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#i dont feel like writing more tags
sugarcoatednightshade · 5 months
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thinking about how Humans Are Space Orcs stories always talk about how indestructible humans are, our endurance, our ability to withstand common poisons, etc. and thats all well and good, its really fun to read, but it gets repetitive after a while because we aren't all like that.
And that got me thinking about why this trope is so common in the first place, and the conclusion I came to is actually kind of obvious if you think about it. Not everyone is allowed to go into space. This is true now, with the number of physical restrictions placed on astronauts (including height limits), but I imagine it's just as strict in some imaginary future where humans are first coming into contact with alien species. Because in that case there will definitely be military personnel alongside any possible diplomatic parties.
And I imagine that all interactions aliens have ever had up until this point have been with trained personnel. Even basic military troops conform to this standard, to some degree. So aliens meet us and they're shocked and horrified to discover that we have no obvious weaknesses, we're all either crazy smart or crazy strong (still always a little crazy, academia and war will do that to you), and not only that but we like, literally all the same height so there's no way to tell any of us apart.
And Humans Are Death Worlders stories spread throughout the galaxy. Years or decades or centuries of interspecies suspicion and hostilities preventing any alien from setting foot/claw/limb/appendage/etc. on Earth until slowly more beings are allowed to come through. And not just diplomats who keep to government buildings, but tourists. Exchange students. Temporary visitors granted permission to go wherever they please, so they go out in search of 'real terran culture' and what do they find?
Humans with innate heart defects that prevent them from drinking caffeine. Humans with chronic pain and chronic fatigue who lack the boundless endurance humans are supposedly famous for. Humans too tall or too short or too fat to be allowed into space. Humans who are so scared of the world they need to take pills just to function. Humans with IBS who can't stand spicy foods, capsaicin really is poison to them. Lactose intolerance and celiac disease, my god all the autoimmune disorders out there, humans who struggle to function because their own bodies fight them. Humans who bruise easily and take too long to heal. Humans who sustained one too many concussions and now struggle to talk and read and write. Humans who've had strokes. Humans who were born unable to talk or hear or speak, and humans who through some accident lost that ability later.
Aliens visit Earth, and do you know what they find? Humanity, in all its wholeness.
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heartorbit · 14 days
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the star you've longed for
#PLEASE WATCH REVUE STARLIGHT!!!!!!💥💥💥💥💥#project sekai#revue starlight#pjsk#emu otori#nene kusanagi#emunene#prsk#proseka#yuri win. i make my fav pairing fight tothe death#HAPPY EMUNENE WEEK LOOOOOL#Can i be hinestni think this sucks it took way too long cause i forgot how to draw for a week#im seeing demons and stuff. i feel more normal now. Also you may recall emu has a big hammer for revstar#thats the bottom of it the gem thing all the weapons have hers is sharp#i remember seeing meta post abt how mahiru has a blunt weapon because she never actually aimed for the lead role#rather she only wanted to be by karen's side. so her weapon wasnt capable of cutting anything in the first place#Fastforward to the movie and well LOLLLLL#though i think its funny in the movie her mace is still mostly used for i timidation againstbhikari.. bc again shes not winning for a lead#revue starlight youre neat. maybe i like revstar.#<- has been insane for 4+ years#Needed their pose to be smth where nenes weapon isnt visible because I DONT KNOW WHAT WEAPON TO GIVE HER. OOMFS HELP. I NEED A NENE WEAPON.#i thought some sort of polearm/spear/halberd etc something with range but that can be ambitious#but i feel like smth with that much footwork needed doesnt suit her.. And she cant hsve a sniper i dont think thatwould fucking work#aruru gets pistols in the revue but aruru also is Ummm well shes uhhh. [screaming] [car crash]#throwing knives would be funny wouldnt it. Put that gamer aim to use#idk if the emunene week tag is on here but i'll donit anyways#emuneneweek2024#i remembered to switch which account this pists to for the first time in like 3 pists. so you get to see all my tags this time#rather than accidentally posting it to the wrong account and having to dekete and repost andngoing IM NOT WRITING ALL THAT AGAIN.
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aastarions · 4 months
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astarion as a tailor post-game my beloved
the thought of him designing you the cutest outfits to wear and feels such a sense of pride swell in his chest when you first adorn the beautiful fabrics, he especially loves watching you leave the house in the clothing he’s designed for you because he knows if anyone were to compliment you with suggestive intentions, you’d be quick to grin and say, “thank you! my husband recently put this together, isn’t he just so talented?”
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lemonflavoreddishsoap · 2 months
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Can i request like la squadra and their s/o but they are the complete opposite of them?
Like Risotto is stoic and his s/o is emotional or Ghiaccio who is short tempered and his s/o is calm and very nice
ooh this is actually a very cool prompt to write - personality descriptions in prompts make writing feel way less daunting but I understand if readers may not like a less applicable reader. Oh well, gonna write anyways.
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Formaggio
You're finicky, on-edge, and I suppose a bit of a perfectionist(?)...maybe "control freak" is a better way to word it? Either way, you need things to go right, perfectly as you plan.
Not to say Formaggio is careless, but he does things on-the-go (you telling me he planned to jump into the sewers?) and doesn't mind if things get messy.
You two are each other's reasonable thoughts. If you think one of his ideas is too risky and need him to weigh the consequences he'll listen to you completely, and in return he opens you up to just...letting some things happen.
He eases your anxieties when they're excessive, but is beyond attracted to your work ethic and smarts. He'll hold your hands and listen to your every idea if you'll listen to his.
Illuso
Soft-spoken and definitely not a confident one, it's difficult for most people to look at you two and understand how you could've ever gotten together in the first place. Maybe you even have these doubts yourself.
But he never lets you feel those doubts for long. At first he honestly probably wasn't the nicest! But when you managed to capture his heart and hints of a connection began to show, he allowed himself to slow down a bit and really understand you. Care about you.
And when you feel anxious about the relationship, he always reminds you how much he loves you (take it sexually if you want, but I don't mean it like that). Just...only in the mirror world. Trust me, he's not embarrassed about loving you, it's just more comfortable for both of you. His image and your nerves.
In the privacy of his own safe world, he doesn't need to worry about how vulnerable he is, and he can praise and encourage you as much as you need. A moment for him to feel softer and you to feel stronger.
Prosciutto
You must be Pesci's twin or something - difference is he isn't as harsh with you. Sensitive and a follower, not a leader, maybe you feel security in Prosciutto's straightforward, no-nonsense demeanor.
Prosciutto is good at seeing the strengths in someone and raising their confidence as we see in canon, and he surely does it with you. He can see how gentle and well-meaning you are in everything you do and he reminds you of your greatness whenever you fear being "too soft"
In turn you offer the quiet he needs sometimes. He is relatively fine with spending a life alone, but a balance of peace and your company is better than he could've imagined. And don't worry about not being good at comforting others with words, he was never one to enjoy that kind of comfort anyways.
I don't know how else to end this section so....imagine him holding your hand :) DO IT NOW
Pesci
If someone were to describe you, they sure would call you brave, headstrong, and....maybe not the brightest? You aren't stupid! You just...aren't the smartest, and it's very clear. However, your open nature makes it easy for Pesci to talk to you.
You see the sides of Pesci that a lot of people take way too long to notice, like how observant and clever he can be. You don't see him as too soft, you know that he takes his job as seriously as he can.
While his meeker nature doesn't do much to dilute your chaos, he never feels bad about it! You're the light of his life, and honestly he really looks up to you!
If you want to stand up for him when his teammates pick on him, go ahead! I mean, the only thing you'll achieve is becoming their second target, but uh....maybe it's a bonding opportunity?? Even if nothing comes from it, he will love you forever.
Melone
What a fucking prude you are. A prude based on NOTHING. My goodness. Were you a sheltered child perhaps? Jokes aside it's a miracle you two can stand each other. Melone isn't picky with partners but someone like you? You're so incompatible at first that the gang assumed he had other plans for chasing you.
Emphasis on at first. Maybe you were a challenge to him, a "passion project" to see how much he could open you up one way or another. I can't say which ways it worked or not, that's for your own interpretation, but in time you became the most annoying couple the team had ever seen.
If you weren't teasing each other, you were bickering in a tease-y way. And if you weren't bickering, Melone was teaching you some sciencey shit in a voice so syrupy sweet that Ghiaccio's practically retching.
Maybe you try to flip the script, try to pick his brain and open him up like he tries to do to you; oh you're lucky he loves you so much, you're the one person he will do anything for.
Ghiaccio
Growing up the way he did, he learned that everything about him is wrong, and everyone is a threat at worst, liability at best. Even you, with your patient smile and kind words and....how you actually...listened to him rant.
He's scared of you, then pissed at you, then so confused by you he doesn't know what to do. If you didn't make the first move then a relationship just isn't happening. While he's the more assertive of you two, you'll have to do the heavy lifting just that once.
Falling for a person so different is easier, but maintaining the relationship is harder on his end, I'm not even going to lie. Sometimes he's frustrated by your unconditional love, sometimes there's a savior-like feeling he has about you, sometimes he fears these ever-changing feelings, and tried to distance himself from you. But you...always help him through it.
And don't think it's only you changing him, he also encourages you to stand up for yourself, to speak your mind, to put your own mask on first sometimes. (insert italian screaming)
Risotto
He's not emotionless, at least...he doesn't like to think so. But in this line of work he needs to keep a tight lip and blank stare. Something he's perfected. So when he watches you openly sob at a movie, curled against his body as you sniffle and choke, he doesn't get moved to the same extent.
Do you get to see Risotto's true emotions? Yes...in time. You've both got targets tattooed to your back, so if he ever thinks it's safe enough to get close to you to the point of being openly emotional, it's because you've spent several YEARS together.
But he understands you, he feels the same as you as you shout or grin or cry. Not only does he understand your emotions, but you may be secretly amplifying his own. There's no tears, but a tearing, clawing feeling in his heart. No smile, but a fuzz in his face that he can't clear out.
You are the ocean and he is a rock, standing strong through every storm and watching both the rage and the calm with equal admiration.
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skitskatdacat63 · 5 months
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Fernando Alonso & His Relationship With Cards
I'm sure we're all familar with the cards on the back of Fernando's Vegas GP helmet by now, but did you know his relationship with cards goes a lot deeper?
I. Magic Tricks
You've probably seen or heard someone at least mention Fernando's propensity for card tricks. As far as I can tell he was doing them(publically) as far back as 2003 all the way to as recently as 2018. Even once performing a card trick, with a condom and a teddy bear(!??!?!??!!), in front of Valentino Rossi who said "How was that possible?"(x)
But how did this start? According to James Allen, "Fernando admits to having been heavily influenced by his grandfather, a mercurial figure, who taught him magic and card tricks, still one of his passions away from the race track."(x) And I'm not sure the validity of this one, because I couldn't find an actual source, but apparently he once said: "My parents are responsible for the two things I like doing most - driving and magic tricks. They bought me my first go-kart and a magician's kit."
In several interviews he described it as his hobby off track, and that he loved learning new tricks and surprising others in the garage with them! So clearly cards are pretty important to him both as a hobby but also to who he is as a person since they've been with him just as long as racing has.
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II. Card Symbolism in His Helmets
This is the reason I originally made this post, but I thought I should also explain the origins of his card fascination first. As I said, we probably all remember the cards on the back of his helmet in Vegas, but did you know that wasn't the first time he had cards on the back of his helmet?
From 2008-2013, he used to have a pair of cards on the back of his helmets. The symbolisms of the cards themselves as well as the evolution of their design is really fascinating to me! Even more so with the recent development of the card choice in 2023.
Fernando said he wanted to reference his two titles in some way on the back of his helmet and after his friend sent him several ideas, he decided on having two cards(an ace of clubs and an ace of hearts, sometimes pictured with 05 and 06 on them as well), saying: "I picked the cloverleaf [the ace of clubs - Ed] to give me luck, but the only pity is that it doesn't have four leaves!"(X)
2008.
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Here's the very first appearance of the cards! They're displayed flat, with the 05 and 06 clearly visible
2009.
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Very similar to 2008, but with a slightly different design, and they're maybe a bit more straight with less shadow?
2010.
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This is the first major change! I was sad they didn't have the years on them anymore, but then I realized they're sparkly to match with his signature lightning bolts on the top of the helmet!!
2011.
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Honestly I'm still somewhat unsure if this is the actual 2011 helmet? It's pretty difficult to find clear photos of the back of helmets from older seasons. It's easiest to find them on replica sites or auction sites so I'm not 100%? But anyways, I like that this has the championship years on the underside of the cards
2012.
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This is when I started getting weirdly emotional about the helmets. Do you see how they've progressed from being a centerpoint to being curled up and sad at the bottom of the helmet? Not listing the year anymore??
2013.
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Same thoughts as 2012. And after this season, they cease to exist (just like his ferrari chair in the garage, WOAH CALLBACK), until cards make a reeappearance in his Vegas helmet, albeit in a different form
2013 Monaco(Honorable Mention):
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For some reason 2013 helmets were easier to find proper pictures of, so I happened to witness this absolute beauty. The creativity of this helmet genuinely blows me away??? Wanting to keep the card motif, but making sure to incorporate it into the rest of the puzzle piece design?? Mwah! There was another special 2013 helmet but they didn't change the cards at all so I really applaud this one
2023 Las Vegas(The Return of The King):
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The magnificent return! But look! The cards are different cards! Instead of being two aces, it's now an ace of hearts, a four of hearts(his driver number of course!) and, the, now iconic, representation of himself as a Joker. I literally could not believe my eyes when this helmet was released and I saw the Joker card, what a fucking silly old man....I really wonder if he felt nostalgic having cards on his helmet again or if he didn't think about it all and was just like, "ah cards because Vegas!!!"
III. Why Does This Matter?
*The rest of the post was factual, this is moreso my personal thoughts on the symbolism of the cards/designs
This post spawned from me recently watching the 2010 Bahrain gp and noticing "hey wait a minute...are those CARDS ON THE BACK OF HIS HELMET!?" It's a really tiny detail that's unfortunately covered up by the HANS device pretty much whenever he's wearing the helmet, so it's really difficult to spot! But I became fascinated with the fact that he had cards on his helmet before that recent helmet, and now here we are!
There's something to me about how the design of the cards evolves over the course of six seasons from the cards being front and center to being smaller, more folded up and closer to the bottom of the helmet. As I said, the 2012-2013 ones genuinely made me depressed because it feels, symbolically, like his hopes for getting another Ace are becoming more and more unlikely and falling away until they eventually fall falt and fade away entirely after 2013 and disappear for basically a decade.
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But when they return? They're not the same cards! Instead of representing Fernando's championships, they now represent him as a person, displaying his driver number and his persona of being a Joker!! Though I do think it's interesting he happened to keep the Ace of Hearts, even though he talked more about the Ace of Clubs before. I'm not sure it's actually this deep in reality, but I like to think that it's him not letting his championships(and the lack thereof) define him, but rather letting who he is as a person shine and be the centerpoint instead! But on a sadder note, as @suzuki-ecstar said to me, maybe the Aces aren't there anymore because he's lost all hope for a chance at a third Ace entirely :(
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#yes its finals week and im up to my eyes in coursework but instead decided to spend like 5 hours researching and writing this post#nah bcs i actually genuinely put more work into this then I think I have all semester dsfjdskjg#that thing about him using a condom and teddy bear in a magic trick genuinely had me crying with laugher. actual tears rolling down my face#<- HOW!?!? WHAT WAS THE TRICK?? its literally inconceivable to me what he did. oh if only there were pics UGH#anyways!! this post was a lot of fun to make!! i really really love the symbolism and design of helmets so this was a rly fun project#and i also went down a lot of rabbitholes while make this and saw many very weird articles from yore#i feel like i make an equal amnt of deranged posts abt seb and nando but i dont know why nando is gifted w all my well researched projects#<- i.e. chair post. that was the same level of research as this one but at least this one i could find actual sources about....#idk theres smth about the extremely long history of nando's history that evokes research posts like this KLAJSLSKDJ#theres just so much that i dont think I ever really see people discussing! so i must create.#haha what was that joke tag i wanted to make abt my researched posts? I think:#normal posts that catie normally makes in a normal fashion#<- one day ill go back and actually tag posts w that. bcs the amtn of research compared to my actual schoolwork is so unwell#fernando alonso#fa14#f1#formula 1#catie.rambling.txt#we do a little bit of f1
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golden-headband · 6 months
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Nap Time
Eternal Servants AU belongs to @emelinstriker
Scenario: Reader wants to sleep. Needs to have their favorite fur covered boys to sleep well.
You were lying down, trying to go to sleep. And yet it elludes you like water from a ducks back. You knew you were tired, yet your mind refused to turn off in order for you to get your REM sleep.
You finally breathed in and give a sigh of defeat. Lifting your head from the pillow and looked up. "Guys? Could you-?"
"Yes Master!?" Macaque knelt before you, at eye level where you were lying in the couch. You stared at him. Bemused at his speed. "Can i ask you, Wukong, and MK to come here for a sec?" That order request did not take long to be fulfilled.
"Is there something we can do Master?" MK asked, looking up at you. "It's not a big deal, just a lil thing." You assured the three monkey champions kneeling in front of you. " Um... Can I ask you guys to just... Lie next to me? Like. One on each side? I'm more used to my cats lying next to me while I go to sleep and uh..." By the look on their faces, they could feel your sorrow from missing your pet. You took in a deeper breath, held in your chest as you tried to speak. "I just need some company while I go to sleep."
" of course" you were so tired you couldn't tell if it was Wukong or MK saying this. You knew it wasnt Macaque since he wad always so loud and eager to please you. Eventually you felt Wukong on your left and Macaque on your right. Both nuzzling into your shoulder and side respectfully. MK was clinging to you while burrying his head into your chest. Right over your heart. All of whom had their arms wrapped around you ans their tails wurled either around your legs or your waist. It was... Soothing. In no time your eyes closed, and you drifted off to sleep. Feeling comfort in those around you.
And when you felt Wukong place a kiss on your head, it was over. You heard his voice before going straight into dreamland. "Have a good night Master."
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propertyofkylar · 8 months
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rescue - whitney x gn!pc
"Fuuuck."
Being attacked was nothing new in this town, obviously, but that didn't mean it didn't suck every time. You sucked in a raggedy breath as you leaned your head against the wall, trying to remember if you were supposed to tilt your head up or down when you had a nosebleed.
You'd manage to kick your attackers off and send them scrambling away, but you didn't leave without injuries of your own. Your ankle hurt too much for you to move right now, so you sat in the alley and hoped it would feel better soon so you could hobble home before someone else came after you. At least you still had another pepper spray canister - Kylar was good for some things. You almost wished that he would find you here. He had that knife, and he was sort of caring in an insane way...
It was then that you heard more footsteps coming down the alleyway. You tensed up and held out the pepper spray. "Don't fucking come another step closer," you called out, hoping your voice wasn't shaking as badly as you thought it was.
"That's so cute that you think that could stop me," a familiar voice came. You almost jumped up in surprise, but your ankle gave out and you crashed back down to the pavement.
"You could just say hi for once, Whitney," you groaned, turning your head so he wouldn't notice the nosebleed. It always felt humiliating for him to see you like that, especially because he enjoyed seeing you so weak.
"Wouldn't be as fun," you could hear the smirk in his voice. "You look like shit, slut."
You groaned again and turned to face him, feeling blood drip from your nose. "Thanks. I had no idea."
A brief look of what seemed like panic flashed on his face before his expression settled into his normal smug look, making you wonder if you were just seeing things. "The fuck happened to you?"
You didn't answer. You thought it was pretty obvious.
"Who did it? Where'd they go?" He looked around, as if the attackers were still right there. "Messing with my fucking property..."
"I don't fucking know. It doesn't matter," you sighed. You really weren't in the mood to deal with him at the moment for obvious reasons.
He paused for a moment. "Stay right there, slut."
"Whitney -" you started, but he was already gone. Fucking great. And not like you were going anywhere in this state anyway.
It wasn't too long before he came back, gripping a bunch of crumpled-up napkins in one hand and a cup in another. Whitney squatted down next to you and set the cup on the ground. It was a milkshake.
You tilted your head, silently asking him why. He rolled his eyes.
"You've got blood all over your face. Grabbed napkins from the cafe, and thought I might as well get something out of this," he moved the cup so it was pressed against your ankle, providing sweet relief. At the same time, he leaned in and took a hold of your chin, gently wiping your face.
"Be a good slut and hold still," he murmured. The intensity of his stare made you feel frozen in place, anyway.
The tender way he touched you reminded of you of when you were little and Robin would fall and skin his knee. You would sit next to him with a damp towel and gently wipe at the injury, soothing his tears. It was a nurturing sort of action - not at all what you would expect from Whitney.
Once Whitney was finished, he grabbed the milkshake and leaned against the wall, taking a sip. He wrapped one arm around your shoulder and with the other, offered you the cup, which you took with a small smile.
"Where are your friends?" You asked. It was rare to see him without a gang following him.
Whitney shrugged. "Ditched 'em. Looked like it might rain." That seemed to be all you would get out of him on that topic.
You sat and idly chatted as you shared the milkshake. When it had been drained, Whitney stood up.
"Alright. C'mere. Let's get you home," he said, reaching out a hand.
"Huh?" You blinked in surprise. Whitney rolled his eyes again.
"I'm not gonna leave my best slut alone and injured in an alley. The fuck would that do for me?" He hoisted you up and wrapped his arm around your waist. "Put your arm around my shoulder. And don't put weight on your ankle."
You did as he asked, considering there wasn't much else you could do. Besides, his arm felt nice around you.
Luckily, you weren't too far from the orphanage, so the walk wasn't awful. Resting had helped a lot, and your ankle honestly was barely hurting anymore. But Whitney still held you up, and you let him.
He paused out front and gave you an odd look. Suddenly, he sighed and looked away. "Just...be more careful next time. I can't be your knight in shining armor all the time."
You frowned. "I mean, it's not like I asked you. You kinda just showed up."
He shrugged. "You were in my alley." He paused again before leaning in to kiss you. His lips tasted like vanilla and stale cigarettes.
Then he pulled away and slapped your ass. "See ya tomorrow, slut," Whitney smirked as he walked away. "I'm expecting an extra good thanks for saving your life and shit."
You couldn't help but smile as you watched him leave.
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postergadorart · 8 months
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i said i love zelink
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crabbunch · 10 months
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ethubs to me is like. tfw you kill and die for someone so many times that you can't even grow tired of it. it's mundane, sure, but in the way that loving someone is mundane. blood becomes like waking up to them every morning- an expected but beautiful nonetheless way of things being. it doesnt matter if they're killing each other or their enemies or pretending to do one and actually doing the other to them it is an act of devotion. and not the dramatic kind. tfw you die and kill for someone so often that instead of loosing meaning it gains sentiment. this is not a tragedy anymore!!! they are ripping it apart with their hands and laughing!!! is there anymore power to an actor than that? than turning the story to a comedy? they're sooo sitcom core. of course they love violence- there's no reason to be afraid of dying when it's not the end. they'll have another go at it, and another and another and another and another. the grief is real, sure, as real as the bloodlust- it's just not the thing that lasts
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peterparker-irl · 9 months
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um. casually drops a redraw of a renaissance painting. but with legos. (click for better quality + reference under the cut!!)
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moreclaypigeons · 3 months
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No like seriously ARE we ready to talk about the misogyny in fandom spaces
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felizusnavidad · 6 months
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"i don't think i'll ever understand musicals the way you do" is something i've heard from one of my friends a couple of days ago when i told him i'm about to cross the whole country just to see one of those (my favourite one!) live in theatre. and i can't blame him. if you'd have told me a year ago that i would do something like that, i'd probably have laughed in your face. life is so unpredictable. i guess i have changed a lot. and i could write thousands of essays about how musicals helped me get through the shittiest period of my life, but we are not going to talk about this today. today we are talking about in the heights, the first musical i got a chance to experience live in theatre, hopefully not last. so grab a cup of coffee and make yourself comfortable, this is going to be the longest essay you've ever seen, friends.
a little warning: spoilers. a lot of them actually. so if, by any chance, you haven't seen/heard it yet and you are going to, don't read it.
first thing i feel like i need to mention is that they had this mini bar inside the theatre and you could order a lot of different drinks there and one of them was called abuela's coffee. i heard one lady explaining to someone that it's actually coffee with condensed milk. my jaw dropped and i was like CAN I STAY HERE FOREVER, PLEASE? for those who don't understand why, here's a quote from the first song:
USNAVI: abuela, my fridge broke, i got café but no con leche ABUELA CLAUDIA: try my mother's old recipe: one can of condensed milk
so this was my first "OH! THEY GET IT!" moment (a little note here: i had a lot of oh, they get it moments, mostly because i don't have any people around me who understand musicals the way i do... honestly, you'd have to live inside my brain). that was the first time ever when i could actually be in the room where it happens with all those people who get it and care about it as much as i do (mostly actors and people responsible for the whole show tho, but we will get to this later).
let's get to the show. so when i finally went inside and i saw the stage, i already had tears in my eyes (don't judge me please). usnavi's store, abuela's door, daniela and carla's salon, all those puerto rican, cuban and dominican flags (one couple behind me was trying to figure out which one is which and it was funny because i knew and i wanted to scream)... listening and memorizing the whole soundtrack is one thing. being able to experience it all live is something else. all those things around me were so familiar and this was the first time in months (MONTHS! OR EVEN YEARS!) i felt really understood. after all, it was all like a little celebration of lin's story (the one i love with all my heart) and i truly felt like home. so that was another OH! THEY GET IT! moment.
i don't think i'm going to talk about every single song here, that's not the point. i will talk about my favourite moments, but also about things that didn't work very well in my opinion (again: this was a polish version so all the songs were translated into polish. and they did a really great job here, surprisingly. but it wasn't perfect, more about that later).
one thing you need to understand is that i will never be normal about musicals so of course i had to burst into tears at the very first song (i don't even know why, i think i was a little bit too excited). i was actually crying in the most random moments like when i first saw nina or at the end of carnaval del barrio because I KNEW WHAT WAS GOING TO HAPPEN NEXT (who the hell cries at carnaval del barrio when everyone is having the time of their lives lol, me apparently).
ok, so the first song. the choreography, oh my god. it was everything. the translation was also pretty good here, i need to say this was probably one of my favourite moments. imagine me leaving today giggling like a child when usnavi came on that stage and started rapping, i was in heaven. also, i have to admit, the cast was amazing. i could never imagine anyone better for this role (and again, i am talking about polish actors because everyone knows who's the best usnavi of them all). he was cute and charming and awkward and so adorkable and also really handsome. he was actually perfect in my opinion.
i kinda lost my mind when i saw nina for the first time. first of all: i already knew who was going to play her and let's just say i fell in love with this actress before i even saw her live on that stage. this was important to me, because (as some of you know) nina rosario is my favourite character. and oh my god, she was an absolute perfection. what a voice, sweet jesus. i'm being serious, this girl is so talented, give her every award (i honestly hope i will have a chance to see her again one day, i'm just crazy about her). and breathe was so good! polish version was amazing, i was so scared they would screw it up, but they didn't, so all's good (this song is very important to me, ok?). also, she's a phenomenal actress, i could feel all her emotions for real. and of course i cried, what did you expect?
i don't have that much to say about benny, except that he was really cute and he had amazing chemistry with nina, so once again, the casting was really good. i mean, he is not chris jackson of course, but i have decided i'm not going to compare all those actors because everyone knows at this point how much i love OBC, i was trying to have an open mind. vanessa was also pretty great, amazing voice and her dancing skills, wow, just wow. i could talk about all those actors for days actually, but i'm not going to do that, so i will just quickly mention that i absolutely loved daniela and carla, abuela claudia made me cry, sonny was the funniest character in the whole play and i don't think i will ever recover after piragua guy's performance (i was the only person in the audience who was laughing when he came on that stage, they don't get it, ok? polish people have no sense of humour and that's a fact). actually, there were a lot of funny moments (obviously) and i was the only person who was laughing, god help me.
so let's get to the first thing that was a little disappointing for me. you will not believe it, but it was actually... 96,000 (this is one of my favourite songs and i seriously can't live like this). it's not the translation tho (it was honestly fine), it's the voice overlapping part at the end (again, the best thing ever, just listen to we don't talk about bruno from encanto and non-stop from hamilton and you will understand why it works so well in every lmm's song). the thing is, you could actually only hear vanessa's part and i wanted to die, because EXCUSE ME. i always sing usnavi's part and you could barely hear a word from it. but apart from that, the rest was fine, the choreography was amazing and it's just something i needed to mention because i had thoughts about it.
paciencia y fe! ok besties, i have thoughts, again. abuela claudia was absolutely incredible, also, her relationship with usnavi is something that you can't see in the movie version (they were so sweet i wanted to curl up and die. i knew about it before, i saw slime tutorial with obc on yt, ok? i'm pretty sure lin would be mad at me for watching bootlegs lol. i just wanted to say this). the translation didn't work out at the very end of the song tho, because when in the og version abuela sings about the "winning ticket", everyone knows already she won the lottery. i don't remember polish translation exactly, but it was something with double meaning, depends on how you interpret it, and i'm 100% sure people who didn't know the plot just didn't catch it. the rest of the song was absolutely beautiful tho.
when you're home. i was so afraid of this one, because i am totally crazy about this song (did i ever mention lin wrote this one after one of his first dates with vanessa? no? yes? ok i'll shut up about this now). oh, they did a really great job with it and it's a relief. i have nothing else to say, except that i was crying like a baby, but this song always makes me cry so what did you expect exactly? one of the best moments for sure. again, nina and benny's chemistry was absolutely incredible.
as much as i loved the club, i was actually really disappointed with one part, which is usnavi's famous "jealous i ain't jealous, i can take all these fellas, wHaTeVaaaaa". i've been waiting so long for this! and they messed it up with their stupid cringy translation which i don't even remember at the moment but usnavi was actually mad at benny and he cursed? ANYWAY. the rest of the song was great and the choreography was absolutely phenomenal, oh vanessa! let me get the next one! (i love her so much, she was amazing here). a little note from me: no one was laughing at the "no hablo ingles" part, NO ONE BUT ME!!! THEY DON'T GET IT! WTF! i was so mad (i am aware of the fact that most people probably didn't even know this story before and they just wanted to see a musical, not THE MUSICAL, which is totally fine. but sweet jesus, where is their sense of humour? they left it at home or what?).
and blackout was that part where the voice overlapping effect worked very well, so all's good. actually, one of the best moments for me as well. people were actually so confused when all the lights went down, but that was just so amazing. all the panic! everybody was screaming, crying! WE ARE POWERLESS! THE END OF ACT I!!! oh, i had the time of my life.
i had this weird feeling that they didn't exactly know how to translate most of hundreds of stories so they just made this song shorter than it actually is. which is fine i guess. honestly, it's better than bad translation, so i can forgive them. what i absolutely can't forgive tho is that the audience wasn't laughing at US NAVY. polish people, you have no fucking taste. i said what i said. and then again, usnavi and abuela's relationship was so sweet this song actually made me cry (mostly because i knew what was coming but also, i was just this weird girl who was sitting there in the second row and was crying at the most random moments).
ok, guys, honestly. carnaval del barrio was the best moment from the entire musical. oh, how much i want to experience it again! daniela was absolutely incredible, carla was so sweet, piragua guy stole the whole fucking show for me (seriously guys! he was just so amazing!). also, those little details i have never noticed before? i can't even tell if the same thing happened in the original version (the quality of that bootleg is actually terrible), but benny dancing with american flag somewhere in the background was so fucking funny and i don't think i will ever get over that part where at the end they were all still dancing and celebrating and nina and usnavi just ran away as fast as they could because... because you guys know what just happened. also, this is the moment i started crying.
i was so scared of it. let me tell you one thing, i experienced abuela's death at least fifty times and i still cry every single time. so atención is something i have to mention, because all the emotions and kevin's shaky voice made me burst into tears right away, and this time i wasn't the only one because i saw a lot of people crying when they realized what happened (i also heard a lot of OHs when he said abuela passed away, so yes, most of them didn't know this story and they were surprised). and alabanza was something else. believe me when i tell you i am writing this with tears in my eyes, i have never cried so much in public. this was the moment i was the most scared of and i was absolutely right because holy fuck. i was a mess. all the actors with those candles singing alabanza a doña claudia! (yes, they didn't translate it, all the spanish parts were left like in the original version and i am so grateful for that), it was just so sad and so beautiful. and this time i was actually like oh, they get it now (everyone was speechless and people were crying).
everyone must know at this point how much i adore champagne and i wasn't disappointed (thank god!). once again, usnavi was absolutely adorable here and people were actually laughing this time (also thank god!). how do you get this gold shit off? (my favourite line from the whole musical) was translated really well and the moment when usnavi and vanessa kissed! with all lights on them! this was so emotional and the audience reacted so well! we were all clapping (it was so funny to pretend like i didn't know it was gonna happen haha i was just as excited as all of them and once again i was like OH! THEY GET IT!). 10/10, would recommend.
if you think i wasn't crying during the last song, think again. one thing i absolutely hate about the movie version is that they actually changed the graffiti that made usnavi stay in washington heights, but i'm not gonna talk about that and i'm not gonna talk about vanessa also being there in the movie. in the original version it was a portrait of abuela claudia made by graffiti pete and oh boy, i lost my mind (i knew about it but i still lost my mind because it was absolutely beautiful). i got the feeling it was a little rushed in our polish version, but i can forgive them because it still made me cry. also, at the very end, usnavi did not only finally acknowledge he's home, when the song was over he pretty much told the audience that we are all home right now and may i just say... i felt that. i was home. they made me believe for the first time in my life i was where i belong, and somehow that was everything.
one thing about me is that this is actually all new to me. this was my first musical i saw live in theatre (and also lin's first child, which is exactly how it was supposed to be i think), and believe me when i tell you i've never had this much fun in my entire life, not even at all the concerts of my favourite artists. it was worth every money. it was worth spending 11 hours on the train and 11 more on my way back home, which by the way we should normalize (people are doing crazy things just to see their favourite artists on the stage and it's considered normal, so why can't we consider THIS normal?). anyway, i don't expect anyone around me to understand it the way i do, but i feel like i really found my thing, and it's all because of lin-manuel miranda, our beautiful puerto rican genius. he made me believe musicals can be cool and i truly wish i could thank him for that one day.
and like i said, in the heights is my favourite story with my favourite characters and i listened to it so many times i have memorized all the little details. experiencing it live is something completely different tho and i think it's safe to say this was the best night of my entire life. even tho most of the people in the audience didn't really get it, i finally felt like i was a part of this world created by my favourite genius and for the first time ever i felt understood. so i think i can say that now: i found my island, guys, i'm there, i'm home!
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lunarharp · 1 year
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into the deep end - 29k T orufrey fic.
the sweet oblivion of the victim, the poisoned freedom of the other.
for one moment - it had felt like two parts returned - the needed reunion of two disparate halves. no more secrets, no more pain.
the moment you get to give back what you never wanted to take. that moment, under the night-blooming flowers, when they had both let out the same single broken sigh of relief.
but they were never whole to begin with, were they?
qifrey swore he wouldn't say 'sorry' to this man any more if he could help it - sorry is cheap now. he didn't want to be in a position ever again where you only have 'sorry' left. so he just looks down into the threads of his blanket, strains his eye until it hurts, feeling his insides - his throat, heart and head - burn with pain. he expects more, but olly says nothing.
olly says nothing.
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godsfavoritescientist · 10 months
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Building off of what I wrote in my fic "Sparks," I'm really compelled by the idea of Ford genuinely no longer being interested in sailing around in a boat with Stan by the time they were seniors in high school.
I like the idea of it not being just a symptom of the resentment that had been building between them, nor it being a dream of Ford's that only paled in comparison to west coast tech, but it being a genuine loss of interest on Ford's end. I think it complicates things even further in some really juicy ways.
Like, imagine going through high school slowly losing more and more interest in the dream you've shared with your twin and only friend ever since you were little kids. How do you break it to him? How do you explain it to him without making it sound like a rejection of him? Without it making him hate you?
How do you explain it without it feeling like a spit in the face to all the hard work he's put into a plan that started out as a way of him comforting you by telling you "it doesn't matter what people say about you, you're going to be an adventurer who sails away into the sunset and never has to hear their mockery ever again, and there will be babes and treasure and heroism, and then they'll all see how cool you really are!"
And all through high school you think to yourself, "he's going to move on to more realistic dreams any day now, and then I won't have to say anything about it!" But no matter how many times you mention something else he could do with his life that he seems interested in, or bring up the challenging logistics of traveling around long-term in a boat, he sounds just as committed to the childhood dream as ever, and completely oblivious to how apprehensive you sound.
So resentment grows, little by little. Because that's easier than confronting the soul-crushing levels of guilt that are building up inside of you, every time you don't take an opportunity to tell him you don't want to do the plan anymore. You don't have a single person in your life who modeled how to have difficult conversations for you. As far as you know, having this conversation with Stan would crush him into tiny little pieces and then he would hate you forever, and you can't stand the idea of losing the only friend you've ever had.
So tensions grow. A lack of interest turns into a bitter resentment that, if you were really being honest with yourself, is directed more at yourself than it is at Stan.
And then the falling-out happens, and it seems like you were proven right. Stan hates you now, and he's never going to forgive you for giving up on his dream. But two can play that game, so you try to hate him too. Because if you hate him too, then maybe it won't hurt as much that he never came back. That he never even turned up at school, or by the boat, or in through your bedroom window in the middle of the night. He knows what dad's like, and how he says impulsive exaggerated things when he's angry, and haven't you both dealt with his harsh words countless times before and been able to dust yourselves off and joke about it later? So why isn't he back at home, joking with you about how absurd your dad acted that night, being impossible and belligerent about ruining your dream, but at least now you're even, because you've ruined his dream too.
-
And now imagine you find out he risked the lives of everyone in existence to bring you back, right after you had accepted your fate was to die killing Bill. It would be terrifying and confusing and infuriating. If he cared so much, why didn't he do something to reconnect with you sooner? Why did he ignore you in favor of trying to make it big without you? Why didn't he take the infinitely safer and simpler action of reaching out to you without you having to track down his address and send a desperate plea for help? You were convinced that he didn't care enough to bother with you unless you had an important enough reason for him to come. But even then, he thought your plans were stupid. He didn't want anything to do with you, not even with the world at stake.
Did he save your life out of guilt? Does he pity you that much? It doesn't add up with what he did in the decade leading up to shoving you into the portal. And the dissonance between the version of him in your head that hates you, and the man who held out his arms to welcome you back to your home dimension, is so strong that you feel like you're being lied to again, like you're back in the depths of gaslighting and manipulation that Bill put you through, even though there's no way that's what Stan is trying to do... right? You can't figure it out, so you run away from it. You don't want to know the answer to whether or not Stan hates you, because you don't know which answer would hurt more, so you try to make him hate you more than ever, because at least then you would know for sure how he feels.
And in the end, after he sacrifices his memories for you, and for the world, things seem clearer. The layers upon layers of confusion and anger and hurt seem to have washed away like drawings in the sand, leaving behind the simple truth: that you two had an argument, and didn't move past it for forty years, and despite everything you put each other through, you both still want to re-connect.
So you sail away in a boat together.
And at first, it's wonderful. It's exactly what you want. It feels like an apology to Stan, and a thank-you for saving the world, and a once-in-a-lifetime chance to heal the rift between you two, and it's good to be back on earth, and you wonder why you ever doubted the dream you two once had.
But then, after the first long journey you spend on the sea together, when you get back home to dry land, Stan is already talking about planning your next adventure out on the open sea. He recaps every adventure you had on the first trip, over and over again, and he wants to chat with you all through the morning and long into the night, and you don't have the words to explain to yourself that you don't have enough social battery for this, and suddenly you're slipping back into the horrifyingly familiar feeling of Stan being overbearing and needing space from him and how could you think that? How could you think that about him after everything he's done for you and everything he's forgiven you for? But the longer this goes on, the more you realize that you still don't want to spend the rest of your life sailing around with Stan. It's great fun in moderation, but the idea of your whole life revolving around Stan and going on adventures with Stan and being in a boat with Stan with no time to be by yourself thinking about your own things and figuring out your own dreams makes your skin crawl with a claustrophobic kind of panic that you still don't know how to put into words forty years after the first time this feeling grabbed you by the throat and ruined your friendship with Stanley.
But the first time this happened, it nearly ruined his life forever. You can't let yourself feel this. You don't feel this. You're happy to spend the rest of your life fulfilling Stan's lifelong dream, and making up for the time you crushed his dream, and sure, maybe he crushed your dream once too, and maybe it would be nice for him to support your dreams like you're now doing for him, but you can't say that. He saved the universe, and it would be horrible and ungrateful and cruel for you to try to voice these feelings, especially when you don't know how to voice your feelings without it making other people feel like you twisted a knife into their gut. So you try to pretend the feeling isn't there.
You go out on a boat with Stan again. You planned out another incredible journey together, and this should be fun, and you should be happy about this, but the unspoken feeling you shoved as far down in yourself as it could possibly go is eating you alive. The worst part? Stan is starting to notice. You have never been good at hiding your emotions. The trick to it has always been to convince yourself you don't feel it at all, and not think about it, and that has always worked like a charm. But whenever the emotion claws its way back up to the forefront of your mind, you can tell Stan knows something is wrong. So you can't even give him the happy ending he deserves. You can't even convince him that you want to be here on the open seas forever with him, like he deserves. And you keep trying and trying to hide it, but Stan keeps asking in roundabout ways, like "You're being awfully quiet, sixer," and "whats that look on your face?" and eventually it comes exploding out of you like a shaken-up soda bottle dropped on its cap.
And then it's like you're back at home in New Jersey again, standing in the living room while dad grabs Stanley by the shirt. It all comes pouring out of you, in the worst possible way, with the worst possible phrasing, like a pandora's box of monstrousness, and Stan tries to fight back against the sting of your words, but you're made out of acid and you're burning through him and you can see it on his face, and there's never any coming back from this, not this time, you'll just have to either jump into the ocean or become a monster forever, so Stan can hate you more easily again, and-
-and at the end of the outburst, you're still on a boat in the middle of nowhere in the ocean with your brother, in dangerous waters, and you have things to do to keep the boat running smoothly.
You can't run away from him. He can't run away from you. You're stuck here for at least a couple more weeks, even if you turned around and sailed back towards shore right away.
-
And the thing that compels me so much here, despite how unbelievably angsty it all is, is that it sets up a situation wherein the Stans might end up forced to actually address the decades of resentment and confusion and wanting-to-reconnect-throughout-it-all that they thought they could gloss over and heal with enough time spent adventuring together on a boat. They might end up forced to actually address the crux of the issue that drove them apart in the first place: Ford wanting a little more space to feel like his own person, and to feel like he's able to have his own dreams, too.
It wouldn't happen easily, nor right away, but if they were stuck together on a little boat in the middle of nowhere surrounded by magical creatures they have to protect each other from in order to make it back home alive, then after they had one fight where they brought up all the things they silently agreed to never bring up again, it would probably happen many more times, and each time it would leave them both angrier at each other than ever, until eventually something honest slipped through amidst all the saying-anything-except-what-they-mean bickering. And once enough of these honest moments slipped through, then they would have a thread to tug on to start to unravel the gargantuan knot of their decades of unresolved conflicts.
And then, eventually, maybe Stan could learn that he can have a good friendship with his brother without needing to be glued to him at the hip, and Ford needing a certain amount of alone time doesn't mean he dislikes him or wants to abandon him, and Ford could learn that he can be honest and have a meaningful connection with someone without it driving them away and making them hate him.
#succumbed to the stan twins angst visions and wrote 2000 words about this#ford pines#ford meta#this turned into a character analysis that almost reads like a fic#godswriting#<- i need to change my writing tag to this#something bothers me a little bit about the solution to their conflict being 'ford appreciates stan more now so he is now fine with-#-boat adventures with stan'. to me it leaves the initial conflict of 'he doesnt want to do that anymore' unresolved#obviously you could easily argue that ford never stopped wanting to go on boat adventures with stan and he just couldnt justify it to-#-himself when compared to the opportunity at west coast tech. but that has one less layer of conflict#compared to the possibility that he truly was not interested in boat adventures anymore. ESPECIALLY if its a manifestation of him#feeling suffocated by the whole dynamic-twins-duo thing#its normal to start wanting a little bit more space especially at that age. to want to have space to figure out who you are#the healthy thing would have been them talking about it and figuring out a compromise. like 'when ford needs space he can spend a few hours#-alone without stan being worried the whole time that it means ford hates him' and 'we still spend x amount of time working on the boat and#-we still chat on the way to and from school every day and hang out at the beach on weekends'#like of fucking course it was never about hating stan or about wanting to get away from him because of who he is as a person!#he literally just wanted to have a little bit of breathing room to be his own separate person. he just didn't know how to put it into words#I really think the crux of it all was them not knowing how to navigate that balance between independence and identity while staying close#so ford misattributing/reducing that feeling to 'I dont have the exact same dream as stan anymore. why does he still have that dream. oh no#feels like a good way of giving that conflict a tangible aspect to it thats easy for the stans to point at and talk about as a way of-#-alluding to the REAL core of the conflict between them.#and of course the show never says 'they sail around the world for the rest of their lives 24/7' so it's not like it Actually Conflicts with#-my interpretation of the conflict and how it should be resolved. but since its the last thing we see happen between them when theyre given#their happy ending. I feel compelled to say 'hey I know them living in the shack together and traveling in a boat every single year sounds-#-really fun and like a satisfying ending but I think they should have a Little Bit more space from eachother than that. Hanging out almost-#-daily but not literally being in the same house and same boat for the rest of their lives. bc if stan was ok with ford asking for that-#-little bit of space and if ford didnt panic and isolate himself from everyone whenever he needs like one hour of alone time? that would-#-feel like a big piece of the puzzle fitting into place for their conflict resolution and growth as characters. to me#and I think they deserve to have all the tied-up-loose-ends and resolved-conflicts and character-growth in the world.
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puppyeared · 4 months
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i feel shy talking here when i dont have anything worth sharing but i cant help feeling like ive said things in the tags that could be brought up in court
#im joking#i think i just get embarrassed saying smth that most ppl can see out in the open. its like when prey animals are grazing in a pasture#and then they hear a twig snap yk. im like that. but talking in the tags is more comfortable because it just feels more.. hidden?? quiet???#its kind of like how i prefer responding thru asks than DMs.. idk if it has something to do with space or less pressure#i also use these as an excuse to ramble a little abt recent events so. ive worked a little bit on shuffle and prestos backstories ^_^#i was thinking abt giving them a shared past where they knew each other as kids and forgot but i also though hmm.. idk if it would drive th#story i want bc i think itd be better if they bonded over similar experiences instead of the fact that they knew each other before. i get#that reconnecting and reconciling your idea of someone now and then is a good concept but id have to think abt it.. i dont want it to feel#like they owe each other to be friends again just bc they were as kids. ive experienced that a lot and all it did was make me feel guilty#so i think id want to write it as u can be friends with someone who had similar experiences and make u wish you knew each other then#i also know theyd hate each other but idk HOW. i suck at writing conflict so idk if theyd try to make each other eat glass and why#idk if itll ever come up but id also like to see if theres a way i could rationalize why they have animal ears.. normally i say aliens#but ive had an idea for a species and background for that too. although its very abstract and it probably has a lot of holes#smth abt peoples souls attaching themselves to smth they identify with.. although i dont know to what extent like if it can#be called a sona or if it can even be smth mythical like a unicorn or god itself.. its very weird rn#yapping#oc talk
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krikeymate · 1 year
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Wednesday never feels that all encompassing love that her parents have. She loves, she does. She loves enough, in her own way. She even lets it into her heart. She lets Enid persue her, she lets herself be persued. The love she feels for her is incomparable, but she has no desire for gratuitious displays of public affection, no desire to scream it from the rampart and declare Enid as hers for the world to see. When Wednesday concludes that she is simply not built that way, Enid kisses her softly and declares “I love you the way you are built Wednesday Addams, and need you no other way but the way you are.”
Until the day she stands in the hospital, Enid beaming up at her with their daughter in her arms. That tiny Fragile thing, their daughter. Wednesday would kill for her, die for her, live for her. She wants to show her to the world and dare it to try and take her daughter from her.
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