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jinmukangwrites · 3 years

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@damianwayneweek Day 4 (6-16): Reverse batfamily | Hugs | Soulmate

Warnings: Canon typical violence, major injuries, background character death, ✨angst✨

Note: this one ran away from me. It got a mind of its own. If I had more time, this would be so much longer. I've always wanted to write a reverse batfam story with Damian's perspective. Please enjoy.

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Damian has only spent a month living with his blood father, and he's felt nothing but miserable this entire time. Somehow, life has managed to become even more stressful and exhausting compared to living within the League of Assassins. He... understands why his mother felt he'd be safer here for the time being, but at least, back in Nanda Parbat he knew what he was doing and what the rules were.

He's not sure where he stands with his father. It's obvious that his father doesn't know where he stands with Damian either. Damian, his entire life, had grown up with the knowledge of Bruce Wayne being his father. Batman. Caped Crusader of Gotham. Hero. Bringer of Justice. His mother's dearest, most precious love after Damian himself. She spoke often of him. Highly. Only when alone and no one else to hear them. His father isn't exactly on high standings with his grandfather nor other high ranking members of the League.

Yet, his father knew nothing of him until the day they met. His mother brought him to the streets of Gotham, lured Batman to their location, and introduced them there. His father seemed visibly shocked under that cowl at the information of having a son, yet he didn't question it.

Damian didn't know what to expect after his mother left him for his own safety. He didn't know all too much about culture outside of the League. He was, of course, taught the basics to blend in with American society—as well as other countries—if the need so came, but other than that... He didn't know what to do with himself when he first stepped in the manor to find only one servant and a new home empty of anything to fill his time. The cave where his father operates was locked to him from the get-go.

His father doesn't seem to trust him. He explained the situation to the servant, and then sent Damian off with the servant to find a room with the warning that if Damian "did anything", he'd regret it.

Damian's hardly seen his father since. When he's not working as a CEO, he's out as Batman, and Damian sits in the manor all day and night running out of ways to keep himself entertained.

Sometimes he sees his father at supper, but he doesn't ever start any conversation. Damian doesn't start any either, thinking it's purposeful. He doesn't ask about Damian's stay, or if he's comfortable here, or anything. He doesn't update Damian on any new information about his mother and the league. The only words he speaks to Damian are gruff good nights.

Miserable. It's miserable. He doesn't understand why his mother is so in love with such a miserable man for company.

He doesn't speak up on it, however. If his father is anything like his teachers or his grandfather, questioning him or speaking out of turn will just get him in trouble. He'd like to keep his stay at a tolerable level of misery, thank you very much.

So he doesn't say anything to his father, even though he's itching to go out with him at night to... to do whatever he does. He's seen the television, Superman has a kid fighting with him in Metropolis. Why can't Damian do the same with his father as well? He can wear a mask and change his name. He can easily defend himself, even against this country's love for guns.

He still doesn't say anything, and he spends the days miserable.

-o-o-o-o-

It's the butler, Alfred as he has insisted many times during his stay (Damian humors him by calling him by his first name, being as he's the only one to speak to Damian in this drab house), who suggests school a few months after coming here.

"School," his father says blankly, looking at Alfred like he's lost his mind.

"He's a young, growing boy," Alfred says. "It's not good for the lad to be inside all day like this."

Damian sits at the dining table, stiff like he's stepped on a landmine and is now waiting for it to explode. However, he can't help but look up at his father through his lowered eyebrows to meet his sharp gaze. School... doesn't sound like something that would be any fun, but... but anything to get out of this manor sounds almost heavenly.

His hopes fall when his father shakes his head. "No. It's too dangerous."

And something inside Damian snaps just a little. "Dangerous for who?" He demands, slamming his hands on the table. "For me? Or for the other children?"

His father looks stunned, and Damian's stomach drops as Alfred's eyes widen as well.

He's running out of the dining room before anything else can be said.

He's messed up. He's definitely, royally, messed up.

-o-o-o-o-

Punishment for yelling at his father doesn't come like he expects it to. A week goes by, and there's not a single word of his outburst.

It sets him on edge. It fries his nerves. It makes him jumpy and paranoid and frightened at every shadow.

So much so that he finally decides, one day, to pull the sword hanging above the library entrance off the wall and practice with it. It's heavier than what he's used to back in Nanda Parbat. British history is in the shape of the blade, but he still wields it and practices rusty moves on it until he's sweating in the middle of the library. Usually training makes him feel better, but the more time that passes, the more frustrated he gets.

He gets so frustrated that he imagines enemies surrounding him. He imagines the warmth of blood splattering against his skin as he swings. The taste as it touches his tongue. Their screams of death. He gets so deep in this trance that he doesn't notice he's broken something until the sound of crashing glass reaches his ears; he's swung right through a glass display case, the unprotected remains of a signed classic novel resting inside.

His heart jumps when the door opens to see what the commotion is about, and he drops the sword like it's hot when Alfred is the one to poke his head through.

"I'm sorry," he says.

Alfred gives him a long look, and then he sighs. "Come fetch the broom with me, and we can clean this up."

"Will you tell father?" Damian asks slowly. He can tell it's a loaded question when Alfred pauses and purses his lips.

"Not this time," he says finally, after a few heartbeats. "But I do think it's time I speak with him about some other things. Come along, the quicker we clean this up, the quicker I can get you a cup of tea to stop you from looking like a frightened racoon."

-o-o-o-o-

A few days pass, and his father invites him to follow after dinner. Out of everything Damian expects to come from this, being led into the batcave through a grandfather clock in the study wasn't one of them.

"You can train here," his father said, showing him a massive room in the cave filled to the brim with practice tools of all kinds. Dulled swords, throwing stars, bo-staffs, and straw dummies to name a few. There's locked cases on the far side of the training room, of which Damian suspects are full of much more sharp, dangerous, and fun tools.

No matter. He's already feeling his blood shake with excitement at the thought of finally getting some proper practices again.

"You can come down here only when myself or Alfred are here to supervise you," his father explains. "Nothing here leaves this room, and if anything breaks you tell us immediately."

"Can I start now?" Damian asks, barely managing to hold himself back from running towards the closest, one-handed blade.

His father, surprisingly, nods. "I'm going out, and Alfred will be down to help me with the computer. He will be in charge."

Damian can't stop himself from smiling. Finally there's something to do in this house. Feeling hopeful, he decides to ask one more question.

"Can I go with you? One day?"

Silence is his answer for a few heartbeats, making Damian suddenly fearful that he shouldn't have asked that. Then, his father sighs.

"We will see."

-o-o-o-o-

A few more days pass before they do see. He suspects Alfred must have had another conversation with his father, because he approaches him one night and offers to spar.

It's done in full concentration, not a single word exchanged between the two. Both are too busy studying the other's fighting patterns to say anything.

It's now that Damian realizes what his mother meant whenever she spoke about his father's advanced martial arts. It's brutal and expertly executed. It's only a matter of time before he's pinned. He's disappointed in himself, but not surprised to end up losing.

But not all is lost. He can tell his father is impressed when he releases his pin and tosses Damian a rag to wipe off his sweat.

"We need to talk to Alfred about getting you a suit."

-o-o-o-o-

The suit Alfred makes him is made of the strongest, thinnest material Damian had ever seen. It cannot only be Kevlar, because it would be heavier than this. It must have been created by his father himself, or one of his associates.

Whatever the case, he's in awe by it. Alfred is a master of every craft, it seems. He's managed to create the suit to Damian's submitted designs to the T, only making subtle changes here and there where sketches don't match up with reality.

It's mostly black, because according to his father white isn't a good color to go with in Gotham. It's understandable, as much as Damian dislikes it. He's always liked wearing whites and tans for his outfits, accenting here and there with greens and blues to bring out his eyes. Black is such a boring and dull color, but this, he supposes, he will have to deal with.

And it's not all black, at the least. Just the bits around his shoulders, cape, hood, sides, and legs. On his chest, however, is a splash of dark maroon, as well his boots and gloves. His belt is yellow, like his father's, and filled only with smoke pellets, a grappling gun, and a hanging pair of sticks that triple as escrima, a bo-staff, and nun-chucks. Not his preferred weapon, but his father doesn't seem to be very trustful with him and sharp ones yet.

He goes out into the city, out of the manor, for the first time in what feels like forever. His father keeps a sharp eye on him, reminding him every two seconds to not kill anyone, but Damian doesn't mind too much.

He's just happy to be out, and to finally get glimpses of what his father is truly like outside of the stories of his mother and the silent dinners.

He's ruthless, but not heartless. Strong, but not abusive. He prioritizes justice, above all else, and teaches Damian that even the criminals deserve it. The victims get saved, and his father leaves the criminals to be picked up by the cops to be brought to rehabilitation or wherever else they must go.

Damian's careful to remember these teachings, even though he doesn't understand them. He's been raised to think the only thing bad people deserved was punishment, but after taking down a bank robbery, his father researches the names of the robbers and finds that the bank keeper was blackmailing them to give him money on top of the loans they already had with the bank.

The bank keeper was trying to pay off the gangs to protect the bank from other gangs.

So on and so forth.

Gotham seems to be a big cycle of abuse, with no one willing to end it.

Well, no one besides his father.

It doesn't make sense to Damian why his father would try so hard to stop it, but he can at least respect it.

For now.

-o-o-o-o-

Everything goes almost fine until it doesn't.

For the first time in almost half a year, Damian finds himself separated from his father and Alfred. There's a new big bad in Gotham, a man with half of his face burned off by acid. Two-Face, he calls himself. Harvey Dent, his father informed before he left Damian behind to fight him alone.

"This is personal," he said.

And Damian didn't listen. He wanted to see what a real fight was like in Gotham. These petty bank robberies and classic muggings were getting boring and repetitive. He didn't mean to get so close.

His father was in a standoff with Two-Face, and on a stroke of bad luck one of the goons spotted him watching.

"It's Red Bird!" Shouted the goon. Red Bird is the name Gotham had started to call him by in the papers.

A group of the goons charged after him, the rest kept by Two-Face and his father, sneering as they separated his father from helping with their guns and a baby hostage.

And maybe it was seeing the child in Two-Face's arms that made him see red. Maybe it was the disappointment in himself for being spotted. Maybe it was simply all the pent up frustration that's been building without his knowledge since he's gotten here.

Whatever the case, he fought back a little harder than he meant to. What he was supposed to. He brought most of the goons down to the ground, clutching broken bones and bloodied gashes. His old training kicks in, and he goes to hit one of his opponents in a specific place that would kill them.

"RED BIRD!" His father shouts angrily over the commotion.

And Damian stumbles, stopping in his kill-path. His father sounds disappointed and upset and- and Damian almost disobeyed his orders and his father saw it immediately.

Then, before he can be fearful or horrified or confused, his own skull is hit hard enough that the world fades to black.

He wakes up with his arms tied behind his back and his entire person disarmed. His father stands at a makeshift pair of gallows, another man besides him. Both are hooded.

Two-Face flips his coin and asks Damian heads or tails. He says tails, and saves his father, but the other man hangs.

Then, Two-Face beats Damian with a bat, to the point he can't see straight, and the pain drags him back into unconsciousness. The last thought he has is that he's failed. He's disappointed his father, and he must have disappointed his mother as well if she hasn't come back for him yet.

He's failed.

-o-o-o-o-

He wakes in the batcave's med-bay, his entire body numb. He can only lay there with a tube running up his nose and needles in his arm, listening to the machine besides him voice his heartbeat. Vacantly, he can hear arguing voices outside his door, one of a woman he doesn't recognize and the other of his father.

He closes his eyes when the arguing gets too loud, but opens them sometime later when it stops and someone enters the room.

His father stands in the doorway, his face looking more raw and vulnerable than Damian's ever seen it.

"I thought I lost you," is all he says before he runs to the cot and grabs Damian's hand. The one not in a sling, he realizes. He's so numb he didn't even notice he had so many bandages and casts on him.

Not that he focuses on that for long. In fact, all he can focus on is that his father is clutching his hand like a lifeline and whispering over and over how sorry he is.

"I should have been better," his father rambles. "You're not like Jon, you don't have powers. I'm so stupid for letting you out there- I almost got you killed- your mother is going to murder me-"

Damian doesn't even know what to say. He's so flabbergasted by the actions of his father, that he just lays there as his father continues.

"I knew I wasn't cut out for this. I'm not even in my thirties, and I'm a dad. I tried my best to keep you safe, make sure you didn't get yourself into danger- and I fucked it all up. I don't know what I'm doing, Dami. I don't know- I'm sorry-"

And this continues for a little while longer until the door opens again, revealing Alfred and the woman who must have been yelling at his father before. She has gray hair, curled up like a loose afro around her head, revealing her old age. Behind her glasses, her eyes are sad. Together, Alfred and the woman approach the bed, and the woman lays her hand on his father's shoulder.

"We need to check his bandages," she says.

His father nods, wiping quickly under his eyes before he stands up. She gives Alfred a look before she leads Bruce out.

It's only Alfred and Damian for a moment, and Damian releases a breath.

"He's not going to let me out again."

Silence.

Then Alfred comes to his side and looks at the bandages. "I will talk with him. First, let's get you healed up and properly introduce you to Miss Thompkins."

-o-o-o-o-

Red Bird does go out again, once he's healed up. Alfred's talks with his father do wonders, it seems, as life at the manor has gone back to lonely and miserable—what with his father avoiding him at every chance. But he goes out again, swinging into the night with his father silently beside him having just finished retelling him every rule he must follow.

Damian intends to follow them. He doesn't want to lose this. He's come so close to losing this.

He hopes... That maybe... If he follows the rules... Things will start getting better again.

They fight crime like normal, going their normal routes and working silently by each other. By the time it's time to go home, Damian's feeling more alive than he has since Two-Face beat him with the bat.

Before they can return to the manor, however, a familiar signal is lit in the sky by the police department. His father stills and Damian watches him carefully. His father has been careful to keep him out of the business that comes with that signal, even before Two-Face.

His father sighs, then gives Damian a hard look through his cowl.

"Behave," is all he says before they're on their way to the police station.

There's a man on the roof. Commissioner Jim Gordon. He gives his father a greeting, then pauses when Damian steps out besides him.

"Decided to finally introduce us?" He asks with a raised eyebrow. "Just when I thought Red Bird was off the streets for good."

Damian bristles, but his father sighs. "What do you need, Commissioner?"

"Apparently a college teacher went insane and poisoned his students with a gas that made them see their deepest fears. Professor Jonathan Crane. It sounds like something you'd handle quicker, and I can get you the files we have on him after you explain to me why you're still letting a child run around in tights. Especially after you told me he was quote un-quote, 'alive but out of commission'."

"I don't see why it's your business," Damian hisses before he can stop himself.

"Red Bird," Batman scolds, and Damian falls quiet.

His father looks at the Commissioner with a hard look. "He's my responsibility, and I will look after him."

"There were rumors he died, Batman," Gordon argues back. "Two-Face bragged about it all the way to Arkham. He had blood on his face."

His father stiffens his jaw, then says through gritted teeth. "I will never allow something like that to happen ever again. If you want my word, I will give it in saying if anyone like Two-Face tries to hurt him like that again, I will make sure they regret the thought before it can happen. Red Bird will continue to be with me where I can watch him, and you will respect that. Trust me, it's safer for all of us this way."

He looks down at Damian, then almost smiles.

"He will sneak out himself anyways, eventually. Or I won't hear the end of it from a mutual acquaintance."

Damian finds himself smiling back. It seems getting on the good side of Alfred was a good decision on his part. And he's right in the former statement as well. Damian is sure he'd eventually get bored enough of being left behind and go out to prove himself without permission. Red Bird... It's too good to give up. He can't lose it.

It's like a staring contest between Gordon and his father for what feels like an entire minute, but eventually Gordon gives up with a sigh.

"Don't know how you do it. The wife's starting to talk about having a kid... I can't imagine a little one of mine running around doing the things I do, let alone what you do."

He brings a cigarette to his mouth, then pulls out a file with his free hand. "Take the case."

Batman steps up to do as was told, but before Gordon let's go, he gives his father a hard look.

"You better keep your word," he growls, "because if anything happens again to that kid, I'm holding you responsible and I'll bring you in for child endangerment myself."

Batman nods. "I'm counting on it."

-o-o-o-o-

Eventually, the topic of school comes up again.

Which of course brings up the topic that no one actually knows about Bruce Wayne's son. Damian's been kept a secret this entire time, unknown to the public.

"We'll tell them that your mother and I met at the end of highschool, and we have kept you a secret ever since. Due to your mother's weakening health, we decided it would be best for your future to have your custody turned over to me and the mother wishes to remain private. Then, we can-"

"Wait," Damian interrupts. "You're going to let me go to school?"

His father pauses in his verbal plans, then nods.

And suddenly, Damians jumping from his chair with joy, wrapping his arms around his father's neck without thinking about it. However, the second he realizes his action, he attempts to scramble away with horror. He's never hugged his father before. But things have been so good, civil even, to the point where they can be in the same room and have conversations about the weather or the recent sports game or even about a new cartoon Damian found on TV.

But they never hugged.

Afraid he's pressed boundaries, he pushes away, but he doesn't go far before a hand wraps around his shoulder. Damians left halfway on his father's lap where he sits, looking at him with anxiety churning in his stomach and an unreadable expression on his father's face.

Then, gently, Damian's pulled back in so now arms are wrapping around his back. His father's hugs are soft and warm, Damians learns. The opposite of how he fights. Yet he feels so safe and protected that he doesn't resist the action.

"This is really happening," his father says in a whisper. "I have a son. I'm really a dad now. I... I promise I will be better for you. From now on. I'm sorry for how I treated you... In the beginning. I was scared. It's no excuse, but I promise you, I will be better."

And he is. They get ice cream after and then watch a movie before going out as Batman and Red Bird.

Time passes so Damian starts school and makes friends. He meets Clark Kent and his son, Jon, and makes a best friend. He grows older, and happier, to the point he no longer misses the League of Assassins. To the point when his mother does finally return to see him, saying the danger has passed...

Damian tells her he wishes to stay with his father. She smiles, and hugs him, and says that she's proud of him. She promises to visit him as often as she can after they share a good cry.

She leaves, and visits, and time moves on a little more.

Until one day, years later, they notice a kid with a camera following them around and taking pictures. Then, the same kid admits to knowing about their civilian identities when confronted.

His father searches the kid up when they get back to the manor, and after some digging it's revealed his name is Tim Drake and his parents are neglectful and strict.

Damian sees the same look in his father's eyes as when he first told the public he had a son named Damian Wayne, and he gets the feeling the manor is about to get a little more crowded.

This, he thinks, is about to get interesting. It's been awhile since life threw a curve ball. He just didn't expect this one to come in the form of a little brother.

And life goes on.

#damianwayneweek2021 #damian wayne #robin #bruce wayne #batman #dc comics #reverse robins #jin writes #fanfiction #violence tw #injuries tw #death mention tw

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by-inky · 3 years

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art trades open!

there that’s basically it

PLEASE READ CAREFULLY THE RULES AHEAD!! I’LL BARK AT YOU IF I SOMEHOW NOTICE YOU DIDN’T ÖWÁ ØWÅ

😎🤌🏼💖 what I accept:

ship art (you’ll get ship art in return ⇒ I can do cc x oc, oc x oc, or cc x cc if it doesn’t make me uncomfortable)

fics (I’ll very probably ask for oc x cc; I accept bulleted fics)

video edits (twisted wonderland voice lines, preferably without software watermark but it’s oki anyways) // THOSE ARE LIMITED; if someone offers to do video edits, I’ll only accept a certain quantity (5) since it’s all I need. After someone offers to trade for them, this option won’t be up anymore (I’ll edit this post if this happens)

😔🕶🤏🏼💓 rules:

I’ll draw the same you offer! if you offer a sketch drawing, I’ll give you a sketch drawing; if you draw a completely rendered pic, I’ll draw a completely rendered pic, etc. me = you

I have the right to reject your art trade request if it makes me uncomfortable. If you’re still up for an art trade before that, please request something else.

please be respectful while you request and understanding if I don’t manage to finish the piece after only a couple days. I have a social life too and my routine isn’t stable; it can change at any time.

the art trade order will go by request (FIRST ASK FIRST SERVE): the earlier you send me a text, the earlier I’ll put you on the list.

I’ll be accepting up to 3 art trades. Once those slots are taken, you’ll be put on a waiting list to reserve a slot once it’s opened again. f you're a mutual, it's more likely I'll get into your piece the first bc mutuals rights

please remember to give me references if you ask for ocs!! I can accept picrews too, but don’t get angry if I don’t draw some details you haven’t told me about.

I can trade art for video edits or fanfics too! I’d need some help for my ocs’ voice lines videos so it’d be very appreciated;;

→ about this, (pink text is what you’ll get)

- help on 2 video edits (I’ll give you the templates and the audio, you’d just have to put them together) = colored sketch

- help on 5 video edits (same as before, you’d have to put the audio to the pic) = rendered drawing, bust-height

- fic 100-200 words (accepting bulleted fics) = colored sketch

- fic 800+ words (accepting bulleted fics too) = rendered drawing, bust/waist height depending on the length

the piece can take from 1 week to 2 months, depending if I have free time or if I’m busy af

please send me a text via tumblr DMs or discord (by Inky#6188). It’s more likely I’ll answer quicker via discord since I’m more online there usually. We can discuss the trade easier that way!

I hope it’s oki if I post my part of the trade in this blog since otherwise I won’t post on weeks bANABDNDJH, ofc you’ll be properly tagged and credited for your oc if you ask for an oc drawing

I need you to add two specific emojis in your text. They’re written somewhere in this post, so you have to read carefully through all of it

you don’t have to have a pose in mind, but it’d be easier for me if you did! you can send me a pic or a rough sketch of it to facilitate the work

✅ will do:

ocs, canon characters

ship art (waist height max)

chibis

complicated outfits

❌ won’t do:

fullbodies (I’m sorry my anatomy sucks)

NSFW/ suggestive art

heavy gore

difficult backgrounds, like,, have you ever seen a drawing of mine with a proper background

nudity

pedophilia ships, or draw a person who resembles a child romantically with one who resembles an adult

mecha

furries, but I can do hybrids tho (example: cat ears and tail etc)

specific art style (I cry in agony to even draw my own stuff in twst or genshin style)

please add the emojis 🌸💖 somewhere in your text request so I know you read through everything!! if you don’t add them, I’ll conclude that you didn’t read them and I’ll mostly get pretty upset bBSNB

some art examples (you can see them all through my blog tho and in my masterlist)

colored sketch:

fully rendered drawing:

yeah and that’s it! thanks for reading until the end! art trades are open until I specifically state the opposite!! <3

#art trade #inky speaks #ART TRADES OPEN

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nerdypanda3126 · 4 years

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It’s Complicated - Ch. 1

What happens when you cross a black cat, a designer, a guitarist, and a fencer? The answer is it’s complicated. Chat Noir stops by to help Marinette with her design block, but when he discovers the design is for Luka he has to figure out why that bothers him. Surely it’s because she’s a very good friend, right? Meanwhile, Marinette struggles with letting Adrien go and figuring out why Chat Noir is suddenly acting so differently...

This story takes place shortly after Miracle Queen, so everyone’s still a little confused.

Read on Ao3 Ch. 2

Chapter 1: Design Block

Marinette groans as she scribbles over yet another design, and rips yet another sheet of paper out of her sketchbook, crumpling it before tossing it to the ground among the many others. Nothing is working. This piece has to be finished by this weekend so she can give it to Luka before he goes onstage with Kitty Section, but she can’t even get a vision of what she needs to be sewing. Her head is too full to think straight.

“Maybe you should take a break?” Tikki asks, floating hesitantly in front of her. Marinette considers it, but then she shakes her head.

“One more try, Tikki. I promise.”

She bends her head back over her sketchbook, letting her thoughts flow onto the page. She keeps Luka’s stage character, his colors and his mask, in mind as she draws. Her mind drifts to the small smile he gets when he plays. The bright blue of his eyes when they flick open to glance at her in his audience. The songs he’s played for her in the few moments they’ve had together. He always manages to play the song she needs to hear.

When she looks down at her work, blinking out of her design trance, she finds that she’s covered the paper in hearts. Oh no. This can’t- she doesn’t- it’s not like that. She takes a deep breath. His voice echoes in her mind.

You can be yourself with me, you know. Just yourself.

She glances at her screensaver: a picture of Adrien she couldn’t bear to take down. She touches her fingertips to his bright smile. Her heart twinges. Hard. She still sees him in class, of course. And that has gotten easier. They’re still friends, after all. Alya isn’t a fan of this new plan, obviously, but she respects it. Marinette has noticed that Alya has subtly been rearranging their hangouts. She appreciates the thought, she really does, but she does miss Adrien. Maybe she should invite him to the concert this weekend.

Her eyes travel to the hiding spot where she’s tucked the Miraculous box. Boys should really be the last thing on her mind. She tears the page out of her sketchbook with a sigh and crumples it, throwing it behind her. She’ll clean this mess up and try again tomorrow.

When she looks around for Tikki, the kwami isn’t anywhere in sight. It’s not normal for her to just disappear unless –

Chat rakes his claws against the glass of her window. The sound makes the hairs on the back of her neck stand up and she grits her teeth as she gets up to let him in.

“Why do you do that? You know I hate it.”

“And that’s why I do it.” He grins rakishly as he steps inside, spinning his baton over his palm before he latches it to his back. She slumps back into her desk chair. He wouldn’t be here unless something were bothering him. She can hold off going to sleep a bit longer.

Chat’s brow furrows when his boots hit the floor and he sees that it’s littered with her failed attempts. He moves to pick one up out of curiosity.

“Chat, don’t. Seriously, it’s not good.”

He smirks as he smooths out the paper, but she’s scribbled out every design she’s tried, so she knows he can’t see what she was working on. He picks up another from the floor, but it’s the same result.

“Design block?” He tilts his head at her and one of his cat ears flops over. She nods, then curls onto her desk chair, setting her chin on her arms. “Maybe I could help? I know a thing or two about this stuff.”

“Maybe? I don’t know,” she says.

“What are you trying to make?”

“Menswear.”

“Have you ever done menswear before?”

She shrugs. She’s not going to mention the mound of gifts she’s made for Adrien that are in the chest behind him, still waiting to be presented. Mostly accessories. “I’ve dabbled.”

“Well, talk me through it.” He crosses his ankle over his knee and leans forward. “What’s the occasion?”

“It’s supposed to be stage wear, but also something that could be casual.”

“Who are you designing for? Like, who’s your guy?”

The tips of her ears heat up when she thinks about the hearts she hadn’t meant to draw. “I don't think I should tell you. You might know him.”

“Oh, so it’s a specific ‘him’, then?” Chat asks, his cat ears perking. “Who is this ‘him'?” She starts to stammer an excuse, but he waves her off. “Just throw me some adjectives.”

“Well…um, he’s…nice.”

Chat’s lips quirk in amusement. “I can’t help with just ‘nice’. Keep going.”

She pauses to think. Chat and Luka have met a few times now. But it's not like Chat knows him well enough to guess who it is off a vague description. It should be safe. “He’s laid-back. Quiet, even though he has a lot to say. Patient. Perceptive. He keeps his nails painted black. He likes Jagged Stone, and he plays the guitar. And he’s sweet. Very sweet.” She hadn’t realized while she was talking that she had started smiling, and her cheeks are starting to burn.

“Luka,” he breathes, “you’re making something for Luka.”

She tries to hide her surprise. He got it on the first try. How well does Chat know Luka, anyways? No, don't think about it, that's dangerously close to identity territory. She clears her throat. “Um, yeah, it’s for Luka. The band is performing this weekend.”

Chat stands from the chaise and paces to the other side of her room. She’s seen him irritated a few times now, and she can tell by the tense curve in his shoulders and the way his tail is flicking around his calves that something she’s said has bothered him. She watches him as he seems to try to get ahold of himself. It only takes him a moment or two before he drops into his feline crouch and sidles back to her.“So, this design, it’s for a concert?” He’s slipped into his professional problem-solving tone, like when they’re brainstorming how to defeat an akuma. She can’t place her finger on why she finds this odd.

She hesitates before she answers. “Yeah, just the band and a few friends. Nothing big. Kitty Section usually draws a crowd along the banks of the river, though. I thought that maybe I could make something different for Luka to wear on stage. Something more him.”

She can’t bring herself to mention that she also wants to thank him for being there for her. She had broken down in his arms when everything had fallen on her shoulders and he held her and told her it would be okay. She hadn’t known how much she needed that until he gave it to her. The least she could do is make him something thoughtful.

Chat has recovered only slightly. He picks up another of her crumpled sketches off the floor and starts to smooth the wrinkles open with the pads of his thumbs, lingering on the corners. Her pulse speeds up when she notices it’s the one she had been working on right before he walked in. At least there’s actually an attempt at a design on there for him to look at. Hopefully he doesn’t tease her too much about the hearts. He runs a hand over the paper, tracing her wispy pencil marks and probably trying to make sense of it.

“It’s a jacket?”

“I was playing with the idea.” She knows her cheeks are turning bright red. “I thought that might be the easiest for him to work into his stage costume. If he wanted to.”

Chat nods, reading her fabric and color annotations. “It’s a good idea. I like this here, the hood you had.”

“I got that off of those hooded character towels.” Her blush is deepening every second he holds that paper. She tries to take it out of his hands. He hasn’t said anything yet about her doodles, but she knows it’s coming.

He catches her wrist, taking the paper back from her, and a grin spreads across his face.

“Chat, give that back.”

“Nope. I’m going to take it home and frame it.” He jumps up out of her reach when she lunges for the paper. “These hearts are for me, right? Or are they for Luuuuka?”

Yup, she knew that had been coming. She tries again to get the sketch away from him, but he’s too fast, keeping it just out of her reach.

“Will you autograph it for me? I want to keep it for when you’re famous.” He clutches it to his chest as if it’s precious to him. She can see the challenge in his eyes. For a moment neither one of them moves as they size each other up.

Then Marinette tackles him, catching him around his midsection and throwing him down to the chaise. He wraps an arm around her as they fall, still trying to protect her even when she’s trying to fight him. Typical. She grabs for the sketch as she rolls away from him, but Chat wriggles it out of her grasp. Quicker than she can follow, he’s up into a crouch position on the chaise, the sketch dangling from his claws. Taunting her.

She lunges for it again, but he jumps back, his feet landing on the floor on the other side of the chaise. With an impish grin, he holds the sketch above his head, to the full extent of his reach. She refuses to jump for it. He knows he’s won. She can see it written across his face, that victory grin and his bright eyes.

“You’re supposed to be helping me!” She picks up the pillow from the chaise and throws it at him. He dodges it easily, laughing.

He clears his throat, his smirk still lingering. “Alright, alright. So, something special for the stage, but casual enough to wear regularly. Laid-back like he is, but that makes him stand out.” He lists the criteria off and glances down at the sketch still in his hands. She’s surprised at how much he had actually been paying attention. “It’s a tall order,” he says.

“He’s a tall order.” Marinette slaps a hand over her mouth as the words leave her. The response had flown out of her before she thought it through. She knows she’s blushing all the way to the roots of her hair. Chat’s eyes can’t possibly be any bigger.

There’s an awkward pause between them. Strange, considering nothing has ever been awkward with Chat before. He blinks at her and clears his throat again, coughing to cover it. His cat ears flatten against his head and his belt tail droops.

“Uh, it’s late. I… I should go.” He lays her crumpled sketch on her desk next to her. “I think you should go with this. It suits him.” He gives her a small smile before he slinks up the ladder to her skylight and pulls himself onto her balcony.

She’s too stunned at his sincerity for a moment to follow him, but when she does, he’s already run off into the night.

#miraculous ladybug #marichat #lukanette #marinette dupain cheng #chat noir #luka couffaine #angst with a happy ending #it's complicated fic

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curiouskrp · 5 years

Photo

“WELCOMING APT 5B TENANT, KIM YANI !

INFORMATION

age – 25 pronouns – she/her occupation – gs25 night manager moved into treehouse – six months ago

PERSONALITY: ISFP, THE ADVENTURER

positive –

artistic / passionate, obsessive, curious, imaginative, creative - over the years there have been many adjectives used to pinpoint yani’s ferocious obsession with the aesthetic, with knowledge and beauty. from painting to literature, film to sculpting, she’s busied overeager hands with innumerable past times. a bout of interest in sewing left over enthusiastic fingertips tinged in bloodied pinpricks, a season of interest in ceramics caked her nails in clay, a mishap with glassblowing burned her trachea and she lost her voice for a month. her home is her workspace now, awash in warm colors and soft sketched lines, photographs strung up on the walls to examine with less tired eyes later - she’ll exhaust herself otherwise, staring at her work until a hypercritical eye begins to pick apart every minute detail, every miniscule flaw. her medium of choice in the moment, and for quite some time now has been photography, both digital and film. she works mostly with still images but has embarked on some video components. she has had her art in a few minor installations and featured in gallery shows, but has never had her own exhibit or show.

charming / the most necessary to her success as both an artist and as a human being is the fact that yani is innately charming. warm, open, and bright she has an energy that is hard to resist. this is half by design, motivated by an obsessive need to be liked, which has prompted her to cultivate a sharp sense of humor and a dry wit to match. playful, hyperbolic, and creative, she can be a blast at parties or when in a group where she is able to play off the jokes and comments of others. however, leave her to her own devices in a one on one setting and she’s much more laid back and easy-going, preferring to let others steer the conversation. she’s got an easy grace and brightness to her disposition even when she falls into the macabre or dark, tinging it with a sense of humor.

negative –

unpredictable / yani is not the friend you call at two in the morning for help, unless you’re looking to get really trashed and/or are okay with being left on read until a bleary and misspelled “sup?” at 4am. it isn’t intentional. yani is a slave to her emotions, moods and whims taking over each step of her life as she allows circumstance to pull her rough and tumble through the narration of her story. she seems almost a slave to impulse, which she may grandiose-ly chalk up to “leaving things up to fate” but in actuality is an effort to remove agency from her own hands due to a paralyzing fear of making weighty decisions. while she finds herself empathically able to relate to and understand the needs, fears, and motives of others, she can easily become overwhelmed with this perceived information and find herself retreating without warning, lest she fail them in some way. her presence in life is both unpredictable and routine - she’ll flit in and out like a butterfly, appearing briefly to leave a mark before she retreats away again, always acting as if no time has passed. her personal moods are just as mercurial, vacillating wildly throughout the course of the day, or even across a number of hours. quick to anger and quicker still to apologize, she’s prone to impulse and erratic behavior that can be off-putting to those who prefer someone more stable and grounded.

fluctuating self esteem / if you’re being kind, you’ll describe yani as sensitive. a bit empathic, too easily swayed by the emotions and feedback of others. she has a distinct lack of guard up against the world, for all her fronting to appear otherwise. the jaded exterior lasts for only a moment before it’s smashed by the reality of a girl with a heart on her sleeve. she wields a biting tongue against this like a lackluster defense mechanism, as if verbally lashing out at others can counteract how easily, how readily she can be hurt by them. while yani would often rather die than verbally express her feelings, fears, concerns, or worries in any real way, they’re very easily apparent even to the untrained eye. it frustrates her, how easily other people can read her ups and downs, of which there are many. she vacillates between an obsessive egotistical pride in herself and a damaging, truly deep set self loathing that eats up her insides. in reality she has no idea what she thinks about herself, if she’s proud or not, and pulls all of her validation (as meager as it is) from external sources. thus, her self worth is immensely predicated on the actions, thoughts, and expression of those around her, leaving her incredibly vulnerable despite a veneer of a “devil may care” attitude that, in fact, persists long after the ruse is up.

HAUNT

how many ways can yani answer the question?

is she haunted by her own failures? by choking in the middle of the entrance exams for university, clutching her chest in a violent panic attack in the bathroom and leaving with the test unfinished, summarily ruining her chances for higher education in the country of her birth that year? is she haunted by wasting her teenage years on booze and cigarettes and skateboards? is she haunted by pining after men and women that would never want her the way she wanted them, who relegated her to her childhood past of knobby knees and awkward limbs and dirt smudged cheeks, sunburnt and freckled from the sun that crested over the mountains? is she haunted by the death of the one man who professed to love her, by the knowledge that she’d settled for him, had never been able to return the love he so generously gave her? is she haunted by the fear that she’d squandered her one chance of love and now it was summarily too late, and he was too far and too permanently gone, and she would now be punished for her ingratitude with years of nothing? is she haunted by her own propensity to run from the inevitable, to escape to distant locations only to realize her problems were still hers whether she be in paris or london or seoul?

it’s hard to say.

maybe, in the end, yani is haunted by herself.

HISTORY

i. birth is an uneventful affair. she isn’t a planned baby but she isn’t unwelcome either, youngest of three by enough years that her older brothers dote on her in the abstract but aren’t really fans of actually having her around. it’s sort of a theme. her mother hires a nanny and goes back to work immediately - she took time off with the boys and she’s not willing to do it again. her father is as distant as he was with the elder two, unsurprisingly.

yani grows up this way, chasing after affection and attention, calling out for the same things that were doled out to the other two so easily. she wants her brothers to play with her - dolls or tag, she’s not picky, she’ll take what she can get. they play hide and seek but she always hides, and they never seek, just let the little girl coop herself up in the closet for a half an hour, or until she dozes off. eventually she stops asking.

ii. she grows into the hand she’s been dealt. she wears a tan like a shield, testament to hours spent outside in the sun, relentlessly scrambling over the landscape. they live on the outskirts of a little town on jeju island, and the sun and surf and sand and rocks and mountains are her company. she takes after her brothers, athletic and enthusiastic, seemingly immune to the scraping of her knees and the scabs on her elbows, bruises on her shins.

yani feels the freest on the skateboard she inherits from her brother - or, more specifically, steals from his room when his interest in girls and his worry about entrance exams takes over his free time. in this way she learns two things: she can only rely on herself, and that she must always, always take that which she desires.

she spends hours on it, rolling through town to the ultimate displeasure of the ahjummas who sit outside the town hall and gossip. a girl should be more demure, she should be more careful, she’s going to hurt herself or someone else, they say, but yani is past the point of craving approval now. or at least, that’s what she tells herself, disregard is a shield she equips, straps it over a soft heart, hardens herself by hoping for little and expecting even less. when you expect the world to let you down there is a freeness in being proven correct when it doesn’t surprise you by being anything but bleak.

iii. high school treats her well. there are only so many other kids in town, so it’s not like there’s enough trouble for cliques. not when they’ve all known each other from birth. there isn’t much reason to come to the little excuse for a city, unless you’re a tourist or you’ve got a burning passion for the fishing industry, and even then there are better choices in destination. she studies well enough, but yani is prone to distraction. her attention wanders and she spends plenty of time staring out of the window, as opposed to anything else. but she’s clever, and when she does apply herself she catches up just fine.

there’s a certain sadness to a decaying rural town, and the older yani gets the heavier it weighs on her, this realization that there are no opportunities here, that the only chance for a viable future any of them have exists in some ephemeral elsewhere always slightly out of reach. it’s the cycle of poverty in action - the jobs are manual labor or hardly impressive, few remain in the town, the aging population is setting the community up to collapse in on itself, but what is anyone able to do about it? so they drink or they fuck or they whine about it, anything to carry on the way they always have. from this town yani learns denial and resignation, in a bizarre blend that ought not be properly possible.

iv.

whatever chance she had of success in school goes down the drain with truancy and delinquency, with smokes stolen from the corner store and beer she convinces neighborhood oppas to buy for her with their ids. she gets what she wants and she doesn’t look back, morality a luxury she can’t afford and frankly doesn’t try too hard to squeeze in anyway. she loves boys that don’t love her back and she chases a high that never quite seems to satisfy. climbs a little bit higher, goes a little bit further, to fill herself with the seratonin and the adrenaline that seem to evade her.

when she finds out, in the dead of night, half drunk with her best friend, who has never seen her the way she’s wanted to be seen, that his older brother - her boyfriend, her second choice, because he sees her the way her best friend refuses to look - is dead, in a car crash, her word falls apart. it crumbles.

yani deals with her tragedies and her uncertainties in the way she has been taught. she denies it even unto herself, buries herself into distractions. it gets harder, immeasurably, when her two best friends leave for the military one after the other. she submits an application, a portfolio. it’s a long shot, but she makes it. she leaves, on a plane, in a search for more ways to bury her heart.

it’s so easy to find them in a city like paris. in drink and drugs and then maybe even in boys and girls. she finds her redemption in sex and adrenaline and in petty, stupid actions. she is a terror on two slender legs, she is weaponized femininity and a cutting tongue, she is every bit of sharp wit and killer instinct wrapped in a devastatingly pretty package. the last distraction, the most enjoyable and the most wholesome, comes in the form of an old film camera. she buys it with money she’s picked out of the pockets of men who lean to close to her in clubs, men too old to promise her the things they do, who line her pockets and give her gifts in the hope that she’ll be foolish enough now to offer her youth to those leeches, those vampiric men that wait so eagerly and desperately to drain her dry. it’s another way to put a distance between herself and the world; observer and artist, not integral, not intertwined. she can expose the truth of the world without involving her own truth in it, betrays herself in a thousand tiny ways.

vi.

it is so terribly easy to get what you want in a city like this. there is always someone willing to give it to you, for a price of course. yani learns to play this game, to divorce herself from her own reality, to compartmentalize. she feels like a hundred different girls. she feels like a line of glasses on a counter, each varying levels of empty. she feels like she could shatter in a moment, or sing beneath a touch, or neither, or both.

she feels like they can sense it on her, the sins that paint her skin. she rots herself with alcohol, nicotine, prescription pills designed for someone decidedly not her. she wears herself down with long nights, early mornings, insomnia that clings to her, a weight that settles heavy, drags her down. her moods are mercurial, she tears through the people around her like a storm, intent on destruction, pausing for the briefest moments of calm before the winds pick up once more.

she falls apart this way, bits and pieces at first, and then all at once, like a spaceship reentering orbit too quickly, she is engulfed.

vii.

in the end she stays there, in france, for a little longer. longer than she’d intended. money starts to run out, her feeble language skills are put to the test. it’s sheer luck that lands her a job at an art gallery, luck on top of luck that gets her through an accelerated program. in the end, she spends two and a half years in france, eventually returning to her dismal little rural town. returns with a degree from france that means very little besides “you didn’t make it into a korean school” and “you dedicated your life to creative pursuits that will provide you with nothing.”

she returns with her camera, with a few years of gallery experience, with a couple thousand dollars saved and very little in the way of confidence or strength. she has dreams she barely dares to dream, thoughts she can hardly expose herself too. with a portfolio and no direction, no idea what to do with herself, for herself.

viii.

by the time she gets back, one of her friends is out of the military at last, the other long gone for seoul. she spends two months in the little town before she can’t handle it anymore. has photographed every inch of the decaying rural landscape, the town left forgotten by progress, by the government, by the future. her collection on the state of the town, deemed a cutting photojournalistic insight to rural korean poverty, becomes a minor sensation and is picked up by a gallery in seoul. it’s the boost she needs to relocate, flees the town that made her, that funded her flight, to head for the city, to lose herself again.

seoul is much the same as any other city. she wanted it to have answers that it doesn’t. she hates her apartment, a half basement decked out in mold and wrinkled vinyl flooring over the thick pipes of the ondol. she drags herself through the day to day, gets a job and does what she can to keep herself afloat. takes pictures, sells them, does what she can. it’s unfulfilling. she’s frustrated. her friends feel distant and she feels thoroughly disconnected from the world around her, floating as if on the currents of the ocean.

viv.

the treehouse offers a chance at a community, the selfsame thing she has done so much to avoid, so earnestly distanced herself from - lest anyone figure out the great pretending of her life. that she’s not half the person, half the artist she wants to be. she lives a life steeped in imposter’s syndrome and unspoken words, preserving her thoughts in notebooks and photographs, fragments of time and feeling captured without explanation, left for the viewer to infer.

#cu bio #cu kang seulgi #cu isfp

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leo-lucid · 5 years

Text

Bewitching Which Monster Chapter 1: The Home

The road to my new home was bumpy and long. I looked out the window from my cab and watched the trees go by. I smiled a little as I saw the wind start to blow up the colorful leaves that were lying on the dirt road. They swirled around within the air and landed on the back on the ground behind us. Oh yeah, I could totally find myself living here and practicing my magic for a while.

"So, what brings you all the way down here? Young women tend to go off to the big cities, not small towns with nothing but forest for miles." My driver tried to make conversation. I settled back into my seat and looked at her through the mirror.

"I inherited the mansion up this road. My grandparents left it to me in their will and I have been looking for a more secluded place surrounded by nature. It may help me work more productively and it's peaceful up here. I have a greater chance of finding what I'm looking for here too." I explained.

The driver kept glancing back and forth between me and the road. "So, you're their granddaughter, Anise Devane. They talked about you fondly whenever we met in the town festivals. I'm so sorry about your grandparents. What are you looking for exactly?"

I returned my attention back to the trees. "A plot of land to grow herbs and plants. And to grow as a person myself." I answered as honestly as I could. I couldn't tell her that I was a witch and I was going to plant plants for my magical practices. We witches are a lot more free to practice than we were many years ago but it was still a little bit of a taboo topic to talk about with normal humans.

"Well, you'll definitely find peace and quiet up here. Welcome to Hazelview. Small town, small people and a whole lotta nature. You'll fit right in in no time." She chiperily described. "Here we are!"

I looked out the front windshield to see the small mansion my grandparents have left for me. The foliage was covering a majority of the grey shingles and the curtains in the window were drawn back. The steel gate would've looked menacing if it weren't for the flourishing vines wrapping all around the bars. I remembered this old house. So many memories. Even if the mansion was huge for one person alone and secluded in the woods, it still looked warm and welcoming.

The taxi driver pulled into the white gravel driveway and stopped the car. I got out and looked up at my new home. The driver opened the trunk and started to unload my luggage for me. "Here you go, sweetie. Hopefully, your moving truck will arrive before you run out of clothes to wear."

"Thank you so much. How much do I owe you?" I asked as I reached for my wallet in my back pocket.

"Nah, free of charge. You're one of us town folk now. If you ever need a lift, just give me a call. See ya later, neighbor." She declined, finished unloading the trunk and sped away before I could insist or even say thanks.

I grabbed my bags from the ground and began to drag them inside the house.I pushed the gate open with my shoulder and made my way to the large, oak door. I put my bag down on the porch and fished around my pocket for the key.

The door swung open slowly once I unlocked it, creating a loud squeaking noise. I made a mental note to fix that soon.

The house was a bit dusty and there was a lot of furniture that was left behind. The wood would need to be shined again and the walls would probably have to get a new coat of paint. The house was on the older side, dating back a good century or so. It's had a lot of work done since when it was first built. It was always known as the Devane house. Always have and always will be.

I went up one of the staircases that elegantly curved towards the wall. As I walked up, I could see all the old pictures that decorated the wall. There were old, antique pictures of my grandparents, the generations before them and the generations after. At the very top of the stairs I could see my moms at their wedding and a few more family photos including me.

I finished looking at the pictures and headed to one of the upstairs bedrooms. Upon opening the master bedroom, I noticed that the room was incredibly dusty. If I was going to sleep in the room for the night I would have to clean up a little and get some fresh air in.

I settled my luggage on the king sized bed and went to open the window. It took a bit of strength but I was eventually able to get it open. The room already started to feel a lot better. But if this one room was like this then the others must be in the same condition.

Instead of unpacking immediately and resting, I went downstairs to find the broom closet. I grabbed a clean rag and some polisher to start clearing away the dust. I traveled from room to room, opening windows and rubbing down the old furniture. To my surprise, a bunch of rooms were pretty decent. They weren't as dusty as I expected.

In fact, the bedrooms almost seemed recently lived in.

I shrugged it off, remembering that my grandparents would occasionally run a bed and breakfast out of their home for extra money. They must've cleaned the guest rooms last before they passed away. As my grandparents got older they began to sleep in smaller, separate beds. It would explain why the master bedroom was so bad.

I continued to make my way through the house, dusting and cleaning anything I could reach and opening windows to air out the house.

The house creaked slightly with each step and sometimes it did it by itself. I knew it was an old house but it almost sounded like someone else was living here still.

Again, it was probably just nothing. It didn't stop me from being a bit nervous though.

The entire house was mostly dust free and promised that I could rest easy tonight without suffocating. While I was cleaning the house I found my grandmother's Witch Room. She left a bunch of mason jars with herbs, plants that were slowly dying in their pots, and other materials scattered around like crystals and feathers and inks.

I went back to that room and looked through the scattered papers along the floors and shelves. They were all in Irish Gaelic with little English words scattered here and there. Old sketches flooded the papers as well.

I gathered them all up and stacked them on top of the wooden table. I promised myself to check them out later after I got settled into the house. It was getting late and I haven't eaten since the morning. I had to call my moms too to let them know I was safe.

Pulling my phone out of my back pocket, I called up a pizza place to order something quick. I was told that my mushroom and bacon pizza will be ready and delivered in less than thirty minutes. After thanking the person who took my order, I sat down at the family dining table on the first floor to Facetime my moms.

It only took about two rings before they picked up. My mom's red, frizzy hair was in a sloppy bun and she was wearing a black tank top covered in dirt. She probably started cleaning the house as soon as I left. She tended to clean when she was stressed, nervous or worried.

Her cool, ocean blue eyes lit up through the screen as she saw that I was perfectly safe and managed to make it to the mansion. "Hi, Ani! Oh, Olivia! Honey, Anise is on the phone!"

I could hear my ma run towards mom, excited to finally see me after waiting for me to get here. Her face appeared next to mom's, almost pushing her out of view. Her walnut wood skin was covered in sweat and showed signs of being slightly sun-burnt. She was most likely working in the garden before I called. "Anise! Oh my gods you're alive!"

"Yeah, Ma. I didn't die on the way here. Thank you for worrying about me. Once I got here I cleaned up some of the dust and opened the windows to circulate the air." I joked and explained.

"My baby is growing up! I already miss seeing her freckles that are scattered across her nose and cute cheeks, Avery!" Ma exclaimed to Mom, talking about me like I wasn't listening.

Mom pushed her away so she could have some camera time. "Don't you think I'm gonna miss her asking me to help dye her hair dark purple? I miss our baby too, ya know! Anyways, Ani, make sure you call us whenever something goes wrong, okay? Your ma and I love you very much and we want to help you get used to living on your own."

"I'll send you some boxes of purple hair dye, herbs, books, and cookies every month, Ani. If you need anything else that you can't afford on your own just call us and we'll send it over." Ma continued, her smoky quartz eyes tearing up.

I gave a small giggle and smiled. "Got it, ma. I'll be fine. I'm nineteen for crying out loud! I can take care of myself so there's no need to worry."

Mom frowned. "Of course we're gonna worry! We're your moms!"

The doorbell suddenly rang and I hovered my finger over the hang up button. "My pizza is here. Gotta go! I'll call you guys when the moving truck and handyman gets here. Love you!"

"Love you too, sweetie! Enjoy your pizza." They said goodbye. I hung up and went to answer the door.

I paid for the pizza and tipped the delivery guy. As soon as they left I close the creaky door and headed to one of the living rooms to watch some television. My grandparents should've had Netflix on all of the televisions as an app since guests would've most likely requested some modern media.

Turning on the TV, I sat down on a dusty, pink rose couch and tried to enjoy my pizza and Earth documentary. Most people my age weren't really in to documentaries, but I personally found them fascinating. It was like reading a nonfiction book but much quicker and much more entertaining.

Due to me watching mainly documentaries, my brain is filled with all sorts of facts from science to history and anything in between. It definitely made high school a breeze for me. It also helped convince my moms to let me take online college classes instead of going to an actual college.

An hour later, the cities episode ended and my pizza was completely gone. I checked the time and saw that it was 7:00 pm. Like the responsible adult I was, I got up, cleaned my mess and went to get ready for bed.

I decided to inspect the master bathroom before stripping down and using it. It would've been terrible if I noticed mold or spiders while I was bathing. To my astonishment, the bathroom was perfectly polished and cleaned. The marble counter was clear and dust-free, the shower was sparkling as well as the freestanding, claw-foot tub and even the towels seemed fresh.

Perhaps my grandparents still preferred to use the master bathroom?

I grabbed my bath essentials and began to draw up a bath. While the tub filled up with warm water, I put some music on from my phone. The sound echoed through the massive bathroom, almost drowning out the sound of the running rush of water from the faucet.

With a little bit of bubbles, some candles and crystals and some rose petals that I packed with me, I was ready to relax.

I slid right in and adored the quiet time I was able to have. There weren't a lot of opportunities to relax like this back when I lived with my moms. But now I was able to take a bath like this whenever I wished.

Just as I poured some lavender shampoo into my hand, there was a loud creak and footsteps from outside the bathroom door.

My heart sped up, my breathing stopped and I froze. There was no way that that was just the wind or the house settling. Unless I was going crazy, that was a stranger.

I stopped the music on my phone and sat in the bath in silence. I wasn't a particularly brave person so taking the time to muster up some courage to see if there was an intruder was necessary for me. With a few deep breaths and a reassuring nod to myself, I got up and grabbed a towel to cover myself with and began to check out the noise.

I opened the door very slowly and peered out. It didn't seem like anyone was in the bedroom and there was no evidence that anything was tampered with. I opened the door wider and noticed something on the wooden floor in front of me.

Bending over, I picked it up and held it in my hands. It was brown fur.

It suddenly hit me. During the few times I visited my grandparents I noticed that a few stray cats would occasionally roam around the property. Most of the windows from when I opened them up were still open. One of the cats must've found their way in and began to explore the mansion.

It was possible that the cat stepped in a particularly creaking spot in the floor and scared itself, causing it to run away. I knew that I would get freaked out if I heard a foreign sound seemingly coming from nowhere.

Hopefully, the cat would find its way outside without me intervening. The last thing I would want is to scare the poor thing with my presence.

I shrugged and went back to my bath. I wasn't able to enjoy it like I first did but it was still kinda pleasant. My time bathing was over within several minutes and I drained the tub. The only thing I packed as pajamas was an over-sized shirt that said "Inconceivable!"

Within a few minutes, my teeth were brushed and my purple hair was let loose from being in a tight bun all day. I changed the sheets on my bed with fresh ones I found from a linen closet. I made sure that all the windows were closed and all of the doors were locked before getting into bed.

Man, I was so tired. It's been a long day and I still had a long list of things to do. The moving guys and handyman were supposed to show up sometime tomorrow, I had to do some grocery shopping and budgeting, clean some more of the mansion and more.

It was best to get some sleep and be ready for all of that in the morning.

I rolled on to my side to find a more comfortable sleeping position and shut my eyes. Before I could fall asleep, I could feel the bed dip from extra weight and a body hovering over me. I snapped my eyes open and looked up to see a strange man with deep red eyes and white fangs inches away from my face. I couldn't help but scream.

"AHH!"

#creative writing #novel #romance #be prepared for there are gonna be 9 more chapters. . .#writeblr #reverse harem

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