listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded psychopath happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.
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I think it was about a month into dating my betrothed that I first turned to them and said, “You smell hungry, want to get some lunch?”
“I what? I smell hungry?”
“Yeah, like, the empty smell. Aren’t you hungry?”
They were, but it was hard for them to accept smelling a state of being. After a few weeks of me pointing it out right before they realized it themself though they asked, “What does hunger smell like?”
“Bad.”
“That’s not helpful.”
“It’s like… an emptiness that goes past the mouth? Bad breath is more upfront but hunger is like you’re smelling stomach acid, it’s all the way from an empty belly.”
They started smelling my mouth in exaggerated silly fashion but eventually they did start to recognize it.
They’re now very smug when they get to use the skill back at me and inform me that I’m hungry.
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Hot take but… “Gale was a teen soldier who got brainwashed, by a manipulative dictator, into the idea that sacrificing a small number of troops was worth it to definitively stop the government that had spent years ruining the lives of him and his people” and “Gale’s gross disregard for human life directly led to the death of Prim and thousands of other civilians including children, and Katniss is justified in her anger and has no obligation to ever forgive him” are two statements that can and should coexist together.
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This also reminded me of how she said that Katniss wasn’t quite ready to harvest yet. Saying like “Katniss will take some time but eventually it’ll have you dealt with.” and it did! Fate sent him a Karma in the form of Katniss Everdeen.
Katniss who was a reminder of Lucy Gray, of his loved ones, of everything Sejanus stood for. Katniss who was a reminder of his PAST SELF- of a time where he could’ve done the right choices (with Lucy Gray, Tigris, correcting his father's sins with Highbottom etc.) of a time where everything could’ve been different.
Snow mentioned Lucy Gray strongly believed in fate when she said “You’re mine and Im yours. It’s written in the stars.” Of course he didn’t believe it. So when she was gone and Coriolanus Snow chose to cross that line of evil never turning back, the stars made sure that he will be haunted of it to his death.
A masterclass of storytelling right there. Suzanne you icon, you legend.
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Coin being frustrated that she didn't get her wanted prize at the claw machine, as if the plushie with the bread wouldn't successfully gaslight her entire district on day one just to rescue his pregnant wife
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It's about Crowley bearing witness to Aziraphale's desire, about the way that desire is animal and visceral and enormous and terrifying*. And about how Crowley sees that and wants it. Crowley offers the ox rib and watches Aziraphale eat because eating provides them no sustenance, it's purely for pleasure, sensual, selfish. And Crowley introduces Aziraphale to this, and thousands of years later still takes obvious pleasure in feeding Aziraphale, in watching him eat. In watching Aziraphale's pleasure.
And I think it's significant the things we see Crowley put into his body in s2, and why: six shots of espresso, as something bracing before seeing what it is that made Aziraphale call him in his "something's wrong" tone; whiskey, because he has to give Aziraphale some bad news; wine, because they "might as well get comfortable" during the storm coming down on Job, after Aziraphale learns that Crowley is actually pretty unhappy with Job's suffering; and poison, to dispose of it so Elspeth (or Wee Morag, I've fogotten which is which) doesn't die. Crowley doesn't take Aziraphale's "something that calms you down", only consumes things that not only don't bring him pleasure but are an attempt to prevent pain. Crowley, who introduced Aziraphale to this important physical, sensual, selfish pleasure, denies it to himself. He denies himself the eccles cakes, he denies himself partaking in food, and he denies himself Aziraphale.
And we see throughout the rest of the season other things he's denying himself: the comfort and safety of a home in the bookshop in favor of the mobility and ready-made escape of living in the Bentley, the surety of saying what he really means during the confession. He cannot bring himself to admit what he wants, that he wants. Gabriel and Beelzebub "going off together" is not what he wants. He wants Aziraphale, but he doesn't say that, because he's never, in the years and years and years we've seen this season, let himself want or be seen wanting. "Going off together" is as close as he can get to speaking it. "A group of the two of us" is as close as he can get. So he has to watch as Aziraphale leaves and takes his pleasure in the world with him.
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