Hi everyone and thank you for the tags @cutestkilla @thewholelemon @roomwithanopenfire! I wanted to reblog and gush but tumblr won't let me WHY WHAT'S UP WITH THAT?! But be assured I am so stoked to see more of what you're all working on!
Here are some sentences from an upcoming chapter of Those Glowing, Magickal Years.
“Are those dogs?” I ask.
“No,” Ebb says. “Those are paindeer. What the bloody hell are they doing here?”
“Paindeer?” I don’t like the sound of that. Not at all.
“They’re dark creatures. They’re like muntjac deer, but they cause mischief.” I have no idea what a muntjac deer is, but I don’t tell Ebb that. “They break things, steal, and eat everything.”
“Then why are they called paindeer?”
“Because they’re a pain in the arse, Simon!”
(Also thank you everyone who tagged me in the ask game, not taking part because I'm unsure my answers will be interesting *cough* I'm busy with a puppy)
Hello tags and some personal thoughts on TGMY below the cut.
@artsyunderstudy @facewithoutheart @raenestee @cutestkilla @ivelovedhimthroughworse @larkral @stitchyqueer @you-remind-me-of-the-babe @ileadacharmedlife @confused-bi-queer @aristocratic-otter @whogaveyoupermission @nightimedreamersworld @fatalfangirl @thewholelemon @onepintobean @shrekgogurt @theearlgreymage @martsonmars @blackberrysummerblog @orange-peony @valeffelees @j-nipper-95 @rimeswithpurple @wellbelesbian @imagineacoolusername @youarenevertooold @iamamythologicalcreature @supercutedinosaurs @alexalexinii @bookish-bogwitch @cosmicalart @bazzybelle @theotherhufflepuff @that-disabled-princess @prettygoododds @mooncello @noblecorgi @roomwithanopenfire @emeryhall @monbons
It's been a hell of a fortnight, which has shaken up all my self-doubts and insecurity regarding TGMY. Like, is this a dumb idea? In a fandom with so much fanon, will me building my own vision of the Watford era be unwelcome or seen as arrogant? For example, having no DeNiall and giving them my own invented surnames? Or will I bother someone with my own interpretations of how magic works, or how pre-CO canon events went down, or what creatures like paindeer might be like?
But I also know I don't care when someone else does that (in fact I love other people's interpretations of this stuff) and this is just crappy brain self-talk. I'm writing this fic because I enjoy it. Give me power, give me strength, and please give me a decent night's sleep
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MY ATLA LIVE ACTION S1E2 THOUGHTS
EP1 - EP3
We all know that ATLA’s character arcs and just. character building in general is one of if not its absolute biggest strength. This show has a lot to live up to on that front, and if it can manage it, then that’s all the better. I’ll probably be critical of this aspect in particular, keeping in mind that this is generally meant to be an alternate canon which leads to Some changes in order to fit a shorter form.
Without going too far into it, I’ll say I will continue to be a little worried about the new spin on Aang’s character arc until I can see it play out all the way through.
I’m also a bit worried about Zuko’s character. He seems a bit more willing to hurt people than in the cartoon, so I think they’re gonna have to play that pretty carefully moving forward.
There are, of course, some things they’re doing incredibly well. Zhao’s character is On Point, and Suki feels about right too. I also am generally liking how they’re adapting plot points so far. There’s at least one episode from the original cartoon that I can tell won’t be adapted because of something in this episode, and it feels natural enough, I guess. I don’t have too many complaints on that front.
Stay tuned for episodes 3-8! Live reactions/spoilers under the cut!
really fucks with me to not start with The Monologue
still don’t know how i feel about this iroh yet. is it just bc he isn’t mako? idk it’s like. uncanny valley iroh
also still not a fan of aang being so serious already. hopefully there will be a substantial enough character arc to replace that
katara so far is reading the most like the original to me
MOMO
gran gran. just had a waterbending scroll?? i mean. i guess. bringing back the southern waterbending style. i do think i like the original more in this case, it’s just a little more horrifying to have that style basically wiped out completely. that being said this is definitely a way to consolidate the waterbending scroll episode right? i shouldn’t expect to see pirates?
ok the iroh and zuko dynamic in the marketplace was on point
there is NO unagi, where is she
SUKI!!! suki looks GREAT no notes.
suki’s. mom? interesting.
kyoshi island seems a lot less welcoming to aang, even though they know he is in fact the avatar, which does a lot to remind us that they were supposed to be a neutral party in the war. this is not a bad change
zhao definitely has the right vibes
omg, suki 😭get some queen
okay so we finally get to see aang being a kid for a minute (please just let them be kids sometimes it’s okay)
SUKI IS EATING AND LEAVING NO CRUMBS. love that we still get the classic suki beats sokka’s ass scene
oh,, is that what they’re doing with aang in this series?? not a learning to be serious thing,, he’s learning to deal with the fact that he is powerful and he has to control that so he doesn’t hurt people. that’s interesting, so i’ll reserve judgment until it plays out. it just. doesn’t feel the same
the sukki romance is almost playing out in a more believable way than the cartoon, so that’s pretty great
so like. what happened to avatar roku? is he just gonna be replaced with kyoshi? like she’s a badass and we love her, but. why?
sokka is not hearing a goddamn word suki is saying. he is Too Entranced. i have never been more on board with this ship
how are they dealing with this without the unagi
gotta say the spirit world appearance is really cool. chromatic aberration was a good choice
oh yikes kyoshi that’s a bit harsh. i miss roku
was zuko. about to kill katara?? he would never. tell me he would never.
ok so this is a winter solstice at the fire temple moment. happening now so it doesn’t have to with roku later? interesting.
“only call upon the past avatars when i’m at their shrines” lol okay. fair enough. roku did Not adhere to that in show
zuko’s digging himself a hole with zhao here. bro IMMEDIATELY called the fire lord
ngl i’m loving this iteration of zhao. absolutely despicable vile man. hate that guy. great character.
liking: SUKI <3, Zhao's characterization, set designs, sokka and suki's relationship
worried about: aang's character, zuko's character
disliking: roku's absence (though i do love kyoshi, god bless), no unagi :(
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While reading the relic story for Fleet of the Ageless, I ran into some mention of the "Three Sufferings":
Yet, just like the shifting of the sun and moon, what once prospered was fated to decline and what once brought elation must eventually induce agony. It was not until the arrival of the Three Sufferings, when people were tormented to near extinction, that the Xianzhou people finally came to understand the true nature of this so-called miracle, which was nothing but harrowing calamity. (The Xianzhou Luofu's Celestial Ark)
And I'm not really sure if they mention it elsewhere on the Luofu (I'm very slowly going through everything. Except I keep getting sucked into reading Belobog stuff >_>), but what it did make me think about however is that in Buddhism, there is something called the "three marks of existence", which refers to the three sources of suffering in the world. So I wanted to mostly write this up as a comparison between what's going on in the Luofu vs. Buddhist belief! (And a very big warning: I might be skimming over important details about the religion. I was born into a culture that is very heavily influenced by Buddhism and have grown up with some understanding of it while having to study it on my own, so I'm sure I'll get a lot of details wrong. So if I get anything wrong, you're always welcome to chime in!)
At least in my memory, I remembered that there was a suffering because of attachment to objects, to self, and to others -- all with the concept that all things do not last, so I had to search up these names properly.
anicca (impermanence): This is the core concept in which nothing lasts in this world. The inability to recognize the impermanence of life will then lead to grief -- suffering -- that humans face, as a result. You can actually see this with the Sanctus Medicus's desire for eternal life with Dan Shu who grieved the loss of her friend Yufei via the diaries that you could pick up
It's this idea of attachment to something bound to end some way or another that will inevitably lead to suffering/pain when that loss comes.
dukkha (suffering): The idea behind this mark is that the truth is that life cannot be satisfied. If there isn't suffering, there are moments of joy, but as all things in life, even the joy is brief.
I wouldn't exactly be able to pinpoint how this gets carried out on the Luofu. I would have said something about how the Luofu had once sought out eternal life which then led to the implanting of the Ambrosial Arbor by Yaoshi, but now are unsatisfied by their gift of eternal life to them. I could also say that at least with the longer lives that the Xianzhou natives have, they eventually lose interest in life itself because they've had the chance to sought out anything they could with their many years, which is better described in Yukong's third character story:
and for the final mark of existence: anatta (not self): If suffering comes from attachment, then an attachment to an image of one's self too can lead to a source of suffering. With time, everyone is bound to change and grow, so any attempts in trying to hold onto one specific image could lead to a source of pain.
I think the best way to display this concept is actually through Yaoshi's acts and why the Alliance condemns them and their "abominations" (themselves included :'D). To rid of the suffering that comes with death, Yaoshi hopes to grant the gift of eternal life, but it seems that coming back from the dead doesn't mean returning to one's old self, which I feel can be seen at least with Blade's case with his revival and no longer being Yingxing. These undead are what the Alliance hopes to get rid of. I think it can also be seen through Bailu's story quest with the girl who slowly becomes marastruck who panics the moment the armor and her skin becomes melded into each other, no longer able to retain her former image before meeting and reuniting with her lover, in which case the idea of "self" is an attachment to a physical form rather than something more abstract instead, and that leading to her own suffering in the end.
I'm sure that a lot of Hoyo's writing with weaving in Buddhism with the Luofu lore isn't coincidental (looks at Dan Heng) , and I'm sure that there's bound to be better show of each of these principles, but I think this is what Hoyo might be referring to when they write about the "Three Sufferings" in the relic. Maybe I'll come back to this post later if I find better evidence BUT I thought worth noting at least for now :) ty for reading if you made it this far
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