It is a beautiful day, and you are a horrible research transport vessel. Things are progressing as normal (i.e. it's boring) when a SecUnit pings you, lies right to your metaphorical face, and then tries to bribe you with human media to give it a ride. This is as unexpected as it is unprecedented, and the sheer nerve of it is really to be admired. There's no protocol to this, so what should you do?
Now, this is against a bunch of rules, and could be dangerous if you weren't so impressive and incredible, and you're technically an employee (and can probably rewrite the Univeristy charter at will (until someone notices and puts it back)) so those rules are for other entities.
So, what you should do is allow the rogue SecUnit with a broken governor module and a sketchy story aboard. If you check the files it dumps and find zero (0) malware (which is confusing), and it doesn't even try to trash the place or lay in wait to ambush a crew member, then you've got a good candidate!
Next, what you're going to want to do is absolutely nothing. Just watch it patrol your halls until it's time to leave. Continue staring at it while you're undergoing embarkment procedures. Maybe analyze it a little (you've got plenty of processing power to spare) when it finally sits down and starts watching media. Allow it to settle in and get comfortable while you stare at it and get further and further from port.
Now that you two are alone (intimacy is key!) and you've determined that watching media is all the SecUnit is going to do, it's time to make contact! Make sure to open by telling it it's only survived due to dumb luck, and letting it know you could melt its brain into putty. This starter will work to develop conversation naturally and smoothly, just like you've seen the humans do, and it will be smooth sailing from there!
This has been Perihelion's guide to making friends/finding life partners/fuck off Holism I had to work hard for this find your own
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i love how fraught and complicated discourse around various utena characters ‘dying’ is when anthy is literally stabbed to death eternally by a million swords imbued with human hatred. and then utena gets stabbed to death by them also. like. ‘death’ is incredibly interesting in rgu because most of the time it’s this ambiguous figurative thing that has interesting implications re: ohtori as a closed-off world one can escape. we are all trapped in our coffins. mamiya is the only named character with a grave. nemuro memorial hall functions as one all the same. ruka is implied to have died in the hospital— was he dead all along? who was the boy we saw for these two episodes? is this dead boy the same boy, or is this just another coincidence from the shadow girls, cutting like a knife? it’s heavily implied that akio and anthy murder kanae by poisoning her, adding to the previous implication that they were poisoning mr ohtori too, but there are no perceptible consequences of this. kanae’s absence is not felt. she’s fed an apple slice. what happens to the bodies? we know what happened to the 100 boys, but what about everyone else? and so on and so forth. ‘death’ is a tricky thing in utena, i think it’s constantly functioning on figurative and literal levels in very different ways for very different purposes. dios died. dios was dying. dios didn’t die. he grew up. etc etc
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re: jianghu as a queer space in mlc
here to answer @redemption-revenge !! in reply to this post
(also tagging @markiafc @ananeiah <3)
there are many definitions of jianghu, but this is specifically based on the framing of jianghu as the space people retreat to, away from the mainstream sphere governed by the imperial court. in that is a sense of rejection and defiance against the patriarchal, heteronormative values and norms, which had been enforced through a fixation on upkeeping order in the society. as such i guess it's not too much of a stretch to interpret jianghu as a queer space in a way that's characterised by a spirit of nonconformity to the norms. consequently, it makes sense for stories set in jianghu be used to illustrate and navigate queer identities/experiences/feelings - which I came to believe mlc had made really good use of.
there's always kind of a dichotomy between 江湖 jianghu and 庙堂 miaotang (ie. imperial court). like in mlc, there are two separate, distinct law enforcement bodies from the respective spheres - and jianghu strives to keep imperial court from interfering in their affairs. like how li xiangyi firmly stands against getting imperial court involved in jianghu matters. like how fang duobing is actively running away from the grip of the royal court on his life choices. the rejection of the mainstream (very conveniently and broadly put, confucian) norms in mlc also manifests in many of its key relationships being non-familial (in the sense of blood/marriage-based kinship) and there being little emphasis on the main characters' biological familial ties. (anyway this is for a whole different meta on its own... edit: it's here)
it's then actually a sort of irony that the imperial court's institution of law and order is what sigu sect/baichuan court had been formed to be a de facto counterpart to. so when li xiangyi becomes li lianhua, it triggered the process of deconstructing the meaning of installing such an institution and the need to maintain order to a fundamentally nonconforming space such as jianghu. mama fang's seemingly throwaway line of criticising li xiangyi and his mission is in fact the thesis statement in this particular reading of mlc's story: jianghu makes its own rules. nobody should dare to do it in its place.
now deprived of all means to fight like he used to, li xiangyi's new life as li lianhua is essentially a refresh of how he views jianghu. the death of li xiangyi the leader of sigu sect and top of wulin, meant taking apart the idea that jianghu is a lawless arena where the fittest fight to the top for power and control over wulin. and li lianhua then putting together lotus tower, living a life focusing on a domestic lifestyle this time for real far from the reach of the governance both from the imperial court and sigu sect/baichuan court, is him living the jianghu that's defined as a space away from any form of conformity.
with that, there's also a sense of queerness to this particular way of living as li lianhua, if you consider the chinese conceptualisation of gender being more social than biological. if femininity and masculinity were respectively characterised by inner/domestic sphere and external/any space outside of that, dare I say...it actually makes li lianhua's moving house mindblowingly smart as a metaphor for gender fluidity. lonely wanderers are common in wuxia but housed lonely wanderers? he carved for himself a domestic (ie. feminine) space in the wilderness - among a jianghu space that's still dominated by masculine values of aggression and competition. and being freely mobile makes this feminine space more fluid and less tied down than the more rigid, inert domestic, feminine spaces in traditional mainstream society. when you combine it with how his character has been fem-coded - even as li xiangyi (eg. yin-coded powers/energy) (also a whole other meta on its own... edit: it's here now), it speaks to a part of him that has always found appeal in qualities conventionally associated with femininity of stability, gentleness and non-aggression. and a rejection of expectations to fight and destroy. he is defining who he is in his own terms, in the true spirit of jianghu.
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I have a question for you guys.
I was rewatching Yosano's backstory episode (and cried again. what of it?) but something this time caught my attention.
In the scene where Fukuzawa and Mori are fighting and Fukuzawa angrily tells him his plans "lack humanity"... is the word they both use... not "kokoro"?
It would appear to be, from this manga translation. If that really is the choice of word, that's really interesting, because one of irl Natsume-sensei's most well-known books is the novel Kokoro.
What does this mean? Is Mori really following the plan Natsume laid out for them? Is he derailing from the initial plan with the exclusion of "heart/humanity"? Did Natsume intend for "heart" to be sacrificed in the name of defense? Or is this conflict, with "heart" at the center, exactly what Natsume needed for this plan to work?
And on Mori's end: this isn't his usual cold, impeccable logic. This is anger that Fukuzawa is getting in the way. More than that, it almost seems to me like Mori has a paranoid streak. Check this out here:
To be quite honest with you, Mori sometimes makes weird calls that imo aren't the best decisions - and they're all out of some fear he has, typically over the protection of the city and the country. Mori's takeover of the Port Mafia is seen as overall a good thing - because the previous boss grew increasingly paranoid and started ordering unnecessary violence, something Mori himself wishes to avoid whenever possible. Yet his projection onto Dazai causes issues during the Mimic incident - sure it was logically sound, but he lost Dazai for it. Was it really then the best solution there was? And what about Yosano - so caught up in what she could prove and what she meant for the war effort that he failed to consider her taking drastic action out of sheer despair? It's interesting that Mori, who advises others on not letting their fears and emotions get in the way of strategy, is prone to the same thing at times. Might he get worse at this kind of miscalculation? It'd be altogether kind of tragic if he messes up later in the story out of paranoia, considering his predecessor's legacy...
Edit: I changed the last bit, as it's left somewhat unclear if part of Mori's reasoning in the whole Mimic incident was to get Dazai away from him - in fact, it's likely that wasn't the case at all and Dazai was just saying this to intentionally get under his skin. Unfortunately I am a bit of dumbass who misinterpreted this line on first read, and now read it differently:
He's sticking with the logicality of it - one person's life for a gifted business permit is a worthwhile sacrifice, even if it drove away his right hand man. Either way, whether it's projection (Dazai is just like me, so he'll understand) or paranoia (he is going to inevitably kill me someday - which is still kinda projection imo) or some combination of the two - I think the original point still stands: maybe focusing all your efforts on ensuring you're always prepared for some eventuality or other means you overlook things you deem less important or irrelevant. Maybe removing heart from your decisions... isn't actually the best call in the end.
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listen okay I will give the lang brothers this: when their stories are bad they're never BORING, I'm never gonna say "well that sucked" and move on I'm gonna keep thinking about it forever and I very genuinely think that's a more worthwhile way to experience something I don't like
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