 2 years
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;; i did it i made a kaidan rp blog
;; url might change to something fancier but for now hi yes i am back to write kaidan once again so if you're looking for someone, i'm your biotic
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talentforlying · 7 months
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yo i am falling behind so horrifically in replying to people on discord/IMs so if i haven't messaged back in a hot minute i'm sorry!! school and life is kicking the shit out of me this year, i promise i'm not ignoring anyone on purpose and i will get back to y'all when i have some time!!
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lilithland · 3 months
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imagine you’re running late, trying to move some laundry, because of course as the inferior sex, you do the cooking and the cleaning
you’re almost done moving your clothes when you see your favorite sock stuck in the back of the machine, you try to stick your arm as far into the machine as possible but you still can’t reach the sock
you maneuver your body until your head and both arms are in the machine, you successfully grab your sock but when you go to pull your body out of the machine you find you are stuck
you wiggle and squirm but can’t seem to get out of the washing machine
your partner was supposed to pick you up for a date later (you had left them a little note hoping to suprise them when they got home) so you knew eventually someone would come to your rescue
20 minutes later you’re scared shitless when you hear a loud knock at your door, it can’t possibly be your partner because they have a key and it’s way too early for them to be back
you start to panic a little but try to ration that a burglar wouldn’t try to knock first before entering, you hear the loud knock again followed by your door opening
“maintenance”
you don’t know if you should holler for help or pray to god that they don’t enter your laundry room, you’re beyond humiliated at your predicament
luck was not on your side, you hear heavy footsteps approach you, you hear a low whistle behind you
“and what do we have here?” rumbles a deep voice
you swallow your pride, “hi, um, sorry about this, wo-would you be able to help me … please?”
large hands grab your hips, you naively think you’re about to be set free
when instead of attempting to pull you out of the machine, one hand retracts and lands a hard smack on your ass
you scream in pain and jolt a little in the machine
“what the hell is wrong with you?!” you scream trying harder to wiggle your way out
“well sweetheart, when i enter a house and find a note that says i can’t wait for all the dirty things you want to do to me and then find a hot babe with an incredible ass on display, i have to oblige and give them the fucking of a lifetime”
you still at his words, he had found the note you left for your partner, he thinks you set up this elaborate plan to have wild sex with a stranger
“no you don’t understand that was meant for my partner i am seriously stuck please help me get out” you start pleading and begging
“sure, and i’m sure you’re gonna keep screaming no and for me to stop, even while your cunt squeezes and cums on my hard cock over and over again, is that the game we’re gonna play tonight sweetheart?”
you really start to thrash inside the machine, it doesn’t matter what you say, this stranger is about to r4pe your tiny holes
he shushes you as he continues to grope your ass with his giant hands
he flips the skirt you had been wearing up over your ass, giving him a perfect view of your thong
your boobs hadn’t quite made it into the machine, he yanks your tank top down freeing your titties, smushing them against the cold machine
the cold instantly makes your nipples hard and you can’t help the moan that escapes your lips
“oh is someone finally getting excited?”
the strangers rough hands pinch your nipples as you start back up your protests of no’s
he gives your titties a rough smack and you scream and jolt in the machine again
he alternates between painful pinching and rough slapping, you start crying with how rough he’s being
“doesn’t matter how much you protest princess, i know you’ll be soaked when i go check on your princess parts again”
you refuse to believe him, but when his hands stop abusing your tits and go to remove your thong, you can feel the sticky trail being pulled from you
you feel his rough fingers collecting the juices at your enterance, the embarrassment of it all makes you leak around his hand even more
he wipes your girl juice along your thighs and all over your ass, the more his fingers just barely touch your cunnie to collect more, the more you drip for him
you hate how your body is betraying you
he removes his fingers and you hear some shuffling, you emotionally try to prepare yourself to be thrusted in to
you weren’t expecting to feel a wet tongue
you werent expecting to feel a wet tongue eating out your ass
you try to squirm but in the process accidentally push back more onto his tongue
his big hands deliver a hard smack to your thighs before pinning them down and holding them in place
“i can also go in dry baby doll”
you totally still at the implication he’s going to fuck your ass
you whimper and cry more
he removes one hand from your thigh and starts to play with your inferiority hole while he continues to eat out your asshole, he alternates between rubbing your nub, a little too hard, and roughly fingering your fuck hole
you don’t know how but his rough administrations make you have cummies
you clench the fingers inside you tightly as he continues to fuck you through your orgasm
before he stands he spits a glob of saliva right on top of your asshole
seconds later he’s rubbing his hard cock up and down your slit, collecting all of your girl juices as you continue to leak
without warning he starts to slowly and painfully shove his dick into you
each inch is excruciatingly painful and his dick seems to go on forever and ever
by the time he bottoms out you think you might pass out, there has to be at least eight inches of dick in your freshly r4ped asshole
he stills for a moment and decides to abuse your body some more while you adjust to his length
he smacks your ass and your titties, runs your overstimulated clit too hard and too fast
when he’s done playing with your body he grips your hips painfully and begins to piston in and out of your ass
he sets a brutal pace from the start, roughly fucking you against the washing machine
your abused and sensitive tits sway with each thrust, causing them to smack against the machine over and over again
you lose track of time, only knowing the sensation of your asshole being abused
without warning you hear a guttural grunt and feel a warmth deep in your gut
the maintenance man pulls out with a plop
“don’t worry baby, i’ll make sure to get a video of your gaping asshole leaking my hot sperm into your delicious cunt”
you’re horrified at every aspect of what he just said, your stomach churning at that the thought of such a video getting uploaded to the internet
as he said, you can feel the cum leaking out of your open asshole, slowly dripping towards your inferiority hole
as the sperm starts to pool, his fingers are on you again
or rather in you, his fingers easily slide into your gaping asshole, collecting his own jizz
to your continued horror he then shoves his fingers deep into your cunt, fucking his cum into the proper fuck hole
you aren’t on any birth control
his fingers move in and out of you slowly, you’re humiliatingly wet so he has no problem getting a few in you
“should i cum in your pussy next or try to get my fist in your ass?”
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greenskellyblob · 1 year
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I am no longer hosting rain world! I went out to my friend's place :3
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starstcff-z · 1 year
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Closing the door to the ready room, Jonathan turned his attention back to the historical figure on his ship; the historical figure whose looks were uncomfortably familiar. He'd read about his work, any engineer worth their salt would be familiar with Sam Beckett but it was not any engineer who had him on his ship. And it was not any engineer who had to figure out how to send him back to the past - that was a Captain's job.
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❛ Well, this is awkward.  ❜
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misc starter call • @quantumleapt
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arkeidia · 2 years
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SORRY TO HEAR ABOUT UR WEEK GOING BAD BUT DUDE UR NY TUMBLR MUTUAL AND I'M RESPECTFULLY OFFERING U A HUG. UR THE EBST. IVE DIGITALLY KNOWN YOU FOR 2022-2017 YEARS NOW. I E GONE THROUGH TONSS OF BAD SHIT AND TONS OF GOOD SHIT AND STILL, EVERYDAY, I HAVE YOUR LOVEL REBLOGS AND TSGS TO GREET ME
Hope shit gets good soon, you deserve it my friend. HYPE.
I have a very good idea of who this is (and since 2017 ??? w h a t that's insane) but I just wanted to say thank you ily and I'll give u back a hug too whenever you need one!! <333 you've been through my ups and downs just as much as I've been in yours (I GUESS??) and you've always been so sweet???
sending you all the good vibes 💖💖
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leclsrc · 1 year
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it’s never over ✴︎ cl16
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genre: childhood friends to friends with benefits to lovers (a mouthful), smut, humor, Fluffff!!!!, several references to 70’s music, 
word count: 12.9k  
You must have lost the plot along the way, because pretending to date your childhood best friend was not on your 2023 bingo card. (Neither was the fact that things are looking a lot more real as time passes.)
nsfw warnings under the cut!
18+ because... handjob (f receiving), penetrative sex, semi public sex, praise central, size kink
auds here… hi hi hi!!! you’ve no idea how much i missed writing posting and interacting w u guys. thank u for all the love & follows i’ve gotten in my periods of mia. more things soon i promise ty for ur patience love love love u allll 🌟🤎🤠💋 this is my love letter to fic tropes. i feared if it was too long i’d lose the plot somehow so i had to condense it. i truly hope u all like it :) will try & reopen reqs sometime soon to get inspo kicking
It’s later than late. The lights are strobing purple and blue, the “let’s get you even drunker than you are” headache inducing kind. The floor is crowded, swelling with teenagers who are probably too young to get in, drunk off cheap aperol and watered-down tequila shots. You’re balancing yourself on a barstool, one hand busy wrapped around a slim glass, the other clawing your miniskirt lower because the air bites at your legs.
“Another voddy Red Bull!” You’re slurring, mind spinning almost as fast as your vision. You almost drop your empty glass in your rush to look for another one—but right as it slips clumsily out of your fingers, it’s caught. 
Charles, your cocktail’s knight in armor and yours just as well, is eighteen. His hair is  light brown and long, but not draping over his eyes like before. You know before because you’ve never not known before—Charles has been your best friend since you were five.
Snoopy, he says, voice steady and calm in your ear. His frame is still lanky but he’s tall and his grip on your shoulders is enough to quell the yelling. You pout. Get me another voddy red, you plead. Charlie, it’s my birthday. He smiles to himself, knowing your vision’s too cloudy to see him and your mind’s too bogged to remember any of this. You’d already slipped up and told two bouncers you were seventeen and not eighteen, like your poorly-Photoshopped ID suggested; Charles had to keep you in check, lest you or your friends end up kicked out of the club.
A song booms in through the speakers and your eyes widen with recognition. Charles doesn’t anticipate your reaction fast enough, affording only a stumble backwards when you attempt to leave the barstool to dance. He swears under his breath, mind recounting the five previous dance sessions that left you exhausted and out of breath earlier.
I’ll get you a vodka Red Bull if you sit down, he tells you. He enunciates because, twelve years later, you still can’t wrap your mind around his thick European accent. Sit down.
Alriiiight! You hoot, throwing two fists up in the air. Customary for many bartenders on nights as busy as this one, a free shot is thrust into your vacant hand and you cheer loudly, much to Charles’ chagrin. With whatever malice the eighteen-year-old can muster, he casts the bartender a dirty look before turning to face you again, worried. He places a hand on your shoulder and watches, half-anxious and half-endeared, you take the shot and visibly grimace at the raw taste. Fuck. It’s gin I think, you sputter. Charles presses: You okay?
More than, you holler, smiling. I am officially seventeeee— 
The bartender’s eyebrows furrow, the thirty-something businessman in the adjacent stool turns to look—so Charles has no choice but to shut you up, leaning in and pressing his lips to yours before you can seal your fate.
Your eyes widen briefly, and when Charles feels the passed seconds are sufficient, he pulls away. You stare, eyes hazy, at the pretty boy you’ve had feelings for since you turned fourteen, and lean in to kiss him again. 
Pascale is hosting her weekly Sunday brunch at the Leclerc residence, all French windows and wide kitchens and bowls of fruit. As always, your place is at the kitchen island picking at plates to taste test them. Bonjour, Arthur drawls when he walks in. He turns to Pascale. Mum. Then you. Snoopy.
You halt biting into your forkful of arugula and turn toward the younger Leclerc, eyebrows raised. “What’d you just call me?”
“Snoopy,” he says simply. He’s beside Pascale, one arm wrapped around her affectionately. “Or, Snoops, if you like that. Yes?”
“Who told you about that nickname?”
“Lorenzo.”
“Hasn’t been in use since your voice was cracking every sentence.”
“Tête de noeud.” Pascale swats his arm and he yelps, so you resume your arugula with satisfaction.
Charles is late for reasons he did not disclose, but everyone is used to it. The open kitchen door stretches into the front yard, where the table is set up and Lorenzo is setting the places. You know that although you usually expect a few more relatives, today’s just for the family—and you, but you’re basically family.
“How is Paris?” Arthur asks, licking hummus off a spoon opposite you. Your position is reminiscent of how you spent afternoons after school with Charles before, and the memory strikes a chord in you. Strange nostalgia, fondness.
“It’s fine.”
“Oh really?” He laughs in-between nibbles of carrot.
“I got an offer for a higher position,” you relent. Pascale calls you both, and you get up and walk toward the yard to sit down. “If you must know.”
“Oh? Let me know how that goes.” He follows you, carrot slice in hand, chewing. The conversation is cut short by the smooth noise of Charles’ decidedly un-smooth parking outside.
You’re seated at your usual spot—in-between Charles and Lorenzo, across Arthur—when the former finally walks into the yard. He looks tired, moreso than usual, bags under his eyes deep and hair a bit more disheveled.
He sits beside you. “I need to talk to you.” Then, quieter, “Private.”
You hum confusedly, eyes flitting across the three other people at the table to gauge their reactions. They’re equally aloof. “Wh—now?” He nods.
You end up talking in the kitchen. He’s sighing the whole fifteen steps there, rubbing the bridge of his nose, exhaling, inhaling. Ever observant, and of someone as close to you as he is, you pick up on the tiny actions, behaviors. Charles is wringing his hands. He’s tried to pop the same knuckle twice. He isn’t frantic—he’s scared. You lean against the counter, waiting, eyes looking him up and down to identify his exact emotions.
“Tell me,” you press. “Whatever it is, I won’t judge.”
“The—my—the iCloud of my phone has been leaked. The press found out.”
When you were eight and he was nine, you and Charles summered in Villefranche with your mum and dad. The weather then was the kind you could write love letters to and about—blue skies, salty wind, soft sand. The current was calm enough that you could ride the gentle waves without fear of going under or straying far from the shore, where your parents sunbathed blissfully.
Don’t drown, he’d warned you, ever protective. You wore pink floaties over your arms, so it was already difficult to.
You dove under with great effort, fighting against the buoyancy, and poked his bare knee, surfacing to watch his reaction. He grimaced. Slowpoke, you teased, swimming away. You wondered then what it might feel to drown. Maybe not in the blue water of Villefranche, but anywhere else.
You think it hurts to drown? You blubbered, bobbing above the wave. Charles swam in front of you and wiped water off your face gently. I hope you never find out, he said, smiling.
But this is you finding out. This is it now, the drowning. Your fingers flex over the edge of the counter and you gulp, eyes fluttering with nerves. “Shit?” It comes out like a question from how nervous you are. “Um, sorry. What are we—” But your question is cut short by Pascale’s voice, cutting through the tension like it’s wet cardboard. The agreement is silent and mutual: save this discussion for later.
Charles can’t wake up fast enough. There are calls, texts, voicemails from every officer on his team, which isn’t that surprising given he’s up two hours late. But the amount—the sheer amount of notifications is dizzying. Overwhelmed, he finds it in himself to pull up his search engine app and let his fingers possess themselves.
All he types is his last name, and then The Sun article is splashed onto his face like a pot of scalding coffee: “F1 DRIVER ICLOUD LEAKED, PERSONAL PHOTOS ALL OVER INTERNET.” Daily Mail is next, of course, watering down the situation to seem more dirty and scandalous: “Naughty Driver? Charles Leclerc’s iCloud Hacked, Reveals Mystery Girl.” And then of course Page Six, who doesn’t miss a beat—
Wait. He blinks and presses the back arrow to return to the previous webpage. He reads over it again, slower this time. Mystery Girl? Shit—no. No way. It’s almost (it should be) silly, the way he’s reading vigorously over the reports like he’s a fan, but he’s anxious. He scrolls, because if any tabloid is daft enough to publish the leaked photos, it’s got to be the Daily Mail.
He pauses his quick swiping when his eyes harden with recognition, and staring back at him, on his phone’s full brightness, is a picture of you on his lap at Christmas. It’s the one Lance took while attempting to guess Charles’ password, one of you wine drunk with his head buried in your neck.
It’s unmistakably him, at his own house in Monaco where the drivers had a holiday get-together. It’s unmistakably you, hair draped over your face, three gold rings on your fingers. You had just given him a Strokes vinyl, he recalls. That’s why you were hugging.
There’s another one of you playing Scrabble in his bed—he’s not in the frame, but he remembers taking it. This, he could deny. He’s not in it, and he’s pretty sure the fans don’t know his house this well. Already his brain’s doing manual damage control, dread filling his veins at the thought of reading through his team’s frantic messages.
Another message stands out, pinned on top of all the others—from his mum, reminding him about brunch. He gets ready half-focused, half-lucid. Fully worried. He worries about the PR crisis this may cause, about his iCloud security, about the reactions online. Above all, though, he worries about you. About what he should tell the press. About how “actually, we’re not dating, we just fuck constantly” might hold up for the fans.
You’re twelve and Charles thirteen, both of you seated across Hervé and Pascale. Behind them stand your own parents, and they all look stern. What this is, Pascale says gently, is a family meeting. Okay?
Okay. It leaves your high voices in shaky unison. You both know what you’re doing here—you snuck out of school to catch a movie earlier, the teacher naturally caught wind of the misdeed, and now you’re in a meeting for it.
Snoops, Charles whispers, trying to ease your nerves with lighthearted commentary. This is the worst.
No, you want to tell preteen Charles—this is. You’re older now, yet still subjected to similar questioning, though today it’s Pascale going solo. It’s been three days since the fated day where the press leaked the pictures of you and Charles in compromising positions, and like any boomer, she’s used Facebook to her advantage and gotten ahold of the compromising pictures, too. 
“How long?” Her voice is enunciated in hard syllables.
“Mum—”
“Answer the question.” She looks back and forth, moving into territory of intense questions. “Both of you.”
“Um.”
“Because… I’ve been…”
You notice it immediately, given your observant track record: her shoulders relax and her lips smile just slightly. You sit still, and wait for the next words out of her mouth. “…waiting for this all my life!”
You and Charles watch in mild horror as Pascale’s face goes from firm to absolutely elated. Her eyes soften and a smile spreads over her face, illuminating her with pure joy. Do you even know how many bets I made with your papa, Charles? She claps her hands together several times.
Charles opens his mouth to verbalize dissent, but she doesn’t take it—she’s already droning on and on about how long she’s waited for this to finally happen. Your eyes glide over to the doorway of the dining area, where Lorenzo and Arthur watch with smug looks on their faces. Little shits won’t help you. You don’t even try to protest, and at some point Charles gives up, too. You don’t know how it’ll come across, anyway.
Ninety minutes later, you’re in Arthur’s bedroom rifling through his desk and praying you don’t find anything too gross. He’s on his bed throwing a bouncy ball up in the air, conversing with Charles about your gameplan with their mum.
The sky outside is in limbo between afternoon and night. It’s cloudy, so the sunset is a pale yellow instead of angry orange. “Why not just tell her the truth?”
You’d also thought that was the easiest option, escape route, exit path. But that would involve breaking Pascale’s heart, and that was out of the question for you, let alone Charles, certified mommy’s boy.
“I can’t, Arthur.” Charles’ voice is steady and unwavering.
“You can.”
“No.”
“Fine. Next best thing then.”
You fiddle with a Rubik’s cube, then turn in the seat. “What?”
“Pretend you’re dating.”
“Arthur,” you say seriously. “Shut up.” But he doesn’t join you, and you realize neither does Charles. You stare blankly at both of them, unwilling to believe they’d actually bank on this as an actual plan. 
“You guys realize this kind of thing never works? Zero percent success rate.”
“It’s just paddock appearences. You’re not pretending for millions of people,” Arthur says, shrugging. He catches the ball and throws it to you—you catch it one-handed. “You’re pretending for Mum.”
“Sure. And by extension, millions of people. Are you dense, or do you think the paddock appearances will just breeze by everyone who saw the leaks?”
“Ughhh. You’re acting like it’s impossible.” Arthur holds his breath before he utters the next sentence. “Like you two aren’t fucking every other w—”
“—oh, my God!” Shocked, you get up, and so does Charles. “Wh—I’m—language, Arthur!”
Charles balks. “How did you even—”
“I didn’t. But merci mille fois for confirming my theory,” Arthur quips faux-sweetly, smiling dopily. “I mean, I was going to find out! Your pictures are so… intimate. So just pretend to date and throw Maman off your scent.”
You protest briefly, wrestling with the option, and reconvene on the bed, you cross-legged and leaning on Charles’ shoulder and Arthur in front of the both of you. He’s always had a knack for schemes—he never got caught sneaking out, which destroyed your and Charles’ record of being caught twelve times by either of your parents. It’s a bit childish, but he gets the job done.
“Do it for… let’s say a month. Tell Mum you’ve been dating a while—Christmas isn’t that long ago, and that was the least recent picture. D’accord?”
You both nod, hyperfocused. 
“During race weekends, be all over each other—shouldn’t be hard—especially in front of Mum. People might catch you doing it, but I wouldn’t worry.”
“No, wait—I mean.” You shrug. “People—tifosi—they know I’m Charles’ friend. They’re going to be all over the fact that we’re apparently dating.”
“Don’t worry. We’ll use palatable density,” Charles says, nodding.
You pause. Arthur does, too, sensing something off.
“You mean plausible deniability.” Your deadpan voice is tinged with amusement, muffled into his shoulder. 
“Right, ouais, that.” He smiles, chuckling a bit; his shoulder shakes with it and your head nearly slips off. He brings a hand to cup over your jaw and hold you steady. “Sorry.”
“S’fine.” You sigh. “I’m totally okay with this. Just worried it’s going to have unintended consequences.”
Arthur quells you with rushed explanations about how it’ll be over and you two can say something like we decided we’re better off as friends to really sell the thing. At the seven-minute mark of your and Charles’ intense interrogation, he promptly kicks you out to figure out if you’re willing to do it yourselves.
You wedge yourself into Charles’ front seat, knowing you were headed to his place anyway. You massage your temples with one hand and fiddle with the hem of your shorts with the other. Nervous. Antsy. “Did Fred say anything?”
“Got the IT team to fortify my account.” 
“You think this thing’s going to be okay from a professional standpoint?” You look up and toward him; he’s already gazing at you, eyes soft. “I’m worried. Plus, with my job offer thing in London and New Y—”
“Don’t be.” He starts the car and maneuvers out of the driveway, into the dips of Monaco streets and the familiar route back to his place. “Bitter with the sweet. The only thing you need to worry about”—he takes your hand in the centre console, laces your fingers together loosely—“is your acting skills.”
“God, you’re right.” You sigh, looking out the window. “How am I going to pretend I can stand you?” Then, for good measure, you squeeze his hand wrapped in yours.
You visit Monaco from uni in London over spring, and for the first time in months, your schedule aligns with Charles’—though you learn this indirectly when you visit the Leclerc home. Pascale, of course, is the one who tells you his new flat’s address before she presses a kiss to your cheek and then leaves to run errands in the city. Alone, and in a burst of excitement, you make the drive there, take the elevator upstairs and shove the door open without knocking. He’s there. Your Charles. You can tell because the music he plays is loud—The Kooks—like his ears are still fourteen and not twenty-one, like he’s still in middle school and not in Formula One.
“Save your eardrums,” you say, before beelining toward the couch and leaping onto him for a hug. He sits up to match your energy, arms wrapping around you, sitting up straighter to keep you from totally falling atop him. 
“How’s uni?”
“Shit,” you say into his hair. It smells like his shampoo and his favorite cologne. Clean, soapy. “Obviously. How’s the Ferrari?” 
“Amazing.” He smiles. “Obviously. How’d you know I was in? Mum told you?”
“Ouais. She’s running errands. Listen, can we drink tonight?” You sigh, parting from the hug and sitting across him.
Yeah, sure. His voice is concerned, thick with worry. You shake your head—it’s not that deep, you tell him. It’s just—I had a bad date before I left and it’s put me in the worst mood.
Oh? He leans back, clasping two hands behind his head as he goes.What happened? He laughs. 
You tense visibly, rolling your eyes despite yourself. “He was just weird. Nothing.”
He wiggles his eyebrows. “You shy, Snoops?”
Ha-ha. You roll your eyes, but your face is flushed and your gaze avoids him. You reach up to tuck the loose strands of hair by your ears behind them, face warm. You’d never talked with Charles about boys or flings before—maybe several times, but never in full detail. It was always vague umbrella statements, like Ryan is boring or Greg is such a prick, but never anything beyond that. Come to think of it, you don’t know why, either.
“You can tell me.”
“The—when we—I had to fake,” you say cuttingly. “You know.”
He purses his lips and smiles, eyebrows furrowing. I don’t, actually. Something unnamed trills through you—through your stomach and into your fingertips. Your first time talking to your best friend in real life after months of uni and racing and this is the topic? It’s, if anything, a sign of your growing up, you guess.
Charles lets up on the teasing and you end up rejecting the club in lieu of sharing a bottle of vodka, throwing it back raw and without any type of chaser (to really prove nothing at all; you don’t even know why any sane human would do this). You do a Just Dance party on his TV, even try out drunk sim racing and FIFA, but by the end you’re well exhausted and retired to the couch again.
His voice is wavy and tipsy when he speaks. “You really had to fake it?”
“Yeah.” You pout. “Can never—um, finish, I dunno.” Your inhibition’s gone, shame loosened and untied by the vodka. You shift in your position on the couch.
“Maybe because it was too casual.” His voice hardens.
“So you’re saying I should…” You swallow dryly, eyes fluttering. “Sleep with somebody I know?” You’ve dropped the implication and it floats up, hangs above.
His eyes flick over to your legs, folded on the couch. The hem of your shorts. Your fingers playing with your empty shot glass. He didn’t mean anything by that. He’s half-sure you didn’t. 
“I am just saying that a good friend would do that for you.”
“You’re a good friend,” you say, volume low. 
Five minutes later you’ve properly crashed into each other, him pinning you down against the couch, licking fire up your throat. His lips trail across your jaw. 
He dips a hand into your shorts, presses against your clothed core. He’s smiling. So wet for me. He’s got his mouth pressed messily up to your jaw, when he sinks one finger all the way in, slow and stretching; and you’re clenching around him—
Come on, he’s saying. Insisting. You’re trembling, yanking desperately at his hair as he pumps his finger slowly in and out of you, aching to be full of him, to take him deeper. 
He slips another one in, and you feel the cold of his ring pressed against your entrance, then he’s fucking them into you and you’re leaking around them. 
Yes, yeah, Charles—you’re gasping, airy breaths tapering into whimpers that sound sinful, desperate. He knows you so well already. Presses his fingers against your sweet spot, watches your eyes flutter.
So needy, and you’re chanting his name under your breath as he quickens his pace, craving the stretch of him desperately. I know you want to cum, baby. He’s calling you baby and you’re closer, so much closer. Come on, for me, yeah? 
You melt, crashing and crumpling into him and shuddering as you release all over his fingers. He presses his forehead to yours and lets you take a beat. You feel giddy and dizzy and warm, which is weird because you don’t feel drunk at all anymore. This dizziness is something different. It’s Charles.
“Are we going to do that again?” You ask meekly, hand still in his hair.
“Only if you want. Whatever you want,” he says. He’d do anything for you. He’d do whatever you wanted.
“I do, I do want.” And Charles, the good friend he is, helps you out.
Imola is humid, warm, and the racetrack is absolutely teeming with people. But you’re not there—clad in linen shorts and a fresh tank top, you’re walking around the vicinity of the track, cup of gelato in hand, sunglasses over your eyes. The restaurant near you is playing music out loud. Beside you, singing along and drafting a list of wedding appetizers, is Lorenzo.
“Lamb chops?” You suggest, licking amaretto off the plastic spoon. The weather is pleasant enough that people are crowding the streets without it being too unbearably hot. Stevie Wonder flows from the speakers, permeates the entire block.
“I was thinking more seafood.”  
“Tuna? Make ‘em little tacos.”
“Good idea. Think I’ll go for those. Hey, are you sure you’re on board with fake-dating my brother?”
You turn sharply toward him, taken aback. He hadn’t brought it up in the week and a half this plan had been in the works—he’d been privy to it the entire time, too, which makes it weirder that he’s asking so suddenly.
“I meaaan…” You slow your pace, contemplative. A shy smile plays at your lips, brows knitted together. “It’s only going to be for a month. Ish. So, yeah. Are you—do you—sorry. Is it alright with you? Sorry.”
“It is not not okay.”
“So it’s…” You pause. “Okay.”
“It’s—yes, but I worry, is all. How sure are you that this won’t hurt anyone?”
“I don’t know, it’s… bitter with the sweet. And who’s getting hurt… like the fans?” You laugh a little. “They’ll live, won’t they?”
“Like you.” He pauses. “Like Charles.”
Pierre is running a comb through his hair, staring at himself in the mirror; his Narcissus moment is interrupted by a banana to the back of his head. Bonjour, he says, monotone and already knowing the culprit.
“We need to talk.”
“Could this possibly be about the news of your brand new ‘girlfriend’ over last week? Where is she, by the way?”
“With Lorenzo. Listen, here’s the thing. Mum thinks we’re dating, and I don’t know how to tell her we’re not—so I won’t.”
“Lie to your mum, go ahead.” Pierre crosses his arms and hums.
“Tais-toi. It’s for her own good.” 
“So you’re going to pretend to date.”
 “Ouais.” 
“Should be easy. You guys are hooking up and making out or whatever all the time.”
Charles pauses and lets the silence speak for itself. When Pierre makes a noise of confusion, he gives. We don’t kiss, he says finally. She thinks it is too intimate, and we ‘are not dating,’ so sex is the only thing we do. Sex, and if you still have leftover antsy energy, you pull on his shirt and sit up against the headboard to finish a crossword puzzle. Sometimes he helps you, but most of the time he’s just there to press lazy kisses to your hair and temple, cheekbone and jaw—never your lips.
“You don’t kiss?” Pierre’s genuinely shocked. “Putain, you’re a hero. How does that even work?”
“We just do not kiss. We fuck, but no kissing.” He shrugs. “It’s always been that way.”
“So how about her birthday?”
“She doesn’t…” Charlex exhales tightly. “Remember.”
“Charles,” you suddenly say, head appearing into the doorway. “Oh, hey. Fred said you might be here. What are you guys talking about?”
“Sprint racing,” Pierre says, an easy lie.
Charles, though, is never good at the lying bit. “International tariffs.”
Your only memories of your seventeenth birthday are applying lip gloss and mascara, wearing your shortest skirt and tightest top, and reciting your supposed date of birth in line like a mantra. Anything after that’s been sprayed off by the ultra-clutch strength of vodka. Which, you’ve been told, was your drink of choice.
“Headache’s better,” you moan over the phone, face squashed onto your pillow. “Mum gave me an Advil but I was so sick all morning.”
“Did you snog anyone?” Charles is always teasing.
“God, I wish.” You shut your eyes and try to remember if your drunken stupor had somehow managed to get you successful in lip-locked matters. Nothing comes up and you wipe a dry hand over your face, heaving a sigh. “I really wanted to kiss Matthew but I think he left before you and I did.”
A pause. Then Charles clears his throat. “You mean you and me and the police car that escorted us home?” He snorts.
“You’re such a prick!” You scream into your pillow, laughing. “I already thanked you for being my literal savior last night.”
He smiles to himself. “You’re welcome.”
“Did you have fun?” You flop onto your back and stare at the stick-on stars on your ceiling. You make a mental note to try and remove them.
“Bit boring because I vowed not to drink at all, but I got to dance. Bitter with the sweet, right?”
“Nervous?”
“I mean, fuck, yeah.” You fix the hem of your dress, speaking to Giada through the phone. “Pascale’s waiting for us on the paddock. And so are, like, a hundred photographers.” You wince. “Can you even imagine Charles and me? It’s just—I dunno—it’s weird.”
“It isn’t,” she says, laughing. “Not really. It makes sense. Plus, aren’t you on the whole arrangement?” You envision her air quotes.
“Yeah, but”—you slip your sandals on—“it’s on and off, and that’s not dating. It’s sex. Two different things.”
“Is it really, though? Considering how close you are outside of bed, aren’t y—”
“Okay, input no longer needed,” you laugh. “Bye, Gi. I’ll text you later.”
You reunite with Charles just by the paddock entrance. The throng of fans holding cutouts and posters notice you two before anyone else does, inciting a collective bout of yells around the both of you. He notices your blue silk dress first, eyes unmoving. “You look like the sky.”
“Thanks, man.” A beat, and you squint through your sunglasses. “That’s a compliment, right?”
“Sure.”
“Prick.” You peek over them and to the fans, who wave more aggressively when they notice you’re looking. Nervously, you raise a hand and wave back, and the noise heightens. “I think I’m going to be replacing you.”
“Dream on. On y va?”
You turn back to him, smiling, and you both enter at the same time. His hand wraps around your waist, dips a bit lower to rest at the small of your back as you walk—the fans clearly dig it, because everyone’s yelling in a frenzy as you depart. What are you doing, you ask through your smiling teeth.
“Did you forget we’re supposed to be dating?” He maintains an equally pleasant (totally duplicitous) façade, smiling. 
“I didn’t think,” you say, still smiling falsely, “that you’d put your hands on me five minutes into the whole agreement.”
“Smile, honey,” he teases. “I see at least five cameras at us right now.”
“It’s seven,” you beam. “Dumbass.”
“Again with the competitive streak.” memory
“I totally deserved to win last week’s game. You’re just a sore loser.”
“No you’re just a—hi, hi, hello!”
Your walk to the motorhome is interrupted by running into a friend of Charles’—someone from McLaren, one of the executives there. While Lando has been informed of your stunt, nobody else on that team has. 
They handshake and he waves at you politely. “Whole paddock’s buzzing with news of you dating,” he says, smiling. “It’s a tad crazy! I remember seeing you as Charles’ plus one back when he was in Formula Two. And now you two are dating. How did—well, if you don’t mind me asking, where’d it all happen?”
“Oh,” you say, laughing. “Yeah, Monaco.”
“Texas,” Charles says at the same time.
Alarm bells go off in your head at the totally random, unwarranted statement out of Charles’ mouth. Texas? Neither of you have even ever been at the same time. “He means”—you say, coughing and nodding—“we went on this, um. Wild West themed, um, restaurant in Monaco, and that’s where he asked me out.” You make a face that you hope conveys you get it, and it seems to work.
“Definitely not what I had in mind, but if it worked, it worked, eh?” He grins. “I guess I always knew you two would end up together. Alright, ciao!”
You’re smiling and waving after him as he leaves, and then you’re (semi) alone again, or at least within your own space on the incredibly crowded paddock. 
You turn to him, unable to hide your confusion. “Um? Texas?! What’s up with the backstories?”
“It slipped out! Sorry. But nice save.”
“You’re so f—” You try to scold him, but can’t, bursting into laughter and leaning forward to laugh into his chest. “Texas, really?”
“Sorry,” he says. You feel the vibration of his own laugh through his chest and it’s warm and nice. You peel yourself off lest you look too clingy, and resume your walk to the motorhome.
Ferrari is crowded, filled with people and strategists and guests. You’re given a bottle of water and then hounded with questions from the team who haven’t been informed of the situation at hand. David, one of the engineers close to Charles who you’d previously spoken to in one of the earlier races, asks to borrow him.
“Ciao, ciao.” They speak in one of the outdoor patio areas. “Is everything okay?”
“The car is fine. I just wanted to ask about the girl.” David punches his arm, playful. “You finally got her!”
“Oh.”
“It’s just… I remember all the times she would show up and you’d tell me about how much you liked her… I don’t know, it’s perfect for things to end up like this, no? Bravo!”
“Oh, si. I’ve just been, you know…” He looks through the glass sliding door and into the hospitality, where you’re talking to Isa and Carlos, sunglasses over your hair. Your hands are moving quickly, and you’re smiling while talking. He wonders what you’re so passionate about. When you’re caught in fits of happiness and passion, you’re extra animated. Your eyes are lively, and your lips can’t stop curling into a slight beaming smile. Now, maybe it’s France, maybe it’s crossword puzzles, slim chance it’s your job—whatever it is, he could watch you talk like this for hours. He thinks it’s beautiful, the way you transform, the way you smile, when you talk of things you absolutely love. 
“… crazy about her forever.”
There are banners, Italian flags, and Charles’ face on every other wall. He’s done his first hat-trick of the season (of several more, you’re hoping). You’ve foregone the usual clubbing for dinner with a smaller group of people, but only because you’ve been told the nightlife is bleak and you’d rather save that energy for the next race.
Lando picked out the restaurant—he’s “on a massive Yelp high” trying to get the best restaurants in every city they get to. He’s tried two over the weekend, and is hoping this guns for first place. The restaurant’s name is long and so very Italian, to the point where your semi-fluency fails you. The food is amazing, though, and so is the wine—a whole other level of grape-flavored bliss.
You’re in-between Joris and Charles, nursing your fourth glass while Charles downs a bottle of beer. Light conversation flows through the table, but your sleepiness only allows you to hear some of it. You’re content with the white noise.
Lando is getting a new cat, Lewis bought a new pair of shoes—oh, no, shares in the company that makes the shoes—Joris bought the shoes, Lorenzo will now buy the shoes, why isn’t anyone paying attention to Lando’s cat. It’s funny, entertaining, and the perfect nightcap to your immensely exhausting day of acting.
Wine tipsy makes you loopy and snoozy. By default, your head lolls onto Charles’ body; he immediately wraps a sweater-clad arm around your frame, leans back, pulls you closer. Doesn’t miss a beat. In fact, while doing so, he’s even able to get a dig in against Lando’s affinity for cats.
“No more wine, m’kay?” He whispers quietly, angling his head to yours. 
“Oh, but it was so good, though.” You mope, but nod in agreement. “I could seriously drink wine out of a keg here.”
“Sure did that a lot with beer.” You laugh, punching his bicep with what little space you’re given. “You sleepy?”
“Yeah. But I’m fine,” you respond, smiling. “Now shut up. I need to know what happened to Lando’s cat.”
Lewis leaves first, claiming he’s into this whole “sleeping at 9PM” thing, and Lorenzo follows to get ahead of an early flight tomorrow. It’s you, Joris, Charles, and Lando now, and you’re good as dead, eyes half-shut and fluttering, head slipping off his shoulder.
How was it? Lando asks, lowering his volume to keep from being too jarring. Day 1, fake dating? I actually read something like this in one of those, um, fanfiction stuff the fans do. Joris and Charles cast him a half-weirded out, half-amused pair of looks, but Lando defends himself. They’re actually pretty good, guys. I read one where I ended up with my rival or summat.
“Sorry to burst your bubble, Lando,” you croak, voice raspy with sleepiness and a day of bubbling laughter, “but Charles and I probably didn’t do your fanfiction kink justice.”
“Ignoring the emasculation.” He says, turning beet red. “What’d you do, then? Wasn’t it hard?”
“It was hard, but it’s like that.” Charles likes to substitute the phrase it is what it is to it’s like that, a result likely stemming from his trilingual childhood. “We just. Pretended. Oi, we held hands in front of the cameras.”
“Yeah, you can get a good wank in if that does it for you,” you joke. Lando hurls a cube of parmigiano at your face; it lands squarely and you flip him off, the table erupting with peals of laughter.
“In all seriousness, though—how are you two okay with this? I know I’d be second guessing my feelings every second.”
You shift, trying to hide your obvious lack of answer. It’s quiet for a few seconds, and then Charles says, “We’re both comfortable with each other, I think.”
“Yeah, comfortable enough that we can, you know, be honest.” You’re looking at Lando when you say that. You don’t know how well you could repeat the sentence if you were looking straight into Charles’ eyes.
You leave the restaurant with a generous tip, and Charles helps you pull your coat on when you’re out the door, back into the chilly night air. It’s then that all four of you catch news via text, of a club invite somewhere in the city.
“It’ll be fun, guys.” Joris and Lando stand in front of you and Charles, bumbling with excitement. “I heard Lil Tjay is going to be there.”
“It sounds very fun,” you say, smiling, “but I might pass out if I drink anything other than water, and I have zero energy. You three go ahead.”
“Wh—no, I’m not going, either.” You raise an eyebrow at Charles. “Serious! I wasn’t in the mood much, anyway. Joris, take Lando’s car and we’ll take mine.”
“Alright,” Lando whistles. “Suit yourselves, agoraphobes.”
“Joke’s on you”—Charles smiles, smug—“I don’t know what that means.”
“Not the dig you think it is, Charles,” you say, rolling your eyes. “Night, Joris, Lando. See you guys tomorrow. Use protection!”
“Should be saying that to you guys,” quips Joris with an evil grin that he closes the car door on.
The climb into the car feels like a chore in itself with how tipsy and sleepy you’ve become. Charles likes to bring his Ferrari to race weekends, but you convinced him to use a different car for this one, because you honest-to-God can’t stand the low seats anymore. 
“You want dessert?” He asks when he’s rounded the car and settled into his seat. “Gelato, a cone, biscotti…”
“No, no,” you say, voice thin. A palm covers your shutting eyes; blindly, you reach for his hand. It’s easy because he sees you searching and takes your hand to cut it short. “I’m good. So sleepy. Can I sleep at your hotel room?”
“Sure.” He starts the car, waves to the wait staff idle by the entrance, and drives off. “How was the day as my fake girlfriend? Anyone ask about me?” He wiggles his eyebrows, flickering his gaze to your figure beside him. “Wasn’t too tough, I hope.”
Imola whizzes by, trees and city, and a poorly stifled yawn escapes your lips, wine stained. You laugh sleepily. “It was a bit awkward, but bitter with the sweet, right?” He smiles, nodding, and you continue. “Yeah, few strategists, some people who knew you from Prema. I was talking to Isa and Carlos, too, earlier. Even if they know it’s fake.”
He recalls seeing you talk to them through the glass. “About?”
“You.”
The sun is merciless on the clay courts, and so are your shoes, shuddering against the surface in your continuing attempt to beat the opposing team. Charles cowers behind you—he’s scored less than half of your points thus far—but you’re on a mission, like your competitive self always is when you’re put in a position to be able to win.
You’re two points down now, and the noontime is becoming increasingly itchy and unforgiving; across you both, Giada and Joris call a mutual time out. “That’s not allowed!” You say, petulant.
“This is a practice session,” Charles says gently, nearing you. “Mate, none of us are actual players.”
You wipe sweat off your forehead. “Right. Désolée. I’m just—I’m in the zone.”
“Ouais, I get it. Relax, m’kay? We got this.”
You shake yourself off and hop a few times, skirt bobbing by your waist as you go. Your braid bounces on your shoulder and you nod, turning your racquet over in your grip. 
Charles pings the ball hard and it soars over to land just shy of the line, seemingly scoring a point for you two and securing your win. Giada and Joris chime in with protests, claiming that the ball’s out. You throw your hands up in question.
“Okay, what? That was clearly a point!”
“Snoops, I think they might be right. The ball looked out to me,” Charles says, wrapping a sweaty arm around your red shoulders.
“What are you talking about, Charlie? That ball was in! I saw it!” You elbow yourself out of his grip, aghast.
“How about…” He suggests quietly. “We let them win? You did win the last”—he pauses to count—“five sets. Come on, Snoops. They need this. Bitter with the—”
You take a deep breath, staring into his eyes. “Fucking sweet, right, okay. Fine, fine.” 
Charles thinks he’s in the clear and he’s managed to extinguish your flames of frustration—that is, until you walk into the Leclerc household for lunch an hour later and, after greeting Pascale and Hervé, you point squarely to the jar on the kitchen counter. “Five euros.”
He splutters. “Five? Wh—non, non! I was trying to calm you down.”
“You were blind and gave Giada and Joris a fake win,” you say playfully.
“Saluuut,” Lorenzo greets, sitting at the stool beside yours. “Quoi de neuf?”
“Charles has five euros for the jar.” The jar, the infamous jar, sometimes dubbed the Dumbass Jar when Pascale’s out of earshot. It was Lorenzo who first made it up after three straight instances of Charles pulling a push door (three different establishments).
Arthur’s joined in at this point, but its biggest indirect donors are definitely Lorenzo and Hervé, who view it as just about the funniest thing in the world. Out of pity, you don’t call dumbass too often, but the tennis loss is bruising enough that you warrant the usage.
“You heard Snoopy. Five euros. We’ll be able to get milkshakes with this money after next week.” You high five. “At this rate, Charles, you could open a restaurant in Paris.”
“He’s going to race,” you correct. You both watch a begrudged Charles junk a bill into the nearly-full jar. “What race driver is going to open a restaurant?”
You meet Yuki Tsunoda on a flight to Nice. You’ve seen him several times before, not too frequently but enough that his name and face are familiar on your mind. Also a personality trait that Pierre would bring up in fond conversations with you and/or Charles: he loves food, apparently.
“Yuki’s volunteering AlphaTauri to be your hideout,” Pierre tells you and Charles, across him. 
Turns out, the hardest part (insofar) of this whole schtick: the officially appointed paddock photographers are being extra sneaky with it, finding the best vantage points to snap pictures of an unwitting you and Charles.
They’re like hawks, watching for even the slightest glimpse so they can post the photos on Instagram and get clicks.
So, just a few hours earlier, Charles asked if there was a place you and him could talk if needed where photographers wouldn’t be awaiting you already, and this was the answer.
“If it’s too much trouble, feel no need to… you know.”
“Nonsense.” Pierre smiles goofily and Yuki pokes him to stop, pausing his session of eating a quesadilla (where he’d even acquired it, you’re clueless). “Yukino would be happy to.” 
The flight lands and the drive to Monaco is infected with notoriously slow traffic; you pop an Advil to try and alleviate the motion sickness. Pierre and Yuki, it seems, have joined you even outside of the flight. They’re in the backseat offering bits of conversation.
“Oh, mate, we should totally play tennis while we’re here.” Pierre sighs. “Didn’t you guys play before?”
“Mmm, yeah,” you mumble with a lilt of amusement at the memories from basically a decade ago. “At the country club. Doubles always, otherwise I’d knock Charles out of the park.”
“Hey, I won a couple times!” He protests weakly. “Like… twice.”
You laugh out loud. “Anyway, Pierre, do not bring me into tennis. I get all competitive and develop anger issues.”
“I had to calm her down twice a set,” Charles says; you swat him lightly to silence him. “Still do.”
“You know, if the Dumbass Jar still existed,” you say cuttingly, “I swear I’d be able to buy off Ferrari with that money.”
Monaco is swelterinly hot today. You know this because you know the weather here, you know the curves and ups and downs of it—this is your home. And today is hot. Every few minutes a breeze filters through the air and you can hear journalists or PAs sigh a collective breath of relief before they’re all subjected to the inane, high-degree weather again.
It’s also, according to Arthur, a good day to kiss in front of the cameras. He says it easily over a plate of sliced kiwi, with a devious smile, because he assumes your friends-with-benefits arrangement equates to constant kissing. But the truth is you’ve never kissed Charles, and it intimidates you.
“Do we have to kiss?” You play with his bracelets, sitting beside him on the sofa. The talk of kissing entertains the thought of sex and you can’t help but mentally complain at the remembrance that you haven’t gotten laid in weeks.
“If you don’t want to—”
“I do.” You splutter, eyes going wide, face warm. “No! I mean I don’t mind. If it sells the thing.”
“D’accord, then we will.” He smiles. “That okay?”
“Sure. First kiss,” you say. Your voice feels as clammy as your hands.
“First.” He looks away.
You take your woes off the kiss by playing a friendly round of tennis with your favourite opponents, Giada and Joris. They bemoan your competitive nature (that, to be fair, allots you and Charles three straight wins), and Giada incites a protest for a girls versus boys round.
You both embarrass Charles and Joris, heckling them as you win another two straight games. Charles runs over to you when you throw up the L sign on your hand, lifting you up and making you squeal.
“Put me down, loser!”
Giada and Joris exchange a look. Amused, knowing. “Charles! You’re such a cunt.” You kick hard, and manage to snag his abdomen, so he gently places you onto the clay again. He laughs and paces back over to his side, and you play with the tail of your braid as you watch.
You play set after set, but the kiss comes anyway. When you know photographers can see you—by the entrance—and it happens faster than your mind can muster. He’s leaning in, you’re reaching up, and your mouths slot together. It’s—and it feels crazy to say it, but—
It’s perfect. It’s lovely. You smile against his lips like they belong there and like they’re familiar and yours and like maybe this is all you’ve ever wanted, and like they deserve the smile, because they do. You feel your need to pull away before you can’t help but keep him tethered to you always. It’s strange and it’s not platonic—you’re mature enough to admit that, but not enough to label exactly what it is.
You spend the day with your fingers pressed to your lips, like you’re sealing the memory. Hours later, Charles wins. There’s massive uproar and you’re in the crowd when it happens, in the sea of strategists going to congratulate him on winning Monaco, which—that’s—it’s winning Monaco. Your ears ring by the end of it and your throat’s dry from your own cheering. Carlos comes in second, and the outlook for their team is going much better than it’d been at the start of the year, so there’s a lot to celebrate.
And celebrate you do. It starts with being pinned up against the door, hungry kisses along your jaw and neck. One kiss, it seems, has broken the dam from the few years you’ve spent abstaining from the kissing. He’s just finished interviews. He’s only just changed into his polo, and now he’s tugging it off again, feverish.
This is rushed and dirty, down low and dark. Only one light’s been switched on and he’s hiking your dress up, panties down with one hand to tug his cock out with the other. He’s kissing you—kissing you stupid, almost. Like he’s waited forever to taste your lips and now he’ll starve if he’s away for just a moment. He needs you. So have me, you want to say, all of me, push me up against the wall again and cover my mouth with your palm. Or don’t, don’t—so everyone knows I’m yours.
He presses your chest against the wall so your back’s turned to him, thrusts in with a breathless, throaty grunt. 
“S’ big,” you’re saying, clawing at words the pleasure bars you from finding.
“Barely even in,” he whispers. “Slow down, baby, come on, take it.”
Your toes curl. You’re high on the win, on the kissing, on Charles, on the slow delicious stretch of his cock. “I’m taking it, I’m taking it,” you say, shaky. He thrusts, slow and deep and dirty, until he’s bottomed out and you’re tiptoeing from the overwhelm.
“I feel you,” you’re whimpering, moans and gasps leaving your mouth. You blindly search for his hand, find it against your hip, drag it to your abdomen, under your dress that he hasn’t even fully removed. “I feel you there,” you say, an edge of teasing to your voice.
His cock’s bulging, almost, out of your stomach, and it’s getting you both all lightheaded. He thrusts harder, a devious smile felt against your neck.
I need it, Charles, you plead, please, please fuck me harder. You feel it coming, the familiar pleasure intensifying so quickly—you don’t usually cum so early, he’s always making you wait for it—pussy squeezing around him.
Jesus, already? He’s groaning but a laugh escapes, breathy and amused and taunting. He’s fucking you harder, faster. It’s so good, each hit getting you closer. Taking me so well, you’re bruised all over now, baby. You hate how well he knows what turns you on; memories of mornings post-sex spent inspecting the purple marks on your hips flash through your head and you’re even closer now, shaking, whimpering, begging.
You’re half-sure someone can hear, but it doesn’t even phase you. Harder, deeper— and you’re collapsing, legs spasming uncontrollably, orgasm so intense it’s on the brink of totally hurting. Tears roll down your sweaty face and he kisses them away, cumming onto your back to wipe off in a few minutes.
“I never even”—you pant, tired—“got to say congratulations.”
“That was more than enough.”
Charles is elated when you tell him his family has thrown a party for him the day next. He’s boyish in that way, optimistic and kiddy, the kind of person who’s up at five-thirty to announce their own birthday. 
He drives you both to his childhood home, a route so familiar he could drive with his eyes closed. (“I hope you’re not driving closed-eyed,” you’d warned.)
Even if he could, anyway, he’d rather not. The scenery of Monaco is stunning, ever-changing, and he never tires of it—the buildings, the skies, the trees and shrubbery, stores lining the streets, clean entrances. 
And you—in the passenger seat, humming softly to a song of his choosing. Drives are always better when you’re in the passenger seat.
The turnout is generous: extended family, and several friends from school. There’s bowls of fruit, salad, plates of salmon and racks of lamb, knobs of butter with warm bread. Pascale commands the kitchen—visible in how she leaves it cluttered with bowls, ingredients, whisks still dripping with syrup or batter, spoons licked for tasting. The good kind of clutter.
Lorenzo has also taken reign of the AUX, because it’s 70’s music playing, which is what he’s fond of for family gatherings like these. It’s My Cherie Amour now, Stevie Wonder mellowing across the lawn and into the house.
Charles knows you love the kitchen as much as his mum does, so when you get to the house, he’s not surprised to see you leave him in favor of checking out what damage has been done to your favorite marble countertops. He watches Pascale turn from the gas range, her eyes lit when she sees you, inviting you into an embrace. 
You look like the song playing, pretty and lovely, breeze in the summer. He almost loses himself in thought before his great-aunt Eden places two bony hands on his arms and greets him in feeble Italian.
He flits his eyes away from you, if just briefly, and faces the woman with a smile on his face. “Ciao, zia,” he says, voice buoyant, happy. “You came here to see me, no?”
All five-foot-one of her shakes in disagreement. She wags a finger for extra measure. “No,” she says. “Sono venuto a vedere la tua ragazza.”
His eyes widen. “She’s—” He pauses. He debates telling Eden you’re not actually his girlfriend, that this was a setup to appease Pascale and, by extension, tifosi. But he backtracks.
He shouldn’t, but he gives in, lives out his dreams for a bit. “Ah, she’s over there, zia. Con mamma.” He points to the open door, and to you on the far end of the room inside, holding a spoon. “Beautiful, yes?”
“Molto,” she says proudly. “You marry her?”
Fact: his great-aunt has the worst memory. She forgot Charles’ name twenty times, let alone niche facts like this one. Another fact: she rarely shows up to family events. Maybe now, because it’s a racing thing; but baby showers and funerals, she’s at home. So he indulges a bit more.
“Si, we’re engaged. But—it’s a secret, zia.” He grins. “Non dire a nessuno. Okay?”
“Sei fidanzato?!” She claps once, excited. “Ay, Charles. I waited my whole life for this moment, si?” And she’s wobbling away, still muttering under her breath.
“How is my son?” Pascale’s voice is teasing. She sighs happily. “For years I wondered if this would happen. And it really is.”
“Oui, sure is,” you sing-song, laughing a bit awkwardly. “We’re—he’s okay. We’re great. In love.”
“Oh, in love,” she swoons. She leaves you, after fifteen more minutes of detailed discussion, with half a spoonful of vinaigrette to taste-test, departing to check on the guests for a few minutes. In her place arrives Lorenzo, already bearing a shit-eating grin. “Saluuut.”
“Mmm, good to see you, too.” You taste the liquid and add lemon to the bowl. “How’s wedding planning?”
“Think we’ll throw a shower. Is that pretentious?”
“No,” you say, mulling over it. “Sure, a bit. But just don’t make it a whole thing, you’re golden.”
“I see.” He sighs fondly. “You know, many a conversation we’ve had right here at this counter. About anything.”
You loosen your school tie, slicing an apple like you so often do, waiting for Charles’ karting practice to end. Pascale had fixed you a bowl of something, Hervé a glass of orange juice. And somebody else would always, without fail, steal your food. A hand swipes two slices form your chopping board and your head whips up.
“Lorenzo!” You stomp your foot. “Stop stealing! That is my apple.”
“You mean the Leclercs’ apple.” He laughs, pops another slice into his mouth, smiling. 
You roll your eyes, shaking your head. The braid beside your head shakes with it as you continue slicing it into perfect quarters. He pipes up again: “How was school?”
“Shit, as usual.” You lower your voice and smile, leaning in. “Pascale scolded me earlier, for saying that word.”
“Did Papa?”
“Obviously not. He fist bumped me.” You share a laugh, both chewing on apple slices now. “Anyway, I aced a math test, had aubergine for lunch… got driven here by Charlotte’s mum.”
“Charlotte?” Lorenzo hums conspiratorially, making a mmmm sound. You look up from the yellow chopping board, furrowing your eyebrows. He persists: “Mmm. Cha-r-lotte.”
“What’s up with Charlotte?” Bit impolitely, you ask, in-between chews.
“I think she likes Charles, a little.” You nod slowly, trying to follow. Charlotte liking Charles. Your Charles. Wait, no. Not your—or nobody’s, really. Just Charles. Yeah.
“What? Bull!” You narrow your eyes. “Says who?”
“Why do you care?”
“Wh—I don’t!” You squeak, caught. “Just… I think I’d know, Lorenzo.” You make a tch noise, crossing your sweater-clad arms. “So—says who?”
“I saw her leering at him during his birthday party.” 
“You’re wrong,” you say, but you don’t really know who you’re convincing. He reaches over for an apple slice, and you move the chopping board out of the way sharply.
“Mon dieu, you’re snappy. Fine, fine. I might be wrong,” he relents, shrugging. He gets up and slides beside you to be able to acquire more slices. “I talked to her during the party, too.”
“Weirdo,” you tease, allowing him to take a few more. “About Charles, yes?
“No, about her brand new dress.”
“You’re the funniest Leclerc brother, I assure you.”
“She told me…” He says, louder this time, shushing you effectively. “She told me she ‘finds Charles cute.’” Air quotes, shrug. “But that they ‘probably won’t’ date.”
“Huh. Did, um. Did she say why?” You play with the tail of your braid, shuffling back and forth on your flats. You don’t know why you’re so fidgety—you aren’t nervous, you don’t think.
“Because…” he says, chewing to allow for a pause. “She said every time she looks for Charles to try and ask for time alone, or on a date, or something, he’s already following you around like some puppy.”
You comb your hair into a bun and venture into the patio, having avoided a good chunk of the noon heat. You greet some relatives politely along the way, and receive a hand squeeze from great-aunt Eden. At one of the tables is Charles, beside Joris and another friend, and Giada and Charlotte across them, an empty seat beside the latter.
You seat yourself in it and Giada kisses your cheek. “Hey. Ça va?”
“Fine,” you say, smiling. Then you lower your voice to a whisper. “Do you remember when I told you about my crush on Charlie? For the first time?”
“Yeah,” she whispers back. “Around… 2013.”
“Ouais. And… and it disappeared after that,” you say. “Right?”
“You said it did,” she says. “A year later. When we were sixteen.”
“Right.” You think. Seventeen onwards—you’d never formed a full-fledged crush on Charles. “Okay. It’s nothing. Just a memory. I was just. Yeah, oui.”
“Oui, let’s eat.” The memory fades and so does your running mind. Charles’ eyes meet yours across the table, and suddenly you feel a little less like your thoughts have ripped you open.
When you and Charles were younger, you adopted the adage “bitter with the sweet.” Charles will have people believe it was made by the both of you, with philosophical minds stretched so far beyond their years. Well, revisionist history. The truth lay in the Carole King song of the same name you’d heard on the stereo.
Those are the exact words Charles tells Ted when he’s interviewing for the Spain Grand Prix. It’s a hot day and you’re especially doubled down on by the fact that he’s finished ninth. 
You’d been fake-dating for the cameras all weekend. At all costs, you try and avoid interviews, but the damned Drive to Survive producers insist on a soundbite and start following the two of you around everywhere (only to find your conversations sound very weird and niche, and not scandalous or sexy).
Pascale also called—Charles first, and when he didn’t check his phone, you. You spent an hour on the phone just talking about the race. About the penalties and the nasty headlines that followed, and just everything.
“I’m glad you’re there,” she says. “God knows he needs you.”
You end up biking to try and relieve the stress, posing with fans for pictures.
“I’m such a big fan. I stalk Charles’ Insta like, all the time, and it’s crazy how you guys are dating.” A teenaged girl laughs nervously. “Where’d it happen?”
“Texas!” He, again, tries out the bit to appease the fans but you have to extinguish the flames of his blatant lies.
“He’s kidding,” you interject. “It’s just—it just happened, really.”
How does something just happen? Someone told you once, in a Paris bar, that love is like an echo. It’s always there, in the underbelly, underneath it all, and then one day it echoes, like a bass drum or a cymbal. And the echo—the echo is you feeling it. You feel the echo, the all-encompassing echo, even if the love itself’s been there all along.
With Charles, it’s out of the question. You love him. He’s your best friend. You trusted him before you even learned what trust meant, for Chrissake.
How could you not love him? That seemed impossible. The love was there. The love’s always been there and it’ll never go away.
It echoes at half-past-two in Barcelona, when he whips past you on his bike and says on your left. The breeze pulls your hair to the left, covers your face, and when you rake it away he’s stopped to check if he accidentally bumped you in his rush to look cool.
You’re creepily observant; you’ve been told this many times before. What people don’t know is with the observance comes even more questions. Ifs, whys, wheres, whens, hows, God the hows. The questions keep coming because there’s never an answer.
“Are you okay?” He asks. Green eyes glittering like a lake. Smile like the sun. Hair curly at the ends. “Did I hurt you?”
Then you realize. In the matters of love, every question—every single question. Every single one. The answer is Charles.
“Of course not,” you say. And you smile.
You almost drop your book in your rush to scurry past the paparazzi. They’re still busy on the two figures (Alex and Lily, you think) on another end of the paddock, which allows you only a few moments to try and evade them.
Others are stationed near the Ferrari hospitality, which means you’re going to need your hideout. Yuki had texted Pierre who had texted Charles who had told you that it was all clear to go there for a few minutes while waiting for the photographers to clear out.
Hurry, Charles is saying. Laughing. His hand’s gentle in yours. You want them there forever. You want to drag the tip of your nail over the barely-perceptible grooves of his fingerprints so he knows how much you need him.
The days post-Spain were spent biking, watching shows, listening to music, eating food. The travel to Canada—long, cold, compression socks. Pascale had called mid-flight to check on her “favorite pair”—you maneuvered yourselves into a much more cuddly position to appease her, and her giddy smile was incentive enough to stay that way for ninety minutes.
You’d been in a weird mental state trying to grapple with your rapidly returning and intensifying feelings for him, which have dawned on you all at once.
But he makes it better. You’re still laughing when you wedge yourselves in, eyes meeting.
And then you’re quiet.
The gaze you share is intense, but almost unsure, like you’re supposed to be looking away anytime now. You step backward shakily, and his hand moves from your waist to the small of your back to keep you from stumbling any further. You’re closer now. But this shouldn’t feel as strange as it does when you two have been in much more scandalous positions before—what’s different?
He’s so close, so so close, his green eyes looking right through you. You lean closer, ready to kiss him like you have before, ready to feel his mouth slot softly over yours, comforting and safe and Charles.
Funnily enough, it’s then that the illusion breaks, his grip loosening and the distance between you increasing. He coughs twice, awkwardly.
“Shit—sorry,” you say profusely, clearly having read the moment wrong. Embarrassment wells up in your system, warming your face. You laugh to diffuse the tension but it barely does anything.
“No, don’t—” He exhales, squeezes the bridge of his nose, trying to find words. “It’s not that I don’t want to kiss you. I do.”
“So kiss me,” you suggest simply, looking around for anything that might stop him. The embarrassment ebbs away, replaced quickly by confusion. 
“I don’t want to kiss you in an AlphaTauri stock room,” he mopes, burying his head in his hands in clear frustration. “An AlphaTauri stock room.” He repeats it in a hushed whisper, disbelief etched all over his pretty face.
“Charles,” you begin, smiling already, the quaint way that makes his knees go weak every time. “You’re acting like you and I haven’t kissed before.” 
“This is different.” He says firmly, looking away lest he lean in involuntarily. He interjects with conviction, not realizing what he’s implying until the implication’s hanging in the air. The longing kills him softly, and he feels if he looks at you a second longer he’ll kiss you anyway.
It’s a wonderfully confusing feeling. You open your mouth to respond but you can’t; your brain tacks itself onto his sentence, the division created between the kisses before now and the kiss that might happen anytime soon.
“H…” you trail off, throat drying. Blinking, you try again, “How different?”
He looks up, eyes conveying all the things his lips never will. This is different. You know it. I love you this time.
The answer is exchanged and accepted wordlessly. You slip out of the room when Pierre tells you it’s okay to, and it’s only then—only then—that Charles’ hand leaves your body. You seem to burn alive with its absence.
It’s a Ferrari 1-2. You snap a thousand pictures with Isa and Carlos holding Carlos’ trophy while Charles is doing interviews, and they invite you to join them for the break. You’re open to it—the win, the good standings, they definitely warrant a celebration for the few weeks’ break. So your original itinerary is Portugal—beaches, coasts, food—but the jet re-charts a route and the flight is cut much shorter because you’re in New York City.
Somewhere in Manhattan, a wedding shower is thrown on an outdoor rooftop. “This is one hell of a wedding shower,” you squeal excitedly when you spot him, bringing Lorenzo in for a hug. Your yellow dress flows in the wind. “I thought you guys were going to throw it in Monaco?”
“Yeah, well… why not here, right? It’s beautiful.” He gestures to the skyline, smiling. “Plus, Charles, Arthur, and Mum were already near the country for work, so we got ahead of it. Everyone was happy to fly out.”
“Well, for what it’s worth, I love it.” You beam. “I can’t believe it, either. When’s the final date?”
He opens his mouth to reply, but the wind is knocked out of him by Charles barreling into his arms for a hug. You roll your eyes at the latter’s childish behavior, smiling despite yourself. They part and Charles finds his place beside you, arm snaking around your shoulders. “What a wedding shower!”
“Don’t flatter me, dipshit,” Lorenzo jokes.
“It’s a lovely one.” Lorenzo thanks him. “An amazing shower. You know, it’s a total golden shower!”
You purse your lips. “Charles—”
“A golden shower, mate. Absolutely.”
That garners at least three odd looks and you calmly place a hand on his chest to whisper don’t ever fucking say that again it means something completely different please don’t embarrass me or your brother. 
For all your embarrassment, you make up for it in having the literal time of your life. The food is good, the city view is amazing, the weather is fair and the music—Desafinado now—is amazing. “I could see myself here,” you say offhandedly to Charles, who nods back with a faint smile. He’s half-distracted.
“You look beautiful, by the way,” he says, squinting from the sun in his eyes. “Very.”
You part ways at some point—Pascale whisks him off, no doubt for another long round of questioning about your relationship, and you meander around with a glass of champagne.
You’re halfway through swiping a mini quiche when a hand wraps around your wrist and squeezes to get your attention—Charles’ great-aunt Eden. She speaks only intermittent English, and your Italian fails to carry you through well enough, but you smile and greet her. “Ciao, Eden!”
“Ciao, bella.” She smiles. “Flight was long.”
“Oh, yeah. New York’s far. I might work here someday. I’ll hear results in around two weeks, but I’m hoping for London instead.” You slow your speech.
“When will you two wed?”
“Wed?” Your face warms and you stutter through a giggly mess of a sentence. “Oh, Eden—zia—no, no! We’re just friends.”
“My Charles told me you two are to be married.” You both crane your heads to the right, where Charles is leaning against the terrace railing talking to one of your friends, Matthew, animatedly. He meets your eyes, sees Eden beside you, and seems to connect the dots.
Jokingly, perhaps, he raises his hand and wiggles his empty ring finger. You can’t help but smile as you turn back to the old woman. “Oh, did he, zia?”
“Si, he did.”
“Well, we’re just going to let it happen, then. You’re invited. Front row.” You kiss her cheek and she smiles, wobbling off to drink more wine before any of the adults can stop her.
It’s announced then that the dance floor is open, and many of Pascale’s friends filter through to show off their moves to the 70’s music. You watch, amused, at the display of dexterity to Frankie Valli and Aretha Franklin. You cheer them on, content to watch them against the backdrop of the New York sunset.
When Ain’t No Mountain High Enough plays, the dance floor grows, because nobody can resist the song—not even Charles, apparently, who takes your hand without preamble and takes you, squealing, to the centre.
You sing each of the parts, like you always do when the song comes on. It’s semi-tradition at this point: you take Marvin Gaye’s, Charles takes Tammi Terrell’s. You both exaggerate your dance moves and pretend you’re performing.
His hand’s in yours, winding you around and pulling you close. At some point he starts robot dancing to entertain you. It works—you laugh out loud, your eyes half-shut and faced to the stars above. He could write a poem about this. Or a song.
The song ends and you lean onto his shoulder to take a breather—then the photographer swoops in and takes a picture. “That’s going into the RSVPs!” He says, accent unmistakably American.
“Does he know we’re not the couple here?” You ask.
Do we know we’re not the couple? Charles asks himself.
The night escalates as the “oldies” leave, and Matthew, Joris, and Giada join you both for one last round of drinks again. You’re all standing at the exit making conversation; Lorenzo attends to his friends at the other end of the terrace.
“I feel young again,” Matthew says, liberated by Tito’s vodka. He takes another swig and pulls his coat on.
“You’re twenty-five, calm down,” you joke. “Dodged that bullet.” You’re poking fun at the semi-massive crush you had on Matthew in secondary school, and a laugh passes through the four of you. “Anyway, you three be careful. No driving.”
“Jesus, but really—I haven’t been this drunk since you”—he points at you, laughing—“turned seventeen at that club, Amber? No?”
“Oh, God. Y’know, same.” You fail to notice Charles and Giada share a look. “I remember nothing from that night! Or, like, the first two hours at least.”
“I remember drinking my body weight because of heartbreak,” he jeers. 
“Heartbreak? Were you—were you with anyone?” You ask, confused.
It happens before anyone can stop it. “No, when Charles kissed you. And you kissed him after. Alright, night mates! Lorenzo—merci!”
Oh, fuck, you hear in the back of your now-muddled brain. Giada’s voice.
You open and close your mouth. “Ch—wait, he—what?”
“I—let’s talk here,” Charles flounders, dragging you to a more secluded spot and facing you. The three of your friends exit; Giada waves, apologetic. “When… we were at Amber… and you were absolutely hammered, we kissed. It was twice—just twice. And you didn’t, um. Remember a thing.”
You’re unsure. “In Amber?” You blink, confused. “What do you mean?”
“We… I don’t—I mean, I understand why you don’t remember. We kissed that night.”
“So that’s… Charles… You didn’t tell me.” Your voice quivers, like a wire flicked. “Why didn’t you say it at the time?”
He doesn’t give you an answer. He just looks at the counter, imagines the way your eyebrows furrow, your lips move, eyes glitter. He can’t give you one. He doesn’t want to hurt, disappoint, sadden you. He wants to get on his knees and root you here, so he’ll have all the time in the world to come up with an answer.
“Charles.” But he loves you, and he can at the very least be honest for you. “Look at me.”
“I was scared.” His eyes gravitate to yours.
“Of?”
“It felt stupid, is all. That you didn’t remember, and maybe you did but you were pretending you weren’t. I didn’t—it didn’t—sorry.” He laughs, stutters. “I convinced myself it didn’t mean anything because we didn’t have feelings for each other.” He pauses. “Then.”
“Well,” you say, slow. Eyes stuck to his. “How about now?”
“Now?”
“I love you, now. I mean, isn’t that all this is? Loving? Even if? De—despite of?” 
And this—God. This is how it feels. He’s looking at you and you’re telling him you love him because you do, and finally he’s been over with reassurance.
You love him, too. That way. He trembles with it. His hands are shaky when they lace into yours, like you’re a shrine, a prayer, and he feels like maybe these are the emotions that swirl through the human body when one wins the lottery and gets struck by angry lightning at the same time.
This is it, he thinks. Profound and lovely and an echo of sweet memories. He’s yours. Here in a city unfamiliar to both of you, yet to be conquered, your fingers lace lightly and you smile, smile, smile at each other, as if you’re the last two people on Earth. He’s yours, so foolishly in love with you.
Even far from home, you’re both filled with warmth, with longing. Extended stares, pits of your stomachs welling up with something lovely in between homesickness and nostalgia. Here again, you again, us again—it’ll always be us again, your heart seems to say, surrounded by the same love the same hurt the same sad the same everything, you and me, all the love in the world, all the confusion, we’re here. It’s never over.
Across the terrace, Lorenzo watches. Two figures, laughing, emanating happiness, gentle unkowing love. You two have finally made it here, after what felt like a thousand trials and dreams and stories.
So even if you’re taller, in high heels and a yellow dress—and Charles is broader, in a suit and tie—Lorenzo thinks he can blink and see the two little kids who hosted a tea party in the backyard. He can blink again and see you hugging, eyes shut, his lips pressed to your forehead to convey the intimacy nothing else will do as well. 
“So what now?” You ask. Again with the questions. In your defense—it begs so many follow-up questions. A love so many years in the making—layer after layer after layer—of course it begs all the questions, almost to the point of overwhelming capacity. What’ll we tell Pascale? The fans? The family? Everyone?! 
But one look and he makes it better. His green eyes, bright against the deep black of the skyline. You’ve grown. You’ve done it. You’re here. “We’ll figure it out.” He smiles. “We deserve this kind of ending, don’t you think?”
“He has my name.” A tubby finger points to the boy on the greeting card. “That one.”
“And who’s the dog?” Asks the girl beside him, hair wound into a plait. She likes this boy. He’s cute. She plays with the end of her braid and stares, eyes flickering in-between him and the card they’re staring at.
“The name’s right there. They’re best friends.”
“Okay, that’ll be me.”
“So that’s us.”
“Oui.” She smiles. “Charlie and Snoopy.”
read an omitted scene here :)
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moominsuki · 1 year
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✎ᝰ BAKUGOU KATSUKI ; — bakugou hates feeling jealous. but you make it worthwhile.
࿄ ! warnings — f!reader. absolutely none. sfw. / note. katsuki is a cutie patootie.
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jealous bakugou is something else. he doesn’t think he’s all that possessive of you at all - he doesn’t care if your outfit is skimpy or if you have guy friends. bakugou regards himself as very secure in his relationship with you.
until he hears what guys have to say about you. then he gets a little crazy.
it’s an open day where he’s helping a group of lackies and hero interns with integrating into his agency and it’s pretty innocent at first. kiri and deku are doing most of the heavy lifting with talking with the prospective sidekicks and heroes (katsuki is very content with the extras he has already). he’s already kind of distracted by seeing you this morning - you offered to lift a hand and do some extra work around his agency for today due to the unusual amount of people scoping his place out and why would he pass on an offer to see you around his agency all day?
unfortunately for katsuki, it means that he’s being increasingly more distant than he usually is and the interns can feel the disgusted energy emitting from every fibre in his body. it’s not like he’s trying to hide it though - what a waste to have you come to his workplace and only catch glimpses of your hair and your scent.
“kacch- dynamight? what do you look for in a sidekick who wants to potentially join this agency,” asks izuku, pulling his friend out of his thoughts. katsuki looks at the crowd of young, probably high school kids and they basically cower under his gaze. he recognises a few of them from other, unimportant events he can’t seem to specifically recall. god, he wants to bite back at them but he shrugs in annoyance.
“don’t piss me off and do as you’re told. simple as but it seems like you lot would still f-”, deku quickly interjects katsuki and yells out, “okay! let’s take a quick 10 minute break! just have a look around and we’re free if you have any questions you want to ask!”
ᝰᝰᝰᝰᝰ
“what is with you today, kacchan? you’re more… insolent than usual,” asks izuku slowly, watching the expression on his blond’s face meld into a face of indifference.
“maybe it’s the fact that i don’t care about these idiots who’re just making a goddamn mess of the place. i don’t need more extras to fuck shit up f’me,” bakugou grumbles. kirishima pats his moody friends on the back and goes to speak when-
“well at least the rumours about dynamight are true. that guy is a fucking mood killer,” says some guy standing in the corner of the reception area, who looks to be a sidekick and is accompanied by other unknown up and coming ‘extras’ as Katsuki woukd put it.
“tell me about it. the guys here fucking suck. for once, i’m wishing that we were stuck with the female pros instead. have you seen uravity? she’s sexier in real life,” pipes up some other guy and the rest holler and hoot.
the three pros look at each other, with bakugou looking at kirishima and deku with knowing, smug eyes.
“i’m just going to interrupt their conversation-” says kirishima, attempting to walk over until another lackey pipes up.
“but have you seen y/h/n? what a woman. shame she’s not in her hero suit. what i would do for a woman like that,” grunts some pathetic looking guy. he’s spindly and limp and looks akin to a wet noodle.
it doesn’t stop katsuki from seething though.
kirishima and izuku slowly turn to look at their friend - who’s practically steaming in his hero uniform. all katsuki can see is red and violence - which isn’t really unlike from what he normally sees but it’s different this time. this time it’s about you.
he sees the group of gross, teenage boys point to where you’re standing: you’re leaning over the receptionist desk and just from the behind can katsuki appreciate how beautiful you are. you’re wearing a short black turtleneck dress with orange accents (you told him that you wanted to wear his colours to his agency) and in any other setting would katsuki run his hands over you and compliment and kiss you till you were shying away from him.
bakugou knew that you got unwanted attention, regardless if he was standing by you like a rabid guard dog - you were gorgeous and you knew that. he also knew that you could hold your own against a hoard of horny teenage losers and you would never look twice at them when you had him. still, that logic went out the window when he could see the same group of kids leering and pointing at where your thighs met the bottom of your dress and he wanted to kill them.
kirishima got wind of this just by looking at the blond’s expression, “please don’t blow up the place - they’re just dumb kids! think about how hard we worked for this agency,” pleads kirishima.
“he’s too far gone,” izuku sadly laments as they watch bakugou stride on over to you and ignore both the men’s pleas and bargains. he aggressively pushes past the disgusting collective of eyes and they break apart in shock at his intrusion through them.
you’re, however, too enamoured in your conversation with his assistant and mina- you’re looking at a pinterest board and he wants to bite you for being so cute in front of everyone. it makes him even angrier that those extras would ever think that you would give them more than a side eye and a polite wave.
you feel katsuki before you see him - his uniform-clad arm holds your waist between the desk as he slots himself into your conversation.
“so what’s this about? whatcha talking about?” katsuki asks and mina and his assistant giggle at his intrusion while you roll your eyes and turn yourself sideways to look at him.
“i would tell you but mina and akako might kill me,” you tell your boyfriend, resting a manicured hand on his chest. akako, bakugou’s assistant, laughs and nods her head:
“sorry, dynamight, our conversations are sacred. might i add your timetable tells me that you’re due to take the interns on a practice patrol in less than… 20 minutes?”
katsuki narrows his eyes at this and you chastise akako for poking at him, “leave him alone! i want him here,” before resting a hand on his stubbled jaw and scratching at his face. katsuki’s eyes close at the sensation and he opens them to take a good look at your face. the stupid kids are still a embittering thought in the back of his mind and in any given situation, he would never do this. but sometimes bakugou’s heart goes against his common sense and this was one of those times.
he leans down to slots his lips over yours and presses a gloved hand into the small of your back and you smile into the kiss while a few “awwhs,” emit in the background. bakugou opens an eye slightly to see in his peripheral vision that the gaggle of the limp-faced sidekicks are looking at him in a mixture of shock and fear and embarrassment. he also sees kirishima and izuku grab them up to guide them out of the room.
when you break from the kiss to brush at the hair on the nape of his head, he mumbles, “have i told you how much i love that dress on you?”
you giggle a little and lean up to kiss the corner of his mouth, “a few times. but you can keep telling me if you want. ‘s not like i’ll get tired of hearing it,” you whisper to him and it’s like you’re the only people in the room. he’ll tell you about what spurned this on another day. in the meanwhile, he bask in your attention until he has to go and entertain those useless jerks. it’s not like he’s going to employ any of them.
bakugou would say this is a mission accomplished in his book. yeah, he’s a little jealous and possessive. but with the way you look at him, he finds himself caring less and less about what others have to say about you.
doesn’t mean he won’t try knock them in the side of their head if the time calls for it.
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࿄ ! — all rights reserved © moominsuki. please do not copy, translate, repost nor recommend my work outside of tumblr. this is strictly prohibited.
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