Marlowe Granados for The Isis Nicole Magazine Issue 11
Photography: Sabra Binder (@sabrabinder)
Interview: Isaac Kariuki (@isaackariuki.jpg)
Styling: Branden Ruiz (@branden.ruiz)
Makeup: Alex Kleeman (@theonlyalexkleeman)
Photo Assistant: Calibey Craig (@cralibey)
Production & Creative Direction: Hannah Black (@pinkvariegated)
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Monster police- I think I'm in danger can you come to my room quickly? Stagger inn...4th floor.....I'm going to try to keep them in front of my door until you come please hurry...
I'm sorry, we can't answer your call right now. HorrorLand will be closed through the next few weeks for
THE WATCHERS WITH 1000 EYES
renovations. If you're concerned, angry, or dying, go bother someone else, because we ain't answering!
Thank you for calling! Leave your message after the AAAAAAAAAAA
~ H.B.
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Hannah Black
Small Room
MUMOK, Vienna
March 17 – June 18, 2017
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UNCLE FRANK (2020)
Grade: C
Felt like I seen this story a few times in the last couple years. Just roles were sightly reversed. No wow moments and goes along the way you would think. Great cast though.
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Neither regretted how long it had taken them to run into each other: chance was just destiny dressed in everyday clothes.
Hannah Black, Tuesday or September or the End
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from an interview w hannah black — “we can’t know anything about what didn’t happen”
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The Godfather by Mario Puzo
Uncle Frank
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shoutout to the youngest siblings of hatchetfield <3
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Marlowe Granados for The Isis Nicole Magazine Issue 11
Photography: Sabra Binder (@sabrabinder)
Interview: Isaac Kariuki (@isaackariuki.jpg)
Styling: Branden Ruiz (@branden.ruiz)
Makeup: Alex Kleeman (@theonlyalexkleeman)
Photo Assistant: Calibey Craig (@cralibey)
Production & Creative Direction: Hannah Black (@pinkvariegated)
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Say what you want about The Guy Who Didn't Like Musicals and Black Friday but Nerdy Prudes Must Die is truly the darkest timeline because it doesn't feature Peanuts the Hatchetfield Pocket Squirrel™️
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“A god, said Bird, is just a concept that teaches a daily life. It's like how the possibility of social transformation is kept alive by everyday practices such as crime and love of friends, practices that seem minute in comparison to the scale of the problem—race, capitalism, etc—but that reveal that the problem is unfolding in all its spectacular beauty/terror at the animal scale of a day.”
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