I noticed something in a lot of your Dick and Tim fics. It's probably so obvious, but you always write that Tim is watching Dick. In your newest one, Tim's watching Dick, in The Return Tim's watching Dick, and you even write that Tim is always watching him. Is Tim trying to read Dick? Trying to understand? Or does he understand him by watching? What is he trying to figure out by watching Dick? What does that say about Tim? I really hope this is intentional lmao because I would be embarrassed. Maybe this is just something so obvious that I'm just getting now.
YES IT’S ON PURPOSE <333 Anon. Anon. I'm so sorry this answer took forever, but listen, this was a really delightful ask <333 I think about this a lot. I really love origin stories—I like stories that resonate through a character’s history.
And for me, a whole lot of what interests me about Dick and Tim is that theme of watching and being watched. Seeing and being seen.
"Watch me on the trapeze, Tim. I'm going to do my act...'specially for you." | "Timmy, don't look." | "I turned away... I couldn't watch. Then I heard you crying and I turned back... I'm sorry, Dick. I didn't want to hurt you by telling you all this."
Dick's watching me. Gauging my reactions. (Tim watching Dick watching Tim!) | "I'm taking off the blindfold." "No!" | "I can't see him. You can't see him. But I know Robin. And Robin's always there when you need him." | I love that kid. Too much to let him see me like this. (But Tim spots him anyway.)
Spotlights and lighthouses and cameras and photographs. Blindness and vision and masks and detective work and trust.
I'm going to try to be coherent about this but it's gonna be incoherent sdfsf BUT I'M GOING TO TRY so. Below the cut, a really long grab-bag of my rambling on vision and watchers and watching.
Tim + watching / Dick + being watched / different dynamics
Tim's origin story
Being watched goes with vulnerability/exposure
Incomplete list of moments with Dick and Tim and vision
Tim + watching
The first time we see Tim's face in LPoD: a close-up on his eyes looking for Dick, a close-up on his eyes at the moment that he sees Dick, a pullback to his face at the moment of recognition, a pullback to his face + his camera
(you could maybe even argue that Tim comes into existence at the moment that he sees Dick, like, conceptually. the act of seeing is his defining characteristic. it is the thing that makes his character happen. he is the kid who's watching.)
Tim's a very vision-centric character: he's first introduced as a camera, then as a pair of binoculars, then as a pair of eyes. His whole backstory is about watching: watching Dick's parents die, watching Dick on TV, watching Batman and Robin. I've grabbed a few panels above with Tim watching Dick but there are so many more. His major deductions are all vision-based: he sees Dick-the-acrobat and later recognizes Dick-as-Robin; he sees Bruce-in-the-past and recognizes him as Bruce-of-our-time; the climactic moment in Red Robin is about going into a dark cave with a torch so he can see what's there.
And he's a detective. He pries into secrets. He analyzes people. He's a worrywart and a fusser who always wants to understand what's going on with other people. In a lot of those panels where Tim's watching Dick, his inner monologue is busy deducing Dick's emotions and trying to psychoanalyze him. Tim's caring and watchful and intuitive... but all those qualities also make him very very intrusive.
Dick + being watched
Dick performing acrobatics for Bruce, Donna, and Tim in Detective Comics 38 (his first appearance), New Teen Titans 16, Batman 441, and Nightwing 88 (where he reflects he's glad to be back in the hot glare of the spotlight)
Dick's a detective too, of course - Tim deliberately mirrors Dick, both in-universe and out-of-universe. But also Dick's a performer who loves being watched and also wants to control how he's seen. He gets a kick out of showing off, making puns, kicking ass, taking names, and he gets a kick out of having an appreciative audience. And he's got a kind of yearning for recognition - it hurts, when Bruce won't look at him, and in fights with Bruce, Babs, Roy, he'll often bring up the past, trying to get them to acknowledge a shared history.
At the same time, he's a very private person who withdraws and hides and pushes people away when he's upset. Right before Tim shows up, Dick's just ghosted the Titans because he's having emotional turmoil and doesn't want to have it in front of them, and they're trying to respect his wishes... but that solitude doesn't last long, because then Tim tracks him down. Tim will do this again when Dick's having an emotional crisis and trying to avoid everybody in Nightwing 110.
Possible dynamics
Tim watches Dick in Robin 11, while silently analyzing Dick's anxieties about Two-Face
"The watcher and the person being watched" is a dynamic that really interests me, partly because it can be so complicated?
You can see in Dick and Tim their very first roles: enthusiastic performer and the enthusiastic audience member. Dick likes to perform and show off and entertain; Tim likes to watch; those are roles they both easily slide into and they have a lot of fun together! But also you can look at the harsher side: the crime victim and the voyeur, the amateur photographer and the guy who hates being photographed. Dick's intensely private about his vulnerabilities; Tim's intrusive and watchful and constantly trying to figure out how other people tick. Sometimes Tim's the caring friend who watches Dick closely, reads him well, understands him; sometimes he's the nosy mini-detective who pries into Dick's secrets. And that's just two different ways of describing the same thing!
One of the things that kinda fascinates me about Dick and Tim's relationship is that in a lot of ways it's built on a bunch of low-key boundary violations. A lot of their early relationship is driven by Tim's desire to know more about Dick vs. Dick's reluctance to get close to anyone from Gotham; Tim's often out-of-line, but without his pushiness, it's hard to see how they would've developed a relationship at all. Later on, their friendlier relationship is marked by Dick teasing and low-key bullying Tim; it's pretty obvious that Tim isn't actually bothered by this, but it does involve Dick ignoring whatever Tim's claiming he doesn't like ("Quit it!" "Shh").
And one of the aspects of those boundary-violations is that Tim has a habit of witnessing things that Dick would prefer that nobody see. Tim's a witness to Dick's first and most miserable tragedy; he sees the aftermath of some of Dick's fights with Bruce; he's there when Donna dies. And he's sharp and observant and analytical, and I like to imagine this as being something Dick's not entirely comfortable with.
When Dick first meets Tim, it's before he's learned to wear a mask. And Tim spends a lot of time trying to see through Dick's masks, and he's pretty good at it, and a lot of that prying comes from love and care, because one of the ways that Tim shows love and respect and admiration is by trying to absorb absolutely everything about you, like a little sponge. But there's also something unsparing and even threatening about the search for the truth of someone else. It can be comforting or threatening, to know someone's watching you.
And I love how all that complexity is wrapped up in Tim's origin story? Both the giddy childish "Watch me on the trapeze" and then the awful grim reality of what Tim actually sees as a result and then the difficult connection when Dick and Alfred finally get Tim to explain how he knows their secret identities.
Tim's origin story
Tim (recounting his origin story in LPoD): My parents held me back as the thing moved to you. I cried out to warn you. (Two panels where we see just Tim's eyes, as he watches a crying Dick. He sees Batman approach and start trying to comfort Dick.)
I think fiction sometimes presents "being understood / seen / known" as an uncomplicatedly good thing, and there's nothing wrong with that! But I like complications, and I like the way Tim's origin story frames that moment of witnessing as difficult and fraught. Tim doesn't want to tell Dick how he knows their secret identities because he thinks it'll hurt Dick to know it: I don't want to hurt you, Dick, and I'm really afraid I might. And he's not wrong. It is painful; it does hurt; it's not something Dick's happy to know.
Dick's a very private person, and there's a painful intimacy to Tim's origin story - it's not Tim's fault he was there, but at the same time, it's not like Dick chose to have the most traumatic moment of his life on stage in front of an audience of strangers, you know? It's kind of a violation. In NTT/NT/Nightwing, Dick's pretty violently hostile to photographers, and he's intensely private about trauma in general, and I like to imagine this as partly a reaction to that foundational trauma of losing the most important people in his life and also doing it publicly.
And Tim's part of that audience. And he sees the worst part, the part that Dick can't talk about. He sees the bodies and the blood. He has nightmares about it for years. He hears Dick crying and sees him holding onto his parents' bodies. Not at all the kind of first impression Dick would want to make. Not at all the kind of person he wants to be seen as. And that understanding can be painful, because it's so close to the bone, and when Tim's just a stranger, it's upsetting, because Tim knows things that Dick would never have chosen for him to know. Their few conversations about it are awkward partly because Tim's thirteen and awkward... but at the same time, it's not Tim's fault so much as the situation! There's no way for Tim to talk about what he saw that wouldn't be uncomfortable for Dick.
... And yet, and yet. Tim's also one of the last people to see the Graysons alive. He sees Dick and his parents together; he even takes a picture with them. He remembers the whole thing so vividly he'll recognize Dick's somersault years later. He sees the grief. And so I think of that connection as kind of a metaphor for witnessing. Tim sees these things and they become real; Dick can't hide from them; in the act of being seen he's caught, he's in a spotlight, all the grief made real. You can't hide, that way. And Tim's got this unforgiving memory; he won't ever forget; he won't ever stop knowing.
But then, too: Dick's seen, he's known. Even at the very beginning, when Tim doesn't know enough to understand what he knows, he knows the important things.
So that shared memory is a barrier and a bond between them. It can be a source of discomfort or a source of comfort. And that's how I think about Tim watching Dick in general - it's complicated, and sometimes Dick's glad of it, and sometimes he resents it, and also it just is, it's a fact of Tim, that Tim watches. It's notable when he's not watching, when he's turned away.
Being watched goes with vulnerability/exposure
So I'm going to talk about the fraught feeling of being watched more in a little bit, but first: I think it's fascinating that Dick likes screwing around with games where Tim can't see!
Here's Nightwing 25 - Dick's come up with the idea of trainsurfing while blindfolded:
Tim: Are you sure this is such a good idea?
Dick: Shh! Listen. Tune into the changing sounds and -
Tim: I'm not so -
Dick: JUMP!
Here's Robin 49 - clambering through a tunnel into No Man's Land:
Dick: Hard not to think about the river. All the water above us. And bugs. This tunnels' probably full of 'em. And rats. Big ones. Big blind rats with teeth as long as -
Here's Gotham Knights 9 - ambushing Tim in a sorta game of hide-and-seek:
Dick: Gotcha!
Tim: Augh!
I feel like mmm I don't want to emphasize power dynamics too much because it's easy to overplay it BUT when I think about headcanons it's interesting to me to think about how maybe when Tim can't see, Dick's more in charge / in control, and so he feels more comfortable and less vulnerable, and that's often when he's most relaxed and playing around the most?
Whereas the moments when Tim's looking at him are often a bit more fraught, as here in Lonely Place of Dying:
Tim: I'm sorry, Dick. I really am. I didn't want to hurt you by telling you all this. Dick...
Dick: It's all right, Tim. No matter how old you are, there are some things you never forget. Or get over.
(Silent panel: Tim's watching Dick as Dick turns away and stares into the window.)
Or here in Nightwing 6, when Tim wakes him up from a nightmare:
Dick (internally, imagining a kid falling): He shouts to me. He always shouts to me. I never hear what he says.
Tim: Nightwing! Wake up!
Or here in Gotham Knights 26, when Bruce is accused of murder:
(Silent panel where Tim's watching Dick.)
Tim: I'm sorry. This must be hard for you.
Dick: Me? Why?
Tim: Well, I mean, it'd be one thing if we really knew he was innocent, but as it is -
Dick: Wait, what? Stop right there. What are you saying, Tim?
Here's Tim spotting him before he can get away in Nightwing 110:
Dick (watching Tim from a distance, internally): Still, Timmy played it through nice and clean. Disarmed the perps, protected and avoided the cops. Kept any civilians from getting shot. God, I love that kid. Too much to let him see me like this.
Tim: Hey! (appearing on the roof above him, fake-cheerful) You weren't gonna leave without saying hi, were you?
Dick (looking away, very quietly): Hey, Timmy.
Tim: Look at you, man! Back on both feet! Think you're done stopping bullets with your body for a while?
Dick: Hope springs eternal.
(Silent panel with Tim watching Dick, who's turned away.)
Tim: You okay, Dick?
Dick: I'm fine.
Tim: Well, where're you staying these days?
Dick: With some people.
Of course, sometimes Tim's watchfulness is frustrating but also a comfort, as in Detective Comics 874:
Tim (watching Dick, who's looking away): Are you listening to me, Batman? I'm saying the gas the Dealer used on you was powerful stuff.
Dick: I'm fine, Red Robin. Besides...you're here now.
Tim: You're not fine. And with or without me, you shouldn't be out on patrol ye -
Dick: Sshhh. Here they come.
(Later in the comic, Dick mentally concedes that Tim's right that he hasn't really recovered from the gas, and Tim saves him from drowning when he's hallucinating. So Dick feels kind of exposed by the scrutiny, but also... he invited Tim along, so there's trust there, too - Tim's perceptiveness can be a good thing, too, when things are serious.)
Incomplete summary of moments with Dick and Tim and vision
I think I already mentioned a lot of these but here is my LIST
almost the first thing that Dick says to Tim is "watch me on the trapeze, Tim" and then Tim does and he basically never stops watching;
Tim watches Dick's parents die and watches Dick sobbing on-stage and watches him on TV and recognizes him by seeing a particular trick because he's dreamed about Dick doing the trick in his recurring nightmares about that night;
in New Titans 65 which is their very first team-up comic after Tim's origin, Dick's training pre-Robin Tim and gives him a test about watching for details and later Tim's takeaway is "I saw how [the Titans] listened to you";
there's a moment in Showcase '93 12 which is just Tim watching Dick and analyzing what's going on with him and there's another moment in Prodigal which is the same thing;
in Nightwing 6 Tim sneaks into Dick's apartment and hides in the dark and Dick spots him and tackles him; one of their most important bonding comics is Nightwing 25, where Dick insists on blindfolding him to get him to rely less on vision; when they sneak into No Man's Land they're in the dark and Tim can't see again and Dick's teasing him;
there are multiple moments when Tim can't see Dick for a bit and panics about his safety, in Nightwing 25, in No Man's Land, in Transference, in Bruce Wayne: Murderer;
Tim's there watching when Dick's wedding to Kory falls apart and he's there watching when Bruce and Dick fight and he's there watching when Donna dies and he's watching when Dick and Bruce swing together on the night before Infinite Crisis, and when Dick goes down and almost dies in Infinite Crisis we cut to Tim watching and seeing it happen and screaming;
there are multiple moments which are just silent panels of them staring at each other trying to figure out what's going on with each other or having a stand-off - in Bruce Wayne: Murderer, in Resurrection, in Red Robin;
in the aftermath of Donna's death there's a panel where Dick's watching Tim from a distance and not approaching;
in the aftermath of Blockbuster Dick spends half the comic just staring at Tim from a distance and hiding himself because "I love that kid - too much to let him see me like this," but Tim sees him anyway and chases him down and then they lie to each other and *ranting* LISTEN TO ME the whole comic is about Dick trying to AVOID being SEEN both literally but also METAPHORICALLY AND --!!!
(the only thing i'm even as halfway obsessive about for them is the heights thing because also there are a bunch of moments involving falling or Tim being anxious about heights and worried that he'll fall or Dick will fall)
In conclusion
Consider the progression in all these moments where Tim's watching an upset Dick and worrying about him!! From reaching out instinctively-but-pointlessly when he's too far away in the LPoD flashback, to almost reaching out in LPoD but hesitating, to putting a hand on Dick's back to walk him back to the Cave in Gotham Knights 10, to physically dragging him clear of the water in Batman: Black Mirror!
In conclusion I don't have a conclusion but basically YES, "watching Dick" is a core Tim characteristic as far as I'm concerned, and Tim watches Dick a lot and that can mean all kinds of things from admiration to nosy intrusiveness to worry to care to gratitude to trying-to-figure-out-what's-going-on-with-him, and sometimes Dick's resentful and sometimes he's relieved and sometimes he's playful and sometimes it's a mix of all those feelings.
And at first it's always Tim watching Dick, but later you've got Dick watching Tim too, and there's that moment where Dick's secretly watching him fight but Tim spots him in Nightwing 110 and there's a silent panel where Dick's watching him in Resurrection and at the very end of Robin there's a scene where Dick's secretly watching him fight but Tim spots him and in the very last issue of Red Robin Dick's watching the end of the confrontation with Boomerang and in Prodigal Dick's the one who notices his face is bruised and aaaaaaah
Anyway I think they're neat <3
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hgs brainrot has returned due to tbosas .. speaking of hgs here’s an ask abt the hgs au: if things were totally different, and Wilbur were to be a 12 victor, what do you think a possible mentor-tribute dynamic would look like between him & Niki? I feel like it would be similar to Snow & Lucy in the way that he’s just going out of his way to cheat n help her
anon u have in fact struck jackpot because this is a concept i was spinning some thoughts abt before bee mentioned avoxes and we went OOOOH at that!!! so yes i have considered rainduo as a mentor-tribute dynamic and would love to talk about that concept too :]
so for this concept i think wilbur and niki would be close friends throughout childhood from 12, and then in their teens wilbur is reaped and, well, no one has particularly high hopes (he's a writer and a musician at heart, not a fighter) but through sheer trickery and dumb luck, he makes it to the end of the games. wilbur pulled some pretty fucked up tricks to win - when you can't use brute force, you have to use your brain - and partly due to the trauma of the games, partly due to his shame and survivor's guilt, he sinks into the capitol and relishes a new life there as a socialite. to him, the old wilbur died in the games and the new one has taken his place - to niki, and to his other friends in 12, whatever the games did to him made him into every vapid heartless capitol victor there is.
or. niki has her doubts. they all saw how horrible the games were, but surely there is some part of him left, some part that's hurting, even if it's buried deep?
anyway.
like og spin of the au, niki is reaped and this sucks - this time she does expect wilbur as her mentor on the train, and she expects some kind of warm welcome (maybe even an apology for leaving them so suddenly and silently? an explanation?) but she gets jack shit. wilbur is jaded and cruel and unrecognisable and niki entirely hates it. this is the part where i REALLY WISH we got some time of those two beefing with each other directly in canon (or at least interactions while niki was So Mad at him) but it's okay we fly blind. niki feels abandoned, lonely, thrown off of her kilter - she expected an ally in this place, but she doesn't recognise the person wilbur has become. she doesn't recognise his shallowness (...much), his ruthless advice for the arena, the way he doesn't seem to care for anything. she's scared and now she's lonely and it pisses her off - their mentorship is fraught. here are some thoughts from discord on that:
i tend to think of niki as a bit naïve before l'manberg or even doomsday - i think this is an au where this streak would come out real strong, and niki is stubborn that she can get through the games without losing herself. stubborn that she can stop things, that she can protect people. i don't think wilbur is cold enough (or, really, can bear to say aloud) to say that her odds in the arena are slim enough as it is, but he definitely tells her that she's making enemies and that her odds of survival dwindle with the more trouble she causes.
beyond that... hm. niki's trust in wilbur is almost unshakeable until nov 16, even when she outright says she doesn't recognise him anymore. i think she'd reluctantly listen re: don't burn down any buildings, but she would grow bolder each day she had to stay in the capitol. she gets more honest in front of the cameras. she makes more friends in training, and not the ones wilbur recommends. she throws barbs at him every time he makes one of those callous, cold-hearted comments about other tributes and rankings and odds. and besides, she's going in the arena this time, not him. she needs to practice her bravery.
it's like... she hasn't given up on him. she thinks the old wilbur is in there somewhere. (she is wrong. that is not how trauma works.) but she won't hold her tongue just because she
for extra angst points could definitely play up the whole 'feeling abandoned' angle between them as niki goes into the arena - probably due to how fraught their friendship gets leading up to the games. niki wants to focus on them and their friendship, wilbur has stringently cut off (almost) everything from 12 and refuses to let her in; he tells her to behave for the cameras, she tells him she never will. i think the last point in that screenshot would also make for a super tasty argument where niki feels wilbur has gone astray, that he's abandoned 12, and that he'll probably do nothing but sit on his ass and watch her die and he can't even bring himself to care about her anymore, can he? just more fodder for the arena. and honestly, i think wilbur would passively agree with most of that - he values niki's opinion, after all, even now, and if she says he's rapidly descending into a lost cause then she must be right. and it's niki, so she will be fine, and he goes to his bedroom that night and tries to pretend he is sleeping perfectly fine instead of feeling paralysed with fear.
okay now onto the games - YES HE SO WOULD. or at least i think he would go out of his way to help. as for cheating - he's a recent victor for 12 and i think he would value tommy (no doubt a link to him... i think they'd be in touch in this au also) too much to risk the punishment falling onto him as well. i get the vibes this is a games closer to 74th than 10th, so there are far fewer opportunities to cheat and the consequences of getting caught are higher. but schmoozing up sponsors? making stupid ass radio interviews or whatever to talk up niki's odds? sharing anecdotes from their childhood - some real, some entirely fabricated - across capitol airwaves to stoke their sympathy? 100%. with less to lose in this au, i think niki would be far less inclined to play nice for the cameras - i hope you starve, she spits at one of them, and wilbur appears on a talkshow two days later as she scrambles for survival in the arena to talk up how she always saved loaves from the bakery for the poorest mothers and children in 12. he borrows and begs and swindles to the point where it feels like cheating. but hey, this new wilbur is capitol-branded. he knows how to play the game.
if anything he probably sinks into the game a little too much. self-preservation is not his forte. probably wracks up a few heavy debts and favours to owe, but those are not priority until niki is out of the arena, alive. as long as she wins, and as long as the family he has isn't in danger, he will manage. wow it would suck if at some point those two goals became impossible to co-achieve. anyway
i kind of see niki's victory in the arena being similar to the one in the main au - if only because planning out an entire games is hard for meee >-< . she walks in bolder and braver for sure, and with a less strategic pick of allies, but they all get picked off and she spends a few weeks so terrified she can barely sleep and then she ruptures some fuel line and sets the arena alight with a fire that burns brighter and more ravenously than it should. but she wins, and she's airlifted out of a filthy, muddy creek she had resigned herself to die in, and wilbur barges his way through as many peacekeepers so that he can actually see her with her burnt skin and hair and unfocused eyes and trust that what was on the screens wasn't a fluke, and that they made it. and then it's just a matter of surviving the after.
i'm sure there are some other random quirks or tidbits i can think of re: this take on a c!rainduo hunger games au but these are my base thoughts!!
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